#some people have really interesting questions :'D

[alexanderwales]

My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.

I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.

So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.

(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)

Character Design

Here's how Juniper Smith is described in the books, ch 2:

I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.

This is how he looks in the comic:

I would more or less give this full marks.

In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.

The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:

Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.

I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.

Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.

And here she is (as she's introduced) in the comic:

Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).

And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.

I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:

(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)

Story

I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.

Spoilers for later in the series follow, I guess.

These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?

I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.

So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.

One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:

When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.

Content Rating

Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.

First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.

Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.

Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.

The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.

Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.

Conclusion

This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.

Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.

So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.

[tales-of-wocdes]

regarding the whole features thing, i do have a hut of a suggestion if youd like? i get the whole thing of wanting variety and stuff even if its just more for aesthetic, but i think a more productive option would to pick a set 3 or so options. would it cut fown options? yes. but i imagine it would be SO much easier and actually incorporate these details into the story!! yes its coll to have so many possibilities, but personally, its so much more interesting to actually see the variations of mc's heriatge actually affect some part of the story mayhaps.

Thank you for the suggestion! They are always welcome.

This is the eternal question really with any role playing kind of story :D And this really comes down to preference.

Freedom of choice comes with it's troubles in that the story can't be affected so much but the opposite is true as well. People want options, which is why I overhauled the system to allow for multiple heritage features. Even with how many options were originally given, I have added two features based on requests :D

If I were to now cut down to three, I feel like a lot of people would complain. And people are of course free to come up with their own backgrounds for their MC which is a lot of fun as well.

I have tried to be honest about some options being much more practical than others and I will do my best to make this reflected in the story, not so much in the chosen heritage having any special meaning but in actions one can take. Is it easy? Of course not. Is it rewarding? Absolutely.

And I do have story reasons why I let people choose freely here but I will not elaborate :D

For now, I have spent a lot of time working on the current system. Both originally making it and then overhauling it based on feedback. Therefore it will remain as it is for now because I do actually want to write instead of just coding again.

Will I revisit it later? Maybe, if I feel it is needed.

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[a-passing-storm]

I have forgotten that it is actually kind of Therapy Homework for me to post things online!

[starlightomatic]

Someone sent me an ask about how to avoid antisemitism when talking about what's happening in Palestine, but Tumblr ate it. This is a really important question, because we don't want to fight one oppression while enabling another; we don't want to accidentally foment the conditions that lead to antisemitic violence, and we also don't want to shy away from speaking about Gaza for fear that we're doing so.

Here are my thoughts.

There are a lot of unconscious antisemitic beliefs that people hold, that they may not be consciously aware of. They may have learned these from parents, peers, or society at large. Like any bigotry, a huge part of not being harmful in bigoted ways comes down to learning what unconscious bigotry looks like within you and learning how it is expressed.

Antisemitism is very old, and there are a lot of tropes and beliefs that have developed through the years. Many of these are alive and well, though they may be subtle enough that people don't realize they're carrying them. However, they show up in the way that people speak, especially about Israel and Palestine. Here are some:

1. Jews are overwhelmingly wealthy

2. Jews control the world

3. Jews control a given country (eg the US)

4. Jews are not oppressed

5. Jews are some of the most privileged people in society; more than non-Jewish white people. Jews are white people but even more so.

6. Jews are whiny and complain about their nonexistent oppression too much

7. Jews are sneaky, deceptive, and untrustworthy. They don't speak sincerely or plainly; they have an ulterior motive and are trying to get one over on you.

8. Jews are greedy

9. Jews are really powerful

10. Jews undermine and destabilize movements and countries. (This one connects to 3, 7, and 8).

11. Jews are inherently guilty; a good Jew needs to apologize for being Jewish

12. Jews are bloodthirsty and desire violence against non-Jews

13. A Jew is from somewhere else, and does not belong in the place that they are.

14. Jews sap resources from the country they are in and funnel them into their own communities/interests. They are a vampire-like parasite on the societies they live in.

How do these get expressed in the movement? Here are some examples (these are paraphrases and combinations of various things I've seen):

Example A:

"American Jews are complaining about oppression while living in their NYC apartments and taking Ubers. It's ridiculous, so much privilege and entitlement." This one's got 1, 4, 5, 6, and 7.

1: Assumes wealth. Plenty of us can't afford NYC apartments or Ubers!

4, 5, and 6: self-explanatory.

7: Belief that on some level, fear of antisemitism can't really be sincere; we must be talking about it for some other purpose, eg to distract from "real" issues.

Example B:

"The US is funding this genocide because of the influence of Israel and Israel's interests, and the Jewish lobbyists." Employs 3 and 9.

3: The US is doing this because of its own interests; if anything, the US wants to be able to use Israel as a pawn.

9: Imagines Jewish lobbyists as powerful enough to drive US policy. Also forgets how dramatically the US dwarfs Israel in size, money, and power; imagines it's the other way around.

Example C:

"These Israeli first responders are lying about finding mutilated and sexually abused bodies after October 7th. This Israeli girl who was held hostage is lying about having talked to fellow hostages who were sexually assaulted. This Israeli first responder is lying about children having been killed on October 7th."

This is 4, 6, and mainly 7.

7 because it assumes that these people are telling these lies for some nefarious purpose: to garner false sympathy, or worse, to manufacture support for genocide. It cannot be because they are actually telling the truth.

Example D:

"It's suspect if someone talks too much about antisemitism. Or if they correct my misinformation. They are probably a crypto-Zionist. In fact, all of these Jewish tumblr bloggers are crypto-Zionists."

(The first part of this I haven't heard said; but rather it's the unspoken attitude I'm frequently presented with.)

This one has 4, 5, 6, 7 and 10. Mostly 7 and 10.

Beliefs that our goal is to derail pro-Palestine organizing by sewing Zionist beliefs in the movement. That we would be capable of such (9). That it's impossible that we're sincere and we're concerned both about what's happening in Gaza and the everpresent, intangible potent threat of imminent antisemitic violence.

Example E:

"What everpresent threat of imminent antisemitic violence? You're either delusional, too privileged to understand how oppressed you aren't, or lying to some sinister purpose."

The first two (delusional and too privileged) often comes from other Jews, who, yes, can be antisemitic too.

This one has: 4, 5, 6, 7, and 9.

Example F:

"As a Jew I know I am responsible for what's happening in Gaza, and I need to call in my people who deny our privilege and who think they're unsafe."

1, 4, 5, 6, 11. Shades of 10.

Example G:

"Israel is invading Gaza for oil."

8. Also this isn't true.

Example H:

"No Israeli is a civilian. All settlers are guilty, and need to leave."

Technically, it is possible for someone to hold this belief consistently for all settlers worldwide due to stringent decolonial beliefs. However, it frequently is applied only to Israelis. In such an iteration, I think it contains 10, 11, 12, and 13.

Which leads to my next point: Double standards. If something doesn't invoke a particular trope, but views Jewish or Israeli actions more harshly than we'd view the equivalent in any other place or people, to me that's suspect.

For example, relating to the above, if we believe that Truth and Reconciliation is the answer in the US and Canada, but in Israel the answer would be forced displacement of the Jewish population, that would be antisemitic.

Also, if we're able to hold nuance around the idea of refugees to the US and Canada, and understand that they're simultaneously taking part in colonialism while also arriving under duress because they need a place to live, we can extend the same nuance to the idea of Jewish refugees (Holocaust survivors, SWANA Jews, Ethiopian Jews, etc) who have come to Israel.

And, going back to example A, is there any other marginalized group we would say is not actually oppressed because members of it live in NYC and take Ubers? No? Then, it's antisemitic when you say it about Jews.

I also think misinformation about Jewish history and identity is antisemitic. For example, lines of thought that deny our ancestral, historical, cultural, and liturgical connections to the land of Israel/Palestine. One false belief I see a lot is Khazar Theory, popularized by the quack Shlomo Sand. This states that Ashkenazi Jews do not have ancestral origins in what's now Israel/Palestine, but rather descend from a mass conversion of Turkic peoples in the Kingdom of Kazaria. It is not, in fact, true.

Something else along these lines is back-defining origins and land-connection through current events. For example, a white gentile ex-friend of mine shared a post stating that because the IDF, as well as settler extremists, destroy Palestinian olive trees (an egregious act, in my opinion, as well as against Jewish law), this means we are not native to the land. While I understand the term native is complex and this might have been an attempt to denote our positionality as colonizer in a colonizer-indigenous dynamic, the framing of the post led me to believe that, actually, the post was using these actions to prove that we do not actually originate from the land.

Destroying Palestinian olive trees is an act of great violence against the land, against the Palestinian people, and against our own history, culture, and religious traditions. However, it does not change the historical fact of our origins or ancestry, nor the fact the our religious traditions are deeply intertwined with the seasons, climate, and agriculture of Israel-Palestine, even when that puts them out of sync with the seasons and climate of wherever we live in Diaspora.

I hope this is helpful. This is a really hard time for so many of us, and I know it can feel like derailing to focus on antisemitism right now, and to focus on the potential of future violence when the people of Gaza are experiencing actual extreme levels of violence right now. But if we truly believe that none of us are free until all of us are free, then fighting antisemitism has to be part of our collective liberation. We cannot and should not fight genocide by engaging in oppression. Speaking up for Gaza and Palestine does not have to mean fomenting conditions that put Jews in danger of bigotry and violence. The world we're building is one where seeing your trees destroyed, or your family killed, or your home receding into the distance as you are forced to leave is but a distant memory. For Palestinians, and for Jews, and for everybody on this Earth.

[loveemagicpeace]

🍓The Ascendant & Descendant 🍓

Aries rising with Libra Descendant- your personality is strong and energetic. Everything you do, you do with passion. You are led by Mars, and therefore you can often be quick-tempered and do things without thinking. You know how to put your needs before others. You can be selfish when it comes to your own needs. You take care of yourself by playing sports, doing various adrenaline-filled things. You are very passionate, competitive. Your energy can always be felt on the outside and you are not afraid to show your emotions and anger. You are brave and often take risks. You go into things without thinking too much about them, you just go and see how it goes.

Libra Descendant- in relationships they can be flirty, you may find it hard to stop because you can also be very picky when it comes to relationships. The right person for you is the one who can balance you, give you harmony and support. It means that you seek a partner who is brave enough to desire partnership, despite knowing how vulnerable emotional commitment can make you. It's wanting someone unafraid to love love. Your ideal partner is elegant and graceful. They accept that you need a lot of space and independence is important to you. You are an active person by nature, and you need someone who teaches you balance but also supports you in your ventures. In the relationship, it is probably you who makes the most decisions. You are a leader, and you get along the best with someone who prefers to be led.

Taurus rising with Scorpio Descendant- your personality is calm, stalin, grounded. You only give your energy to those who really deserve it. You can do many things yourself. I noticed that taurus rising people are very independent people, that they can be themselves no matter what. You invest a lot in material things. You like good food, watching TV, going to the cinema, listening to music, sleeping, lounging. You take things slowly and don't like too much change.

Scorpio Descendant- in relationships, you like privacy, you like that someone is only yours. You don't like to enter into a relationship if you see that it is not on the same level. In relationships, you can be very possessive, deep, persistent. Scorpio descendant, you naturally gravitate towards intense, transformative partnerships and may face power struggles or hidden dynamics.The descendant in Scorpio indicates that you are unconsciously attracted to people who stir up your everyday life, and who are magical in some way.They can be either be quite dramatic themselves or dramatic things happen to them/around them, but they for sure push you out of your comfort zone. If this energy is not properly integrated, your partner can turn your life upside down. Extreme situations are not uncommon when Scorpio is involved.Your partner is the most familiar with this side of you.

Gemini rising with Sagittarius Descendant- your personality is very open (you can start a conversation with anyone). Communication is part of you and you like people who are communicative and especially people who are interesting. You have a very changeable personality and you can change a lot in yourself and around you. Although you don't change your appearance that much, but when you do, it really makes a big difference. As a person who is willing to listen but prefers to talk. Sometimes you can say things that may not be appropriate because your mind is so fast that you don't even realize what you are saying. With Gemini on the Ascendant, you may lack a deep need to find answers to life’s big questions. It’s not that the concept of “truth” is not important to you, you just choose to spend your precious time on other endeavours, and may take things more at face value.  

Sagittarius Descendant-in relationships you like to explore and you like independence. You are attracted to people who are educated, intelligent, interesting. You can sometimes be a little unstable and take a new step too quickly. You might be deeply attracted to love relationships with a partner who has a background quite different from your own, either culturally or with lifestyle beliefs. These differences can stimulate and inspire you. You can be too optimistic about others. When under pressure, you can get stuck in your own little world, and you can’t find the solution without stepping back and taking a look at the bigger picture. You want a partner who is funny, fiery, likes to travel, likes different things.

Cancer rising with Capricorn Descendant- your personality is private, moody, emotional. You perceive many things through emotions, and you can also have many needs..You are very sweet , showing a willingness to extend their arms wide for a person in need. They provide a certain type of warmth that puts people at ease, even to their casual acquaintances. While they might come across as reserved, shy, or cautious when meeting new people, Cancer risings are warm and friendly once they feel comfortable. While Cancer risings can appear quiet and reserved on the surface, they are extremely motivated and driven when it comes to creating security for themselves or their loved ones. This ascendant has an inherent craving for financial safety, driving them to work diligently toward achieving their goals. They naturally tap into their intuition in terms of what move they should make next or what decision is financially sound. You are open and act as a person very open to conversation. You tend not to show your tender or shy side in front of others. But you don't really like meeting new people or going to parties.

Capricorn Descendant-in relationships you can be strict, serious, relentless and also stubborn. Many of your relationships can be based on business. You can have a business or a company with your spouse, and your spouse can be the one who helps you with this. Many times it can be a relationship based on business and benefits. A relationship seems meaningful to you if there is some benefit from it. In relationships, you can often be cold, distant, alienated, and the relationship can suffer because of this. Your career can be important to you and you like to have reputation and recognition. You like your spouse to be good for society. Capricorn suggests that you often find yourself attracted to people with strong Saturnian energy. They teach yo how to be mature, take responsibility, be patient and focus on long-term goals. marriage is also usually karmic. However, your standards are quite high, and if someone doesn’t live up to them, you know that there is no point in settling for them. You rather wait for someone who can be a good partner. Family life is important to you. As a Cancer rising, you probably want to start a family at some point in your life. They might be emotionally unavailable too. In other cases, they are unconsciously attracted to others who behave this way. It can also happen that you get married and then get divorced.

Leo Rising with Aquarius Descendant- your personality is proud, strong, determined. You know what you want and you do it. You like to have fun in your own way and usually always find your fun in yourself and in things that involve you. You like to dress well and usually also like to stand out. You like extra things. You tend to be confident. People see you as a charming person and a person who always shines in everything. You can be popular among people. Leo risings seek others who can appreciate their need for admiration and share their zest for life. Leos also have an optimistic and open outlook on friendships and social connections. They can chat with anyone and have acquaintances all over the world. They do keep a group of what they would consider close friends, and they’re loyal to those connections.

Aquarius Descendant- in relationships you can be quite free and seek independence. You don't like to depend on someone, and you especially don't like pressure. You are attracted to people who are independent, different, interesting, have many friends or someone who has a large circle of people. You like someone you can hang out with at various events and introduce to your friends. Common interests and hobbies are important to these two. When Aquarian Descendants are married or in long-term partnerships, they want to know, for no rational reason, the whereabouts and activities of their partner. You are joyful, optimistic person. People with this placement tend to radiate with warm energy that attracts other to them. You like to be in a relationship with someone whose views are similar. You prefer smart, entertaining, interesting partners. They have to surprise you and show you things from a fresh perspective. You tend to see your partner as your friend rather have very romantic feelings for them. The descendant sign Aquarius can indicate marriage with someone who is divorced.

Virgo rising with Pisces Descendant- People may perceive Virgo risings as being dedicated to maintaining a sense of calm and willing to do whatever it takes to stay organized to avoid disorder and chaos. You do everything skillfully with a fine sense of craftsmanship and precision, perfectionism, care and attention to detail. You are keenly observant and have an acute sensitivity to each and every thing in your environment; therefore, you attend to small things that others do not readily notice, the subtleties, the fine points. You fulfill your soul function through service, assisting and helping others, perhaps in a rather humble, understated, unglamorous way, and doing a job for its own sake rather than for personal recognition or glory. When out of balance, you criticize, worry, obsess about yourself and/or your health or body, and tend to magnify problems.

Pisces Descendant-suggests that you have a lot of experience with order but haven’t dealt with chaos frequently. You tend to choose partners who inspire you to transcend reality. They show you that there is more to life than what meets the eye. The descendant in Pisces suggests that your partner is often involved with spirituality, art, music, they are compassionate and selfless. They encourage you to discover your intuition. Your partner can be detached from reality and have weak boundaries. You can also see them as too emotional, sensitive, easy to hurt. You can find their behavior irrational which upsets you if you have not recognized the descendant in Pisces in yourself yet. Unconsciously being attracted to delusional people can also happen. The descendant in Pisces suggests that you show your partner how to be more efficient and grounded. It comes naturally to you to take care of others. You are there for your partner when they need practical help.

Libra Rising with Aries Descendant- your personality is kind, sympathetic, harmonious. You can quickly get along with people because they find you a friendly person. You can do much more for others than for yourself. Sometimes you can forget yourself for others. In a way, you can also sacrifice a lot for others. You like fashion and you like to dress well. You can also be very indecisive, which can also be a little annoying to others. You like peace and don't like conflict. Libra Risings were born with a naturally charming dreamer. With age, they only learn to fine-tune their allure. When it comes to the art of flirting, these seducers are very aware of how to speak to the senses. But you are usually always inclined to want a relationship or some kind a thing with someone. Also can be hard for you to find yourself.

Aries Descendant-Aries suggests that you are attracted to partners who are courageous, outgoing, enthusiastic, passionate, bold, impulsive. They swipe you off your feet their self-confidence and directness. You need a partner who can balance out you and who is a go-getter and an action taker. You are usually attracted to dynamic personalities. Your ideal partner is passionate, enthusiastic, fiery. In the long run, you get along the best with someone who is rather energetic and who doesn’t overthink just takes action. Aries in 7th house suggests that you need someone else to borrow you courage. Your partner can inspire you and teach you to be bold. They often say what is on their mind, without thinking twice if they will offend someone. They are brutally honest. Your partner can be impulsive and impatient, what takes effort to get used to for you. You can perceive your partner as selfish and egoistic sometimes. There can be a tendency to project the traits of Aries onto other people.

Scorpio Rising with Taurus Descendant- your personality is strong, intense, deep and passionate. You always fight deeply for the things you want to have and achieve. You have a stronger sexual drive, so sex in itself is important to you. You like to be familiar and you are not afraid to show your body to others. Usually, these people are very satisfied with their bodies. You are a demanding person and you only give yourself to people if you trust them, which is also one of the important things in your life. That people trust you and tell you their secrets. As a person who is more reserved and does not like to have conversations with people who do not suit you. You are an intense and passionate person, perhaps too much for some people to handle

Taurus Descendant-.You may impulsively jump into one relationship after another and eventually settle into an enduring and stable one. The descendant in Taurus indicates that you are used to crisis and drama, and you are attracted to people who promise you peace and comfort. However, you don’t trust people immediately and you are reserved. A Taurus descendant suggests that your partnerships are meant to bring peace and joy. Your ideal partner is grounded and practical, they don’t let strong emotions influence them. In your relationships, you seek stability.Your long-term relationships work out the best if your partner can be a firm ground in your life you can build on. Trust is not easy for you. You are drawn to the mysterious side of existence, and you need a partner who will help you stay realistic and practical. It takes time for you to let someone close. You need stability in a relationship, someone who you can count on and who will reciprocate your commitment. Your ideal partner is receptive to the beauty present in the world. They are usually artistic and they appreciate the finer things in life. The 7th house in Taurus indicates that your partner is a hedonist and sensual. Sexuality is an important part of your marriage.

Sagittarius Rising with Gemini Descendant- your personality is optimistic, fun, independent. You like to explore and do things that make you happy. You like intelligent people, people with whom you can share a new path and who always bring you light. You are independent and like to do things on your own. You grow again and again through new experiences. You are a humorous person who likes to joke around. You're not as open as people first think. You share knowledge with others, but when it comes to privacy, you don't share much. You can always put others in a good mood and give them motivation. Your path is always bright no matter what. You are also very kind to others.

Gemini Descendant-communication is very important in this regard. The person may have good thinking and may listen to you. Also suggests that you are attracted to people who radiate with the energy of the Twins. (and perhaps you are intimidated by them at the same time).The descendant in Gemini indicates that your ideal relationship is based on intellectual connection. You are attracted to people who are witty, smart, great conversationalists. You are usually interested in air signs in general. Mental connection is more important to you than emotions in the long run. You need a partner to point them out and show you what you need to pay attention to. You learn a lot from your relationships with others. You also teach your partner, for you, relationships that support growth are the best. People with this placement enter relationships out of curiosity. They want to explore what it means to be in a union. This can indicate more than one committed long-term relationships or marriages.

Capricorn Rising with Cancer Descendant-your personality is very strong (many times people perceive your energy just by your silence - you can say more with silence than with words). You have courage and always know what you are doing. You have no mercy for people who hurt you and once you lose respect for someone you become very rude to that person and they are like trash to you. Respect and loyalty are very important to you. If you give and invest energy in someone, then you expect the same in return. You don't like to wander if you feel that it will just be a waste of time. You always stand proud and tall and aware of your worth. You don't judge others and you are very understandable to yourself. But you have rules that people can follow. When you really love someone then there are no limits here and you would do a lot for the person. You are not interested in others and you always know how to look after yourself.

Cancer Descendant-you seek partners who can give you the nurturing and emotional security you needed as a child. The descendant in Cancer indicates that your ideal partner has high emotional intelligence, they are warm and supportive, and they give you an emotional background. In some cases, you want a partner who is a homemaker. In your relationships, you feel that you can finally show your sensitive side. You are caring and protective of your partner. The descendant in Cancer suggests that you can experience the emotional security to be vulnerable in your close relationships and marriage. Your ideal partner helps you connect with your emotional side and encourages you to listen to your intuition every now and then. Ideally, your partner looks after you and they support you. You come across as reserved and serious, and other people who have warmer energy balance you out.

Aquarius Rising with Leo Descendant- your personality is different from others, maybe sometimes you feel like you don't belong with other people or you simply do the opposite of what others do. You are rebellious and do things the way you think is right. Maybe you can seem less approachable and more distant to people. You embody an intriguing blend of open-mindedness and progressiveness, all while maintaining an unemotional composure that can sometimes come across as aloofness. You may be forward thinker with opinions, but you are fixed, rigid nature can also come across as stubborn and dogmatic, if you are not careful. U are a very independent and freedom-loving person. You appear a bit unconventional and shy, but you have amazing ideas and you are smart. However, it can be hard for you to get support from others. The need for freedom of Aquarius can be challenging when it comes to relationships-you want to be attached and detached at the same time.

Leo Descendant-in a relationship you are looking for fun, openness, playfulness. You want a relationship where you can be seen. You learn to express yourself with warmth and genuine appreciation of others. This helps you connect with others more easily, and improves your relationships as well. It is one of the most important lessons of the descendant in Leo. For a long-term relationship to work out, your partner must recognize your need for independence and respect your boundaries. They have to understand that you need a lot of space in a relationship. You are not the right partner for clingy people with your descendant in Leo and ascendant in Aquarius. Your ideal partner also has to respect your need for making things better. Aquarius is all about rebellion and revolution. You are looking at old structures from a new perspective and wonder about topics like social equality and creating better systems. If your partner doesn’t understand the way your brain works, you sooner or later feel that you have to get out of the relationship. You expect to be the one and only in their life and you are not willing to put up with anything less than being treated as a royalty. Giving each other enough relationship is key in your close-relationships. Your ideal partner is a born leader. They are courageous, fun-loving, gregarious, enjoy attention. You possess these traits as well, but it takes time for you to discover them in yourself. Many people with their descendant in Leo enjoy being in the center of attention later in life. The seventh house in Leo indicates that you love being in the public eye.

Pisces Rising with Virgo Descendant- your personality is very dreamy and spiritual. You have a lot of compassion for others and you feel many things around you in a deep way. You can be in your subconscious most of the time. You can be hard to figure out because of the mysterious energy you give off. You can feel a lot of energies around you that are difficult to describe. Pisces Risings have a light aura and carry a pocket full of magic dust in their back pocket. The world can be difficult, but Pisces Risings know that creative joy can help them rise above. These folks have lived a life that requires extensive thought, and often they face experiences that are more than meets the eye. Pisces Risings have accepted that in many ways, life is what you make it—which is why they don’t hesitate to let the good times roll.

Virgo Descendant-You need someone to give you a shape in which you can exist in the physical world. People often perceive you as idealistic, gentle, soft-hearted, and they can feel that they have to protect you.You are attracted to people who are analytical, logical, intelligent, pay attention to the details. You hold the vision and your partner makes the plan and then executes it. In your ideal relationship, you help your partner connect with their soul and intuition, and they teach you how to be more practical and be better at things like running errands, preparing healthy food, time management, organization, taking care of yourself. In the relationship, you come up with an idea and your partner plans the details. One of the things you need to watch out for is giving up yourself for your partner. Pisces is soft, compassionate, and it is prone to people-pleasing. Unless there are some placements in your chart that make you more assertive, you can give in too easily and prioritize the needs of your partner even if it doesn’t feel right. Your intuition is probably strong as a Pisces rising, make sure you listen to it.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah🪐🍓✨

[cherryredstars]

Not sure if I’m doing this right since I’m new to tumbler :D but hi love ur writing followed you in an instant!

I was wondering if you could write something for a very low self esteem, inexperienced reader who goes to uni so is like 21 or something and is Miguel’s neighbor. They live in this building and their other neighbor is a rude lady who complains at the slightest Noise basically. she doesn’t dare bother Miguel but is always bothering the reader since reader can’t tell her to f off. Reader is just such sweet chubby lil cinnamon roll :(

Idk if I should have been less descriptive or more TvT; ?

Anyway hope you’re doing great :D don’t forget to hydrate ♥️

1K Prompts

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Age Gap, Sexual Touching (With Clothes on), Slight Fluff

Summary: He helps you, you help him.

A/N: This is perfect, don’t worry, love!!!

Word Count: 2.4K (Not Edited)

This is most definitely going to leave you a crying wreck in your bathroom later.

Your nerves were already on high alert with finally becoming independent and moving out of the college dorms, that pesky exam and assignment you procrastinated on working on, and your job has been firing and hiring people left and right. The last thing you needed was your cranky old neighbor, (it is crazy to think that you once thought she was going to be a kind old woman who would give you cookies when she was lonely), to come banging on your door with a  list of complaints and reasons why she could get you evicted. You do not know what to do, never being in this type of situation before. Honestly, you do not even know about half the things this woman is accusing you of. 

You can only stand there, hand tightly holding the door open as you try not to cry from stress. In your head, you are counting in an effort to make sure your breaths are coming out evenly. The last thing you want is to have a panic attack and have your neighbor add the threat of a mental hospital to the list. You nod along weakly to what she says, letting out whispered apologies that only seem to make her angrier. 

“You useless teenagers and your need to ruin good things, don’t think I forgot when you tr-”

“Is there a problem here?”

His voice is deep and smooth, causing the both of you to jolt. You visibly relax when you turn your head to find Miguel standing outside his apartment door. He has just gotten back from work and running errands, his lab coat draped over his arm as he holds paper bags in his arms. His hair is slightly tousled from the autumn breeze, and a few strands of his black hair are scattered with grey. His sweater hugs his arms and torso in a way that is mouthwatering, and you quickly look away when his eyes meet yours.

Miguel is the only neighbor you really know. He had helped you the first time you moved in, hearing the way you struggled to bring some things up to your apartment. He offered to help, carrying in boxes faster than you could into your apartment. When you had gotten furniture, he was happy to come over and assemble it for you. He is so kind to you, offering to help with a leaking pipe or to answer any of your questions about how to do something. You might have grown a slight crush on your neighbor, something that slightly freaked you out when you realized because of the obvious age gap the two of you have. You have not even finished college yet and he is in his mid-thirties working in a big corporate lab. 

Miguel clears his throat and you look back at him. He stares at you expectantly, totally ignoring the stuttering woman who tries to answer his question. He is only ever interested in what you have to say. You flush under his intent gaze, quickly shaking your head. You do not want to cause more problems, and you definitely do not want to have your cranky neighbor form a bigger vendetta against you. 

Miguel’s eyebrow raises, definitely catching the anxious expression on your face. He hums dismissively after a minute, eyes lazily trailing back to the older woman. His nose scrunches up slightly at the sight of her and he looks away again as the woman stops trying to defend herself. Miguel shrugs, the paper bags rustling with their contents. He turns to face you, once again ignoring the older woman. 

“Then you wouldn’t mind helping me put away my groceries, right? Can’t get my keys with my hands full,” Miguel speaks in a lazy drawl. 

You are quick to nod your head in agreement, stepping out of your doorway and closing the door. The woman steps back, a displeased look on her face as she watches you walk over to Miguel. Miguel keeps his eyes trained on you, watching everything you do. You are shy when you smile up at him. With your back turned towards the old woman, you mouth a ‘thank you’ to him. His eyes instantly snap to your lips, intently studying your exaggerated words. His eyes seem to darken for a second before he blinks and it is gone. His eyes trail back up to your eyes and he tilts his head slightly down. 

“Keys are in my pants pocket.”

You quickly nod, whispering out an ‘okay’. Your face burns as you have to get closer to him to not knock into his arms. The angle is slightly awkward, your hands slip into his pants pocket and your face burns from having your hand so close to his…thing. As you try to find his keys, Miguel looks down at you with a heated look. He watches silently for a few minutes before looking back up and over your shoulder to the older woman. His face is masked in indifference, maintaining eye contact with her until she fidgets and turns away without saying a word. 

At the same time she walks into her own apartment, you make a sound of victory as you finally retrieve his keys. You dangle them in his face with a proud smile, and he gives you an amused smirk. He steps away from his apartment door, giving you room to step in front of him and unlock his door. As you insert the key, you feel Miguel press up against your back. His warmth seeps into your spine and you are quick to bite your tongue so you do not let out a squeal.  

His breath tickles your neck and ear, warm and slightly minty. “What did I tell you about standing up for yourself, hmm cariño?”

The question rumbles with his voice and you have to hold your breath in order to not make an embarrassing sound. You turn to look at him over your shoulder and instantly regret it. He has not moved his face yet, and you are a breath away from him. If you leaned forward the slightest bit, your noses would be touching. You gulp nervously, and Miguel’s eyes trail down to your lips once again. He lets out a deep hum as you lick them nervously. 

“I- she’s not that mean to me.” You whisper out in the older woman’s defense. You cannot help the way your lashes flutter as you try to meet his eyes. 

Miguel scoffs at your defense, finally backing away from you. He shifts his hold on the bags, freeing his hand to turn the doorknob. Your hand is still there, and your breath hitches when his large hand encompasses yours. His hand moves both yours and the doorknob, making a combined effort to open the door. You are still watching him from over your shoulder, mouth slightly opened in awe. Miguel looks down at you, something playful in his eyes as he tilts his head to the side. 

“You’re blocking the doorway, cariño. The ice cream I got you is going to melt.”

Your blush returns from the pet name and you stutter out an apology as you rush inside his apartment. It’s warm, and you’re hit with the smell of him. You find the light switch and turn on the lights, flooding the whole place with a warm glow. Miguel follows you into the kitchen, placing the paper bags on the dining room table. He rummages through them, glaring at you when you try to grab one to start helping. His hands connect with something cold, and he pulls out a personal pint of ice cream. He hands it over to you and you turn it around to see the label. Your eyes instantly light up when you read the brand and flavor. Last week you had ranted to Miguel about how the grocery store did not have your favorite ice cream in stock as he was fixing a problem with your internet. The whole time he just hummed along, you did not actually think he was listening. 

He smiles softly at you as you beam up at him. He turns back to the groceries, sighing when he sees your hand reaching for the bags again. He turns to you with a bored expression. He gently removes your hands from the bag, telling you to go eat your ice cream before it melts. You grumble playfully under your breath, complaining about how you were supposed to be helping. He chuckles as he follows after you, getting a spoon out for you. 

“I thought the whole point was that I was supposed to help you put the groceries away, not eat them.” 

Your complaining is cut off by a yelp when Miguel grabs your waist. He lifts you up, putting you on top of the counter. Your eyes are wide as you look at him and his head nuzzles into the crook of your neck. You squirm slightly from his proximity. 

“You can help me by sitting prettily and keeping me company. Tell me about your day.” 

He pulls away then, returning to the dining room table and carrying a bag to the counter next to you. Your eyes are still bashful as you watch him, quietly opening your ice cream and beginning to eat it. Miguel starts to pull contents from the bag and looks over at you expectantly. Hesitantly, you begin to go through your day, easing into it the more you talk. You speak between bites of ice cream, half paying attention to Miguel as he walks around the kitchen to place things in their proper places. Occasionally, he looks over at you as you speak, his eyes trained on the way you place the spoon in your mouth and lick at the delicious treat. 

You are almost done when he puts the last thing away. He walks over to you as you continue talking absentmindedly, just finished slipping the spoon out of your mouth again. You stop talking when Miguel’s eyes drop to your mouth, his thumb coming up the swipe at your lower lip. When he pulls it away, a bit of melted ice cream is stuck to his skin. His eyes meet yours again when he brings it to his mouth, licking it away. He hums in appreciation for the taste. 

Your mouth drops open with a gasp as you watch, eyes trained on the pink muscle. You watch as his lips form a sly smile, and you blush as you look back into his eyes. But his eyes are still trained on your parted mouth, eyes dilated and hungry. He leans forward slightly, hand returning to rub at your bottom lip before he replaces it with his lips. He is not kissing you exactly, only sucking on your lip until it is swollen and red. He gives it a small nip before he pulls away, his hands falling to rub your thighs. It causes a small whimper to escape your mouth and Miguel basks in the noise. 

His hand seeps closer and closer to the area between your thighs, grabbing the carton of ice cream and moving it to the side. His hands hastily return to the area between your thighs, fingers brushing against your center. Your breath hitches and you look down to where his hands are. Your attention is snapped away when his gravelly voice meets your ears. 

“Continue with the story, querida. You don’t sound like you finished.”

You stutter over your words, the topic of conversation blanking from your mind. Miguel chuckles knowingly, his fingers continuing to brush up and down until they land on your clothed bud. He presses into it hard enough so you can feel it through the fabric of your pants and panties, gently reminding you where you left off. You nod nervously, hands snapping up to meet his shoulders as you feel wetness rushing into your panties. You stutter and choke on your words, eyes shutting as you rotate your hips sloppily into his hand. The movement is jerky, and you feel slightly embarrassed at how painfully obvious it is that no one has ever touched you like this before. But Miguel seems to like it, likes the idea that you’re untouched and he is the only person who has seen you like this. 

It gets even better when you make those soft noises, cutting yourself off and having to be reminded about what you were saying. Miguel continues his hand movements, pressing into you and rubbing and stroking. Your wetness has seeped through your panties, dampening the material of your leggings. If you were not lost in how good it feels, you would have been grossed out and uncomfortable. A weak call of his name escapes you and Miguel looks up from your cunt to look at your face. He hums in acknowledgement, watching as you try to pull his face closer to yours in a kiss. 

He swiftly avoids it, and you would have curled into yourself at the blunt rejection if you did not become distracted by his mouth suck and licking along your neck and jaw. Your mouth falls open with a moan, head leaning back to give him more room. He groans against your skin, fingers pressing tight circles to your clit. With a few hard circles, your back arches and your hold on him tightens. Gasping moans leave you and you feel the band in you snap, releasing more wetness into your panties as you finish. Miguel pulls his head away from your neck, keeping his fingers to your bud as you ride out the orgasm. Once you slump back down, he pulls his hands away. As you catch your breath, Miguel cleans up the mess on the counter. He reaches over, closing your melted ice cream and putting the spoon in the sink. 

You are still in a daze when he pushes the warm container in your hands, his own hands gentle as he lifts you off the counter. Your eyes are glossy in after-lust as he gently guides you out of his apartment and into yours. His warm hand leaves the small of your back, massaging your sides before he whispers a thank you into your ear for your help. You are only pulled completely out of your daze when you hear your door lock and close as Miguel leaves. You turn to look at the door, cheeks blazing as you clutch tightly onto your ice cream.

You are totally getting a noise complaint for that old woman tomorrow.

Pt. 2 Pt. 3 Pt. 4 Pt. 5

Extra 1

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[illubean]

Could I get headcanons for Feitan, Illumi, Leorio, and Chrollo falling for gn!reader who by all means seems like a strong, nuturing, emotionally stable individual but every once in awhile casually says or does smthin that makes people go "Oh you're a little fuckin nuts, actually"

(e.x.: Most of their D.I.Y. furniture is made of different kinds of bone, morbidly interested in the more gorey parts of their jobs, probably works in a field that allows them to be around the dead often like a taxidermist or a mortitian, highkey just unabashashedly a morbid little freak™️ whenever it comes up naturally in conversation but otherwise comes across as just an attentive lil guy you could bring home the average parents would love.)

HXH Men with a Morbid!S/o

Characters: Leorio Paladaknight, Illumi Zoldyck, Chrollo Lucilfer, Feitan Portor Type: Headcanons, Gn!reader

this is so me

Warnings: dead things and body parts and stuff

Leorio Paladaknight

being an aspiring doctor, Leorio thought that your knowledge on both human and animal anatomy was pretty useful

at first he didn't think much about your job and just assumed you were some type of doctor or biologist or something

he often asks you questions as he studies and you're a pretty good tutor

the first time Leorio realized you were kinda weird is when one day you were walking down the street and saw some roadkill

and you were like "aww too bad, the skin and bones are too damaged to harvest"

and you kept walking like it was normal while he was like ?!!??!?

or you guys were having a normal conversation and you say something like

"if you died i'd taxidermy you and re-articulate your skeleton so you'd be with me forever <3"

1 taxidermizing humans is illegal and 2 WHAT

he is cold sweating wtf did he get himself into

when he comes to your house for the first time and sees a bunch of bones, animal skins and wet specimens he damn near passes the fuck out

how do you just casually have dead things and remains around your house!?

AND WHAT DO YOU MEAN YOU MADE YOUR COFFEE TABLE OUT OF CAMEL BONES?

he is freaking the fuck out and you're just like "dw everything is ethically sourced :D"

yeah he thinks you're a freak and he is too fearful to break up with you ever (not like he was planning to anyways)

Illumi Zoldyck

whatever drew Illumi to you had to have been some type of power

aside from that power, to Illumi you were relatively normal and had a good grip on your emotions which made you a perfect candidate

that being said he could care less what your job was, you'd just end up working for or with him eventually

when he started bringing you around the estate, you often sought out their guard dog Mike and Illumi couldn't think of why

that is until you came back one day with a human femur and bright smile on your face

"... where did you even get that?" "From one of Mike's victims. If I collect enough I could make a whole set of bar stools!"

he blinked at you and chose to ignore your statement

i mean, to each their own am i right?

so you have ah hobby, big deal

Illumi just thinks you're pretty normal personality wise until you randomly but casually drop information about what you do in your free time or have in your home

so now whenever he has a job Illumi calls you in for cleanup

you get to do.... whatever it is you do and there's no evidence of a dead body left behind, it's a win win

Chrollo Lucilfer

he couldn't care less what your job is because it's probably not worse than his 😭

he didn't really notice anything "morbid" about you until he asked about your jewlery

you wore things like resin caster bug pendants or bird skull earrings and stuff

he just assumed they were fake and you bought them because they looked badass

but then you told him you make it all YOURSELF

he is intrigued

he doesn't really question you past that because you were probably buying the bones and stuff somewhere (spoiler alert you're not)

what really caused him to think was when you casually just picked up a dead rat off the floor in some abandoned building you were exploring and suck it in your pocket

bro was so confused

"What do you need that for?" "To make a new necklace :3"

yeah now he knows that your odd taste in jewelry goes deeper than just that

he won't judge you though, if anything you're a better person than he is considering you don't kill things yourself

he is literally a murderer and a thief and has committed like 3467633788 crimes so he couldn't judge even if he wanted to

so now when he sees dead animals and what not he bags them up and brings them to you

he likes to sit in on your cleaning and making process

you seem like a perfectly normal and sweet person to everyone else but Chrollo knows about your freaky little hobby and it just makes him like you even more

Feitan Portor

I feel like for you and Feitan to even be acquainted you have to be part of the troupe

whatever you do outside of it is your business

buttttttt since you are his s/o and Feitan is probably homeless he crashes wherever you are

thus him finding out about your hobby and other job

out of everyone on this list he is the most interested

he too is a morbid little freak

he goes with you to find things and will help you with the cleaning/taxidermy or whatever process if you let him

what he doesn't understand though is why you don't just kill the things you want instead of hunting for already dead things

sometimes he will go catch like a squirrel or something and bring it back to you like a cat and tell you he found it like that

Fei baby. No the fuck you didn't

after doing what you're doing for so long you can tell what caused an animal to die but you wouldn't tell him that

he's just so cute and wants to be supportive of your hobby <3

[r3starttt]

GHOSTFACE ABBY

PAIRING: abby x reader

SUMMARY: Why not take a break from college and try the sticky, intoxicating atmosphere of a Halloween party? What could possibly go wrong, right?

CW: abby is a bit of a stalker. knife kink (like, fr) dry humping. breath play. choking. slight noncon but not really. mask kink. spit kink. cum eating. blood kink(? fingering. strap on. messy sloppy violent sex. bit of a pervert insane Abby and reader ngl.

A/N: ITS FICTION, REMEMBER IT DOESN'T NEED TO MAKE SENSE, REMEMBER NO MEANS NO, CONSENT MATTERS AND I DO NOT INTEND TO MAKE IT SEEM ANY OTHER WAY.

TAGLIST | KINKTOBER: @s4pphic-myth @levilvrr @girlkisser168 @bilsvlt @tlouloser @marsworldd @softlikesilk-chiffon @grey-jedi12 @slut4ellienabby @roos4lm4 @elliezlils11utt @1-800-fantasy @ellieswifee232 | - abby taglist: @imdrowningindispair @rkivedpages @aouiaa @bruhhtsukjf @twopeoplee @wastdstime | I dedicate this to @clairoscharm lysm

Halloween night—the air buzzing with anticipation for weeks as if the entire month of October revolved around this one event. Since the clock had struck midnight to mark the start of the month, Halloween had been the only topic on everyone’s lips. Your roommate, half-asleep and barely keeping her eyes open, had interrupted your shared study session with a groggy yet excited declaration that Halloween had officially begun. For her, at least.

Exams were looming just as close as the holiday, and you weren’t exactly thrilled about the idea of going to some lame party. It wasn’t like it would be your last Halloween, or the last chance to throw on a costume and get drenched in sweat while the stench of alcohol clung to your skin. But when the study material became a blur and your brain refused to retain anything, you found yourself thinking, why not? Maybe a break was exactly what you needed.

So here you were, wearing a last-minute ghostface mask, barely bothering to put any effort into the costume despite it being one of your favorite movies. Half the people in the cramped, sweaty space around you were dressed just as lazily. You’d lost track of your roommate hours ago, the blur of bodies and pulsing music swallowing her up as you found yourself dancing mindlessly with someone whose face you hadn’t even glanced at. A long braid swung past your peripheral vision, and the way they touched you made it easy to assume—hope—it was a woman. But it didn’t really matter. Both of you wore masks, and in your alcohol-fueled haze, you doubted you’d remember any of this tomorrow.

Boredom set in quicker than you anticipated. The press of bodies, the heat rising off the dance floor, and the tightness of your costume made your skin itch. You pushed away from the stranger behind you, their touch becoming less interesting by the second. You turned to face them briefly, offering a lazy dance before slipping away toward the kitchen, your throat burning for a drink that wasn’t spiked punch.

Something inside you craved more—maybe more alcohol, maybe more excitement.

As soon as you stepped into the quieter space, you ripped off the mask, gasping for air. The kitchen was a sanctuary compared to the chaos outside, and you immediately began rummaging for something to soothe your dry throat.

“Hey.�� A hand gripped your shoulder unexpectedly, and you spun around, a flicker of annoyance rising as you struggled to process the voice. It was your roommate, glancing over your shoulder at the masked figure still lingering in front of the doorway. They were staring at you, unbothered by your roommate’s obvious curiosity. "Uhh, you got another gift? I forgot to tell you, it's a note- Who’s that?” she asked, raising an eyebrow.

You shrugged, dismissing the question as you reached for a drink.

“Don’t be like that, that's why creeps stalk you" she laugher at you, giving your hand a playful squeeze before her boyfriend swooped in, pulling her away by the waist. “They look hot. Go have some fun!”

You watched her go, their matching costumes adorable as they disappeared into the crowd. Despite her sweet words, your heart wasn’t in it. You didn’t come here looking for romance or hookups. You just wanted to drink, dance a little, and wake up tomorrow with sore feet from your heels rather than the crick in your neck from the endless hours hunched over textbooks.

The buzz of your phone in your pocket interrupted your thoughts. You fumbled for it under the thin black robe you’d thrown on, nearly exposing half your leg as you pulled it free. An unknown number flashed on the screen, but before you could decline the call, it stopped.

Prank call? you wondered, about to take a sip of your drink when the phone vibrated again, the same unknown number lighting up. This time, curiosity got the better of you, and you thought on answering, heading upstairs in search of some quiet.

Maybe it was some stupid prank, but who knew—perhaps it would be entertaining enough to break up the monotony of the night.

After knocking on a few doors, you finally found an empty room. It felt oddly strange, like a guest room no one had ever used. With the door locked behind you, you tossed your phone onto the bed and peeled off your mask, taking a moment to inspect the sparsely decorated space. Just a small bed, some empty cabinets, and a window overlooking the front garden. The wood creaked as you opened the window, the night air cooling your flushed skin. The phone buzzed again, and you glanced down at the screen.

Unknown number.

The phone buzzed again, and this time, curiosity got the better of you. You picked it up and clicked on the unknown number. Before you could speak, the person on the other end hung up. Maybe they got the wrong number, or maybe you could have some fun with it—prank them back, perhaps.

So, you tried again until they answered, the silence between you and the caller stretching on for a beat too long.

Then, a voice—distorted, almost robotic—crackled through. “You’re not going to say anything?”

You smirked at the tone, leaning against the windowsill. “And why should I?”

A low chuckle echoed through the line. “You took off your mask.”

Your smirk faltered, and you glanced around the empty room. No one was there. The door was locked. “How do you know that?” It felt stupid to ask. Haven't you learned from your horror movies to never say the truth?

“I’m watching you.”

The words made you uncomfortable but not scared—just a little on edge. You leaned out the window, scanning the crowd below, your eyes narrowing until you spotted them. The person from earlier, the one you’d been dancing with, stood beneath the flickering streetlight, their braid still hanging down from the mask they hadn’t removed. A sense of unease washed over you.

“Oh, it’s you.”

The voice on the other end of the line was amused. “Talk like you know me.”

The robotic distortion couldn’t mask the mocking tone, and you rolled your eyes. “The voice changer’s a nice touch, but I’m not into men. So, thanks but no thanks.”

They laughed again. “I know. I felt it.”

The way they said it made your skin crawl, and you shifted your weight, trying to shake off the discomfort. “If you wanted to fuck me, you could’ve just come over instead of asking for my number and pulling this creepy shit.”

Silence greeted your accusation, but then you saw them step back into the house, disappearing from sight. The voice, now laced with something darker, whispered, “Who said I asked for your number?”

Your brows knitted together in confusion. “What?”

But they had already hung up.

You stared at your phone, dialing back over and over again, only to be met with nothing but silence. the unsettling realization creeping in that this wasn’t just a prank.

Your thoughts raced, and you frantically tried to get ahold of your roommate. If anyone could help or at least confirm this was some elaborate joke, it would be her. But as expected, there was no reply. Probably busy with her boyfriend, fucking in the back of his truck, oblivious to the flood of messages you sent—urgent pleas—all falling on deaf ears.

If what he or she, said was true and they really was coming for you, then what? What could you do? Hide in this empty, unfamiliar room until morning? Sneak out of the house, risking everything for what?

Was this just some elaborate game to mess with your head? Maybe it was your roommate and her boyfriend playing a cruel prank, knowing how much you loved horror movies.

How ironic, you thought bitterly. The last time you watched Scream, they mocked it endlessly, laughing at how you called it your favorite. There was a humor in the stupidity of the characters' decisions, how everyone died in such obvious, avoidable ways.

And here you are.

The pounding music rattled through the walls and floor, vibrations crawling up the windows and doors, masking any sound that might have been out of place. You didn’t hear anything strange—or at least, you convinced yourself of that. No more calls. No more knocks. The alcohol coursing through your veins dulled the edge of unease, numbing your thoughts as the beer in your hand burned its way down your throat. Each bitter sip was a slow erasure of worry, an excuse to keep your phone face down and your gaze fixed on the window, half hoping to see someone familiar out there in the dark.

But no one came. No one ever would.

You downed the rest of the beer in one go, your nerves drowned in the haze of indifference. The strange call, the unsettling feeling—it was nothing. It had to be. The night was dragging on, the party getting louder, more chaotic, as if the whole neighborhood had surrendered to the noise and drunken laughter. The vibration of it all felt endless—until three sharp knocks cut through the noise.

Your heart stammered, beating against your ribs. Maybe it was a couple, drunk and looking for a private space. That was it. Nothing strange. You cursed under your breath, fumbling for your mask. "Hold on—I'm coming!" you called out, annoyance biting at your tone.

You abandoned the empty beer somewhere in the room, grabbing your phone with a shaky hand, adjusting the mask over your face as you unlocked the door.

But it wasn’t what you expected.

They stepped in without hesitation, a figure in the same costume as yours, locking the door behind them with a deliberate click. “Take your time,” they said, their voice low, almost mocking.

A pulse of dread shot through you. You could push them, shove them away—but something in the air made you hesitate. One of their hands lingered on the door, the other stayed at their side, but their presence was overpowering. The thrum of music outside dulled, the beat fading into the background as if the room itself had swallowed the sound.

“This isn’t funny,” you managed, your voice faltering as their hand reached for something under their robe. Before you could move, before you could think, the glint of a knife appeared between you, slow and deliberate, the blade tracing an invisible line in the air.

"Don't make this harder," they murmured, tilting their head. The voice was too familiar, too close. “The phone.”

You froze, confusion knitting your thoughts together as you stared at them. “I—what?”

A heavy silence enveloped the room, stretching into an awkward pause before you found your voice again, "What's the knife for?" the question sounding foolish even to your own ears. Had you learned nothing from the movies?

The figure before you laughed. "You’re gonna beg me not to use it?" they taunted, a playful menace in their tone.

You didn’t respond, only managing a plead in return."Please don’t kill me?" voice laced with mock desperation, an attempt to gauge how far they would take this game.

"Please! Oh, please!" you whined, the words slipping from your lips in a mix of humor and genuine anxiety, testing the limits of this bizarre encounter. Stopping as the blade suddenly pressed against your chest, its cold steel a stark reminder of the danger that lurked just beneath the surface of your playful banter.

“I would’ve killed you already if I wanted to. Just do what I say, yeah?” Their tone was almost casual, as if they were giving you simple instructions, not pressing a blade against your nerves.

You stepped back, misjudging the distance, your body stumbling into the bed. You grabbed at the frame for balance, but your limbs betrayed you, collapsing onto the mattress. They followed, kneeling down, their movements deliberate. The knife stayed in view, tracing the hem of your robe, drawing slow, delicate lines up and down your leg.

"Who are you?" you breathed, trying to make sense of the surreal. The costume. The mask. The knife.

“I’ve been looking for you,” they said, shrugging as if it was the most natural thing in the world. “I know you’ve been looking for me too.”

Confusion twisted in your gut, mixing with fear. The words, their voice—it all felt too close, too intimate. Like something out of a twisted game. They leaned in, their hands finding your knees, their touch unsettlingly calm, hovering just over the fabric of your robe.

“Phone,” they said again, their patience thinning. The knife skimmed lightly over your skin, not enough to hurt, but enough to send chills racing up your spine. “Turn it off, or give it to me.”

Your hand trembled as you reached for it, turning the screen off and placing it on the small table beside the bed. The distance felt too far, too close, all at once.

The glint of the knife wasn’t as sharp as it had been before. Their touch on your knees softened, becoming more deliberate than threatening. It was like they were waiting for you to push back—to take control of the situation—but you didn’t. Something about their voice, their presence, stopped the fear from settling too deeply.

Your eyes darted over their masked face, searching for a clue—anything to grasp onto. You wanted to pull the mask off, but something kept you in place, curious, almost intrigued.

A breath of a laugh escaped them, soft but unmistakable. The knife’s path stilled, hovering just above your skin, almost teasing. “You catch on quick.”

There was a dangerous allure in the anonymity, an irresistible pull that rooted you in place, daring you to stay, to see what they would do next. Maybe it was the haze of alcohol clouding your thoughts, or maybe it was the thrill of the unknown, but a part of you—buried deep—wanted this moment to linger.

The knife in their hand skimmed along your skin, grazing lightly, never breaking the surface. Each touch was calculated, teasing, as if they were testing how far you were willing to let them go.

“What do you want?” Your voice, barely more than a whisper, trembled with curiosity.

They leaned in closer, their voice lowering to a deep, almost intimate tone, vibrating through the mask. “I think you already know.”

The blade, which had been dancing across your skin moments before, now retreated. In its place, their hand slid onto your leg, warm and firm, sending a different kind of shiver through you. This wasn’t just fear anymore—it was a game, one you were both playing willingly.

“What if I don’t want to?” you challenged, but your body betrayed the words, your legs parting slightly.

The knife’s point pressed into your thigh, a small, sharp warning that made you freeze in place. It didn’t hurt, not really, but the message was clear: slow down. You met their gaze—or rather, the hollow eyeholes of the mask—trying to see past the shadows behind it.

“You would’ve done something already,” there was a brief pause, simply observing each other “You know how these things go in the movies, right?”

Whoever they were, they knew you, and in some strange, twisted way, you felt like you knew them too. It had to be someone from the party, someone playing along for the thrill of it.

“Take it off,” you demanded, your hands instinctively reaching for the edge of their mask.

But before your fingers could hook beneath the mask, they caught your wrist, their grip quick and firm. “Where’s the fun in that?” Their voice held you in place. “Mhm?”

The frustration and curiosity mounted, and before you could stop yourself, you blurted out, “Let me hear you then?”

They straightened, towering over you now, the knife still in hand but no longer a threat. With deliberate slowness, they trailed the tip of the blade upward, grazing the fabric of your robe, teasing a path along your stomach and between your breasts. The movement was agonizingly slow.

You only watched them rise to their full height. The sound of their boots echoed in the loud quiet between both.

They stopped just short of the bed, looming above. Their gloved hand slipped beneath the folds of their cloak, withdrawing a small handheld device, their fingers pressed down on its side. The mechanical hum that had filled the space between you was suddenly gone.

The silence that followed felt deafening, louder than any threat they could have made. It was just you and the masked figure.

There was a thrill in not knowing who they were, but now, with the voice changer off, the danger felt less like a game and more like something real, something you weren’t quite ready to step away from. You didn't want to.

Their voice, when it came, was soft, natural—more intimate than before. “Better?”

You didn't have enough time to process the situation—not that you truly cared anymore.

The cool steel of her knife pressed against your chin, tilting your head upward. "Yeah, better."

The blade traced a deliberate path down your body, as if slicing through the cheap fabric of your robe with ease.

Her legs nestled between your knees, forcing you back against the bed, the soft mattress giving way beneath you. Your weight settled on your elbows, propping yourself up as you struggled to catch your breath. The mask felt suffocating, the heat of your body trapped beneath it, but the cool air from the half-closed window rushed in, caressing your half exposed skin and providing a momentary reprieve .

You could feel the rush of arousal coursing through you, intensifying with each inch of skin that was bared by her free hand, or the small orifices caused by the sharpness of the knife. She loomed over you, an imposing figure cloaked in power, and the simple costume transformed her into something far more formidable.

You wondered if it was the alcohol clouding your judgment, making you feel this desperate—or maybe it wasn’t.

You were wearing not the most usual underwear beneath the robe, but it hadn’t been for this moment; it was merely a playful nod to tease, a way to show off a bit while trying to stave off the heat of the night. You had dressed for fun, yet here you were, caught in an unexpected turn of events. How had it all spiraled to this?

Her hands pushed the robe up your thighs, uncovering you and showing you full for her. The pads of her fingers trailing it's way over your stomach first, then down your thighs to caress over the robe. all the way up your clavicle and under your mask. her fingers coming to hover over your neck mocking the act of choking before she focused on your breasts again.

Your breath got caught under the mask, trapping you fully beneath her. The sight before you painted in a dark tone, it felt surreal. There was an itch at the tip of your fingers, wanting to feel her, pull her closer and take that mask off even if yours was still on, make it messy and provide her with your humiliation and the desperation of wanting her. So, you reached for her, playing with the little fabric that your fingers could touch- only that way you realized she was no longer interested in whatever was behind the mask, but under the robe.

Her knife was long forgotten, calloused hands holding you in place, dancing over the black fabric of your costume to feel the lace beneath, going down and getting a preview of your body as she slid herself down, making space for her with her legs, separating yours and guiding your thighs open with the cold of her hands. It wasn't until she was on her knees that you fully sinked into the matresss, staring blankly at the ceiling and it's spots, humidity. Proper of a horror film.

But it stopped. She took her mask off, covering now with the length of your robe. There was nothing you could see that wasn’t that characteristic braid, she was blonde.

Her hands came to hold yours in place, you would get to see her. Just not now, and she'll make sure of it. No peeking.

Your lips parted open at the sensation of her lips, a warm kiss over the thin of your lacy panties. Your stomach raised in response, a shaky breath that to her meant it all. You were everything she had been dreaming of. Maybe she was too.

It was slow, a chain of kisses displayed over the wet that was passing through the pretty patterns of your panties. You hold her hands, digging your nails in between her fingers, making small circles over her knuckles, anything that could make her understand this wasn't fair.

To her it was only annoying, growling at the sight of your pussy clenching around nothing, was it this easy for anyone to get you?

The supposed dream come true was far from what her mind had created.

To be fair, she barely knew you and you barely knew her, or that she thought. Either way, If you didn't provide her the enjoyment of the story her brain had worked on creating for the past few months, the knife was still an option.

Her hands guided yours over your lap, trapping them with only one of hers before the other one went under the robe.

With her digits she pushed your clothes aside, pressing her tongue over your clit, her fingers holding the panties in place.

You tasted better than what she'd pictured. Her moans- you couldn't hear but feel, sense- it wouldn't surprise you if your brain was imagining them even.

It didn't took her long before she slid her tongue between- up and down your slit, taking a break to scissor your folds with her fingers, rubbing the smallest circles above your arousal, admiring the sight her eyes could barely see with the little light coming from the room.

She licked your cunt, rolling her tongue in between your folds, sucking at your clit, kissing at your hole. You tasted ridiculously good. She spit over you, admiring your glistening pussy, all this for her. Your legs opened more if that was even possible, clenching at absolute nothing but the sensation of her drool and your slick mixing deliciously over your sensitive clit and down your hole.

It was quiet aside the loud music and voices coming through the window. Your whines were barely heard and so were her moans. Truth is, behind it all there were to faces and bodies as equally wet and desperate. Truly.

She slid her tongue in, savoring and feasting on your taste. You were wet and sticky and she was making a mess of it, sinking against your pussy in the sloopiest way possible. It was aggressive and dirty and it was turning your brain into absolute nothing.

Her fingers wrapped tighter around your hands, until they let go and she stopped mid ministrations. Both of her hands going to the hem of your panties, taking them off for you and getting to touch at the tender of your legs before she kept going.

What If you did something and the knife had to be used? she wouldn't want this to be how she'll get to savor you. You knew, if she was something, she was doing it properly.

Her hands left the flesh of your thighs to grip at your hands again, holding them in place. Even when you tightened around her face and barely let her breathe, she didn't care about anything that wasn't the obscene of your wet pussy and her tongue eating you out, anything that wasn't those quiet gasps for air and whines that left your pretty lips. Would they be as glossy as the sight before her?

You were suffocating, eyes closed and knotted eyebrows. Lips open to catch your breath and let the pleasure escape as loud as you felt like- who would hear anyway?

The warmth pooled on your stomach. Your legs finding comfort over her shoulders, pressing her closer, deeper. You didn't care about her either, you never did and this wasn't gonna change it, but for now your fuzzy brain could only think and go for the orgasm. Her tongue felt ridiculously good, her hands were heavy and you knew she wanted you, she needed you. It was turning you as desperate and intense as she was.

"Fuck- fuck, fuck..." you warned, only making her work harder for your pleasure. She did take her time with you, it was her fantasy, but the moment was making her weaker. At one point, after being squeezed between your thighs and pressed against your slick, could there be any better?

For one last time she sinked her face into your soaking cunt, her tongue delighting herself with the bundle of nevers she craved.

if she could she'll eat you alive, sense your blood, mix it in her tongue with your arousal. feel all the warmth withing you. "fuck" she whined, yes, whined. with it came the slurps, taking in all you had for her. She would not waste any of it.

You bucked your hips closer to her, lifting them- your body turning into a humiliating response, loud and stupid for her. Letting out a chain of blabbers, nonsense pleads for her.

It had you salivating, her touch. She didn't stop Inmediatelly, not even when savoring what was left for her to take. She kissed at your clit, sucking and playing with it while you still squirmed. It was just a last taste.

You're far too gone, feeling the warmth taking over you. You don't realize she's right there, on her knees for you and you only.

The scene is beyond obscene, with your slick running down her chin, her baby hairs dancing over her forehead and sides of her face, above her flushed freckled cheeks. It's delighting delightful, truly.

You turn your head up, the mask covering your face still an impediment for her to actually see how much of an effect she'd achieved on you. But God if she could only see your eyes.

"Abby?"

Her eyes flicker toward you, and you catch the faintest smirk playing at her lips. She wipes the corner of her mouth with her thumb, as if savoring the taste of what just happened. It makes your stomach twist—desire and dread, intertwined. You swallow hard, your breath uneven, and her nod is slow, deliberate.

"Come on... you didn’t know?" Her voice is honeyed, but it drips with something darker, something mocking. You've never heard her sound this soft, yet it wraps around your throat like a noose. You feel your chest rise and fall too quickly—she sees it, her eyes locked on the rise and fall of your breath.

Her hands rest lazily on your knees, the soft brush of her fingertips teasing. Her gaze flicks to the discarded panties on the floor—yours, taken by her, claimed like a trophy. The smirk deepens, and she stands, her presence looming over you.

"I mean... double A's are pretty common," you mutter, trying to sound indifferent, as if the heat between your legs wasn’t still pulsing, as if her touch didn’t set your body on fire. She doesn’t seem fazed by your lame attempt at deflection. If anything, it amuses her.

From behind her back, a flash of metal—she pulls out the knife, lazily letting it drop beside you on the bed. The weight of it bouncing against the mattress makes your pulse spike, but the tension in your body remains, a slow-burning ache. You want her, even now—maybe especially now.

She takes off her Ghostface robe, the identity game long over. You do the same, peeling the mask off, but it’s not like either of you were ever fooled. Not really. You’ve known from the beginning who was under the mask.

Her voice cuts through the quiet. "Oh, so I’m not special?" It’s teasing, but there’s an edge to it, a warning. She takes a step closer, her fingers tracing over her belt, dark eyes never leaving yours. "Who’s the other one?"

You let out a breathy laugh, your lips curling into a smile, playful yet sharp. "You're the only one, Abby. I just didn’t expect you to be such a psycho." The word rolls off your tongue, half a taunt, half admiration. You cross your legs, your posture casual, until she presses her hands on your knees, parting them with ease.

She leans in close, towering over you with that intoxicating blend of power and desire. "Oh, so you get to be a creep, but I can’t?" she breathes, her face hovering inches from yours, her knee wedged between your thighs, applying just enough pressure to make you gasp. Her hands grip the mattress beside your head, caging you in.

"It was just a joke," you murmur, though the words sound hollow. You know the truth. You had been obsessed with her, watching her from the shadows, reveling in her weirdness.

"A joke, huh?" she tilts her head, her braid sliding over her shoulder as she studies you. "Then why did you call me in the middle of the night, moaning my name while you touched yourself?"

Before she can say more, you grab her braid, pulling her down for a kiss, tasting the remnants of yourself on her lips. It’s rough, desperate, filled with unspoken confessions. You pull back just enough to murmur against her mouth, "I didn’t stalk your house. I didn’t send you creepy gifts or follow your friends. That was all you, Abby."

Her eyes burn into yours, a silent challenge. She leans down, her body pressing into yours, the cold metal of her belt buckle digging into your stomach. The weight of her presses you further into the mattress, her presence consuming you. Your legs rub against hers, your body reacting instinctively to the tension, the anticipation.

One of her hands trails down your stomach, teasingly low, but just when you think she’ll give you what you crave, she slides her hand to cup the back of your thigh, pulling it against her. The pressure of her knee against you remains, enough to keep you on edge.

"Was I supposed to just let you have your fun and forget about it?" Her breath is warm against your neck, her lips hovering but not touching. "Call the police, maybe? I had proof, you know."

Her words send a shiver down your spine, the weight of her intentions hanging heavy in the air. You had thought you were in control—but maybe not.

"So? I didn’t ask you not to—"

You freeze mid-sentence, feeling a sharp sting, a cold bite against your thigh. You glance down, eyes widening as you see the tip of the knife pressed into your skin, just enough to draw the faintest bead of blood.

"No, no... go on," she taunts, her breath hot against your neck as she laughs, the sound low and mocking. The knife digs just a little deeper, enough to remind you who’s really in charge here.

"I love you... don’t you love me?" she whispers. Her lips brush your ear, her voice wrapping around you like a noose. "I know you read my letters," she mutters, the blade dragging slowly up the side of your ribs, a chilling contrast to the heat of her breath against your skin.

Her free hand moves from your awkwardly positioned leg, gliding up your arm, fingers tracing the strap of your bra before she slips it off your shoulder. Her touch is deliberate, almost tender, as if savoring each inch of your skin she claims. "I know you liked them too... the things I wrote," she murmurs, her lips growing wetter with each word, as if the memories of what she’d written—the sinful things you’d done with her words on paper—had soaked into her thoughts.

But then her voice drops to a whisper, barely audible over the sound of your own ragged breathing. "Though... you didn’t wear my gift tonight." Her fingers slide both bra straps down your arms, slow, methodical. She leans back just enough to study your face, watching for your reaction.

"What gift?" you murmur, confusion clouding your thoughts as you instinctively cup her face, her skin hot and slick with sweat beneath your palm. But the sensation of her thigh grinding between your legs clouds everything, making it hard to think straight, hard to focus on anything but the pulsing ache she’s causing.

"I knew she would be an issue..." Abby groans, her voice darkening as she stares up at you, her eyes flashing with something feral. Before you can even ask what she means, her mouth is on you again, kissing over your collarbone, her lips leaving dark marks in their wake. Each bruise blooms beneath her mouth, an unspoken claim on your skin.

"Did you hurt her?" The question stumbles from your lips, your voice shaky. You didn’t care that much about your roommate, not really—but the idea that Abby could do something... it chills you. Would she hurt you, too?

"No... but you’d like me to," she laughs, pulling back to meet your gaze with a look that makes your stomach flip. Her eyes—those hauntingly beautiful eyes—burn into yours, stripping away whatever facade she used to wear at school. She’s something else now, something untamed, something dangerous.

Your breath catches as her hand slips between your thighs again, fingers teasing, pressing just enough to make you squirm. Words choke in your throat, swallowed by the intensity of her touch. And the blade—still in her hand—hovers dangerously close, a constant reminder of the twisted game you’ve found yourself in.

She slids inside you with ease, humping against you with each thrust her fingers do. Curling inside you, rubbing your clit with her thumb.

You only close your eyes, mouth open for her to hear. She moans in exchange, knuckle deep inside that pretty pussy she's much dreamed about.

"Look at me" but you ignore her, too focused on that sensation in between your legs that feels like being on heaven.

Her eyes go down between your bodies, her pants now covered in your wet. "Fucking- look at me" She warns one last time, hips bucking against yours, against her own hand while you clench around her digits.

But as you do, her words get ignored once again. The weight chocking you suddenly fades, but the wet of your pussy keeps being filled- that's all you care about.

Or that's all you cared about. "Suck," just like that your eyes meet her again, a clear mad displayed on your face. You would use that knife on her- "Yeah... good girl."

There's a web of saliva connecting your lips, broken by her fingers resting on your tongue. You just do what she says, not a major hesitation- not a physical one, at least.

"You taste so good, don't you agree?" you feel the weight of her body sitting over your leg. The response she gets is a nod, lately followed by a gag- she went too far.

It feels good, her fingers filling your mouth, your flavor mixing with your drool. Her weight numbing your leg. You moan at it, giving her the full show. You know what she's here for.

Her other hand comes to her belt, undoing it while her gaze rests over yours. "Sit" the weight of her lap abandoned your leg, pressing a small slap against your thighs while her knees depened the fabric beneath her. Only there you got a proper sight of her body, her tight black shirt and the boxers peeking through while she got rid of her pants. Just like you'd imagined it to be- not really how you'd fantasized it'll happen.

The drool connected her fingers to the fat of your lips just a few seconds before her command, the sight as obscene as the wet between your legs at the mere loss of her fingers filling you, knowing what was ahead would end in a tragedy, worth it though.

There was no warning but her hands on your ass, forcing you to sink in and elicting the most delicious moan out of your mouth. The sensation, the alcohol, the music, the fantasy of it all- you were dying tonight.

Her pretty lips popped open, head against the matress while her nails dig in the fat of your lower back, tracing the flesh of your ass cheeks in a painful way- awkward, even. You couldn't care any less.

"This what you wanted?" Abby was already out of breath, her stomach twirling at the mere sensation of your hips riding over her cock- she could feel it. You nodded, leaning closer to her "This what you wanted?" the retort left your mouth with less shame, you knew she'd planned it to be perfect, you knew inside that mind of hers it all evolved around you.

Just seeing her, willing to hurt you yet please you in the most perfect detailed way, what was love if not that? And for you, what could be a greatest prove of your own devotion if not dying for her, allowing her to fulfill her creepiest fantasies for once in her pretty perfect life.

"Y-Yeah" her tone bellow a whisper while her hands gripped at your breasts. hardened nipples between her fingers while your own hands went to rub down the soft of her freckled skin. She was strong, just like you had fantasied about. Even better.

"Yeah?" Your voice came out higher than you wanted it to, it became mocking. Her hands didn't wait long before attaching to your neck, enveloping the soft tainted skin with her fingers. she was delicate still.

You rode at the beat, the breath passing through your agitated lips feeling warmer, fading. Eyebrows closed in hope of a sign, a warning- there would never be one.

You didn't stop, it was impossible to when it felt that good. Her dick inside you, hitting you as if it was meant for you- and how you clenched around it, how good it felt whenever you sank in again and again and again. The sight of her pretty fucked up face, the sensation of loosing your breath in between. It felt too good.

But the knife was close and the temptation too. It was your plan to begin with, not hers.

So, you picked it, placing it between her pretty tits, only covered by that shirt shed worn for you tonight. She looked deliciously inviting, with that fear on her eyes like the first time you ever followed her and she caught you, similar to that time you called her after her first failed exam, moaning and whining her name while your digits clinched at your pussy, hoping it was her.

"Breathe baby... come on, don't be like that" your ears caught that peculiar laugh, giggle-like. She was nervous, had she not thought about how bad this would end?

Her hands freed your neck, and you did what she asked "No, in..." Her hands picked at the knife, guiding you "out... yeah, good girl."

The warmth in your stomach grew in a ridiculous extent. "Again, come- fuck- come on." And you did, breathing in and out at the speed she pleased, it felt even more suffocating that way. "You close?"

You titled your head back, enjoying the freedom to move your hips as you wanted to. There was nothing to hold to, but the knife covered by her hands. You wished it was her tits.

"Please baby... come on" the blade fell over her stomach, ignored as her grip went to your hair, holding you in place for her to properly take in the scenery she'd so delicated planned for tonight.

Abby was whimpering for you, Abigail Anderson, whining, crying, pleading for you to use her cock, ride her until she had your arousal glistening over it, until she could heard those pretty calls for her name one last time.

"M' gonna- fuck" there you go, her pretty good girl. So sad she'd had enough for tonight.

It was messy. The arousal still between your legs, your back against the matress while you chocked and pressed your nails as deep and strong as human against her neck. Her hands fighting to to the same for you.

The kiss was sloppy and it had happened in the blink of an eye. You should've picked the knife when the chance was given, instead of focusing on how her throat would close whenever you whine her name, whenever the strap hit against her fucking desperate pussy, rubbing against her clit the right amount to make her stomach pain and her mouth drool.

There was blood by the end. Double A's craved in your thighs while you stared at the ceiling and she crawled at the end of the bed to simply sit and catch her breath. The fat of her fingers tracing over the scratches around her neck and over her stomach. "Fuck"

[darqx]

If you didnt come to party [get the hell out of this club]

In which there's some links to old art - I've been getting a number of asks that are already technically answered so that's just what I'm gonna be doing if i can even remember what RAD they originally came from lol.

❗️For commonly asked qs please see my BTD FAQ

UNFORGIVEN.

Yes he can speak at least two demon languages (commons and a more specialised one).

Not really cos the ichor will eventually disappear if it's not in contact with Rire for a while lol. You ever wonder how someone could mysteriously drown whilst not being around anything they could have drowned in? Yeah.

I have drawn several such instances a long time ago. But it's not really Rire flirting with Ren it's more him being like...subtly condescending to Ren since Ren's submissive level is not very interesting to him |D

I...think you may have possibly mistaken me saying Rire might cry if he was in severe pain to mean that's the only time he could cry XD; To answer your q, yes Rire can cry from emotions - the point is he would choose not to (esp in public) as that would be a weakness.

🤔 You could probably get away with the same dress design but in black, tbh (if it was Lady Rire). Since the outfit design is 1930s/1940s based Rire's equivalent would be like...a 3 piece suit with a long overcoat/trench coat.

Got you covered bro [from a suit meme I did before]

Rire has a very long life span, but he's not immortal XD;

Tbh I don't really have thoughts about any of other peoples headcanons. Like I'm generally quite neutral towards headcanons because I primarily deal with the canon; the extent of my thoughts would be like "hm i wonder how they came up with that" lol.

This is actually in my FAQ :d but good of you to check for permission! If it's your own artwork then yes it is ok to make fanmerch of Rire. Similarly Gato allows fanmerch of her BTD and TPOF characs as long as it's your own art you are selling (and not like, our art/someone else's fanart that they didn't give permission to turn into merch).

It would be in Cain's best interest not to.

Cain is literally saying Olé Olé because i happened to be listening to this song at the time.

I can barely keep up with my ask box as myself let alone do it while pretending to be a charac lol, so no 😅 You can find a bunch of the most common qs in the FAQ pages though.

No and not really - though he is a bit more sensitive to light compared to a human as he has much better night vision than a human. He may also be able to see more colours than humans 🤔

There is technically no "stereotypical" demon in my 'verse, there's a bunch of different species each with their own looks/powers, so if he was another species then he'd have their physical characteristics. Rire's species is considered "plain" because outwardly they can pass more easily as a human than say; Izm's species (who have a really noticeable Glasgow smile-esque mouth as one of their physical features).

Yes he was born a demon...to his demon parents...|D;

He's the king of his sector and his sector is pretty well-to-do, I think you can draw your own conclusions from that lol.

Maybe, depends on what the human in question does with that.

Your second q has two answers depending on what context I answer them in, so I'll reply in the BTD context keeping in mind a charac like EP's Cain :d Basically yes Rire would be able to sense them like he does other demons. It's not a specific sense of "THIS CHARAC IS AN ANGEL" but more like "this charac is not human" and depending on what else he gets from it a "in your best interests to not engage".

Something big with long black fur and yellow eyes, maybe like a Norwegian Forest Cat or a Maine Coon.

[lulujeno]

them as your older brother, finding out you have a crush on one of their members

— nct dream ᡣ𐭩

cw : some of them question ur taste in men but thats overall it, just some playful banter :D

a/n : really nervous for my exam tmr so i wrote this to calm me down ^^ gender neutral as always but it's a little shorter than my other one, hope you guys enjoyyyt <3

mark:

your crush on renjun wasn't that obvious at first

well that was until your youtube search history betrayed you

mark was borrowing your laptop one day and was so confused when the most recent searches was just renjun

"renjun fancam" "renjun cute moments" "renjun being mad at dreamies"

didn't put two and two together just yet but it was at the back of his mind for sure

would call you to visit the dreamies more often to see if his assumption was right okay scooby doo

you'd bring snacks and drinks most of the time, somehow always getting renjun's favourite stuff

texted you the moment he was sure that you do have a crush on his bandmate

you admitted it and since then he's been the #1 y/njun shipper

gives you updates about renjun

if it isn't obvious enough, he does approve of junnie (maybe a little too much)

renjun:

came to him one day for help since you were thinking of confessing to haechan

looked directly into your eyes and tells you you can do better than haechan

"haechan? of all people??"

proceeded to tell you that he already knows about your little crush

would tell you things that haechan likes or dislikes, even though he looks like he disapproves

secretly happy that its someone he knows really well and not some random douche

you'd notice jun's little ways of helping you get with your crush

you give him a small smile and he'd mouth to thank him later

would still nag to you because he really can't see what you see in his bandmate

"whatever makes you happy"

don't worry, he approved of haechan after seeing the way he treats you

jeno:

tried to act surprise when you said you found mark interesting

you hit him jokingly because of how bad his acting was

teases you about your crush

when you visit the dreamies he does that thing with his eyebrows and makes it really obvious that you like his bandmate

but for real though, he'd be really supportive and actually try to help you out

would still give you the 'don't get your hopes up' talk since he doesn't want you to be heartbroken

happy that you came to him for help with your little crush (you? not so happy because he's so obvious)

"mark did you see y/n's new hair?" "mark doesn't y/n smell good today?" "mark you're not gonna give y/n a hug too?"

you want to smack jeno every time he does it thank god mark lee is oblivious as hell

haechan:

thought that you were joking when you said like jaemin

realised that you were serious and suddenly theres plan a all the way till z to get you and jaemin together

one of then was to lock you both in a closet (in hopes that it ends with you guys kissing ONLY)

like jeno, tells you to not get your hopes up too high since the last thing he wants is to see his sibling cry over a MAN.

still questions why you like jaemin though, he thinks that that guy is weird

tried to tell you things to give you the ick about jaemin but it doesn't work

at one point he got too tired waiting for you to confess so he told jaemin himself

don't worry, he told you when he was going to spill the beans (yeah like 5 seconds before he said it)

jaemin:

jisung?? of all people??? that boy can't even take care of himself, how would he take care of you?

gives you a whole ted talk on why you should go for a real man like mark or jeno instead

ends up seeing what you see in jisung though

tall? deep voice? big hands? can dance? that ticks off everything in your list!

the talk ends with him being supportive and brainstorming ideas on how to make you guys a real couple

would straight up tell jisung that you like him

probably gave jisung a whole protective brother talk that scared the poor guy

tells you that it's the only way because things need to be clearly said to jisung or else he'd be too shy to initiate anything

asks for cat food in return if everything works out because he has children to feed!

chenle:

be fr, zhong chenle knows everything

so when you told him that you like jeno he did not bat an eye

tbh he was just waiting for you to admit it before going through with his plan

the plan? you accidentally tripping in front of jeno, landing on top of him, and kissing him

you just stand there thinking if your brother was actually stupid enough to think that it'll work

doesn't play when it comes to y/nno

but if jeno does end up liking you back suddenly chenle's favourite place is the gym

also doesn't play when it comes to protecting his sibling

warns jeno that if he breaks your heart then he will break other things!

jisung:

was appalled when he found out that you like chenle

chenle? zhong chenle?? his best friend of 8 years zhong chenle ???

give him a second to take it all in

finally connected the dots on why you keep asking for updates about chenle

would help you out in a subtle way

ways like making chenle sit beside you or asking chenle to call you instead of doing it himself

backfires soon after since he told chenle that you watch basketball

forgot to add in wives, you watch basketball wives not basketball itself

can't keep a secret for too long, especially one about chenle so give it 2 weeks tops before your crush finds out

fair to say it ended with both of them spamming you (one to apologise and the other? other reasons)

[enbycarp]

Hey all, it's Juneteenth. I feel like this is a good day to talk about folks in prison.

I'm pen pals with several folks in prison. I've been doing this for many years now, and i think it's one of the most important things I've ever done. I started because i was interested in prison abolition, and i was told this was the way to get started in that movement. It's also a way to invest in our communities. Because queer, poc, poor, and disabled communities are disproportionately affected by the industrial prison complex. It's our people who are being thrown into cages and often being forgotten, tortured, enslaved, and denied their rights. We can invest in our communities and participate in mutual aid no matter what our resources or ability levels are. Being a pen pal requires investing a pretty small amount of time and money. Literally, if you can write a letter, you can do it (and often, you can send the letters online, so you don't even need paper).

I have made some true friends as a pen pal. People who have offered me support as much as i have offered them. I have one pen pal who i can talk to about things that i don't talk about with anyone else.

I won't lie, it's not always easy. There have been a couple pen pals that i didn't get along with well. I had to tell them that it wasn't working and gently end our correspondence. I've had two pen pals that stopped writing to me after they got out, and i just have to hope that they're ok out there. And these folks put up with really hard, sometimes horrifying shit inside. It can be hard to process that. Though, I've known other folks with pen pals who clearly set boundaries about what they're comfortable talking about and that's worked for them. I've had a pen pal ask me to do more than i was able to do for them, and i had to tell them no. They understood. You have to be able to set boundaries in any relationship, though.

You get to decide what you can do to help a pen pal. For some of us, that's just writing letters. I sometimes send gifts to folks (mostly books from Amazon). For one of my pen pals, i look up info about magic the gathering or D&D because she plays those games inside. For another, i wrote a letter to help support her case for getting a shorter sentence. One friend likes me to look up facts about his favorite actresses and sports teams. When one friend was facing transphobic discrimination, i organized a call in to the superintendent (and we really helped her). Some pen pals are looking for romantic connections (they generally tell you up front of that's the case). Many queer prisoners just need a connection to their community.

Please at least check out www.blackandpink.org and learn about what being a pen pal can mean for people on the inside. That organization has connected me with several queer pen pals. Even if you're not going to sign up to be a pen pal, just take a few minutes to learn about it.

Thanks!

Ps: you can ask me if you have any questions about

[maximumzombiecreator]

I would actually like to know what you consider the basics of improv to be! If nothing else, you phrase these things really well and in ways I haven't heard before, and I'm also aware there's a lot of things I don't know (I'm in a student run college improv group, our theory might be a bit lacking)

Be glad to. A lot of improv stuff is just oral tradition at this point, passed down in musty school drama rooms and community centers, so everyone has to pick it up somewhere. When I've taught people before, beyond the basic definition of what an improv scene looks like, I usually focus on a set of do's and don'ts.

Do's:

Make offers, and make them good offers. A good offer should be strong and elegant, like a power lifter in a ball gown.

Broadly speaking, I'd say the strength of an offer refers to how much it establishes about the scene, and how much what it establishes is different from a theoretical "default" scene. Typically, you think about how much an offer is establishing in terms of the questions words: who are the characters, what are they doing, where are they, etc. An offer that establishes "two characters who are old friends since high school meeting up at a coffee shop to catch up" is establishing a lot, but it's still a weak offer because it's such a typical scene. You're not adding much that can't just be taken for granted.

When I say a good offer should be elegant, I mean that it should be as compact as possible while still doing a lot. The typical inelegant offer is verbose and unnatural. A character walks into a scene and says, "Hey, big brother Billy, I hope you're recovering from the illness you've had for the last six months, ever since our father died," or some other expository nightmare.

So, the best offers are both. They create a lot of unique, interesting details about the scene, and they do it quickly. Let's say you stagger into the scene, miming carrying something under your arm, and say, "Doctor! I've been decapitated again!" In five words, you've established who you and another character are, where you are, and why, and you've implied a lot of very unusual details about the scene, world, and your character's history.

When thinking about elegant offers, it's also worth noting that a lot of offers that you should be making are physical. Depending on the type of improv you're doing, you might be physically embodying objects and the environment, and if you're doing background like that you can add a ton of detail that the audience can pick up without friction. But even if you're not, you can establish location through miming actions, you can create details about your character through how you walk and hold your body, you can endow others with traits through how you physically react to them.

That brings us to the next do: make strong character choices and enhance other actors' characters. People have written whole books on what comprises a "strong character" but for improv purposes I'd focus on three details: quirks, status, and connections.

Quirks are fairly straightforward: what makes this character unusual? Establishing character quirks is the focus of a lot of improv games and exercises, and the best quirks are quick to establish, significantly inform the character, and are handled with enough sincerity to make the character compelling rather than only funny.

Status refers to how powerful and important a character is. High status characters will command the room, low status characters will be ignored or mistreated. Status might shift over the course of a scene. The sheriff is a high status character until the king shows up, for example. Status might seem like an obvious thing to figure out from a character's role, but it's useful to play with it. What does a low status king look like? What does an employee-boss scene look like if you decide your employee is higher status than the boss?

Connections refer to the relationships between characters. This is going to drive scenes more than most other character details, and you almost always want to avoid unconnected characters. Choosing a connection to an existing character is a very good first choice when entering a scene, as it should immediately suggest a direction for the scene to take. This is also a reason to favour unusual connections. If two actors are in a scene where they're arguing about a fender bender they've been in, you could choose to enter as one of their friends, but it'll be far more dynamic if you choose a more unusual connection. What if you're one of their anger management therapists? Their boss? Their dominatrix?

In addition to creating your own character, you should add to other actors' characters. The main way you do this is endowment, giving the character traits through your offers. Direct endowment is when you simply ascribe them a trait. If you say, "Bill, you've been mayor for the last ten years," then you're obviously giving them the trait of "mayor." But there's also indirect endowment, where you add something to a character through part of how you react to them. If you flinch when another character moves suddenly, you're endowing them with the traits of being dangerous and erratic. If you speak to them very slowly and simply, you're implying something about how intelligent your character perceives them to be.

Putting it all together, the last big thing to do is build up. There can be a temptation in improv to build out, to add new details to scenes that sort of sprawl outward from the original premise. Try to avoid that. When you add new details, make them ones that build on the existing details. Instead of adding new tensions or conflicts, raise the stakes of existing ones. Reincorporate and re-contextualize things that have already been established. Incorporate audience suggestions repeatedly, using them to colour other offers.

Don'ts:

No blocking. This is the one even people who don't know improv know. If someone adds something to the scene, go with it. Don't reject or ignore offers, incorporate and build on them.

No wimping. Whatever the scene is, whatever your character is, whatever offers are made, fully commit. Bring all your energy to it. If someone says your character is on fire, don't just stop, drop, and roll and then go back to whatever else was going on. That's wimping. Be the most on fire that you can be.

No dithering. When you're in a scene, always be adding to it or moving it forward. Saying something that just fills space, at best makes a joke, and doesn't add to the scene is bad form, it doesn't give other actors anything new to work with. If you're dithering, you're forcing other actors to pick up the slack. This is called "gagging" if you're being funny by not adding to the scene, and is a great way to be popular with the audience and have everyone else hate you, don't be that person.

Don't make yourself look good at the expense of your scene partners. It's okay to get laughs at the expense of other characters, but not at the expense of other actors. Help others get into the scene, develop their characters, and give them things to respond to, add onto their offers.

Related to the above, don't steal the spotlight. If there's a scene going on that you're not the focus of, you should be trying to figure out how to enhance what's going on. Everyone can tell when an actor can't bear to be in a supporting role, and it's not a cute look.

More than anything, don't betray the trust of other performers. All theatre requires trust, but improv requires so much trust. If you lose that trust, you're done, you've got nothing.

[vaspider]

Hi there! Hope you’re having a good day mama spider. Just dropping by to ask for some info on an addition to a post about Judaism you made. I chose to ask you and not op because i’ve sent you an ask before and know that you answer them. So real quick, why did you type out G-d rather than God or god? Does it have something to do with Judaism? Is it just for the faithful to follow and not goyim? As an atheist who was formerly Catholic i just wanna learn more and be respectful of others’ religions whenever i can. I know next to nothing about Judaism, even though they’re a good portion of my county’s population. Hope this ask isn’t insensitive in any way, and thanks for taking the time to read this <3

This isn't insensitive to ask. It's actually a great question, and I'm glad that you asked if you're curious.

Since those articles cover your asks pretty well, I'm gonna give you some free bits of info to help your quest for respectfulness, which is pretty rad, btw: we don't really use phrases like "the faithful" bc Judaism doesn't require faith in G-d. There is no conflict between Judaism and atheism & there are a lot of Jewish atheists and agnostics. Judaism is an ethnoreligion and a people in a way that a lot of religions aren't, and in fact, the symbolism for one of my favorite holidays emphasizes that we are not complete without all kinds of Jews:

The functions of the four species are defined by both their smell and taste, or lack thereof, along with some interesting imagery from the Midrash (Vayikra Rabbah 30:12): The etrog has both taste and smell, representing people who both perform good deeds and have Torah (knowledge). The lulav has taste but no smell, representing those who do not use their knowledge to perform good deeds. The hadass (myrtle) has smell but no taste, representing those who perform good deeds but lack the knowledge to excel at them. The aravah (willow) has no taste and no smell, representing those who lack both.

"Good deeds" here doesn't just mean "being nice to your neighbors" but refers directly to performing mitzvot/mitzvahs, the 613 commandments that observant Jews observe to varying levels of specificity and intensity.

It's not offensive to use a phrase like "the faithful," just isn't ... correct, you know? Instead, you'd just say Jews or Jewish people. If you're trying to refer specifically to Jews who are religious or believe in G-d... there isn't exactly a phrase for that, I guess you'd say "observant," because there are a lot of Jews who are observant but also atheists, since observant Jews may be observing mitzvaot for any number of reasons that have nothing to do with belief in the existence of G-d.

Anyway, there you go, with some bonus info. As always, I don't speak for everybody, 2 Jews 3 Opinions, etc.

[misshugs]

Desperate || snc

[req by @venusisaligned ] Another investigation, another scary night... well, maybe not so scary after all. They just can't seem to stop teasing you.

contains: SMUT +18, oral (m&w), cursing, pet names and all the good stuff

word count: 2.5k

[u n e d i t e d]

✮ ⋆ ˚｡𖦹 ⋆｡°✩

"So this is the place?" You ask, looking at the Victorian-Styled house right infront of you. "Doesn't look half bad for like a 500 year old house."

"It looks great, right?" Sam smiled at you, opening up the door to the place. "Tour guide already told me where the key was so we can have a look before they get here."

"So we're having the place to ourselves for a couple of minutes?" Colby asked, walking inside after you.

"Yep, what do you guys wanna do?" Sam asked, closing the door.

"Well, we can do a lot of things in just a few minutes." Colby smirked while looking at you, making you chuckle.

"Ouf, don't threaten me with a good time." You answered to his obvious question.

"I never said anything, you dirty mind filled in the blanks."

"And how did you know I was thinking about that?" You raised a brow, leading him to think about it.

"Touché. You got me there." He laughed. "But hey. It really is an option. Just sayin'."

"You're hearing this guy right now?" You look at Sam while pointing at Colby, making them both smile.

"I mean, he does have a point..." Sam crept just a slight bit closer to you, making your heart skip a beat for a second, his intentions unsure, yet clear.

"Ah, you see? I'm not the only one." Colby proudly spoke up, making you roll your eyes.

"Oh, shut up."

"Make me." He quickly responded, gaining a giddy smile from him.

"I'll make you shut up alright." You said, your tone quickly shifting to a more flirtatious one, turning a switch on their system.

As you were slowly walking closer to Colby, Sam getting ready to join quickly after, a sound made you stop in the midst of cupping Colby's face on your hands and his hands quickly finding their way to your waist.

A knock.

"Hello?" Someone from outside asked. The tourguide.

You pouted, sighing as you separated from Colby's embrace. "Way to ruin the mood. Thought we had more time." You whispered, looking at Sam who was clearly bit annoyed by the timing.

"I did say minutes. Sorry." He apologized while quickly walking towards the door.

It gave Colby some time to grab your wrist and hold you closer, quickly giving you a peck on the lips. "Might be leaving me hanging now, but this isn't over." He whispered in your ear.

"Oh, I know." You smirked, walking towards the newly arrived people.

The tour wasn't long. The house had quite a few rooms, but most of them weren't really as interesting as the two main ones, where most of the activity was.

You were hugging yourself while listening to the guide talk about the story of the place and the people that have misteriously died.

"It is said that she killed herself, but there are speculations that say she was killed in her room while she was sleeping. Nothing quite confirmed, though. Since every time someone tries to talk to her she seems to avoid the topic."

"But she's able to answer any other question?" Colby asked the guide, gaining his attention for the meantime.

Leading him to not see Sam's hand slowly caressing your lower back, putting his hand underneath your shirt without anybody noticing.

You didn't respond to his touch to let him play it off, but your heart was palpitating at a higher rate the moment you felt his touch on your skin. You gulped, barely listening to the story as you kept on dozing off due to your attention being kept on... other things.

Although your vision was kept on Colby and the guide, your mind was vividly thinking, and feeling, Sam's touch. How he slowly descended his fingers to the waistband of your panties, softly playing with them before you could feel his hands getting deeper into your pants.

His hand holding onto one of your soft cheeks, squeezing them, making you sigh at the feeling. You looked up at him slightly. He seemed concentrated in the story, unlike you. If it weren't for the fact that you could no longer think straight due to your sex quickly heating up, you'd think he was just extremely curious about the story.

It would've been the case for anyone else looking at him.

Before his fingers could descend closer to where you needed him to be, he pulled away. Putting his hand on your shoulder, he answered a question the guide had asked him.

Looking at him, you almost wanted to whine about losing his touch, but you couldn't. There were others around, you couldn't.

And that's what made it worse. Or better. You could feel the adrenaline, your heat quickly turning sticky and getting caught on your underwear due to the sudden dampness.

Quickly, the questions were over and so was the tour.

✮ ⋆ ˚｡𖦹 ⋆｡°✩

It was almost 12 in the morning, you guys were back from a lunch break whilst waiting for it to get late. The house in the daylight didn't seem too scary. In fact, it actually seemed quite vivid and beautiful.

But you couldn't say the same about it at nighttime. It was frightening, it had a different vibe to it that you just couldn't put your finger on.

Almost as if it were alive, but not in a good way like before. It felt as if it was desperately trying to pull you in, only for you to never walk back out.

Your easy going nature almost jumped out of the window when you walked inside. It felt cold, dead.

How ironic.

"Wow, it really does feel different at night." You said, remembering some of the few words you could remember the guide telling you about. This was... normal.

"It really does... it makes it spookier." Sam smirked. "Hopefully we get some good activity tonight." He gave you a quick glimpse before walking around.

As they began recording and walking around with you, your instinct cracked through and you held onto Colby's arm for some feeling of protection, which he didn't argue about.

"Alright, I think it's time to get the equipment, I'll be right back." Sam gestured to the outside, walking away.

Colby, on the other hand, didn't waste a second to get his hands on you. Quickly pinning you towards a wall, his lips interlocked with yours. A slow, wet and messy kiss.

His leg finding its way in the middle of yours, inducing pressure on your heat, letting out a moan that was drowned by the makeout session.

A hand slowly descended towards your hip, his thumb making circles around the slit where your skin was visible. When the both of you pulled away from the kiss, he didn't waste any time and slid his hand inside your pants and right in between your legs, touching your clothed cunt and making you whine in response.

"Such a tease you are. You're already wet for me, for us." He whispered in your ear, making circles on your clit. You panted at the feeling, your legs almost giving up.

"Colby..." You sighed.

"Desperate already? I can feel it." He kissed your burning cheek, giving you even more pressure with a mere finger.

If this is how one of his fingers made you feel, imagine everything else.

"Alright," You could hear Sam coming back, which made Colby smirk and pull away from you, making you whine at the sudden loss of touch. "Here's everything."

"Then let us begin, brother." Colby said, walking away from you. Sighing, you followed close behind.

It was absurd, you could simply fuck right there without an issue, but they knew you liked this. They knew you loved to be teased, to be on the edge at all times.

And they were right, you fucking loved it.

And it went like that for the whole night. Not even when the both of them were in the room you were... 'safe'. One of them was always closer to you than the other, therefore, more chances of him to touch you softly without the other noticing.

Or, at least, that's what you though. Both of them knew what they were doing alright, but they were acting as oblivious as possible to make it more entertaining.

It was going to be a bit complicated to edit out, though.

Whenever they started using some sort of method to communicate, they started to get touchy with you in the most discrete way possible.

Even whilst asking questions while doing the estes method. Somehow, they always seemed to find a way of holding you closer, getting more intimate without the camera on strict view of you.

A whole hour of teasing passed and you just couldn't handle it anymore. When Sam walked out of one of the main rooms, you held onto Colby's hand and got him closer to you, kissing him once again like before.

He smiled in the middle of the kiss, holding you by the hips while you cupped his face. Stepping away from the kiss, he chuckled.

"Babe, we need to keep going."

"Oh, fuck the investigation. I can't hold it anymore Colby, please." You whined, desperation on your words. "I need you."

He couldn't help but smile brighter. "You don't know how much I've been waiting for you to say that." He whispered before holding you up to walk you towards the bed.

He hurriedly got to taking off your shirt, trying not to separate his lips from you as much as he could. Kissing your neck whilst taking off your bralet, you tried to take off his shirt, successfully throwing it away.

Going back to your lips, his rough kisses were as desperate as you were. You grabbed the back of his neck, intensifying it and playing with his hair. You could feel his hands on your waistband, quickly pulling down your pants and leaving you with the last piece of clothing that was covering your cunt.

Before he could even remove it, you heard a noise, a knock. The both of you looked at the door, at Sam. He was with his hands crossed across his chest and his body resting on the door.

"So we're finally doing it?" He raised a brow and walked in looking at the both of you.

"Finally?" You panted, still with a shaky breath and looking at him confused.

"Yeah, well, when I said 'activity' I didn't just mean paranormal. We're not that oblivious as to what both of us were doing all this time, sweetheart." He responded, holding onto your cheek and kissing you softly. "I just wasn't expecting it to be so soon."

"She got desperate." Colby said, which made Sam chuckle.

"As always. Can't handle some teasing, hm?"

"Just... just... please." You begged, already feeling drunk by their mere touch.

"Please what, baby?" He asked, crawling on top of the bed. Colby made you lie on your chest, giving you a slap on the ass when he got the oportunity, making you whine.

"Please, take it off..." You mewled, feeling another slap before moving your hand towards his crotch.

"Then pull it out if you need it so badly, sweetheart." Colby whispered in your ear, biting it slightly. You could feel his fingers rubbing against your aching cunt, slowly pressing against the fabric.

You gulped and did as told, holding onto Sam's pants and taking off his belt, unzipping his pants. Your panties were slowly being pulled down while you kept on paying attention to the bulge underneath Sam's pants.

On the other hand, Colby's eyes darkened at the view he was receiving. Your dripping wet cunt made his own mouth water. He held onto your ass cheeks tightly before moving his thumbs towards your lips and spreading them apart.

Such a lewd site to admire. Licking his lips, he got on his knees and gave you a long, wet, lick. A moan escaped your lips, gripping onto the clothed dick you were rubbing against your palm, making him grunt a soft "Fuck."

Your legs shuddered at the feeling of his tongue against your heat. It almost made you lose consciousness right there due to your neediness.

"Come on, love. Don't leave me hanging." Sam snapped you from your dream world. You obliged, taking out his growing friend and admiring the view, trying to surpress some moans before holding his length and stroaking it a few times with the precum that was already dripping from his tip.

It made him sigh in response, touching your hair and softly caressing it in the meanwhile. "That's it. Mh." He bit his lower lip while looking at your panting face. Colby, on the other hand, started sucking aggressively. Thrusting his tongue deep inside of you, touching as much as he could.

Moaning whilst savouring your taste, trying to memorize every single inch of you with his tongue. It made you moan in response, your eyes rolling to the back of your head. Trying not to wait any longer, you put Sam's dick inside of your warm mouth. Sucking onto his tip, trying to regain a bit of the consciousness You've been seemingly getting away from.

Bobbing your head up and down his length, you couldn't help but moan around it, giving him vibrations that made him see the stars for a few seconds. He helped you out, pushing himself deeper inside of you, almost making you gag at how filled your mouth was.

A few tears falling from your eyes while the pleasure from both sides was noticeable. You could feel the quick knot on your stomach unravelling, making you unconsciously close your legs around Colby's face, only for him to slap your ass one more time, making you moan once again.

It didn't take long until you released yourself. Him, helping you ride out your orgasm while Sam started thrusting harder against your throat, releasing himself inside it. Pulling away, he smirked at the face you were making. He couldn't hold himself, switching you around so that you could look at Colby.

"Look at this pretty little face, so needy for us." Sam said, cleaning a bit of his cum that was dripping out of your mouth. You gulped it down while looking at Colby's smile. Before he could even respond, you all heard a beep.

It was a REM-POD.

"Almost forgot this was a haunted house." Colby chuckled and stood up. It seems he fisted himself whilst he was busy eating you up. "So, let's continue that video, shall we? We definitely gave the ghosts a show just now." He laughed and fixed himself. As you looked at him confused, Sam stood up and fixed his pants as well.

You were in disbelief. Were they really going to just continue on like that?

"I'm sorry, but... fuck the video." You said, trying to regain your breath before completely sitting down. "Come here and fuck me instead."

Needless to say, you guys weren't able to finish the video.

✮ ⋆ ˚｡𖦹 ⋆｡°✩

sorry that it took me a while (i had writers block for a while) but i finally found a good concept to go with to make it more interesting! hope you like it!

reblogs, comments and likes are appreciated <3

~nikkõ

[lazyflower48]

Dazai and Ranpo: The Two Geniuses of the ADA

The thought about making a post about Dazai and Ranpo's teamwork has been plaguing my mind for a while now, and so I finally found some time and decided to go through with it.

So let's talk about one of my favourite underrated duos for a moment. The two geniuses of the ADA- Dazai and Ranpo. Two people who make a wonderful team and are actually, in my opinion, the backbone of the agency.

What I find interesting is that (though I believe that Dazai respects and admires all members of the ADA) Dazai openly admires Ranpo A LOT. He's always quick to praise Ranpo (basically fanboying over him and it's quite adorable to see Dazai gush over someone like that other than Oda) and in 'Dazai's Entrance Exam' we see him being surprised over the fact that Ranpo's ability is not actually an ability and we see him further praise Ranpo's intellect after finding that out.

Despite the fact that Dazai is a huge mystery, even to the people around him, Ranpo figured out that there was something up with Dazai in just a single glance (in 'Dazai's entrance exam'). And despite knowing that Dazai was probably hiding a sinister past, he didn't press him any further for details (probably in order to respect his privacy or his wish to not disclose his past OR maybe due to the the fact that knowing Dazai, he most likely wouldn't answer truthfully even if questioned about it)

What I also love is that even though both of them are extremely intelligent, their intellect differs in such a way that Ranpo is a master of deduction and Dazai is a master of manipulation (as stated by Kunikida in 'The Daily Routine of the Detective Agency'). However, one thing both of them share in common is that they both felt isolated due to their nature.

They may have limited interactions but their interactions are always my favourite, for instance-

1. Dazai's entrance exam - Dazai's admiration and respect towards Ranpo

2. Season 1 - Murder on D-Street - Dazai showing a good understanding of Ranpo's deduction process and acknowledging that Ranpo caught onto more details than him

3. Season 2 - "Mountains or sea?" " Sea. "

Showing their unspoken communication. They can read each other's minds at this point lol.

4. Season 3 - Ranpo basically acknowledging that Dazai would be a tough opponent to go up against by comparing Fyodor to him (sort of praising his intellect in a way)

5. Season 5 - The Strongest Man in the Agency- Ranpo

Dazai keeping an eye on Fyodor while leaving the rest to Ranpo

Dazai relying on his allies- trusting Ranpo to negotiate with Bram in order to undo the vampire curse.

6. Dead Apple - Ranpo seeing through Dazai's plan beforehand.

7. 55 minutes - Seeing through upcoming events beforehand, one thing Dazai made sure was to inform Ranpo about the whole fiasco on Standard Island in order to save the Agency in the end.

Also, sidenote: I found out that the Dazai and Ranpo duo is named Souheki, which translates to double jade. Now, I'm not sure if this information is fanon or canon (feels more like fanon tbh but I really like it because it's a pretty name)

Anyway, one thing we can say for sure is that as long as the two geniuses of the Agency- Souheki work together, the ADA will most likely remain undefeated cause no one really does it like them

Lastly, just some food for thought. I've always wondered how Dazai would react if he found out that Ranpo met Oda TWICE and the second time he met him was right before Oda went on to his certain death.

Honestly, I would LOVE to see more fleshed out and direct interactions between these two.