#somewhat doujinshi?

[secretsofdbz]

Bardock! Tōma! Selipa! Toteppo! Banpūkin! Together we are… The Saiyan special forces! (Tokusentai Tokusentai 🎶)

(What was this thing you made me do?)

(It was fun wasn’t it?)

DBSD Bardock special from the little episode of Bardock manga by Naho Ooishi.

[dunmeshistash]

Ryoko Kui Exhibition & "Delicious in Dungeon" Exhibition

Kui's published mangas, descriptions from the exhibition english pamphlet

The dragon's school is on top of the mountain

This is Ryoko Kui's debut work, and her first collected volume of works. Published in 2011, it collects seven of her stories previously published on her website and in doujinshi (self-published works), as well as two new stories. It includes a trilogy of tales which may have taken place behind the scenes of the heroes' adventures in a Role-Playing Game; and which follow the conventions of an RPG. These are "Kikyō" (Return home), which portrays the sorrow of a hero having returned to his hometown after defeating the Demon King; "Mao" (The demon king), which tells the tale of the Demon King from his birth to his downfall; and "Maō jō mondai" (The problem of the demon king castle), which depicts the course of events surrounding the demon castle having lost its master. The story "Gendai shinwa" (Modern myths) depicts the daily lives of coexisting horsepeople (centaurs) and ape-people (homo sapiens), told from the perspectives of a centaur and homo sapien married couple, and a female homo sapien company employee and her junior male centaur. It comically depicts real-life issues such as anti-labor regulation demonstrations, and the disparity between retirement benefits and life expectancy, and as such can be considered satire of the diverse issues faced by modern society. The title story "The dragon's school is on top of the mountain" is set in a university that has the only "Faculty of Dragons" in Japan. It depicts the members of the dragon research society who seek out ways to use dragons, which apparently have no demand in modern society. They explore uses for dragons, such as for food, as pets, and as advertising media. Other highlights include Kui's sad love stories, told from unique perspectives, such as the fairytale-esque "Daikon yama no yome sagashi" (A bride for Daikon mountain) which tells the tale of a man's efforts to marry a female god in order to bring fortune to his poor village, and "Shingaku tenshi" (School-going angel) which depicts the woes of a high school girl with angel wings.

Seven Little Sons of the Dragon

This collection of short stories includes self-published works and short stories published in KADOKAWA publishing's magazine Fellows! throughout 2011 and 2012. The collected volume was published in 2012. The stories are set in different countries and time periods, featuring supernatural beings such as dragons, mermaids, gods, and werewolves. "Ryū no Shōtō” (The dragon turret) is set in two neighboring mountains and sea kingdoms. A dragon builds a nest and lays eggs on the border at the only crossroad connecting two warring nations. The nations declare a ceasefire in fear of the dragon, but as peddlers are also unable to come and go, supplies become scarce. A Sea Kingdom soldier who was taken as a prisoner of war by the Mountain Kingdom is tasked with transporting supplies between the kingdoms, and in time he becomes close with a girl of the mountain Kingdom. But the time for the dragons to leave their nest is approaching, meaning that the war will begin again. “Ōkami wa uso wo tsukanai" (Wolves don't lie) starts out with the premise of being a parenting manga by a manga artist whose son has "werewolf syndrome", then suddenly turns into a story told from the perspective of the son, who is a werewolf. The feudal drama "Kane nashi Byakuroku" (Byakuroku the penniless) tells the story of an elderly gifted artist who always leaves out one eye because otherwise his creatures come to life and pop out of the paper. He is deceived by his apprentice and left penniless, so paints both eyes into the only work remaining, counterfeit picture of a samurai. He enlists the somewhat incompetent fake samurai who has come to life, to help him raise money, and misadventures ensue. Each of these precious seven stories depict the bond between parents and children, family members, and loved ones. While humorous, they are also emotionally stirring.

Terrarium in Drawer

This is a collection of short stories that were published in the literary web magazine MATOGROSSO (EAST PRESS), as well as the cat anthology “Nyansolo” (EAST PRESS), Aoharu (Shueisha) and doujinshi. The story “Ryū no gekirin" (Wrath of the dragon) portrays the process of cooking dragon cuisine from preparation to seasoning with trivia about the ingredients. "Kigō wo taberu" (Eating symbols) depicts unique ways of cooking symbols such as circles being fied whole, while squares are sliced thinly and served with sashimi soy sauce. A motif that is also common in "Delicious in Dungeon" can be found in these stories. Other chapters include “Kawaiku naritai" (I want to be cute) which depicts the makeup techniques of a cat who wants to be beautiful; "Shōtoshōto no shujinkō" (A short, short story's protagonist) which is a meta perspective comedy while having many twists and turns; and "Yume no aru hanashi" (A dreamy story) set in a Santa Claus temping agency during the busy season. You can enjoy 33 diverse stories with creative perspectives and approaches, ranging from science fiction to fantasy and fairy tales. Another charming aspect of this book is the wide variety of styles it showcases, from shojo manga, to horror, gekiga, and even a simple touch of experience-based manga. The homages to famous authors and their works are also quietly amusing. In 2013, this collected volume won the 17th Manga Division Excellence Award of the Japan Media Arts Festival, organized by the Agency for Cultural Affairs, which is awarded to outstanding works of art and entertainment.

Delicious in Dungeon

This is Ryoko Kui's first long-running series. It began serialization in Harta published by KADOKAWA from February 2014 to 2023, spanning a total of 14 book volumes. The story is set in an expansive labyrinth that suddenly appeared on an island one day. The main character Laios is an adventurer whose sister Falin is devoured by a Red Dragon while exploring the labyrinth. Falin casts a final magic spell which lets Laios and the rest of his companions escape the labyrinth, but they return to rescue and resurrect Falin. However, having lost their equipment and supplies, the group decides to become "self-sufficient” by cooking and eating the monsters they defeat along their way, as they adventure deeper into the labyrinth. Grounded in the familiarity of classic fantasy RPG elements, the series adds its own unique settings and meticulous world building. Its monster cooking scenes are illustrated alongside detailed cooking instructions, making it a never-before-seen labyrinth gourmet manga, which has become an overnight sensation. According to Kui, the motif of "cooking monsters" was born from an idea she had of wanting to depict what falls between the lines of adventures, such as meals and camping, which are typically not depicted in roleplaying games*. The manga has been adapted as a television anime series to run for two seasons from January to June 2024. A second series has also been announced. The series was produced by TRIGGER inc., who also produced and animated a commercial for the manga in 2019.

[i-heart-hxh]

Hey! This is purely me and my morbid curiosity asking, but you mentioned you buy in to the pregnancy stone oops baby Gon origin story more than an actual mother. Can you elaborate, even if it falls with what others may have already brought up? I'd love to get your take! (also, I sent a review of your chapter 4 hxhbb fic, but I think it might've been eaten!)

Hi!

So, I do buy into it, somewhat! I think, for the time being, it's the best theory we have on Gon's parentage. There are a few interesting details related to it.

First off, Togashi included this woman with Ging in some of his early HxH concept drawings, from November 1997:

People have speculated that the woman next to Ging might be Gon's mother, however there isn't actually conclusive evidence of this--it's just a theory. It could also be an early design concept for Mito, Menchi, or one of the other female characters from the series, as the drawing isn't labeled with a name or description like some of the others. Or, she could be a scrapped concept even if she was intended at the time to be Gon's mother, as clearly this isn't finalized in any way.

You can read about this drawing a bit more here!

However, of course within the series itself we have no info on who Gon's mother might be, and Togashi did bother to include the Pregnancy Stone card:

Now, an interesting connection with this is that Togashi is known to have read the BL manga Patalliro!, as he based Hiei's hair off one of the characters, Scunky:

(From a doujinshi Togashi released, Yoshirin de Pon!)

There is also an unconfirmed but very reasonable theory that Killua may have been based in part of the character Maraich from Patalliro!, as the basis of both characters is similar and we know for a fact from the above image Togashi has read Patalliro!.

Now, how does this connect to the Pregnancy Stone theory? Well, Patalliro! also has mpreg as part of its storyline (with biologically male Maraich getting pregnant twice through unexplained means, with one of these pregnancies leading to a son), and considering Togashi may have used other elements from Patalliro! as inspiration... You can see where I'm going with this. I do think it's interesting he put the Pregnancy Stone card in the series to begin with, and there's also the Panda Maid card ("excellent at taking care of human children"), and Ging has used a panda plush as a substitute for himself in the Election arc. Coincidence? Hmmm...

Image taken from this post, explaining more about the Pregnancy Stone theory.

My personal feelings now that I've laid all this info out are basically... I've talked a lot about how intentional Togashi's storytelling is and how much attention he pays to things, so I think he planted this knowing people would consider it a possibility, at the very least. We don't have any other theories about Gon's mom that have this much to go off of. It's possible he will reveal more info eventually and either make this more likely or explain Gon's origin in some other, totally different way, but for now I think this is compelling--there are enough pieces that it is a legitimate possibility.

I'm not someone who is interested in mpreg (or any kind of preg, for that matter, LOL), so I don't spend a lot of time thinking about this whole situation or the mechanics behind it, but I do think it would be pretty hilarious if this does canonically end up being Gon's origin story after all. Just such a wild way for Gon to come into existence. It'll be interesting to see if we ever get answers with regards to who/where Gon came from, whether it's by Pregnancy Stone or not.

It's a fun topic because it seems so goofy and farfetched initially, but the more you look at it, the more it's like, "Actually..." 🤔

(And thanks again for the review, my apologies that it took me a while to reply!)

[piosplayhouse]

Hi! I came across a post complaining about the guy yuri poll and discourse aside, I vaguely remember you made a post about what is yaoi and what is yuri? I dunno if I dreamed this post up, but I've scrolled and scrolled and I can't find it. So, I wanted to ask (if you don't mind answering >.<), what is yaoi/yuri? (beyond the basic definitions) What counts as guy yuri and girl yaoi?

Uwaa ok so I will say Im planning to actually write a paper on this but I haven't done much research yet so ask in a few months and you'll hopefully have a better answer with cited sources. But here is a bit of what I'm conceptualizing at this point (corrections and additions very welcome!)

What set me down this path really was of course the fantastic Yaoizine hosted by tshirt3000, which includes a rather poignant author's note about broadening the definition of yaoi in public to the abstraction. Indeed, the actual origin of the term "yaoi" is an acronym for "yamanashi, ochinashi, iminashi" (plotless, climaxless, meaningless) from 70s doujinshi spheres wherein it was used as a somewhat self-degrading term to define a specific type of porn-without-plot self-indulgent indie fancomic. These were of course, mostly of the male-male variety. However, as the Yaoizine makes clear, there's not really an inherent gendering within the word in any sense but genre expectation-wise. This becomes particularly salient in the case of perhaps one of the most famous wlw romances out there, Revolutionary Girl Utena. Tshirt cites an interview with the creator of the anime, Ikuhara Kunihiko, where he refers to the relationship between the two main female characters (among other things) as yaoi, recontextualizing the term from merely a mlm genre into a statement on the dynamics of power and consumption as they relate to gender-- an act of sexual passion paired with a reversal of societal norms = yaoi in this case, which is why utenanthy fits perfectly within the term.

Conversely, yuri (lily) is a bit more difficult to analyze from a gender-neutral perspective as it originated not as a counterpart to yaoi, but instead as a counterpart to bara (rose, a term used to refer to erotic gay male content) used when lesbians would write in to gay magazines trying to hook up and whatnot. However, it's pretty agreed upon that the genre grew out of Class S literature, a type of literature based on girls, often senpai and kouhai, going to an all-girls school together and experiencing a connection that straddles the thin line between romance and homosociality. Homosociality like this among women has historically been and to this day remains somewhat under the radar and perceived as a "phase" or an amateur attempt at romance before a woman eventually marries a man. This is where we see significant overlap between pre/early modern Japanese male homosexual literature and lesbian literature, where homosexuality is seen as a youthful phase that will inevitably be grown out of (as in the case with the chigo system, LUG (lesbian before graduation), etc). Essentially, it was very common for the characters of early modern queer literature (mostly written by queer authors btw) to have brief and passionate schoolyard flings before graduating onto "normal" sexuality. Of course, these narratives fell out of style and are considered dead today, but their remnants can still be seen in the subsequent shojo and modern gl manga boom. The yuri that grew from this in the beginning was usually explicitly erotic, but still somewhat held onto the predominant themes of schoolgirl innocence and youthful beauty. Over time, meanings and terminology shifted, and the "yuri" we use today is more interchangeable with "gl", meaning it's not so much of an indicator of explicit content as "yaoi" is. However, I would still argue that one of the largest indicators of a story's "yuri factor" (if you could say that) is its ties to the establishing homosociality progressed into homoromantic relationship genre expectation. Of course, there are many wlw stories that subvert this, (as there are many mlm stories that subvert the yaoi or even bl template) but to me, if you were to compare yaoi and yuri's theming, yaoi's focus tends to skew more towards the intimacy in explicit eroticism, while yuri looks more into the implicit eroticism in intimacy. If that makes sense.

Of course, when looking into "boy yuri" there's also a transfem-coding factor to consider, which I think is what the majority of people have in mind when they refer to a couple as "boy yuri". Historically, there is massive precedent for feminization between male queer couples in historical Japanese literature, as well as in early modern relatives of bl, mainly Inagaki Taruho's work, so it would be somewhat disingenuous to say feminization is a purely modern, female-created phenomenon. But anyway, those are my (somewhat messy and likely inaccurate) thoughts so far, let me know what you all think. Have a happy yaoimas and merry new yuri, as they say.

[ark3n]

Akutagawa x fem!reader: Missing you.

• listening to songs that considered to be sexy or romantic is highly recommended

• no kinks so normal sex, might be boring

• detailed

• less talk more actions

Synopsis: You are Akutagawa's wife that is used to Akutagawa's absence and behaviors. He always away from home in long periods of time.

You have been married towards Akutagawa for few years. The lack of his presence at home is starting to become normal. His lack of response as well. He is "cold-hearted" but he is nice once you get to know him deeper. Akutagawa is distant but sometimes he look for some cuddles or touches indirectly. He can be mean but can be polite sometimes. It is depends on his mood.

During midnight around twelve o'clock in the morning, Akutagawa just came back home after being away of days. His eyes are somewhat baggy empty dark grey eyes. He closed the door behind him and took off his shoes. He didn't take off his coat and just walked in.

While you were sleeping comfortably on the bed with the blanket covering you as you were wearing a nightgown that doesn't really show much skin. You felt someone slowly lying themselves behind you on the bed. The next thing you knew is that, Akutagawa was kissing you tenderly but then he shoved his tongue inside your mouth. His right leg was in between your legs, you can feel that he was getting hard. He left hand was caressing your side in the kiss before it slowly lift up your nightgown and went down to your thongs.

His two fingers caressed your folds that was still got covered in your thongs while his tongue was busy exploring your mouth. He pulled away and got on top of you, he grabbed your thighs and pulled you closer to him. Your thighs then rested on his laps, it was a bit dark in the bedroom but you can see Akutagawa's figure. You could hear a small rustle sound of Akutagawa taking off his coat and white jabot before tossing it on the floor. He then unbuttoned his dress shirt and left it on before he undo his belt and unzip his zipper. He took out his hard dick from his trousers.

He then lifted the hem of your nightgown up to your collarbone so that your breasts exposed to him. He leaned down to nibble on one of your breasts as his hand fondle your other breast. The way he move his mouth is just the way how he kissed you earlier; sucking on the nipple and lick it causing your tight entrance to wet and pulse for him. The sensation of getting nibble on the nipples was like an electric shock strike on your nipple and down to your cervix. He pulled away and began to kiss on the crook of your neck tenderly while his left hand was still fondling your breast.

You slowly wrapped your arms around his neck instinctively, you then suddenly remember an action you saw when you were reading a straight doujinshi manga while Akutagawa was away. When he was busy kissing your neck, you decided to take the same action you have seen. You bit his ear gently which made him paused and shivered. It made him aroused, he didn't know how to react to it. He pulled away and grabbed your calves before spreading your legs apart. His dick isn't that big, it is around 13 centimeters but it is thick and you knew how it gonna feel like as you had it inside you before. You find yourself gulped, craving for his dick to be inside of you. He held your thongs and slid it down until it completely off from you.

He then rubbed his fingers on your wet folds for few seconds before he bring his hard cock to it. He circled his tip around your fold before rubbing it against your fold. Afterwards, he finally enter into your tight hole very slowly due to your tightness since he has been away from home for days. He missed you a lot. He needed your warmth. He didn't want to go all in as he wanted to feel everything slowly. Once he was fully in, deep inside you. He pulled his dick out slowly pushing it inside again slowly. Each thrust, his pace increase.

He began to thrust faster. You then felt a certain sensation building up inside you causing you to moan. He hit every sweet spot of you, you can't help it but wanting him to go deeper despite knowing his size. You were too focus on the sensation, desire and his face as you didn't notice that he didn't thrust fully in. After few moments, he slammed his hips against your private part causing a certain clapping sound. His tip went through your cervix as your womb got invaded slightly causing a slight pain and made you moaned out loud by accidental. As he kept thrusting, he felt the need to release his white substance. He stopped slowly yet still inside of you. He then leaned down.

"May I?" he whispered with a light pant. You looked at him in anticipation and nodded lightly. He kissed your cheek in respond and continued to thrust inside of you. He clicked his tongue and held it in until he got really close to his climax. He groaned slightly as he released it into your womb, it made your womb felt heavy, filled up and warm. It sent a lot of sensation that it made your legs twitched once. He pulled out and fell to lay down beside you. He pulled you closer to him and wrapped his arms around you. He then pulled the blanket over the both of you. The two of you cuddling and fell asleep together.

[Pt 2?]

[aeternallis]

High-Context Culture at Play and Kim's Mode of Communicating // a rant

So, something I notice once in awhile when I go through the tags on Ao3 for KPTS fics are commentary on the lack of communication in the show���specifically, how Kim doesn't communicate. Tags such as, "Kim communicates, it's a miracle", "OOC because they actually communicate", "Kim uses his words", "Healthy Communication, so it's OOC", etc etc.

This isn't meant to call anyone out and mind you, this isn't something I've only seen in the KPTS fandom; tags like these are also used in a lot of danmei fics I see, as well as the sheer variety of anime/manga fics I've read in my time.

And ngl, when I see those tags...my gut reaction is often to feel that they sound very much tongue-in-cheek and somewhat mocking. Not just to the character himself, but to the narrative itself. It's a bit uncomfortable at times, reading those kinds of tags, even if I know to myself that there's likely no malicious intent behind it.

For what it's worth, I won't apply bad faith arguments on works of art and creativity, and I'm certainly not looking to police fic on Ao3, yknow?

Having said that though and just because I have yet to see a post talking about this topic explicitly, I also feel that it's important to some degree to understand how people communicate in Thailand, and Asia in general.

Mind you, I’m no expert in Thai culture, lemme repeat that yet again. They have unspoken social rules that I myself wouldn't understand because I'm not Thai, nor do I speak Thai. Asia at large, though sharing a unique set of many similar values, is not a homologous region; each country has a rich tapestry of history and culture and very much different from one another.

Yet, as someone who grew up in an Asian household who shares many of said values, I often feel like—when it comes to East Asian/Southeast Asian fictional characters at large—there has always been an unconscious, almost knee-jerk habit I often see in fanfiction to reshape their style of communication to a more western context, if that makes sense. As someone who used to translate doujinshi and Pixiv 小説 for fun, it was always noticeable and a bit jarring, once I moved over to read my fanfic of choice, yknow.

This isn't inherently or purposefully malicious in any way, but it can feel very dismissive, even if it's unconsciously done.

Thailand and most if not all of SE Asia operate in a high-context culture. High-context culture means that when we communicate, it’s not always so much the words themselves that matter, but the context surrounding those words: body language, tone, eye contact, a person’s social status, etc etc. The words sometimes only convey part of the intent, but it doesn’t convey everything. In some situations, the words themselves can even mean the exact opposite of what they’re trying to convey.

It's why so many misunderstandings happen between international fans on platforms like X, because the nuance is often lost in Google Translate.

On the other end of that, we can use Tumblr as the example: since this is mostly an English-speaking website, for the most part, this hellsite operates on a low-context culture, but is easily ignited with outrage based on seemingly high-context traits. LOLOL

This type of communication is not always easily translated into the subtitles, nor is it remotely perfect in any way. It can be quite complex, and hell, even in the context of its own culture, misunderstandings can and do happen all the time. And, as we've seen from the recent popularity boom of East Asian media from the past two or three decades to the American and western audience at large, some of the most compelling drama can come from these sorts of human error.

Besides that, if I’m being perfectly honest, almost always (one of) the source(s) of fandom drama when it comes to character interpretation is due to the nuances of the high-context culture the story takes place in that can have the loudest enthusiasts arguing back and forth.

This is particularly true for characters like Kim Theerapanyakul, who are meant to be portrayed as mysterious and unreadable.

(Lan Wangji and Hyakuya Mika are also a few that comes to mind in my personal experience, uh huh)

To be quite frank, it's why I personally avoid getting into any nitty gritty discussion when it comes to characters like Kim and LWJ, because they mean so much to many different people, as well as simply for the fact that I do not know everyone's emotional tolerance when it comes to disagreements. Lol What I'm saying right now can be taken to be hard-hitting fandom policing, when I'm really trying hard not for it to sound like that, nor is it even my intent. I'm not telling anyone that they're wrong or that they've misinterpreted the characters, but what I am saying, is that people in fandoms, especially for the English-Only Speakers at large, need to be more consciously aware of their cultural biases.

And before I go on, mind you, it’s perfectly okay to have cultural biases—we all have them, myself included, that's just a fact of life. No one is exempt from this, if anyone is itching to point fingers.

I don't think it's an unreasonable thing to say that if one is engaging in media that's not from their cultural context, it's good to be more aware of the surrounding cultural norms and values of that said piece of media when you apply your own interpretation to it, and especially when you may not be the intended audience.

It’s why “your headcanons are not my headcanons” is, I will always believe, a very good rule to adhere to, especially when peeps disagree with popular headcanons, so fandoms can be more respectful and tolerant of each otherrrrrrr when disagreements inevitably crop upppppp, but anywayyyyyy~

I’ve met enough expats who’ve lived abroad in my current line of work to say that trying to understand the unspoken social rules, norms, values, etc. of the foreign country they choose to live in is most often one of their biggest sources of frustration. Alas.

And, as a side-note: high-context cultures are in no way superior to low-context cultures. Both modes of communication have their pros and cons, and molds society in various different ways.

But I digress! An example of the high-context culture at play is the break-up scene in front of Kim's apartment, which I've seen a number of fic authors portray as a genuine apology from Kim:

Which—in terms of what was spoken, Kim did say he was sorry.

But let’s think about the context of the apology: he said the words as he was walking away, before pulling his arm from Chay’s grasp. He looks back at Chay coldly, and overall, his behavior is dismissive; from his body language alone, he portrays a picture of aloofness and treats Chay as an annoyance.

What he says is an apology, yes—but it's an apology with no sincerity whatsoever. It's why Chay broke down as hard as he did, because it's not just Kim's lies that had him reeling, it was the fact that in the context of how Kim dismissed Chay during that scene, it also heavily implies that nothing between them had ever been sincere. Kim completely reverses the understanding that Chay had of their friend/relation-ship and cuts it off completely.

And although what I'm saying may come across as "Duh, that's freakin' obvious," I also want to add another point: Kim would know the implications of what this non-apology is. He would understand the context in which he'd said those words. Whether he chose to regret them or not later on is up for debate, but it's interesting to see whenever fic authors use this scene as an excuse that Kim genuinely thought he apologized, just because he said the words out loud.

Do you see what I mean? In that scene, the canon's context is what matters, but I've seen enough fic where that scene is turned on its head and fic!Kim thinks and excuses himself, portraying the scene to somehow mean that it's the words that matter. The nuance is thus lost, so in turn, the emotional weight of that scene is also disregarded.

This is what I mean when I say that there is an unconscious habit some fic authors have in changing the communication style that the show is set in.

Because the reality is, Kim didn't apologize. He knew he didn't, and Chay most certainly knew he didn't. What he was communicating in that scene was entirely different from what an actual apology entails.

Be that as it may, the audience knows that the non-apology doesn't negate what he and Chay went through together in the show. He may have been lying to Chay for the majority of the story in regards to his involvement in the mafia, but it doesn't mean that the love and adoration he feels for Chay through his actions didn't come through. Kim may not have said much to Chay besides singing for him a (stolen) refurbished version of his own song, but it doesn’t mean that his intent wasn’t conveyed. It's why Chay cried the way he did, in that in some way or another, the song Kim sang is a reminder of everything that happened between them did have truth to it.

Just because they communicate in the way one may not be used to or unfamiliar with (especially in the low-context culture that countries like the US, Canada, Australia, etc. operate in), doesn't mean that they're not communicating to one another.

Healthy communication doesn’t always have to just mean “straightforward meaning in the words.”

When tags like the ones I mentioned earlier in this rant inevitably crop up, especially when it comes to characters who are non-American/British, one can't help but feel that their canon mode of communication is being mocked and made to be seen as inferior.

In which case, TL;DR, when one writes tags like these about certain characters, I sincerely hope that their cultural biases are in the forefront of their mind, and they're aware and humble enough to admit that there are some things that they may not understand in terms of the cultural context. And due to the fact that they do not understand it, hopefully not mock it in response.

[olderthannetfic]

please, send help. i (23y/o) think i am getting to a stage where I need to be a Cool Aunt TM for my niece (13y/o). She's been a bit too online since she had to move around a lot. She had a bit of antis mentality, but i'm trying to pull her away from it slowly. At the same time, she's been around the internet, reading 18+ yaois and shit. I did the same at her age, so I can’t say I don't understand her. But as an adult idk how to talk about this 18+ healthily with her? or do I even need to? should I leave her on her own devices? I didn't have an adult to talk about these things with growing up so idk how you're supposed to do this.

There is not way to say how my parents or sibling (her mom) would react if I drop this on them, could be +/- , but it's a bit of a lottery depending on the most recent online articles they read lately. lol. They're open to convos, but a bit religious.

I'm taking suggestions if anybody would like to give some.

P.S. I am also not a cool person, i'm pretty much a lame homebody so… i also don’t know how to be cool lol.

im so sorry idk who else to ask.

--

Ahaha. Well, don't try too hard to be ~cool~. Nothing could be more offensive to the sensibilities of a 13-year-old.

A well delivered "Oh, come on, no one really thinks that" and eye-roll in response to the more delusional anti stuff has a wonderful effect if you're offline and the person respects you. Humans in general and 13-year-olds in particular are hypersensitive about fitting in. A boring and serious lecture from an older person will set off every melodramatic "The old people don't understaaaand!" instinct, but a well-timed "LOL, WTF" causes internal panic that one has missed something. If she wants the serious and nuanced explanation, she can ask for it, but I wouldn't start there.

As for how you talk about raunchy art... it really depends on the person. If she realizes you like the same stuff, she may bring it up. I think recs are fine, and so is euphemistic "I liked the ship dynamic in this one". "I got off to this" is TMI on your part. (Well, it's TMI on her part too, but be prepared for TMI if you become the confidant of a 13-year-old.)

Honestly, as long as she's directing the conversation and you aren't sharing details of your masturbation habits, I think you'll be fine. 13-year-olds aren't babies. If they're old enough to read porny doujinshi, they're old enough to talk to a trusted adult about them.

My teen tastes were weird art films full of sex. 13 is pretty young, but within a couple of years, she'll be the age I was when I was trying to see shit like Crash. She could be anywhere from self-assured in her tastes and interested in discussing her favorite media to easily-influenced to paralyzed by guilt. Creepy grooming shit comes from groomers choosing to groom, not from the topic of sexuality being in the air. If she's reading something with even a shred of plot or romance, you can talk about that without the actual conversation being X-rated. My main concern would be to avoid her trying to impress you by consuming media she finds uncomfortable or talking about things she doesn't actually want to share. You can really only judge that by body language and tone of voice in the moment.

I mean... does "18+ yaois" mean actual BL series here that have a few sex scenes or doujinshi that are entirely porn? ('Yaoi' basically means 'PWP' and is not exactly complimentary, after all.) It's somewhat harder to talk about the latter. But I liked some pretty out-there shit as a teen and did talk to adults about it. They just let me do most of the talking.

Probably the easiest way to broach the topic is to catch her reading something and go "Oh, I read that one" or "I liked [name of BL]".

[loveemii]

get to know my bitch boy <3

———————————————————————

Basic Information:

Name - Yuri Ayato

Birthdate - September 2 (virgo)

Sexual Orientation - Bisexual

Height - 179 cm (5’10)

Weight- 69 kg (152 lbs)

Hair Color - Light Pink

Eye Color - Hazel (anime)

———————————————————————

Appearance:

Yuri has medium length pink hair which is somewhat unkempt and all over the place. He has thin eyebrows and a sharp nose. He has multiple lobe and cartilage piercings, as well as a tongue piercing and a naval piercing. Yuri has yet to be seen without a pair of sunglasses, and often dons various other accessories, such as chokers, necklaces, bracelets, and rings. He has his nails painted black.

Yuri wears what appears to be Mormori’s standard uniform, with a pink sweater and no socks or shoes.

———————————————————————

Personality:

Yuri is known to be extremely flamboyant and over the top, being described by Akemi Keiichi as “having a few screws loose, so he’s hard to hold a conversation with.” He also tends to laugh chaotically at random, and change pitches. He rarely makes any sense to others.

He seems to dislike things being “boring.” as he uses this as an insult against Fujisake. However, this could also simply mean he dislikes events that are aren’t inherently sexual.

———————————————————————

Background:

Not much is known about Yuri, other than the fact he’s been best friends with Yui Tamura since primary school. In the spin-off doujinshi about Yuri and Tamura’s childhood, it is revealed that the two of them have known each other since third grade, and became close friends after Yuri invited a seemingly friendless Tamura over to his house while it was raining. Though he moved away in six grade, the two reunited in their middle school, and picked up their friendship where they left it.

———————————————————————

Add-ons:

• he is allergic to almonds

• yuri has no favorite food, but his least favorite is melon

• his hobbies consist of sex

• he is skilled in oral sex

[ensemblesongs]

at this point i think it's rather unlikely that they'd kick ibuki from akatsuki, seeing as how they're already selling merch of the new akatsuki and such. i think a lot of people *are* asking specifically for ibuki to be removed from the unit, but do you think there's another approach we could take to try to reach a sort of compromise? like asking for specific parts of the writing to be fixed rather than undoing the whole thing? do you think they'd listen to us more that way? genuinely asking

It's definitely unlikely now, you're right. It was already too late the moment Happy Elements doubled down by posting the pre-recorded stream discussing his addition to AKATSUKI. After all, these sorts of things—cards and events themselves—are planned years in advance. Personally, I would scrap them all, but I know that isn't realistic. I just don't know how they thought it was a good idea whatsoever. But, you see, this is a flaw within Ansta itself that I've been aware of for a long time. To fix the core issue, we'd need a total reform, but that would be an insane amount of work and I'm not sure if they're willing to do that.

This ask reminds me of how they attempted to make amends in a way in regard to their somewhat unfavourable portrayal of the Amagi Village as cult-like and lesser-than (that often gets made even more egregious by ignorant fans via doujinshi and fanfiction that takes place there, which some argue to be alright—if you want to take creative liberties—as long as you aren't claiming it to be a depiction of Ainu people specifically. This is actually what HE sought by removing the traditional patterns from their assets like Live2D models and BGs, allowing even Ansta's writers themselves to pretend that it's a random, fictitious village rather than the very real indigenous group that they were actually based on down to their very designs, especially Rinne's, because being normal about the people your ancestors oppressed is too difficult, I suppose. Personally, I wouldn't do so.) by turning it into this Wakanda esque, sci-fi setting instead. Which was really stupid of them. I think they meant for it to be flattering somehow, for them to be more advanced than the majority... to get to be like, "see, they aren't cavemen after all!" In the end, most people don't like this decision or downright ignore it or tried to deny it and say Rinne was lying when that's... not how story-telling works even when it comes to unreliable narrators, and in some ways, it was detrimental when it comes to the uneducated person's perceptions of them.

Anyway, the entire event story or major chunks of it would have to be rewritten. Some AKATSUKI fans actually liked the first half, while others felt despair due to the mischaracterization I mentioned prior. Many fans have already lost all hope and quit altogether, but the remaining ones, and the protesting ones, deserve some form of acknowledgment or compensation. When it comes to the racist elements, Ansta is racist at its core, so there would have to be an overhaul of the entire plotline they had planned and partly executed for Ibuki and AKATSUKI already. From the start, it had unsavory undertones, but it could have been salvaged to the point of even being good if they hadn't done this or at least done it in a different way. Like I said, it is the reality for many Ryukyu, but I just don't trust them with a narrative like this, especially if they do not educate themselves, get sensitivity readers and receive input from real-life Ryukyuan people. Even the person writing Ibuki's solo isn't someone who can understand his struggles whatsoever. It's just some guy.

Not to mention, Ibuki seemed to be set up for this from conception, since even his name is a reference to the Meiji restoration, from a period that AKATSUKI's current direction has been referencing, as people have discovered recently. Ibuki also seems to tie into !! era's "Okinawa arc", which some have been keeping up with for a while. I think it started in Submarine, if I'm not mistaken. The Okinawa arc is littered with underlying anti-indigenous sentiments whether they meant for it to or not, ones that are hardly challenged by the cast (and, less importantly, also sort of muddied up the Shinkai cult lore. Some like it, others have mixed feelings).

!! era should have taken an entirely different direction From the Start if they didn't want this to happen, I fear. Because they couldn't do interpersonal drama with a few real-world effects (the suicides caused by the war) and a dilemma surrounding morality now that the scale of their world is larger, and it would have been repetitive regardless, they had to give characters like Eichi something bigger and eviler to do, such as his "idol colonization" affairs. A character who's meant to be a loveable albeit morally grey idol is campaigning for the destruction of the environment via the Atlantis project, silencing indigenous voices, etc... I love Eichi, and this isn't unrealistic of a continuation for his character. He's meant to parallel Godfather, after all. Nonetheless, it's painful to watch and more so to acknowledge when something like this is happening, which makes me wonder if it'll even be contested any further at this point.

Sorry for rambling about how flawed this era is at its core, I just think people should be aware of it... Back to the main topic, I think one possible alternative is that they could make Ibuki depart from AKATSUKI at some point down the line, not now, but sort of like graduating after having grown with his seniors, a dabufe-esque situation where he finally finds himself 💭 Ibuki was always meant to be kept off the path Esupuri is on, he would be solo, then.

To actually answer your question, I do think that they might listen to us if we ask that way. Even if it was an infinitely smaller change, just fixing up one line, they did that much after the revolt caused by the leoizu retcon during Sena's center event. I think a compromise could be good.

Semi-relatedly, I agree with the sentiments shared by our-ensemble:

[fishyyuzi]

2024: A retrospect

Happy new year! 2024 drew to a close in the blink of an eye, and 2025 came marching in. I hope the new year finds everyone well, and wishing all of you a good health for this year too!

I usually don't really write very long blog posts due to being shy about my own writing skills, but I decided I want to do this anyway. I wanted to look back and re-organize my thoughts about 2024, as well as write down what I hope to do and achieve in 2025. If you don't like reading long posts then please feel free to skip over! Otherwise, brace yourselves because it is going to be a LONG one indeed, haha.

Now then, where do I start...2024 has been a wild ride for me. I actually never "officially" announced it on my socials, but in April of 2024, I actually went to Japan to study and find employment there! This has been one of my biggest life-long dreams, and I am fully aware that this is a BIG priviledge that could not have been realized without the help of my parents. I'm so SO thankful for them for everything they've done for me, I definitely will not let this oppurtunity go to waste, I will do my best to get a stable job, get a stable life and then repay them back (this is my own free will) for all the financial support they have given me.

Life in Japan

Life in Japan has been good. Of course, it's not all rainbows and sunshine all the time, and I have definitely faced my fair share of obstacles as well as having identity crisis multiple times, lol. But the things I have learned and experienced here far exceeded the negativites.

I came here with the determination of first improving my language skills, especially my verbal skills, and also to improve my social skills. Through my school, I ended up joining in the local community work of picking up trash in the morning and sharing a cup of tea or coffee afterwards. Although I originally inteded to join to practice interacting with the local people, I found myself enjoying this volunteer work so much that I eventually just started joining out of my own volition instead of through school. I also joined a lot of other programmes, such as a short homestay program and a longer homestay + cultural exchange program amongst other things. All in all, I really tried my best and I think I have somewhat succeeded in my goals! I could communicate with locals now without much issues, and I can listen to radio shows or watch TV shows with minimal to no subtitles now (and also understand most of what people in real life are saying of course!). Also, not to toot my own horn, but a lot of locals have also commented about how natural my accent sounds, and it makes me very happy to hear that because I worked really, really hard, so it felt like a validation of my efforts ;w;

As you all may have realized, in exchange for me putting in the time and effort in real life, 2024 was a very very barren year for me art-wise lol. I didn't draw much (didn't had the time and energy or the willpower) this year, but I somehow still managed to make some drawings as well as making a doujinshi with a friend this year and took part in Reitaisai Autumn 2024! I have always thought of participating in Reitaisai as a dream that would never come true in my life, but I'm glad that wasn't the case… thank you to my friend Opu for inviting me as well as shouldering most of the things from planning to printing and also the booth setup T_T!

Expressing Thanks

On that note, I would also like to take some time to express my gratitude to a plethora of people, as well as the smaller things in life that brought about so much more positivity in my life.

First of all, and as mentioned earlier, I would like to thank my parents for giving my this opportunity to come abroad and believe in my one last time for me to achieve my dreams. I actually didn't really have a very good relationship with my parents prior to this, and despite that they still cared for me enough to send me abroad and only wished the best for me…physical distance with them has opened my eyes to so many more other things, not just my feelings towards them, but also things that contributed to my personal growth. I've not only grown closer to them in the past year, I've also finally become "independent". It is hard for me to put it into words, but I truly felt myself finally becoming an adult this year, and I will get deeper into that later (want to tie it together with a small announcement).

Next off, are my friends in Japan who has helped me so much with adjusting to life here, as well as hanging out with me when we have time! I'm not sure if they are ccomfortable with me naming them, but I've also witnessed their very very major growth in their pursued field this year, and it just makes me so, so proud to be able to call them my friend! To see them achieve their own dreams and goals, it motivates ME a lot to work towards my own! Also!! They always hear me out when I have troubles of my own, and also gave me so much practial advice (particularly for when I was applying to part time jobs), I am forever so grateful for them and I would honestly gladly d*e for them lmao that is how extremely grateful I am towards my friends!! I don't know if they are reading this or not but if you are YOU KNOW WHO YOU ARE!! いつもありがとうね！！This year is the year I will make you proud!!!!!

(ahem). Jokes aside, I would also like to thank my school, and my school teachers for making my Japanese improve so much lol. I really came here with ¼ of that bucket filled, and it is thanks to their teaching that I gradually filled it up, and now I think the bucket is probably like 70% filled…..learning is a never ending journey though, so I would like to continue improving my Japanese even after I graduate! If I continue to list more people I think this post is never going to end…but last one ok I would like to thank my co-workers at my part time job too for being some of the nicest people I've ever worked with!! And the customers who come to the shop! They always put a smile on my face!! Thank you so much!

Other things I'm grateful for!

Being able to eat what I want whenever I want!

Being able to go to Karaoke and release steam every Sunday morning!

The manga and drama "What Did You Eat Yesterday" for being my comfort media when I just came here and was filled with much anxiety! It was like having 2 more dads in my life, lol

Getting to know Hoshino Gen's works! His songs, especially "SUN", uplift me a lot! I listen to his songs almost daily now because it's a great energy booster…also, his literature works are very inspiring! I've since became obsessed with this guy to a kinda crazy level actually I'm so sorry lol but I HOPE I CAN GO TO HIS CONCERT THIS YEAR SCREAMS (prays for my ticket lottery)

Saizeriya for being cheap and delicious. I love you Saizeriya!!!

A final look back, as well as what's to come

This post has gotten way too long…sorry for that but if anyone's still sticking around, thank you for reading me yap so much!

2024 was really such a wild ride for me. I can safely say that my life has changed for the better ever since coming to Japan, and I'm excited to tackle 2025 and the challenges it has in store for me.

In regards to what would happen to my art/drawings, I have…so much I want to say, but because this post is long enough, I'll try to be brief.

Starting from 2025, I will no longer be taking personal art commissions. Commercial commissions would be heavily considered, but for the most part, I would like to take a step back from drawing for work.

It was not an easy decision to make, and reaching this point took a lot of energy on my part as well. I love drawing, I love to draw for others and see them be happy with the work I made for them. But I'm not cut out to be a freelance artist. The past 2 years was honestly, a very very lonely time for me. Sure I had more flexibility in time and scheduling, but I didn't have financial stability, and "making enough money" just ate away at me all the time to the point of destroying my mental health, and causing a rift between me and my family. Despite all this negativity though, I'm just glad I experienced it in my 20s when I'm still young and had the room to make mistakes like this. 

And of course, I am always thankful to those who have commissioned me, or bought my art at events! I will always remember your kindness and support. If it wasn't for all of you, I wouldn't be surviving till today. Thank you so much from the bottom of my heart.

So where do I go from here?

I cannot 100% predict what the future holds for me, but my most important goal for now is to secure a proper job as a 正社員 in a company here, hopefully obtain a working visa and start planting my roots here in Japan!

In my free time, I would like to work on translating some of my favourite books from JP -> EN. I don't want to  bet on freelance work again a second time, especially not in a foreign country…but, it would be nice if one day I could ACTUALLY officially work to translate those favourite books of mine. And what better way to achieve that than to actually start putting in the work? I know it's going to be a tough road but I will work hard!

Art will take a backseat from now on, but that doesn't mean I will stop drawing! It's just that I will mostly be drawing for myself now.

Thank you to everyone who has looked at my drawings up until this point. For those who choose to stay and continue following me, thank you and I hope you will continue to watch over my journey.

Stay safe, and have a great 2025.

fishy魚子

[canmom]

Animation Night 164: Yaoi, Yuri

The fashion on Tumblr lately has been to divide everything in the world into yaoi and yuri, hasn't it? Well, tonight we don't need to make any abstract stretches of the imagination: it's time for anime where boys kiss boys and girls kiss girls.

So. Five minutes ago, before Tumblr deleted it, this post was off to a pretty good start! I was happily explaining about the differences of nuance between 少年愛 shōnen-ai, 耽美 tanbi, ジュネ june, やおい yaoi and ボーイズラブ bōizu rabu on the one hand, and on the other, why 薔薇 bara (rose) isn't a genre title but nevertheless the editor of 薔薇族 Barazoku ('rose tribe') magazine coined 百合 yuri as a distaff counterpart, the 'lily tribe', and that really caught on.

I was starting in on a brief sketch of some history, how Tokugawa Japan was super gay and had a defined set of social rules for gay relationships in the form of 男色 nanshoku, but this was squashed by the Meiji restoration, and thus gay manga became a subgenre cultivating its own specific otaku audience.

So then I was gonna tell you about how the early shōjo manga focusing on gay relationships, taking the old term shōnen-ai [which originally referred to pederasty], were quite nerdy and literary, but the subgenre rapidly grew in the 70s and 80s, cultivating an otaku audience of its own - primarily women termed, somewhat disparagingly, 婦女子 fujoshi but this demographic breakdown is certainly not absolute and there is a term for male fans, which is 普段し fudanshi. We coulda gone into the whole world of doujinshi, of the massive convention comiket; I coulda cracked open Kimi Rito's History of Hentai Manga for some interesting tidbits about how certain images become encoded as symbols and then reused routinely in manga.

And you know, I might have talked about how this is distinct from manga aimed at gay readers in gay magazines (like the above mentioned 薔薇族 Barazoku) which might be termed ゲイ漫画 gei manga. Perhaps we might mention here the upcoming adaptation of gay manga meme sensation kuso miso technique:

I was maybe gonna talk a little about some of the older genre conventions of BL; the masc top or 攻め seme and the effeminate bottom or 浮け uke; maybe a little about how yaoi fandom got exported into anime fan culture in the West and the strange phenomenon of the 'yaoi paddle'.

...well, it looks like I managed to skim over all that anyway. Spite works wonders for typing speed, it turns out. But believe me, that's really just surface level stuff. We're working on a followup to the legend of Animation Night 69, so we'll be able to get in a lot deeper in a few weeks~

Anyway, even today, BL and yuri works rarely get adapted into anime in a particularly high profile way. But 'rarely' is not never! In Animation Nights past, well: on Animation Night 69 we watched the delightful 風と木の詩 Kaze to Ki no Uta (The Song of Wind and Trees), an OVA adapting the seminal (ha ha) shōjo manga about a French twink at boarding school. That was the direction of Yoshikazu Yasuhiko, known also for Venus Wars and definitely the subject of a future Animation Night, it was as moving and melodramatic as you could hope from 70s shōjo. Sayo Yamamoto (AN36) brought us the incredibly charming figure gay skating series Yuri on Ice; and then of course Kunihiko Ikuhara (AN155), bless his heart, made his always bold statements on yuri with Yurikuma Arashi ('Lesbian Bear Storm') and BL with Sarazanmai, which I will surely cover if we ever reach the point where we're like 'let's marathon a TV anime' again ;p

Tonight though? We'll be looking at a couple of relatively recent films on both sides of the fence.

For the BL wing, we have the film 海辺のエトランゼ Umibe no Étranger, aka L'étranger de la Plage or Stranger by the Shore. Kanna Kii, the mangaka, had previously worked as an animator at Studio Hibari, a small anime studio that dates back to the late 70s and broadly seems to specialise in shōjo. Kii returned there to design characters and supervise the film, and evidently Hibari were very excited to adapt the work of their alumnus, because they absolutely spared no effort.

The story centres on orphaned highschooler Mio and his neighbour Shun, an aspiring gay novelist on a remote island in Okinawa. The pair grew close three years before the start of the story, but Mio had to leave Okinawa; we join him now as he returns to that same shore, still holding feelings for Shun.

I'll admit, I don't know a ton about this movie - but it comes highly recommended by kvin who described it as one of an 'oasis' of strong BL works released around 2020. And the clips I've seen - well, they're the gifs used in this post, really nicely drawn scenes of affection. So I'm pretty excited!

Our yuri wing... well, there's a few good choices for yuri TV shows I could show you, but tonight it's late and we need something short and sweet, and that really narrows the field! What I have is あさがおと加瀬さん。Asagao to Kase-san [Kase-san and the Morning Glories], a one hour OVA adapting the manga 加瀬さん Kase-san by Hiromi Takashima. The OVA starts partway into the manga, when plant nerd Yui Yamada has already started dating her crush, the athletic Tomoka Kase. It follows the trials of the girls' relationship as they are coming towards the end of their time at school - relatively low-key, slice of life first relationship typea thing.

The animae was adapted by studio Zexcs under the direction of Takuya Satō, who you might remember as director of the first part of Armitage III [AN153]. Zexcs spun out of JC Staff at the end of the 90s, and they've been pretty busy since then - for me their most notable creation is Aku no Hana (The Flowers of Evil), a truly unique rotoscope anime with an incredibly engaging, tense story about teenagers and the imp of the perverse... which sadly never got the love it deserved! yes I'm still beating this drum!

Anyway, while I have not been able to find a ton of production information, I am told at least that Kase-san was a passion project for Satō - evidently a yuri fan given he also took on the adaptation of Otherside Picnic. It began first with five-minute web adaptation Kase-san and the Morning Glories in 2018 that's more of a musical montage of moments from the series, which was then able to be expanded the next year into an hour-long OVA...

A lot of romance stories focus on the characters getting together, so it's interesting that this one skips right over those chapters of the manga and gets going once the characters are already together, focusing more on the trials of an ongoing relationship between two goofy hormonal kids trying to figure out if this is just a class S thing or something that they want to last. A great deal of effort is put towards character animation, intimacy, the little flinches and reactions. You can read a little discussion about it here on ANN.

So! With apologies for the late start once more (T_T), it's time to begin! Animation Night will shortly be live at twitch.tv/canmom, and I hope you'll join me for a gay old time~

[hanszoe]

"up to interpretation" is exclusively an english speaking fandom myth because of kodansha usa, not a single japanese fan uses these words. the consensus was overwhelmingly ハンジの性別はハンジ "hansi's gender is hansi" all the way back in 2012 because of the lack of commonplace terminology to describe genderqueer people and i think adopted to this day based on how hita exhibit substitutes english pronouns with their name. because of this exact lack of precedent fanwork depicting hansi as female or male sexed but genderqueer was nonexistent and also not relevant to fans' desires; doujinshi added disclaimers for if they were depicting hansi as male or female, and there were much more "male hansi" doujinshi at the time, here are such covers, even levihan BL

(by 吉田ジャン, meshi / かす)

and notice how they're actually depicted more or less canon accurately here, it's the same in any one of these doujinshi that depicted hansi as male. there is no making them shorter or equal height to levi, there is no hair lengthening or prettifying, no chest enlargement, no makeup or dresses. so hansi's sex (and gender, viewed as the same) may have been "up to interpretation" to japanese fans in the sense of that's literally how fanworks were made at the time; like isayama said it was "decided based on reading", some readers interpreted hansi as male and some as female. but if asked about canon these same fans despite making such fanwork would provide the answer 分からない "unknown", as in the canon never "confirmed it one way or the other". and we really have to critically examine the culture this emerged in, because of course hansi has their own body and gender identity!! there was much less of them in the story at the time so i can forgive it somewhat but in considering them as a character how can you look at this immense amount of "nobody can tell what gender they are" and depiction as "either" by a culture that only believes there are two possibilities decided by your biological sex and not understand that hansi is fundamentally nonconforming. yet all it took for this society to forget that was to see hansi with easily-discernable breasts, because the question is always "which one are you", indeterminate until proven, and the acceptable answer is never "neither".

[plaindangan]

In order to properly thank his saviors, Hifumi decides to delay a doujinshi of Mukuro and Maki. And what better way to find inspiration, he convinces them to go to the beach unarmed in their bikinis, convincing them that it will be "completely harmless to relax". Will the pervy mangaka cause more damage than he attended, or will the two strong babes fight off the horde?

Disclaimer: R18 material! If not to your liking then please do not view!

Now, neither of these two wanted to do this, just to make that clear. Both knew how idiotic that was.

But, Fujiko, smirking devil as she was, managed to hide their clothes and would not give them back (even when threatened) unless they let Hifumi draw his damn doujin! As such, both were left fighting for their damn lives as Hifumi was taking his sweet-ass time sketching.

They were strong, sure...but after about an hour of ass-kicking even they began to tire and slip up. Something that resulted in both have their bikini tops yanked off in the process.

Still, that was all they lost and Hifumi was done. As they went back inside, pissed as ever, they were at least somewhat impressed with what the dojin author had managed to whip up. Perviness aside, Hifumi was really good at capturing their toned bodies and stress of battle.......give or take some exaggeration of making their boobs way bigger than usual~

...Oh, and as for Fujiko? Yeah, so, turns out she chucked away their usual clothes into the trash somewhere....

AS one can imagine, in retaliation, they paid her back by using their knives to reduce Fujiko to just her heart themed bra and panties.

Area: Rocketpunch Market

Status

Mukuro: 1/2

Maki: 1/2

Fujiko: 2/4

Hifumi: 3/4

[kishigunpla]

Charma Doujinshi - A (Somewhat) Comprehensive Spreadsheet

For my fellow Charma fans, I put together a spreadsheet of every doujinshi I was able to find, all the way back from 1979 to today (or at least until the next Comiket). I say *somewhat* comprehensive because I know there are plenty of books I'm likely missing, especially anything older than the 2000s.

First tab is the list, second is graphs and data visualization, and the final is the rules I follow when adding things to the list. You can filter the columns by selecting Data -> Filter Views -> Create New Temporary Filter View.

Of course, it's very a much a work and progress so things will change over time. Enjoy!

[quicktimeeventfull]

I've been curious about this for some time... what exactly is Matt like to his fans? I mean this very neutrally, with genuine interest in the topic; I likely wasn't here for the Matt fandom development so I don't wholly get his deal, but it sounds cool over there

hi thank you for this great question!! ok so tbh. i don’t know how to say this without sounding rude so please also take this neutrally: i think matt is the same to fans as he is on the page, just with a different colour scheme. i feel like people really exaggerate how little characterization he has. he’s not physically on the page for very long but truly it is not remotely unusual for people to pay a lot of attention to characters with fairly minimal time on page. this being said. this sort of thing is way more common with serialized work, since fans tend to spend more time focusing on minor characters where there are breaks between instalments. the whole ‘matt is basically fanon’ thing is really new and i suspect that it’s partially because we’re getting further and further away from a time where death note was experienced as serialized media. anyway, here are some pieces of information we have about him:

came from the wammy house (so we know his upbringing and can extrapolate a fair bit from that — we know nearly as much about his childhood as we do about near and mello’s, even if we didn’t actually see it)

loves video games

sort of messy (we can see his setup)

clearly doesn’t mind standing out (from his outfits) but also doesn’t seem interested in actually talking

has a somewhat depressed/apathetic vibe (this is always the expression he’s drawn with, and you can garner this from his manner of talking)

confident to the point of arrogance (watches misa without even looking at the cameras — this is flagged in-universe as being a bad thing because mello complains about it)

assumes that he won’t be killed despite all evidence to the contrary

as above: from the same ‘i’m too smart to be killed’ issue as light

either really invested in capturing kira or really cavalier about his own life, since he’s willing to go on this dangerous mission with mello (i think fans generally tend towards the latter because of his general sense of apathy)

really devoted to mello to the point of being willing to die for him

the colour scheme thing is just the result of the manga being in black and white — i’m not sure where the red hair/black and white shirt scheme came from but i’ve seen a doujinshi being suggested as a source and i think this is a good theory.

[dirtyoldmanhole]

@/damoselcastel was kind enough to show me a bunch of the FE:Fates visual works artbook pages the other day!

and because i am continuing to be .... brain rotted (lol) ... grabbed a copy since there was more than a few relevant pages/official artworks, and wanted to have a high res/color corrected version of these pages for art refs to slap on my reference boards! if i'm looking at them every day now for the past three months they better be accurate!!!

anyway! it came TODAY!!! :D :D pakidge

IT WASN'T EVEN SUPPOSED TO COME UNTIL THE END OF THE MONTH AAAAA

god dang this thing is THICK, now this is what i call a proper artbook! a little hard to see here but you can see by both the front and the spine that it's a chonker -- the two tellius artbooks combined are thicker but they're also a bit smaller elsewhere.

rest is under the cut b/c it's me promptly going feral :P

(and seeing who's on the spine ahhh!!! honestly that's really cool and super appropriate given his subtle plot/character relevance?! super fucking cool to keep seeing nintendo nod at him in symbolically relevant places, but not too overtly )

SPEAKING OF I SHIT YOU NOT GUESS WHICH SPREAD THIS THING FELL TO FIRST

I SHIT

YOU

NOT--

stone cold, swear to you, straight up didn't intend that but this was literally me irl then:

:')))))))))

(also HE GETS A WHOLE SPREAD???? and a turnaround?!!!!!! even freaking corrin's nohr noble design gets like an EIGHTH of the page

gunter gets treated SO WELL in this artbook i'm on the floor trying not to sob like i'm sixteen again and begging for any zihark scraps

also this is so much more high res than what's on my reference board the nitpicky artist in me is literally crying for joy about FINALLY HAVING A HIGH RES REFERENCEEEEEEEEEEE

also what the fuck the architecture is so cool???????????

THE WORLDBUILDING I AM WILDING

for real tho i remember my first conquest playthrough my jaw was on the FLOOR being genuinely amazed at how cool the worldbuilding was especially on the nohrian side with the gothic vibe and y'all don't know how useful this is going to be to replicate nohrian motifs in all of my drawings/probable comics/doujinshi/etc.

[foams at mouth]

this artbook also covers EVERYTHING

like there's a healthy amount of character work , but there's also enemy designs (always thought fate's enemy designs were unusually kickass, like some of these folks could be outright characters themselves), the architecture stuff above....

my room lines....

OH MY GOD THIS MEANS I HAVE A THIRD SET OF TRANSLATIONS I CAN CROSS REFERENCE TO FUCK YES

sorry for shitty blurriness it's just me vibrating in excitement lmao i'll upload it in the high res chunk

.....

hellooooo sir~~~~

(you knew i was going to be posting that shot >:D )

his possession CGI gets a full fucking page too ajlsjsjkskjhhjshjg

HE GETS TREATED SO GOOD HERE Y'ALL, SO MANY FULL PAGES???????????? is this what it's like to be brain rotted over a major character i will never know the feeling lul

(there's actually at least two other gunter fullbody artworks in here, those have already been scanned/uploaded properly by others so i won't post 'em here unless y'all want em!

and then lastly!

to finish it off, god this cover progress is so cool, kozaki knows what he's doing.

and i'm pretty sure gunter's linework gets changed halfway through, his expression's somewhat different than on the final! and i'll be posting that along with the other high res/cleaned up scans! just need to figure out if my scanner's gonna do a better job than my phone or vice versa.

[tries to stay composed] [fails]

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa