#something up above

[cau-lee-flower215]

.

[kizzer55555]

The Vampire Aesthetic

Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.

Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.

Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.

“So where’s the vampire aesthetic?

Everyone freezes.

Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.

“Come on, I know you guys are hiding it.”

Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.

He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.

People are weird! He doesn’t judge!

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 1: Dread on Arrival

(Part 2)

[fascinationstreetmp3]

I have what you're looking for. High quality. Befitting a man of my tastes. I have a room over on Divisadero, not too far a walk.

[ghirahimbo]

evil time loop escape conditions where you can't get out until you've fuucked up your life in the most spectacular way possible, confident that the next night will reset the slate as usual.

instead, the next day comes.

[wandixx]

Danny, the Young Justice member snippet nr 2

these snippets aren't connected in anyway but just some little scenes I came up with, everyone is welcome to build up on them if they want to

Trigger warning: death mentioned, self-harm mentioned, idk, Danny gets flashback to portal incident

unrelated snippet nr 1, unrelated snippet nr 3 (?)

Out, out, out.

He tripped over his own legs and almost fell and it didn’t matter because he needed to get out. 

Away, away, away. 

He wasn’t sure if he ran or flew or dragged himself on the rough floor but he had to get away. His back hit a wall and he couldn’t get past it, intangibility just out of his grasp.

He logically knew that Zeta Tube wasn't the same as the portal but it was similar. So deadly similar.

He wasn’t sure when his own, corps-like, trembling with rigor mortis cold hands started rubbing his arms. He also wasn’t sure whether it was to comfort himself in this lonely self-hug or to try to rub hard enough that the hazmat and skin underneath would be torn, allowing him to see his own, red blood running in his veins. It was still red, right? It was still red, right? Of course it was still running, why wouldn’t it?

His knees gave up. He fell to the ground with quiet reverbatting thump, his eyes fixated on danger at the other side of the large room. He had to get further away but he couldn’t.

Because he was dying again.

Eyes full of tears and terror were jumping around, unable to see the room around him. Why couldn’t he see anything? Why were there only splashes of various colors, all contrasting with a light gray background. Were these people? Colors were moving, that seemed likely. Ghosts?! He had to get ready if these were ghosts he needed to fight them. People could be in danger and he couldn’t even stand without support. He started it, he had to take care of it, no matter how he felt right now.

His normally overly, unnaturally sensitive ears were filled with constant electric buzz from still active Zeta Tubes.

He was quite sure someone was yelling something but no matter what, Danny couldn’t understand what was being said. He tried looking around again but his teary eyes still failed him. There were no red stains though. Not in the right shade at least. No one was bleeding. It was okay for now.

Was it really? He hadn’t bled when he was dying had his accident though. It was all inside him, the crushing hollowness inside him and infinite outside pressure making his body implode. Ectoplasm bubbling in his mouth, throat, stomach and fingers, silencing his scream of agony and destroying his muscles. His limbs were limp and tense, twitching like a broken light bulb, out of his control but not out of his senses. It was so cold that it bit his bones and so hot that his skin was melting. There were screams so loud that it could shatter glass, as if every inhabitant of the Ghost Zone wanted to be heard and absolute suffocating silence. He was alone like nobody ever was and stuck in a stifling crowd that could stomp him to death any second. It was all contrasting, impossible but happening, existing together. He lived died it.

It was impossible, just like him.

There were others, they could help while Danny got himself together.

They couldn’t help if it was a ghost. He had to calm down and get ready to fight.

He couldn’t.

It was all happening again.

He was dying again.

It hurt to even think about.

Would it at least kill him for good?

Air he hadn’t needed before, not since his first death he always needed, like all functioning, alive human beings, got stuck in his lungs. He was gasping for it, choking on it. There was something stuck in his throat. SOme part of his brain that wasn’t screaming in agony and panic and loneliness had considered tearing his neck open just to get whatever was stuck swallowing but it didn’t help. 

He rubbed his arms harder. His eyes were locked on a blurred, still active portal. One of the color blobs moved, growing larger but he couldn’t think about what it meant. His arms hurt. It was good. Pain was grounding. In a gray room with few portals. Not the basement. Ghosts still could be there but it wasn't a basement. He still needed to get ready to fight

If he could feel pain, it meant he was alive, right? Ghosts never showed that they felt pain right? His parents always said they couldn’t.

He knew it was a lie but he felt like it was his last hope.

He realized that growing group of colors actually looked like a person but he had no way to tell whether they were alive or not. His ghost sense was quiet but he didn’t trust himself to not miss it. His throat was still shut tightly. His body kept twitching like a glitching character. No matter what, he couldn’t fight right then. He had to get himself together.

He scratched his arms almost violently.

Warm, soft, gentle hands pried his palms away from his arms. It wasn't a ghost. Ghosts weren't this gentle, this calmingly warm. Someone, someone who was alive, was crouching in front of him, face at the same level as his, hiding portals from his sight. Danny nearly sunk into their gentle touch.

“-om." their voice also was so gentle, filled with concern but firm enough to get to him over the buzz of portals. He tried to concentrate on this voice. He didn't want to hear portals.

"-ntom." It sounded like they were calling someone. He had to focus more to understand. Gentle grip on his wrists got more firm. There he was. He wouldn't feel it if he was dying again.

"Phantom." They called quietly, like little windbells Sam gave him as a birthday present. It was his name, they were asking him something he couldn't understand, something he couldn't do.

"I'm sorry."

He wasn't sure if any sound came out of his mouth.

Grip on his hands loosened a little, not enough for him to do anything about it, but enough to return to the pure feeling of safety and reassurance it gave him before.

“It's okay Phantom." they murmured. Danny nearly cried at their kindness and calmness. Air slowly started to fill his lungs again. It truly was okay, he wasn't dying again."Can you focus on five things you can see for me?"

He could do it. It wasn't much to repay the gentle person kneeling in front of him.

He blinked tears away and started the list in his head.

Black Canary in front of him.

Superboy in the middle of the room. He looked like he didn't know what to do.

Kid Flash next to him, ready to come to where Danny was shaking on the floor.

Robin and Artemis both made sure that Kid stayed where he was.

Miss Martian for sure feeling his panic and having trouble coping with this. He should calm down as soon as he can, he didn't want to cause any of his teammates too much stress.

Danny nodded, looking once again at the only adult hero in the room.

Molecules in his body were rearranging again. It all hurt.

"Thank you Phantom. Can you focus on four things you can hear?"

Five racing heartbeats.

One heartbeat that sounded more like buzz because of its speed. KF's heart was always weird.

Tapping of someone's feet.

Zeta Tubes.

He had been in the portal again, it had turned on with him inside again. He was dying again.

Next cautious nod.

"Alright. Now three things you can touch." Black Canary still sounded so calm, so sure she had it all under control. So contrary to her panicked heart. Danny wanted to believe her voice.

Canary's hands still on his wrists. In fact she was touching him more than he was her, but it still counted. There was some physics rule about it.

Cold stone he was sitting on. Weird, he was sure this cave was heated.

Hard wall pressing on his spine.

"Excellent. Two things you can smell?"

Jazz had done same exercise with him before.

Cookies made by Megan before she went on a mission.

Ectoplasm. Somewhere there was ectoplasm that wasn't inside him. He couldn't smell his own ecto. But there was no ghost in the cave. His sense was silent. It was there somehow else. It was concerning but not enough to make him panic again. They could handle it.

His lungs were still aching but air started filling them nearly as much as it did normally. His limbs stopped shaking so much too. He knew he wasn't dying this time. He was calming down.

"You're doing great Phantom. Now think, what's one thing you can taste?"

Aftertaste of ectoplasm he spat between the rough fight and the moment when Kid Flash rushed him to the nearest Zeta Tube, talking about medical attention. Danny tried to tell him, he didn't need that but he was inside before his explanation left his mouth.

"Do you feel better now?"

"Yeah," It was all he was able to say at the moment. He truly felt better but that didn't mean good. It was only a little less bad than shitty, one step from fully dead.

I considered writing continuation with Danny explaining a bit what happened and how he even ended up in Zeta Tube but a) lost spark to rewrite it b) hated what already had But if you want, I can probably rub my remaining two braincels together and continue. Or someone else can. Do it if you want to. Do it. Do it

[bumblydumbly]

i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably

[mikkeneko]

Don't want to put this on the post itself for risk of derailing it, but that post the other day about Terry Pratchett's early work really stuck in my mind. OP had sent in an ask saying that they heard some of Pratchett's earlier works had problematic elements (not unusual for a male english writer in the 80s) and they weren't sure whether to go ahead with reading the work anyway.

What I really want to ask that person, or indeed all persons who are hesitating over whether or not to read problematic works or works by imperfect authors:

What are you worried about happening, if you read a work with problematic elements?

I'm worried that if I read this art, I will run across hateful images or words that will shock or upset me

I'm worried that I will spend money on a work of art that then financially supports a bad person, and that thought makes me uncomfortable or upset

I'm worried that I will read works of art written by a bad person, and comment or react on them, and other people will see what I am reading and will think less of me because of it, or will assume that I hold the same bad beliefs as the author

I'm worried that I will read works of art written by a bad person, and I will enjoy them, and the author will find out about my enjoyment and feel emboldened to do bad things because of it

I'm worried that I will read works of art written by a bad person, and their badness will contaminate my way of thinking and make me a worse person in turn

Because these are all different answers and some of them are more actionable than others

[yridenergyridenergy]

Vicious August 1998

[izzyspussy]

the fact that they made it illegal to make ads louder than programs on tv in 2010 but haven't updated it to apply the same regulation to streaming. who do i have to call.

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[carnivalcarriondiscarded]

so i've had a lil fic idea floating in my head for a bit. it's fun to think about!

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.

[endofbeginings]

5/24.

inspired by vintage chinese pin up style posters.

watercolor flower set x

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[crustyfloor]

I'm so obsessed with the color symbolism in this teaser--

The color contrasts are representative of their personalities. Warm tones; orange for Till's energetic and rebellious spirit, the intense atmosphere serves to make Till appear anxious and tense, but Luka looks perfectly relaxed.. Cool tones; purple for Luka's mysterious and pompous nature.

I wonder if this means there will be changes in tone during their duet to represent their personalities, I think round 7 will be a sort of character study for them. and Till specifically.

Last round, Till was dressed in something neat, but since he's seemingly back in his funk--and I'm glad he's breaking the black and white motif for a more reclaiming, personal style, red and green (those two colors being matched together is like a traffic light, a warning...coughs). I believe Till got his bite back, he was never "tamed" to begin with, beaten down? yes. It's shown even here that he's on edge, and this is the most emotionally expressive he's been for a while.

(and something tells me he'll be handling an instrument again, just because of the headpiece. then he can smash it on Luka)

Another thing is his collar, it's reminiscent of the attachable ones he used to wear, like in round 1, something about him needing his leash again,,,

Because of this, I'm wondering if the Orange lighting is also symbolic of his danger to others, what is he like right now after round 6? (mentally, he's fucked I'm sure.) What if it's dangerous because Till will remind Luka of HyunA. (And if he does what HyunA couldn't...)

The quote "Never come back again" could have many different meanings when applied to Till, I think about the times he survived his rounds despite the odds almost being against him and being high risk; it's really concerning if he would be able to bounce back again this time.

And it's more of a personal thing when you think about the fact that after this, Till can only get worse if there is no intervention and he survives again, he'll never be the man he was before after he's lost everything and everyone.

I would die seeing Till's themes of regret in round 7 after losing all the family he's known and ultimately being alone