#some things might change over time

[meamiki]

mira !!! :]

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[snick-cooler]

Got requested to expand on that Swap/Angel Jonah AU, so I gave it a try

[joons]

This may be a prickly subject, and I'm sorry if so. But I'm trying to learn more about Elvis, and every time I bring him up to people I know, they try to tell me he was this terrible person, and point me toward Priscilla's book, the movie made on it, and the discourse. Idk if you've talked about it on here (I tried searching your blog but couldn't find anything on it). If you're willing, I'd love to hear your take on it so I can see a more nuanced view.

The film Priscilla was greenlit roughly a month after Priscilla herself was informed that she was close to becoming financially insolvent in 2022. With a business partner, Brigitte Kruse, who allegedly helped broker the film deal, she established a limited liability company called Priscilla Presley Partners that was supposed to use her image and likeness to create several lines of merchandise to coincide with the film's release. That business partner is now suing Priscilla because she did not have the rights to her image or likeness, or any ability to use the Presley name, because she had already sold all of those rights and was no longer considered in good standing with Graceland or Elvis Presley Enterprises. The entire business deal, then, according to the lawsuit, was built on her misrepresentation of how much her image was worth.

The deal between the two of them fell apart after Riley Keough, Lisa Marie's daughter and Priscilla's granddaughter, settled with Priscilla to give her a lump sum of $1 million from Lisa Marie's estate and yearly amounts of $100,000. Priscilla sued very shortly after Lisa Marie's death because she thought Lisa Marie's signature on a will had been forged because Priscilla was not included in it. All of the assets were supposed to go directly to Lisa Marie's son, Benjamin Keough, who died in 2020, and her three daughters, two of whom are still teenagers. Now, part of those assets have been claimed by Priscilla and her other son, Navarone, who has no connection to the Presley family and has stated he is glad Lisa died.

Four months before Lisa's death, Lisa wrote to Sofia Coppola and made it clear she had strong concerns about the Priscilla film and was suspicious of the intentions behind it:

"As his daughter, I don’t read this and see any of my father in this character. I don’t read this and see my mother’s perspective of my father. ... I will be forced to be in a position where I will have to openly say how I feel about the film and go against you, my mother and this film publicly."

Lisa was enormously grateful for efforts put into 2022's Elvis to find her father's soul and to restore his dignity in a world that often turns him and his family into a joke:

"You can feel and witness Baz’s pure love, care, and respect for my father throughout this beautiful film, and it is finally something that myself and my children and their children can be proud of forever."

It is such a strong and powerful statement, to see how much Lisa valued family, not just her father but her own children and their legacy, and how willing she was to speak up no matter what was going on in her personal life to say what was right. On this and many other things, Lisa and Priscilla's values have rarely been in alignment. A friend and EPE business associate, Joel Weinshanker, said of her, "Lisa couldn't be bought, she couldn't be pushed. If she felt that something wasn't in Elvis' best interest, it was never about money. And she really is the only Presley that you could say that about."

Priscilla, though, has adjusted her stories about her time with Elvis almost every time she discusses it. For a quick example, she said in her book, which was released in 1985, that Elvis insisted she do her hair and makeup a certain way, that he had control over her look and would get upset if she didn't dress how he wanted. But in an interview with Ladies' Home Journal in 1973, she said that she made a deliberate choice to attend makeup school so that she could learn how to style herself, and that it was her idea to wear big, black hair and big, black eyeliner. She said she was embarrassed for going overboard. She said, "I wish that Elvis had said something, but he must have liked it because he never commented." This lines up with recollections from Patti Parry, a platonic friend of Elvis' and a hairstylist, who said Priscilla always wanted Patti to do her hair in a "big boombah," but that Priscilla would then get upset when Elvis didn't notice or didn't like it.

These changes are impossible not to notice if you follow her for any length of time. At the film premiere, she said it felt just like watching her life and said she was consulted on everything, since she was an executive producer. After the film came out, she said she couldn't understand why Coppola had changed so much about the story and misrepresented events. In the '70s, she said she and Elvis lived almost totally separate lives, that she came and went as she pleased, and that she loved this freedom. Later, she said she felt completely stifled and trapped and never left the house, even though she had friends she went out with all the time. In 2019, she tweeted a forceful denial about a National Enquirer story: "This is the Enquirer folks... please don't believe everything you read. ... Never planned on being buried next to Elvis. What will they come up with next?" But part of her settlement demands in her lawsuit against Riley in 2023 asked "to be buried next to Elvis." This year, she said in two separate interviews that Lisa was with her when Elvis died and that Priscilla had to break the news to her, despite the fact that Lisa was at Graceland when it happened. She has said she gave Elvis the idea to wear belts on his jumpsuits, to have a lightning bolt as his logo, to sing "An American Trilogy," though none of that is true. She retells the story about forcing Elvis to burn all of his spiritual books to prove he loved her as an almost funny anecdote about debrainwashing him, while Elvis later said it was the worst thing he ever agreed to, a desperate attempt to make her happy by giving up the things he valued the most. (For the record, this is my opinion about their relationship on both sides: thinking they could change themselves and each other to make it work. It never did.)

Every secondhand Elvis account has to be treated lightly and only valued for its consistency with known facts and other witnesses. I try to give enormous benefit of the doubt to anyone in the Elvis world because they often only have partial knowledge of what Elvis may have been thinking at any given time, and there are numerous examples of people who were taken advantage of by unscrupulous journalists who changed the story they wanted to tell. But Priscilla's stories sometimes are not even consistent with her own statements, which makes them very poor options indeed to base anything on. However careful we are about noting potential biases and inaccuracies in other memoirs, we have to be triply, quadruply careful with anything in which Priscilla involves herself because she has a vested interest in generating discourse today in order to make money. Unfortunately, Priscilla has a habit of stifling other accounts or making sensationalized statements each time there is a possibility that she will lose some of the cachet that comes with being an Elvis Source—after Elvis' death, when she believed she was going to inherit his airplane and disinvited everyone that Vernon said could fly in it to his funeral; when she sued the parents of one of Elvis' ex-girlfriends after he died because he had allowed them to live rent-free in a house he bought for them; when she claimed that Elvis wanted to reunite with her before his death, despite the fact that he was engaged to someone else and told many people he couldn't see a reunion ever happening with her; before Vernon's death, when she convinced him to make her an executor of the Presley estate until Lisa came of age; after Lisa came of age, when she convinced Lisa to let her stay on as partner; when Lisa accused Priscilla of misspending Lisa's money, during which time anonymous sources cropped up to say Lisa was in debt and drug-addled; when Priscilla was removed from her position as an EPE spokesperson but kept collecting $900,000 a year from the company; when Lisa died, and Priscilla sued once she learned she wasn't in the will; when Priscilla was no longer associated with EPE and decided to do another adaptation of a book that she has since recanted parts of and has contradicted before and after its release.

When Priscilla thinks there is a threat to her image and position, she does new interviews and projects to muddy the waters and stir public interest, whether it is true or false, positive or negative, laudatory or defamatory. She gets corrected by Elvis' surviving family members, girlfriends, friends, and fans, but these stories do not get the same reach no matter how much they are backed by contemporaneous documents and witnesses, or how many resources there are to educate the public on how Elvis' and Priscilla's attitudes about marriage and relationships changed—along with the rest of society—between 1960 and 1970.

I think almost any single-source project is not going to advance our understanding of Elvis in any way because no one individual can speak for him, and we are kind of obligated to include all the context we can in order to appreciate his character, his successes and failures, flaws and virtues—and to treat both himself and those around him as fully three-dimensional people who have their own blind spots. Priscilla is far too aware of her own image, and far too willing to change it to suit the audience, to be particularly valuable here.

She is next scheduled to appear at the Lexington (Kentucky) Comic & Toy Con.

[risingsunresistance]

sorry him saying he has no idea where the misogyny thing comes from when ludwig just talked about how he sent him a big apology for calling his friend a whore when it was about THE WRONG WOMAN is funny as fuck

i dont think he realizes that the reason no one gives a shit about his apologies and honestly just straight up ignores them is because EVEN IN THE EVENT THAT THEY ARE TRUE he's been proven to lie soooooo many times to the point where you really cant believe a word that comes out of his mouth. he says something and im like "damn maybe i was wrong about that one... i'll look into it" and you get more info and go "oh. he just made that part up. and misworded that. and lied about that part... oh it was actually WORSE than i initially thought!"

[joeltallishbean]

-It was evening, about five minutes before the official closing time of the shop. Etho walks in the door and the little bell rings signaling the entry.-

-They look around for a moment for any sign of Joel or Tubbo, expecting Joel since Tubbo was likely still..traumatized? Or at least given a day off, maybe grounded. In any case they spotted him cleaning table and getting ready to close up.-

Hey..you got time for one more order? - @ethoslabdoesthings

Joel had been cleaning up a table, zoning out as he did so. The repetitive act of scrubbing at the table had lulled his mind into a momentary state of calm. That was until he heard the familiar sound of the bell ringing, signaling the sign of someone entering the cafe.

Joel suppressed a sigh. The place was empty and he was closing. Who in their right mind would come in right now? He opened his mouth to greet them before promptly closing it when he suddenly heard their voice, recognizing it immediately. A smile spread across Joel's face.

That was a voice he loved. A face he loved. "Etho. Here you are again." Joel adjusts the apron around his waist before waving his friend over. "I've always got time for you. You know that. This late though? You should have come sooner."

[civilization-illstayrighthere]

Hey so I’ve mentioned this a lot of times on my main blog, but I wanted to put this out over here since it is Hallow’s Eve. I always give out little tchotchkes on Halloween along with candy. This year, I’ve completely switched over to 100% doohickeys and doodads— think mechanical pencils, shaped erasers, little notebooks, squishes, vampire teeth and spiders rings and all. It started years ago in college when I signed up for a dorm Halloween event where kids from an area that was too dangerous to really trick or treat through got bussed in to trick or treat at our dorm. I bought some candy and dollar store Halloween themed stuff with what i had. And you know what the kids went ape shit over?

Motherfucking. Mechanical. PENCILS!!

These kids could not get enough of them. They literally went “PENCILS??!” I had never seen kids get so hyped up for pencils lmao. They were the first things to go. Candy is fleeting; the little pencils you can bring to school to flex are eternal, until you inevitably lose one of the refill parts and then they aren’t but listen, in that one moment they are infinite. And its nice thinking that maybe some kids who don’t always have access to school supplies not only get them, but get them in fun shapes and designs.

Anyway. I recommend people to give out fun stuff like this not just because kids seem to genuinely enjoy them, but also because there’s this thing called the Teal Pumpkin Project here in America. You can put out a teal pumpkin to show that you are giving away non-candy items and sign your address up so parents of children with allergies know that there are houses their kids can safely and happily trick or treat at! It’s a win-win! Plus, if you accidentally bought too much, it’s not like candy— just pack it away, pencils and fidget spinners will be good next year, too! :)

[britneyshakespeare]

Had the extremely upsetting experience of a mutual of like 6 years going off on me for occasionally making posts about supporting Harris because apparently that makes me a g n cide denier who refuses to learn and grow, with all of my views just being assumed not even from what I've told them I believe or what I've posted before, but just because I DON'T post particularly the kind of things they THINK I should be. When I pointed out how much they were just completely assuming about stuff I'd never talked to them about, I was told it doesn't matter what I do in real life or "care" about if I simply disagree with their conclusion and vote for her anyway. Like they were absolutely not sorry for the level of maliciousness they not just assumed of my character, but for some reason thought appropriate to bring directly to me before unfollowing me. No apology whatsoever for how discomforting or upsetting that might be and certainly no acknowledgment that I could disagree with them and still be a good person. I just got another even longer rant about how they fundamentally can't fuck with me because of this one thing, no matter WHAT else I do in my real life (which I pointed out that they do not know), and how I'm directly supporting fascism.

Like seriously what is it about Tumblr that makes people think they know someone based off of occasional posts? There were just such DEEP assumptions they were making of me and going off of very little or absolutely nothing. Around the time I first became mutuals with that person I used to express my personality and beliefs and talk about what was going on in my life a lot more openly, but I've significantly scaled back on doing that in many ways for many reasons. One of my major ones is privacy and the way I've had strangers outside my followers and following circles just find random things I say and dogpile me for it. I was fundamentally changed after some T Fs did that to me like 3 years ago. I also just didn't have many conversations w that person anymore (I message people in general on here like 10x less than I did circa 2018-2019, which I'm somewhat sorry about!). My point is to say I think this person felt comfortable assuming that they knew me, especially who I am in 2024 at the age of 25, much better than they actually did.

One of the specific things they accused me of was being afraid of learning and growing (because I don't perform social media activism on here like they think I should). Like AFRAID to take criticism. When again I've never received criticism from them or had to respond to any criticism on here before as pertaining to my views on... well, absolutely any of the issues they accused me of not caring about. They essentially treated it as if the only thing in the world I cared about was the US election and characterized me as the most out-of-touch liberal they could possibly imagine, because I'm not "pushing" Kamala Harris to be better (Oh?? Should I do that on here?? Does she read my blog??).

And most hypocritically what they said was that I only *sometimes* *vaguely* post pro-Harris things (I often post like 5 or fewer things in a day though?). But here's the kicker. "Because I know I'll get shit for it. And rightfully so."

Really????? Not a single person, anon or not, in my messages or in a tagged post or anything, has ever given me shit before for saying who I'm voting for. I'm actually NOT afraid of "getting shit" for that opinion, I just don't start fights with people who are anti-voting. And why should I??? I genuinely don't believe in trying to change the minds of strangers on the internet about that sort of thing. I'm just not confrontational about it; that is so not the same thing as being "afraid of getting shit." I'm not posting ENOUGH about my support for Harris, therefore I'm afraid. But therefore they can also make all these assumptions about me being their strawman for an ignorant Harris supporter.

I'm afraid of getting shit but I still post anyway? But if I weren't afraid of getting shit I'd be posting a lot more?? This is ALL based on their assumptions of what my blog *should* look like, based on what I really and truly believe. My level of posting every now and then is an accurate gauge of my feelings on complex, sensitive, global issues. Because I'm voting for the Democratic presidential candidate and I'm ok sharing pretty much just that little glimpse of myself.

I really don't think that person knows just how inappropriate and insulting that is to just say all of that to me. Like they really know what's going on in my head. Their first message began and ended with like "I'm sorry I love you I just can't take it anymore" but they clearly weren't sorry enough to try and be more respectful to me, and they didn't love me enough not to default to extremely ungenerous assumptions and attacking me based off of those instead of any actual words I've said that they take issue with.

Online radicalization is real and it's not necessarily bad because your political views can start to fall well out of the contemporary Overton window. The way you find it appropriate to treat people whose views, however common, seem to fundamentally misalign with yours... that does matter. You can't just assume the worst of everyone and then act on that in how you approach them as individuals. And then be shocked that you don't stay friends with them. You can't be confrontational with someone about an issue you've never had an honest conversation about, and then expect them to take your bad faith in them as reasonable well-meaning criticism.

I'm afraid of criticism??? I'm afraid of criticism. No I'm not. This person and I have never had an issue before where they criticized me and I got harshly defensive. It was ALL projection. The entire tone of their messages was as if all their anti-voting posts recently were somehow in communication with the occasional go-vote-for-Harris posts that I make. That's not a conversation. I don't post for your satisfaction. I don't post in "response" to my mutuals I disagree with. I just post what's on my mind, sometimes, about some things. I really again can't stress enough how baffled I am by this

[magentagalaxies]

creation of adam but it's this photo of me handing scott the martini before his buddy cole set in the KITH toronto show

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[moreaujeans]

IM FREEEEEE

[synthetic-rust]

What they don’t tell you about autism is that it feels like you’re simultaneously one step outside of reality yet two steps too far into it at all times

[s0fter-sin]

i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga

they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed

but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring

i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?

look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat

bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative

[vaguely-concerned]

I was just ambushed within the turbulent halls of my own mind by some headcanons about rye ingellvar's childhood that did 15000000 points of psychic damage to me and my heart personally and also made me almost sure of how I want to play it all at the end (very very differently from how I imagined going in!). some 'oh holy fuck this changes everything' rocking my own world bullshit going on in my neurons right now I'm reeling

[raiiny-bay]

finished dhes & kel's character pages so here are the lil edits i made for both of em :-)

[spotaus]

Coda and Ichor! (Catacombtale Style!)

These two don't have a *ton* of interaction in the Main story, but since Ichor and Balance are the only two characters I've fully designed, Coda gets stuck next to him, haha!

BONUS art jumpscare:

These two actually exist in another project I'm working on too called Codex, which is basically just removing the UT aspects of Catacombtale and doing a lot more worldbuilding and character design!

Coda is older in Codex and is marked by an old God (which should get him jailed or killed, as it means for everyone else) but he hides it for years and years before he finally flees the complex he's living in to go confront the gods and stop their destructive path. Meanwhile Ichor is much the same, only he's much more ready and willing to help Coda without much prompting. Here he's also sort of a Koi Fish! (His brother is a Betta Fish)