#someone to cherish

[maddie-grove]

Little Book Review: Romance Round-Up (May-December 2022)

It Happened One Autumn by Lisa Kleypas (2005): In the second installment of Kleypas's influential Wallflower Quartet, outspoken American heiress Lillian Bowman is looking for a husband at stuffy Lord Westcliff's weeks-long house party. Lord Westcliff is decidedly not on the menu, thanks to the huge stick up his ass, but we all know how that goes. This novel was a little slow, but solid and sexy. I probably wouldn't have even minded the pace if I were a little more into uptight aristocrats or feisty American heiresses in romance. Also, say what you will about love triangles, but Lillian's flirtation with villain/future-hero Lord St. Vincent added some nice tension.

Devil in Winter by Lisa Kleypas (2006): In the third Wallflower book, debilitatingly shy heiress Evangeline "Evie" Jenner is desperate to escape her abusive maternal relatives so she can be with her dying father, who runs a London gambling house, and also avoid being forced to marry her cousin. She offers marriage to ne'er-do-well Lord St. Vincent, who's rather short on cash because his dad cut him off. She doesn't have high expectations, given that he was a real piece of shit in the last book, but he's good in bed, he's nice to her dad, and he has some good ideas about how to manage her dad's gambling house. Based on largely anecdotal evidence, I believe this is one of the most beloved romance novels of the 2000s, and I can see why. St. Vincent is an engaging chaotic bitch hero and Evie is both endearing and proactive. It didn't hit me as hard as some villain-hero romances (like To Have and to Hold, Shadowheart, Duke of Sin, and A Lady's Code of Misconduct), but I enjoyed it a lot.

Scandal in Spring by Lisa Kleypas (2006): In the fourth Wallflower book, Daisy Bowman, Lillian's fanciful younger sister, is issued an ultimatum by her dad to find a husband, or else marry the man of his choice. The man of his choice is Matthew Swift, an austere Bostonian entrepreneur whom Daisy finds soul-crushingly boring...but is her assessment fair or right? This is probably the least-loved Wallflower book, and I get why. It doesn't have a strong unifying concept or concrete stakes. Daisy's dad gives her a long timeline, she doesn't lack for acceptable prospects, and she can go live with her loving sister if worse comes to worse. Matthew, for his part, isn't actually on board with the ultimatum; he's in love with Daisy, but won't tell her because he's harboring a Dark Secret, plus he's not a mustache-twirling villain. So, most of the romance is them tentatively circling each other, forgetting more and more of the reasons they can't be together. And, honestly, I was so into it. Kleypas makes uncommonly excellent use of former protagonists as well. The three former couples, rather than being static and boring, are still going through struggles in the background despite being happily married. It's also really sweet how they come through for Matthew in his hour of need.

The Highwayman by Kerrigan Byrne (2015): Farah Mackenzie is a clerk for Scotland Yard who holds herself out as a respectable widow. Dorian Blackwell is a powerful underworld figure who kidnaps her out of the blue, claiming that he (a) knew her tragically dead young husband in prison and (b) wants to marry her as part of a byzantine plan to gain power in society. This book is an absolutely wild ride, with secret identities and marriages between ten-year-olds and romantic kidnappings. It does kind of lose steam after they leave the gorgeous kidnapping island, though.

Someone to Cherish by Mary Balogh (2021): Lydia Tavernor lived for years in the shadow of her husband, a magnetic and zealous vicar, and even after his heroic death (during which he saved a child from drowning), she's continued to be quiet and self-effacing. Then, at a small party, she finds herself feeling unexpectedly attracted to her amiable neighbor, Major Harry Westcott. Harry has suffered his own disappointments, namely losing the position in society he'd been raised for when his father's bigamy was revealed and suffering years of ill health due to horrific injuries sustained in the Napoleonic Wars. Although both are gun-shy due to their experiences, they crave intimacy and begin a no-strings-attached relationship. This romance had so much potential. I was invested in both characters and intrigued by the late husband's post-death effect on the characters' small community; I felt like there was going to be some exploration of how devotion to the memory of a good person (or maybe just a person who seemed to be good) can be twisted and make people act in cruel ways. Unfortunately, Balogh decided to go hard on demonizing an obviously troubled child character and having the hero and heroine bond over bullying him.

Jewel of the Sea by Susan Wiggs (1993): Roughly a decade after October Wind, which followed a bunch of characters in the several years leading up to Christopher Columbus's first voyage to the Americas, a new crop of young people have to navigate life in both hemispheres. There's Armando, resentful son of the unethical Rafael/Catalina/Santiago throuple from the first book; Paloma, resourceful daughter of Spanish-nobleman-turned-Jewish-refugee Joseph and Taino wise woman Anacaona from the first book; Gabriella, lady-in-waiting to Katherine of Aragon and daughter of troubled Mercedes; and Will, Jewish-Spanish-English musician and chronic simp. The sequel is an improvement over the first book, in the sense that Columbus and Queen Isabella aren't major characters, but the cast of original characters is a little weaker. October Wind had three great characters (Joseph, Santiago, and Catalina), one underused one (Anacaona), and one annoying one. Jewel of the Sea has one great character (Gabriella), one underused but interesting one (Paloma), one pleasant but not terribly fascinating one (Will), and one annoying one (Armando).

How to Find a Princess by Alyssa Cole (2021): Makeda Hicks, eternal people-pleaser, is forced to move back in with her hotel-owner grandma after losing her job and live-in girlfriend on the same day. Burdened by a childhood where she had to parent her own mother, who struggled with alcoholism and was obsessed with the possibility that she was a long-lost royal, Makeda isn't amused when Beznaria Chetchevaliere, a detective hired to find the lost royal heir to Ibarania, turns up on her doorstep. However, pressing financial obligations and Beznaria's unconventional charisma make her take a chance. This one didn't really work for me. Makeda's a terrific heroine, but Beznaria is cartoonish, the couple spends too much time on a cargo ship, and Cole apparently still can't write a well-paced ending.

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[kittykalliarts]

For decades, the blank vision that Iudex Neuvillette wears near his heart has been subject to much discussion in Fontaine. Nobody remembers who it had once belonged to or why the ancient dragon protected it so jealously. It is said that if the Chief Justice would to stare at it for a long while, it would be sure to rain right after. Oh, how beloved that person must've been.

[joy-jpg]

justice design concepts

[littlecrittereli]

That moment when your non-affectionate brother is suddenly affectionate

[trauma-bot]

sin eater

[demigods-posts]

thinking of percy going to school as a small child. learning that some of his peers talk to deceased family members in their heads to cope with grief. and deciding to take the time each night to talk to his father. telling him a funny story of how mom laughed so hard, milk came out of her nose. of how he got a near perfect score on his third grade spelling test. of each time he got expelled from school and how much he knew it made mom sad. of how his stepfather is the meanest bully he's ever met. of how he wished the two of them had more time together so they could share s'mores and stories around the campfire. of how much he grieves the father he never had. and thinking of poseidon sitting in his throne atop olympus. tears threatening to fall at the sound of his son's voice. mirroring the grief of a child he never got to raise.

[fiendishartist2]

theres smth so romantic about the lackey. let me wait on you hand and foot because i want to see you succeed, because i believe in your cause and your ability to reach your goals, even if we fail every single time. you dont have to give me anything, being around you is reward enough. it doesnt matter if youre a good person or if you have good intentions, in my eyes youre everything the world needs. let me beat that guy up for you sir

[bakudekublogblog]

katsuki has to be quiet and stay calm to keep control of his heart problems.... control your heart.... CONTROL YOUR HEART PART TWO??? hori you're so brilliant

[rottengurlz]

"my jugular misses your teeth." 🩸

a collab with @kashisun 🔪

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[speed-demon-doodler]

act 1 fluff, Durge run - somewhere in the wilderness 2

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My partner in a comically wobbly voice: "are they gonna..? You know, are they..?"

yeah hug it out

[aspen-charminghearts]

The First Time Chloe Got Red a Gift:

Chloe, clearly excited, running up to Red: Red look what I got!

Red, giving Chloe her attention: What is it Bluely?

Chloe handing Red a bracelet she made: This is for you!

Red eyeing it suspiciously, holding it in her hands gently, eyeing all the sparkles on it: Chloe- I uh-

Chloe, taking it the wrong way, thinking Red hates it due to her hesitance: [A little choked up because she’s upset] Fine! If you don’t want it I’ll take it back! [Reaches for the bracelet]

Red, putting the sparkly bracket on and holding her arm out of Chloe’s reach: NO! MINE! I WANT IT! ITS MINE!

[canisalbus]

I have to ask what drew vasco into falling in love with machete?

His snivelling runt ways were just that irresistable.

[pulsingvoid]

not negating anybody's experience i know black sails is outstanding regardless of how or when or how quickly you watch it. but also, as a gay person who watched it in real time, you really had to be there. they introduce anne bonny and you know your pirate history so you KNOW she's a girlliker. she has a moment with max but youre not sure where it's gonna go. because it's 2014. you wait over a year for 2x01 and she and max fucking obliterate you with the sword drop kiss scene. all anybody is talking about in the tags is vaneeleanor. a few weeks later 2.05 drops and flint is not only textually gay and kissing a man but he is waging war on england, on all of civilization for taking away his male lover. you find this out after investing fourteen hours on this show that have spanned over a year and a half in your real life. not to mention the miranda stuff and silver's arc and mr scott and madi and the death march that seasons 3 and 4 feel like when you have no inkling of how it's gonna end. but you stick with it regardless because it's good and besides it's 2014-2017 and the only genre show with gay people in it is fucking... the 100? lol anyway. more gay people flock to black sails between seasons and the tag becomes more about the gay shit than vaneeleanor, thank fucking god, finally. you all dread the last season. you brace yourselves for the worst. you thank the stars this show airs weekly because watching even just two episodes together is too overwhelming. 4.08 airs. you cry. 4.09 airs. you cry. 4.10 airs. your life will never be the same. you cry so hard you catch a fever and have to stay in bed all week to recuperate. you know this was a once in a lifetime experience never to be repeated again but you can't help but hold every other show to this impossible standard.

[sixerstanley]

just read a bit in a fic where Ford pats Stan's head and calls him a "good boy" and Stan has an Awakening™ and i cannot stop thinking about it (its just a small bit in the fic tho, although I'm not caught up with it yet). you cannot convince me that they both don't have praise kinks

with ford its basically canonical or like, at least the fact he desires praise and basks in it (which bill gave him).

with stan i think its a bit different? like he desires praise, he wants praise and wants to be told something different other than the fact he's good for nothing, but i have a feeling that when he does get it? he freezes up. i can see him shrugging compliments off from ford, him just saying "shut up" while looking away, because it can't be true. He's always been the fuck up, has always messed things up no matter how hard he tries, so when someone (ESPECIALLY FORD, someone he cares for and respects and loves) tells him something that disrupts the perception he was made to have of himself, he truly doesn't know how to react.

And when he is able to un-freeze himself, he shrugs it off. Because he doesn't believe them. When you're told that you're nothing but a screw up your entire life, so much so that you make that a part of your identity, when someone starts to--god forbid--compliment you, its uncomfortable as hell. And it seems contradictory and makes no sense on paper, because wouldn't you want that? Wouldn't you crave all the praises in the world, because nobody has ever given you the time of day before?

The answer is: yes and no. Because it's one thing to fantasize about it, because that's all it is--a fantasy. A fantasy of not being who he is, which, in his mind, is a giant, walking mistake.

So, when Ford starts becoming nicer to him, giving him compliments here and there since defeating bill, Stan doesn't know how to handle it. It disrupts his reality, his perception of himself.

I think, if stan were to ever work out his issues, at least internally, or if maybe ford can kind of notice that there's a malfunction in Stan's brain every time he compliments him, it could be worked on. Maybe a chat about it (unlikely knowing these two), maybe a fight about it (more likely), or maybe Ford taking drastic measures like tying stan to a bed and praising him until he starts to believe him.

anyway. bottom line is that they both have praise kinks, but stan's is way more complex and less straightforward than Ford's.