welcome to my stranger things alternate universe / timeloop / time travel speculation corner! The theory (is that what it should be called?) Is under the cut, inspired on some set production leaks. I go into how I think time travel could work in this universe with some help from USS Elridge's disappearance and reappearance through time.
Hello stranger nation, I was looking at set photos for s5 I believe first uploaded by will80sbyers.
I notice this Hawkins high chalk board (I assume) and the math problem on it seemed interesting to me.
This was my interpretation of it. I am not 100% confident on it but if anyone smarter then me has other interpretations I would love to see them.
I also have a small theory on how time travel might be utilized in this universe. Again, there is likely huge holes in my theory and anyone with strong ideas willing to bounce off what I put down is more then welcome.
USS Elridge going outside of time then coming back, with two of its passengers potentially going forward in time during this leap creating a time paradox sort of situation due to them being returned back to their present time. (technically now their past.)
This might also be why there is multiple / alternate universes in general, as they created different possible futures due to their absence in their original universe/timeline and the absence of them in the alternative universe they accidentally visited.
now here is where I speculate who are potential knowing time travelers, though again if anyone else has better conclusions I'd love to see them!
(Dr. Who's time-war anyone?)
Thanks for coming to my Tedgate talk. *launched into dimension x*
Even more, thanks to everyone who has been putting all the leg work on this series (some shoutouts, wheelercore, henrysglock and aemiron-main who have had some really awesome thoughts regarding the series! And anyone else I might gotten ideas from but couldn't remember when posting this! Yall stranger things theorists rock!)
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Hello, my friends! I hope that you're doing well & taking care ♡
This is just something I feel needs to be said:
I apologize for how long people have had to wait for me to get back to asks & stuff!
Since I treat people so warm & welcoming I think it's assumed I'm outgoing and social
And when I say I'm shy I'm just saying things
Not at all! I'm actually extremely introverted & keep to myself most of the time. Being social makes me nervous
I believe in kindness though. A friendly world with people who care about & consider one another is where I'd like to live ♡
So I try hard to get over my shyness & show as much love to everyone here as I can c:
And honestly, I enjoy seeing & hearing from new people! I'm really happy for all the kind hearts who reach out :D
It’s just often a lot for one as timid as I am :’)
So I’m sure it seems like you’re being ignored, but as long as you're courteous (and *not* inappropriate! As my blog states no adult content) I'll get back to you!
It might take a while, but all I ask is a bit of patience, please ♡
Sending hugs, hearts, & much happiness to my sweet friends! Thank you very much for all the love & I wish you the nicest day ~ ! 🤍 ⊹ ✿ 。⁺ ♡₊ ࣪⋆ 🌼 XOXO
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a few days ago spanish newspaper el país published an article titled '25 songs that should be erased from rock or pop history' where they asked a bunch of music journalists to each pick a popular song that they dont like. and okay, this type of articles are obviously made to create controversy and i shouldnt fall for the provocation. BUT I DID. because yeah some of them were overplayed or overrated songs, i wouldnt mind not listening to lennon's imagine ever again, and everyone's entitled to their opinion. BUT. but. one of those so called journalists chose Bohemian Rhapsody.
HE PICKED BOHEMIAN RHAPSODY AS A SONG HE WOULD ERASE FROM ROCK'S HISTORY
(translation under the picture)
"OK, Freddie Mercury was a great frontman and vocalist, that's beyond doubt; but musically, Queen's contributions to rock history have been more pernicious than positive. Bohemian Rhapsody, their most iconic song, is a pretentious, operatic rock hassle, and a demonstration that the path of excess does not always lead to the palace of wisdom. It is grotesque, camp and, at the same time, grandiloquent. Pure onanistic artifice without any content. But the worst is what came after: dozens of even heavier imitators (Muse, My Chemical Romance, etc.), tribute bands everywhere, musical theatre extravaganzas and legions of fans who, looking at you with a superior, quizzical look, identify Queen with the epitome of good music".
CONGRATULATIONS BUDDY EVERY WORD YOU JUST SAID IS WRONG
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the hazel wood
An obsession that lasts two decades has to be kept alive with skill and care. Like the sacred fire of Zoroastrian temples, crackling unceasingly inside a glass chamber, it needs constant tending from its priest and regular offerings of something odorous and incendiary, bone-dry sandalwood or else. And that's the hunt and the thrill of the hunt, and it's the blood of innocent victims, and it's the gratification of avenging or preventing the same tragedy in different faces, different houses. Rage begets rage, people often say, but it might also be argued that all the productive violence and the satisfaction that comes from helping those in need of help could have given some personal closure, some peace of mind, at least to some extent. And it did not. John would return from a hunting trip, no longer the hunter but the angry wounded animal with the angry inevitable wound festering on his side (a hunter always arrives at least one victim too late), prone to thrash about, biting, kicking, and lashing out at anything or anyone within reach. The more rabid the longer he is inactive, as if he can only be hunter or beast, and knows nothing of what lies outside the chase and the woods.
Dean sometimes deems that the job does actually kind of console, does kind of make things more bearable, after having had a taste of it himself. No training is more effective, no endeavor is more absorbing. No moment of greater peace than the one that comes after seeing the ghost dissolve into smoldering ashes, the demon seep through the tiny fissures of the soft brown earth, the monster collapse into a jumble of flesh and viscera. But if his father felt that way all the years he worked alone, then Dean would have to wonder if John came back to them from those hunts not to seek some respite between gulps of rage but the opposite, to remember and take the fading, muddled, complicated pain and make it simple and sharp once again. Maybe he and Sam were, in a subconscious way, the dripping wound that Mary left, that the monster that killed her left, that had to be nursed and scratched never to close and scar, not much of a family but the insistence of an absence. Little faces haunted by absence, starving even for an annoyed glance or a distracted inquiry about their progress at school. Somehow their little boys, the last physical remnant of their union, the mixed blood in their little veins, somehow it had become the fuel of that mysterious fire that broke out in their home and still is burning, never to be quenched, not in his mind's eye.
What is the blueprint of the hunter? Is it being harshly touched by the otherworldly? Dean hasn’t met many hunters, but from what he’s gathered, every hunter has in their personal history that one tragic incident to which their never-ending quest can be traced back. A bloody initiation to the truth of this world, like a second birth: once your eyes are wide open, there’s no going back. The garden fades into dark woods like a dissipating mirage, it doesn’t exist anymore –it probably never existed in the first place. A false sense of security. One encounter with the abnormal to render all normalcy into a charade. One moment you're safe, home, surrounded by beloved ones and fellow human beings, and the next it's just you, alone, and the realization of being exposed and vulnerable in the middle of a vicious jungle, the pressing awareness of danger in every shadow and every noise. Evil in everything and everywhere, searching for crevices to seep through.
But knowledge can't be the only thing, not even if it has emerged in the most traumatic shape. Just how many of the people they have saved over the years and who have come to see behind the veil of what is explicable have decided to carry on with their ordinary lives. The absolute majority. It wasn't a question of spirit or righteousness, and it didn't matter if there was nothing left to return to: in the wasteland, the road could be formed in any direction, but no one chooses theirs. Eyes wide open is not enough. Eyes slashed open, eyes ripped open is not enough. The wound has to get infected; the infection has to poison the blood.
Messing to the marrow, tangling your guts with what you don’t even begin to understand requires a certain sort of insanity, some sort of impurity, of freakiness.
Dean realizes his father is doing the best he can within their circumstantial limitations. He’s a hero and Dean worships him, and like the old heroes of ages past, he seems to stand in a mythical plane of existence, beyond good and evil as they are understood today. Normal fatherhood standards do not apply to him either. It matters that he’s trying. But it's also true that pain can mutilate a man's ability to feel. He hasn’t forgotten that night, just a bunch of days after the fire, no matter how much he would like to bury definitely the memory. Perhaps the little instinct of self-preservation he has left prevents him from doing so.
They must have been still in Lawrence, most likely staying at the home of some family friends whose faces and names Dean can’t recall. The house was nice, better furnished and more cozily decorated, it displayed a slightly higher standard of living than what had been his parents', but Dean hated it there with all his heart and he couldn't wait to get back to his room and his toys, his smaller TV, his bathtub where mom helped him wash his hair every night, and the nursery where little Sammy babbled and wiggled his rosy little feet in the air while mom played with them and told Dean wonderous stories and answered his questions about tigers, space or guardian angels. He knew that if he sneaked out and crossed the few streets that separated him from all that he missed, he would not find it. Half the house was gone, the other half scorched, and it was not safe. But nothing was safe anymore, was it? Not even the place they were now, no matter how much his father tried to hide his anxiety by having them play catch in the backyard or getting him his favorite brand of cereal. Dad had deep dark shadows under his eyes, dad startled at the slightest noise, he often withdrew into himself for long stretches of time as if spellbound. And people seemed to act awkwardly around him, a mixture of frustration and pity; ‘you are in shock’ they would say, ‘you have to listen to what you’re saying’, then they would pass him a little amber bottle and a glass of water ‘take these, they worked wonders for me after the car accident’.
They were supposed to grieve and gather strength to rebuild their lives and move forward, but the nightmare didn't seem to end. The screams and the roar of the flames, the smoke crawling like a living thing through ceilings and walls, making his eyes hot and water as he ran with his fragile package downstairs, –and later–, the howl of the ambulances, hearing his father yelling frantically at the firemen, seeing in the distance his blank stare as he repeated his testimony over and over like an automaton to a couple of policemen, –and afterwards–, sitting on the car hood, clinging to his father and finding a trembling body like his own, and then the eventual we're sorry, this must be very difficult for you, and the no evidence has been found to confirm her death, the disturbingly disconcerting there's no body, no skeletal remains, no teeth, his father’s Dean, please go with this kind lady, she'll give you some water while I talk to the officers, just a few minutes and the muted talk about ominous things he couldn’t understand like steel's melting point and temperatures higher than those of a crematorium, and the gradual confirmation that his mother was gone for good.
She had been entirely devoured by an inexplicable fire, a monster with sharp yellow teeth and sharp yellow claws that fattened up with her flesh and painted yellow the insides of the house and made the windows seem to stare down at them like bright yellow eyes as they waited and waited for the night to end. Sometimes the wind would rise, and a shower of ash would fall on them, but they would not move, just like the first lovers, powerless and transfixed, looking at the flaming swords that would separate them forever from Eden.
The fear that had crept up inside Dean at that moment hadn't left him. It was inhabiting him; it had robbed him of his voice, holding it inside like a hostage. He hadn't uttered a word since that night, he hadn't had a restful sleep since that night. And so, he remembers tossing and turning, then waking up to the sound of faint weeping. He remembers, mouth tightly closed, eyes wide open, walking barefoot down shaded unfamiliar corridors, lured by the cries of his baby brother, to a room also shrouded in shadows, and seeing a pale and noisy bundle through the rail of a portable crib, tiny hands escaping the tight wrapper and grasping nothing, and a black figure sitting in a chair across the room, just watching the baby cry. Standing at the doorway, Dean bloomed in cold sweat. His heart raced wildly, and he couldn’t breathe. He felt the urge to grab little Sam and run away, but the air inside the room was paralyzing and eerie, it felt like a trap, a decoy, the dark silhouette waiting in the corner for something to happen, someone to come. He wished he could scream and call his m-his father, but soon enough the instant of absolute panic gave way to confusion as the shadow sighed heavily and buried his head into his hands just like his father did all the time those days. It was dad, of course it was just dad. Tired sleepless dad. But why wasn't he taking care of little Sammy? He's right over there, dad! You just have to rock him in your arms and sing softly to him, maybe that song mom used to sing about a mommy and her baby, so he’ll r-ah-, but something was off, a scene frozen in the first frame. Dean almost turned around expecting to see his mother walking past him in a hurry to take the baby in her warm arms and scold the callous, indolent dad. John, what are you doing, what's up with you tonight? John, don't you see he's crying out for you? Daddy, what if he burst into flames? What if I burst into flames too? The silence around the crying was thickening by the minute and Dean couldn't stand it any longer. He entered the room heading directly towards the crib, he saw his father straightened up at his presence and raise his hand, he said ‘don’t’ and slammed his mouth shut as if he had just unwittingly admitted to a crime. The two stood still for what seemed like forever, just looking at each other through the mounting sounds of mourning, and Dean thought his father’s eyes were oddly lusterless in the dim light.
Let your baby brother need her. Let us all need her and cry and be hungry.
Dean still couldn’t move or breathe. Cold slowly seeping into him through the soles of his feet. How could his father feel so far away when there seemed to be no air between the two of them? Between the three. It was like all three of them were being pressed together and compressed by the lack of air, vacuum-sealed, petrified and isolated, coalescing into a small, solid stone. Maybe a lump of coal.
Let’s all burn in the need for her. As long as she’s dead.
for @spnyuri's John Winchester Week prompt: Cycles // Grief // Pre-series (Day 1) The title is a reference to The Song of Wandering Aengus, a poem by Yeats about a man infatuated with an otherworldly woman whom he only sees once before she disappears, launching him into an obsessive search to which he devotes his entire life
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