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tswiftdaily · 5 years ago

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In the 2010s, she went from country superstar to pop titan and broke records with chart-topping albums and blockbuster tours. Now Swift is using her industry clout to fight for artists’ rights and foster the musical community she wished she had coming up.

One evening in late-October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became -- as it often does -- an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello -- the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in -- I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

Swift, who will celebrate her 30th birthday on Dec. 13, has been impossibly famous for nearly half of her lifetime. She was 16 when she released her self-titled debut album in 2006, and 20 when her second album, Fearless, won the Grammy Award for album of the year in 2010, making her the youngest artist to ever receive the honor. As the decade comes to a close, Swift is one of the most accomplished musical acts of all time: 37.3 million albums sold, according to Nielsen Music; 95 entries on the Billboard Hot 100 (including five No. 1s); 23 Billboard Music Awards; 12 Country Music Association Awards; 10 Grammys; and five world tours.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop -- hinted at on 2012’s Red and fully embraced on 2014’s 1989 -- reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation -- which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West -- as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family -- there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” -- 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year -- starting next November, when she says she’s contractually able to -- in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary -- claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights -- and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists -- and make them nonrecoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come -- and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise -- but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year -- like Saturday Night Live and NPR’s Tiny Desk Concert -- I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say.

That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time recalibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way -- on your Tumblr page.

Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around -- they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue -- like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to?

Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop -- we all have each other’s numbers and text each other -- but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now?

God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally?

From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas.

The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent?

That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so.

“Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in -- if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about?

Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all?

I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists.

I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently -- staring down streaming services over payouts, increasing public awareness about the terms of record deals.

We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about recalibrating financial structures and compensation rates, taking care of producers and writers.

We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal -- not as a renegotiation ploy -- and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me.

Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take?

I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time?

Oh, God -- I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but … I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

#taylor swift #interview #billboard #women in music #woman of the decade

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path-of-my-childhood · 5 years ago

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Billboard Woman of the Decade Taylor Swift: 'I Do Want My Music to Live On'

By: Jason Lipshutz for Billboard Magazine Date: December 14th issue

One evening in late October, before she performed at a benefit concert at the Hollywood Bowl in Los Angeles, Taylor Swift’s dressing room became - as it often does - an impromptu summit of music’s biggest names. Swift was there to take part in the American Cancer Society’s annual We Can Survive concert alongside Billie Eilish, Lizzo, Camila Cabello and others, and a few of the artists on the lineup came by to visit.

Eilish, along with her mother and her brother/collaborator, Finneas O’Connell, popped in to say hello - the first time she and Swift had met. Later, Swift joined the exclusive club of people who have seen Marshmello without his signature helmet when the EDM star and his manager stopped by.

“Two dudes walked in - I didn’t know which one was him,” recalls Swift a few weeks later, sitting on a lounge chair in the backyard of a private Beverly Hills residence following a photo shoot. Her momentary confusion turned into a pang of envy. “It’s really smart! Because he’s got a life, and he can get a house that doesn’t have to have a paparazzi-proof entrance.” She stops to adjust her gray sweatshirt dress and lets out a clipped laugh.

She also finishes the decade in a totally different realm of the music world from where she started. Swift’s crossover from country to pop - hinted at on 2012’s Red and fully embraced on 2014’s 1989 - reflected a mainstream era in which genres were blended with little abandon, where artists with roots in country, folk and trap music could join forces without anyone raising eyebrows. (See: Swift’s top 20 hit “End Game,” from 2017’s reputation, which featured Ed Sheeran and Future.)

Swift’s new album, Lover, released in August, is both a warm break from the darkness of reputation - which was created during a wave of negative press generated by Swift’s public clash with Kanye West and Kim Kardashian-West - as well as an amalgam of all her stylistic explorations through the years, from dreamy synth-pop to hushed country. “The skies were opening up in my life,” says Swift of the album, which garnered three Grammy nominations, including song of the year for the title track.

She recorded Lover after the Reputation Stadium Tour broke the record for the highest-grossing U.S. tour late last year. In 2020, Swift will embark on Lover Fest, a run of stadium dates that will feature a hand-picked lineup of artists (as yet unannounced) and allow Swift more time off from the road. “This is a year where I have to be there for my family - there’s a lot of question marks throughout the next year, so I wanted to make sure that I could go home,” says Swift, likely referencing her mother’s cancer diagnosis, which inspired the Lover heart-wrencher “Soon You’ll Get Better.”

Now, however, Swift finds herself in a different highly publicized dispute. This time it’s with Scott Borchetta, the head of her former label, Big Machine Records, and Scooter Braun, the manager-mogul whose Ithaca Holdings acquired Big Machine Label Group and its master recordings, which include Swift’s six pre-Lover albums, in June. Upon news of the sale, Swift wrote in a Tumblr post that it was her “worst case scenario,” accusing Braun of “bullying” her throughout her career due to his connections with West. She maintains today that she was never given the opportunity to buy her masters outright. (On Tumblr, she wrote that she was offered the chance to “earn” back the masters to one of her albums for each new album she turned in if she re-signed with Big Machine; Borchetta disputed this characterization, saying she had the opportunity to acquire her masters in exchange for re-signing with the label for a “length of time” - 10 more years, according to screenshots of legal documents posted on the Big Machine website.)

Swift has said that she intends to rerecord her first six albums next year, starting next November, when she says she’s contractually able to - in order to regain control of her recordings. But the back-and-forth appears to be nowhere near over: Last month, Swift alleged that Borchetta and Braun were blocking her from performing her past hits at the American Music Awards or using them in an upcoming Netflix documentary - claims Big Machine characterized as “false information” in a response that did not get into specifics. (Swift ultimately performed the medley she had planned.) In the weeks following this interview, Braun said he was open to “all possibilities” in finding a “resolution,” and Billboard sources say that includes negotiating a sale. Swift remains interested in buying her masters, though the price could be a sticking point, given her rerecording plans, the control she has over the licensing of her music for film and TV, and the market growth since Braun’s acquisition.

However it plays out, the battle over her masters is the latest in a series of moves that has turned Swift into something of an advocate for artists’ rights, and made her a cause that everyone from Halsey to Elizabeth Warren has rallied behind. From 2014 to 2017, Swift withheld her catalog from Spotify to protest the streaming company’s compensation rates, saying in a 2014 interview, “There should be an inherent value placed on art. I didn’t see that happening, perception-wise, when I put my music on Spotify.” In 2015, ahead of the launch of Apple Music, Swift wrote an open letter criticizing Apple for its plan to not pay royalties during the three-month free trial it was set to offer listeners; the company announced a new policy within 24 hours. Most recently, when she signed a new global deal with Universal Music Group in 2018, Swift (who is now on Republic Records) said one of the conditions of her contract was that UMG share proceeds from any sale of its Spotify equity with its roster of artists - and make them non-recoupable against those artists’ earnings.

During a wide-ranging conversation, Billboard’s Woman of the Decade expresses hope that she can help make the lives of creators a little easier in the years to come - and a belief that her behind-the-scenes strides will be as integral to her legacy as her biggest singles. “New artists and producers and writers need work, and they need to be likable and get booked in sessions, and they can’t make noise - but if I can, then I’m going to,” promises Swift. This is where being impossibly famous can be a very good thing. “I know that it seems like I’m very loud about this,” she says, “but it’s because someone has to be.”

While watching some of your performances this year - like SNL and NPR’s Tiny Desk Concert - I was struck by how focused you seemed, like there were no distractions getting in the way of what you were trying to say. That’s a really wonderful way of looking at this phase of my life and my music. I’ve spent a lot of time re-calibrating my life to make it feel manageable. Because there were some years there where I felt like I didn’t quite know what exactly to give people and what to hold back, what to share and what to protect. I think a lot of people go through that, especially in the last decade. I broke through pre-social media, and then there was this phase where social media felt fun and casual and quirky and safe. And then it got to the point where everyone has to evaluate their relationship with social media. So I decided that the best thing I have to offer people is my music. I’m not really here to influence their fashion or their social lives. That has bled through into the live part of what I do.

Meanwhile, you’ve found a way to interact with your fans in this very pure way - on your Tumblr page. Tumblr is the last place on the internet where I feel like I can still make a joke because it feels small, like a neighborhood rather than an entire continent. We can kid around - they literally drag me. It’s fun. That’s a real comfort zone for me. And just like anything else, I need breaks from it sometimes. But when I do participate in that space, it’s always in a very inside-joke, friend vibe. Sometimes, when I open Twitter, I get so overwhelmed that I just immediately close it. I haven’t had Twitter on my phone in a while because I don’t like to have too much news. Like, I follow politics, and that’s it. But I don’t like to follow who has broken up with who, or who wore an interesting pair of shoes. There’s only so much bandwidth my brain can really have.

You’ve spoken in recent interviews about the general expectations you’ve faced, using phrases like “They’ve wanted to see this” and “They hated me for this.” Who is “they”? Is it social media or disparaging think pieces or... It’s sort of an amalgamation of all of it. People who aren’t active fans of your music, who like one song but love to hear who has been canceled on Twitter. I’ve had several upheavals of somehow not being what I should be. And this happens to women in music way more than men. That’s why I get so many phone calls from new artists out of the blue - like, “Hey, I’m getting my first wave of bad press, I’m freaking out, can I talk to you?” And the answer is always yes! I’m talking about more than 20 people who have randomly reached out to me. I take it as a compliment because it means that they see what has happened over the course of my career, over and over again.

Did you have someone like that to reach out to? Not really, because my career has existed in lots of different neighborhoods of music. I had so many mentors in country music. Faith Hill was wonderful. She would reach out to me and invite me over and take me on tour, and I knew that I could talk to her. Crossing over to pop is a completely different world. Country music is a real community, and in pop I didn’t see that community as much. Now there is a bit of one between the girls in pop - we all have each other’s numbers and text each other - but when I first started out in pop it was very much you versus you versus you. We didn’t have a network, which is weird because we can help each other through these moments when you just feel completely isolated.

Do you feel like those barriers are actively being broken down now? God, I hope so. I also hope people can call it out, [like] if you see a Grammy prediction article, and it’s just two women’s faces next to each other and feels a bit gratuitous. No one’s going to start out being perfectly educated on the intricacies of gender politics. The key is that people are trying to learn, and that’s great. No one’s going to get it perfect, but, God, please try.

At this point, who is your sounding board, creatively and professionally From a creative standpoint, I’ve been writing alone a lot more. I’m good with being alone, with thinking alone. When I come up with a marketing idea for the Lover tour, the album launch, the merch, I’ll go right to my management company that I’ve put together. I think a team is the best way to be managed. Just from my experience, I don’t think that this overarching, one-person-handles-my-career thing was ever going to work for me. Because that person ends up kind of being me who comes up with most of the ideas, and then I have an amazing team that facilitates those ideas. The behind-the-scenes work is different for every phase of my career that I’m in. Putting together the festival shows that we’re doing for Lover is completely different than putting together the Reputation Stadium Tour. Putting together the reputation launch was so different than putting together the 1989 launch. So we really do attack things case by case, where the creative first informs everything else.

You’ve spoken before about how meaningful the reputation tour’s success was. What did it represent? That tour was something that I wanted to immortalize in the Netflix special that we did because the album was a story, but it almost was like a story that wasn’t fully realized until you saw it live. It was so cool to hear people leaving the show being like, “I understand it now. I fully get it now.” There are a lot of red herrings and bait-and-switches in the choices that I’ll make with albums, because I want people to go and explore the body of work. You can never express how you feel over the course of an album in a single, so why try?

That seems especially true of your last three albums or so. “Shake It Off” is nothing like the rest of 1989. It’s almost like I feel so much pressure with a first single that I don’t want the first single to be something that makes you feel like you’ve figured out what I’ve made on the rest of the project. I still truly believe in albums, whatever form you consume them in - if you want to stream them or buy them or listen to them on vinyl. And I don’t think that makes me a staunch purist. I think that that is a strong feeling throughout the music industry. We’re running really fast toward a singles industry, but you got to believe in something. I still believe that albums are important.

The music industry has become increasingly global during the past decade. Is reaching new markets something you think about? Yeah, and I’m always trying to learn. I’m learning from everyone. I’m learning when I go see Bruce Springsteen or Madonna do a theater show. And I’m learning from new artists who are coming out right now, just seeing what they’re doing and thinking, “That’s really cool.” You need to keep your influences broad and wide-ranging, and my favorite people who make music have always done that. I got to work with Andrew Lloyd Webber on the Cats movie, and Andrew will walk through the door and be like, “I’ve just seen this amazing thing on TikTok!” And I’m like, “You are it! You are it!” Because you cannot look at what quote-unquote “the kids are doing” and roll your eyes. You have to learn.

Have you explored TikTok at all? I only see them when they’re posted to Tumblr, but I love them! I think that they’re hilarious and amazing. Andrew says that they’ve made musicals cool again, because there’s a huge musical facet to TikTok. [He’s] like, “Any way we can do that is good.”

How do you see your involvement in the business side of your career progressing in the next decade? You seem like someone who could eventually start a label or be more hands-on with signing artists. I do think about it every once in a while, but if I was going to do it, I would need to do it with all of my energy. I know how important that is, when you’ve got someone else’s career in your hands, and I know how it feels when someone isn’t generous.

You’ve served as an ambassador of sorts for artists, especially recently - staring down streaming services over payouts, increasing public awareness about the terms of record deals. We have a long way to go. I think that we’re working off of an antiquated contractual system. We’re galloping toward a new industry but not thinking about re-calibrating financial structures and compensation rates, taking care of producers and writers. We need to think about how we handle master recordings, because this isn’t it. When I stood up and talked about this, I saw a lot of fans saying, “Wait, the creators of this work do not own their work, ever?” I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it. I want to at least raise my hand and say, “This is something that an artist should be able to earn back over the course of their deal - not as a renegotiation ploy - and something that artists should maybe have the first right of refusal to buy.” God, I would have paid so much for them! Anything to own my work that was an actual sale option, but it wasn’t given to me. Thankfully, there’s power in writing your music. Every week, we get a dozen synch requests to use “Shake It Off” in some advertisement or “Blank Space” in some movie trailer, and we say no to every single one of them. And the reason I’m rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.

Do you know how long that rerecording process will take? I don’t know! But it’s going to be fun, because it’ll feel like regaining a freedom and taking back what’s mine. When I created [these songs], I didn’t know what they would grow up to be. Going back in and knowing that it meant something to people is actually a really beautiful way to celebrate what the fans have done for my music.

Ten years ago, on the brink of the 2010s, you were about to turn 20. What advice would you give yourself if you could go back in time? Oh, God - I wouldn’t give myself any advice. I would have done everything exactly the same way. Because even the really tough things I’ve gone through taught me things that I never would have learned any other way. I really appreciate my experience, the ups and downs. And maybe that seems ridiculously Zen, but... I’ve got my friends, who like me for the right reasons. I’ve got my family. I’ve got my boyfriend. I’ve got my fans. I’ve got my cats.

Taylor Swift Discusses 'The Man' & 'It's Nice To Have a Friend' In Cover Story Outtakes

Billboard // by Jason Lipshutz // December 12th 2019

During her cover story interview for Billboard’s Women In Music issue, Taylor Swift discussed several aspects of her mega-selling seventh studio album Lover, including its creation after a personal “recalibrating” period, her stripped-down performances of its songs and her plans to showcase the full-length live with her Lover Fest shows next year. In two moments from the extended conversation that did not make the print story, Billboard’s Woman of the Decade also touched upon two of the album’s highlights, which double as a pair of the more interesting songs in her discography: “The Man” and “It’s Nice To Have A Friend.”

“The Man” imagines how Swift’s experience as a person, artist and figure within the music industry would have been different had she been a man, highlighting how much harder women have to work in order to succeed (“I’m so sick of running as fast as I can / Wondering if I’d get there quicker if I was a man,” she sings in the chorus). The song has become a fan favorite since the release of Lover, and Swift recently opened a career-spanning medley with the song at the 2019 American Music Awards.

When asked about “The Man,” Swift pointed out specific double standards that exist in everyday life and explained why she wanted to turn that frustration into a pop single. Read Swift’s full thoughts on “The Man” below:

“It was a song that I wrote from my personal experience, but also from a general experience that I’ve heard from women in all parts of our industry. And I think that, the more we can talk about it in a song like that, the better off we’ll be in a place to call it out when it’s happening. So many of these things are ingrained in even women, these perceptions, and it’s really about re-training your own brain to be less critical of women when we are not criticizing men for the same things. So many things that men do, you know, can be phoned-in that cannot be phoned-in for us. We have to really — God, we have to curate and cater everything, but we have to make it look like an accident. Because if we make a mistake, that’s our fault, but if we strategize so that we won’t make a mistake, we’re calculating.

“There is a bit of a damned-if-we-do, damned-if-we-don’t thing happening in music, and that’s why when I can, like, sit and talk and be like ‘Yeah, this sucks for me too,’ that feels good. When I go online and hear the stories of my fans talking about their experience in the working world, or even at school — the more we talk about it, the better off we’ll be. And I wanted to make it catchy for a reason — so that it would get stuck in people’s heads, [so] they would end up with a song about gender inequality stuck in their heads. And for me, that’s a good day.”

Meanwhile, the penultimate song on Lover, “It’s Nice To Have A Friend,” sounds unlike anything in Swift’s catalog thanks to its elliptical structure, lullaby-like tone and incorporation of steel drums and brass. When asked about the song, Swift talked about experimenting with her songwriting, as well as capturing a different angle of the emotional themes at the heart of Lover. Read Swift’s full thoughts on “It’s Nice To Have A Friend” below:

“It was fun to write a song that was just verses, because my whole body and soul wants to make a chorus — every time I sit down to write a song, I’m like, ‘Okay, chorus time, let’s get the chorus done.’ But with that song, it was more of like a poem, and a story and a vibe and a feeling of... I love metaphors that kind of have more than one meaning, and I think I loved the idea that, on an album called Lover, we all want love, we all want to find somebody to see our sights with and hear things with and experience things with.

“But at the end of the day we’ve been searching for that since we were kids! When you had a friend when you were nine years old, and that friend was all you talked about, and you wanted to have sleepovers and you wanted to walk down the street together and sit there drawing pictures together or be silent together, or be talking all night. We’re just looking for that, but endless sparks, as adults.”

Read the full Taylor Swift cover story here, and click here for more info on Billboard’s 2019 Women In Music event, during which Swift will be presented with the first-ever Woman of the Decade award.

[link to this tweet]

Was there ever a part of you that was like, “Oh shit, I like this darker vibe, let’s go even further down that path?” I really Loved Reputation because it felt like a rock opera, or a musical, doing it live. Doing that stadium show was so fun because it was so theatrical and so exciting to perform that, because it’s really cathartic! But I have to follow whatever direction my life is going in emotionally... The skies were opening up in my life. That’s what happened. But in a way that felt like a pink sky, a pink and purple sky, after a storm, and now it looks even more beautiful because it looked so stormy before. And that’s just like, I couldn't stop writing. I’ve never had an album with 18 songs on it before, and a lot of what I do is based on intuition. So, you know, I try not to overthink it. Who knows, there may be another dark album. I plan on doing lots of experimentation over the course of my career. Who knows? But it was a blast, I really loved it.

I mean, look, a Taylor Swift screamo album? I’ll be first in line. I’m so happy to hear that, because I think you might be the only one. Ha! I have a terrible scream. It’s obnoxious.

Why Taylor Swift's Lover Fest Will Be Her Next Big Step

Billboard // by Jason Lipshutz // December 11th 2019 - [Excerpt]

On why she chose to put together Lover fest: “I haven’t really done festivals in years - not since I was a teenager. That’s something that [the fans] don’t expect from me, so that’s why I wanted to do it. I want to challenge myself with new things and at the same time keep giving my fans something to connect to.”

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all-the-kookies-fall · 7 years ago

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A THEORY: Linear Timeline of reputation

This is going to be a very long read; but it may just include unlocking the 15 Taylor's from the LWYMMD MV so read on if you dare…

(OK it totally includes the theory, please read and tell me what you think!)

An Introduction:

I've been a casual fan of Taylor Swift since she started. Loved all her radio singles, listened to her albums (at my leisure upon release), and admired her platform and brand image. I guess I became a huge fan after 1989, but around the release of reputation, I realized just how much this woman's music has been there throughout my life and decided to fully stan her. As I fell down the rabbit hole of learning everything I could about TS as an artist, I became completely enamored with her wits & charms. However, the more I learned to love about her, the more I could feel just a slight inauthenticity; I was constantly thinking of the hypocrisy of how she "never names who her songs about" yet she created this scavenger hunt with her liner notes that seemed to point in an obvious direction of one of her "ex-boyfriends." It didn't align with how she presented herself in every other aspect. Then, I felldowntherabbithole for real and found all of the incredibly documented and organized realm of the Kaylor's, and everything was literally in screaming color.

reputation made even more sense with fresh Kaylor eyes and once I read this Taylor Swift quote:

reputation, in my mind, is an album that is very linear in it’s timeline. Meaning that it kind of starts out where I was when I first started making the record. The album ends more where I am now in my life. So this is more towards the end of the album, it’s called ‘Call It What You Want.’

my mind became OBSESSED with cracking this code. I had combed through all the kaylor blogs and while I had read everything I could, I still couldn't place it within any timeline. Then, Delicate came out and the code started to crack; I could peek inside and make sense of something, but was still unsure what it was. I put together a loose concept which had some plot holes, but it was when I remembered to revisit the 15 Taylor theory that everything completely revealed itself.

I would like to start with a disclaimer: I have never, ever actively participated more than lurking or even posted anything on Tumblr. I would like to fully acknowledge that there is a huge, fat chance none of this makes sense to anyone but me, but my husband was really getting fed up with me talking about it and I just needed to share. THANK YOUS to the Kaylor blogs I frequented with incredible analysis and POV of Tay in the media and her music- @all-my-possessions @howyougetthenerd @jennyboom21 @karlitakloss @kaydar @kaylorrepdetective @larrienation @out-of-the-klosset @paradisekisses @tallcurlygirl @taytaysbeard @that-curly-haired-lesbian @thoseflashinggreeneyes @whaler13bg to name a few. (Sorry, tumblr is not letting me tag a few of you.)

A lot of the information I am providing is not new and connects the dots from the amazing posts from this community. I tried as best as I could to cite all relevant posts - you can definitely let me know if I've made any errors. Please feel free to edit//contribute//comment because I have a feeling that a more seasoned eye would be able to expound on so many more clues and easter eggs!

Let the Games Begin!

Overall Concept/Themes

There are truly some insightful analysis of the overarching themes and concepts of the album already. Secrecy, partners in crime, forbidden love… In general there's a complex theme of Duality to the album; conflicting feelings, Brand vs Self, bad vs good, truth vs reputation etc. I think it's most important to note is that any analysis that views these tracks differently than listed below, can still be correct. Our Queen is a lyrical master plus there's that added layer of intentional dualities in her story telling; there's always at least 3 different meanings to her songs and that's one of the reasons we admire her wordsmith ways.

The Timeline!!!

…Ready For It? - So It Goes… 2012* - 2014

This has long been inferred in every side of the fandom to indicate this is Part 1 of the Story, implied by the ellipses as the beginning and end of the track names. All the timelines I've previously read started at either the introduction of 1989 or even later beginning with 2016/2017 events, but it didn't make sense applied to the album as a whole. Once Delicate MV came out, I began to notice that all of the nods to RED in all these MV's were not just for nostalgia. She is literally telling us that this part of the story was about the end of RED era leading into 1989 - not quite 1989 era just yet. ;)

*2012 is an estimate based on the beginning of the Delicate video; it's possible that TS & KK met before Swiftgron was officially over but who will ever know? Karlie's buzz cut was December 2011 (x). The first half of the album is difficult to theorize specific dates within this period because we really have no idea when KK & TS met.

LWYMMD - New Year's Day 2014 - 2017 (NYD)

I gotta tell you - immediately after reading this, go watch LWYMMD. It was (is?) literally hiding there in plain sight; it's a GENIUS video walking you through EXACTLY what she did (you could say from a satirical standpoint more how the media/GP thought she did) to prepare for this era! When she refers to the "Old Taylor," she's using the term in the exact way her fans have been using: to refer to Country Taylor. She is officially Pop; Look What We Made Her Do when RED, a pop-country album, "a patchwork of songs," didn't win the Grammy. She went full POP princess. This post in particular helped me remember that these songs are not fresh in regards to her life even though they are brand new to us. Part 2 of the story more clearly follows the events of the 1989 era through just before rep's release.

Track by Track // 15 Taylors

…Ready For It? Intro

I believe this is an introduction of what's to come, an overview of the story. Yes, she's definitely asking herself if she's ready to come out of the closet (x/x), if Karlie is ready to glass closet (x), is her beard ready for the consequences(x), and most specifically, are we, her fans, the GP, are we ready for her to come out and live her truth unapologetically? It's her laying the groundwork to prepare for 1989; her literally coming up with the concept for the whole era which is why we see the references to her 1989 MV's in the glass room. This post cites the connection to the Dykes on Bikes; are we ready to accept Taylor to not only come out, but be a strong voice and activist of the LGBTQ+ community?

End Game April 2013 - June 2014

I KNOW Taylor is singing to KK about them first meeting - and I KNOW we think they just met before VSFS 2013 (even though there are rumors that say they met sooner…) But, hear me out because this lines up way too easily with the information we get from the MV (x/x). Remind yourself… Who opened for Taylor's RED tour? That’s right, our favorite ginger. It's a nice additional nod with the callback of Everything Has Changed duet with Ed Sheeran. Miami (shoutout to my hometown even though I have no inkling to its significance) tour dates were 04/10/13, London was 02/01/14 (Did she really show us their first NYE together?!), and Tokyo was 06/01/14.

Irrelevant now but important for later (LWYMMD): And I bury hatchets, but I keep maps of where I put ‘em. This post highlights a cool interpretation of the line that applies to this whole post!

I’ve been doing some digging to try and somehow link Miami in this mix, and this is pure speculation but I feel like Future represents her bearding with Harry Styles. Karlie’s “buzz cut” was in December 2012, and shortly thereafter she was in Miami for a photo shoot. 1/4/12 marks the official break up of Haylor in the US Virgin Islands… it’s a stretch and I’m totally grasping at straws but they are geographically close and it’s all I got for now.

"Me, I was a robber first time that (s)he saw me…"

I Did Something Bad early 2013

So, I have to admit… IDSB and DBM were the two songs I was having the most trouble placing within the linear timeline; my initial thought was this must have been a metaphor for her confessing her "sins" a.k.a. bearding, to Karlie when they first started dating. This was the song that clicked once I looked through the lenses of the 15 Taylors and reaffirmed my thoughts with the visuals of this Taylor on the cross in LWYMMD. In digging a little deeper, I found a Vanity Fair article - one of the only cover stories found online about TS during 2013. I'm not as confident about my perspective on the linear timeline with this track, however I feel like it's a good start especially considering the next holy church track.

In regards to the "light me up" lyric, and clear visual reference in the …RFI MV as well as the crucifixion of Taylor in LWYMMD, I thought this answer she gave the 73 Questions With Taylor Swift | Vogue video was also interesting to note. The question was what is the one thing she wishes she would have known at age 19 (8:03)?

"Hey, you're going to date just like a normal 20-something should be allowed to, but you're going to be a national lightning rod for slut-shaming."

I'll leave this quote from the April 2013 Vanity Fair interview right here:

"But nobody calls them the kinds of names that get thrown at Swift. “They’re ‘playboys,’ ” Swift says wryly. “They’re ‘having fun.’ ”

By the way, in the Vanity Fair article there's an "authorized source" giving insight to what "really happened" to Haylor aka probably lies.

Every lie I tell them, they tell me three

Don't Blame Me early - mid 2014

I can really only hypothesize through the lyrics and the Taylor line up that this may be a reference to how the RED "media" circus (as quoted from the VF article cited above) literally made her do crazy things - maybe how her past experiences had caused her to react a certain way in an undefined relationship, maybe how the media circus in general had her guarding her heart, and of course the religious context of the song leads me to believe of course it is connected in that aspect to the confessing of her actions in the previous track. Big Sur trip also falls within this timeline. (x/x/x)

I once was poison ivy, but now I'm your daisy…

Delicate 2013 - 2014

I think this one has so many beautiful analysis with the music video that syncs perfectly with this time line with no need for additional explanation, and I think it's especially apparent why this Taylor represents TraKK 5 in the line up. (x/x)

It's interesting that Fearless Taylor and Red Taylor were the ones actually fighting on Taylor Mountain in the LWYMMD MV; this may be a reference to her insecurities and headspace during the RED media circus//break up anxieties fighting contrasting to her want to just dance in her best dress Fearless with KK with no inhibitions.

Dancing in my best dress, fearless

LWYMMD End of 2014

Has anyone noticed the crows in the beginning? It literally hit me as I was finishing this post - a group of crows is called a murder.

We see her Driving a new Maserati (well, car with significant meaning) down a dead end street and then crashes into the pole. (x) She literally killed the "Old Taylor" to get the Grammy - as well as set up clever disguises as red herrings* so that we missed the most obvious clue that this is about the release of 1989. I think even cleverer, how she walks away from the crash unscathed at the end of the MV to imply she rose up from the dead, she does it all the time (with each era release). (x/x/x/x)

*Red herring: something, especially a clue, that is or is intended to be misleading or distracting. In reference to the post regarding hatchets in End Game, she's definitely sending us on the hunt… remember that post above I asked you to note?

Then of course another hint to the timeline is in the lyrics and MV (look at the date of the tweet...)

I've got a list of names and yours is in red underlined

So It Goes… October/November 2014

This was definitely the most challenging to figure out, but there's definitely two clear ideas that are represented here - the linear timeline alludes to the HOT KINKY SEX our girls probably had after VSFS '14 (x/x/x) and the death of her 'innocence.' Coincidentally, I had read Slaughterhouse Five for the first time earlier last year and lurking around the Reddit TS community where they spent so much time trying to figure out how they could circle this back to Vonnegut. Unluckily for them, it is the most heteronormative//homophobic community where even Kaylor posts are censored/deleted/ridiculed etc so they weren't ever going to get it. This song represents a toxic relationship with CH in their eyes, and I can see that perspective… another Salute to the American Queen of Wordplay.

Anyway, here is a quote from a NY Times (https://www.nytimes.com/2011/12/18/books/review/and-so-it-goes.html)

That is, the constant repetition of “So it goes” makes readers ask themselves about the meaning of death (or its lack of meaning) and the incalculable human costs of war.

The 2009 VMA's Taylor is the epitome of everything her art, brand and music spoke to prior to 1989; and with the Pop princess she was no longer the relatable girl next door. She had gone full big-city, celebrity friends, glitz and glam - feeling so Gatsby for that whole year. With 1989, represented by the LWYMMD music video, that image was shattered, it was the death of her reputation but the true beginning of laying the groundwork for her and KK's future and she truly felt alive.

Not to mention a song about kinky sex is a huge step away from that image.

So it goes...

And so it goes, now Part 1 of our story is done.

Gorgeous Met Ball 2015

Part 2 moves into the 1989 era starting with the Met Gala. (x/x) I read a great analysis using the lyrics to prove why this song is not about someone you just met because of the intense conflicting feelings. (I have scoured Tumblr to find it and link it but can't rediscover it… sorry I explained I've been a noob and a lurker and I never liked or reblogged anything, I'll update with a link if I ever find it again!) That made me reevaluate my original thoughts of this track being Enchanted 2.0 and representing her meeting Karlie for the first time. This was the first public event Kaylor attended together; it must have been strong conflicting feelings of joy & giddiness of the relationship quickly overtaken by nerves, fear, and anger that she would be found out and/or couldn’t show any outward PDA towards KK at the event. I would imagine there was a lot of drinking that night to cope, thus the “drunk” perspective.

PS she probably didn’t go home alone that night (DING)😉

'Cause you're so gorgeous it actually hurts

Getaway Car May - August 2016

There are great analysis looking at this song from two main POV's- 1. the bearding CH-TH circus(x/x) and 2. a reflection of Swiftgron in hindsight (x). For the sake of the timeline/15 taylor line up, it was too coincidental that this was the Taylor snapping at the beards in I <3 TS shirts and from that perspective, fits perfectly into the linear timeline. It is suspect that TS went against her management in anger of how the "break up" with CH unfolded, and so it would make sense to be a little apologetic towards TH -- the one beard aftermath she may have regretted but that is just pure speculation.

And a circus ain't a love story, and now we're both sorry

*I JUST NOTICED! She POPS HER LEG for the 7th boyfriend in line - AKA CH. She is SO EXTRA!

King of My Heart August 2016

The below quote and Taylor line up don't need further explanation.

"I think it’s very interesting when people talk about their love stories. Like when you guys blog about, “my and my husband, me and my boyfriend” or just anyone talking about how they fell in love.

There seem to be these very definitive phases. It doesn’t matter how long that phase lasts. There seems to be a moment where you know it transitioned to the next phase. People will be like, “Oh my God, we were friends for six years and there was this moment and we knew and then it changed. Then there was a moment and it got even deeper. Then there was a moment and we knew” or like “I saw this person and there was this moment and we knew.” Everyone has a different story with how they connect with someone else and what i find interesting is the moment where it switches. You always hope that switch is going to move forward and not backwards because it can happen either way. I always wanted to structure the song where each individual section of the song sounded like a move forward in the relationship but still being listenable. So I wanted the verse to seem like it’s own phase of a relationship, the pre-chorus to sound like it’s own phase of a relationship, and the chorus to sound like it’s own phase of a relationship. I wanted them to all have their own identity but seem like they were getting deeper and more fast paced as the song went on. So finally I was able to achieve that in a song.”

Here’s a couple of my favorite analysis regarding this song. (x/x)

Up on the roof with a school girl crush

Dancing With Our Hands Tied Mid - End 2016

This analysis really explains the lyrics and matches the allusion of the Zombie Taylor to make it seem like it is a hindsight song about Swiftgron; however Out of the Woods is the last MV of 1989 era released the end of 2015 (aside from New Romantics your video) and this can perhaps be expressing the death of Taylor’s 1989 reputation after the slew of public feuds. It can also be interpreted as a hindsight song in regards to Kissgate in 12/2014(x/x); how she had found herself coming into 1989, but was a zombie version of that because she had to beard with CH and TH and it perhaps made her feel dead inside. Maybe she’s implying that she would have just taken the fall from grace then put herself through another (particularly long and grueling) fake relationship.

I had a bad feeling

Dress October 2016

Not only is Dress pretty frequently analysed, it's also the most obvious and blatant within the theory. I thought it was very cute that this was represented by the Ballerina in the line up as a not so subtle nod to Karlie. October 2016 was the infamous Golden Tattoos at Drake's birthday party. (x/x/x)

Made your mark on me, a golden tattoo.

Sorry I couldn’t help myself with this gif :P

TIWWCHNT November 2016

Originally, I thought this was the easiest one- yes, the Snake Queen is sipping and serving tea on her infamous feuds however it just didn't fit in the more transparent timeline of the second half. There's been a few posts that hint the track may be a slight diss to her fans. Once it hit me she was alluding to herself as our (the fans) American *dream* Queen, I realized: this song is not a slight diss - it is harshly directed to us, all of us. Hear me out: Just like KOMH is about a love that reflects back on different periods in life, this track also calls to a couple different conflicts with the relationship of TS and her fans. She's never enough for either aspect of the fandom.

I thought it was curious that she would have the "ET TU BRUTE" (x) as a reference to Kanye because let's be honest, she probably never trusted him after 2009 and rightfully so. "Et tu, Brute?" is a Shakespeare reference and a phrase that is now used to describe a friend stabbing you in the back. This would be more applicable to us, her fans. V1:

It was so nice throwing big parties

Jumping to the pool from the balcony

Everyone swimming in a champagne sea

And there are no rules when you show up here

Bass beat rattling the chandelier

Feeling so Gatsby for that whole year

This easily refers to 12/2014 - Kissgate. Feeling so gatsby for that whole year; throwing big parties. She had to close the gate before she was outed prematurely by the fans watching her during the concert. We were the last ones she ever expected having to protect herself from; she had been so open, glass-closeting, but the fans took it too far and crossed the line of her privacy. She was surprised by the network that had expanded to track her every move. A couple years pass, V2:

It was so nice being friends again

There I was giving you a second chance

Think back to the election of 2016; Taylor being back in the media and more open again with her life wasn't enough at this point. America had reached a boiling point and everyone had to pick a side; even Taylor's most dedicated fans were constantly expressing their disappointment at her so she changed her priorities and went into hiding.

As @paradisekisses once posted, “Not everything is about Kanye.”

Salute to you, our American Queen of Red Herrings

Because you break them, I had to take them away.

Call It What You Want End of 2016

The lyrics all harken to 1989 (x) and this is when her reputation has never been worse (again), but she’s stronger this time and it didn’t break her as much as post RED era. Not to mention, she’s madly in love and found her end game so nothing else really matters to her; her priorities have been shifted and she knows what truly matters in her life.

Call her what you want, she is Karlie's Partner in Crime. it's an obvious call to the gold cage, hostage to my feelings; she will jail herself once more with this ((hopefully)) last beard and that will be the official death of (2.0? 6.0?) Old Taylor. The best part is the BTS video showing how much fun she was actually having in the gold cage. There are beautiful analysis of this song (x/x/x/x/x) , and to me it's just the most real/pure love song. Love isn't just about all the good times, it's how your partner and you navigate the bad. Sometimes the worst moments in life show us just how strong our relationships are and bring us closer together.

Karlie what you want, call her what you want to (I can't unhear this in the background now <3)

New Year's Day January 1, 2017

This Taylor is hidden from us because she will probably never be as open with the GP, media, or her fans ever again. Who knows what to come in the future, but she actively tells us "don't read the last page" and to "hold onto the memories." Ugh, this is making me tear up -- I just officially joined the fandom!! Don’t tell me this is it already... (x/x/x)

This post highlighted the importance of the sunshine necklace with Taylor's obvious sarcasm in the BTS in saying “It’s really important to wear subtle jewelry in music videos, I’ve learned.” (If anyone can forward the gif I’d love to add it to the post :))

Sidenote: technically, isn't this another closet she's in during the rep era?

Wear you like a necklace…

And I will hold on to you...

I had so much fun putting this together and being inspired by all the amazing perspectives the Kaylor fandom has been churning! Hope you like it :) Let me know your thoughts!

#kaylor #gaylor swift #reputationtimeline

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troubleisfree · 7 years ago

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this is going to be like a very long, detailed, and mostly my personal observations and notes. as it was my first time seeing neymar and the brazil nt in person, i want to remember everything i can while its still fresh. it was a very exciting and at the same time surreal experience because i see those people all the time on tv games and now there they were few feet away from me...

i took the photos and videos. i am usually pretty good at that but i guess the excitement got the better of me because they did not come out fabulous. tumblr is being stupid with not letting me upload more then one video in a post, and i wanted everything together, so i ended up putting them up on youtube.

the hotel 9/3/2018.

so first i went to the hotel (very close to where i live) on monday 9/3. as it was labor day, i was off work and at a bbq/pool party abt 10 miles from home for the day. brazil nt was scheduled to leave the hotel for their first training at 4pm so i left the party early and, after some traffic drama, made it to the hotel little after 3.40pm. there were not too many people so i had a decent view but i also moved around a bit. some of the support staff was coming out already. a few minutes later, firmino was the first i saw, he waved and went straight to the bus.

then a group of marquinhos, douglas costa, fabinho etc came out together. only marquinhos paid any attention to the fans, waving and smiling but didnt stop.

then another group, including casemiro.

then alisson came out. he was really sweet, smiled, stopped with the fans, signed stuff. interacted the most of anyone else with the fans.

then another group - i think richarlison (idk him really), filipe luis, thiago silva. thiago was just as nice as alisson, stopped with the fans, signed stuff. he looked to me a bit shorter irl then on tv...

willian came out alone next.

at this point, it was almost 4pm, my excitement had totally built up and i was so anxious to see my boy ney. i started thinking that maybe he will get there separately cuz i hadnt seen coutinho and tite either. but there he was! coming out last with barely a minute to spare before 4pm (the timestamp on my photo is 3:58:59pm lol). he was the very last one to come out, chewing on something, with his typical swagger. he waved but didnt stop and the bus left as soon as he got on. he looked just as hot in person as on tv, the cameras dont lie lol. really handsome and very very sexy! i mean, i expected it, i have seen his photos lol but omg he looks so damn good you cant help those dirty thoughts! i felt like an absolute fangirl! this is neither here or there, but he looked to me a little bigger then i expected. just kinda...fuller?

i only took one photo of him cuz i wanted to look at him with my own eyes rather than thru the camera ;)

it was such an incredible experience seeing neymar and the rest of the guys in person so close that i was shaking after! like for real my hands were shaking, my legs were shaking. and i couldnt stop grinning for a good half an hour after. i went to the boardwalk to calm down a bit and just absorb the experience. people passing by probably thought im crazy or reading love letters on my phone or something cuz i just couldnt stop grinning but i didnt give a flying fuck what they were thinking - i had just seen neymar!

my notes and impressions:

1. OMFG I SAW NEYMAR FROM FEW FEET AWAY. just that, my brain was really way too frazzled to process any other impressions lol

the game 9/7/2018

so after some c. drama, despite my initial hopes, i had accepted that i am not going to go to the game. and then the day before i find out I AM GOING!!! i was so freaked out with excitement lol!!!

getting there was so frustrating! first i had forgot to charge my phone before leaving work so i only had like 30% which was nowhere near good enough for my plans of copious pics and vids. so i had to run into a bodega to buy a charger for the car. then for some complicated reason we had to leave from the ues and fucking DRIVE. crosstown. on a friday. at 6pm. straight thru freakin time square with its gazillion tourists. on top of rush hour. even though the schedule said 8pm, the tickets said the event starts at 7.30 and i wanted to be there early to see the warmups and at 7.02 we were still not even inside lincoln tunnel ffs! i was FUMING and ready to jump outta the car and start yelling at the other cars to get a goddamn fucking move on i got places to be people to see! just ugh. so frustrating. the only upside of taking so long to get to the stadium was that by the time we got there my phone was almost 100%...

anyway, finally at 7.25pm we got there and thru all the checks etc (my joke of a miniature purse was shown as an example to another girl with a slightly bigger purse and praised by security for being perfect size which pissed me off because of their dumbass rules it had is smaller then my regular WALLET ffs and it barely even fits my phone so in no way is it a ‘perfect size’ except maybe for dolls or tiny aliens. but they had the stupid clear bag / tiny purse rule in effect and all i cared at that point was getting in so whatever. still, fucking terrorists. obviously also for more important reasons than just being the cause of my having to have a tiny purse but yeah fucking terrorists).

the stadium was buzzing already. apparently the 7.30 start was for the warmups so perfect for me. this was the view from our seats.

when we got to our seats, the usa team was out already. and the canarinho was interacting with fans. and then brazil came out.

youtube

ney was warming up with coutinho

after stretches, he did some practice shooting. this one didnt go in.

after that the team went back inside and the canarinho came behind the barriers to interact with the fans (photo below especially taken for a.)

time for the teams to come out. for some reason the tunnel was on my side of the stadium but the benches were on the other side and they lined up there for the anthems. (again, for a.)

youtube

then the us anthem and, since we dont do things here on a small scale, the flag rolled out was the size of the whole stadium lol

in the first half neymar was playing in front of me. in the beginning of the game i took a few photos and then i stopped because i wanted to watch the game and see with my own eyes not concentrate on the phone... still, here they are

here is the penalty. i didnt catch it go in because i was looking at it happening rather then my phone. i also removed the sound cuz there was screaming when it went in lol. it was a VERY soft penalty btw...

youtube

my notes and impressions:

1. it was a friendly so not surprisingly, it was not an edge-of-your-seat game. still brazil dominated the crap out of the usa team. the difference in class and quality was glaringly obvious.

2. it was strange not supporting my country’s team. but only when i thought about it. otherwise my soccering heart belongs to brazil 100%, without a doubt.

3. watching a game live vs tv: both have pros and cons. again, after watching every week on tv, seeing these guys live in person is simply incredible. just absolutely surreal. like, they are moving, running, kicking right in front of you. you can hear the ball being kicked. feel the tension. see what they are doing without the ball. watch their interactions away from the camera. feel the power of the crowd. its just so much more immersive. at the same time, watching at home the curated game content is... convenient. you get closeups. you get facts from the commentators. your bathroom is nearby (i did carefully time my liquid intake that day to avoid venturing into stadium bathrooms and thank god it worked lol). so imo, watching a game on tv is not really that much worse then watching it live. i always felt like i am getting a completely filtered version on tv and it is filtered but it is not horrible. yes, you are missing out on stuff but its not a total loss.

4. the stadium was about 40% full, 32k of 82k capacity. but it felt more like 2/3, probably because on the other side many sections were not even open so most everyone attending was spread out in one long side and the two goal sides.

5. brazil fans were out strong! i’d say about 70% of the people were brazil fans, and of those about 90% had on brazil jerseys. yellow galore lol. the usa fans were constantly chanting but when the brazil fans decided to make the effort they drowned them out easily and completely!

6. the usa fans were in the section behind one of the goals. throughout most of the game i thought oh cute they are constantly singing their hearts out supporting their clearly outplayed loosing team. then they did iceland’s viking chant. yes, it is a cool chant but its iceland’s. idk why so many have been plagiarizing it! first portugal did it in the wc, then i saw another, and now the american outlaws (the usa ultras)... let iceland have its thing people. i did not appreciate it but no big deal. BUT then they did something that pissed me off - few minutes before neymar was substituted in the 80 min they chanted fuck neymar. i was not best pleased to say the least! lick sweaty balls jealous motherfuckers!

7. we did a wave that went around the stadium like 4 times!

8. there was a small group of 13-14yo girls right behind us that whenever ney touched the ball or looked our way screamed ‘neymaaaarrr, neymaaaaarrrrrrrr, vaiiiiiii, vai neymaaaaaaarrrrrrrr’. one girl in particular was especially shrill and vociferous in her dedication to ney. no sense of decorum whatsoever lol. my bf was smirking at me and was like why dont you go sit with them. i on the other hand was thinking that while i wouldnt go sit with them, if some of my tumblr girls were here.... well those girls wouldnt even know what hit them!

9. i would definitely go to a game again!

10. while the seats we had were really good, i wish there was an option to be even closer and still see the whole pitch. then again, for me it would probably only qualify as ‘close enough’ if im allowed to run along the sidelines lol. but then i wont really be able to watch the game. (hey maybe i can hang from the skycam hahaaaa!). yes, i am a neymar fan but i am also a fan of the game so i want both. i did not have any input in the choice of these seats but i think it was a good trade off - the closest where you can both see the guys and actual game. if i have to pick the tickets for the next game (hopefully i will go again some time!), i would be tempted by the lower levels but the barriers are pretty high so... i would probably go for the same - second level first row.

11. there was a guy sitting next to me with his date and he was trying to be all knowledgeable and impress the girl but half the stuff he was telling her was wrong lol! he kept pointing to douglas costa and telling her its firmino. i was cracking myself up listening to him talk complete bullshit but with such grand authority about technical game stuff.

12. at some point a loose ball ended up into the stands, some guy caught it, and 2 min later security came to take it away from him :/ why not let the guy just keep the ball?!? stupid. if it was me, i’d have made a fuss, maybe pretended that it hit me in the face and threatened to sue the stadium cuz they have not ensured the spectators’ safety or some such crap lol. see if they dont let me keep it to avoid a lawsuit.

13. the canarinho (for a.) - he was really great! interacting with the fans, dancing, hugging fans. really a fantastic mascot and absolute joy to watch! during the halftime he was out on the pitch, doing keepie uppies (in those shoes too!!! showing his brazilianness lol), and kicking balls into the stands

14. i was totally impressed by neymar. it was just so obvious how good he is and no, not because i am biased, which i admittedly am. i expected him to be good, duh, but to see it so clearly was amazing. he is not a fluke, he is the real deal. he stands out among even such quality peers as the rest of brazil nt! just something in the way he interacts with the ball, the way he moves, ‘sees’ his teammates without looking, turns on a dime, does the unexpected. i dont think he ‘thinks’ or ‘calculates’ at all his moves or that it is just a lot of practice, i think it is pure instinct in the moment, i.e. phenomenal natural talent. even though this was not one of his greatest games for sure, he just looked... special and different from the rest. most of the brazil players were displaying their clearly high quality but there is just something unique in the way neymar plays. even if you dont know who he is, what teams are playing, anything at all, you’d still pick him out and know that there is something extraordinary about this guy. if you unfocus your eyes so you see just all same yellow shirt figures, you would still be able to pick out which one is neymar. he did a bit of his skills and tricks and of course i wished he had done more. what i took away from watching him play live was that, in this average game, he looked as good playing live as he has in the past when i have watched his great games on tv. i dont know why. but watching neymar play live was an experience of its own. it felt like his average ‘live’ performance is as good as his great ‘tv’. i cant even imagine what it would be like watching one of his great performances live. while i dont feel im loosing so much watching games on tv vs live as mentioned above, i definitely feel that watching neymar in particular play live is on another level and im missing out when i watch him on tv instead of live. he is absolutely worth the price of admission. i was so disappointed in him for his wc antics but thats in the past now, and i have been reminded how right it feels to be his fan, not just for the nice things he does for kids/charity, his fun personality (and lets not forget the good looks, and oh boy they are SO GOOD lol) but his undeniably outstanding talent on the pitch. his game is just incredible. i hope he keeps healthy. i hope he gets his temper under control not just for a few games but for good. and i pray he always has the freedom to shine like he rightfully can. i am rooting for him to get the appreciation and acknowledgement he deserves, unadulterated by behavioral issues or personal drama.

ok, imma stop now. this post is huge, even by my standards.

#brazil nt #brazil vs usa #neymar #thiago silva #marquinhos #alisson #filipe luis #willian #roberto firmino #9-7-2018 #game

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bradypnoea · 4 years ago

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As a new Loki and Tom Hiddleston fan, I’m actually pretty jealous to see someone (aka you) be a fan of his for over 10 years now. I didn’t even know that TH has also played Loki for 10 years as well. What’s it like supporting the actor as well as witness what the filmmakers have done to his character? You’ve probably seen so much happen within the fandom and I wish I got to see how rowdy and wild it got (but at the same time, I’m glad I avoided that).

First of all, welcome! I'm terrible at joining fandoms full stop so I have to commend you on jumping in at such a tumultuous time. I’ll try to make this a brief overview of the early days, ‘cause I know I could go on for hours. I can’t speak to the atmosphere on platforms other than Tumblr really, though I have a vague awareness of the goings-on and Major Historical Events on Facebook and Twitter.

Honestly, my comparably extensive experience as a My Chemical Romance fan prepared me well for this fandom, with minor differences (obviously). From 2011-2015, I had to describe Tom by way of, “Did you see Thor/The Avengers? He plays Loki. No, he doesn’t look gaunt and greasy in real life.” Similar to band forums and chat boards, Tumblr offered a respite from that. A major portion of the contemporary user-base was a direct reflection of the surge in UK media popularity, propelled by personalities that enjoyed — let’s say — ‘off-center’ pop culture. The TWH fandom grew steadily yet in my opinion managed to retain an almost insular climate, though I remember Loki content wasn’t far removed from the inescapable Superwholock deluge which annoyed many users.

Day to day happenings were almost mundane: Tom tweeted with some regularity, shared daily song recommendations, interacted with replies, and posted seemingly anything that popped into his head. It felt almost gratuitous, particularly the second half of 2013, the earnest sincerity and encouragement of his own supporters. Tumblr seized that energy and used it as inspiration. Artists became well known for incredible graphics work, fic writers gained popularity in and outside of Tumblr, blogs popped up cataloguing photos of the man himself in varying degrees of tight trousers, the prominence of few cosplayers elicited threads of discourse which continue to this day. If I recall correctly a few fan projects actually made their way to Tom, notably a photobook involving ‘Wendy’ the false moustache. (I think there may still exist a self-recorded video documenting his receipt/reaction of it?) And I have to specifically mention the user Torilla, whose tireless work in sourcing and providing high quality photos to the masses cannot be overstated.

Such is the nature of modern fandom however, when a person attracts such a large number of supporters, the support can quickly shift from admiration to expectation to violation. I can’t recall the exact dates offhand but between ‘13-’15, personal photos were taken from Facebook and widely shared, real people were impersonated online by fans, crowds started to become physically threatening. Not to mention the increasingly invasive actions of paparazzi and fan photographers. When ‘Coriolanus’ premiered at the Donmar late 2013 it was presumed that Tom’s activity on Twitter had declined due to a busy working schedule; by the end of the play’s run, stage door signings had been suspended for safety and privacy concerns.

Throughout 2014, between back to back to back to back projects, fan misbehaviour, and growing scrutiny on how public figures presented themselves online, it was rare to hear anything firsthand. By the time The Night Manager began filming in summer ‘15 the Tumblr fandom comprised discussions of production footage, press releases, a few interviews, and fan-generated content. In my mind that was the last period that the ‘community’ felt manageable — discourse was inevitable but fairly reasonable, even as films were unfavourably reviewed by critics.

Then came May 2016, and nothing was ever the same. Okay lmao that’s so melodramatic, but it’s not inaccurate! I’m not going into detail here but believe me, only since the West End run of ‘Betrayal’ has the fandom been revived to a sustainable degree. Optimism felt like a chore, especially when ‘Endgame’ premiered, and there was no shortage of negative assumptions about Tom’s seemingly indefinite hiatus from appearing on screen. Certainly, other users will have differing experiences and opinions on the 2016-2018 period, but I truly can’t imagine anyone was having an overly pleasant time.

As for my personal support/witnessing of MCU Loki’s character development, I probably have an unusually pessimistic-passive set of expectations, and it’ll be very interesting to return to this after I’ve watched the series! The Internet Joke goes something like, “I respect your interpretation of this character unless it’s different than mine,” which is funny! But I learned it’s almost a waste of energy to attempt interpreting nearly any MCU character because the inconsistent writing. I remember my dissatisfaction during the first watch of ‘The Dark World’ and afterward reading that Loki’s death was reversed when early test audiences reacted with confusion and disappointment, I understood then that the broad appeal of Loki was so necessary for profit that Marvel/Disney would never allow the character the room to shock and potentially repulse audiences like I wanted.

Clearly I’m still intrigued by fan interpretations because I’m consuming and curating fanworks for zero dollars(!!) but I let go of the expectation to be satisfied by canon MCU content, though I’ll admit it hasn’t stopped me from being disappointed by MCU writing! It also hasn’t softened the disappointment of encountering poor fan behaviour, but of course I pick my battles on that front. I’ve heard curiosity and compassion can solve all problems in time so I’ll keep working on that, offering it when I can.

With that I have to thank you for your interest and your kind message, I hope you find a few people to really connect with, and feel free to return to me if you’d like. My fingers are crossed for the next few years to be more pleasant for us, and the fandom can meet one another on respectable terms, learn and grow and all that. No accounting for trolls on Twitter though lmao

Oh! My favourite direction to send interested newcomers is toward the inactive remnant of thfrustration.tumblr.com (link), the preeminent Tumblr fan-fiction catalogue established in May 2012. It’s a nicely preserved record of the Golden Age as I like to call it. Be prepared to cringe a little! Much love. b|x

#b|anons #b|asks #long post #The Rest

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kara-matsu · 7 years ago

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I was tagged by @chainosaur! 💚💙

read more for long post~

name

Cara or Kura!

gender

Lady

sexuality

Straight asexual

star sign

Capricorn 🐐

what image do you have as a wallpaper?

I’ve got my Kara kigurumi wallpaper as my lock screen, and this fanart of Kara as my homescreen [body horror warning]

My computer used to use an edited version of that promo art for DGM Hallow, but I lost it in an update at some point ;n; ill have to dig up those transparents and remake it eventually, rip

have you ever had a crush on a teacher ?

No, though I did have a calculus professor who was distractingly attractive once. I ended up with like a C

where do you see yourself in 10 years ?

Alive

if you could be anywhere else right now, where ?

I’d really, really, really love to revisit Lapalala someday, the wildlife reserve I stayed at in South Africa. Or like, inside a bank vault with all the cameras turned off. That'd be nice, too

what was your coolest halloween costume ?

I'm never satisfied with my costumes because my ideas are larger than my wallet lmao

But I’m still proud of the horns I made for my demon costume two years ago, even if my Grand Vision didn’t really come together and i wish id taken a single decent photo lmao

last kiss ?

I kissed my dog earlier

have you ever been stood up ?

No, never done it either unless you count canceling plans right around the agreed meeting time. im Bad At Being On Time

have you ever been to las vegas ?

Nope! Though I'm not allowed to do Real Gambling, I'd probably enjoy going to see shows and stuff if I ever had the chance!

favorite pair of shoes

These shoes are both the love of my life and most likely thing to cause my death. If I could walk faster in heels I would wear them literally every day

I also have two pairs of Joker converses that @clockwork--carousel got me, and I love them so much that I almost never wear them bc I don’t want to ruin them lmao

favorite fruit

Hmmm, pineapples, coconuts, and strawberries are all real good 👌

favorite book

My nostalgia/feel good favorite is A Barrel of Laughs, A Vale of Tears by Jules Fieffer. It’s a childrens book but I reread it a lot still

My favorite-favorite has a Tumblr Following I know literally nothing about and that makes me hesitant to mention it bc that tends to mean it looks like the worst thing to outsiders lmao

stupidest thing you’ve ever done

I top myself every damn day, my dude.

Oh, but there was that one time I jumped my car so incredibly incorrectly that it started a small fire sorry kev xoxo

I'm only tagging @clockwork--carousel bc I'm legally obligated to even though you won’t do it and @ginasaurrr!

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teenietots · 8 years ago

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yeah I realize she manipulated people and I don't excuse what she did at all. Donut did bad things and she shouldn't be the leader of teenietots. You forced her off her blog or you would make a whole community unsafe. You barely even told people half of the real truth. You harassed her to make her leave. she didn't want to leave but she did it because she was cared for the baby's in this community. you didn't tell anyone you secretly are running the league because you want all the control ( 1 )

you didn't tell anyone the members what really happened. You didn't let her and the members have a real goodbye. You didn't give them time to talk things out and let everyone know that they will be safe still. You didn't do that. you just tell them she was bad, yep she was unsafe and a manipulator, but your no better. You manipulated her off this blog. this was her only reason to live. she cared about her members and the members cared about her, more than half of the members still wish donut (2)was still around. it's not because she was mama, it's not because they faught for attention, it's because they trusted her. She made them feel loved. don't get me wrong what your trying to do is great, trying to fix what was broken, but you owe everyone what really happened. Why don't you tell them how you bullied the old agere mods so bad they they finally just left and you made the new league. And you PLANNED to have donut gone. No warning to her and the babies in this community. (3)so many are inactive and left tumblr because of you guys. you need to fix what you broke. I'm done here.Annabelle tried to expose her for her trauma blog a long time ago and you didn't care until recently when the first agere blog fell apart... care to explain this? you just excused this and said it's seperate from her regression---I would like to thank you for the 5 part message you sent in our inbox because it gave me a lot to think about. You really wanna know the whole truth? Well here you go!1. Yes I am Wonder of the AgeRe League, it was never a secret and it was never because I wanted power. I was asked to be a mediator because I can be level headed during discussions.2. No, we didn't bully the old agere mods. They bullied us. They picked favorites and let things slide. Did you know that they ran screw-agere? Did you know that Vullby would cuss and get mad at us for having an opinion? Did you know that Alpha was never on and wouldn't stop Vullby's behavior?3. No Donut didn't want to leave, but she had to. We didn't harass her or bully her. We tried to have a civil discussion with her but she took it the wrong way4. Yes, we did keep it from Donut because she would have freaked out and tried to turn people against us. Because that's what she does. That's what you're doing. Trying to turn people against us.5. Yes she "cared for her babies" but she had favorites, she would ignore asks, she would ignore messages from people on discord. I have had multiple people tell me that she ignored their messages on Discord even though she was actively talking in the Teenietot server.6. Yes some members cared about her but most were SCARED of her! Wanna know what she did?7. She manipulated Kohina into spending $80 on her so that she would talk to her. She knew people were low on money yet still BEGGED for things8. She was SEXUAL with an adult whom she had FORCED into a relationship and was SEXUAL with them when they were regressed. They were so scared of her they left discord AND tumblr. She would threaten them whenever they tried to break up with her9. She REFUSED to remove exclusionists and truscum from the community until an ultimatum was given. wanna know why she refused? Because she didn't want to lose members and "some of them are nice"10. She LIED about the Kidheart community to make Teenietots hate them. They never allowed kink, they never "bullied" Donut. She left the community so they kicked her out of the discord cause she wasn't a member anymore. How is that bullying? 11. In the mod chat, she would constantly talk about sexual topics even though it made us uncomfortable and most of us are adults12. She posts questionable photos and still has porn on her trauma blog and do you know how many littles and cglre blogs were following teenietots? That means she never blocked them. She refused to use DNI banners because they "ruined her photos"13. She tried to force Pillar to delete the teenietots blog because it was wrong and she would rather see it deleted then have us run it14. More than half? Tell me their names. Show me proof they want her back. Because from what we've seen we have more support than she ever did.15. Most of her "900 members" were inactive or deleted blogs or repeated on the list. So it's not our fault they're inactiveI'm tired of arguing with people about this. You're trying to make us look like bad people but we're doing our best. And obviously you would rather have a manipulative leader over leaders who actually care. - Star

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luvmeh-plez-ihascookies · 7 years ago

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It looks like rather than Twitter, Instagram is the man or woman who appears to take care of hashtags. The appropriate hashtags can display your image into a wide and targeted audience, also Instagram users don't possess the hashtag fatigue since they receive off Facebook or Snapchat.

In other words differently, hashtags could be your best opportunity to get free Instagram followers. Instagram lets 30 hashtags per post at maximum, and individuals typically get the most from the limitation.

The TrackMaven study demonstrates that articles with over 11 hashtags would probably to get more interactions. But occasionally, it is a bit confusing what hashtags would be perfect for your video or photo.

Fortunately, you can look up for the similar popular posts and utilize the particular hashtags.

As you have been wondering this to find consistency in your Instagram account, you want to have good photos to upload, and what if you do not have sufficient time to find some decent shots daily? You could always share user-generated content in your profile also. Suppose you have a product established profile or business balances, then you could always talk about the honest reviews of your merchandise.

Socialize with your fans and users to send their image using or wearing your goods, and you may feature it on the account. This makes a vibe of real and genuine experience for the market and potential clients.

3) Article on Regular basis

Various social networking analytics firms have proven that a normal Instagram user posts at least one time daily. More interestingly, Accounts that get 5-10 followers on a daily basis regularly post marginally more than that--up to two or three images. This apparently clears out that for much more followers, you wish a greater frequency.

Because we frequently use Social Media Strategists and Developers, we must realize that Instagram is rolling out a Facebook-like algorithm which raises the probability of your posts becoming noticed more if you post always. With the ideal mix of the hashtags (that we'll mention later), you can get your articles noticed in search feeds too.

4) Post High Quality Pictures

Instagram empowers its customers to upload and share videos between 3-60 seconds long, and after introducing the attribute, over 5 million individuals shared videos inside a day.

However, an average of 10% accounts have movie, but they reach at least 18 percent of their overall comments on Instagram. Most YouTubers and Versions for example Amanda Cerny, Kingbach, Dan Bilzerian along with other famous Instagram users place regular videos within their profile.

Moreover, an excellent video does attract you free Instagram followers you might drive into your other networks such as YouTube, Facebook, Tumblr, etc.. .

5) Boost on additional Social Networking Sites

Make sure you're that you sharing all your Instagram posted photos onto other social media for cross-promotion. Not only you'd get more exposure on additional social networking platforms, however, a buddy who's not aware of your Instagram account would begin following you. In addition, you can now cross-promote you and your friend's social media profile on each other's accounts using the Stories feature.

It is always preferable to seek support from the favourite Instagram buddy. There are different tricks like using third-party Like Exchange sites or programs, and they also do operate. Conclusion

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#free instagram followers #instagram #instalike #followers

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song-of-sixpence · 7 years ago

Text

Free instagram Followers No Verification No Survey

It's the question which people hunt each the time how to acquire Free Instagram Followers No research No Individual Verification. Although having followers isn't everything, they really do signify a large amount of individuals who are interested in one, your organization or brand. Regrettably, it may be difficult to transfer that needle sometimes, and submitting great images in the world isn't sufficient, alone to boost your followers.

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By way of this program, you may even talk with other programs like Facebook, Twitter, Tumblr, along with Flickr. Following the app came out, the images that can be uploaded was confined to just square ratio which was quite unique when compared with the standard one. After a while in roughly mid 2015, the following upgrade premiered by the instagrammers could set up their photographs in ratio since they pleased.

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We can easily understand if you're intrigued by having to understand all of the trick. In the end, nearly all the approaches can simply drive prospective organic visitors and that also after a lengthy time period. Imagine if you were able to receive free Instagram followers in moments?

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These sites function as name suggest on Just Like commerce foundation. All you have to do would be to log into the site with your social media accounts (ex. Facebook) and get started enjoying, afterwards, and sharing with additional user's articles. You receive reward points before these tasks. Get Free Instagram Followers No Verification

1)Hublagraam

Hublagraam is another excellent tool to discover complimentary Instagram followers without a effort at all. It does not function as a Social Media Like trade mechanism but rather an automation bot that makes you multiples likes and followers in seconds.

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Log in the Website and Permit Permissions. Give accessibility Token and paste unique in the Redirect Link. Wait for many moments, and you'll start getting alarms of followers. Plus it's completed.

However, like I said, there's always a grab for all these things. Since nearly all the auto liker and follower websites use automated robots and scripts, they're believed by Google's algorithm. They normally divert one to third party spam and advertisements links which seals the user in connection loops. You would not obtain any hitter, and it's ordinary your account could have obstructed or temporarily suspended because of suspicious pursuits.

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3) Likeforlike.org

The most popular and supported throughout significant states is LikeforLike.org. As mentioned before, you want to make points in order to get Instagram followers. To begin with, you wish to register and include one of your interpersonal media profile to produce points. Once successful, the website automatically sends you things (Normally 9 or 10) for you follow along with deducts the specific same to your visitors.

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Takes too long to create points. Sometimes, the algorithm doesn't get the job done. You will like something but won't get matters. An inordinate quantity of usage on Facebook or even Instagram cubes the consumer temporarily.

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1)Research and Research Quality Hashtags

It seems like instead of Twitter, Instagram will be the man or woman who seems to look after hashtags. The appropriate hashtags can display your image into a broad and targeted viewers, also Instagram users don't possess the hashtag exhaustion since they receive off Facebook or even Snapchat.

In other words differently, hashtags could be your best chance to get free Instagram followers. Instagram lets 30 hashtags per post at max, and individuals typically get the absolute most from this restriction.

The TrackMaven research shows that posts with over 11 hashtags would probably to secure more connections. But occasionally, it is somewhat confusing what hashtags will be excellent for your photo or video.

Luckily, you are able to look up to find the identical popular posts and utilize the particular hashtags.

As you have been wondering it to find consistency in your own Instagram accounts, you would like good photographs to upload, and also what should you don't have enough time to acquire some good shots every day? You can always share user-generated articles on your profile too. Suppose you own a product established profile or business balances, then you could always discuss the honest reviews of your merchandise.

Socialize with your fans and customers to send their image with or wearing your merchandise, and you might feature it to the account. This creates a feeling of real and authentic experience for the marketplace and possible customers.

3) Article on Regular basis

Various social media analytics firms have proven a normal Instagram user articles at least one time daily. More interestingly, Accounts that get 5-10 followers on a daily basis regularly post marginally greater than this --around two or three pictures. This seemingly clears out for much more followers, you would like a larger frequency.

Because we frequently utilize Social Media Strategists and Developers, we must realize that Instagram is slowly rolling out a Facebook-like algorithm which raises the probability of your content becoming noticed more should you post always. With the ideal mix of the hashtags (that we'll mention later), you might get your articles noticed in search feeds too.

Instagram empowers its customers to upload and share videos between 3-60 minutes , and then introducing the feature, over 5 thousand people shared videos inside daily.

But, a mean of 10% accounts have movie, but they achieve 18 percent of their overall remarks on Instagram. Lots of YouTubers and Versions like Amanda Cerny, Kingbach, Dan Bilzerian along with other famous Instagram users place normal videos within their profile.

Furthermore, an excellent movie will attract you complimentary Instagram followers you might push into your other networks like YouTube, Facebook, Tumblr, etc.. .

5) Boost on additional Social Networking Sites

Make sure you're that you just sharing all your Instagram posted photos onto other social websites for cross-promotion. Not only you would find more exposure on additional social media platforms, however, a buddy who's unaware of your Instagram accounts would start after you. Furthermore, you can now cross-promote you and your friend's social media profile on each other's accounts utilizing the Stories attribute.

It's almost always much better to seek support from the beloved Instagram buddy. There are different tips like using third-party Just Like Exchange websites or apps, and they also do function.

Conclusion

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#free instagram followers #free instagram likes

0 notes

mightbedamian · 8 years ago

Text

#TMIishTuesday - #58 - Re: A Poem to Society

Hey, Thanks for stopping by. Not much of an intro today. Hope you had a great Easter (if you celebrated). The following is a more in-depth discussion of the issues addressed in last week's #TMIishTuesday aka. A Poem to Society. Hey there mighty people of the internet! And welcome to issue #58 of #TMIishTuesday - my weekly Tumblr post about what goes through my weird mind and on what you guys want to know more about. It can be something very personal, it can be something political, it can be completely pointless - but in 99.9 % of the cases, it involves opinions. And mine as well. // Last week I wrote my first ever poem in English: Society. It's about how society treats people and expects people to treat it. I'm rather proud of it, so if you haven't yet, please click the link above and check it out! // In the poem I addressed some of the topics that - according to me - need to be fixed with today's society. But I just touched on them, instead of really discussing them. That's what this post is for. Let's do this in a chronological order. Starting with the first verse. Norms, standards, rules. It's kinda what this whole poem is about. Because these are such important concepts. And whether you like it or not: They are set up by society and basically everyone is following them. That is quite powerful. If society were a single person, the Western world would probably take Kim Jong-un as an example. A dictator leading what us Westerns see as one big people who are not allowed to think for themselves. Someone who makes you believe that you - and only you - know what is good for you. Someone who you can't touch. Someone who is basically assuming a godlike position. But it doesn't stop there. Society enforces the norms, standards, rules set by itself. And it also does so in other societies. It expects them to adapt to its own norms. Disclaimer: There are probably exceptions from the following (which is awesome!), but from what I experience in my age group and older, it is like this: Germany has quite some population. More than 80 million. And then there are Austria and parts of Switzerland, Belgium and Luxembourg that also speak German. If I may cite Wikipedia for once, there are roughly 95 million native speakers of German and 10 to 35 million more studying it abroad. Fair enough. But: Us Germans like to play god from time to time. We just go abroad and expect everyone else to be fluent in German. Doesn't sound like a clever idea? You're German yourself and it sounds very absurd and rude to you? Thank you! We need more people like you! But trust me: I've experienced it SO many times when I lived in the Netherlands just around the German border. Germans who take the weekend (or even more so: German bank holidays like Ascension Day) to go shopping in the Netherlands and ask for directions. No problem so far. But the problem starts exactly there: They don't know any Dutch. And they just approach people in German. And guess what? They don't even apologise! They just start talking German. And most of the time they are lucky. They find a person who speaks enough German to tell them the directions they need. Actually most of the people are probably quite fluent in German. The Netherlands being a rather small country, they KNOW they probably will need more than just Dutch and English, if they want to be set for their career. That's why they learn French and/or German from early on at school. And - in contrast to German schools - Dutch schools know how to teach languages. Dutch people are fluent in the language they took for 6 years. Why can't we do the same in Germany? Anyway, my initial point was that society thinks that they can push their expectations onto everyone and everything. Point proven by Germans approaching people in German when they are abroad. Fun fact: The German constitution dates back to 1949 (roughly 70 years ago). And even if it is quite outdated in parts, keep in mind that it is one of the newer constitutions. Take the British one. Its basic concept is still in place - after being established in 1688. Or the American one - set up 101 years later. Don't get me wrong: All of the mentioned constitutions hold great principles. But there is no doubt that they also hold some that are just outdated. Like I said in the poem: The spirit has changed. We know globalisation, we have lots of people travelling far distances. And human rights have drastically progressed towards a more open and tolerant society. Thank God they have! But there's still a lot of work to do regarding the constitutions! Even though there might not be many "riots" in the Western countries, there certainly is a feeling of inequality. Over the last few years minorities have started to notice that they are not treated equally and fought for it. Most of the time in peaceful protests, sometimes police had to take action. And these protests have achieved a lot! Yet there is still so much inequality in place. Equal pay has been a goal for centuries - and we are still not there. Each and every year we have the "equal pay day" which marks the date it took women to earn the same money it took men to earn the same in the previous year. In Germany it was 18 March this year. We need to fix this! Everyone should earn the same for doing the same job - regardless their gender, ethnicity or whatever else people discriminate based on. "Riots" are also there because government doesn't treat people equally. Take a look to the U.S. where people of color are afraid of getting beaten up by police. Simply for being black. Look at Turkey where Turkish and foreign journalists have to fear imprisonment. Simply for reporting on what is actually happening in Turkey. But Erdogan wants to hide that from the world. We can't tolerate that! YouTubers and other people posting on the internet are - with a few exceptions - part of the younger generation. Teens playing video games or filming their make-up routines, people in their twenties filming their adventures or talking about topics like society's misbehaviour. To them equality tends to matter more than to the older generations. Overall we see a frightening tendency of a "generation gap" in voting behaviour: The younger generation didn't want to Brexit. The younger generation didn't vote for Trump. The younger generation voted hayır (no) in the Turkish referendum. But the older generation is still in the majority. They decide on the fate of the younger ones. To quote a tweet on the Brexit decision by @glenrules (again): "Ever been fucked by a pensioner before? You have now." That is a problem! It happens over and over again. If we can't get our shit - also known as our society - together, we have a serious problem! I can already see the results of the German elections for parliament in September: The “Catholic Dowdy Union” (CDU) wins the elections (for the third time in a row) and the “Alternative fucks Da World” (AfD) becomes the third-strongest party. Demographics for voters of CDU: older than average Demographics for voters of AfD: male. What does that tell us? If you're male: Use your brain. If you're old... well... don't vote! :D Oh and most importantly: You reading this, Generation Internet: Use your power! If you are allowed to vote on 24 September, do so! To quote Green Day singer Billie Joe Armstrong: "Don't let those bastards dictate your life!" If you don't stand out, you'll just be a small drop of water in the ocean. But if you decide to fight for equality, if you speak up when inequality happens, or simply "break the norms" by dying your hair, you can be that splattering wave that makes for a beautiful photo. And people will see this photo and will admire you for standing out. Voice your concerns! Step up and tell people who are doing wrong! And most importantly: Don't forget to check yourself, too! When the older generations (and the media, thanks guys...) blame video games for shootings. When they tell us that "the internet is evil" (or virgin soil, like German chancellor Angela Merkel once did: "Das Internet ist für uns alle Neuland"). When they tell us that we would be hunted down, if we put too much TMI on the internet, well... have you ever been hunted down cause you posted a tweet from your toilet? Have you been dragged because you researched on the internet about a cool band you liked? Have you been the persecutor in a shooting because you played a game of Call of Duty? No? Congrats! You are part of the 99.99 % of the younger population! The older generations still need to figure that out. Give them time. Eventually they will. Maybe. Who knows? Screw society! Immigrants. Can I just copy-paste what I wrote about the younger generation? If you are an immigrant, you probably were not involved in the rape at New Year's Eve 2015. And you probably are more scared to have your home set on fire than setting something on fire yourself. And you probably are looking for a job, trying to adapt yourself to the German culture and society, rather than wishing you could go back to Syria, Turkey or Mali. Most of the Germans still need to figure that out. Give them time. Eventually they will. Maybe. Who knows? Screw society! If you are part of the LGBTQ+ community, don't hide, if you don't feel like hiding. Be confident of who you are! No matter if your sexuality or your gender is not conforming the norm. No matter who does or doesn't accept you. Be proud of who you are! After all it's not a choice. Be proud and be loud! You are you - just the way you are. And no one can change that! There are some bastards in this world. Let's not let them have a say in who we are. In how we feel about ourselves. In how we behave. If you are treated disrespectfully, be loud about it! Tell those who are disrespectful (they might not even be aware of it). And, if necessary, turn to others for help. Don't be ashamed for that. It's not a bad thing to look for help. I had to learn that myself. But it really does help! You do you. We do us. Before I go, tell me your thoughts on the poem and this post. Should I try to post more poems? And of course, I wanna know what you think are some things that need to change with regard to society! Place a comment, tweet me, dm me, or do anything else you can think of to get to me. Queer Shoutout you say? German gay forum dbna wrote a post about The Travelin Bum. It might sound weird at first - an ass that travels? But it's just that. Pictures of naked male butts who pose around the world. Well the guys, not just the bums. It's definitely a little weird. But it has its own charm. Check out the page on Instagram. As always: Next #TMIishTuesday next Tuesday. If you have any questions in the meantime, just ask away. Whatever you’re curious about - I don’t bite. :) Until then: Stay mighty! Linkage: - Wikipedia: World language: https://en.wikipedia.org/wiki/World_language#Living_world_languages - @glenrules on Brexit: https://twitter.com/glenrules/status/746228140792381444 - Bundeszentrale für politische Bildung: Wahlergebnisse und Wählerschaft der CDU: http://www.bpb.de/politik/grundfragen/parteien-in-deutschland/42068/wahlergebnisse-und-waehlerschaft - Alternative für Deutschland: http://www.bpb.de/politik/grundfragen/parteien-in-deutschland/211108/afd - dbna: Darum zeigen schwule Jungs gerade ihren Hintern bei Instagram: http://www.dbna.de/leben/meldungen/2017/03/nackte-hintern-schwule-jungs-bei-instagram-41526.php - The Travelin Bum: https://www.instagram.com/thetravelinbum

Oh, and here’s some self-promo: - Last #TMIishTuesday:http://mightbedamian.tumblr.com/post/159459231432/tmiishtuesday-57-a-poem-to-society - All #TMIishTuesdays: mightbedamian.tumblr.com/tagged/tmi - More #TMIishTuesdays on society topics: http://mightbedamian.tumblr.com/tagged/language http://mightbedamian.tumblr.com/tagged/me - More very cool stuff: www.twitter.com/mightbedamian - Even more very cool stuff: mightbedamian.tumblr.com

#tmi #mightbeserious #society

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theladysmith · 8 years ago

Text

Reboot.

Hiya. Happy new year. It's 2017.

After a few years of trotting out my social media efforts out as a website presence, I’ve decided to rethink, revamp and relaunch my blog. 2016 was quite the year for me, so much so that I think I might need to write about it, and I’m just delusional enough to think that as my jewelry and design and life-as-a-human work evolves, people might want to learn a bit about my process and the life that insulates it.

So I suppose this post represents a relaunch (or a messy new launch) of my blog. I generally prefer to photo document life, and so spend a lot of time on Instagram, which in turn feeds my Tumblr, and for a long while I’ve felt that this is enough social media presence for me, that my images and captions speak enough about my art-life and my life-life. Until recently. Life-life this year has been challenging, and photo-captioning it doesn’t really allow for the deeper dive that I might want to allow myself every once and awhile. My desire to discuss what’s going down without the threat of caption limits grows daily. I can’t keep my expectations to myself anymore. I guess that’s where you come in: I’m asking for witness.

I had originally written a long, hand-wringingly dramatic post about how I lost my J-o-b several months ago. I was aiming to be concise, but emotions got the better of me and it just started to get whiny. I may post it eventually, but I dunno. I wrote and rewrote this post over the fall, and am now revisiting it 5 months and a New Years later and I realized that I've simmered down some. I feel like telling the story now for historical context, as the lay-off and its repercussions has completely changed my life for the better, and as result has fired up my art-life so much that I can no longer deny that my art-life is in fact my real and true life-life. I can no longer function as a human without working as an artist. That has been the biggest, hardest and most joyful lesson to come out of the shit-show that was 2016. (Full disclosure: I had secured legal representation after my lay-off due to several human rights violations that I experienced as an employee of Sotheby's International Realty Canada's Oakville office, but a change of situation has now freed me to talk about it. I offer this as a cautionary illustration of what a skilled, experienced and friendly employee can experience working for woefully ignorant and shockingly under-qualified management. You know, 'cause the world needs another tale like this...

I started a new job with the regional Sotheby’s International Realty office in August ’15, and I was crazy-excited to be working with a world-class marketing team and historically significant brand in a new (to me) field with a short walking commute. Walking to, but mostly from work soon became the best part of the job, as the management direction became abusive, the expectations were never communicated and the high-school-level office drama emerged just a few weeks after starting the job. At lunch with my brother in mid-September I casually mentioned that I wasn’t very happy with how things were going, but maybe it was just growing pains. By our trip to NYCC in early October, I was depressed each and every night (especially Sunday nights!) knowing that I would eventually have to go back to work, and was planning a pie-in-the-sky escape plan out of self-preservation. I also wasn’t feeling very well, but I figured it was my annual late-in-the-year energy slump and the Monday-Friday frustrations feeding stress-related illness . I told myself to hang on, that the job would improve. It did not improve. Let’s cut to the beginning of 2016, shall we?

After indescribable work stress, a suspicious lymph node infection, a total immune system crash, and 5 and a half months of unending illness (head colds! sinus infections! gastroenteritis! the flu! another cold!), I was diagnosed with papillary thyroid cancer in February, just a week before I turned 40.

To illustrate the degree of shit to which the job had gone, I offer this story: I spent my 40th birthday sick as a dog, yet in a compulsary meeting at work where I was scheduled to make a 1/2 hour presentation with next-to-no voice, which was interrupted by the perfunctory cake and happy birthday song delivered with the energy of a funeral dirge. I finished my presentation to discover that they had eaten the entire cake without leaving me a slice while I was talking! Totally defeated, I spent the evening nested on the couch in my pjs with a head cold so terrible that I was unable to taste the lovely chocolate cake that Mike had gotten for me. I was miserable, scared and angry, and I didn't know what to do. I can't ever remember feeling more hopeless. I wish that was the only horrible story I could tell of this recent job, but there are about 3 dozen more, most far more depressing, including the one where MY BOSS INFORMED MY COWORKERS OF MY DIAGNOSIS BY EMAIL WITHOUT MY PERMISSION. But let’s not go there right now...

By the end of March, I was finally “healthy” (in that I was no longer actively sick with something, except for cancer), and I was feeling a little more optimistic because the multiple doctor's appointments, nasal endoscopies, CT scan and biopsies had determined that the cancer was isolated just to my thyroid. I had a great new family doctor and surgeon who had managed to answer most of my many questions and my surgery had been set for early May. The daily personal bullying at work had even simmered down a bit, but this was just temporary because of yet another massive drama regarding another coworker, so my issues were briefly off the radar. Emphasis on briefly.

I had been working with an amazing therapist (and friend) out of Ottawa via Skype for a few weeks while I navigated my treatment options, and with her support I made the decision to move to working 4 days a week for awhile, to give myself a bit more time to schedule doctor and therapy appointments. The 4 day work week, while definitely no shorter in terms of hours, felt like one of the most adult and freeing decisions I had ever made in my professional life. I was starting to feel very well prepared and almost excited for my surgery. My health was improving (as was my outlook) and it felt good.

My total thyroidectomy was on May 5. O5/05 - I felt like the numbers were auspicious, and I guess they were. The surgery, while a little longer than expect, went perfectly. When I woke up in recovery, high as a kite on morphine, I knew a moment (albeit drug-induced) of pure gratitude and love for everyone and everything. I had never experienced that before - it was lovely. Memorable. I still think of it daily. Propped up with a massive bandage on my throat, I squawked a little 'hello' to myself and beamed that the surgery hadn't taken my voice (there is a small chance of permanent change or loss of voice with all thyroid surgery, as the vocal cords run through the thyroid.)

I had some trouble with my blood calcium levels that kept me in the hospital a little longer than the overnight that I had expected, but by 8 pm the next day I was home, happy and relatively comfortable. I healed like a champ. Work benevolently (can't roll my eyes hard enough here) gave me my 4 remaining sick days to recover, and I worked from home the following week because my voice had still barely recovered and my incision line was periodically sore. I even managed to get to the Ottawa Comic Con a week after my surgery so that I could visit Mike and our friends who were exhibiting. After my stitches were removed (which was the creepiest physical sensation I've ever experienced) I spent a few days recovering at my family home. All of this time felt like such a gift.

My return to work was tough. My voice was weak and would give out mid-sentence, which was weirdly exhausting, and my energy levels were a little all over the place because my body was still getting used to the new Synthroid thyroid medication that I was now on for life. I felt overall that I was doing pretty well, but work quickly reminded me they thought otherwise. The prevailing attitude was "wow, your illness was such an inconvenience" or "actually, we got along just fine without you." I had started a job search during the dark days of deep winter, but after my diagnosis I just let it drop. I started to reconsider. But I I felt like I had really survived something, so the trials and dramas of work should've seemed like nothing in comparison, right? As spring continued, the job environment worsened. The brokerage manager (henceforth to be referred to as Terrible Manager/Person, as she really was both a terrible manager and a terrible person) continued to throw me under the bus, cc-ing emails where she blasted me for non-issues to the entire national management team, wasting everyone's time. I went far and beyond my job description on a few special projects, but my efforts weren't even recognized with a simple thanks. The few actual design-oriented projects that came across my desk were promptly taken away from me and weakly completed by the Toronto office, which was frustrating because my position had been advertised as a graphic designer position but had flattened into a straight coordinator position, leaving me increasingly upset with my decision to leave my former job (which hadn't been the best, but at least they had respected my skills and input.) The professional criticism was unending, and totally unnerving - was I going crazy? Was I actually terrible at this job? You know, the same kind of job I'd been doing for 10+ years, with glowing reviews from former employers? I felt completely lost...however, when the criticism started to involve how I looked and what I wore ("hey, did you know you can lose 10 lbs just by cutting out bread for a week?" "Wow I like your blouse, oh wait, you got it at WalMart? And you wear it here!?" "I heard of a medical trial on the radio for people with skin issues and I thought of you immediately..." THOSE WERE ALL SAID TO ME WITHIN A WEEK'S TIME), I realized there was no fixing this shit show, no matter how long I stayed or how hard I tried. (Honestly, apart from a shitheaded misogynist manager once telling me "you know, you'd be a lot prettier if you smiled more!", I have never, ever been subjected to as much criticism regarding how I looked as I was at Sotheby's. I was always dressed office appropriate with professional hair and makeup and boring shoes, but nary a week went past without someone making some kind of comment about my skin, my weight, my illness, my clothes, the frequency with which I wore some things, or my boring shoes. And it's worth mentioning that it was almost always women making these statements...

We went to HeroesCon in Charlotte in mid June and had the best time (as usual) and I came back to work high on art and our amazing friends, only to be deflated and sluggish 2 days later, looking forward to the next long weekend, con or event. Something at work had changed too, I could feel it. I was left out of or uninvited to trainings and dealings with the rest of the national marketing team. My long-promised raise that had been due in November (per my contract, but withheld by Terrible Manager/Person who never felt inclined to complete my 6 month review) suddenly arrived unceremoniously by email. I was told that a new agent was taking my office and I would need to move the contents of my office to a barren corner of an unused board room where a new office was going to be built for me by mid-July. That plan got fast-tracked, suddenly I was given 2 day's notice that my office space was moving, and it was literally taken down around me as I tried to finish up work before I was due to leave for a long weekend in Montreal at the end of the first week of July. My long-developed filing system was destroyed, my organization systems were hastily thrown into boxes, all of it was moved to the empty board/storage room. I was incredulous as I left work for my long weekend - what a mess that was going to be to come back to.

While I was away, there was the usual monthly general office meeting for all the Oakville and Niagara on the Lake agents, Terrible Manager/Person and office staff. Terrible Manager/Person and 2 agents (who I had rarely worked with but who had always been terrible to me when I had to work with them) spent considerable time during the meeting slandering me to the rest of the group (which I heard about the day I was laid off.) One agent who had exhibited an absolute hate-on for me from day one (and who was tight friends with Terrible Manager/Person) apparently stood up and declared "why should my business suffer because someone is sick!?" It's worth noting she had only come to me twice in the space of 6 months for actual help, and I kept her advertising initiatives on track when she had dropped the ball...anyway... The day I returned back to work from our Montreal weekend, I was knee-deep in sorting out an issue between an agent who was away in Eastern Europe on vacation, the agent who was looking after her affairs in the meantime, and the printer who had dropped the ball on their job. I had it sorted out, and had emailed both the agent and my manager that everything was copacetic, but because of a 6+ hour time difference between here and Croatia, and the fact that Terrible Manager/Person was rarely timely in checking her emails or reading email threads, she bitched me out to the national team once again. That was is, I lost it. That afternoon, I confronted her about it, explaining that every time she cc'd the team about some issue she had with me or my work instead of speaking directly with me, she cost everyone time, especially me, and seeing as how I was constantly over-my-head busy, I was done with that kind of unprofessional bullshit. Her face went blank, and she said ok, and walked out of my office.

I was laid off the next morning. They called it corporate restructuring, as they always do, and told me that the Toronto team was taking over the Oakville and NOTL office marketing needs. They reposted my exact job description (the same one that I had applied to the year before) the next morning - there it was sitting in my inbox at 7 am. I still find it utterly hilarious that they didn't think I'd see that...but considering the very first thing that Terrible Manager/Person asked me to do when I came on board was "to change everyone's emails so that they could somehow look like they were written in cursive handwriting font on a parchment paper background, because it's just so much nicer and elegant", I'm not fucking surprised...(for real, that was the first request that I received as a Graphic Designer/Marketing Coordinator for Sotheby's International Realty Canada. Elegant indeed. I should've run right then and there...)

So, five months later! Where's my head at? I'M SO HAPPY I DON'T WORK FOR THE RICH AND ENTITLED ANYMORE! SO HAPPY I DON'T WORK FOR A TERRIBLE MANAGER/PERSON ANYMORE! SO ABSOLUTELY SURE THAT I AM DONE WITH CORPORATE CULTURE FOR MAYBE EVERRRRRR... All caps screaming aside, I'm at a bit of a loss to describe how life changing last year was. I feel like the creative girl that I was when I was in college, full of ideas, making art on the daily and feeling happy, hopefully and resourceful. The messy breakup feels that the lay-off brought are dissolving - I can't help but note that I don't really have any lingering friendships from that job; I've had them from every job I ever had, but this one was different. I am really aware that people were only friends with me when they needed something. Human nature I guess...or real estate agent nature. Who knows(/cares)? I don't know what the next year is going to look like, but right now it looks like planning, making, organizing, selling and promoting. I may have to take a part time job eventually, I may not, I may find lots more freelance (was doing ok with it in the remainder of 2016), I may not. I truly have no idea. But considering that everything that I held as concrete and permanent this time last year has completely changed and I'm thriving in spite or because of, I'm feeling pretty ok about it all. I wish you a very happy new year. I am very happy to be here to do so.

(If you're working a job that involves you feeling terrible about yourself and your abilities on a daily/weekly basis, if you have to deal with a Terrible Manager/Coworker/Person with no one to back you up, if your job was promised as one thing but has backslid into something undesired, or worse, health-threatening, please make every effort to free yourself. I know how it feels to be locked in, desperate, scared and seemingly without options. You can at least talk to someone, be heard, and vent your frustrations, and through that you can find a path and resources to find something better. I am happy to lend an ear and/or shoulder to anyone who needs to decompress from their workplace tension, and more importantly, brainstorm ways to get out of an abusive job. It is absolutely not worth your health or peace of mind - it is time spent that none of us will ever get back.)

#new year #job #work #layoff #cancer #thyroid #thyca #recovery #art #terrible bosses #life lessons #reboot

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