#sorry I've been on and off for ages
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phantominzie · 9 months ago
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fuck it, here's mozzarella cookie from crk
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quietscrappy · 2 months ago
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My Rook, Talay Mercar and Lucanis Dellamorte
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pinkytoothlesso11 · 1 month ago
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Reasons why Jinx is alive– A fully comprehensive evidence analysis
Right. So I've seen a lot of people with conflicting views on if Jimx survived at the end of Arcane season 2, and I have been itching to do a meta post on the subject, so here it goes!
The first piece of evidence that I found particularly noteworthy was the explosion itself. By going frame by frame it was possible to see this:
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It's a blink and you miss it kind of scene, but this is right after the explosion, and you can see the clear pink line going into one of the vents. Now why is this important? Well, it's simple, it's the shimmer effect that happens when Jinx is moving very fast! I know that Warwick was holding onto Jinx, but in a explosion its perfectly plausible for her to get out of that grip using the explosion of her monkey bomb.
Then we have the scene where Caitlyn is inspecting the plans for the Hexgates.
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There is literally no reason for her to look at these plans. Not unless she thought there was something she missed...
There's no dialogue here, so it's really just based on what she does and how she reacts. Most notably what she's holding.
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It's the head of one of Jinx's notorious monkey bombs. What's more, it's clearly damaged and singed. So likely this is the very same monkey bomb Jinx used in the Hexgates. This also suggests that Caitlyn might have been searching for evidence of Jinx's dead body... and clearly didn't find it for her to be holding Jinx's bomb head and then searching on the plans. Which brings me to the focus changing to this:
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The vents we see the streak of pink shimmer light go inside correlate to the plans as shown above. The vents connect to the air ducts which connect to the outside. After this, the camera goes back to Caitlyn and we see her look at the monkey bomb head and then smile.
Then we get to the most telling piece of evidence that Jinx survived and left Zaun and Piltover behind, which is definitely a controversial choice on the writers part and does come across that they just want the option to bring in Jinx whenever they want in later stories taking place in Noxus, Ionia and Demacia. Which is very Marvel like lol. This is namely the air blimp at the end shot of the show.
What I find interesting is the fact it mirrors exactly the very first time we see Powder in episode 1 of Arcane season 1 when we see one of these air blimps.
The difference in these shots is that the one from season one is going TOWARDS Piltover, and the one from end of season 2 is going AWAY across the sea. The only difference in the ships themselves is the streak of blue you can just about see on the side of the hull. Maybe a further hint that Jinx is indeed on board that blimp.
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Obviously it is what Powder says about the air blimp in season one that truly gives some solid evidence Jinx escaped on the air blimp heading for the sea:
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Well, it seems Powder was right about that... the shots being so similar is clearly not a coincidence.
This is made all the more evident with the very last seconds of screen time of the show. It ends with Jinx's signature scribbles taking over the screen for three seconds with the words 'The end' written across.
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Some people I've seen commenting on the fact the letter E on 'the' is reversed, but I think that's just a style choice in line with Jinx's graffiti so far. What is significant here is the fact it's so evidently Jinx's mark straight after the air blimp that resembeled the one in the first episode of Arcane season one.
Annnnd there's just one more thing now. I promise I'm almost done lol.
The lyrics to the song Wasteland that plays during episode 8, when Jinx is about to try and end her life are as follows:
This world is a wasteland where nothing can grow
I used to have strength but I ran out of hope
I know it’s my fault that I'm here all alone
This world is a wasteland
Please let me go, go, go, go, go, go, go
But then the lyrics change in the last chorus, they go from Jinx preparing to end her life for good, to THIS:
This world is a wasteland where nothing can grow
If it weren’t for you I’d be here all alone
I know in my heart this is where we belong
This world is a wasteland
Don’t let me go, go, go, go, go, go, go
Don't let me go
I feel it's likely that the line 'if it weren't for you I'd be here all alone' is referring to Ekko. Because it's Ekko who stopped Jinx from killing herself. And then of course the biggest change, from 'please let me go' to 'don't let me go' Jinx isn't ready to say goodbye. She wants to stay living. And I think it's this that plays in her 'sacrifice' scene with Warwick. It's not her giving up on life, it's her accepting that her life has changed and she needs to break the cycle by moving on. Not for anyone else, but for herself.
Let me know in the comments or reblogs your thoughts on this! And thank you for reading if you got this far lol.
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galacticlamps · 2 years ago
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Jamie + Zoe textposts, not because they even vaguely relate to anything going on in canon, just because they have a very memeable dynamic & their screenshots pair well with the humor on this website
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wanderingibon · 3 months ago
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inquisitor's rage
what if, in moments of strong emotion, remnants of the anchor's magic causes the inquisitor's eyes to glow a bright green? magic that coursed through their veins, although long gone, still makes itself known in its wake. a reminder that the inquisitor has been forever changed, and there is no going back.
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thunderc1an · 1 year ago
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a jayfeather drawing I did a couple of weeks ago that I forgot to post
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charmre · 2 years ago
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Thank my father before me His mother before him Who would I be without you, without them?
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lululeighsworld · 1 month ago
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Lorah: Lilac Knight's Love
Artist: @littledashdraws
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Wanted to share this commission by Dash, who so lovingly illustrated my vision for Gunter's first wife!! Although Lorah's lived in my head since 2017, this is the first time I've had her drawn. Because I'm so thrilled over this art, I put together a little introduction for her!! you can read more about her below~
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Residence: Duet Mountains Occupation: Farmer •❀• Bedside Nurse •❀• Homemaker Birthday: July 11 Gender: Female Relatives: Gunter (Husband) Katerina (Daughter)* Personality: Shy •❀• Bubbly •❀• Optimistic Hobbies: Crafting •❀• Gardening •❀• Baking Age: 21 (when she first meets Gunter) •❀• 36 (at death)
A Nohrian commoner whose known the kingdom's southern mountain range and neighbouring valleys her entire life, Lorah was a recognizable resident of her town even though she kept to herself. Learning the basics of herbal remedies from a young age, she would split her time between tending to the fields and easing the woes of the sick. In adulthood, she would chance upon meeting a Nohrian Great Knight during her town's annual spring festival. The couple's engagement, after seven years of courting, had become one of the most highly anticipated moments amongst the townsfolk.
*NOT the Nohrian Queen. I named their kid before I realized what Xander's mom's name was and by that point I was already ATTACHED (tell me Caterpillar is not the cutest nickname). So now the reason they share a name is lore relevant (which is a part of this fic!).
divider by saradika
#fire emblem fates#feif#fe14#gunter#yeah sure this can go in his tag#fire emblem oc#paranoid over tagging her as an oc cuz. she does exist in canon. but also. canon gave us nothing!#i'd like to consider it free real estate for oc development purposes#also cuz if intsys ever does decide to publish details about gunter's family i would say:#what do you mean. i've been letting his family live rent free in my head for almost a decade.#ANYWAYS YES SHE'S A RED HEAD. who do you think i am. /of course/ im gonna make her a red head.#things about me: gunter i am also attracted to your wife. therefore: she is a red head. case closed.#HER LITTLE COWLICK I LOVE IT SO MUUUUUUUCH#also dash gave me the behind the scenes info that she and Leigh have the same eye colour AHA#sorry gunter you are bound by a cosmic fate to fall in love with a certain eye colour#this will come up in a future fic. im sure. the freckled shoulders are already going to >:3c#oh yes if anyone else is curious. i did in fact sit down and map out a timeline to get her age how i wanted it.#by my calculations gunter would have been ~28. they have approx. 15 years together before everything falls apart#their long courtship is important to me okay#anyways to end this off. MISS LORAH I LOVE YOUUUUU beautiful woman who has been baking in my head for over 7 years.#I am taking good care of your husband don't you worry!! the old man is getting all the love he needs#god I wish she could have seen him as an old man. GOD. I work so hard cuz I'm loving him for her and me!!!!!!#gunter (fates)#lorah (oc)#fef#gunter's family
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I just had a whole actual married, mother of two adult woman be the first person older than about 21 to actually accept the fact that I don't want to get married and be willing to talk through what that means for me, instead of trying to convince me that I'll change my mind as I get older. I'm going to fucking cry
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shima-draws · 11 months ago
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Okay now for one of the actual reasons why I tried out a new cheeb style:
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Asking bc of commission and shop related stuff LOL I have a lot of charms sketched out but only a few fully colored, so I was curious to see if one chibi style was more preferred than the other <3
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alacants · 2 months ago
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the omega/omega sincaraz fic where Jannik is an omega in hiding vs carlos embracing it sounds so intriguing. any chance at all you might write it someday?
obviously the moment i saw that prompt i had to start thinking it out in greater detail... of any of these concepts this is the one most likely to actually happen bc it's all about deconstruction and i find that more compelling than the pure id approach. "someday" is the right qualifier because i'm not a very fast writer and other wips take precedence but obviously by saying this i've probably just cursed/blessed myself with a burst of inspiration or something.
in other words... maybe???? (and if anyone else wants to take a shot in the meantime, go for it with my blessing.)
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dandorishipping · 2 months ago
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not directed at anyone in particular but i miss when this community was more of a community. when people actually talked to each other and socialized with people they didnt know in a friendly manner and didnt go around gossiping like highschoolers. i've been here since 2018 and most of the people i know here have been here for a while and are adults now, if they weren't already, so act like one. it feels like everyone's constantly at each other's throats and there's no room to breathe or even be empathetic or civil with each other when we should be. like it seriously in a way almost forgets with all the discourse and stuff that happens people forget real people are behind the screen, like real people that have feelings lol.
i get part of this is because there are so many proshippers rampant in the community now, i feel like there is too from what i've seen and i don't like them either but i feel like people need to get a life and leave it alone like if you don't like it just block and move on lol. it's really childish to be just dwelling on it and spreading more gossip . i honestly don't think the community is ever gonna return to how it was years ago and i don't have hope in it doing so but. it just sucks!!!
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moe-broey · 8 months ago
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All that said though I think there's a lot of room for the ages to be up for interpretation, for the Askr siblings. But the key thing to me is that it was established Book 4 that Sharena has been an adult for some time (for Alfonse to say it like that), meanwhile it's established through Sanaki that Veronica is a young teen or even pre-teen. That's really what matters to me, when it comes to my own discomfort with romantically shipping Veronica with either of them, extending to Thrasir and Lif as well. I also feel like the bridal duo does a good job portraying that Sharena and Veronica's relationship is more of a mentor/role model thing, a family friend or a friend you consider family.
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ladyjmontilyet · 3 months ago
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yeah david, we know
[from his bluesky thread]
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wispwatched · 1 month ago
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HELLO HI I live, I swear! friendly reminder to look at my muses page before interacting, thank you! it will tell you who is or can be a Rook, as well as you know. general character information. also my rules ?? its on this blogs pinned post, that one.
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skleech · 1 year ago
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The parallels between The Good Hunter and Simon the Harrowed
i'm putting the entirety of this essay under here because it's long as hell. enjoy reading it ig
Yup. it's one of those essays
I had previously written a very miniature essay on comparing the similarities between Simon the Harrowed and Eileen the Crow, as at the end of the day when you look back you can see some amount of parallels between the two (though i suppose that could be seen as subjective too at the end of the day.)
However, whilst it can be argued about whether or not those two have a strong parallel between each other, this essay is not about these two.
Instead, I'm going to be looking at another character that I believe shows probably some of the strongest shared parallels when put aside Simon.
“And who might that character be?” I hear you ask. Well dear viewer, i’m glad you asked.
That character would be none other than you! Or, I suppose more specifically the Good Hunter themselves.
Throughout the whole DLC all the way to the end of not only Simon's questline but once you reach the end boss, I believe it can be evident that Simon the Harrowed and the Good Hunter show probably some of the strongest parallels between each other (and I suppose when you step back and look at the game as a whole there are other npcs throughout that also show strong parallels with the player, though this essay is simply discussing their similarities between Simon specifically)
But before i can actually go into depth about these two and just how similar they are to each other, I’m firstly going to need to list just what makes them so similar eg. their goals, what they do and how that progresses/adds to the general plot of Bloodborne.
Let’s firstly look at Simon, as I believe this would start things off a little easier.
Some of Simon’s goals listed include:
Exposing the church for their transgressions, evidenced from pretty much most of his dialogue but includes dialogue pieces such as:
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Presumably ending the Hunter’s Nightmare, evidenced with such pieces of dialogue as:
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Whilst less clear, it can also be argued that Simon’s other goals can also include trying to figure out just what the hell is going on in the Nightmare realm (considering that’s his whole deal anyways), evidence when he states:
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Now that we’ve gone over Simon’s goals, let's take a look at the Good Hunter’s, and we’ll see just how closely they parallel each other.
Whilst the goals of the good hunter varies depending on how people play the game, by default some of their goals include:
Exploring Yharnam (slaying beasts in the process of course) and uncovering the secrets within (seeing the parallels already?)
Discovering the Healing Church and just what happened to cause the current situation happening in Yharnam 
When entering and exploring the Hunter’s Nightmare, The Good Hunter can have the option to choose whether or not they want to help put an end to the suffering, eventually ending the nightmare once and for all if they choose to fight the Orphan of Kos)
Now that I've listed these two’s goals, this should now give me a good chance to start actually discussing how similar these two are.
When the Good Hunter first comes across Simon, the first and probably biggest piece of evidence that hints at their similarity is when Simon himself states right off the bat:
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now, this is probably a fairly obvious piece of evidence that right off the bat can be used to show the parallels between the Good Hunter and Simon the Harrowed as the two meet (after the Hunter explores the very beginning of the Hunter's Nightmare), but it's nonetheless a good piece of dialogue that shows these two's similarities.
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Simon also finishes his dialogue off by warning the Good Hunter of the Church's less desirable way of keeping folk away from prying into their business, which the Good Hunter no doubt has much personal experience from these attempts (e.g possibly seen with fight between Vicar Amelia as well as a few other examples)
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this final part that Simon mentions could also potentially be seen as some foreshadowing for what the Good Hunter will come to witness as they venture through the DLC, but we're getting side tracked.
Anyways, from this it can be gathered that already from the beginning of Simon's starting dialogue with the Good Hunter that the two already show some strong parallels between each other, both being hunters having experienced the hostility of the church. Furthermore, their parallels can also be seen not just through their goals but also the circumstances on how they got to where they are now from when Simon possibly hints of 'taking the wrong turn'.
Further examples of Simon and the Good Hunter's shared goals of uncovering the secrets of the Healing Church as well as the Nightmare can also be shown through this piece of dialogue from after the Good Hunter finishes off Ludwig:
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the final line from this piece of dialogue can possibly used as another example of how Simon the Harrowed and the Good Hunter themselves share the goal of discovering the secrets as well as the transgressions caused by the church, evident with how Simon expresses both of their desires to unveil these secrets along with further motivating the player to continue on with their journey through the Hunter's Nightmare
Now, later towards the middle of the DLC, when the Good Hunter finishes off Ludwig and manages to reach the Research Hall, Simon re-appears and gives more insight into the church as well as guiding the Good Hunter further onto their journey.
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Here, Simon's disillusionment of the Healing Church is further evident within this dialogue piece, as well as further enticing the Good Hunter to continue on with their shared journey of discovering the secrets left behind by the Healing Church (further highlighted when Simon eventually pushes the player to kill Lady Maria to continue on with their journey, but that's a discussion for another day)
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(Okay, now here's where I'm gonna go a small diverge in order to continue explaining the shared parallels between the Good Hunter, but bear with me here as I try and explain this point)
Whilst throughout this whole essay I've mainly been using dialogue examples as a way to emphasise these two's similarities, I feel like it would be careless of me to not mention how this can be highlighted through the actions/dialogue of OTHER npcs.
What npcs?
For this, I'm going to use Brador as a way to further explain the similarities of Simon and the player.
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Firstly, I feel this idea can be mainly evident from the fact that Brador, once the Good Hunter begins to go in further with uncovering the church's secrets (the biggest being the Fishing Hamlet just by that being the moment Brador begins to hunt down the player), where if killed by him, Brador states:
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(this piece of dialogue is important when it comes to Simon himself as he eventually falls victim to this 'unending death' that Brador emphasises)
Other lines from Brador that can also potentially help in conveying the similarity between Simon and the Good hunter include:
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(I feel like my point from above can also be used to explain this, but I'm adding this dialogue just help with what I'm trying to explain here)
When the Good Hunter meets Simon for the final time, during his death dialogue Simon will give the player one final push to ending the Hunter's Nightmare once and for all, stating:
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and:
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once more emphasising the importance for the Good Hunter further uncover the secrets of the Fishing Hamlet in order for the Nightmare to end, which can be used as evidence to convey the parallels between as the two as the Good Hunter is seemingly given the mantle to continue Simon's own end goal (which is also the player's end goal too but you get what I mean)
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(Also, not the biggest piece of evidence to highlight their similarities, but It's one I sorta want to discuss here as a potential idea here)
After Simon dies, the Good Hunter will be given both the underground chamber key and Simon's own weapon, the Bowblade (which also finally gives away Simon's name to the player). The Bowblade specifically I find important here in this discussion as I feel this can be used a way to convey Simon 'passing over the torch' to the player, giving not only the means to get rid of Brador with the keys to his cell (interesting that even though he had the means to kill Brador himself, he never did, but that's a potential discussion for another day because this essay will get way to long if I try and shove this in here hh-), but also his own weapon. With this, I believe this can be used as a way to explain their parallels as the player is essentially now given Simon's role; which is to now put an end to the nightmare once and for all (this might seem like a stretch but It's a point i wanted to point out nonetheless)
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If the player decides to go back to confront Brador (after being given the key to his cell upon the death of Simon), Brador after being killed by player says this line upon his death:
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the line of "nothing changes" can be further used as evidence for the parallels of the Good Hunter and Simon as both are described to having 'pried' into the business of the church despite the consequences (as gracefully shown through what Brador did to Simon and probably many other during his lifetime working with the church).
At the end of the day, it really does depend on how the player themselves play as the Good Hunter and how they interact with Simon (if at all) that can support this idea of Simon the Harrowed and the Good Hunter having parallels between their actions and their own goals. However, towards the end of writing this I do hope I was at least able to show some evidence that can support this idea of how closely these two's goals intertwine with each other as well as both characters being somewhat of a representation of each other.
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