#sometimes more!!! sometimes less

[slashthrashandcrash]

Post something coward

post WHAT i give y'all like 3 shitty drawings a day

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[soosoosoup]

sunset serenade

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[madamemiz]

saw a post recently about the sun and moon fandom and how non-selfship content is rare, and how that's frustrating, and it struck me, like... how rare that is. genuinely in all my 20ish years in online spaces, i've never seen a fandom that not only welcomed selfship but actively encourages it, when usually the rule of thumb is that it's tolerated at best and despised at worst

so why is this fandom so selfship centric?

the answer is a combination of factors, of course, but I think it was mostly just a perfect storm of the right character with the right traits at the right time. many people between about 23 and 33 were and still are experiencing intense childhood nostalgia that's being perpetuated by online culture and various media, often through a distorted or slightly unsettled lense. the daycare attendant is fun! they're childish, but decidedly not children. they're not human, unattainable in reality, but plausible enough in the age of ai that they make you ponder. they make you long to nap and play and color and do all the whimsical things you wish you could take a week off from your dull job and do! but there's something... off about them. an element of danger that's intriguing. they're dangerous, but what if they aren't to you specifically? or, if they are, what if they overcame that, just for you? what if you were worth it?

people our age are lonely, and if not, often working through issues they didn't have time to contemplate in their teens and early 20s because they were still living throigh the issues. younger people too, of course, but it's especially rampant in the aforementioned age group. past college and college friends, too caught up in work to make new ones. if the dca really clicked with you as a character, it's kind of fun to imagine what it would be like to hang out with them. what if they were your friend? what if they were more?

which leads to my last point--cringe is dead and we stomped on its corpse

maybe it started with a few people drawing a y/n with the dca, and wow the art is cute! who's the cute jester character? ... is that a self-insert? huh. and then more people join in. is that allowed? yes! and the crowd cheers for it too! the right people drawing the right character dynamics at the right moment, drawing others like a moths to a strange robotic flame

ultimately, the fandom attracts so much selfship because that's the bedrock, the foundation the rest of the fandom built its home on. almost all of the common tropes and characterization have roots in selfship fic and art. the dca's popularity very much kicked off from that, and seeing other people using them as an outlet for their loneliness, friendship, romantic or sexual desires, or even just for creative character and plot setups that are only tangentially related to canon actively encouraged others to join in, in a way that could only happen while riding the funerary coattails of cringe culture

it's very much a lightning in a bottle fandom, the likes of which i doubt we'll see again for a while

[mackieron]

My Word docs have reached 25,000 words, I think I'm almost ready to start the comic/ask blog lol

Error: CrayonQueen | Swap: Popcornpr1nce

The meme has them holding hands so they're tied together instead, which actually might be worse RIP

[lazycranberrydoodles]

arin rahhhhh

[marypsue]

sometimes you just gotta put on the Dark Gothic Princess Dress that only gets to come out of the closet maybe once a winter and sit around in it doing nothing in particular. for a bit.

[non-un-topo]

To the next adventure...

Image description and details under cut

I.D.

[A drawing of Nicky, Joe, Quynh, and Andy from The Old Guard. They are all in profile, walking in a straight line facing the sun. They are dressed in medieval clothing and armour, and each carry their own weapons and bags. Nicky has his sword, a crossbow, a quiver of bolts, a dagger at his belt and another strapped to his ankle. Joe is holding his sword, a bag, and a coin purse. Quynh's bow is over her back, and her quiver is at her hip. Two daggers are strapped to her belt, one of them matching Nicky's. Andy is holding her axe, two bags, and a dagger. They each have serene expressions and closed eyes, as if they're not in a hurry. In the background, the seasons change from winter to spring, summer, fall. There is an old tree behind them, and its branches change with the seasons.]

[dailyhatsune]

a living relic

[rayjeff]

silly ugly doodles because i haven't drawn dca and y/n for a month or two

(poison ivy reference)

[ozzgin]

Do you have a funny fact with husband Demon King? 👉👈

(Im so miss this guy🥺)

Referring to the Demon King story.

I like to think that his hatred for mortals remains completely unaltered, with you being the one, lone exception. So, you know, like any working husband, when he goes to obliterate worlds and destroy civilizations, while the living wail and the fires reach into the sky, he likes to take his little pouch out and gaze at a picture of you.

"That's my spouse", he'll say with a proud smile.

The monstrous soldier at his side glances sheepishly and nods.

"M-my question was how to deal with the survivors, My Lord."

"What survivors? Didn't I say kill them all?" he retorts with a scoff.

Back to important matters. What should he get you as a souvenir?

[speaking-riddlish]

Thinking about how Riddlish is handled in cannon and in fics. I've seen people just put random things that happen to ryhm anytime they want someone to be speaking Riddlish and it's like, a minor pet peeve of mine? But every time we see Riddlish spoken in cannon, it kind of makes sense in a way? Like, if you think about what is said, and try to piece together any symbolism based on context, you can kind of understand what they're saying. Like Maddie said, "Riddlish is not an exact language". Putting together the metaphor and symbolism gives you the general idea of what they're getting across. And whenever a fic does this well, it's like an instant favorite.

Let's look at and dicect some cannon examples (I've always kind of found these facinating):

"Feathers and Friends, together alone!"

"Feathers" could refer to Raven, since she's named after a bird. She also has feathers fairly prominent in her character design, so it'd make sense for Giles to say this even though he doesn't know her name yet.

"and Friends" probably refers to Maddie, since she's known him for a while and is presumably his friend. It could also refer to their friendship, and maybe even be a way of including Raven in.

"together, alone" They're here with him, joining him in his solitude.

Putting it all together we get "Raven and Maddie, you're here! You came to visit me!" Which lines up pretty well with Maddie's translation of "he says it's nice to have us here!"

"Can a musical chair change its tone, when the tablet of granite is inscribed with a bone?"

"Can a musical chair change it's tone" The music in musical chairs is integral to the game, yet the song played does not come from the chair, but from the people playing. The tone of a musical chair is something fundamental about itself, and also something imposed by something outside itself. Can it change? Can something change something about itself that someone else has decided is fundamental?

"When the tablet of granite is inscribed with a bone?" A tablet of granite inscribed with something is literally that thing being written in stone, another reference to destiny and inevitability. And what's written on that stone is a bone, is death. Death is what is written in stone. Death is supposedly inevitable here.

From Raven's tone and terrified body language when asking Maddie to translate for her, it's fairly clear that the thing that wants to change is referring to Raven.

Putting it all together we get "Can Raven change from what others have said she's supposed to be, or is death the inevitable consequence of that like we've been told it is?" Which lines up pretty well with what Maddie was asked to translate: "What'll happen to me if I don't sign the book, am I really gonna disapear?"

"The king that sings with pages of sky fears too much the dawn that rises with lies"

"pages of sky" is in reference to the book, and maybe the fairytales themselves. The sky is often used to symbolically reference heaven and the divine. The book, determining people's destinies, fits fairly well into that category. It's almost like he's referring to the book as being from above.

"The king that sings with pages of sky" would then be Headmaster Grim. He's in a position of authority over the students like a king is to his subjects. He "sings with" the book/the stories with his constant insistence that people must sign the book and follow their stories, speaking in unison with them.

"fears too much" this part is fairly clear, Milton's paranoid. The consequences he thinks are inevitable aren't as inevitable as he claims.

"the dawn that rises with" would mean something like "the consequences of" or "the fallout from". Then there's one of two ways the rest could be. "lies" could refer to that which is contrary to what the stories say will happen. If you take the stories as "truth" then changing the stories would be "lies". Or, "rises with lies" could mean the consequences coming from Milton's lies being brought to light. The dawn rises as Milton's lies rise.

Yet the whole thing sounds rather foreboding, giving the impression that something is seriously wrong.

Bringing it all together, we either get "Headmaster Grim told you to follow your destiny because he's paranoid about what'll happen if you don't. But those fears are unfounded. Also something is very wrong." or "Headmaster Grim told you to follow your destiny because he's afraid of what will happen when people find out why you don't need to (and its emplied that that reason is something very bad)" This lines up fairly well with Maddie's translation of "There's something wrong with the book, and if you don't sign, your story will continue... I think". I like the touch that Maddie wasn't as confident in this translation, since the last phrase is more ambiguous. It's not really clear how the foreboding tone integrates into the message without more context than Maddie has, so Maddie doesn't really know what it means.

"The baby bird flies. The snake, it slithers. But the cage holds both, to die and to wither."

"The baby bird flies. The snake, it slithers." The baby bird and the snake are two very different creatures, they move and interact with the world in two totally different ways. Most people also would look more favorably on the baby bird than on the snake.

"but the cage holds both, to die and to wither." the cage doesn't care what is inside of it, it will indiscriminately hold them both captive. The things that make the baby bird different from the snake, and the adorable charms of the baby bird will not free the baby bird from the cage, nor will they protect the baby bird from the grisly fate that awaits it in the cage.

The context is also relevant, since she's talking to Alastair and Bunny, two of her subjects who have just been arrested, but also two of her daughter's friends.

Putting this all together we get "Yes, you enjoy privileges that others do not have, but my affection for you will not compromise my judgement. You are not above the law. I am not above punishing you like I would anynother citizen." While we don't have a cannon translation to compare this to, it seems to make sense. Its immediately followed up with her letting them off with a warning, and despite this interaction, Bunny later tells Lizzie that her mom really is a good queen, but that the curse has stressed her out. I think the Queen of Hearts probably made exploring illegal to protect people from the curse. If she really is a good queen, then this type of objectivity ("I don't care if you're my daughter's friends, crime is crime") would make total sense.

[chinese--satellite]

"we've always been friends, we always will be friends. but friends is a big word."

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”