#sonyatv

[arianakyle56]

So London’s “Lemon Squeeze” – A Bold New Era Under Blue Chip NYC & Sony/ATV

Rising star So London has done it again! With his newest single, “Lemon Squeeze“, the artist takes listeners on a journey through vibrant lyricism and dynamic production. Released under Blue Chip NYC in partnership with Sony/ATV, this track is a testament to the artistry and dedication that has solidified So London as one to watch in the music industry. A Game-Changing Partnership This release…

[artsgraphics]

modern business logo design with copyrights | I will do modern business logo design …

bitcoin100k #Pushpa2 #tri_fold_brochure #CatSolHat

copyrights #intellectualproperty #music #copyright #trademark #trademarks #bendersstorytime #listening #too #knowwhatimean #business #legal #patent #ip #patents #sonyatv #copyrighted #the #copyrightlaw #musicpublishing #law #lawyer #musicpublisher #you #continued #startup #trademarkattorney #rights #attorney #copyrightinfringement

[taylor-on-your-dash]

Anthology Credits

THE BLACK DOG

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineered by Jon Sher and Jack Manning / Sean Hutchinson’s performance recorded by Sean Hutchinson and Michael Riddleberger at Hutchinson Sound (Brooklyn, NY) / Bobby Hawk's performance recorded by Jack Manning at Electric Lady Studios (New York, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Drums, Bass, Juno, Acoustic and Electric Guitars, Programming, Piano, M1, Polysix, Mellotron, Cello, Rhodes, Vocoder by Jack Antonoff / Drums by Sean Hutchinson / Strings by Bobby Hawk / Lead Vocals, Background Vocals, Piano by Taylor Swift

IMGONNAGETYOUBACK

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) / Assistant Engineered by Jack Manning, Joey Miller and Jozef Caldwell // Percussion, Drums, Programming, Juno 60, Prophet 5, M1 Keyboard, Piano, Acoustic Guitars by Jack Antonoff / Piano by Jack Manning / Lead Vocals by Taylor Swift

THE ALBATROSS

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung by Aaron Dessner / Drums and Percussion by Glenn Kotche / Drum Machine Programming by James McAlister / Modular Synth by Benjamin Lanz / Lead Vocals by Taylor Swift // London Contemporary Orchestra: … // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

CHLOE OR SAM OR SOPHIA OR MARCUS

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Rob Moose at Long Pond (Hudson Valley, NY) / Taylor Swift's performance recorded by Christopher Rowe at Prime Recording (Nashville, TN) / Assistant Engineered by Derek Garten / Aaaron Dessner's performance recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, Keyboard, Mandolin, Piano and Synthesizer by Aaron Dessner / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Modular Synth and Trombone by Benjamin Lanz / Lead Vocals by Taylor Swift

HOW DID IT END?

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass, Synth, Drum Machine Programming, Electric Guitar, Keyboards, Piano and Synthesizers by Aaron Dessner / Bass Drum, Keyboards, Omnichord and Synthesizers by James McAlister / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Leader) / Eloisa-Fleur Thom / Sophie Mather / Marianne Haynes / Alicia Berendse / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen// Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

SO HIGH SCHOOL

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Bass Synth, Drum Machine Programming, Electric Guitar, Keyboards, Percussion, Piano and Synthesizers by Aaron Dessner / Drums, Drum Machine Programming, Electric Guitar and Synthesizers by James McAlister / Modular Synth and Synthesizer by Benjamin Lanz / Lead Vocals by Taylor Swift

I HATE IT HERE

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo, Mandolin and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung Guitar, Mandolin, Percussion, Piano and Synthesizer by Aaron Dessner / Acoustic Guitar, Bass Guitar, Bass Synth, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift

THANK YOU AIMEE

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) and by Laura Sisk and Oli Jacobs at Sharp Sonic Studios (Los Angeles, CA) /Assistant Engineered by Jozef Caldwell / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo and Mandolin recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Synth, Drum Machine Programming, Keyboard, Mandolin, Percussion and Synthesizer by Aaron Dessner / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Programming, Cello, Percussion, Drums, Electric Guitar, Background Vocals by Jack Antonoff / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Marianne Haynes / Alicia Berendse / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman/ Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

I LOOK IN PEOPLE'S WINDOWS

© 2023 Taylor Swift Music (BMI) administer by Songs Of Universal, Inc. / Sony/ATV Songs LLC / Ducky Donath Music (BMI) / Indiscipline AB (STIM), administered by Kobalt Music / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Patrick Berger and Taylor Swift | Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer for Mix - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineer Jon Sher and Jack Manning // Acoustic Guitars, Juno, Cello, Programming by Jack Antonoff / Acoustic Guitar by Patrick Berger Lead Vocals by Taylor Swift

THE PROPHECY

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Drum Machine Programming, Programming and Electric Guitar by Aaron Dessner / Autoharp, Drum Machine Programming, Omnichord, Percussion and Synthesizer by James McAlister / Piano and Synthesizers by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Drums by JT Bates / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // Bass Clarinet / Max Welford // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

CASSANDRA

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Electric Guitar, Keyboards, Percussion, Piano and Synthesizer by Aaron Dessner / Drum Machine Programming, Keyboards, Modular Synth, Percussion and Synthesizers by James McAlister / Modular Synth and Trombone by Benjamin Lanz / Snare Drums and Vibraphones by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

PETER

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Keyboards, Piano and Synthesizers by Aaron Dessner / Lead Vocals by Taylor Swift

THE BOLTER

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung, Percussion, Piano and Synthesizers by Aaron Dessner / Omnichord, Percussion and Synthesizers by James McAlister / Keyboards, Piano and Synthesizer by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Violin and Viola by Rob Moose / Lead Vocals by Taylor Swift

ROBIN

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Drums and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Drums, Electric Guitar, Keyboards, Percussion, Pianos and Synthesizer by Aaron Dessner / Buchla, Clava, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth and Synthsizer by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Co-Leader) / Eloisa-Fleur Thom (Co-Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion & Timpani // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

THE MANUSCRIPT

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Bryce Dessner's performance recorded by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Piano and Synthesizers by Aaron Dessner / Drum Machine Programming, Filtered Brass and Winds, Piano and Synthesizer by Bryce Dessner / Drum Machine Programming and Synthesizers by James McAlister / Synthesizer by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Natasha Humpries // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Meghan Cassidy / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

[gabrielutau]

Descargo de responsabilidad de derechos de autor Según la Sección 107 de la Ley de derechos de autor de 1976, se permite el "uso justo" para fines tales como críticas, comentarios, informes de noticias, enseñanza, becas e investigación. El uso justo es un uso permitido por el estatuto de derechos de autor que de otro modo podría estar infringiendo. El uso sin fines de lucro, educativo o personal inclina la balanza a favor del uso justo.

Música

CANCIÓN

. Ecos de Amor

ARTISTA

. Jesse & Joy

ÁLBUM

. Ecos de Amor

LICENCIAS

. WMG (en representación de WM Mexico); Reservoir Media (Publishing), Warner Chappell, CMRRA, PEDL, LatinAutor - SonyATV, Abramus Digital, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Sony Music Publishing, ASCAP, LatinAutorPerf, LatinAutor - Warner Chappell y 18 sociedades de derechos musicales 

Download link https://www.mediafire.com/file/20eorzt6web3y7x/Mathieu_Beaufort_nJokis_Spanish%25E3%2580%2590Gabriel_Kuratorane_Aqua%25E3%2580%2591.zip/file

[simply-pure-garbage]

Grimes - Flesh without Blood/Life in the Vivid Dream From the album ‘Art Angels’. Written by Grimes Directed by Grimes ——- Beggars, UMG (on behalf of Crystal Math Music); CMRRA, LatinAutorPerf, Sony Music Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutor - SonyATV, ASCAP, SOLAR Music Rights Management, and 10 Music Rights Societies - “… I could live in the world just like a stranger I could tell you the truth or a lie I could tell you that people are good in the end But why, why would I?…” Life in the Vivid Dream

[vertwizzy]

#billboard #nightlife #Atlanta #cartoonnetwork #Videogame #Xbox #VR #Playstation #3:AM, #HipHop, #DanceTrap, #Global, #Vert, #Dezmarie, #7opca7, #PTMG, #SonyAtv

[hellogrinbearfilms]

RONA from JOE WHEATLEY on Vimeo.

When Joe's grandmother passed away in 2016, a series of happy accidents unearthed decades of home video, chronicling a lifetime of experience, love and loss.

DAVID REVIEWS (★★★★★) // davidreviews.tv/Work/Short_Films_Rona/

1.4 INTERVIEW // onepointfour.co/2019/03/04/love-and-loss/

BOOOOOOOM TV // tv.booooooom.com/2019/03/05/rona-joe-wheatley/

FEATURING // RONA WHEATLEY WRITER, PRODUCER, DIRECTOR & EDITOR // JOE WHEATLEY CINEMATOGRAPHY // RIK BURNELL & JOSEPH BIRD ADDITIONAL MATERIAL // RONA WHEATLEY, JACK WHEATLEY, JOHN WHEATLEY & SIMON WHEATLEY MUSIC // RONA WHEATLEY & HARRY HUNT DIGITAL COLOURIST // JOSEPH BICKNELL @ CHEAT SOUND DESIGN & MIX // THOMAS BACON

SPECIAL THANKS // JOSEPH BIRD ADAM JONES AARTI MAHTANI @ CINELAB LONDON BRUCE NEW @ SONYATV KAREN & ROB SMALLEY @ SCENE STUDIOS CHRIS WETTON @ BESQ MARK WHEATLEY NATHAN TETTY

[writerbois]

Britney Spears Fanfic

Britney Spears Song Fic

All rights go to Brintey Spears, her records Jive Records, Sony Entertainment UK, small and medium enterprise (SME), Canadian Musical Reproduction Rights Agency (CMRRA) LatinAutor, Warner Chappel, Abramus Digital, and 10 Music Right Societies.SOLAR Music Rights Management, LatinAutorPerf, and 16 Music Rights Societies. SME (on behalf of Jive); ASCAP, AMRA, Warner Chappell, LatinAutor - Warner Chappell, Sony Music Publishing, AMRA BR, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Kobalt Music Publishing, CMRRA, LatinAutor - SonyATV, LatinAutor, SOLAR Music Rights Management, LatinAutorPerf, and 16 Music Rights Societies. SME (on behalf of RCA Records Label); LatinAutor - SonyATV, ASCAP, LatinAutor - UMPG, BMI - Broadcast Music Inc., UMPG Publishing, LatinAutorPerf, SOLAR Music Rights Management, UMPI, Sony Music Publishing, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA. Epic Records. E MUSICA - UBEM, and 10 Music Rights Societies. RCA Records. Universal and Interescope. 

Amy lived in New York City in the Queens section of the city. Once Amy woke up, it was the year 2000, she listened to “Stronger” by Britney Spears. The lyrics made her get up and take on the day. She wore jean shorts, a red T-shirt, and pink flip-flops. Her blonde hair like Britney’s and her golden locks flowed from the top of her head to her neck. She opened the door and it rained all day. She grabbed an umbrella and walked outside. 

Jump eight years later to 2008, Amy sat at the bar and waited for her girlfriend, Crista. She danced around since she was drunk and lived her best life. She listened to “Stronger” by Britney Spears. 

She then listened to “Tom’s Diner” by Britney Spears. 

Crista took her home and carried her onto her bed. She slept until morning. The alarm clock went off at 10:00 am and she took a shower. Her alarm clock went off and the alarm changed to “Kill the Lights” by Brintey Spears. 

Crista waited for her turn in the shower. “Honey, hurry up.”

“I’ll try my best,” Amy replied.

She took a long shower and got out eventually. She danced out of the shower since she was listening to “Shattered Glass” by Britney Spears. She trotted to the bathroom and lay in bed until she was ready for the day.

She got up at lunchtime since she was tired. She didn’t have a job, so she ran errands. She went to the grocery store and the bank. However, there was a bank robber who wanted her money. The man was unnamed and armed.

He almost shot her. but he missed. The bullet ricocheted off the wall and hit the glass near the bank teller. Glass was thrown all over the place. In the eye of the teller and on the floor.

Amy ran out of the bank, the police arrived, and arrested the robber. She was happy to get out of there and took a taxi home.

She called her girlfriend and they met up at her office. 

“Are you alright?” Crista asked.

“I’m fine, almost got shot, but not dead,” Amy replied.

Amy and Crista relaxed in Crista’s office. Until her boss came, kicked out Amy, and sent her home.

Amy returned home and ate lunch. She was traumatized, relaxed in her bed, and played on her phone until her girlfriend returned home. 

Amy and her girlfriend returned home at 5 in the evening. Amy listened to “If U Seek Amy” by Britney Spears. The lyrics made her dance throughout the house and re-evaluate her life decisions. She went to a lesbian bar and met her girlfriend.

Amy danced the night away and drank her problems away. She took sip after sip and sip until she passed out. 

Crista brought her home and took care of her.

2015, she listened to “Tom’s Diner” by Britney Spears. She lived in Brittany, near the District of Columbia, DC. She was in a diner, sat by the door at the counter, and caressed her golden locks of hair. She checked her phone and it was 9:00 am. She ordered scrambled eggs and sat at the counter.

In 2016, Amy listened to “Britney Spears - Make Me... ft. G-Eazy”. She liked the song but also hated it a little. She enjoyed it but needed more time to process it. She danced in her home, but her girlfriend, Crista walked into her dance. She stopped her, but she continued.

“Let’s go, you have an interview at the T.J. Maxx,” Crista said.

“Alright, I’m coming. I’m all dressed,” Amy replied as she looked at her red dress and twirled.

She walked out of her apartment and followed her partner to the chain store. She entered through the automatic sliding door, checked her phone, and was interviewed by the manager. The nametag that hung around his neck on a red lanyard. 

After 30 minutes, Amy left the store and told her girlfriend that the manager would call her back in a few days.

A few days later, she got the job.

A few months later, Amy listened to “Private Show” as it played in a strip club. She eventually became a stripper.

A more months later, she quit and gave up on the job. The job was nasty and unclean, so she found a better job as a songwriter. She didn’t write a song for Britney, but she became a songwriter for other artists.

2020, she listened to “Slumber Party” and lay in bed and fell asleep. The songwriting worked out and she even wrote a song for Studio Skullz, an indie pop group.

In 2022, she listened to “Hold Me Closer” as covid strung along and people died. But Amy survived and lived to see another day as a songwriter.

In 2023, she listened to “Mind Your Business”, but she had to wear a mask as covid still lingered. She became a singer called Amy Alrich and one day she may even write a song for Britney.

[doctorzosfavoritemusic]

"I Will Be There" by Katie Melua

She is like the lady down the road Or just the woman up the street Like any mother you may know To me, she is the one who had it planned To lead us all to Wonderland She always wanted us to go

And she said "Don't ever be lonely Remember, I'll always care Wherever you may be Remember I will be there"

And like another lady that we know She has a smile so bright and sweet And hair as white as driven snow Though life is never easy day to day She has a very special way To make us smile when we are low

And she says "Don't ever be lonely Remember, I'll always care Wherever you may be Remember I will be there

Don't ever be lonely Remember, I will be there

I will be there I will be there

"I'll Be There" is the first single released from Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch. The song was recorded by The Jackson 5 and released by Motown Records on August 28, 1970, as the first single from their Third Album on the same date.

Katie Melua performs 'I Will Be There', the first single from her new album 'Ketevan'.

Orchestra: Docklands Sinfonia Conductor: Mike Batt Words/Music/Arr: Mike Batt Produced: Mike and Luke Batt Video directed/edited: Michael Dunne for Dramatico Ent Ltd

Licenses: BMG Rights Management (Europe) GmbH (on behalf of BMG Rights Management (UK) Ltd.); CMRRA, SOLAR Music Rights Management, AMRA, LatinAutor - SonyATV, LatinAutorPerf, SOCAN RR, Sony Music Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Audiam (Publishing), and 9 Music Rights Societies.

[lotusg8]

The S.O.S. Band - Tell Me If You Still Care

The S.O.S. Band - Tell Me If You Still Care

https://youtu.be/GSsTyAVP5j0

koollatter Jan 19, 2014 From the 1983 Tabu album, "On The Rise" Music SONG Tell Me If You Still Care ARTIST The S.O.S Band ALBUM LICENSES UMG (on behalf of Motown); UMPG Publishing, AMRA, LatinAutor - UMPG, ASCAP, Kobalt Music Publishing, LatinAutor, LatinAutor - SonyATV, AMRA BR, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, UMPI, LatinAutorPerf, and 11 Music Rights Societies

https://youtu.be/GSsTyAVP5j0

[marichulambino]

Deep Purple with frontman Ian Gillan, Live,  Concerto in Group and Orchestra First Movement

Deep Purple with frontman Ian Gillan, Live, Concerto in Group and Orchestra First Movement (first uploaded online 2010) “Licenses: WMG (on behalf of PLG UK Catalog); LatinAutorPerf, LatinAutor – SonyATV, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM, SOLAR Music Rights Management, Sony Music Publishing, and 5 Music Rights Societies”, used here non-commercially for academic purposes

[popsixsquishcicerolipschitz]

Koyaanisqatsi in 5 minutes

Sandeep Gadila

Video: 'Koyaanisqatsi - Life Out of Balance' (1982) by Godfrey Reggio. Whole documentary at 16X speed. Audio: 'Meetings Along the Edge' from the album 'Passages' by Philip Glass and Ravi Shankar.

Song: Meetings Along the Edge

Artist: Ravi Shankar

Licensed to YouTube by: SME (on behalf of Private Music); LatinAutor - SonyATV, Wise Music Group, LatinAutorPerf, Exploration Group (Music Publishing), Sony ATV Publishing, CMRRA, and 14 Music Rights Societies

[djsonyt]

Souriez à la vie! Tout vient à point... 🙏🏽👁🔊💧😁⁣😷 ⁣ ⁣ ⁣ ⁣ ⁣ ⁣ ⁣ #trusttheprocess #godisgreat #goals #dreams #work #musicindustry #artiste #france #paris #sonyatv #publishing #lhiroyd #songwriter #africain #français #afropop #rapfrancais #afro #drill #projet #projetartistique #ghostwriter #hitsong #burundi #talent #manager (à Paris, France) https://www.instagram.com/p/CGUrz6qAbQL/?igshid=1mbxrx27d88jb

[emmisays]

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A post shared by Emmi (@emmi)

“Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt.” W.S. . . Pssssttt. Over here. Just making music I’ll be proud of forever in places I never dreamed of being... I think I’m imploding. K love you bye. xxx 📸 @iamtemmpo . . #rooftop #rooftopnyc #view #songwriter #sonyatv (at Flatiron) https://www.instagram.com/p/B00xf47HHUU/?igshid=gjch9hi0qrfl

[pr4nv]

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A post shared by PR4NV™ | music (@pr4nv)

My next Single... Preview... And yeah... Its a Thamizh song... #pranavpr #pranavrajendran #prmuziq #flstudio #flstudiomobile #flstudios #flstudiomusic #flstudiobeats #flstudiogang #flstudio20 #flstudioproducer #flstudioproject #flstudioindia #sonyatv #spotify #gaana #saavn #itunes #deezer #googleplaymusic #singer #songwriter... #instagramsingers #igsingers At @reputation_precedes_me 's home... (at Nehru Nagar, Mettupalayam)

[blogmasterdutch]

In honor of #SharkWeek PLEASE tag someone (male and/or female) that looks like this shark’s TWIN☝🏽😂 I know more than a few, Hahaahaa 😩 #InstaDaily #InstaLike #InstaGood #InstaPic #Instagram #TheDutchFactory #TDF #TTMU #RickDutchCousin #Dutch #Love #Music #Production #Producer #Songwriter #Discography #Pop #HipHop #RandB #Gospel #Rock #Soundtracks #MultiPlatinum #Grammys #International #Worldwide #SonyATV #SESAC #BMI 🎼 (at Escondido Beach)