#sometimes an interesting and complex character can be made

[harmonysanreads]

hi! i love the way you write aventurine, could you give me some tips on writing for him bc im struggling her to grasp his character :(

if you don’t have the time then that’s alright!

Hello, nonnie. Thank you so much :') Since you didn't mention whether this was in the Yandere context or not, I'll list some general tips. I hope you find these helpful!

— FOR BASIC CHARACTERIZATION

One of the most important aspects of Aventurine is that he's insanely smart, but they always sign it off with luck at the other side of the equation. This is intentional of course and whether or not luck really is the ultimate deciding factor isn't really the question we should be pondering about for a video game. Everything Aventurine does is through careful strategizing, scheming and calculating. What you need to remember is that ‘luck’ is more like a protective layer on top of it all. When deciding upon a plot, try your best to keep Aventurine's intelligence in mind. Then you can seal it off by using ‘luck’ in classic Aventurine style, or use dramatic irony with this point.

I think, for Aventurine, having a reader who surprises him is very convenient. It doesn't need to be a head-on challenge, sometimes the strongest impressions are made through silence and passivity. Remember, Aventurine is an incredibly observant character. For example : when he offers the Trailblazer ten thousand Credits after their first encounter, if you refuse politely, he becomes extremely pleased, as opposed to his somewhat miffed reaction if you pick the other option.

As you know, he's often partial to extremes. His ‘all or nothing’ motto can be useful to stir inner conflict.

Body language is very important for building his character. Instead of writing a whole paragraph about how beneath his bravado, he's always scared of losing, they conveyed much more through revealing the fact that he hides his left hand behind his back during all daring gambles. Aventurine isn't the type to be upfront about emotions that can make him vulnerable — that's detrimental to survival. So I think you can reveal those emotions through body language.

He's a very... unconventional gambler. His tendency to pose things as gambles and bets is more like a shield than anything. In any case, it makes for a great tool in adding drama.

— FOR DIALOGUE

Aventurine is a pretty complex character so I often forget certain things if I don't stay in practice, listening to his voicelines really helps me get a quick refresh in those cases. There's this channel on YouTube that compiles the characters' scenes individually, it's very helpful.

I think we all can agree one of Aventurine's greatest strengths is how he weaponizes words against others. There's more to this though. Be mindful to the upward and downward inflections in his sentences, the pauses between phrases and which words he's putting emphasis on.

He's also an interesting mix of straight-forward and roundabout. He says he prefers people to be direct and he often is direct himself. But with his ‘insults’ in particular, he's very roundabout. By the time you realize what he just said, it's already too late to shoot a comeback and he has you exactly where he wants.

— MISC. TIPS

Keep his backstory in mind and be respectful to it, but don't let it stop you from experimenting.

He has religious trauma, survivor's guilt, trust and commitment issues, as well as a complicated attachment style. Do you research on how these things affect people in relationships.

Aventurine's arc hasn't ended, which is why many things about him aren't definite. Consider how you might use it to your advantage.

[eviltothecore13]

...Did I just see someone, in 2023, claiming that the Wesker project was "a CSA allegory"?

I mean, at least they're not claiming that it's definitively canon that he was actually sexually abused, but...

*Why?*

Like. The thing the Wesker project is most obviously an allegory for is the various kinds of indoctrination that bigoted groups use to convince their members they're superior/entitled to greatness/etc because of their race or nationalitity or anything else (not that I'm saying Umbrella or Wesker work along racial lines at all, because we know they don't, but *as an allegory*). I can't find *anything* explicitly stated in canon that is about sexual abuse, but I can find a lot about indoctrination and raising him to believe he was superior--and a lot about him being incredibly privileged all his life with phrases like "the best education money can buy."

There's no *need* for anything remotely resembling sexual (or physical) abuse to take place in Wesker's backstory. (Or emotional abuse of the "you're worthless, you're pathetic" etc kind I sometimes see depicted in fics--again, the point of the project is to convince him he's *superior!* And its canon result was someone described in official materials as "confident", who genuinely believes he's superior and is never shown to doubt himself! I do think his upbringing was emotionally *distant*/not focussed on emotions because it was only concerned with success and power and that he wasn't close to anyone except Alex and later Will--but the idea of him being constantly berated and mocked and bullied just goes against both the goals of the project, and the effect we see it's had on him. Being mocked and insulted throughout your childhood does not generally *improve* someone's confidence or their opinion of themselves!)

The goals of the project are to create someone who is physically strong and capable (note, it does NOT say anywhere in canon that he was exposed to any of the viruses, or physically experimented on in any way, until 1998--it says there were "tests of endurance" which Alex according to the English translation viewed as "hellish", though in the Japanese files it's more like "rigorous training to improve their mental and physical abilities". Either way suggests more an elite/extremely challenging and difficult perhaps military-esque physical training program, rather than "strapped to an operating table and injected with stuff". Prior to 1998 there is *zero* canon indication that he was anything other than human with a lot of training physically.), highly intelligent, academically successful, ruthless, ambitious, a good leader, and fully convinced of the ideology that they are superior beings and the majority of people are inferior etc.

Starving someone, beating them, sexually abusing them, keeping them *so* isolated that realistically they would panic in a social setting/struggle to hold a conversation rather than being a highly charismatic and confident master manipulator who's very skilled at figuring people out and getting them on his side (like, I don't think he was around people enough to *form close relationships* with anyone other than Alex as a child, but he needs to have had a reasonable amount of interaction with a variety of people to develop the skills at leadership and at manipulating people, deceiving them, gaining their trust, getting them to like him, etc that he canonically has to a high degree! he is not going to acquire those skills if he is locked up in a cell in an underground lab), are all either unnecessary or outright counterproductive to these goals.

We know that, on average, even though only 13 of the hundreds got past the final stage of selection (and yes, it is confirmed to be multiple stages of selection and not "they're the only ones who survived to adulthood" as I've seen some people claim) to be given the virus, the Wesker children were generally more successful than the average person. (We can tell this just because 13 out of a few hundred were considered just as good as Wesker--who got a PhD at 17. That is more people, in the space of a short time, getting a PhD at 17 than IRL achieved that through *the entire 20th century*. And the people who did that IRL weren't doing intense physical training on top of that... or for that matter learning to become leaders or master manipulators. The project wasn't successful at creating loyalty or obedience to Spencer, but it *was* successful at seemingly everything else.)

Sexual and physical abuse *do not* make the victims more successful on average than people who were not abused. They tend to lead to children doing *less* well academically (very hard to learn when under stress and even more so if also in physical pain, difficulty concentrating, memory issues--trauma can lead not just to memory issues *about the trauma* but memory issues about all kinds of day-to-day things...), being physically weaker and less healthy (chronic pain etc from injuries, stress affecting the immune system, shorter and skinnier if they didn't get enough food or if stress affected their appetite etc--note that both Weskers we see are above average height, in Albert's case above average height and muscular even pre-virus, in Alex's case the virus only slowed the progression of her illness and didn't give her superpowers so likely also didn't make her taller, so she is naturally 5ft10 despite having been chronically ill for much of her life... not exactly looking like childhood malnourishment here...), being less confident, socially awkward or anxious or struggling to interact with people (Wesker spent most of his life in leadership positions and was able to get everyone at STARS, without exception--and including people like Chris who generally have problems with authority--to like him and place absolute trust in him), and often burning out/not achieving much later in life because they lack motivation that isn't based on fear of punishment (Wesker is certainly motivated, and has had an extremely successful career and is then very successful with most of his evil plans once he gets into the whole supervillainy thing).

Sexual and physical abuse do not make people stronger. They do not make people more confident. They do not make people more successful. The Wesker Project *did* succeed at doing all these things.

(Yes, some real-life educational/training programs with the stated goal of making people more successful or stronger have had incidents of sexual abuse, because predators join the organisation and exploit their position... but it isn't *beneficial to the program's stated goals*--all other things being equal someone who was abused will generally struggle more to be successful than someone who wasn't--it's a failure of the program, not a case of the program working as intended... the Wesker Project was scientifically designed to set these kids up for success and power and we know *it worked*, not simply in the sense of success in a narrow area like a sport at the expense of a lot of other things, but in terms of being extremely skilled and successful at a huge variety of things and extremely adaptable and fast-learning.)

If you want a villain whose primary purpose in the plot is to be someone you're meant to feel sorry for, or who hates themself, or is depressed, etc... there are so many others in various works of fiction. Wesker is not that character and twisting him into it just seems to be making him into a different character entirely from the one canon portrays.

I know some people just don't care about canon-compliance--not just because of things like people saying "his confidence is fake and would collapse at the slightest challenge" when the official RE4 book (not a noncanon novelisation like SD Perry's nonsense, official canon content) calls him "a confident man" who likes a challenge (and it's not from his POV but from a factual/unbiased narrator), but because I've encountered some *really odd* canon-breaking things in fics that weren't tagged as AU at all. (One of the most nonsensical-seeming to me, and I wish I could spoiler this like on Discord because it does need a tw but uh... tw self-harm... had Wesker portrayed as having frequently cut himself throughout his life, including frequently doing so at STARS, including only a few weeks before the Mansion Incident, explicitly described as cuts on his wrists and forearms... even though *his sleeves are rolled up in RE1* and *you can see there are no scars there*... those kinds of scars can take years to fade, and again, Wesker was physically human at this point, they are not going to vanish in a few weeks.) But I do wish stories portraying Wesker as some kind of angsty victim had a single clear AU tag on AO3 so they could all easily be filtered out when I'm trying to find canon-compliant fics.

This is why most of my Wesker fics have been delayed for a while, I just find this fandom so frustrating at times because half the Wesker fans seem to be fans of a very different character... it's exhausting and makes me feel as if no-one actually appreciates the character I love, as he is depicted canonically in the games I love...

[ihopeitruinsrocknroll]

ughh i have so many feelings about characters that are backed into a corner, snarling and bleeding and dying but instead of letting themselves die and fade into obscurity they get up and keep fighting. they don’t just let themselves get swept into the wings of the heavens—instead they grit their teeth and make their death mean something. if they’re going down, if there’s no other option—their death is going to mean something. if they’re dying, they’ll take another dozen, hundred, thousand of their enemies with them. even if it’s meaningless in the end, even if they won’t survive to see the happy ending the bloodshed won them. they’d rather plunge a knife into their heart and make the world watch than pass away in a hospital bedside, they’d rather bleed themselves dry out of spite to cover up the sight of their foes celebrating.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[bumblingbabooshka]

One of the best Voyager scenes to indicate Tuvok & Neelix's dynamic and how I think Tuvok is just as if not more 'annoying'(positive) than Neelix is when Neelix pours Tuvok a fresh squeezed glass of a fruit juice blend and Tuvok's like (paraphrased) "I don't want to drink this." and Neelix is like "Can you please try it?" and Tuvok's like "I don't want to, you're really bad at this sort of thing. It's going to taste bad." and Neelix says that Ensign XYZ said she LOVED it, she even had a second glass! And Tuvok says Ensign XYZ could drink poison without a second thought and Neelix is like "Tuvok could you please just TRY it? Just try a little SIP of it PLEASE??" and Tuvok sighs and rolls his eyes and sniffs it before taking a sip and it turns out he loves it. Turns out it tasted good actually. And then after all that Neelix tries to talk to him over eggs (which he's again cooking fresh for him) and Tuvok tells him he doesn't wanna hear "the life history of his breakfast." Absolutely insufferable this man I would have burned his eggs on PURPOSE!!!!

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[needfantasticstories]

“Many places I have been

Many sorrows I have seen

But I don't regret

Nor will I forget

All who took that road with me”

-The Last Goodbye by Billy Boyd

This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 

Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.

It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won’t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.

Thank you.

(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)

This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 

The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 

It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 

A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 

It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 

Full of heart to both fill yours and break it in the best possible way. 

It’s about love. Always.

By @toyouhellohowareyou

Sometimes, it’s hard to explain to others why art moves us.

I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 

But that’s not the reason why I’m writing this.

The real reason is how it followed me during the rest of the day.

You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.

The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.

Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.

Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.

Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.

But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.

I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.

And every time, without fail, it makes me think about love.

By @sunny-porridge

This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.

By @life-in-winter

While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?

This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?

There aren't enough words to describe how amazing this fic is.

@needfantasticstories

Artist credit

Legend: @gia-d

Hyrule: @bittirsweeteer

Time: @toonblade

Sky: @noorahqar

Warriors: @whitewinterstar

Wild: @weavingstarlight

Twilight: @bluury2

Wind: @thewitchdoctor39

Four: @lunaopus

Red: @peepthatbish

Blue: @glowingmin

Green: @winterfen

Vio: @waterfallstream

Shadow: @deleetrix

Wolfie: @linkiscool333

Fierce Deity: @awildsilver

Ravio: @lele5429

Malon: @tooner-tastic

Dink: @passerinesoncaffeine

[cripplecharacters]

what are the top 5 things you'd like to see a disabled character do in a story?

Hey! This is a very vast question and a lot of it would depend on the character's actual disability - I have completely different wishlists for what I'd like to see intellectually disabled characters do versus what I'd like to see characters with facial differences do. Different stereotypes and tropes affect different groups of disabled people differently - to work with this fact, the below list will try to account for as large amount of disabled character as I can reasonably think of, but it won't have as much detail as you might want. If you have a specific kind of character in mind, feel free to send another ask.

Not in specific order:

Disabled characters being in love. Disabled x disabled, disabled x abled, disabled x very different kind of disabled, all these variants but including more than 2 characters (since I've yet to see a polyamorous disabled character), all of this.

And I mean in actual relationships, not the pitiful and devoid of actual chemistry thing that we usually get (think "really sad disabled man only becomes happy after an abled woman takes pity on him, but they never kiss or god forbid have sex because that's gross and the disableds surely don't do that anyway").

I want to see an interabled couple going through IVF because they want to have kids, a wife with hemiplegia getting to grow old and wrinkly with her autistic husband, a lesbian with Treacher Collins syndrome moving in with her chronically ill girlfriend after a month of knowing each other, DeafBlind men getting hands on each other in the bathroom of a shitty nightclub, a trans woman with autism asking out a trans man with Down syndrome via her AAC tablet, a neurotypical guy with an obvious crush on his classmate with cerebral palsy.

I want to actually see disabled people being shown as desirable partners, good parents and grandparents, potential crushes, going through some new feelings and going on both good and bad dates, from all walks of life, of all sexualities and genders. Just like abled people.

Disabled characters participating in their community. Especially severely and/or visibly disabled characters. This is obviously a concept as vague as it could possibly be, but a big problem with a lot of disabled characters is that they don't... do anything. Not in the sense that they aren't "active enough", but that they aren't really... characters. They're often reduced to a family member who's at home and maybe the abled character takes care of them sometimes, but that's seemingly all that happens; they have no interests, hobbies, agency, preferences, or an internal thought process. All they do is wait for an abled savior to do something to them, not even with them.

I want to see more disabled characters who have jobs (whether it's a "regular" job, a supported employment workplace, a creative job that maybe they can only do a few hours a week, or self-care as a full-time job kind of thing), participating in hobbies that are accessible and/or modified to their ability level, emailing or sending pigeon letters to their friends, trying out new stuff that they're interested in, having actual complex relationships with their caregivers. Anything to actually make them feel like characters that exist in their setting, not just cardboard cutouts that the author had no ideas for.

Disabled characters who are a part of real-world disability (and adjacent) culture. Obviously also a vast topic. Most disabled characters, regardless of setting, are completely separated from concepts that were made by disabled people for disabled people; usually the connection to disability is their actual medical condition and a sterile mobility aid. This is not incorrect or bad to represent since that describes a lot of people, but I'd like to simply see more variety.

I want to see disabled characters who do parasports, who are excited about tactile art, went to blind/Deaf/SPED schools, call themselves #a babe with a mobility aid, decorate their AAC device, learn about disabled history, experience Feelings when hearing that Neanderthals cared about their disabled children, go to disability-centric events or support groups to meet people similar to them.

Do all disabled people do these? Absolutely not, but I'd like for even 1% of fictional characters to represent those who do.

Yeah I just want more disabled characters doing sports. As in real-life sports that real-life disabled people do, apologies to all the fantasy swordfighting that's out there.

There are so many sports out there we can do, some are adapted, some have a sitting or wheelchair version, while others were made specifically for us. Team sports are such a good opportunity to have your character have a community of people like them, have interesting dynamics, yet the only anything I can think of that's about it is REAL by Takehiko Inoue (wheelchair basketball) and the art by @/gayaest / @/sproutwiki (sitting volleyball). Also some Paralympics documentaries that I can count on a single hand - there's like three of them.

I want to see characters who are starting out and really suck at their sport, ones who are decent, ones with ridiculous sports-anime-level over the top abilities. I want to see all kinds of sports done by all kinds of disabled characters; blind kids learning goalball with their blind parents, quadriplegic guys working their ass off to qualify for national murderball championships, folks using sticker-covered bright-pink ramps in their boccia games, people with POTS playing along with their abled partner on their wheelchair rugby league team, standing fencers becoming disabled and adapting to wheelchair fencing that they love just as much. More disabled people having fun, knowing other disabled people, having interests!

Also, parasports are just cool as fuck and interesting to both watch and read about.

Disabled characters getting to make bad decisions. Disability representation is often extremely black-and-white in terms of morality: the character is either an angel who always does the right thing and talks about being grateful a lot, or the character is comically evil, wanting revenge because of their disability, hating their disability, constantly in grief and anger since not a single mildly ok thing happened to them since they became disabled. Neither of these feel like real people.

Disabled characters should be able to say hurtful things, get mad, lie, and whatever else, without being demonized to hell for it the same way abled characters are. They should be allowed to consciously make a decision that they shouldn't take (also known as "dignity of risk" in context of disability). They should get the same consequences for mistakes as everyone else and need to have the opportunities to actually make them.

In a much shorter way: more complex disabled characters.

These are things that I'd enjoy seeing for disabled characters. But the main thing would probably be that I want more of them. The scope of disabled characters in media is so painfully narrow because there's so few of them + they're usually capped at one per series. More writing featuring multiple disabled people please.

Here is a list of wishes from other mods who wanted me to throw them here:

Disabled characters who act like the author did more than a 10 min google search about their disabilities. [So authors doing actual research.]

More disabled characters of color. A lot of time disabled characters are white because it's only acceptable for them to be one kind of marginalized. In real life that's not how it works. People of color are disabled too!

Characters with comorbidities, characters with physical and mental health and developmental symptoms. Disability doesn't just come with one cut and dry disorder all the time - you can even be diagnosed with some things and undiagnosed with others.

[A character can have 5 comorbidities, or 5 completely unrelated disabilities - both happen. Or, most frequently, a bit of both.]

Characters existing in all parts of their diagnostic journey. [So characters who are yet to be diagnosed, currently investigating their symptoms, ones recently diagnosed, and ones who had their diagnosis for their whole lives - and as mentioned previously, you can be on one stage with disability A, and on another with disability B.]

Characters whose whole life isn't just tragedy/struggle! See this a lot when a story with disabled character is just about how life is hard for them as disabled person. Would love disabled characters being leads in other genres and just existing as people. Not to say disability isn't a struggle, but there is more to life and person than disability.

mod Sasza

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

[hothammies]

the party leader, mike wheeler - apoc au character details + poll under the cut!

---

mike's role in the party:

a scouter - essentially plans runs, checks areas first to ensure safety, and directs the runners during supply runs

assigns basic survival chores at the beginning of each day (laundry, boiling water, patrol, hunting, etc.)

is the "face" of the party -> always the one to negotiate with people of other groups

even though the party likes to give him shit for being kind of rude and bossy about how he talks to them in "leader" mode - they always hang onto his every word! they love and respect him deeply

kind of like a tired dad whenever he's not fighting with someone else -> basically watches over everyone to make sure they're okay

would never hesitate to do something deplorable to protect the party: family first

skills + hobbies:

considered the designated driver (along with max): nancy taught him when he was younger. he was scared about being useless due to his inability to shoot and aim guns so nancy helped him find something useful. max teaches him how to drive manual so that he can drive her muscle car (its how they get over their distaste for each other)

writes an entry in a journal that he stole every day! he lets will doodle in the margins of the paper :)

loves to read whatever's around - particularly interested in history, sci-fi, and old journals from people before the apocalypse (reads them with dustin and el -> they are nosy as hell and live for the drama)

great at using machetes and hatchets -> do NOT let this boy shoot a gun. he will accidentally hurt you and himself

good at fixing up guns and navigating - lucas (guns) and dustin (navigating) taught him :D

quirks / fun facts:

he likes to switch around the pins on his jacket a lot! the party find pins around to give to him (range from terrible to wearable)

since he's the only boy that likes to tie up his hair, max and el like to doll up and play around with his hair during their downtime

is very annoying and particular when it comes to doing survival chores (out of love) -> makes sure that the chores are divided equally among all of them and that no one gets the same chores twice in a row

--- other notes: mike was the first character i had in mind when thinking about this au (no surprise there) and the drawing of him sitting cross legged with a machete in his hand was the first ever "official" drawing i made for this :D i tried to make apoc mike similar to canon mike in terms of his temperament, his hero complex, his self-sacrificial tendencies, his inability to appropriately process his romantic feelings, his natural leadership and his personality. about mike's inability to use guns -> looking at mike's character dnd sheet, his dexterity is low and s1 mike wheeler cannot aim for shit either (see his rock throw). the reason he's most comfortable with machetes (and hatchets) is because of their versatility as both weapons and tools! just wanted to share because i think mike needed a nerf and him not being able to shoot guns is both in character and funny as hell to me i've had mike and will's char sheets done for a while and i really love the way they look :) i'm excited to post will's next! i'm working on the character sheets in batches of two, so which duo are yall most interested to see next? i'll work on them based on the poll results and post them next week at the earliest :) i'll prob also try out some concept designs for the demogorgon-like zombies sometime soon as well!

[edwinspaynes]

I don't want to get too deeply into this in a post that I would encourage people to reblog, but one main reason that Dead Boy Detectives hits so hard for me is the lack of justice.

When I was in high school, some genuinely horrific things happened to me and several other girls. Obviously, it wasn't the same since we, you know, survived. But the Bad(tm) involved a teacher who was then investigated a few years later. We all went back and worked with both the cops and the school district to try and get justice for ourselves and the other victims.

The district did nothing. They had the teacher to resign in the interests of preventing a scandal. Like St Hilarions. What happened to us didn't matter, and the school covered it up just as they covered up Charles's death.

The first time I watched DBDA, Edwin's little speech at the end of episode 1 resonated with me in an incredibly deep way. Here was a person - two people - who did not get any semblance of justice for a grave wrong. I could easily feel Edwin's deep hurt because I experience the same hurt every time I remember what happened to me. It never stops being a raw open wound that sits in your chest, and the cover-up can sometimes hurt more than even the actual event.

For the first time, in DBDA, I was seeing people who were wronged like me. More than that, though, I was seeing people seek out justice for others because they did not get it for themselves. I was seeing an alternate version of my own story play out onscreen, and both Edwin and Charles made me feel much less alone.

They still do. Those boys will always hold a really special place in my heart for a lot of reasons, but this is a major one.

And, like me and at least three of the other girls involved in the Incident at my school, Edwin is canonically queer. And his queerness is handled so well, shown positively but also just as a small part of this rich, nuanced, complex character. He feels so authentic, like someone I could have met and loved in the real world. No part of him feels like a caricature, which is a rare thing in queer media.

Seeing Netflix cancel this show and end the boys' stories in such an unjust way feels like a reopening of those old wounds. These stories matter. They have to matter.

They do matter. Charles and Edwin showed me that, because they are wonderful and special and their story is resonant and wonderful. And to watch Netflix treat this story as though it's insignificant hurts So. Fucking. Badly.

[thefloatingwriter]

the victors as complex characters will always be more interesting than making them amazing people.

like these are people who did absolutely everything in their power to survive something as traumatic as the games. most of them probably sleep with weapons in their hands. the thought on the forefront of most of their minds is survival. everything else—anyone else—can wait.

they sacrificed everything to crawl out of a killing game. their mental stability. their innocence. their childhood.

and after all of that, they realized that the games never really end. that they would sacrifice ever having a good night sleep without being plagued by nightmares. they would sacrifice their brains to help the capitol. they would sacrifice their bodies, something that should have always been their own, now snatched away from them. all for surviving a killing match that twenty-three children didn’t.

no victor is immune to this either. do you think cashmere doesn’t regret being so excited to go into the games after her brother after staying the night in a strange man’s bed that she doesn’t know? do you think gloss doesn’t regret not warning his sister about the horrors that await her after she wins? do you think brutus doesn’t sometimes wake up in a cold sweat after having yet another nightmare about being on the receiving end of his weapon, just as all of his victims were before everything faded to black? do you think enobaria doesn’t run her tongue over her sharpened teeth and wonder if it was worth it?

do you think beetee doesn’t flinch every time he sees lightning? do you think wiress doesn’t think of how if she hadn’t learned acrobatics that the 48th hunger games would have gone very differently? do you think finnick doesn’t see nets in the same way ever again, after he saw the girl from nine begging for her life tangled in a net he set up before he stabbed her with a trident? do you think annie doesn’t think about if she hadn’t spent all of that time on the beach growing up, playing in the water, that she wouldn’t have survived the dam breaking in her arena? do you think mags doesn’t think about how she left her district partner to die in the first ever traditional career pack? how if maybe, if she had been there to take the blow for him, there would be a different victor of the 11th hunger games?

do you think that blight doesn’t wonder what would have happened if the boy from two had looked up a little bit sooner, looked a little bit closer at the treetops above him, before the knife previously in blight’s hand found it’s way to the boy’s back? do you think that every time johanna picks up an axe, she doesn’t think about what if felt like to stab someone with it, what blood felt like when it splattered you? do you think she doesn’t wake up in a sweat, thinking the moisture on her skin is blood, that she’s back in the third quarter quell? do you think she doesn’t ever walk into her house in the victor’s village and think she sees a glimpse, a shadow, of her lost loved ones?

do you think that woof doesn’t use real knives anymore because every time he sees one, he remembers how it felt to stab blindly at the boy from seven? that even when he was seventy-five and the male tribute from eight for the third quarter quell, he couldn’t even look at the utensil and had to get cecelia to take it away from him? do you think cecelia can’t look at seashells anymore, that she could barely stand district four on her victory tour, because the girl from four was her last kill? that her necklace, a pretty one her sister made for her with a seashell strung through the string, was what cecelia used to choke the life out of her?

do you think that chaff doesn’t ever feel the phantom feeling of his hand? doesn’t ever touch the stump where it used to be and feel the phantom pain of it being sawed off like it was yesterday, even thirty years later? do you think that seeder doesn’t ever feel the hot sun of her arena on her body, doesn’t ever think she’s back, waiting for her death to come?

do you think that haymitch doesn’t start shaking every time a blowgun is provided at the cornucopia? do you think that he didn’t see the gold pin on katniss’ arena wear and have to sit down, remembering a very different girl with blonde hair and a quick witted humor with the same pin? do you think that peeta doesn’t hear foxface’s voice during her interview, over and over and over, until it’s so distorted he can’t even remember what she had actually said? that he doesn’t ever think of the girl from eight, a girl he might not have even known the name of?

do you think that, years down the line, katniss doesn’t realize the fate that waited for glimmer if she had won? do you think that she doesn’t wonder what would have happened if cato was a little quicker to get to the cornucopia to save clove? do you think she doesn’t wonder what the girl from four was like, what her name was, what her parents were like, what she was like? do you think that she doesn’t think about what would have happened if marvel was just a little bit quicker with his spear than her with her arrows, what would have happened if she was just a little bit slower to get to rue?

the what-ifs plague them. their games will never leave them. they will never escape their experiences. their lives will never be their own, if they ever were, ever again.

[agneswarda]

golden girls is so amazing i even made a powerpoint

(I copy-pasted the main text under the cut. unfortunately, I can't find the time for a proper alt text. life is stressful rn)

-Picture it: Miami, late 80s/early 90s. four 60+ women

-living together.

-Sure, they talk a lot about (straight) sex

-but what we see on screen is their dynamic. Their deep friendship. Their love also they often act quite gay with eachother. amazing

-Did i mention they are old. They are old and deal with getting sick and aging. A lot.

-But their life isn‘t over. They might not be related. But they are family, and they are here for each other

-These four women are the Golden Girls.

-You are in for a treat. A 7 seasons 25 episodes long treat

Introducing the girls: Dorothy Zbornak

-not to be a lesbian but omg

-Tall soft butch

-quick-witted

-sarcastic

-her voice *swoons*

-would make numbers on tumblr

-> her idea of a good time is being Alone wiht a book in her room

-> Huge dorky nerd

- Being vulnerable is not her strength but when she is It‘s amazing. Soft. makes me cry

Introducing the girls: Blanche Devereaux

-slutty

-sexy

-selfish

-sensitive

-Sensual

-Did i mention slutty

-And proud of it

-All these things are her strenghts as well as her weaknesses

 -She is actually quite complex

Introducing the girls: Rose Nylund

-Sweet

-Loving

-Kind

-caring

-Everyone says she‘s Dumb

-I think she might just Be neurodivergent?!??!!!! With her special interest

-Being St. Olaf

-The place she comes from

-Has amazing st olaf stories for everything

-Can also be a judgy bitch sometimes

Introducing the girls: Sophia Petrillo

-SHE WOULD MAKE NUMBERS ON TUMBLR

-„You're a funny little gnome, and we feed you too much.”

-This quote describes her perfectly

-It’s Dorothy who says it to her

-Who is incidentally her daughter

-Trickster energy

-Don‘t know if she is gay. But she commits crimes

-It‘s her way of dealing with old age

-And all the limitations it brings

-The show would just be half as funny without her

But op. Is it really this good. It‘s so old

I will admit: not everything aged well. Be also prepared for:

-it‘s v white. If they have characters of color, they sometimes work well. And sometimes it‘s embarassing to watch bc harmful stereotypes (not often but yeah. It happens.)

-Bodyshaming: the girls tease each other about their height, weight etc. and sometimes it can really become a lot/too much.

-Rose is so often the butt of the joke for not understanding situations. I think a lot of neurodivergent folks can relate. And it can hurt to hear the same old mean comments again and again

BUT

-This is a series which was never afraid of complicated topics

-First and foremost: the queer advocacy and topics were and still are amazing. The found family of it all alone.

-Also: death,being sick, being disabled. Getting old. Not performing the gender The way one would like to (anymore) (so. yes. Dysphoria. In a way). The financial aspect of it all. These are important topics which are treated with humor (of course) but also with respect

-it‘s a kind show which has its heart in the right place

-And i mean

-4 old women who are „just“ friends living together, supporting eachother?

-That shit is still revolutionary in the year of our lord 2024

So give it a chance!!!!11!!!!!111

[teleit]

Sometimes I hate this show, and then I come to my senses and just despise it

I'm a feminist because I'm a woman and deserve all rights and opportunities. But this show, I swear to God, does everything it can to make me feel like a terrible person.

The show's adult Rhaenyra is just…ugh. There were a thousand ways to transfer her personality, actions, and decisions from page to screen, and the writers chose the worst possible one. Somehow, they managed to strip her of her personal qualities while simultaneously filling her to the brim with other people's accomplishments.

Young Rhaenyra was practically perfect, given the changes the writers made to the book plot. She was a young, capricious, selfish girl whose world collapsed in an instant, and she had to find her way on her own. She was unpleasant, nasty, mocking, charismatic, charming, sweet - and very real. Her actions could be condemned or supported, she was interesting to watch, and I loved her. Not everything Rhaenyra did was to my liking, but when she was on screen, I watched her without taking my eyes off.

Adult Rhaenyra is literally Frankenstein's monster, assembled from incomprehensible junk from the attic of Condall and Hess. She does not have a drop of the charm that young Rhaenyra had, as if they were written by completely different people. Every questionable action of hers is whitewashed, 90% of her decisions and achievements are recycled and reused plots of other characters from the books, any actions are extolled to the skies. It's like eating cold unsalted French fries, you feel punished for some unknown sins by tasteless crap.

I want to love Rhaenyra, I really tried the entire half of the first season and whole second to feel at least a little love for this homunculus, but it is simply impossible. Just when I'm starting to sympathize with Rhaenyra grieving so heartbreakingly for her son and wanting justice, and getting involved in show, the writers decide to indulge their nun fetish and have Rhaenyra dress up as a septa and go talk to Alicent about some useless bullshit. One minute she's not afraid to defend her opinion, the next she's playing Mother of Dragons 2.0 (Vermithor scene was indescribable cringe, as was posing with a goofy grin with three dragons while Aemond scampers away with his bloodthirsty granny). Here's Rhaenyra having a great dialogue scene with her son, and here she is kissing a SA victim who just shared her tragic backstory, but don't worry, it's very romantic and everyone is happy.

And it wouldn't be nearly as bad as it feels if Rhaenyra were like young Rhaenyra, whose flaws were real and not smoothed over by the constant reminder that this woman was the best thing to happen to the world since the invention of latte macchiato. Young Rhaenyra, if she were in the sept with Alicent, would have yelled at the woman, risked getting caught, and wouldn't have been shy about reminding Jace who was in charge and that he had no right to scold her. Would she have been right, or smart in her actions? Still no, but she wouldn't be hailed as fair, peaceful and perfect - she'd be a selfish, confused, grieving woman who'd lost so much and was desperately trying to figure out how to salvage what was left and take back what was taken.

The show does everything it can to make me despise Rhaenyra. She's selfish, self-righteous, smug, arrogant, delusional, self-important, dumb as a rock, spineless, one-dimensional cheap knockoff of Daenerys from the early seasons of Game of Thrones. And the worst part is that all of these qualities would be interesting if the show would just stop holding me by the balls and demanding that I must love and adore her for every little thing because Rhaenyra is always right, the best girl in the world, worthy of all praise, and perfect to the core. Let me decide for myself whether I want to like a character or not, because unlike some people, I have an IQ above room temperature and can empathize with a complex, ambiguous character with adult morals, not just Bloom from Winx in a white wig.

I constantly have to remind myself that it's okay to dislike a female character if she's written terribly, and that doesn't make me a bad person.

Ps. Still not native speaker and dgaf about mistakes, english can suck my imaginary dick; apparently somehow part of text was translate in my native language wtf

[puff0o0]

Hes so goofy I literally love him

(credits to @niktocallofduty for the image !!)

It pains me how underrated Nikto is, he's such an amazing character with an amazing storyline. AND HIS VOICELINESS??? AUUUGHHSHSHSHSHSHHDHD

So little content for a guy with such an interesting backstory. Like he was a CIA agent??? and he was captured?? escaped with his life and then became this brave soldier that never stopped fighting to protect those who can't protect themselves??? the torture is sad though :( my pookie bear did NOT deserve that

I love how they wrote his lines and I LOVE the voice they chose for him. It fits him so perfectly it's unbelievable, Gideon emery did such an amazing job with voicing him

His personality is hard to analyze (because he has many) and I really wish we got to see more of him so we could see more of how he's like. The only thing that is helping me is researching DID (which is what I belive he has, if I'm wrong please correct me) and colliding his canon personality with it

its so worth it in the end though

hes so pretty

his eyes are gorgeous

i sob everytime

Not a single time where he looks bad in all these images

hes so perfect

I also feel like so much content can be done with him and it's not limited to one category. he is such a interesting yet complex character and honestly deserves the world for all he's been through 😢

ANYWAYS, SMALL HCs

☆ He is the type of man to distance himself from you when he's upset so he doesn't take it out on you. Most of the time it's him taking a long shower or spending time driving around.

☆ He doesn't really go anywhere except sometimes sports bars, but that's a rare occasion as he doesn't wanna leave you alone too long

☆ but he can't be perfect all the time, sometimes he snaps and it leads to him taking some of it out

☆ He understands when you don't accept his apology and that you were hurt by his words and he makes sure he does everything he can to make up for it and prevent it from happening again

☆ he never wants to hurt you nor does he mean to hurt you. He tries his hardest to be away from you while he's having an episode

☆ he adores cuddling but he will never say it outright. He doesn't even correlate it to the word, just seeing it as a means of showing affection. His favorite way is holding you at night on top of him, almost as if you were a weighted blanket for him. ପ(๑•ᴗ•๑)ଓ ♡

☆ You always wake up away from him or without him as he's already up

☆ He'll wake you up with breakfast in bed sometimes

☆ He makes you breakfast in the morning, usually he picks but if you want something specific he'll try to make it. He has to practice it if he's never made it before though 𖦹 ´ ᯅ ` 𖦹

☆ His favorite meals are Kasha or Blini ₍^ >ヮ<^₎ .ᐟ.ᐟ

☆ His nicknames for you are: Куколка (doll), принцесса (princess), драгоценная (precious), Родная (sweetheart), and ангел (angel) ꒰ᐢ. .ᐢ꒱₊˚⊹

[lemotmo]

I don't often do this, because I try to avoid discourse in fandom and sometimes you just don't vibe with a character. It happens.

But I keep seeing these horrible and, quite frankly, very wrong and disrespectful takes on Eddie Diaz' character. And I can't just sit here and ignore them anymore.

I cannot and will never understand why people don't like Eddie.

I've read some posts and comments earlier about people disliking Eddie and... really? Eddie is boring? He doesn't get interesting storylines? He's just a prop for Buck and his storylines?

Are we watching the same show here?

Eddie is, by far, one of the most interesting characters on 911. The man has had one trauma after the other piled up on him, but still he keeps going. Why? Because of the one thing that matters more to him than life itself: Christopher.

As a single mother myself, I can relate. The struggle to want to give your child everything, to do everything for them, even if it comes at the cost of your own mental and emotional well-being? It is very real. I cannot tell you how many times I end up crying to myself at night, blaming myself because I wasn't able to stop the outside world from hurting my son. And you have to do it all by yourself as well. There is no one there to share the burden with, to share the heartache with. It's tough and it's real.

Eddie's storylines are intricate and nuanced and based in reality. They aren't necessarily the biggest and loudest storylines, but they still matter to people who can relate to him. People like me.

Now, 911 is guilty of showing a lot of important Eddie moments from someone else's point of view. That is true. Especially Buck's POV. The shooting comes to mind, even a part of his breakdown and more recently Eddie's friendship with Tommy. He made a bro-friend and seemed so happy and carefree, but since we saw it from Buck's POV, we can't fully trust this image.

So, I think that is why some people see him as just a prop in Buck's story. But it's much more complex than that. Buck stepped inside Eddie's world without complaint. He helped him out from day one by introducing Eddie to Carla. For the first time, Eddie is no longer alone in life. There is someone there who understands him and his love for Chris. He can safely rest and trust that Buck will be there to step in if necessary. He actually went ahead and put it in his will. Eddie loves the way that Buck loves his son. And the show is still using that bond to date. We saw Buck and Eddie in conversation about Chris, Buck talking to Chris, Buck being jealous of Chris thinking Tommy was cool...

I don't know what the future will bring for Eddie, but I desperately want and need him to be happy. And yes, I do think the narrative will eventually lead him to Buck. His happiness has always been intricatelly linked to Christopher. The way they keep weaving in Christopher in Buck's storyline? The way Eddie keeps being inserted in Buck's bisexuality storyline? These are some of the many reasons that give me absolute certainty that Buddie is in the works.

In conclusion? Just stop hating on Eddie Diaz folks. It's not a good look on you.