#sophia thinks about things

[robertarryn]

Really though, Agatha’s backstory is the embodiment of the phrase, “a child not embraced by the village will burn it down to feel warmth.” But she didn’t stop with the village. Agatha’s problem really is envy and how could it not be. What sort of witch would coven with a witch who’s power is to kill them. And what sort of girl wouldn’t be jealous of others who got to be together when her own tried to kill her. Agatha is so so jealous, of witches to heal where she couldn’t, of mothers who kept their children when she lost hers, of witches who could stay together when she never had anyone except Nicky. And Rio.

The only woman Agatha could truly be with is Death herself. And death wronged her so she can’t even be with her anymore.

[kindabizarretbh]

I feel like this joke has been made already but um is this anything 🧍‍♀️

[vaguely-concerned]

the change in zevran's demeanor from mildly annoyed that you're even speaking to him to straight up beaming gleefully during the scene where you give him the dalish gloves... protect him

[seriema]

when sophia said "i want to be free..." when romeo said "maybe this is what freedom feels like." when both of them thank p for the mercy of death. you understand.

[samarecharm]

I miss goro. Bring his bitchass back

[crisp-sweet-pink-lady]

Speaking of clunky writing that's bugged me for a while, I still can't believe how badly this joke was botched. The set-up is fine, but the punchline should be Sophia (or anyone, really) saying, as Isabel runs off to be first in the forest, "She does know the food here is free, right?"

OR if they really want to convey Sophia's competitive spirit that badly, she could still say the "You're on!" part of her line and someone else (probably Valentina) can say, as the two girls sprint off, "They do know the food here is free, right?"

[hood-ex]

wait idk anything about the tevis’— why would tommy tevis call dick his son? would you be willing to give a quick rundown

After Dick failed to get himself incarcerated, he became an enforcer for a mob boss named Tommy Tevis. Tommy took Dick in and made him part of his family. Tommy considered him an honorary son and thought very highly of him.

Nightwing (Vol. 2) #107

He even told Dick that everything he had (his home, his reputation, his family, etc.) was Dick's as well. Lynette, Tommy's wife, told Dick that Tommy would let Dick do anything. The whole family loved Dick, including Tommy's 15 year old daughter, Sophia. Sophia actually had a crush on Dick, but Dick acted like an older brother to her, helping her with her homework and such.

While Dick was away from the family for a few days, the cops busted into the Tevis's home. Lynette got killed in the gunfire, Tommy got taken to jail, and Sophia got taken in by the state.

Dick, while mentoring Rose, broke Sophia out of the state home. He got Sophia to help him with the mob. Then, when Chemo fell on Bludhaven, Dick saved Sophia and left her with Amy. When they reunited at the hospital, Dick asked Sophia to leave the mob behind and join a boarding school.

So, yeah, that's Dick's relationship with the Tevis family.

[astrals-and-pirates]

can't believe THAT might the overarching arc for this campaign/season,

im so excited for what plot thread theyre tackling this finale

[vulturevanity]

normal thing to say about your dear friend who you think is really cute and charming and hard-working and basically the perfect wife material

[robertarryn]

Charles channeling me since episode 12.

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[lovepollution]

"Who's your favorite Golden Girl?" [x]

[vaguely-concerned]

the parallels between morrigan and the mage warden (especially one who snitched on jowan and so isn't automatically doomed if they stay in the circle) both being unceremoniously kicked out by their parental figures from the isolated nests they've been cooped up in all their lives and sent flailing out into the real world to test their wings. the love that you can read in between the lines there from irving, and even flemeth -- in both cases this is a cause of action taken partly to save their children (from the circle, from the blight, from the isolation and constriction they would be doomed to otherwise), and in both cases it also opens them up to a world of new dangers. (I wonder if irving knows how many grey warden recruits die right off the bat. from his general character I think he might take that chance even if he knew because otherwise the circle is all but inescapable, but from what he says to amell/surana at the time and how set duncan is to keep that particular detail on the down low I feel more on the side of him not being aware.)

irving at least is encouraging and explains the outlines of what he's thinking even in his hurry to get you out the door, flemeth takes the opportunity to get in a few more stabs of emotional abuse haha. but I think my amell looks at morrigan's shock and partial dismay to be sent away with them so abruptly (and despite everything, the sting of it being so easy to do on her mother's part, emotionally) and feels a sympathetic sinking in her stomach. because yeah she knows that feeling too

[samarecharm]

A lack of a Hold-Up mechanic in strikers means that Zenkichi has never witnessed these kids corner and mug shadows for every little penny theyre worth. I think he would lose his mind. Hes trotting around the metaverse w teenagers that have too much experience holding shadows at gunpoint to get what they want. When did this become his life. Neko shogun throws out a snuff soul as an offering and Akira doesnt remove the gun from its face. ‘You can do better than that.’ What the hell do u mean??? Its a fucking cat! It throws another snuff soul on the ground in fear before Akira decides to finally lower the gun and let the cat run off. At least they arent killing the damn things w their backs turned.

[apocalypticdemon]

so i'm finally reading through the terror scripts and i think this was designed to cause me physical pain.

crozier was supposed to be drinking to schubert..... god

[asparklethatisblue]

Just thinking about how horrid Sophia and Francis are for each other. Francis is so focused on “love will overcome any problem” he ignores the absolute massive list of reasons Sophia wouldn’t be happy with him - let alone her “nope, you’d be an unsuitable husband”. And Sophia knows she won’t ever agree on marrying him but still wants to have whatever relationship they have to go on, even though her entire family is making Francis miserable over it. But instead Francis drives himself into depression spirals over not giving up hope and Sophia accidentally sends him on a suicide mission via “well if you love me do this dumb thing for me”