#somebody should give this guy a break

[somnolent-scout]

Reading Arkan Cosplay's health update made me actually cry for a minute..

[ghost-with-a-teacup]

𝐖𝐡𝐚𝐭'𝐬 𝐈𝐧 𝐁𝐞𝐭𝐰𝐞𝐞𝐧

Pairing: Miguel O'Hara x F!Reader

Summary: Everyone at HQ was convinced there was something going on between you and Miguel. Just...no one knew what. But one group of spiders were determined to figure it out.

Warnings: None! Just a lot of goofiness and a whole lot of fluff :3

When you have a superhuman with superior senses, they’re bound to be perceptive to their surroundings. Now when you have an entire lobby the size of multiple football fields filled with superhumans with superior senses, very few things will go unnoticed.

It’s why people very quickly realize that you and Miguel have…something between the two of you. It’s just that no one is quite sure what.

Camaraderie? Maybe, you were one of the first spiders to join the society.

Friendship? Perhaps, but it was known that Miguel wasn’t one to do friends. Not with the amount of loss he has gone through.

A relationship? This one seemed the most unplausible. Miguel was, well, Miguel. Stoick, cold and calculating. Meanwhile, you were you.

You had a light that drew people in, kindness that knew no bounds and warmth like a fire on a cold winter’s day.

Everyone knew the saying ‘opposites attract’, but it was like comparing night and day with the two of you. Regardless, a small little group within the society were set on trying to figure the two of you out.

~

“Ain’t no way the two are together, she’s too good for him!” Hobie argues, his legs kicked up on the table in front of him.

“I don’t know, maybe that’s why they work together. Because she makes him better?” Miles says, but his tone of voice failed to hide his skepticism.

“I think you should just leave the two of them be. Besides, what happens if you figure it out or not anyway?” Peter says, feeding Mayday as he does. Immediately a chorus of arguments breaks out from the group.

“OKAY! Okay, forget I asked,” he says with a shake of his head, while Mayday just laughs at the commotion.

They spot the two of you walking into the cafeteria making conversation none of them could make out.

“Look at them,” Gwen says, “have you ever seen the guy happier than he is with her?” she asks, and Hobie snorts.

“C’mon mate, you call that happy? Mans got that frown tattooed on his face, can he even be happy?” he says, but they all continue watching intently.

You glance over to the table they were surrounding, and they all brush off your gaze pretending as though they weren’t just studying the two of you like specimens under a microscope.

You wave your hand, a bright smile on your face while Miguel only glances over for a moment before continuing to walk. You jog to catch up to him, grabbing a tray and picking up things you wanted for lunch.

They watch as they see Miguel pick up the empanada, the last one left. He pauses for a split second, holding it before turning to place it on your tray. Almost as though they were straight out of a cartoon, they freeze at the interaction.

You seem to be slightly surprised as you, saying something to him but he only brushes you off before continuing on.

“Did…that just happen?” Pavitr asks. Everyone at HQ was aware of Miguel’s fondness for the food (even if he did hurl one right at Miles when they first met), there was no way he would give one away so easily for just anyone, right?

“Somebody pinch me,” Gwen says, and Hobie jumps at the request.

“OW!”

~

Miguel never lets anyone help him out when he’s injured. That was just a known fact. He could walk into HQ battered and bruised and wouldn’t even look in the infirmary’s direction once. After depending on himself for so long, he wasn’t going to stop now. Besides, what were First Aid kits for after all?

The only way he was going to the infirmary was if someone dragged his unconscious body there themselves.

Well, unless you were there.

“Miguel O’Hara I swear to god, you better get your ass to the infirmary or so help me I will tie you up and drag you through the halls myself,” you say sternly as you both reemerge in the Lobby. The rest of the Spiders there continued with what they were doing, but their attention was zeroed in on you both.

“I’m fine,” he says, glaring at you as if trying to say ‘Just try’. Had you been anyone else, you would have backed down by now but you didn’t.

“You wanna test me right now? That was a nasty hit, I will not be letting it get infected under my watch,” you retort, and he puffs.

“This is nothing, I’ve dealt with worse,” he scoffs, and in an instant your finger shoots out, making contact with the side that got hit with the anomaly’s flames. Miguel can’t help the sharp intake of breath as the pain from the impact hits him.

Your eyebrow raises, an expression of disbelief on your face before it softens. Murmuring softly, you say something that only he can hear.

For a moment he studies your face before sighing, finally relenting. With a triumphant smile, you place a hand on the man’s broad back, leading him towards the infirmary with a gentle but firm hand.

There, Pavitr is laying in bed recovering from an awry mission of his own. The doctors had ordered bedrest for the next 2 hours at least. Superior healing or not, they were not going to risk it. So there he lay, slinging his golden bangles up and down bored before he hears the two of you come in.

“Mr. O’Hara-" a doctor’s voice can be heard, but he is quickly interrupted.

“She’s got it from here,” he says, Miguel’s tone final. A small “yes, sir” can be heard before footsteps fade away, the doctor’s office door closing once more.

“You know, you should really let the professionals help you,” your voice can be heard.

“You dragged me here, you can deal with the consequences,” he says, and you just laugh fondly before your voices quieten, murmuring too quietly for Pavitr to hear.

Curiosity builds as he recalls the conversation he and his friends had, and before he can stop himself he shifts silently to the side, just enough to be able to catch a glimpse of you both from the small gap between the hospital curtain and the wall.

There, Miguel sat on the bed, a disgruntled expression on his face but his eyes were soft as he watched you fuss over his side.

He only watches for a few seconds before pulling away, this being a clear invasion of privacy, and his boss’ privacy no less.

It wasn’t going to stop him from telling everyone else though.

~

“This is a bad idea. This is a really, really bad idea,” Miles says, grasping onto the ceiling like his life depended on it.

“It’s only a bad idea if we get caught, so Shut. Up,” Gwen says sharply, hanging from her place on the ceiling as they watched the fight from above.

Gwen had come up with the mighty fine idea of sneaking into a mission between the two of you. It wasn’t often that it happened, Miguel more often than not only went on missions with only Lyla by his side. But when he needed a partner, it was always you.

“Why did you have to bring me with you,” he whispers, “Miguel already doesn’t like me. He doesn’t need more of a reason to.”

“Because I needed backup and you can turn invisible. And let’s be real, Hobie would be laughing his ass off getting us caught, Peter would bring Mayday which would get us caught, and Pavitr is already on a mission, now shhh,” she whispers, turning back to watching the scene below.

You swung from pillar to pillar in the abandoned factory with practiced ease, a carefree laugh escaping your lips as Miguel stands on the ground fiddling with his watch.

“The anomaly’s last known location was here,” Lyla’s voice echoes out, and you let out a sigh.

“Why can’t villains have easy powers. Maybe a giant blob that is easy to take down? Why do they have to be so complicated? What’s this one again, a freaky shadow monster?” you think out loud.

“Where’s the fun in that?” Miguel retorts, glancing up toward you for a moment before turning back to Lyla. “Do a scan of the place, will you?”

“What do we say~” Lyla responds, and you giggle softly while Miguel huffs.

“Please,” he mutters.

“What was that?”

“Please, Lyla,” he says a little louder now, irritation growing in his voice.

“Already done,” the AI snickers, and he groans out loud as your laughter bounces off of the walls, a fist held out for Lyla to bump.

“The two of you will be the death of me,” he says lowly.

“Oh, don’t be like that, grumps. You’d be too stubborn to die,” you retort before tensing up, the hairs on the back of your neck rising with the familiar feeling of your heightened senses at work. The moment you sling yourself up is the moment a loud thud sounds out from where you once stood.

“Oh, I forgot to mention that the anomaly was in the far right corner,” Lyla says before disappearing.

“I really need to do a rewrite of her code,” Miguel mutters to himself.

In your previous spot emerges a dark figure, plumes of smoke emerging and dissipating from its form and allowing it to disappear into the shadows with ease.

With a simple nod, you get to work. Like a well-oiled machine, you work in practiced synchrony, bounding across the walls and slinging webs.

And just like that the anomaly is captured, the force field around it effectively trapping it for the ride back to HQ so it can be sent back to its own universe.

“That was…kinda lame,” you snicker, pulling off your mask

“Told you so,” Miguel says as he opens up a portal for you both, dragging the anomaly behind him.

“Don’t say that to me,” you pout.

“What, can’t handle the truth?” he retorts, a smirk playing across his lips as your bickering voices fade through the portal.

“…was that a smile,” Gwen asks as she watches the spot where they both had stood.

“Was that what it was?” Miles asks, a shudder racking through his body.

~

It was late at night at the HQ, and at this time everyone else had already gone back to their own universes. The few that lingered were the ones finishing up after a late-night mission.

Or, you were Peter B. Parker frantically searching through the kitchen for a bottle of milk for Mayday after a playdate with a select few spiders that went on for way longer than expected.

Mayday was an easy baby. Always happy and smiling, but that all disappears when she was hungry and you did not want a spider baby on a rampage.

“Alright, alright, give Daddy a few seconds to warm up your milk please?” Peter pleads as Mayday continues to babble angrily, crawling all over him.

She pauses for a moment, attention drawn elsewhere as she hangs off of her father’s back before leaping.

“Hey, lil spider!” You say with a laugh, catching her in your arms. “What are you doing here so late?” you ask.

“Playdate with Miles, Gwen and Hobie. Time really flew and she refused to leave until now,” Peter sighs tiredly, and you pat him on the back before putting her up onto your shoulders. “What are you doing here so late?”

You shrug, grabbing two mugs from the cupboard.

“Working late. Like you said, time really flew,” you say, but Peter knew that wasn’t the full truth.

“Working so hard that you need two cups of coffee?” he asks, holding out the bottle for Mayday to take, which is what she does happily as she snuggles up in her father’s arms.

“What can I say, caffeine doesn’t really work on me,” you grin, pouring the coffee from the machine. “Goodnight, Peter, Mayday,” you say, ruffling her red hair fondly.

And as quickly as you appeared, you disappear.

~

People didn’t often disturb the big boss man Miguel when he was working. Not if you wanted to stay on his good side.

It was even less often that someone barges into his room full of screens as he monitors the Archno-Humanoid Polymultiverse, let alone a group of them.

“We heard you talking to someone! And laughing,” Gwen says hesitantly as if she couldn’t even believe it herself. But she was invested in figuring out what the deal was between the two of you now.

“Well, do you see anyone around?” Miguel deadpans, his arms wide and gesturing around broadly. You could barely stifle the giggle as you sat on a beam high up on the ceiling, going unnoticed.

“W-well, no…But!” she says, and Miguel raises an eyebrow which makes Gwen shrink in her spot slightly before recovering. “But we heard you. There was someone here, wasn’t there?”

Hobie, ever the perceptive one tracks his eyes along the ceiling before spotting you swinging your legs with an amused look on your face. It seemed as though no one else had noticed though.

Miguel watches Hobie spot you and his eyes narrow in his direction, as if saying ‘I dare you to say anything’ to which the spider only raises his hands in mock surrender.

“No. There wasn't." He says, his tone final. "If that’s all you’re here for, I have important work to get to. So why don’t you go bother someone else, yeah?”

~

“I give up,” Gwen says, slumping in her chair. “We’re never going to figure it out.”

“Figure what out?” Jess asks, walking up to the group.

“Whether or not there is something going on between those two,” Miles says, nodding towards you and Miguel talking over in the corner of the room.

Jessica only hums, a knowing look in her eyes but she doesn’t say anything. Only asks a simple question.

“What makes you think so?”

“Everyone here knows that there’s something there, even if they want to admit it or not. She’s one of the few people he tolerates, they’re together almost all the time and he actually seems happy around her,” Gwen reasons.

“You could have just asked, you know,” you say, coming up on their conversation with an amused look on your face.

Their expressions range from flustered to simply amused and you can’t help the laughter that bubbles up as you make eye contact with Jess.

“And to answer the question,” you reach down your suit, pulling out a simple chain with a ring dangling off of the end.

“We’re actually married.”

The group goes silent for a moment, eyes wide as they stare at the necklace in your hands, trying to process your words.

Then, all hell breaks loose.

A/N: Hehe, I'm quite happy with this one :3 This is my first attempt at writing Miguel, sorry if I butchered him but I am absolutely hyperfixating on him after seeing ATSV in theatres yesterday.

Based on the prompt by @imslightlycreative though slightly changed :)) I hope you all enjoyed <3

Part two out now!! Read it here.

[redeemingvillains]

veritaserum - mattheo riddle

summary: when mattheo drinks veritaserum on a bet, he's confident he doesn't have anything to hide... until you show up.

word count: 3.1k

a/n: gosh i love this messy boy. just a little something sweet + fun!

"I don't know... shouldn't we save it for something... important?"

"Like, what Blaise?" Malfoy responded, exasperated.

"Yeah, got any plans you want to share?" Theo asked.

"All ears, bud" Mattheo joined in.

Blaise threw his hands up. "Fine, fuck it, do what you want with it" he said, resigned, referring to the small vial in Malfoy's hand that had the group's rapt attention as they huddled in the corner of their dormitory like they were first years at a sleepover.

"We should put it in somebody's goblet at dinner."

"We should slip it into Dumbledore's cup, Merlin knows what the geezer would say."

Theo got a wicked look on his face, "I'll give any of you lot 100 galleons to drink it."

Eyes widened around their circle at that.

"You're joking."

"Piss off."

"No, listen to me, we think we know everything about each other, don't we?" Theo continued, letting the sentiment linger "Which means the things we don't know are deep."

He grabbed the vial from Malfoy and dangled it in front of them; Veritaserum, the most powerful truth serum in the wizarding world, even having it in their possession was breaking about 15 Ministry laws.

Members of the group stared shiftily at one another, but Theo found Mattheo's gaze staring boldly at him as he leaned casually against his four-poster, a smirk on his face.

"Make it 200 and you've got yourself a deal" Mattheo grinned.

Snickers of laughter took the group as they punched one another in amusement and excitement.

"Bottoms up" Theo said, tossing the vial at him.

"I've got nothing to hide" Mattheo replied with an air of emblazoned confidence as he deftly popped the cork and threw the liquid back like a shot of firewhiskey before anyone could stop him.

It didn't taste like anything other than water, and for a moment Mattheo thought this was the easiest 200 galleons he'd ever make, but then he felt a sort of bubbling in his chest, like every feeling, every sentence he'd ever held back wanted to burst forth.

"...Well?" asked Malfoy, cautiously, leaning in, "How do you feel?"

"Bloody weird" Mattheo said, looking down at the empty vial in his hand. "And apprehensive, like I definitely don't want you to ask me things." His eyes widened at the words that had come so truthfully and vulnerably out of his mouth before he could stop them, suddenly realizing that he'd made a horrible mistake.

Theo was howling with laughter, leaning in and rubbing his hands together as he got ready to obliterate his best friend for being so cocky; he was going to make every galleon worth it.

"Did you take Blaise's Chudley Cannons scarf last term?" he asked.

"Yup, sold it to a fifth year for a bag of weed— SHIT" Mattheo said quickly, eyes wide before slapping a hand over his mouth.

"Mate, what the fuck?—" Blaise started, but Theo was on a tear.

"—Did you cheat off of Lorenzo's potions exam this week?"

"Of course" Mattheo admitted, the words blasting by his hand, "I've been doing it since fourth year, his handwritings the size of my fist, thanks for that by the way" he said, looking at Enzo.

"Prego, amico" Lorenzo said smiling and shrugging, "happy to help."

"Alright then" Blaise said, the anger and frustration clear in his voice as he eyed Mattheo, "better own up, didn't you slip McLaggen a galleon to let Theo score on him last match?"

"Yeah, fuck, and I'm not sorry about it. I'm tired of hearing Theo piss and complain about losing when he barely shows up to practice and lets the rest of us down."

"OOHHH!" shouted several of the guys.

"Fucking harsh mate!!"

"What the fuck?!?" Theo shouted angrily as he lunged for Mattheo and the others tried to hold him back.

Amidst the shouting and commotion, they didn't hear you knock on the door.

"Guys?" you asked, raising your voice to be heard.

Five heads turned your way as they stopped mid-brawl and began to stand up and right themselves, adjusting their ties and smoothing their robes. For his part, Mattheo's heart nearly shot out of his chest. No, no no no not right now he thought as you pushed your way into their room. On any other occasion he'd be thrilled to see you, but now the bubbling in his chest was reaching its peak at the sight of his deepest, most tightly held secret: you, and every single thing he felt about you.

He took in your amused smile, the light laughter on your lips, the way it made your eyes sparkle and he felt his palms tingle with sweat as he grasped them into fists and swallowed deeply, like he could ingest his own thoughts. You were his best friend, had been since the moment he met you on his first train ride to Hogwarts and he had no illusions about ruining your friendship by trying for anything else; girls like you didn't end up with guys like him.

"Are you alright?" you asked, looking at him strangely before his friends chimed in for him.

"S'fine!"

"Yeah, yeah!"

"Never better!"

"What do you need, love?"

"I am NOT fine!" Mattheo said boldly and rather loudly before he could stop himself and your eyes shot to him with concern.

"Wait, what's wrong Matty?" you asked, using the nickname he only tolerated coming from you.

He pursed his lips tightly and shook his head, averting his eyes to the floor, physically warring with the words that were flooding his subconscious.

What's wrong? A lot of things are wrong, YN. For starters, I love you. I love you so much it physically pains me to spend as much time as we do together and not to grab your hand, to pull you onto my lap, to nuzzle into your neck, to kiss you; I have a list of things I want to do to you every time I see you. Especially in that godsdamn skirt you're wearing. It's my favorite. You should know that. And I wish you would stop wearing it, you have no idea the ways guys look at you. I wish you'd wear it only for me. I wish you'd want me the way I want you, because I want you so badly. I wish you were mine, but I'm scared, no, fucking terrified of the way I feel about you because love is vulnerability and vulnerability is weakness and I can't tell you any of this so please, please don't ask me anything and please, please stop looking at me like that.

"Matty?" you asked again, now thoroughly concerned as your best friend slammed his hands over his ears as you walked towards him.

Theo was burning hot with anger, stewing over what Mattheo had said about him, he wanted to take him down a notch, to embarrass him in return. "Admit it" he interrupted, staring at Mattheo "you have a thing for Pansy and you've tried to make a move on her even though she's with Draco."

You stopped short of approaching Mattheo and stared at Theo.

"What?" you whispered, feeling physically ill, jealous and hurt even though you had no such right.

Mattheo straightened up and glared at Theo.

"What the fuck did you just say?!" Draco said, brushing past you as he came for Mattheo.

"I'm right, aren't I?" Theo pushed further, so smug, so certain he was right.

"No you fucking prat" Mattheo spat at him.

Draco grabbed Mattheo by the front of his robes. "You swear it, you haven't made a move on her?"

"I swear it."

"Not even before we were dating?" Malfoy pressed.

"Not even before you were dating" Mattheo confirmed.

"What the fuck is going on?" you said, exasperated, almost to yourself as you tried to calm down.

"Veritaserum" Blaise said by way of explanation as he leaned in to be heard over the continued shouting of your friends. "Theo bet one of us to drink it and, well..." he said, gesturing his hand by way of explanation at the calamity in front of you.

Malfoy was shouting questions at Mattheo who looked genuinely surprised if not annoyed, and Enzo was looking back and forth at them like it was a tennis match. Theo had a deeply skeptical look on his face as he listened on, "No, you're always weird around Pansy and YN though, I thought..." then, like a lightbulb went off, Theo looked at you, to Mattheo and back again.

"Do you think Pansy's hot?" Malfoy continued.

"Bro, give it up" Blaise said finally, stepping to pull him back, "I think you're in the clear."

"I mean yeah she's hot, but she's not my type. FUCK!" Mattheo replied, rubbing a hand over his face at the admission.

"She's not, but YN is" Theo said finally.

Mattheo bit his bottom lip and stared at the floor, concentrating very hard on the tassels of the rug beneath his feet as he shook his head, a grimace on his face.

Your heart trilled in your chest, which was literally rising and falling in both panic and excitement. Mattheo was shaking his head no, but his whole body was fighting something, there was something he didn't want to say... about you.

"So, she's not your type? Not attractive to you at all?" Theo pushed.

Mattheo's face was turning a dark shade of red as pursed his lips closed and shook his head vehemently, refusing to meet anyone's eyes, his own nearly watering with the exertion of fighting the potion within him.

"Totally platonic? Didn't give a shit when Seamus Finnegan asked her out last term?"

Mattheo glanced at Theo, gathering himself, as he tried desperately to say the only truth he wanted to share. "He's a prick, no secret I didn't think it was a good idea—"

"—You never told me that" you said quietly, confused, and not a little bit angry. "But you avoided me for a few weeks after, I remember..." you said, trailing off as you stepped closer to him, and Mattheo's looked genuinely afraid, outstretching his hands to stop you from coming any closer.

"What don't you want to say?—"

"—I don't want you here right now!" he said loudly.

You physically reared back at the harshness of his words. You caught his eye, trying to communicate the way you often did with one another, to ask things that could only be said without words, but you got nothing in response.

"R-Right" you said, your voice wobbling as you turned to leave, thoroughly embarassed.

And the sound of it nearly broke Mattheo's heart.

"Wait, wait, I didn't meant it like that, I don't want you to be upset, please don't be upset" he said, moving to reach for your hand urgently, the unmasked care and compassion in his voice making you turn and making Draco and Blaise bat at each other's arms in excitement like school girls at the scene unfolding in front of them.

"I don't want you to hear my truth" Mattheo said quietly, and just like that it was just the two of you, you who knew more than any of these idiots, you knew about Blaise's scarf (you had told him not to sell it), about him cheating in potions and paying off McLaggen, but even you didn't know his most deeply held secret and this isn't how he wanted it to come out.

"Please" he begged, in way none of his friends had ever heard him speak before.

"I just... I thought I knew all of your truths?" you said vulnerably, your chin wobbling, saddened at the idea that there was a part of him you didn't know.

"You don't. I'm sorry" he said simply.

"But they get to hear them?" you said, gesturing towards your friends.

"No, they don't know them either."

"What would be so bad that you wouldn't want anyone in your life to know, Matty?"

He bit his tongue as he tilted his head. "It isn't bad. I didn't say it was bad" he said.

You could tell he was playing with you, selectively choosing his words. Your curiosity piqued as you turned to face him fully with your arms crossed.

"What don't you want us to know?" you asked.

"How I — FUCK — feel — mmhmm" he tried to physically shove the words back into his mouth, clapping his hands over his mouth again as his body betrayed him.

Theo stepped forward, trying to pry his hands back. "Say it!" he said.

Mattheo tried to wiggle out of his grasp, the two of them thrashing back and forth.

"C'mon mate, time to earn those galleons! Cough it up! How you feel about what?" and Theo yanked Mattheo's hands away from his mouth just long enough for Mattheo to all but shout:

"HER!" he said, loudly, pointing to you. "About YN. I — FUCK — fucking love her."

You could have heard an owl feather hit the floor.

"Oh shit" Malfoy whispered.

Theo took a step back as he realized the enormity of what he'd just done. He'd thought Mattheo had a little crush on you, I mean, didn't they all? He thought it was just a bit of fun. But love? He'd know Mattheo for 7 years and he never so much as heard him say the word, let alone direct it at another person, in fact he knew just how much the concept had been beaten out of him as a child.

"Mate, I'm—" he started.

Mattheo glared at him in way that reminded you for a moment about the family he came from, and it was the first time you'd ever seen Theo genuinely afraid as the smile dropped from his lips and he took an unconscious step back.

"Fuck you" Mattheo said, stepping towards him, the measured control in his voice somehow more frightening than the alternative. "You always take shit too far, you know that? That's why—"

"—Matty?" you said, your quiet whisper and the questions that lingered behind it tugging at his heart and pulling his attention back to you.

He met your eyes and the fury he felt at Theo dissolved in an instant, like it had apparated from the room, because the way you were looking at him was an expression he'd only seen in his dreams. You didn't look angry or confused, you weren't laughing or embarrassed, the sparkle in your eye was back and a soft smile rested on your lips, your eyes were blown wide, hopeful even, with a hint of something else underneath that had a sensation like melted honey spreading throughout his entire body.

"Can we maybe talk... outside...?" you asked.

"Yes, for the love of the gods" he said, walking quickly to your side, letting his hand rest gently at your back, the intimate gesture not lost on anybody as your friends wolf-whistled and snickered and he flipped them the finger over his head.

Now that the truth was out, there was nothing stopping the words that flew out of Mattheo's mouth as you led him to a nearby secluded corridor.

"I really want to talk to you about this" he said, the moment you were outside of the dormitory, "I am so embarrassed that it came out that way, that's not at all how I wanted to tell you, well, I didn't want to tell you at all, I was terrified actually. I've liked you for a long time, really since the first day we met, do you remember? On the train? You were wearing that blue jumper, you smelled like cinnamon and vanilla... You always smell so fucking good—"

You laughed as you pulled him with greater urgency by the hand away from prying eyes as he continued to ramble on, the truth serum creating a veritable waterfall of words out of his mouth.

"—You're so fucking beautiful, I love your hair, your eyes, your smile, your nose... that sounds weird, but it's true, it's so fucking cute—"

"—Mattheo" you said, as you stopped, placing your hands on his chest and pressing him gently against the stone wall to get him to slow down. "Breathe."

He shook his head.

"No, it's out now, and I don't know how long this shit lasts and if I don't say this stuff now, I'm not sure I'll ever have the balls to say it to your face, I've held onto this for 7 years YN."

Your lips curled into a small pout at how sweet he was being, at the idea that your best friend had been pining for you since you were 11 years old.

"I love you" he continued breathlessly, "and not like a little bit. Like, a lot. I don't know..." he said, carding his hand through his brown curls, "I've never felt this way about anyone, anything. I'm all consumed with you. You're the only thing I think about, the only girl I want, I'd do anything for you. And I'm sorry if this is going to totally wreck our friendship, if you want things to stay the way they are, I will try my level best—"

But his words were cut short as you pressed your lips to his, capturing his truth, letting it wash over you, every word you had been desperate to hear, every thought you'd shared the same. It surprised him for only a second before his hands grasped your face and he pulled you further into him.

"You're fucking perfect" he whispered after a moment, his eyes dancing over your features.

"Remind me again why I didn't give you veritaserum like years ago?" you said, smiling against his lips.

"It's a felony?" he said, laughing.

"...Right" you said, laughing back.

You were only gone a few minutes, but as you scurried back to the dormitory you tried to fix your hair, and wipe the lipgloss off of Mattheo's face as he smiled down at you with puppy dog eyes.

"They're going to lose their mind" you said quietly just outside the door, "let's just play it cool, alright?"

And before he could respond that there was no way on earth he could possibly do that, you pushed the door open and all conversation stopped.

"...Alright?" Theo asked, turning to face you both, nervous at the potential mess he may have caused.

"Fine, we were just talking—"

"—She macked me!!" Mattheo shouted truthfully with a huge grin on his face as he wrapped his arm around you.

You gasped and swatted at him playfully, your cheeks blushing a rosy pink as your friends erupted into cheers, hoot and hollers, descending on you both as Mattheo looked down at you, glowing, happier than you could ever remember seeing him.

taglist: @girllblogging777, @iamdnb, @bookworm124, @zatannasrealgf, @r-a-c-h-e-l

[xinganhao]

🫂 older brother!mingyu vs. boyfriend!wonwoo.

anon → "could you please maybe do a text au of older brother! Mingyu and brother's best friend - and boyfriend - Wonwoo?"

‧₊˚✩彡 includes: cussing, sibling dynamics, wonwoo and mingyu are best friends! best read in order + headcanons under the cut.

🫂 the three times mingyu almost caught you (and the one time he did) .ᐟ

(1)

wonwoo likes to think he's a pretty rational guy. he follows rules. he does everything by the book. he treats people well, and he's a good friend. mingyu could attest. they've been best friends for years, after all. except— well, there might be one rule that wonwoo has bended just a teensy, tiny bit.

he's breaking it now as the two of you hold hands underneath the café table. you're doing your own thing with your free hand, but the other remains firmly grasped by wonwoo's. he never thought he'd be the clingy type, honestly. it just felt so out of character for somebody like him. and yet here he is, pouting ever so slightly whenever you try to pull away.

"i need to turn the page, baby," you say exasperatedly, gesturing to the book balanced precariously in front of you.

"i'll turn it for you," he says immediately, reaching out to do exactly that. "just let me know when you need me to."

"you're insane."

he pouts harder. you sigh.

minutes later, though, you're wrenching your hand away like wonwoo's touch has burned you. his whine of babyyy is on the tip of his tongue, but he chokes on the word when he sees the reason for your sudden distance: mingyu, bounding in to the café.

"there you are!" he cries to wonwoo. "watchu doin' with this bighead?"

you flip your older brother off. "tutoring," you say without missing a beat. "because unlike you, wonwoo has more than one functioning brain cell."

as the two of you bicker a bit more, wonwoo tries to rearrange his expression into something more neutral. it's all he can do to hide the way he's already missing the feeling of your fingers slotted in the spaces of his.

(2)

if somebody told a younger wonwoo that he would one day be using emoticons and emojis for someone, that younger wonwoo would've laughed his ass off. today's wonwoo can only hang his head in slight shame.

it came easily, but it also came in part because you used to ask 'are you mad at me? 🥺' when he would use his usual textspeak on you. wonwoo was more than happy to start adapting to your typing habits in a bid to ease your mind.

he's on safari, looking up the appropriate emoticon to send as a reaction to your latest selfie— he's torn between (ღ˘⌣˘ღ) and ヽ(♡‿♡)ノ, which may look the same, but he swears there are nuances— when he hears mingyu's amused voice mumble, "what the hell?"

"jesus christ!"

wonwoo's exclamation is paired with the most over-the-top reaction in the world: tossing his phone halfway across the room. mingyu doubles over in laughter as wonwoo glares up at his best friend, who'd been looking over his shoulder.

"yah, don't sneak up on me like that," wonwoo hisses, the tips of his ears going red.

"alright, mr. japanese kaomojis dot com," mingyu teases. he begins laughing harder at his own joke.

wonwoo smacks mingyu upside on the head before going to retrieve his phone. the screen protector has the ghost of a crack on it, but it's a small price to pay.

at least mingyu hadn't peeked the selfie of you making a kissy face for wonwoo.

(3)

"you should probably go soon," you say delicately, nudging wonwoo's head with the heel of your palm.

he lets out a low whine of protest. despite being significantly bigger than you, he's the one draped over you; his face buried in your chest, his arms wrapped around your waist.

the two of you are lounging on your living room couch. your parents— and your pesky older brother— all had plans elsewhere, giving you and wonwoo some freedom.

"you hate me," your boyfriend groans against the front of your shirt.

"they'll be here any minute."

"so i'll stay for thirty seconds more, then."

it's never just seconds more with wonwoo, but you've never been one to deny him. the thirty seconds spin in to three minutes, then seven, then—

the unmistakable sound of a car pulling into the driveway has wonwoo's head snapping up.

"shit," you both say at the same time.

wonwoo scrambles to disentangle from you. "is it—"

"mingyu," you confirm, having grown accustomed to the different sounds that would indicate who was coming home. your eyes are frantic as you wave wonwoo off. "go, go, go!"

he stumbles forward, then backward, like he's not sure where to go.

"my bedroom window!" you hiss, and wonwoo practically bolts up the stairs two steps at a time. just as he gets to the landing of the second floor, mingyu saunters in through the front door.

"were you talking to someone?" your brother asks.

"yeah," you say, schooling your reaction into one of nonchalance. "myself."

"get some help, weirdo."

"how about you—"

your biting retort is cut short by the distant sound of a distant crash. both you and mingyu look towards the general direction of the interruption.

"the hell?" mingyu grouses. you feel like your heart is in your throat as your brother heads for the front door to check.

a frazzled looking wonwoo is out on the porch.

"hey," wonwoo breathes to mingyu. "i, uh, came to see you. knocked over one of your pots while i was walking up, though."

mingyu's eyebrows raise. "why? forgot your glasses or something?"

your eyes catch on wonwoo's spectacles, resting at the foot of the couch. while mingyu's back is still turned, you grab them and shove them into your pocket.

"yeah, forgot 'em at home," wonwoo lies. he's not even looking at you as mingyu lets him in.

"you're in luck," a none the wiser mingyu says. "i literally just got home. otherwise, you would've needed to kill time with the world's biggest loser."

right, you think. like that isn't exactly what wonwoo had just been doing.

(4)

mingyu hadn't meant to find out. really. he was just going to be an annoying older brother— barge into your room, stand there for absolutely no reason, then leave the door open behind him. except when he goes to check, you're already asleep.

he notices that you've crashed atop your covers. that draws a derisive snort of laughter from him. "dumbass," he mumbles to himself. he's known you for all your life, and you're the type to complain about some phantom fever if you didn't have a blanket in your sleep.

he goes to pull your comforter over you, only to freeze midway.

your phone is angled at you, propped up against the wall. it seems like you'd fallen asleep on video call.

and, on the other end of the line is none other than wonwoo.

wonwoo is fast asleep, too. mingyu recognizes the other man's bedroom, sees the way that wonwoo is already dressed for bed. everything just seems to click, then. because everything else is excusable, negligible. but this? the intimacy of this, the sheer familiarity it entails?

mingyu feels like he's intruding. he probably is.

briefly, he considers screaming in your ear until both you and wonwoo are awake. he wants to see what kind of explanation the two of you can come up with on the spot. it'd be pretty funny, he thinks.

instead, he tucks your blanket over your shoulders, taking extra care to not wake you. he'll let you pretend for one more day, he decides with a slight shake of his head.

on his way out of your bedroom, mingyu closes the door for once.

[evilminji]

You know all those Cults in Gotham?

Bet at least ONE of them could spring for both a Legit Magic User and a Cloning pod.

Because The Wayne's? Hearts of Gold. Long standing pains in the asses. Probably the only thing standing between this gods forsaken wasteland of a city and Their Dark Lord. For GENERATIONS no less!

It's sooooo obnoxious!

So they want to Curse Um dead. Just a good ol fashioned bloodline curse. Destroy um from within, etc. BUT! To do THAT? You kinda need a blood relative to sacrifice!

And Bruce is... well... rather infamously An Orphan With No Biological Kids (at that point).

So? What do you do? Make one, obviously. You send in some of your own on a Holy Mission. Honeypot that playboy! Get us a kid to sacrifice! Our God will reward you etc! But... FFS! What? Are brunettes not your TYPE or something?! Pretty lady! Throwing herself at you!!

TAKE THE BAIT!

But he DOESN'T. Because he's both really used to that behavior, as The Wayne Heir and a False Playboy, AND because? He's fuckin Batman. He can see through your schemes.

Okay.

Okay!

Plan B!

Get us some DNA. We'll CLONE the sucker. That should be doable, right?

........OH COME ON! How?!

Batman: [REDACTED] / Cultists: 0

Fuck it! This is impossible! How are we supposed too... *eyes drift over to the Wayne Family Private Graveyard* .......Idea? Ideeeeaaaa~! Someone get us a shovel!

So they, cultist bastards that they are? Fuckin rob a grave for some DNA.

OBVIOUSLY though, it can't be one of the more RECENT graves! He probably VISITS those! Watches them! No we gotta be SNEAKY! Get one a bit further back! Mwahahahaha! We're so brilliant! Our God is gonna give us SUCH a Good Grade in follower!

A thing that is both REAL and possible to achieve!

So, while a Weirdly FURIOUS Batman? Is just... VIOLENTLY breaking ALL of their bones? Cultist 17 is furiously digging like his life depends on it. Either somebody snitched or Batman was hunting them down! Either way?

Gotta! Get! That! DNA!!! *digs faster*

Ah HA! Got it!

Fucking SCATTER! Run you fools, RUN!!! *everyone bolts*

And AT LAST! They have it! Wayne DNA! Now? Pop that sucker into the machine and make us a baby! Too sacrifice! *relieved noises* Man, that was hard work you guys. But we DID it!

Except??

Theoretical Babies? And "Real, slowly forming in front of me and becoming a human child" type babies? VERY DIFFERENT psychologically. It's ONE thing to sacrifice a HYPOTHETICAL baby... but when you're the guy running and monitoring the Cloning machine? Watching it slowly form and come together into... into a CHILD?

You start asking questions of yourself. Of God.

Of what, EXACTLY, you are willing to do.

What lines you find yourself unwilling to cross.

And yeah, your life was SHIT before the cult. Yeah, you were alone. Adrift. Without purpose. Angry at the world for all of its ugliness and failings. But... sitting, alone, in a dark room? Nothing but the steady hum of machines and the cool light of that pod? You are left with nothing but time... and your thoughts.

And the baby.

The one... the one YOU made.

Almost... he's almost like a son, in a way. Your son. Floating there, innocent and unknowing. Destined to be born, only to die painfully, for a cause he could not even begin to understand. Because he's too young. Too small. Just... just a baby.

The baby YOU made.

Doubt seeps in like mist. Creeping into the cracks forming in your faith. Surely there's another way, right? Why not save up for a better magician? Or... or hire a hitman? Why involve a child? Surely... surely your God would not WANT this, right? Or if He did! Surely, he would want the boy to be able to CHOOSE, right? A noble sacrifice, for the cause?

The pressure builds. Batman is tearing the city APART looking for your fellow Believers. Leadership is pressuring you to get "It" ready all ready.

He's not an "it".

They are dismissing your questions. Threatening and posturing, as you grapple with your faith. Where? Where is the COMMUNITY that you joined? The camaraderie? Every day, Believers are being torn down. The faith has lost so many!

How can this be WORTH it?

Your faith is slowly, cruelly, strangled in your chest. A death, by ten thousand silences, and ten thousand more cruelties.

Your son is ready.

You do not tell them.

The Clone of Bruce Wayne's great-grandfather is small, but healthy, in your arms. A tiny warm body, with a strong beating little heart. You call the police. Leave your phone, call running, on the desk. No one thinks to stop you, as you calmly walk out the back door.

Why would they doubt?

You are Faithful.

You drive. Pray to a God you have lost faith in, beg forgiveness for what you do now. Your beat up old junker of a car makes decent time, as you leave Gotham. Your son, asleep in a carefully made nest of blankets, on the seat next to you. You drive. You keep driving.

Past towns.

Past cities.

Out of the state.

Stopping only to feed your son and fuel your car. You... you can not bring yourself to care about what will happen to you now. You know they will find you. Know this is the end. But something ancient burns in your chest. A caring you never thought was REAL.

You are afraid.

But you will not let them harm your son.

Finally, a town. Far from Gotham. Quite and cheerful. It calls to you.

Here. It... it has to be here.

You find the hospital. Tears choking you. There is a place to drop of children. You've seen them before. How strange, that now you stand before it and HURT. Your arms not listening to your command. You... you have to do this. You HAVE too.

He is just a baby.

He is your son.

You have to keep him safe. And... and that can not be with you.

You gently put your baby boy into the drop off. Press the buzzer. And then? You make yourself walk away.

Get back in your car, and drive. The gun in your glove box will insure they can never pry from you, what you have done. Where he is. He is safe now. He has to be. You... you did your job. As his father. You made sure he was safe.

You can barely see the road, through your tears.

You take your secrets to the grave.

And Danny? He grows up. Is adopted young and never knows different. Both a Fenton and a Wayne. Knowing only one of these, to be his. But... that Wayne? Was a damn fine man. A pillar of his community and a champion of the people.

Got tossed more then a few blessings, in his life.

They weren't the STRONGEST. But they added up. And more importantly? Were hardly the refined magics of the more powerful. They were cast onto "Him". By blood and bone, more often then not. Which was all well and good!

When there was only ONE of "Him".

Cloning technology did not exsist. So why would you word carefully against it? Danny becomes a VERY lucky boy. Survives many things he should not. In fact, the kindness and hard work of his original? Gifted back in magically powered well wishes? By this, he survives something NO ONE could possibly expect him too.

It saves his life.

His template would be quite pleased, knowing that. That his life of good deeds, saved the life of the child he never got a chance to meet. That it protected his children, from even beyond death.

And in Gotham? At long, long last. The program Bruce made in his helplessness and despair, to search EVERY child until the child made of his bloodline was found? Spits out a match.

A Watchtower engineer.

Daniel J. Fenton.

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation

[zephyrchama]

📞

(Obey Me! mini fic. Contains suggestive content but is overall SFW)

---

“How are my brothers doing?”

Lucifer’s voice sounded a little grainy over the phone. He must have been far away, or something somewhere was causing magical interference to the connection. It was nice that he had time to call and check in on things.

“Everything’s great,” you confided. Things had been really calm in his absence and you felt confident the house would still be standing by the time he returned home. “We just finished watching a movie. Belphegor fell asleep midway through, of course. Everyone else-”

“Hey…” Asmodeus interrupted, leaning into your shoulder and putting his cheek against yours. His voice sounded extra raunchy. “I told you, if you keep touching me like that…”

”Asmo, I’m on the phone.”

“You’re going to make me… Hnngh…” He dug an obnoxious smile into your shoulder while continuing to make questionable noises.

You were about to apologize to Lucifer, but a yell from the other room made you jump. Asmodeus tried to repress a giggle as Satan’s voice rang out, loud and clear, “Oh no! I just knocked over Lucifer’s cursed record collection!”

You hadn’t heard any crashes, nothing to indicate property damage had occurred. Thankfully, Satan’s good conscious wanted to keep you out of real trouble more than he wanted to torment Lucifer. That didn’t prevent him from sarcastically lamenting, “wow! I accidentally stepped on a bunch and crushed them even more! That sucks. Oh well.”

A deep inhale, and a deep exhale. You remained calm. They were messing around.

The chewing noises that had been a constant all evening were suddenly gone. You cast a suspicious glance at Beelzebub on the next couch over.

“We’re out of food,” he complained. The fridge had been filled to bursting that morning and there were two half-full bags of chips still in his lap. Belphegor lay face-down next to his twin with an open container of demonic chip dip balanced on his back.

“Don’t worry! Yer big bro’ll take care of everythin’! How many roasted griffon do you want delivered? Ten? Or should we go full catering?”

Mammon, back from his bathroom break, was fast on the uptake when it came to causing mischief. He wasted no time in flaunting money he didn’t have while Beelzebub decided now was a good time to eat those chips. Mammon made sure to stand right behind you so his voice would carry into the receiver. “I’m always takin’ good care of my little bros, aren’t I? Lucifer oughta put me in charge next time.”

Somebody snorted. You weaseled an arm out from under Asmodeus to rub your forehead. “Come on, guys.”

“Mammon, where did you find Lucifer’s backup credit card? I thought that was for emergencies only!” Leviathan cupped his hands around his mouth to amplify his voice. All the while, Satan kept shouting, “oops! Broke that, too!” and Asmodeus carried on with his lewd noises.

You held your mouth as close to the phone as possible, helplessly trying to block out the idiots. “You trust me, right?”

“Of course. I’m glad you’re taking care of things, everyone sounds like they’re having fun.” Rather than mad, Lucifer sounded amused. There was a fondness in his voice. “Though, if the house is truly in dire straights, I have no choice but to come straight home without stopping for souvenirs. Be sure to convey that for me.”

You were happy to announce, “Lucifer’s not getting you guys any souvenirs if you keep it up.”

The tomfoolery stopped immediately.

“Whuh?” “No way!” “Does that include picking up dinner?” “My limited edition goods!” “He can’t do that!”

The cacophony of complaints almost caused you to miss the grainy voice over the phone. It said, “I don’t like being away from you for this long. I’ll need you to give a one-on-one report of everything that happened as soon as I get back. I’ll see you tomorrow.”

There was a click, and the line went silent. You set the phone aside. The previously energetic gang looked anxious knowing that their big brother could be upset, even though they brought this upon themselves. Satan carried in a disc, in mint condition, muttering about how he found the sequel and will put it on.

“He’s still going to get us gifts, right?” Leviathan asked. You shrugged.

[thatgenericwriter]

The Fake Boyfriend || Gregory House

Paring: Dr. Gregory House x fem!reader

Summary: When a creepy dude starts hitting on you in the hospital you go to the closest person for help

Warnings: catcalling and gross men

༶•┈┈୨♡୧┈┈•༶༶•┈┈୨♡୧┈┈•༶༶•┈┈୨♡୧┈┈•༶

"Hey sexy!" You turn to look at who's getting catcalled. Not finding any women looking uncomfortable. Actually, not finding anyone around you at all. No one but a creepy dude who is actively walking closer and closer to you.

'.....oh shit!' You turn around and start walking faster to the cafeteria doors. You pray that there's somebody in there that can help you.

"Hey pretty lady! Why are you walking away from all of this?" You shudder in disgust and start walking even faster to the now approaching cafeteria doors.

You can feel him getting even closer to you. And you're practically running by the time you open the doors to the cafeteria. Quickly scanning the room you spot two men sitting at one of the tables.

Praying that this works you turn around to confront the gross man who has now made it inside the cafeteria with you.

"Please leave me alone sir. I have a boyfriend and he's sitting right over there." You tell this man while gesturing to the men behind you.

"Yeah sure you do why don't you go over there and prove it." You take a deep breath as you hoped he wouldn't ask this. But letting out a shaky exhale you turn around and walk towards the table with the two men.

You hear him walking behind you, and as you get closer you can tell that these two men are actually doctors at this hospital.

"Hey sorry I'm late honey! Traffic was crazy getting here! I hope I didn't miss all of your lunch break." You slide in next to the closest guy to you. Which happened to be a ruff looking man in a suit. And as you took a second closer look you noticed the cane that he had under the table.

You give the two men a pleading look before turning back to the catcaller beside the table. "See I told you my boyfriend was here. So now will you please leave me alone."

You can tell that the two men now understand what's happening. The guy sitting across from you sits up straighter and has a more threatening look on his face. And the man that you had sat by lazily puts his arm around you and pulls you in to him more.

"This cripple is your boyfriend? Baby girl I could please you better than this man ever could." You felt the man's arm wrap around you tighter as this creep said this.

"Are you sure about that? Because I make a killer lasagna!" The man across from you rolls his eyes at the other man's comment before turning to look at the creep.

"Sir if you do not leave my friend's girlfriend alone I will have you personally escorted out of this hospital, and then make sure that you never step foot in this hospital again." This got the creepy man to scoff and roll his eyes before making an off handed comment about you not even being hot enough to be worth all this trouble. Before turning around and leaving the cafeteria.

As soon as the door shut behind him you let out a breath of air that you have been holding in, and relax into your seat before turning and looking at the two men that just saved you.

"I am so sorry for interrupting you guys! But also thank you so much for saving me from that creep."

The friendly looking man across from you tells you that it's no problem and that they were happy to help before introducing himself to you.

"I'm Dr. James Wilson and my lovely friend over there is Dr. Gregory House." You tell them your name and before you know it you're having a pleasant conversation with them. Well mostly with Wilson with house butting in with a sarcastic quick every now and again. But a pleasant conversation nonetheless.

That is until Wilson's pager goes off. He apologizes to both of you before leaving the cafeteria briskly. But not before sending a not so subtle wink to House. And that's when you realize that House has yet to take his arm off of your shoulders.

"I should also get going. My niece should be done with her test by now and I've got to get her home." You quickly scribble your number on one of the napkins on the table with a pin from your purse before sliding it over to House.

"Here's my number just in case you want to save me from anymore creepy men." You get up, after House removes his arm from around you, and grab your bag to start leaving.

You're halfway to the door before you hear house talking from behind you. "It's true you know!"

This stops you in your tracks as you turn back around to face House. "What?" You asked bewildered.

"It's true that I make a great lasagna. How about you come over to my place tomorrow night and prove me right." You give him a little smirk before nodding your head and agreeing.

You turn around again and are almost out the cafeteria doors before you hear House talking once again. "I'll text you the deets!" You shake your head in amusement before letting the door shut fully behind you and walking to the elevator to go get your niece.

༶•┈┈୨♡୧┈┈•༶༶•┈┈୨♡୧┈┈•༶༶•┈┈୨♡୧┈┈•༶

Author's Note: I hope you enjoyed my first house fic!

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[on-leatheredwings]

request: "how dick would handle learning reader is dating somebody?"

Yandere! Dick Grayson / GN! Reader > romantic > tw/cw: possessive thoughts, suggestive thoughts > word count: 660

Dick is 100% going to sabotage it. 

He had been so excited to spend the night with you – even if it is still entirely platonic. A movie with friendly snuggles was better than no movie and no snuggles, right? 

The snacks are classic theater popcorn, sour candies, chips, soda. The theater is your bedroom. A mountain of pillows and blankets are your recliners for the evening. Premium comfort. 

Following the plot of the movie goes out the window once your head drifts sleepily onto his shoulder halfway through the film. Dick tempts fate by reaching his arm around you. He feels jitters when you don’t protest, seemingly agreeable to the contact. You don’t even move once the movie credits start to play. 

It’s a good night so far. A great night.

Then you speak. 

“Oh!” you snap your head to him. Dick does the same, heart jumping with surprise. Snuggling had put him nearly in a tranquilized state. You sit up out of his grasp, and leave him cold and wanting. “You’re always talking about how I should get the house… Well, I forgot to say earlier, but I’m kind of seeing that cute pizza guy I told you about!” 

Dick just stares at you, a smile frozen on his face.

“Oh! That’s awesome!” he says. To his grief, you begin to tell him all about it. “Uh huh. Mm hmm.” he says to your gushing. It was lucky that you were so enamored with your daydreaming that you couldn’t notice his robotic nodding or the displeased glint of his eyes. Dick knew this day may come – you finding someone before he’s ready to pursue you. There are admittedly some things he enjoys about being your friend rather than your lover. Majority of it is feeling like he’s undercover, playing a cat-and-mouse game you aren’t even aware of. But that doesn’t mean you won’t feel attraction to someone else. So Dick has a plan.

The first order of business is making the target of your affection look as incapable as possible. That’s not hard. He is Dick Grayson. He is five-ten and 177 pounds of capable. Most people pale in comparison. He’ljust be a little suggestion, here and there.

“Oh, he’s not treating you to dinner? Well, fuck those stuffy, traditional roles, amirite?” 

“That’s where you had your first date? … He’s really thrifty.” 

“Wait, he volunteers re-socializing homeless abused puppies only once a week? I figured we all make time for it at least every weekday.”

He just needs to plant the seeds of doubt. Give you what people call, ‘the Ick.’ Once you break it off with that guy, surely, you’ll be feeling the temptation of bouncing to someone new. But who…?

That part’s the easy part. (Actually, it’s all pretty easy for him.) Dick will get you to notice just how great he is. He’s charming. And handsome. And rich. And flexible. He just needs to take you out to swim, or skating, or the gym, or the park – anything that would enable him to slide his hands across you. He can already imagine lengthening your arm, putting it gingerly in the right position. He can imagine the sweat beading on your temple. He can imagine your lip bite as you struggle to ignore his chest against your back as he stretches you out.

Dick relaxes, leaning back. He still offers vague commentary in the conversation, but his mind is racing with many other possibilities. Your body. His body. Together.

“But enough about that!” you say finally. “Let’s put on another movie.” Your brow raises cheekily. “Horror movie? And first one to scream owes the other twenty bucks?” 

“I’ll take that bet,” Dick hums. 

At your clear excitement, he feels his cheeks warm. He admires how the blue light of the TV screen reflects in your gorgeous eyes. Maybe he’ll let you win anyway, if only because he loves the look on your face when you do.

[hysteria-things]

sweet chris getting into a fight over you at a party makes me SALIVATE

the bumping of the bass to whatever song is playing courses its way through the house. you and chris are standing by the front door where there’s a little more room, talking about the things that come to mind. “i’m going to get more punch. do you want another one?”

you smile up at him and nod. giving you one final admiration of your face, he leans down to peck you on the lips before heading towards the back of the house where the drinks are.

while standing there for a few minutes, you wonder about how he should be back by now. the house you’re in isn’t that big, so there’s no way he can get lost. suddenly, people start storming out to the backyard, some knocking into you, making you lose balance. through the crowd, you see your best friend come running over with her eyes bulging out of her head. “y/n!” she shouts, out of breath when she approaches you. “come outside right now.”

sprinting to the backyard, you squeeze through some partygoers to see what the ruckus is about. people cheer, but the first thing you notice is matt and nick gripping onto somebody. “chris, stop! this isn’t worth it!” matt shouts, trying to get his brother off of another human being.

“i told you to fucking ignore this asshole!” nick chimes in.

fear washes over you when you notice the commotion. chris is beating the shit out of another dude, punch glasses thrown onto the grass and spilled. the guy looks bad with bruises, cuts, and blood on his face, his friends trying to yank him out from under chris’ weight to break up the fight.

your boyfriend isn’t that muscular, and the dude he’s rocking shit with is much stronger than him. something about chris though is that he’ll protect you at all costs. he’s a sweet boy, never the one to become violent in any way, but something must have pissed him off real bad.

finally, his two brothers yank him off, chris’ dark eyes scanning the crowd before they land on you. he stomps over ignoring the yelling from his siblings, and grabs your wrist to drag you away. “let’s go. we’re leaving.”

“chris!” you protest, trying to get out of his grip. he’s not holding onto you tight, but he’s not as weak as you. “let me go! what happened?”

ignoring you, he guides you outside to matt’s van. he doesn’t give a fuck if you’ll be waiting in there for hours or whenever matt comes outside to leave. “please, tell me what the hell happened.”

he lets you go when he stops in front of the car door and sighs. looking down ashamed, he avoids eye contact. “i don’t want to tell you.” he whispers.

“did he hit you first?” you say softly, running your hand along the bruise that’s forming on his cheek when you notice it. he nods, leaning into your palm to kiss it. “why? tell me, chris. i want to know.”

he looks at you after a beat and exhales through his nose. “he said he was going to do something to you — and no i am not saying it.” he states sternly when you open your mouth. “anyway, i said some shit as to not pick up a fight, but i guess he had other plans.”

“at least you kicked ass,” you say proudly, trying to lighten the mood. a small smirk appears on his face, wrapping his arms tightly around your waist to hug you.

[ladyartemesia]

So this is really random but one of my drabble requests was for a Yoongi Soulmate scenario and I started writing it and I’m having so much fun SO I thought I’d give you guys a sneak peak! I’m hoping to have it up soon!

Roommate AU/Soulmate AU Preview • Yoongi

“Whatever you do, don’t mention soulmates.”

Kim Namjoon spent the last twenty minutes of your lunch break talking up his friend and trying to convince you to take him in as a roommate—

Only to make that weird comment and have you reconsidering your tentative acceptance.

“Okay…Is there a story to go with that cryptic declaration?”

Joon shook his head.

“I mean I don’t know if it’s my place—“

“Kim Namjoon, before I let some random man move into my place you’re gonna need to tell me why I can’t talk about soulmates. Everybody talks about soulmates. It’s what we do as a society. It’s like the weather—“

Joon snorted.

“Not Yoongi.”

“And the reason is?”

The two of you had a brief but intense staring contest.

“Alright fine—So… Yoongi was engaged.”

“To his soulmate?”

“No.”

“Oh…….Oh?”

Namjoon held up a finger—indicating that you should wait while he finished chewing his sandwich.

“He loved her—like a lot.”

“But they weren’t soulmates?”

“That didn’t matter to him. He said the whole system was stupid and didn’t mean anything.”

You chuckled.

“Bold words. I assume he had to eat them?”

Namjoon tilted his head in agreement.

“Yeah—he thought she was fine with it—the engagement was moving forward—and Yoongi was really happy….,”—he sighed and you unconsciously leaned in for the big reveal, —“until a soul mark popped up on her arm.”

Your mouth dropped open.

“What—noooo—she—she cheated on him?!”

There was only one way to get a soul mark.

Your soulmate had to see you without…clothes.

Like totally nude.

Fully naked.

Which meant Yoongi’s fiancé had gotten fully naked with somebody else.

No wonder he needed a place to stay.

Joon nodded.

“Seriously, don’t mention soulmates.”

• —— • ——— • —— • ——— • —— •——— •

As it turned out, you didn’t need to worry about mentioning soulmates to Yoongi—because the man barely spoke to you at all for the first three months you lived together.

Instead he communicated through a series of grunts, hums, and other assorted noises that you (surprisingly) became fluent in pretty quickly.

Once you even figured out that the milk carton was empty because Yoongi opened the fridge and sighed a certain way.

However, despite his aloof nature and interesting communicative habits, it was immediately clear why someone might be willing to throw over their hypothetical soulmate for him.

Min Yoongi was bloomin’ gorgeous.

And the few words you did hear him speak sounded like liquid sin on a cookie so—

Yeah.

[disneyprincemuke]

how you get the girl * fem!driver

and when logan comes in with a girl on his arm, then what?

pairings: logan sargeant x fem!driver, liam lawson x fem!driver, oscar piastri x fem!driver

notes: hi it was only a kiss was the beginning of the end for my locky soldiers i fear and here u go lOLSIE OXOXOXOOXOOXOXO

(series masterlist) | (📂 the sophomore year)

“did you see?”

she tilts her head, turning around with her eyebrows furrowed. liam has walked around the barrier of their garages, sauntering in with his hands behind his back. “seen what?”

liam blinks at her. he purses his lips and shakes his head, scrunching his nose. “nothing.”

“what do you mean?” she laughs, putting her ipad down. “was i supposed to see something? why are you being weird?”

“i think he means logan and his girlfriend walking into the paddocks together.”

just like that, she can almost hear the glass around her shattering. there’s a ringing in her ears and she turns to sebastian with wide eyes and puffy cheeks. “what?”

sebastian blinks at her, his clipboard of data in his hands. “you didn’t know? don’t you guys live together?”

she blinks rapidly, trying to come up with an excuse. truthfully, only 2 people ever found out about the events of new year’s day. one of those was by default, logan’s brother, and she’d pulled liam aside during their team trip to new york to confess and vent about the events of her stay in miami.

liam’s been sworn to the highest level of secrecy, and she’s appreciated the fact that he’s kept his word. he never brings it up unless she does it first.

which isn’t a lot.

“we uh,” she drops her head and turns back to her ipad as she sucks in a deep breath, “we’ve been kinda busy lately. i didn’t know he was seeing somebody now. i was in los angeles for a while during the break.”

“that’s,” sebastian trails off, “odd. is it still weird after what happened in montreal? i thought everything was okay.”

she looks up. “it is! everything is okay! we’ve just been super busy,” she rambles, “you know… i’ve flown around for d&g and a couple of fenty events. haven’t really had the time to sit down and have a chat recently.”

sebastian hums, unsure if he’s fully buying her excuse yet. “i see. have you guys not gone to get ice cream lately?”

she shrugs and points at liam, “our schedules never really line up. sometimes logan is there, but not often. even then, there’s always something more important to talk about than our dating lives.”

liam finally clears his throat, making her eyes snap over to him. “let’s go? we’ve got an interview in a couple of minutes.”

she grins, turning to sebastian. she gives him a quick hug and hangs her head low before she follows liam back into the paddocks. “seriously? i didn’t know logan had a new girlfriend.”

“have you seriously not seen each other that you didn’t know about his new girlfriend?” liam whispers, looking around cautiously to ensure that nobody’s got the chance to eavesdrop on their conversation. he takes a step forward towards her and drops his head. “how do you feel?”

she pouts her bottom lip out with a shrug. “good for him, i guess.”

there’s no way that’s the only thing she has to say, right? “really? you’re okay with this?”

her eyes trail off to the crowd surrounding them, as if to really think over her answer, then turns back to him. “yeah, why wouldn’t i be?”

“you’re totally over the fact that you kissed on new year’s?”

“liam,” she scolds through gritted teeth, smacking his arm lightly. “you were sworn to secrecy.”

“i haven’t told anyone,” he throws his arms into the air, “but are you seriously okay with this? it’s just me — you can tell me if it bothers you.”

she tilts her head with a small grin. it’s endearing how liam is double-checking. but it’s been 7 months since they kissed. she’s kind of well over the fact by now. “i’m really okay. i’ve just been super busy. i flew in from los angeles right before touching down here. we haven’t really crossed paths in the apartment lately.”

liam pats her on the shoulder. “okay. but you can tell me anything, okay? don’t keep it in, mate.”

she smiles, “promise.”

max lifts his eyebrows, following the pair that’s just walked past him nonchalantly. his lips part in confusion as he then furrows his eyebrows and turns to the girl now approaching him. “was that logan holding hands with a girl?”

she follows his stare, tilting her head slightly. “yeah. i heard he brought his girlfriend to the race today.”

“you heard?” max scowls. “you didn’t know he had a girlfriend? aren’t you best friends who live together?”

she shrugs, “we haven’t seen each other a ton lately. we’ve been busy in our own right.” she puffs her cheeks out. “why is everyone so baffled that i didn’t know he has a girlfriend? he is a grown man!”

max puts his hands in the air as a small smile stretches his lips. “mate, relax. i was just curious. cause i thought you guys liked each other?”

“that’s crazy. where did you get that from?” she almost wants to laugh if it weren’t for the fact that max hit the jackpot with that guess. she only hoped that her wide eyes and racing heart didn’t give too much away. “he’s my best friend. with a girlfriend or not.”

max gives her a stare, one that tells her that he definitely isn’t buying her bullshit excuse. he lifts an eyebrow at her and sighs audibly. “really? you’re going to keep lying about you guys just being friends?”

she rolls her eyes. “your late-night gaming is taking a toll on you, i believe. you’re seeing things that aren’t there, max.”

“sure,” he snorts. “everyone can tell, by the way. alex, george… we know.”

she tilts her head and bats her eyelashes at him innocently. “i don’t seem to know what you mean.”

“that you and logan, at some point or another, liked each other,” max explains. “it’s only so obvious. mark my words, andretti racing driver, you guys are going to end up together someday be it in the near future or even it takes you years to figure things out.”

“you belong in a mental hospital.”

“rocky!” she feels a hand around her elbow pulling her back immediately, stumbling back a couple of steps with a soft yelp before she feels a hand on her back that steadies her. she knows that hand.

“why did you have to yank me like i’m an animal?” she whines, shaking away logan’s grip on her. “what do you want? i have a team meeting i’m gonna be late for.”

“i want you to meet somebody,” logan grins, stepping aside hesitantly. “ylona — my girlfriend.”

she tilts her head and into focus comes a slightly smaller girl compared to logan. slightly taller than her, tanned skin and the prettiest brown eyes she thinks she’s ever seen. ylona has her hands clasped in front of her shyly with a small and polite smile.

“oh, hi!” she squeals as her arm immediately darts out towards the girl. “i’m so sorry i just only got the chance to meet you now. i’ve been so busy — i’ve been out of the country lately.”

“yeah, i,” ylona laughs sheepishly and takes her hand, “i love your apartment, by the way. there’s no way you’re not an interior designer or something.”

she scrunches her nose. now, how is she supposed to hate someone as soft-spoken and lovely as ylona? she takes a deep breath, subtly looking ylona up and down. she’s just so pretty. “my younger sister actually helped with the apartment. i’d love to hang out with you after the day ends if you guys are joining us for ice cream?”

logan nods, his stare lingering on her in a way that she’s unsure what he’s trying to say to her. “of course. i’m not missing another ice cream night again in my life.”

“good!” she grins, patting his shoulder. “i’ll see you guys around. i’ve got to run.”

“who the hell is that!” alex barges into her room, george following suit as she takes sips from the drink in his hand. “when did logan get a girlfriend?”

she looks up from her phone, baffled at the comfortability that the older drivers have found in her hospitality home. especially her driver’s room. “you know, just because sebastian gives you guys immunity in the andretti hospitality doesn’t mean you should take advantage of it.”

“who is that girl? how did they even meet?”

george points at her beanbag, looking at her innocently as if to ask for permission. she nods and beckons him towards it before turning to alex. “i don’t know. i only just met her today.”

“like it’s so– what? you just met her today?”

“you also just met her today?” george pouts his bottom lip out, unsure if he should be concerned or impressed at logan’s success in hiding a secret from her. “how weird.”

“it’s seriously not that weird! we’re adults with our own lives!” she scoffs, returning her attention to her phone. “she seems lovely if you ask me. very pretty, very polite.”

she’s just opened her phone to send a message when it disappears abruptly, alex taking it into his hands and slipping it into his back pocket. “you’ve got to tell us more. there is no way you found out today like the rest of us peasants.”

she shrugs with a soft laugh. “i really have got no idea when or how they met. i’ve barely hung out with logan since we were in barcelona for the spanish gp. i’ve been frequenting los angeles a lot recently.”

“what are you doing in america instead of oxford with your family?” george scowls. “the fame’s gotten to you, mate.”

she rolls her eyes. “i’ve got sponsorships i need to show up for. seriously, it’s not that serious. logan’s 23 — let him have his girlfriend.”

“she is very quiet too, actually,” alex hums, dropping himself on the bean bag, and squeezing in with george, who scowls and pushes him away slightly to regain his space. “i don’t know. do i like her?”

george furrows his eyebrows. “logan isn’t your best friend. why are you speaking like that about his girlfriend?”

“hey, she’s going to be in the garage for a while. i have to make sure it’s an environment that i feel comfortable in.” alex looks to her for some support. “you get what i mean, right?”

she shrugs. “i guess you have a point. but you know… you can just ignore her if you don’t like her, alex.”

“it’s not the same though,” alex sighs, dropping his hands in his lap. “promise you’ll tell me when you find out more about her?”

“why don’t you just ask logan yourself?” george asks.

“he keeps running away when he sees me,” alex frowns. “i think it’s because i keep asking him if he likes rocky. i guess it’s not a good look if i keep asking that when his girlfriend is around.”

“you twat, why would you ask him that at all?” she scolds, hurling the small stuffed animal next to her towards alex. “such a stupid question to ask!”

alex catches the stuffed animal and chucks it right back at her. “i’m curious! for the record,” he rolls his eyes, “he avoids that question too!”

“that’s just stirring up the pot when you don’t have to, alex!” she hops off her massage table and runs over to where the 2 men are, arm wound back to hit the thai driver. “you’re so annoying! what is your problem?”

“i was curious!” alex screams to defend himself. “if you hit me, i’m telling james and he’ll never let you into our building to see logan.”

“i won’t have to. he’s got ylona now,” she points out before turning on her heel. “do you guys wanna go grab some coffee?”

“i know, i know,” oscar whispers, “it’s a bit sudden, isn’t it? i can’t believe he didn’t tell us.”

lily nods, leaning on the wall of the mclaren’s racing home as they await their friends so they can leave to get some ice cream. “i can’t believe even rocky didn’t know.”

oscar raises his eyebrows in shock. for him to now know, is one thing, but for logan’s literal roommate to not know of ylona’s existence until today? that’s just weird and even borderline off.

from the corner of his eye, he sees the young driver approaching them, typing away on her phone with a small grin on her face. he furrows his eyebrows and hits her gently on the shoulder as she comes to stop in front of them.

“what?”

“you and logan are being so weird lately,” oscar confesses. “seriously. what happened between both of you in the united states?”

she blinks at him. “nothing. we were just busy.”

“not spending valentine’s day together is one thing. but you didn’t even know about his girlfriend? you usually know everything,” oscar whispers, looking over his shoulder to make sure that logan’s not anywhere close to them. “what’s going on?”

“i’ve just been very caught up with my own things lately,” she laughs, putting a hand on oscar and lily’s shoulder. “relax. nothing happened between us.”

but she swears that there are some nights that she can feel logan’s lips on hers. it drives her crazy, actually. “relax. let’s just get ice cream and get to know her. it doesn’t have to be weird.”

taglist: @wcnorris @treehouse-mouse @laura-naruto-fan1998 @mindless-rock @vellicora @leilanixx @ironmaiden1313 @angsthology @cherry-piee @christianpulisic10 @elliegrey2803 @33-81 @darleneslane @nikfigueiredo @happy-nico @namgification @localwhoore @notawc @sadg3 @kazuha-pista-badam @mellowarcadefun @megatrilss1885 @peqch-pie @woozarts @meadhbhcavanagh @2bormaybenot @a-disturbing-self-reflection @inejismywife @love4lando @louvrepool

[scary-grace]

Best Practice - a Shigaraki x f!Reader fic

Taking the night shift at a 24-7 emergency vet hospital isn't for the faint of heart, and you've seen a lot of crazy things. But on one particular shift, it's Tenko Shimura and his service dog who make the biggest impression on you. a silly little fic I wrote while I was at the emergency vet with my dog. No quirks AU, volunteer!reader, pet owner!Shigaraki, Mon-chan lives (and so do any other animals mentioned in this fic). 3.9k words.

The waiting room sounds like hell in a handbasket, but give that this is the only 24/7 emergency vet in the prefecture, that’s not a surprise. You’ve been volunteering here since you got out of school, and there’s never been an overnight shift where things haven’t been completely unhinged. Cats yowling. Dogs barking. Rodents squeaking and birds trilling back and one enormous monitor lizard that’s going berserk inside its crate, scaring every other animal in the same bank of seats. But as bad as the pets are, they’re nowhere near as bad as the owners.

In the five years you’ve been volunteering here, you’ve seen probably thousands of people come in with their sick and injured pets, and none of them come in at their best. Nobody’s at their best when they’re scared or sad, and having to wait and watch as other pets are triaged and brought back from exams. You still have your vet tech certification left over from before you went to school, so you know how to take vitals and do basic assessments, but your real job on every shift is to manage the owners. Some nights it’s easier than others.

Tonight isn’t one of those nights. In addition to half a dozen pets already in the exam rooms, there’s a couple and their two kids with their elderly cat, all four of whom look like they’re hanging by a thread. In the back corner, there are a couple of kids who rescued a tanuki that got hit by a car. They’re also hanging by a thread, and probably in need of a few preemptive vaccinations to boot. The guy with the monitor lizard is making everybody nervous. People keep filtering in and out, getting stat-triaged or sent to the waiting room, and with every person who gets called back, the guy your age with the corgi who’s been here for four hours loses his temper a little bit more.

You feel like you should check in with him, but one thing and another keeps you busy, and nobody points you his way until one of the dads from the cat family catches your attention. “Hey, not to bother you, I know you’re busy –”

“How long have you been waiting?” you ask at once. “Has Snow White’s condition changed at all?”

“No, she’s about the same, but –” The blond man nods towards the bank of chairs across from his family. “Can you get a handle on that guy? He’s scaring my kids, and my husband’s this close to breaking his nose.”

You take a second look at Corner Guy – or Corgi Guy, if you go by the dog. Corner Guy is your age, skinny, with messy blue hair under an oversized hoodie. His clothes are old, but the blanket he’s wrapped the corgi in is new, and clean. With the dog bundled up that way, you can’t see what’s wrong, but it’s resting quietly in its owner’s arms. Every so often, it twists around to lick his face.

The dog is cute, but Corner Guy’s middle-distance death stare isn’t, and the blond man’s husband and kids are right in his eyeline. The least you can do is give him someone else to glare at. You make your way over and park yourself in the seat right across from him. “Hi. Have you been triaged yet?”

Corner Guy’s mouth, scarred at one corner, twists into a sneer. “What do you think?”

“How long has it been since somebody checked in with you?” you ask. You get a death stare all your own in response. “I’m sorry about the wait. If you tell me how long it’s been I might be able to hurry things along.”

“Checked in with me? I checked in. They took my money and told me to wait.” Corner Guy’s voice takes on a note of bitterness. “These people are idiots. I heard them, over there – their dog got hit by a car this morning and they’re just now coming in? Their dog gets to see the vet first because they were stupid and I wasn’t?”

You get this kind of thing a lot. You also get the sense that Corner Guy won’t appreciate being told how triage works. You deliberately turn your attention to the corgi in its blanket. “Who’s this?”

“Her name’s Mon.”

“Can I say hi?” you ask. Corner Guy nods, and you reach out to scratch Mon’s ears. She gives your hand a good sniff with a cold, wet nose before she lets you pet her, and as soon as you touch her, you can tell by the softness of her fur that she’s well cared-for. “What a sweetheart. How old is she?”

“Three.”

“Still a baby, huh?” You can’t help slipping into puppy voice. You got over being embarrassed about that a long time ago. “What brings you two in tonight?”

“At the stupid pet store. Some asshole ran her foot over with his cart, and she’s been crying –” Corner Guy’s eat-shit expression shifts into misery. “The cashier said to come here, so I did. And I’ve just been sitting here, and I know she’s in pain – and everybody and their cat gets to see the vet before Mon does.”

Now you get why the blond guy’s husband wants to break Corner Guy’s nose. “Can I see her paw? Which one is it?”

“Front one. On the right.” Corner Guy unwraps the blanket, careful not to jostle Mon, but she whimpers anyway. “Sorry. Sorry –”

“Okay, sweetie. Can I see your paw?” You forgot how short corgi legs are. There’s a risk that the cart got more than just her paw. “Oof, okay. That looks like it really hurts. How long ago did that happen?”

“Four hours.”

So he really did come straight here. “What happens if she tries to put weight on it?”

“She hasn’t,” Corner Guy says. “I picked her up when it happened, and, uh – I didn’t put her down again.”

“And you wrapped her up. That’s good,” you say. “If she hasn’t moved it around a lot, it’s a lot less likely to get displaced. How long ago did it stop bleeding?”

Corner Guy shrugs. The blanket has a decent-sized stain, but the stain looks like it’s drying. “Okay,” you say. “I’m going to go talk to the doctors and see if I can get one to come out and take a look at her. They might tell you it’s better to be treated by your regular vet, if you can get an appointment –”

“I made one for tomorrow,” Corner Guy says. “I wanted to see if she could get, like – dog Advil or something. I know she’s hurt even if she’s not crying.”

“Oh.” That’s a lot quicker than a cast and x-rays, and the vets on duty will be really happy to hear that Corner Guy has a vet appointment lined up already. “Hang on. I’ll be right back.”

You confirm it with the front desk, then come back with the good news. “I can take her back right now and the vet will do a quick exam. Then they’ll do a splint and some painkillers, and that should get you through to tomorrow. Sound okay?”

Corner Guy hesitates. “You’re going to take her away?”

“It’s kind of busy back in the exam rooms, so we have the owners wait out here.”

“No,” Corner Guy says. “She’s my service dog. I have to come too.”

“Service dog?” You’ve never seen a service corgi before, but when Corner Guy folds back the blanket, you see that Mon’s wearing a vest, with a seal on it that you recognize. That organization trains service dogs specifically for PTSD. “Okay. Right. So maybe it’s best if you carry her.”

Corner Guy follows you through the packed waiting room and past the authorized personnel only doors. It occurs to you that you’ve forgotten something. “I got Mon’s name. What’s yours?”

“Shimura,” Corner Guy says. “Shimura Tenko.”

Shimura Tenko settles down a lot once you get him and Mon into an exam room. People usually calm down when their pet finally gets some medical attention, but Shimura looks like he’s doing more than just calming down – his face is pale and his hands are shaking, and Mon starts squirming in his arms, letting out little whines as she tries to reposition. She’s still at work, even though she’s hurt. You hesitate a second, then step in. “I can help turn her. Where’s she trying to go?”

He doesn’t answer, but you’ve seen service dogs from this organization before, and you know what they usually do to help their handlers. You help Mon rotate from sprawled in Shimura’s lap to a more upright position, and she lays her head on his chest, over his heart. It takes a few moments, but you see Tenko begin to relax.

“Are you two going to be okay in here for a second?” You don’t get a nod, but you also don’t get a no, and you duck out onto the treatment floor in search of one of the vets on call.

The first vet you encounter is Dr. Fukukado, which is what you were hoping for. She’s got the best bedside manner. You wait for her to sign the discharge paperwork on the parakeets she was treating, the make your case. “I have a patient in Exam 10. Her paw got run over by a shopping cart and it looks pretty bad.”

“Poor thing.” Dr. Fukukado’s mouth turns down at the corners. “That would be a stat if we weren’t so busy –”

“She’s a service dog,” you interrupt as politely as possible. “From New Horizons.”

“PTSD. How’s her handler doing?”

“Not great,” you say. You feel confident in that one. “They were waiting for a while. I thought he was just being a jerk, but once I brought them back here he sort of –”

Collapsed is probably too strong, but you’re too tired to come up with the clinical terminology. Sometimes after a night at the emergency vet, you forget that you even have a day job, let alone that it’s as a social worker. “Okay. Here’s what we’ll do,” Dr. Fukukado says. “I’ll add my name to his case and get in there as quickly as possible. In the meantime, you stick with them. Try to keep them both calm. Triage should be thinning out soon.”

Hopefully. It’s two am. You stick around long enough for Dr. Fukukado to add her name to the chart, then head back to Exam 10. Mon and Shimura haven’t moved. “Hi,” you say. “I’ve got some good news. The doctor’s put her name on Mon’s chart, so she’s next in line. Is there anything I can do to help in the meantime?”

Shimura Tenko doesn’t answer. You notice that his lips are really dry. “I can get water if you want it, or something else to drink. We have a coffee machine, so there’s tea, coffee, mochas, cappuccinos, hot chocolate –”

“That.”

Okay. He’s talking. “Gotcha. One hot chocolate, coming right up.”

You pick your way through the waiting room, checking on a few new patients in the mean time. You stop by the family with the cat to make sure they’re all right, cast a wary eye at the guy with the lizard, quickly triage a pair of kittens someone brought it, and grab Tenko’s hot chocolate. You’ve hit first-name terms with him in your head. That’s – not normal.

When you get back to the exam room, Tenko looks like he’s doing a little better. More color in his face, at least. “I thought you weren’t coming back.”

“No, I just got a bit held up.” You hand over the hot chocolate and watch him take a sip. His hands aren’t shaking as badly as before. “How are you two doing?”

“Her foot’s still messed up.” Tenko takes another sip. “It’s my fault.”

“It can feel like that sometimes, but I bet it wasn’t,” you say. “Somebody ran her foot over. That wasn’t you.”

“I shouldn’t have put her down.” Tenko’s voice flattens. “I know I carry her too much. She wants to walk. I thought she might want to walk around in there. If I hadn’t put her down she wouldn’t have gotten hurt, so it’s my fault.”

“Letting your dog walk around is a reasonable thing to do,” you counter. “Not looking where you’re going and hitting somebody else’s dog with your cart isn’t. That person’s the problem, not you.”

“I’ve only had her for two months,” Tenko says. His voice pulls tight. “They’re going to take her away.”

“We see service dogs in here a lot,” you say. “Nobody comes to take them away. Everybody knows accidents happen. This was definitely an accident.”

Tenko doesn’t answer. He takes a few sips of hot chocolate, and Mon picks her head up to snuffle the cup. “Hey. No. That’s bad for you.” Mon gives the bottom of the cup an exploratory lick. “We have treats at home. If I let you have this she’ll think I’m a moron.”

“I’d have a hard time saying no to her,” you say. You sit down one chair away from him. “If you hadn’t told me you got her two months ago, I never would have guessed. You guys seem really bonded already.”

“Yeah.” Tenko adjusts his grip on her. He’s quieter when he speaks again. “I feel like shit right now. She knows to work when I get upset, but I don’t want her to get upset and worry about me when she’s hurt. So then I get upset because I’m making her work, and – yeah.”

“She’ll feel better if you let her help you,” you say. You’re confident in that one. “My dog does, anyway.”

“You have a service dog? Where is it?”

“She’s a therapy dog,” you say. Tenko gives you a suspicious look. “Not an ESA. She and I did a bunch of extra training and I take her on visits to places – hospitals, schools, libraries, that kind of thing. When we’re not on visits, she’s a pet. An incredibly spoiled pet.”

“Do you have a picture?”

People with sick pets don’t usually ask about your pet. Then again, you don’t usually tell people with sick pets that you’ve got one, too. “Yeah. Um, here. That’s her.”

Tenko glances at your phone, and to your shock, he cracks a smile. “People must go crazy for her on visits. There was a golden in team training when I went through. Everybody wanted him but me.”

You should keep Tenko talking anyway – it’s best practice – but you also really want to know. “How does it work, getting matched with a dog? Do they let you pick?”

Tenko shakes his head. “You work with a bunch of different dogs in the first week. They’re all trained like Mon is. The trainers want to see which one you click with. Mon was the third one I worked with.”

“And you got along right away?”

“She kept getting in trouble.” There’s a note of pride in Tenko’s voice, and it only takes you a moment to understand why. “Even when she was working with other people, she kept pulling to get back to me.”

“She picked you out,” you say, and Tenko nods. He’s smiling slightly again. “I can tell you guys have something really special. And that you take really good care of her.”

Mon finally quits trying to get into the hot chocolate and settles back with her head against Tenko’s chest. Tenko glances at you. “What do you do here, anyway? I’ve been watching you run around all night and I still can’t figure it out.”

“I’m a patient support specialist,” you explain. “I can do triage, but mainly I try to help people get through pet emergencies in one piece. It gets kind of hard in here.”

“Whatever they pay you, it’s not enough.”

“I don’t get paid,” you say. “I volunteer.”

Tenko looks surprised. “You do this for free?”

Before you can answer, someone bangs on the door. You jump, but it startles Tenko enough that he spills some hot chocolate on his hand, which Mon promptly slurps up. You open the door, ready to give hell to whoever spooked them both. “Hey, can you keep it down?”

“Sorry. Fukukado said you were in here, and –” Tamaki leans against the doorframe, breathing hard. “You know the monitor lizard? It’s, uh – not.”

“What is it, then?”

“We don’t really know,” Tamaki says. “But it got out.”

Oh. “Anybody who’s not with a patient has to go help,” Tamaki says. “Like now.”

You are with a patient. You glance at Tenko, who looks ever so slightly entertained. “Me and Mon aren’t going anywhere,” he says. “Go get your lizard.”

You get to your feet. “Sit tight. I’ll be back soon.”

You aren’t back soon. You’re back an hour later, bruised and tired, your hand wrapped in an ice pack and an ace bandage. You make the mistake of knocking on the door to Exam 10 with it, and you get a shock when Tenko opens the door rather than just hollering for you to come in. He’s not carrying Mon, and you ask where he is at the same moment as he asks you a question of his own. “What happened to you?”

“Is Mon okay?”

“They brought her a bed and some pain stuff.” Tenko opens the door to show you, and you spot Mon on the exam table in a dog bed, swaddled in a blanket and so doped up on painkillers that she can barely keep her eyes open. “They’re gonna do x-rays later. Did you get the lizard?”

“It got me,” you say. Tenko’s eyes widen as he studies your bandaged hand. “And it wasn’t a lizard.”

“What was it, then – a dragon?”

“A Komodo dragon,” you say. “But close.”

“Aren’t those things supposed to be giant?” Tenko says. “How did that guy fit it in that box?”

“This one was a juvenile. Is a juvenile. We didn’t hurt it or anything.” You don’t think any of you were capable of hurting it. It was running circles around you. “It’s still really big. And fast.’

“And it took you guys an hour to catch it,” Tenko muses. “I was wondering what all the yelling was about.”

You and the others were really trying to keep the yelling to a minimum. You wince. “We had to find it first, and once we did, we had to catch it – but it was really aggressive, so it started biting, and then it got away again. Rinse and repeat about ten times.”

Tenko snickers. “I wish I could have seen it. More of it than I did, anyway.”

“What do you mean?”

“I cracked the door open. Some guy was chasing it down the hall,” Tenko says. “It was pretty funny when it started chasing him back the other way.”

Dr. Sorahiko is the oldest vet in the ER, and he’s gotten kind of mean in his old age. You don’t feel bad for laughing. “You’re probably going to see the rest of it on TikTok or something. Or on the news. They showed up when Animal Control did.”

“Does that kind of thing happen a lot around here?”

“No,” you say. “Usually when we have a wild night, it’s a different kind of wild.”

“So no bites from a giant lizard,” Tenko says. You shake your head. “You and Mon match now. Maybe we can get two x-rays for the price of one.”

You smile at the thought, then remember something the front desk told you to pass along. “They’re discounting services for everybody tonight, because of the – disruption. Even if Mon gets x-rays and a splint and everything, you’ll probably only get charged the exam fee.”

“Good.” Tenko looks relieved. “Mon gets whatever she needs, when she needs it, but I was gonna be eating instant ramen for a month so I could make rent.”

“A lot of people who bring their pets in here say stuff like that.” You prop your bitten hand against your shoulder to elevate it. The bite didn’t break the skin, but it still hurts a lot. “That’s part of why I like being here. People are awful in outpatient.”

“They’re awful here, too. I sucked.”

“You weren’t even close to the worst person I’ve talked to,” you say. You remember a guy whose dog needed a leg amputation telling you he’d break your neck if she died on the operating table. He got kicked out, but the vets still operated on his dog, and as far as you know, she made a full recovery. “But people here — they aren’t being assholes just because they can. They’re really worried about their animals, because they care about them so much, and I’ve never seen somebody handle that well without help. If I ever have to bring my dog in here, I’ll be a wreck just like everyone else.”

“Worse than everybody else,” Tenko says. You glance at him, puzzled. “You’re not going to have a you around to help out.”

“Yeah,” you say. The thought is weirdly dispiriting. Not only will you be in here with no patient outreach specialist, you’re going to be in here all alone. Your family lives in a different prefecture, most of your friends have their own lives to deal with, and it’s not like you have a partner who could come with you. You haven’t gone on a date in a long time. “It’s going to suck.”

“If it ever happens, me and Mon will hang out with you,” Tenko says, and you nearly fall out of your chair. “She helps me. She won’t mind helping you, too.”

Before you can even think about addressing that, there’s a quick knock on the door, and Dr. Fukukado steps in. “Hey, sorry about the wait,” she says earnestly. “Mini-Godzilla was zipping around out here and he was tough to catch. We’ve got it under control, obviously, but — hey, you need to go home. Everybody who got hurt has to clock out.”

“I’m a volunteer. I don’t have to do anything,” you say. “I can stick around as long as I need to.”

You’ve put the ball back in Tenko’s court, which you feel is the patient-centered thing to do, especially when you’re technically still on shift. But patient-centered or not, you don’t want to leave just yet. You’ve gotten a little protective over these two, and by the time you go home and hug your own dog, you want to know that Tenko and his dog are going to be okay.

“Stick around,” Tenko says after a moment, and your heart lifts in a way it really shouldn’t. “Somebody needs to replace Mon when she goes for her x-rays.”

He wants you to be his service dog? “Sure, but I’m not going to lick your face.”

Tenko laughs at that – actually laughs – and the lightness in your chest grows a little harder to ignore. You like making people feel better, and you like it more than you should that he wants you around a little while longer. It’s not often that you have a night like this one at work. The Komodo dragon bite is going to be the better story, the kind you’ll tell your friends about, or your parents the next time you call home. But hanging out with Tenko Shimura and Mon for the rest of your shift is what you’re going to remember.

[promptfairy]

❥    𝐋𝐘𝐑𝐈𝐂𝐒 𝐅𝐎𝐑 𝐔𝐍𝐂𝐎𝐍𝐕𝐄𝐍𝐓𝐈𝐎𝐍𝐀𝐋 𝐒𝐇𝐈𝐏 𝐃𝐘𝐍𝐀𝐌𝐈𝐂𝐒    [   𝚂𝙴𝙽𝚃𝙴𝙽𝙲𝙴 𝚂𝚃𝙰𝚁𝚃𝙴𝚁𝚂    ]   .

designed for ships, but can be used for a variety of relationship types. change gendered language/add context to your needs. happy roleplaying !!  ♡

❛  it feels so good to be bad.  ❜ ❛  it really makes me wonder if i ever gave a fuck about you.  ❜ ❛  give me something to believe in.  ❜ ❛  i don’t believe in you anymore.  ❜ ❛  i wonder if it even makes a difference to try.  ❜ ❛  so, this is goodbye.  ❜ ❛  one day i’ll wake up & it won’t hurt anymore.  ❜ ❛  it’s like i can’t even feel after the way you touched me.  ❜ ❛  you’re everything that i want, but you don’t want me.  ❜ ❛  am i a regret, yet?  ❜ ❛  was it worth what it costed?  ❜ ❛  you make me nauseous.  ❜ ❛  you’re overrated.  ❜ ❛  when i think of you, i just want to throw up.  ❜ ❛  all my friends say that you’re toxic.  ❜ ❛  why does love suck?  ❜ ❛  love hurts whether it’s right or wrong.  ❜ ❛  i can’t stop, i’m having too much fun.  ❜ ❛  you can’t save me, baby.  ❜ ❛  you never call or listen to me anyway.  ❜ ❛  where were you tuesday, october tenth?  ❜ ❛  how is your jacket covered in blood?  ❜ ❛  how was the party? did you have fun?  ❜ ❛  i fell in love with the warning signs.  ❜ ❛  the only time i feel alive is when i’m touching the warning signs.  ❜ ❛  if you tell me to stay away, i’m gonna dive in again.  ❜ ❛  my favorite color is red like the flags you fly overhead.  ❜ ❛  well, i should have known.  ❜ ❛  didn’t you see it coming? didn’t you see the signs?  ❜ ❛  i’ll break your pretty face.  ❜ ❛  bite your tongue & choke yourself to sleep.  ❜ ❛  you can hold my hand if no one’s home.   ❜ ❛  do you like it when i’m away?  ❜ ❛  you’re a pond & i’m an ocean.  ❜ ❛  all my emotions feel like explosions when you are around.  ❜ ❛  i am a wreck when i’m without you.  ❜ ❛  was it something i said to make you feel like you’re a burden?  ❜ ❛  tell me, is it worth it?  ❜ ❛  she’s a lady & i am just a line without a hook.  ❜ ❛  do what you want as long as you stay here.  ❜ ❛  you’ll change your name or change your mind & leave this fucked up place behind, but i’ll know.  ❜ ❛  if you ever try to leave me, i’ll find you, [name].  ❜ ❛  i’ll be the bad guy, now.  ❜ ❛  i couldn’t be there, even when i tried.  ❜ ❛  seasons changed & our love went cold.  ❜ ❛  i knew that this was doomed from the get-go.  ❜ ❛  you thought that it was special, but it was just the sex, though.  ❜ ❛  it’s only me; what have you got to lose?  ❜ ❛  you should take it as a compliment that i got drunk & made fun of the way you talk.  ❜ ❛  you should think about the consequence of your magnetic field being a little too strong.  ❜ ❛  you’re so cool, it makes me hate you so much.  ❜ ❛  you’ve ruined my life by not being mine.  ❜ ❛  you’re so gorgeous, i can’t say anything to your face. ’cause look at your face.  ❜ ❛  i’m so furious at you for making me feel this way.  ❜ ❛  if you’ve got a girlfriend, i’m jealous of her. but if you’re single, that’s honestly worse.  ❜ ❛  you’re so gorgeous, it actually hurts.  ❜ ❛  you make me so happy, it turns back to sad.  ❜ ❛  there’s nothing i hate more than what i can’t have.  ❜ ❛  guess i’ll just stumble on home to my cats. alone … unless you wanna come along?  ❜ ❛  you look so happy when i’m not with you.  ❜ ❛  i don’t know why i run away.  ❜ ❛  take me back, ’cause i wanna stay.  ❜ ❛  i kept my distance ’cause i know that you don’t like when i’m with somebody else.  ❜ ❛  i couldn’t help it; i put you through hell.  ❜ ❛  i realize that it’s much too late, & you deserve someone better.  ❜ ❛  i’m not the best at breaking up.  ❜ ❛  i like my alone time, but i want somebody to hold.  ❜ ❛  i get what i want. i keep it for a minute. then i let it go.  ❜ ❛  i hate it when you’re there for me, but i like it when you hit the spot.  ❜ ❛  i don’t do fake love, but i’ll take some from you tonight.  ❜ ❛  i don’t expect you to understand.  ❜ ❛  i’m ready to die holding your hand.  ❜ ❛  i can’t hide how i feel about you inside.  ❜ ❛  i’d give everything up tonight, if i could just have you be mine.  ❜ ❛  i’d give up everything for you.  ❜

[soullessjack]

honestly even the concept of domestic aus is starting to confuse me bc like. They do have a home. A very big home with structured chores and family event nights. Dean and Jack both own aprons and Dean cooks for everyone. Sam gets up early to jog around the woods in full running gear. Dean owns novelty socks. Cas and Jack play Connect 4 together. They routinely stop out to eat after hunts. Jack is very much their kid, early 20’s or not, and he reciprocates that they are all collectively his dads (so yes, him being a baby literally is so unnecessary for domestication). By hunter standards they’re all well in the lap of domestic luxury, and by family standards they’re almost a polar opposite of the nuclear gender family archetype. Nothing about them is a white picket fence and apple pie American Dream life—it’s better! And it’s weird that the fandom is so obsessed with reducing their unique read: queer found family dynamic down into that traditional American Dream nuclear sitcom family archetype. I won’t hijack your post for a gender study of SPN, but I do wanna say that SPN’s distinct portrayal of masculinity is probably (and surprisingly) one of their stronger points? like, Dean wore pink satin panties and was archetypically a mother for Sam.

Cas is angelically agender, & his entire arc of becoming more human is pivotal to him being emotional and caring. Jack takes after his mother in both personality and resemblance, and he admires her as what he wants to be; he’s very openly emotional and empathetic and “soft,” and nurturing, as Sam was with him, and that’s narratively celebrated!! There’s also the undeniable queerness of Jack having “more dads than most” as a surface level reading. Traditional nuclear gender roles associate all of these traits with femininity, with womanhood, and for SPN to very blatantly give it to these violent macho meat men — for them to even explicitly reject the toxic masculinity of their fathers & paternal lineage —, is huge! Im not saying SPN is feminism central by any means, but their distinct flavor of man is very unique and very very queer by traditional standards, and so TFW2.0 can be seen as inherently queer in that vein, which just circles back around into how fucking weird it is that the fandom obsessively womanizes/feminizes them to make them more ‘palatably queer,’ (cough Castiel) bc to put it shortly: masculinity is not considered inherently queer by a large majority of other queer people.

You can put a gay man in a dress and call it a night for defying gender roles, but are you really defying anything if you’re treating that gay man in a dress as functionally-a-woman in your pairing of him with a very masculine man? If you’re insisting that one of these fathers is actually the appointed “mother,” because he was the one to be more explicitly nurturing? If the only way you can think of this family being “perfectly domestic” is in a rigid outdated dynamic? Are you even trying to defy anything at this point?

y’all’s thing for de-aging jack is actually weird and completely unnecessary.

i genuinely need an explanation why there’s so much content (and why it’s a lot of y’all’s preferred content) on taking an autistic coded character and quite literally infantilizing him? he chose not to have a childhood because he didn’t need one and y’all demand to reverse it? removing his ability to speak and/or make decisions for himself? that’s horror, it’s not cute!!

even if it was just about human ideas being put onto a fictional nephil when the other angels didn’t have a childhood either, it would still be odd!! but no, he’s also autistic so his autistic traits are used as reasoning to why he shouldn’t be able to form coherent sentences and drink out of supply cups. you know who thinks like that? ableists!!! i compare y’all to those people who start talking to autistic adults like they’re children after they find out they’re autistic. even as a kid or a teen he becomes so OOC and it’s weird how much y’all have latched onto a fanon thing that doesn’t exist and actively have isolated autistic people because of it.

ultimately, there’s no reason to de-age him other than to make him a cute prop for family fanart and nuclear family fics, but y’all apparently lack the ability to take the rose colored glasses off. it’s so odd how much y’all have romanticized taking away the autonomy he chose to have and i actually hate how kid!fic content is the most interacted with. make an OC or shut up. jack doesn’t need to be a baby or a kid to have parents. critically think about the ableism behind the whole concept. i understand it’s not intentional but the impact is harmful and after 6 years, i think you’ve had enough. and for the love of all that is unholy, he is not just sunshine and rainbows. so stop being selfish and removing autistic representation.

also: you lot who think he canonically has a baby brain and an adult body…. i shouldn’t even have to explain the ableism behind this. he’s a beer drinking war veteran cannibal who wanted to fuck on a case and ended up being threatened with necromancy like idk how we even watched the same show. if your argument is velcro shoes—i hate you. disabled people wear them, old people (people becoming disabled by age) wear them, people who have poor motor skills or just who hate taking the time to tie their shoes wear them. they’re not just for children. shut up. your argument is not canon, you’re just an ableist weirdo.

[junedenim]

when you're so pretty and i'm so shy

when banging into somebody only leads to more banging

warnings: fluffy smut, fingering, eating, and the regular shmegular

word count: 3k

The first time Alex talks to you, he breaks your nose. You had known each other nearly your whole life but you lived on opposite sides of town and ran in different groups. The closest you ever came was when he sat two seats over from you in English and you passed a note to him once. Then, in physical education, during a rousing game of basketball, he crashes into you. You aren't even playing the game. 

You're standing on the sidelines, talking with Gemma, and paying little attention. Lost in gossip and the drama of Gemma's rivalry with Daphne Pritchett when the blur of Alex runs right smack into you. You hear the crack. You reach up and blood is pouring out. Your heart is pounding and your face is red but mostly you're too embarrassed to look up and make eye contact with anyone.

"I'm so sorry. I'm sorry. Are you okay? I'm sorry," Alex profoundly says. 

"Yeah," you mutter, even if it isn't true. You look up slowly at him.

"Shit," he whispers.

You panic and grab your nose. You wince in pain. "Is it bad? Am I missing a tooth or something?"

He shakes his head. "You're just...your nose...it's bleeding a little." A lot. There's a puddle on the floor and you can taste it, all metallic in your mouth.

"You broke her fucking nose!" Gemma shouts.

You cringe and curve your shoulders over. "Seriously?"

"I'm sorry." He's all meek and he has his hand on your shoulder trying to soothe. You or him, you aren't sure? "I'll take you to the nurse. Right? You good to stand?"

You nod and gradually stand up with his help. Your teacher hands you a pile of tissues that you hold close to your face groaning in pain. Alex's hand is on your back trying to guide you the best he can.

"I'm sorry. I just...I wasn't looking. I was an idiot and, and—I don't know."

"Not perceiving?"

"Yeah, that." It's brought a smile to his face and that makes you feel better. You don't want him to hurt too. He's always been a sweet guy.

*

"It's broken."

"Fuck," Alex mutters. 

*

In the following days, with a piece of tape secured on the bridge of your nose and a bruise giving you an undereye coating, you catch Alex's eyes on you throughout the day. They're always filled with concern, desperate for forgiveness even though he won't accept it.

"You're fine," you reassure him in the hallway on the way to the cafeteria. "It was an accident. Besides, it's my new excuse to get a nose job."

"At least let me buy you lunch." You nod and walk together for the first time since your bloody walk to the nurse. "Is it healing alright?"

You shrug. "I think so. I can't really tell. Bruises mean healing."

His hands are stuffed in his trouser's pockets. He's slumped over and somber-eyed. "Sorry about all of that."

You laugh at his constant apologies. "It's fine. I swear. I like bruises. That sounds like I'm a freak."

"Kind of."

You gasp and turn to look at him with a cheeky grin and dirty Reeboks, the only personality to his school uniform. "Hey! You're the inflictor. You're in my debt. You're lucky I'm not suing you. I meant it in an I-Got-Into-A-Fight kind of way."

Alex chuckled. "Are you the type to get into a fistfight?"

"I think I'm more likely than you. You couldn't hurt a fly."

"I hurt you."

You toot. "It's fine. You upped my street cred. Anyone who knows what happened feels sympathy for me and for those who don't I can say things like 'Oh, you should see the other guy.'"

"Okay, then should we continue this routine and I break your leg next time?"

"No, I think I'm good on broken bones but maybe you'll allow me a punch at you."

He toys with you, "Threatening violence? I should tell on you."

You tell him through giggles, "I'd kick your ass if you do."

After he pays for your lunch, he walks you to your lunch table like a poor stray dog. You should start calling him Sandy in the vein of Annie's shaggy orphaned dog. "Thanks, Al."

"My pleasure." He gives a crooked smile. "Oh, and don't get a nose job."

Unsure of what he's said, you question, "Huh?"

"Back there you said..." he points his thumb behind him then shrugs. "Anyway, I like your nose."

You furrow your brows. "Thanks?"

He's blushing and it makes your cheeks flush and you feel like he's attacking you with his cuteness. Like he's a cute drug you're overdosing on. You want to crush him up in between your teeth and digest him completely. (Maybe you've taken too many painkillers). 

"You're pretty. That's all."

You smile back at him, overwhelmed by his flirtatious shyness. "Well, thanks." He turns to walk away but you stop him with "Do you want to sit with us?"

"I don't want to intrude and I've got me friends." He points over to a table in the back corner filled with rowdy boys tossing food at one another.

You shake your head. "You owe me."

"So, I'm gonna be in your debt forever."

You think, tapping your finger on your chin. "Hmm, well, at least for the rest of the year."

He chuckles and sits down beside you. You do have lunch together for the rest of the year but by Day 3 your table and his table mesh and suddenly you're intertwined.

*

The swelling is gone in a week, the bruises are gone after two weeks, the fracture healed in four weeks, and Alex and you date after 5 weeks. You think he first kissed you a week after your doctor told you it was healed for fear that his nose would hit yours and somehow dislodge its position again.

He has a guitar in the corner of his room that you tease him into strumming for you. He looks embarrassed the whole time and it makes it even more charming. He tells you his secret ambitions and you encourage the way his mind moves. It's the perfect Hollywood teen romance.

One evening, you fall onto his bed. The mattress dips under your weight, and your mouth opens under his. Your skin sears as you spread your legs wider to make room for his body. You feel mindless. You move against each other a little while making out. Uncertain shifts and searching grinds, friction, fervency. You've never done this before, what you're about to do, unlike him. You like him being more experienced. It makes you feel as if he's your guidepost.

Your kisses are all tongue, broken by moans and desperate gasps. Your nails dig into his back and you try to stifle the sounds forced from your mouth. He turns his focus onto your neck, licking and sucking, bruising you like a peach. "Let it out."

It's erotic and troubling how much you throb. “I—I want—”

“You want what?”

You roll your hips up against him for real, starting to shake when you feel how hard he is beneath his jeans, and his grip tightens on you like that’s too much for him. You do it again, moaning some more but as loud as you want this time, and find a rhythm. “Fuck,” he rasps, “I’m—fuck. Don’t do that, baby.”

He stops you by the hips. You grunt, “Why not?”

"'Cause if you do I’m gonna come in my fucking jeans."

You force yourself to meet his eyes and hold his gaze as you push your skirt down, before grabbing his hands so they’re pulling your panties and tights down together. He finishes the job when they get to your thighs, and you're suddenly aware that you're wearing nothing down there.

His attention drifts low. His expression takes on weight, and he whispers, “God,” almost like a 'Thank you.' It dissipates any insecurity. He spreads your legs a little wider and then trails his hand down from your knee to your center, stopping just an inch and then moving it back down again. He does it a few more times, and it’s torture. “You sure?”

You nod. “Yes,” you manage, throaty and raw. “Please, do it.”

He grins at that and keeps teasing you, but then gets close again, and this time he doesn’t go back down. Instead, he strokes you, just a brush of a thing, not even inside of you and you're still gasping. Fuck, fuck. “Alex," you manage as some strangulated thing.

“I know,” he whispers, keeps stroking, all infuriatingly slow. "You’re so good.”

When he slips a finger in it’s done carefully, but it has you gasping. You're hit with it: you're really doing this right now. You're in his bed and he’s fingering you. The thought alone is enough to make you lose it.

“Let me know if it hurts,” he says.

You shake your head. “It doesn’t. I—more, I want more—”

A second finger and your back arches. It feels like you're on fire when he finds your clit. The first brush has you whimpering, somehow overstimulated with just that ghost of a touch. He makes it worse by pumping his fingers in and out at just the right angle. He keeps stopping too, building pressure, and the third time you grab his hand to make him keep going. His fingers stroke a spot that has you crying out, and so he keeps going right there, and you hold his wrist, gasping and wanting what you can feel building so bad that you nearly scream.

He won’t give it to you, instead leaning down to kiss you again, smiling through it like maybe he’s enjoying the tease. You bite his lower lip in revenge and he laughs. “Feel good?” he asks.

You can only nod. He smooths your hair back and keeps going, keeps doing both; affectionate strokes and intimate ones with intent, the angle precise and the movements deliberate. When you come, his pace quickens a little and that feels so perfect, and your head falls back, and for a second everything just kind of whites out. Your legs shake and his thumb ghosts your temple. You blink and manage to utter, “Oh.”

“Oh,” he echoes, head tilted, fond. Alex kisses your cheek once, twice, three times. “You liked it?”

There’s a tiny bit of anxiety in his voice, which is ridiculous. “I loved it,” you correct.

His responding grin is like a spark to kindling. He says, “Me too.” When he sucks his fingers clean you get a burning fire inside you that you've never felt before. Your lips part. 

Your breathing is shaky as you inhale. “Can we…?”

His forehead falls against yours. “I don’t have, uh—”

“Rubbers?” You ask, coming back to yourself a little now. “That’s okay, I do.”

Alex leans back. “Do you, now?”

“Shut up,” you say, face on fire as you sit up. You find your backpack on the floor and part of this feels ridiculous that you're doing this after school before his parents come home but it feels like the most romantic thing you'll ever get the chance to experience. That first love feeling. “Here.”

Alex takes them with a, “Huh,” and an infuriating grin. It falls a little as he looks back up at you, and his eyes are so brown and comforting. “You really want to? You’re sure?”

You nod. “I wanna.”

The fear is just an underscore to the want, which overpowers everything else. You're safe with him and he’s beautiful and you think if you don't sleep with him right now, tonight, you'll explode or something.

Alex kisses your cheek and then rips open the wrapper with his teeth. You sit on the bed with your knees drawn up to your chest. “We don’t have to do this, y’know.”

“No, I know,” you say, your school cardigan falling off your shoulder. You tuck your hair behind your ears, a nervous habit. “I know that I just want it to be...”

“Perfect?”

“Not perfect." You shake your head, “Good? I don’t wanna look back on this and think about how I was cold the whole time, or how I was insecure, or—”

“Don’t be insecure.”

You give him a dry look. “Yeah, okay, I fixed that problem.”

Alex gets you on your back and nuzzles your nose with his. “I’m just saying I think you’re beautiful.”

Your face scrunches up. “Liar.”

His jaw drops with exaggerated affront. “Excuse me?”

“You’re just trying to butter me up.”

He snorts and glances down. “Pretty sure I already did that.”

“Oh my God, you gonna hang that over my head forever,” you say, all laughing as you wriggle underneath him, and you wrestle like kids for a minute, and then you're just kissing. The rest of the world falls away. It’s just you and him in this bed, and the way you fit underneath him, and the sounds you make when he presses into you. 

He pulls your top off and you can barely breathe before you come back together. He wants to see all of you so fucking badly, wants to touch every square inch of your body, wants to find every freckle and map out the distance between them like a cartographer with kisses.

You yank his shirt over his head and then sort of still, running your hands down the length of his abdomen memorizing it like your flashcards. Then you kiss him with complete need. Your arms wind around his neck and he wraps his around your body, hands searching for the clasp of your bra. He undoes it and leans back to pull it off slowly, eyes on you until it’s gone, and then his gaze falls to your chest.

“Fuck,” he whispers, ragged, you're so— there isn’t even a word. Divine is the only thing that comes close to his mind. He starts kissing and doesn’t intend to stop, insatiably craving your taste. He sucks your skin to bruise, on your collarbone and sternum, right above your heart. He can hear it pounding, an erratic busting beat. He brushes his lips over your left nipple, kissing it softly and feeling it perk, hardening in his mouth as he plays his tongue over it. You start to tug on his hair and he's obsessed with the feeling.

“Alex,” you beg, “please, please—”

He’s listening, but he doesn’t respond. Just moves lower and lower still, running his open mouth down your stomach and only stopping when he’s settled between your legs. Alex eats you out slowly, stroking your thighs and squeezing your hips while you moan and whimper and gasp various words of the ‘fuck’ and ‘shit’ variety. He decides that he fucking loves this, it’s his favorite thing on the planet maybe, and he can’t help grinning while he does it. 

When he starts to move back up you try to push him down. “No, no, I’m not done—”

Alex laughs. “I know that, knobhead. Just wait." He knows he’s infuriating you but that’s on purpose too. He fucking loves it when you get all wound up like this. He strips and puts the condom on as quickly as he can manage, and you watch all fascinated, cheeks flushed when you catch sight of his dick. You're sort of sitting up now, so he tugs you back down with a murmured, “Come here.”

He slides in and being inside of you feels ritualistic. You're so warm, and you wrap your body around him as you start to move together. You hide your face in the crook of his neck and he cradles you, wants you to feel so safe, and relishes in every sound you make. Alex pulls your leg over his hip for a deeper angle and your head falls back. “Oh, fuck, yes,” you whine.

He stays right there and fucks you so good and so raw he feels sweat start to bead on his back because he’s been waiting for this for so long and if it doesn’t last for at least a few minutes he might as well die. You're so goddamn pretty under him too, with gentle curves and soft skin as you moan. He does too, can’t help it, doesn’t wanna, just wants to feel this and never forget it.

Your back arches when you come. You grasp at the headboard and cry out and so he lets himself too. You pile on top of one another like that heap in which you first spoke. “Jesus Christ,” he mutters.

You let out a weak noise. Alex turns to you, your faces less than an inch apart. You're all flushed and dazed and he loves it. He bumps his nose against you. “You alright there?”

“Shhh,” you say, with an ineffectual whack to his arm. “I’m...”

He grins. “Me too.”

You nod. You turn onto your side and so he pulls you into him, gathering you up to hold. He pulls the blanket over your bodies as goosebumps rise on your arms. You burrow against him gladly. “Mmm. Warm.”

Alex hums. “Don’t fall asleep yet,” he urges, watching your eyelids flutter shut.

You snort. “So I take it you’re a total girl after sex, huh?”

Alex shrugs. “I was just trying to save you the bladder infection, but I guess I’ll just fuck off.”

That has you scurrying out of his arms with an, “Oh, shit,” and his eyes follow your body shamelessly as you leave him.

*

Later, when you're all dressed and pretending to do homework, you shamelessly ask him, "When can we do that again?"

He looks up all shaggy. He's dressed in his home clothes with a T-shirt and jeans. You're stuck in your school's uniform skirt but with his old sweatshirt overtop, all cutesy in a way that has him biting on the eraser of his pencil. "Oh, no, I've created a sex addict."

You toss your pencil at him, making him chuckle as he catches it. "You seemed to enjoy it just as much as me."

He has a cheeky smirk and looks deeply at you. Then, suddenly, he turns serious, clasping his hands with one another and sitting up straight. "I could pencil you in for Saturday," he says as he flips through his desk calendar.

"Shut up or I'm withholding the goods."

"Exhortation now?"

"I can be one and done. I fear you'd crumble without seeing me naked again. I'm trying to spare pain."

You're so cute it makes everything in him a desperate, clingy spirit and he's not sure how he's going to be able to let you go back home after today. You're so far away, curled up on his bed while he's over at his desk. What is he doing over at his desk?

So, he stands up, walks over, and kisses you.

*

a/n: it's a quick, sweet fic. plenty of other things cooking...thanks!