#some of you act like these character killed your families

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

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💎Before you ask, check out my masterpost part 1 and part 2 

[pomefioredove]

can I request house wardens + leech twins with a reader who doesn't eat enough bc Crowley doesn't give them enough for food, and they end up really ill and collapsing or something. I'm cravin some fluffy comfort rn, pls and thank you 🙏

I got you🫡🫡 as someone who's been through an eerily similar situation, I really liked this request

*ੈ✩‧₊˚ another crowley moment™️

type of post: headcanons characters: riddle, leona, azul, floyd, jade, kalim, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu, mentions of food and not eating

Riddle wouldn't even have to like you to rush to your side. but he does like you, which makes it all the worse

after checking your vitals, you're in the infirmary. he's got doctors for parents, after all, and he knows that malnutrition is bad

he should have seen the signs...

with exams coming, he's been so busy, and he assumed that you were just tired from studying

but he can feel guilty later. right now, he needs to focus on you getting well again, and not killing Crowley

(then, of course, he'll look for some legal statute or clause that he can threaten Crowley with so you're fed properly)

*ੈ✩‧₊˚

Leona noticed you'd been acting a little weird lately, but watching you collapse still puts him in shock

luckily, Ruggie and Jack are nearby to help you to the infirmary, so Leona can focus on hunting Crowley down like an animal

there are very few times where Leona is particularly grateful for his status, but this is one of them. just one word on how his family will be hearing about Crowley's neglect, and the old bastard is begging him for forgiveness

even after that, Leona still sends Ruggie with snacks and drinks to Ramshackle

and if you ever scare him like that again, you'll regret it (lovingly)

*ੈ✩‧₊˚

the news of you collapsing during flight lessons reaches Octavinelle rather fast. no one is particularly surprised, since Floyd had mentioned how easily you'd been bruising lately just the night before, but everyone is certainly worried

Azul is the first at your side, asking you all sorts of questions, worried sick. Jade has to remind him to give you space to rest, since you look exhausted (had you always had those dark circles? how could Azul have not noticed?)

now, Azul and the tweels could easily find a way to pressure Crowley, but they know better than to trust him

from now on, you'll be eating in the Mostro Lounge, free of charge

*ੈ✩‧₊˚

perhaps Kalim was just oblivious, because he really didn't think anything was wrong until you were suddenly on the floor in front of him

sure, you'd been a little moody lately, but he figured it was just a thing you were going through. and besides, you know that you can talk to him about anything... right?

Jamil hurries to check your pulse, and shouts for him to get the school nurse- which is jarring, because Jamil never shouts

when you explain everything to Kalim later, he feels... terrible. he should've known- no, he should've asked

Kalim insists you stay at Scarabia while you're recovering, and makes sure you have the most enriching, delicious meals money can buy

*ੈ✩‧₊˚

Vil knew it was bad, but not this bad. if he had known you were on the verge of collapsing, he would've taken a firmer approach to getting you to eat

you're going to worry him to death someday, you know that?

after he's done verbally eviscerating Crowley, he'll insist on joining you at every meal. he'll eat at Ramshackle, breakfast, lunch, and dinner, if that's what it takes

he's subtle about it, at least

if he notices that your plate feels empty, he'll just take some food from his and put it on yours. gracefully, elegantly, without a word

you'll come home one day to see your kitchen stocked with vitamins, supplements, and apples (courtesy of Epel)

<3 and a note that says he'll treat you to dinner whenever you want

*ੈ✩‧₊˚

never scare Idia like that ever again. he wasn't even with you when you collapsed, and he STILL nearly had a heart attack

listen, he knows he's not a great role model when it comes to nutritional eating, but you have got to tell him these things. he would've had Ortho go get takeout! or something!

typical Crowley behavior, SMH. what does he think you are? a rabbit? even the school horses get treated better...

no way that Idia is going to even bother with that old fart, anyway. you want something? he'll get it for you. you don't even have to ask, he'll just send food to your place (and have Ortho check your vitals more often but shhh)

*ੈ✩‧₊˚

I would not want to be in the room when Malleus finds out about this

not even the building. you know what? I'd steer clear of the whole island, because it will not be pretty

when you collapse in front of him, it feels like he's dying, too. the panic sets in, and he sends Lilia to look after you, and Silver and Sebek to escort you to the infirmary, and then he casually threatens to smite Crowley. obviously

if the students and staff of NRC thought Malleus was scary just being Malleus, he's terrifying when he's mad

(rest assured that you will be getting ten times the amount of food from now on)

it's thunderstorms for days after, but he never leaves your side

[quirkwizard]

Give us the Enji rant, spell boy.

For the sake of context, this is a rant about how people interpret Enji as a character that I alluded to a while back. I understand that this is one of those hot button topics in the fanbase. All that I ask is that you hear me out.

The big issue about discussing Enji as a character is always going to be this miasma that surrounds him. It's hard to analyze him without his abuse hanging over it. Not in how it reflects or affects himself or others around him, but more in how all discussion begins and ends with it. It's to the point that I have to make it clear that I don't support or condone Endeavor. He's a pretty obviously terrible person, and the manga is very clear about it. However, fandoms have been able to ignore terrible things characters have done for analysis sake or even try to soften or redeem them in their own way. I don't even have to use outside media as an example. Tomura unapologetically killed untold thousands of people and threw an entire county into chaos, and fans were still wanted him to be redeemed. So why not Enji? I could bring up any number of reasons. Anything from how he's presented at the beginning of his series to having his actions affect fandom darlings like Shoto and Dabi to something like familial abuse being a lot more personal to more people. Seriously, it makes me wonder if instead Endeavor had just straight up killed some random villain and if that would be easier to forgive in people's eyes.

However, a lot of that is reductive and isn't getting at the heart of the issue. I think it comes down to fans simplifying or misinterpreting a lot about Enji as a character, especially in relation to his arc. And I'm not saying this in the sense of "these people are wrong and don't understand the story". It's just that miasama suffocates his story, to the point where it paints everything he does and how characters act around him in the eyes of the fans. Like how people just assume the worst about Enji at every point. Things like how he's racist, misogynistic, or has done things so bad that I hesitate to even allude to them. And it's something that distorts what his arc is. I do not think the story is saying to forgive your abusers. Because to me, Enji's story was never about forgiveness but atonement. Enji is trying to do right for his family and change who he is as a person. Whether or not people accept that is up to them. And when forgiveness is brought up, it's never about forgiveness for the sake of forgiveness. That people like Shoto aren't letting go to reconcile with Enji. They're doing it so they can move on with their lives. And I just want to be able to say stuff like that without being called an abuse apologist.

[creatingblackcharacters]

Favourite characters: Guinevere (aka Gwen) and Elyan from BBC Merlin.

They're brother and sister, children of a blacksmith, Tom, who is killed by the king (not Arthur Pendragon, Gwen doesn't marry the guy who killed her father) late in the first series. Estranged at the start, their relationship improves after Elyan returns to Camelot in s3.

Gwen starts off as Morgana Pendragon's maidservant, before becoming Queen Guinevere Pendragon later in the show. She's kind and brave, and she accepts shenanigans (two days after meeting someone: "oh you need a wheelbarrow? To move a dog statue up a flight of spiral stairs into your room off the physician's chambers? Sure, I'll help you"). She helps save multiple characters and smuggles a knight out from the dungeons under the nose of Morgana when she takes over and an immortal army, while still pretending to be loyal (okay, so Morgana technically lets her to bait a trap, but she doesn't know, so it counts). She's also the only character on the whole show to figure out Merlin's magic without being shown or told about it, and one of the first to discover Morgana's treachery because she's suspicious and investigates. She helps take down a witchfinder on the king's payroll, and can use a sword! And argues for other women to be able to fight! She's awesome! And she's still soft, and cares for people, including assisting the court physician (she has more medic skills than a lot of people seem to give her credit for). She also fits into the damsel in distress role multiple times. She's the daughter of a blacksmith and knows all about armour, and is very, very loyal.

And she becomes a queen! They cast a Black woman as Queen Guinevere! She gets to wear pretty dresses and she looks gorgeous in them (she looks gorgeous throughout but yk), and she has an important, strong role in her debut two-parter as queen.

Elyan's Gwen's brother. He leaves Camelot when he's a teenager and reunites with Gwen when they're both kidnapped by an enemy king as part of a trap. He's the son of a blacksmith, and has been a smith in the years he's out of Camelot. He reopens his father's forge when he returns to Camelot, in that episode, and although there's no timeline iirc, it can't be too long before he becomes a Knight of the Round Table instead. He's very loyal, loving of his family and friends, and although he's made mistakes in the past (leaving Gwen and his father and not returning voluntarily, not even when he found out Gwen was alone because their father was killed), he's making up for them. There's a nice (? not sure that's the right word but anyway) scene of them grieving together at their father's grave four series after his death and two after Elyan's return that shows that well (also some continuity, and them doing this despite all their duties to the kingdom is something I like, it shows the importance of family to them both).

They did them both so dirty in the last series though. They killed off Elyan (in the episode with that scene above, unfortunately) and it was in the first of a completely unnecessary three-episode storyline of her being enchanted, so there was a funeral but she didn't get to grieve and they never went back to it after the enchantment was removed, and they didn't really show any grief from anyone else either. The show just moved on. And sure they did that a lot but it's particularly aggrieving with Elyan because he's a knight of the round table, the queen's brother, the king's brother-in-law, they both grew up with the first knight, and they didn't pay enough care to it.

(this will be your surprised face when you find out I don't rewatch the last series)

ANYWAY. I love them both.

GWEN!!!! You have to understand she was the Original for me. The first time I'd ever seen a Black woman in a main role in one of those fantasy sorts of shows, where there are white people around her and everyone acts NORMAL about it. She belonged there!! So she holds such an important place in my heart and identity, even if I didn't even finish Merlin. Fuck anybody who says Black people don't belong in fantasy bc Gwen was there and she did it and I loved and needed that. And she's wearing the hell outta that dress 😤

Well I wanted to be excited about Elyan, bit of course he doesn't make it 🙄 I hate it when that happens, when a character dies and everyone's just like... All right! That's it! Especially if it's other Black person on the show, like wow thanks a lot. Well, we care about Elyan, even if I don't remember him 😤

[tare-anime]

Hi, your posts about Spy X Family are real good. I see chapter 105 as improvement of Franky's role and character. Wheather he'll get lucky - or not - on the Finding a Girlfriend case is a hot one. I wonder,when will Anya she's fed up with Damian's disdaineful,toxic world? I posted my thorough stydy upon this case. I've ceased to believe for a friendship(or romance between them). Unpopular truth:All these (old and new) cruel and awfull insults of Damian to Anya, in the end reflect and represent his Papa(: So in my opinion she and Papa "Twilight" will get the documents of Donovan's scheme by an other source.By the way, if government officials and the SSS are not his lackey's ,associates for his scheme then who they might be? And when WISE uncovers it what will be their actions against him and his network? Are we ready to see how Sylvia has killed people,real villains say Ostanians similar the assassins yor has killed? See you :)

Oh wow, thank you so much. I'm glad you find my rambles to be enjoyable 🥰🥰

As for chp 105, yes it's one of my favorite kind of "side character building up" type of chapter. And this time, we got to see Franky's character building. For me, Franky is such an amazing character that know how to enjoy his life. He has his princips and stays true to that, and didn't stop being kind, while at the same time he has a very smart view of the world and very logic in thinking process. I do hope he will find a woman who will appreciate him as who he is. But first, he has to decide when he want to settle down before doing it.

As for Damian. Yes, unfortunately if I have to be honest, I don't like Damian very much if he is showing his tsundere side and keep pointing and hurting Anya. But, he is still a boy, who tried too much. I hope he will one day learn to accept that there's nothing wrong by enjoying the process of growing up, and not too focused on the goal. And the fact that his Dad IS NOT someone he has to look up to. I believe Damian has good heart though, as we already seen in so many occasions. And just like every kid, in the growing process, the influences from other people particularly their peers are huge. And I hope Anya (with her own problems and difficulties) alongside with Ewen and Emile and Becky, can help Damian grows into a fine man. This is why, my fave chapter of Damian will always be where he can act like a boy of his age.

And I do agree. I do hope Twilight will find some other way to approach Donovan. And not pushing it through Anya and Damian friendship. Let these kids be friend without ulterior motives other than being friends.

The mystery of Donovan ascossiates are still there. This man has so much power, and yet, we know he is not with the incumbent of Ostanian govt. He is not directly leads the SSS, though without a doubt there will be fractions of SSS who is loyal to him up until current timeline. So where did his power came from? This remains a mystery until Endo decides to move forward with the plot, I guess 🤭

Tbh, I don't think WISE is 100% good either. It is possible that Op Strix be WISE's own plot to overturn Donovan because this man dares to oppose WISE. Anything is possible in politics after all 🤣 so how will WISE reacts when they finally got the information on Donovan? That will also depends on further information given to us by Endo himself.

Come on Endo!!! Give us more plot development 😫😫

Regarding Sylvia, Oh yes, through her speech during Inu-san crisis arc, we know that Sylvia has killed people during her life. This has eating her soul, but she has to carry on with her life. The same goes to Yor. Yor must know that not all of her clients are guilty per se, but she has to numb her soul because that's how she carry on with her life.

Thank you so much for the asks. I hope I manage to give satisfying answers 🥰🥰🥰

Good day to you too!

[zutaranation]

Talking about The Search with some moots on twitter, got me thinking some really interesting potentials.

It’s in character that Zuko would forgive Ursa for forgetting him and want what’s best for her and intellectually understand why she did what she did, but I think emotionally, beneath the surface, he would feel deep pain at that.

Ikem and Kiyi’s existence clog up the plot. It’s too many cooks in the kitchen. Dont get me wrong, Ikem is a fine dude, he seems chill, and I love the dadko moments that come from Kiyi, but it’s too much going on directly linked to the main cast’s lives. That’s why it’ll never be addressed, which feels cheap and makes the reader feel cheated. Like Zuko has a STEPDAD now?! That should be a huge plot and discussion, but it’s not. It’s glossed over. There’s too many characters.

The whole gaang could’ve looked at Zuko, remembered what Ozai looked like, and laughed at him for thinking Ikem was his bio dad. That made no fucking sense. Sadly for Zuko, he’s the spitting image of Ozai. I could see Zuko being in denial, but Aang should’ve laughed at him tbfh.

Like Kiyi and Ikem wouldn’t come up in a gaang adult movie they’d be forgotten and that’s why they shouldn’t have existed.

Kiyi also just feels like some weird bandaid consolation prize for Zuko to toss Azula aside ??? It’s weird idk.

Like why are Ursa’s parents presumably dead? They easily could’ve been alive 💀 Ursa should’ve been vibing with them and zuko meets normal grandparents that were hidden from him for years … it feels less cluttering of a story than making up Ikem and Kiyi and then you would just presume the grandparents are old and rickety and have to hang back in Hira’a most of the time so it’s not like bugging your mind with questions and adding more unaddressed storylines!

I’m okay with the Ursa forgetting her kids plot. I do think it makes her shitty, but I’m okay with the tragedy of it and her being kinda a shitty mom.

Ikem is low key a freak for helping Ursa forget her memories then settling down with her like NOTHING HAPPENED

I wish that Ozai and Ursa once had feelings for each other and he slipped into “madness” in an “absolute power corrupts absolutely” kinda way. It’s more interesting than “he’s always an evil big bad gonna tie you to the train tracks” vibe and eliminates the need for stupid ass Ikem. I remember Bryke mentioning this once too in some old ass trivia bit or something for “Zuko Alone”.

The worst part about The Search is the glossing over the emotional scenes. What readers had wanted for years so badly was the emotional payoff of either Zuko facing his mother was dead, or actually seeing them reunite. Also— the most emotional— Ursa reacting to Zuko’s scar is entirely skipped. It sucks.

Not letting Zuko and Katara have a single conversation when Sokka and Zuko do and Aang and Zuko do is insane. Katara had so much to feel and bond and hurt over Zuko with (yes platonically in this case I’m not that in denial @ antis). It sucks so bad they cut this entirely for shipping bs hatred because BRYKE are 6 years old emotionally.

This would’ve been a much better and emotionally charged story on screen. It was really cheated by being done on a limited page comic. It needed more time, voice acting and music.

It’s implied heavily, as many of us always assumed, that Ursa was SA’d.

If zutara was canon, I think Katara would be furious at Ursa and it would be an interesting conversation and story. Maybe I’ll write that fic

Regardless of these many flaws, the story is much more in character than The Promise or Smoke & Shadow. I hate those comics so bad for making the theme let’s all kill Zuko and be nonchalant if he dies! And making it so that it’s like he never had a found family and still no one loved him and also the weird submissiveness they gave to Katara and the retconning of everything and the repetition and recycling of plots and it all is so bad… 💀😭

What thoughts do yall have? Happy to discuss 👀

[kihteyu]

Fandom could never make me hate you teenage girls who’s worst crime is acting like teenage girls

[grilledcheese-savage]

I genuinely don’t understand character salters. Like, it’s been years why do you still care that this specific character has flaws. No one’s saying you have to like them.

Also it’s kinda embarrassing for you. Like, you’ve been spamming how much you hate this character in the character’s tags everyday, do you really think you won’t be fought on it? That people will agree when you compare this character with real life fascists… that’s so creepy to me. Live and let live… 😑

[vaugarde]

this is an issue with guardian signs too and i thiiiiink soa but man, one of the worst things they do in these games is give you a companion that does jack shit and is literally just there to be a mouthpiece because the player character has to be silent. their existence actively hurts the story of these games to me because “oh we gotta work together to stop the bad guys!” but they just sit around doing nothing the whole game because the gameplay requires you to be the only one doing anything. and it works with other characters like spenser (who’s off doing other more important work) and rand (the only other ranger in the region) because they’ve got an excuse to not be helping you specifically in that moment but the companion character just sorta stands around listlessly spouting the words you need to hear

[hedgehog-moss]

Last time I went to the village to buy bread I saw a woman in the street who was dressed like a 19th-century peasant, complete with a thick old-timey accent with dialect words no one uses anymore—she was telling a little group of people to follow her so of course I had to drop everything and follow her too.

And it turned out she was a theatre actress who has read a lot of local archives in libraries and town halls, and offered her services to organise guided tours of various villages to tell people about local history in a fun way, by playing characters who lived here in the Middle Ages, the 19th century, or WWII. It's such a cool idea! I talked to her for a bit after the visit and she said she wasn't sure it'd work / attract enough people, but she had groups of tourists + local families show up for the visit every week, in every village where she did this, so she think she'll be hired again next summer.

When I joined their group she was talking about WWII, and how my & other nearby villages were known by the Nazis and Vichy as a hotbed of terrorists, with some Gestapo officers killed in bomb attacks. (In retaliation the Nazis eventually rounded up 100+ locals and deported them to camps, as well as shooting a few.) I was mostly familiar with WWII anecdotes from the North-East, where my grandparents lived during the war, and I found it funny how different they sounded—my grandfather made Resistance activities sound well-planned and careful (espionage, sabotage, underground presses, infiltrating railway services etc) while oral histories around here make them sound a lot more spontaneous and—handcrafted? like "Emile brought what we needed for the bomb in his wheelbarrow hidden under a layer of straw and we exploded 2 Nazis."

We then went to visit the former girls' school, and I learnt a lot about my country's history of education for girls! Also it was really sweet because there was an old lady in our group who had attended this school as a child and had lots of school memories to share. Most of them were very wholesome, until eventually our tour guide went "Surely you also have some School Mischief to tell us about" and the old woman at first was like no no no no, I was a good girl. And then she conceded that when she had to sort lentils for the nuns' dinner and she resented one of them for berating her in class, she'd do a shit job on purpose and leave some little stones in the lentils.

Then our last step was the fairground where the town fair was (and is still) held, and our tour guide told us little 19th-century anecdotes (in-character, more like acting them out) that she'd found in old postcards and letters in the archives—how the town fair was where you'd go for your dentist appointment (i.e. to have your bad teeth pulled with pliers with no pain medicine) and to get any object repaired, like damaged pans or clogs; how there were dancing bears and performing monkeys; how one year the merchant who sold linen for women's trousseaus had her linen display trampled "by 300 cows" (might have been an exaggeration) and she hit the cow herder and it started a massive brawl.

My favourite anecdote was how back in the 1800s the local innkeeper was frustrated by the fact that the nearest village is just 10km away, and people who came to the fair often decided to go spend the night there so their journey back the next day would be less long, and so he started to tell them about the beast that lives under the bridge between the two villages. Travellers say horses go mad when they see it and just jump into the water. Some say the beast has dug up corpses from the cemetery because it likes human flesh, though of course it prefers it fresh. I'm now convinced half of local legends were single-handedly created by business savvy innkeepers determined to get more customers than the rival inn 10km away.

I'm sad I only learnt about these visits at the end of summer when they're coming to an end, but I'll definitely follow this woman around again if she returns with more stories next year!

[dontmindme2600]

M/M shippers who actively despise female characters that get in the way of their ship are so so fucking weird, I just saw an AO3 fic that was perfectly normal aside from making a perfectly cool and good canon female love interest homophobic, and then calling her a “greedy bitch” in the tags 😭 literally shit on her for the entire fic so badly they also had to put “______ bashing” in the tags… so embarrassing

[pomefioredove]

now I'm actually invested in this idea. maybe I'll write a full length fic someday idk... for now I have short hcs

parts 1 | 2 | 3 | kalim | bad ending

summary: crowley decides to "give away" yuu to the highest "donation" for financial reasons type of post: headcanons characters: all nrc students additional info: can be read as platonic or romantic, except malleus is pretty romantic, second person pov, yuu is gender neutral, maybe a little ooc I wrote this as soon as I got up

crowley has had his fair share of "what the fuck" moments from you but this was really taking the cake

he acts so... casual about it?

swaggers into ramshackle one morning and says times are tough and your personal expenses are straining the budget so he's decided to "put you in someone else's care"

"The screening process will be vigorous to make sure you end up in good hands!" like you're a cat or something "Your expenses will be covered and you'll have somewhere to go during break!"

okay great. pretty obvious you have no say in this, so you don't even argue. what's the worst that could happen?

*ੈ✩‧₊˚

Ace, Deuce, Jack, and Epel find you the next day to say they're pooling their money to buy you

"To what?"

Epel shrugs. "Oh, well Crowley said we need to offer a donation to prove we're capable of supporting you..."

(you think that if not for the laws of this land you would have slaughtered that old fart)

Jack goes on a really long tirade about how shady and underhanded this is, making sure to reaffirm that he believes you should be free to make your own choices

"So you'll let me go once you get me?"

"Uhhh..."

Ace thinks once they buy you you'll have no choice but to do all of his homework for him

Deuce says that's not really how it works- and even if he tried, Riddle would kill him

(they've already gone over this twice before finding you)

Epel happily volunteers to take you home with him over breaks, probably the only positive in this mess

even if he thinks the whole thing is kind of funny

*ੈ✩‧₊˚

incapable of keeping his mouth shut, Ace accidentally spills the plan to Riddle, who is understandably aghast

you can't just give away a person under your care like a toy!

of all the irresponsible things...

of course, he'll have to put up his offer, too

purely for your sake! with a nicer room and a brand new copy of the dorm rules, maybe you'll stop getting yourself into trouble

he's got some family money (doctors, naturally) and considers this a worthwhile purchase, for his sanity and yours

of course, Trey and Cater overhear and may or may not be pooling their own cash for a chance, too

going behind Riddle's back on this is a risky venture, but hey, someone's gotta be on your side, here, right?

I mean, between a bunch of sixteen year old boys, the housewarden, and them, who would you choose?

actually don't answer that

...not that it's much of a secret, anyway. Cater's already got their gofundme equivalent link in bio

*ੈ✩‧₊˚

Leona initially plans to have you become a live-in lackey like Ruggie

but then he really starts thinking- and, hey, the possibilities are endless, right?

for one, you'd make a really good pillow

he might have to kick Grim out for your full attention, but you could learn to live with that

and malleus would hate it

...that's reason enough for him

plus, he's got money to burn, so why not?

either way, he sets his bid at a reasonable (maybe too confident) price and sits back to watch the chaos unfold as everyone scrambles for a piece of the pie

news travels fast around school, after all

then Ruggie finds out that you could dethrone him as Leona's #2 and is understandably a little annoyed

that's his cushy post-grad job gig, thank you! he's worked hard for that!

besides, why should Leona get to hoard you? the guy can barely take care of himself!

so, Ruggie ends up outsourcing to a few dozen classmates for the necessary funds at a steep I-owe-you price

he's gonna be eating nothing but dandelions for a while...

*ੈ✩‧₊˚

now, Azul is annoyed

once the news goes school-wide, it's all anyone can talk about

talk about good marketing...

why didn't he think of such a brilliant scam? he could have negotiated with Crowley to have a café brand deal tie-in!

of course, he's already set his bid, with Jade and Floyd offering to pitch in as necessary

it's a risky investment, sure, but a worthwhile one

Azul tells everyone that with the prefect's "obvious" popularity, having them at the café a few nights a week would drive sales through the roof

though that's really just what he says to shirk suspicion

a likely excuse coming from him, though, really, it would just be nice having you around

and if not for his own affections, Floyd's incessant begging and Jade's subtly manipulative comments about "how nice" it would be having a new face around would be enough for him to cave eventually

*ੈ✩‧₊˚

"Kalim, no," is the first thing that Jamil says

"I strongly advise against this. It's another one of Crowley's silly scams and you could end up a target bec- are you even listening?"

hint: he is not

the second Kalim found out that he could get to take in his favorite magicless student like one of his treasures, he was all over it

(AKA infinite sleepovers)

and for what? a little optional donation to prove he's got the funds? he's got cash to spare!

he's already got your new room in Scarabia set up before he even puts his bid in

right next to his of course :)

and despite what Jamil insists, he himself might be working behind the curtain just a little to ensure he's the one who ends up with you

after all, why should Kalim get everything? this might be a valuable learning opportunity for him

You don't always get what you want

*ੈ✩‧₊˚

as much as Epel tries to keep the rest of his dorm from finding out, it's inevitable

he's actually a little surprised that the news didn't get to Vil sooner

with Rook around campus, surely he must have said something...

when Vil does find out, though, he just sighs

oh, of course. what next, will everyone meet each other in the arena and fight to the death over the prefect?

of all the silly, immature things...

oh? what's that? he's bidding anyway? of course he is, silly potato. he can't have some unwashed miscreant making you sleep on polyester bedding

(really, he's the only person on campus worthy of your time)

Rook has also been mysteriously absent from the dorm lately, though his initials on a poem and a strangely large sum of money end up in the donation pile

but really, that could be anyone... Rook would never dare betray Vil again, right?

*ੈ✩‧₊˚

Ortho finds out directly from the other first years and sends Idia the details immediately

with a little note of encouragement, of course: "could be excellent for improving your social skills!"

Idia understandably freaks out

"WTF!!!! nooo way! this is a person, not a chatbot we're talking about here! I can barely keep virtual pets alive!!!!"

(liar)

(...but this is still different)

the conversation ends there, but semi-anonymous bid from someone named "gloomurai" gets cashapp'd directly to crowley

*ੈ✩‧₊˚

everyone in the room immediately turns to Malleus

"For the record, I think it's wrong to be bargaining over a human being," Silver says first. "But if anyone could handle it with grace, it's you."

Lilia laughs. "Oh, you're just saying that because you like the prefect so much!"

"Father, you're the one who likes the prefect so much,"

"Oh, right! carry on then. After all, I'm sure we could share,"

Sebek is the only one relatively against the idea, though Lilia luckily manages to get him to lower his voice after his third speech about how you aren't good enough for his liege

Malleus is rather quiet through the whole evening, neither agreeing nor disagreeing with any of the points made

he disappears for a short while, and when he comes back he seems a little more confident

though, of course, he goes to you first

seeing him at Ramshackle in the middle of the night is a familiar and welcoming sight after all of the chaos of your week

and he's in a great mood!

"Child of man! I've come with news," he says. "I have heard of your predicament and have come up with a solution!"

you immediately sulk. "Oh, no. You know I think this whole thing is terrible, right?"

"Yes, Silver mentioned you might not like the idea of being bought and sold like a trinket. But worry not, I do not plan on paying for you in money,"

you pause, at a loss for words, and then tentatively continue. "You're not...?"

"Of course not. What a primitive idea, I was baffled to hear it myself. My proposal will be more traditional: a modest sum of treasure, and a generous amount of livestock and the finest crop Briar Valley can offer,"

certainly he's not this naive, you think

"You really think Crowley is going to accept that over money? I'm pretty sure Kalim just bid away an entire country's worth,"

he laughs. "You speak as if this is some kind of business deal! I'm quite confident that my dowry will be best,"

huh. that was a strange way of putting it

but then again, you still didn't really understand how things work here, so you go along with it

and you allow yourself to relax. he seems confident in his offer, and he doesn't even see you as some kind of prize to win!

"Oh, well, alright. Thanks! I'm glad you're on it,"

he smiles. "Rest assured, child of man, you're in good hands. My dowry will far outshine the others, and the wedding will be even better,"

"I was honestly getting a little nervous for a momen- wait- wedding!?"

[spider-stark]

THE BRIDGE

Benjicot Blackwood x Bracken!Reader

Summary - Your wardship with House Blackwood was meant to bridge the chasm between your families. Years later, you return to Stone Hedge as the whispers of war spread—only for Lord Tully to call for a hunt.

Warnings - fem!reader, complicated sibling relationship, fighting, (probably excessive) mentions of blood, talks about hunting/killing wild animals, !angst!, adult language, reader def suffering from identity crisis, probably deviates from canon some, kieran burton fan cast for benji, all characters 18+

Word Count - 5.6k

!MINORS DNI!

// masterlist // send me your thoughts // comments & reblogs appreciated! //

When Grover Tully, the Lord Paramount of the Trident, sent word for each of his bannermen to send forth a handful of their finest House members to a most desolate area of the Whispering Woods, no one thought it wise to object. 

“Lord Grover is an ornery old crow,” your father, Humfrey Bracken huffed as you readied the horses. “But you would do well to earn his respect.” He clamped a hand on your brother’s shoulder, pride gleaming in his eyes as he said, “Whatever he’s planning, I want you to show him that House Bracken stands strong. Understood?” 

Keeping his chin held high, Amos hesitantly mutters, “If you wish to impress Lord Tully, you might think twice about sending her.” 

Even with your back turned, you could feel the weight of your brother’s stare, his eyes boring a hole into the back of your head. 

Your father shrugged, a disinterested gesture. “Grover said to send our best,” he said, “and when it comes to a bow and arrow, no one's a better shot than her.” 

For the next day-and-a-half, you rode at a distance from the group your father selected—your brother, Amos, and two of your male cousins. And while they laughed and jeered and yapped, you remained stuck in your own thoughts, playing your father’s words on a loop. 

It’s the only compliment he’s ever paid you. The closest he’s ever come to acknowledging you as Bracken. 

You hate him sometimes, you think. For agreeing to peace all those years ago—for sending his only daughter to ward with his rival of all people. He must have known it was futile. Must have known that one girl could never bridge such an ancient chasm. 

He must have known—and yet he sent you anyway, only to call you back years later, tearing you away from the only home you had ever known and leaving you to feel like a stranger in your House. 

Grover said to send our best. 

Are you a Bracken, then? Is blood all that determines a House? 

No one’s a better shot than her. 

But your skill is that of a Blackwood, born under their tutelage. 

Deep within the Woods, a steady mist of rain falls from the sky, leaving your skin uncomfortably damp. In the distance, a low hum of chattering voices signal that the four of you are drawing close to Lord Grover’s camp—and that the other House’s have already arrived. 

Your thoughts shift, wondering who Lord Samwell sent to represent House Blackwood—fearing that you might already know the answer. 

A strange tightness floods your chest, coiling around your lungs. 

It’s been months since you last saw the heir to Raventree Hall. Many, many months—and you can’t help but think any reunion might end in bloodshed with Amos by your side. 

As if he heard his name ring through your mind, your brother slows his horse to gentle trot beside yours, cocking a neatly groomed brow at you. “Tell me, sister—were you always this dour?” He asks, feigning intrigue. “Or did half-a-decade with the Blackwoods simply drain the joy from you?” 

You don’t pry your eyes from the path ahead, refusing to look him in the eye as he continues without waiting for an answer. 

“I wouldn’t be surprised—a mere day with those insipid cravens would have me wishing to swallow my own blade.” Removing a hand from the reins, he pantomimed the act—gripping an invisible hilt and shoving it towards his lips, letting a dramatic choke rip from his throat. 

Riding a bit ahead, your cousins chortle at his jest, shooting amused glances over their shoulders. 

“No need,” you answer without thinking, your tone impassive. “Aly would have an arrow in your eye before the day was up.” 

Your cousins fall silent. 

Amos stiffens, jaw clenched tight. “She could try.” 

You know Black Aly would try if given half the chance—and you have no doubt that she would succeed, too. She was the one who taught you how to string a bow and sharpen arrows, how to aim and never miss. 

When you don’t respond, Amos pulls his horse in closer—as close as he can get without spookings yours. “Look,” he utters, low enough that your cousins can’t overhear, “I don’t know how things were done at Raventree—but you’re home now, and you would do well to remember where your true loyalties lie.” 

Again, you don’t speak. Don’t think, either. 

Amos sighs. “Your blood runs gold, sister. You’re a Bracken, through-and-through. Take pride in that—and don’t bring shame upon our name. Understood?” 

Strange. 

You had seen your own blood before—more times than you can count, actually. Scars mottle your skin like stars in the sky, a reminder of the years spent training and the memories of nights spent with friends who were supposed to be enemies. 

Never once had it looked gold to you.

Only red. 

“I understand–” a pause, a breath, a heartbeat– “brother.” 

Nausea twists your stomach. The familial title curdles on your tongue even as Amos grins at you. There’s nothing affectionate about the gesture—how could there be? He doesn’t know you. Not really. 

Blood or no, you’re little more than strangers to each other—and yet, even so, you can see he’s trying. Trying to know you. 

Ahead, the camp comes into view. Banners hang above tents: white for the Mootons, blue for the Pipers, purple for the Mallisters. 

And red—for House Blackwood. 

Amos gives you one last glance, a pall mimicry of what you believe is meant to be love in his eyes. “You’re home now,” he reminds you again, as if you need to hear it,“be glad for it.” 

With the Tully’s guards now in earshot, Amos doesn’t bother with waiting for a response. He snaps the reins, urging his gelding back to the head of your group, already bellowing his greetings. You watch him go, transfixed on the yellow-gold of his tunic—identical to yours. 

Approaching the guards, you tell yourself that your brother is what home is supposed to look like. That if you were to slice your veins, gold would pour from your wrists. 

Not red. 

After checking in with the guards and tying your mare up in the makeshift paddock, there was no time left to freshen up before you were expected to join Amos and your cousins. With all the Houses now gathered, Lord Grover wasted no time in calling you all to the heart of the camp. 

Still, you try to make yourself presentable—using your fingers to comb through tangled, windswept hair and smoothing the wrinkles from your gold tunic, careful not to disturb the ornate brooch pinned above your heart. 

According to the guards, everyone was given one upon arrival. “All Houses are required to wear them,” they explained when Amos pressed them on it, “Lord Tully’s orders.” 

They were all different, it seemed. Yours was a delicate thing, fashioned from silver and pearls in the image of a blooming dahlia, while Amos’s was clunky and shaped like the sun. He’s still fumbling with it when you finally push through the small crowd, taking your place at his side. 

To your left, separated only by a group of five Frey men, you feel the wary glances being cast your way. You almost turn your head—almost glance back at them, if only to see what they might do. What he would do. 

Would he even acknowledge you? Or simply look away? 

The answer, thankfully, is one you don’t have time to learn. A servant garners attention, dragging a simple, plush chair to the group’s center. Following suit, another two servants assist the aged Lord Paramount from his tent, guiding him into his seat. On his right stands his eldest grandson—and your favorite Tully. Tall and dark-haired, Elmo looks more fearsome than he actually is, sparing you a quick, discreet wink when he spots you. 

“You may all be wondering,” Lord Grover wheezes, his lungs fighting for breath, “why I have called upon you all today—the many great Houses of our land.” 

As he speaks, old, gnarled hands punctuate his words, gesturing out to the many men gathered ‘round. His fingers shake with effort, his shoulders bowed beneath the weight of his many, many years. But his chin remains high, and his tone commanding—if a touch quavery. 

“I hear rumblings,” he continues, “from the South-East.” 

Lord Grover’s eyes, milky with cataracts, shift in the direction, staring blindly into the towering trees of the Whispering Woods. Beyond them, even. 

“Whispers of a great danger brewing in the Crownlands—within the King’s own court, if rumors are to be trusted.” 

Your spine turns to steel. 

Those rumors, you know, are as true as they come. Over the past several months, they had moved through the realm like a venomous serpent. Slithering from mouth to ear, hissing tales of the two factions that now divide King Viserys’s council. 

The Blacks and the Greens. 

The rightful heir and the first-born son. 

And the very reason your father had called you home. 

“War is coming,” a deep, foreboding warning, “and should it reach the Riverlands, I wish to know that we might stand united in its wrath. That we will not allow petty rivalries–” a pointed glance at your brother, and then to your left where, without looking, you know the Blackwood heir stands–“to tear us apart from within.” 

A heartbeat passes. Then another. 

The forest holds its breath. Cradles the Lord Paramount’s words in the air, weaving them around the many great Houses of the Riverlands. 

You wonder if this is what strength looks like. What it sounds like. 

You fear you already know which side of the war Lord Grover’s strength might fall—and you pray that you’re wrong. 

Placing a firm hand upon his grandfather’s shoulder, Elmo takes a step forward. “In an effort to promote civility between our Houses,” he announces in a tone that demands respect, “we have arranged for a hunt.” 

Your brow furrows. A hunt? 

“You will be divided into two person teams, working with an individual outside of your own House.” His gaze shifts to you, dark eyes gleaming with mischief. “Teams have already been decided. Upon your arrival, each of you was given a pin—your partner will bear a matching one. And while there will be no winners or losers, you should know that once you leave camp, you will not be permitted to return without a trophy of some kind.” 

Discontent spreads. Low murmurs fill the air. 

Amos voices his frustration louder than the rest.  “And when is this hunt to take place?” 

Elmo grins. “Now.” 

Instantly, murmurs grow to shouts. 

“You cannot be serious, my Lord!” 

“It is already sunset!” 

“Is this a jest?” 

Elmo’s grin never wavers, unphased by the protests—and Lord Grover appears content to let his grandson contend with everyone's bickering, exhausted from what little talking he had already done. 

“Might I suggest you move quickly,” Elmo speaks over the crowd. Glancing upwards, he squints at the black clouds rolling overhead, an amused lilt to his voice as he adds, “Lest you wish to be caught in the coming storm.” 

With no more than a curt nod to the crowd, Elmo turns on his heel, already veering off in the direction of his own tent as servants begin to help Lord Grover rise. 

“This is absurd,” your brother grumbles. 

You ignore him. Storming right past him, you make a beeline for the fleeing Lord. 

“A hunt?!” 

Fond as Elmo is of you, you know better than to shout at the future Lord Paramount of the Trident. Your voice remains no more than a harsh whisper, even as you shoot daggers into the back of his head. 

“At night, no less! In the middle of a gods-damned storm! Have you lost your mind?” 

“What? You think it’s a bad idea?” He chuckles, keeping a steady pace. “Of all people, I thought that you might appreciate the challenge of it all.” 

You stay on his heels. “Who is he?” 

“Who is who?” 

Further from the crowd now, you grow bold. You reach out and snag his arm, forcing him to stop and face you. “Ignorance isn’t a good look on you, Elm.” You grind out, “Swear that you didn’t pick him to be my partner.” 

A wrinkle forms between thick brows, feigning innocence. “What makes you think that I chose your partner?” 

“Because I know you. You’re always scheming—jutting your big nose into places it very well does not belong!” 

Elmo opens his mouth—hesitates—and then frowns. “Am I truly that transparent?” 

“You may as well be made of glass, Elm.” 

His pout deepens, still dancing around your question. “Well, let's say that I did choose your partner—theoretically, of course!” Your eyes roll. “I think you would find my choice to be quite suitable. If anything, you might even thank me-” 

“This isn’t a game, Elmo!” Desperate now, you can’t stop your voice from rising. “If you paired me with him, then Amos will–” 

“Kill him?” Elmo ventures. 

“Yes!’ 

Pursing his lips, Elmo’s gaze falls somewhere over your head. “Well,” he sucks in a breath, “it seems we may be past the point of stopping that from happening.” 

Your mind goes blank, your thoughts scattering like shards of glass. 

You spin on your heel, head whirling around in search of Amos in the throng. Less than a second and you spot him—not because your gaze was drawn to the familiar gold color of your own House, but because of the wall of stark scarlet standing before him. 

Blackwoods. Two of them on either side of the Raventree heir. 

And Benji—his hands pressed to your brother's chest, roughly shoving him back into one of your cousins. 

“Do me a favor,” Elmo's sigh cuts through your panicked haze. “Keep the two of them from plunging a sword in the others’ belly, would you?” 

Any other time and you might have told Elmo off, cursed him for putting you in this position—future Lord Paramount be damned. 

But not now. Not when centuries of rivalry serve as proof that nothing is more dangerous, more unpredictable than this—

A Blackwood and a Bracken—your brother and Benji—standing toe-to-toe. 

Mindless adrenaline is all that thrusts you into motion. Mud splatters up the legs of your trousers as you practically run in their direction, demanding as soon as you’re in ear shot, “What is this?!” 

Amos doesn’t acknowledge you. Neither does Benji. 

Chests-puffed, they remain locked in their foolish staring match, neither of them willing to be the first to back down. 

Finally, one of your cousins sneers, “Seems that Benji-boy here thinks we’re gonna let him take you out into the woods.” 

A sharp, nasty laugh rips from Amos’s throat. “As if I’d let that happen!” 

“We’re partnered for the hunt, you imbecile.” Benji’s tone is that of lethal calm, even as he glares down his nose at your brother. You look to his chest—spotting the silver dahlia pinned at his breast. “If you have a problem with it, take it up with Tully.” 

“You think I’m stupid, Blackwood?!” 

Benji’s brow lifts a fraction of an inch, as if silently proclaiming—I just said so, did I not? 

Scowling, Amos juts his finger against Benji’s chest. “I refuse to give a Blackwood an opportunity to defile my sister!” 

Benji’s answering grin is something wicked as he purrs, “Oh, if I wanted to defile your sister, Bracken, I could’ve done so a long time ago.” 

Your pulse pounds—caught somewhere between offense and desire as Benji’s words echo in your head. 

Both feelings fade to fear when Amos reaches for the hilt of his sword, wrenching it from the sheath at his hip. In a blink, more weapons are drawn—your cousins holding swords, the Blackwoods holding daggers. 

Not Benji, though. 

Benji doesn’t flinch, even with your brother's sword poised at his throat, ready to kill. Something flickers in his eyes—a shift that you know all too well, sending ice skittering across your bones. 

“I won’t have this,” Amos seethes. “You will find another partner—or I swear on my House that blood will be shed!” 

Benji leans closer. Let the tip of the blade dig into his flesh, a rivulet of blood rolling down his throat. 

Red. 

“Is that a threat, Bracken?” 

You can hear your brother swallow—feel his panic as if it were your own, as if it was his fear coursing through your veins. Still, his voice remains steady. “Consider it a promise, Blackwood.” 

A blink and steel was glinting before your eyes. A single breath and Amos was out-maneuvered and out-matched—the clash erupting and subsiding in one seamless heartbeat, ending with your brother's sword in Benji’s hand. 

A shuddering breath slips from your brother's lips as Benji presses the steel to his throat, a perfect mirror of the position they were in just moments ago. 

“What’s the matter, Bracken?” Benji croons sarcastically, head hilting. “Do I frighten you?” 

There’s a lull to his voice—an eerie stillness that sends a chill scuttering down your spine. 

Amos was ignorant—to pick a fight with Benji, to think he might actually win it. But he’s your brother, too—and you know that if he were to be slain right now—right here—an even larger chasm will take the place of the one you were once meant to bridge. 

“Stop.” 

The demand is no more than a breath. A soft, terrified sound. 

Yet still, it makes Benji’s focus waver. 

“Leave him.” You force yourself to speak louder. Stronger. “Now.” 

You take a step closer—a hand outstretched, reaching towards Benji. His attention shifts, settling on you. He blinks—his stormy eyes, dark with rage, finally starting to clear. 

Benji’s movements languid as he steps away from your brother. Your cousins rush to Amos’s side as he stumbles back, frantically checking the heir of Stone Hedge for any sign of injury. 

They found none. Not even a scratch upon his throat, where his own sword had just hovered. 

Benji passes you the sword—a silent conversation passing between the two of you. 

You could have killed him, you glare. 

I could have—Benji agrees with a small, self-satisfied smile—but I didn’t. 

One of your cousins, bold and stupid, steps forward. “Is that all it takes to keep you at heel, Blackwood?” He glances between the two of you, his lip curling into a sneer. “A dog and his bitch,” he taunts, “how sweet–” 

A cry rips from his throat, cutting his insult short. You expect it to be Benji, having noticed the way his fists had clenched from the moment your cousin so much as looked at you. And perhaps it would’ve been—if your brother hadn’t grabbed the fool by the scruff of his neck, yanking him backwards and shoving him to the muddy ground. 

“Say what you want of him,” Amos tells your cousin, his voice gruff, “but you will mind how you speak of her.” 

You don’t know what to make of that. Of Amos defending you. Of knowing that if he hadn’t, Benji would have. Or that, even after that, Amos doesn’t quite know how to look you in the eyes, looking to the grass and the sky and anything that isn’t you. 

You’re a Bracken, through-and-through. Take pride in that. 

But did he take pride in you? 

If you wish to impress Lord Tully, you might think twice about sending her. 

“What’s done is done.” With a pointed look towards Lord Grover’s tent off in the distance, you say, “Now is not the time nor the place. If you wish so badly to fight, save it for when the war begins.” 

On one side of you, Benji remains silent, watching you with a curious glint in his eye. On the other, Amos hesitates. 

“I don’t trust him,” he says. 

You wonder if he doesn’t know how to say: I’m worried about you. 

“You heard our father,” you tell him, chin high, “when it comes to a bow and arrow, no one’s a better shot.” 

Perhaps there are things you don’t know how to say, too. Like: But I do. I trust him with my life. Maybe even with yours, too. 

Begrudgingly, Benji meets your brother's gaze, fighting the urge to scowl at him. “For years, no harm befell your sister under my watch—and you have my word that none shall befall her now,” he vows. “I swear it upon the Old Gods.” 

“And the New?” 

You consider stomping on Amos’s foot. 

Ignorant. To continue pushing— 

“Fine.” Benji’s brusque answer takes you by surprise. “Upon your false Gods as well, then.” 

Amos, to his credit, argues no further, only echoing the Raventree heir. “Fine.” 

For a fleeting moment longer, they stand there, eyes locked. Amos is the first to turn—the roaring tension dissipating into a hushed hiss as him and your cousins storm off. Benji stays, even as his own men begin to back off, as if listening to a silent command to go find their own partners. 

You look at him. And he smiles—a shy, awkward thing. 

“I’ll wait for you,” he says, a barely perceptible pause in his speech. “At the edge of camp—you can find me whenever you’ve gathered your things.” 

You open your mouth to speak, to say something—but the words take root in your chest, leaving vines to crawl up your throat. If you speak, you worry about what might come out. Worry it won’t be as delicate as the dahlia pinned above your heart—above his, too. 

So you close your mouth. Say nothing. Nod—and turn, trying to keep your legs from shaking as you walk back to the makeshift paddock to get what you would need for the hunt. 

True to his word, you find the heir of Raventree at the edge of camp, leaning against a towering oak and using the tip of his dagger to idly pick dirt from his nails. 

You brought only what was necessary—your bow, strapped between your shoulders, and a dark-leather quiver slung over your shoulder, stocked with already-sharpened arrows. 

Light rain mists over your face, the sky groaning with a low rumble of thunder. The forest floor squelches beneath your feet as you trudge towards him. Forever on-guard, Benji wastes no time in pushing himself off the tree, adjusting the dagger in his palm so that it can be easily plunged into another's belly if necessary. 

But then he sees you, dressed in Bracken gold with damp hair sticking to your cheeks, and looses a breath. Relaxing at the sight of you—his rival, according to centuries of precedent. Your rival, too, you suppose. 

Benji doesn’t look like your rival, though. 

Sheathing his dagger at his hip, you see no trace of the lethal Lord who, mere moments ago, was willing to go head-to-head with the heir to Stone Hedge. This boy—stuffing his hands in his pockets, a light flush crawling up his throat—is not Benjicot Blackwood, the heir of Raventree Hall. 

He’s just Benji. 

“Ready to go?” He asks when you’re closer, his voice a familiar caress so unlike the eerie lull it held earlier. 

It takes everything in you to erect an icy wall around your heart, colder even than Northern winds. You shove past him, your shoulder knocking into his as you go and earning a perplexed stare. “Let’s get this over with,” you snap, plunging into the depths of the Woods and leaving him to follow behind. 

Ten minutes pass. Twenty. 

Dusk crept swiftly through the Riverlands, casting a pall shadow over the Whispering Woods. Overhead, dark clouds seem to grow thicker, obscuring what little light the moon has to offer. 

A fool’s errand. An impossible task. 

That is what Elmo Tully had arranged—not a hunt. 

With the sun hidden beyond the horizon and a near-constant rumble of thunder, any animal in these Woods would either be asleep or hiding by now, trying to escape the incoming storm. To find a trophy to bring back to camp—even something as simple as a hare—was unlikely. 

Still, knowing the guards won’t let you back in without one, you keep walking. Keep plunging further into the Woods, praying to the Gods that you might find something to take back to camp. 

Twigs snap a few paces behind you, wet foliage squelching beneath purposefully heavy steps. A low, careless whistle tests your patience. 

With your bow hanging from your hand, you grumble, “You’re being too loud.” 

Benji feigns innocence. “Am I?” 

“Yes,” you hiss through gritted teeth, never slowing your pace. “Be quiet—unless you wish to scare off any game and spend the night sleeping on wet soil.” 

He chuckles—loudly. “Have you looked up lately?” Benji asks. “The sky looks as if it’ll crack open any minute now! Any animal with sense is hiding right now, anyway.” 

True. 

“Then we find one without sense, then.” 

Benji snorts. “The only thing without sense in this forest is Amos Bracken.” 

Without warning, you stop dead in your tracks—leaving Benji to nearly stumble into you. You cast a glare over your shoulder, cold enough that a chill seeps right into his bones. “You’d do well to keep quiet, Benjicot.” 

His lip curls, revealing a flash of slightly crooked teeth. “And since when do you call me Benjicot?” He asks, a ribbon of disbelief lacing his own name. 

Your jaw tenses, a muscle feathering there. 

I don’t know, you think, a pang of uncertainty cracking the ice wall around your heart. 

You reinforce ice with steel—turning fully now so that you’re face-to-face, dropping your bow to the ground by your feet. “I won’t let you speak of him that way,” you say, ignoring his question. “My brother is the heir to Stone Hedge–” 

A bemused laugh cuts through your words. “Oh, he’s your brother now, is he?” 

You speak over him, voice rising. “To insult him is to insult the whole of House Bracken–” 

“Fuck House Bracken,” Benji growls. 

He takes a half-step closer, towering over you with no more than a foot between you. You don’t falter—don’t look away. 

“I am a Bracken."

His head tilts. “Are you? Last I checked, you were practically raised on Blackwood soil.” 

“Perhaps,” you admit. “But my wardship is over–” 

Benji cuts you off. “Tell me, where was your brother all these years, then? Your father?” He doesn’t let you answer. “No more than a brisk-fucking-walk separating you and yet neither one of them cared to visit with the forgotten daughter of Stone Hedge!” 

You’re a Bracken—

“You don’t know them,” you protest weakly, your resolve crumbling. 

—through-and-through. 

“And you do?” He challenges. Another step, his chest inches from yours. Warmth radiates from his body, seeping into yours and melting melting melting. “Why did your father call you home?” 

His words are no more than a breath fanning across your cheek. 

Vulnerability permeates your gaze, bearing an unspoken truth. Because war is coming, you convey with no more than a flicker of your lashes, and fate has already decided my role in it. 

Benji’s lips tighten to a thin line—and you would’ve thought him ashamed of you, if not for the pain glimmering in his stormy-eyes, lined with silver. “Your father,” he utters, “he will declare for Aegon Targaryen—won’t he?” 

You’re a Bracken—

You debate the merits of telling him the truth. Of betraying the plans of your house. 

—Take pride in that. 

“Aegon Targaryen is the King’s true-born son.” You speak, though you know the words are not your own. “To sit the Iron Throne is his birthright.” 

The birthright of a drunken craven. 

The betrayal of a beloved princess. 

Benji blinks. Shakes his head, his tongue darting along his lips. “He called you home to fight. Humfrey Bracken’s forgotten daughter—useful at long last.” 

Rage coils in his tone. Instinct makes your muscles tense. 

Nothing is more dangerous than this, your thoughts whisper, a Blackwood and a Bracken, toe-to-toe. 

There’s nothing dangerous about the way Benji’s looking at you, though. His gaze soft and tender, calloused hands clenched at his sides—holding himself back, you realize. Not from fighting, but from reaching out to touch something he’s not certain is his. 

“Will you do it?” Benji asks, hesitant. “Will you fight for the pretender?” 

I don’t want to, you think. 

It’s your brother's words that slip past your lips. “I have no choice. My blood runs gold, Benji—a Bracken, through-and-through.” 

His brow furrows. Then a hand shifts to the sheath at his hip, sliding his dagger free. “Give me your hand,” he orders, nodding to where they hang at your sides. 

You remember his vow to your brother—that he would let no harm befall you. Even without it, you would’ve trusted him. Wholly. Unconditionally. 

You lift your hand and, without hesitation, he grips it on his own, pinning the steel tip of his dagger against your palm. 

You hiss—hand stinging as the blade drags along your flesh, leaving a thin, shallow cut. 

“You’ve always had one foot on either side of the boundary,” Benji starts, his words rushed. Carelessly tossing the dagger to the ground, he grabs your wrist tightly, lifting your palm up towards your own face. “But your blood,” he tells you, his eyes desperate, “has always run red.” 

It drips down your wrist—a rivulet of crimson, spilling between his knuckles as he refuses to let go. Red as the color of his tunic—as the specks of blood dried on his own throat, drawn by your brother's sword. 

Gold on your back. Red in your veins. 

A Bracken by name, but… 

“It’s not too late,” Benji says, his words slow and cautious, still cradling your hand in his. “You can come back to Raventree.” Thunder rumbles. Storm-cloud eyes fall to your lips. “You can come home.” 

You think of Amos. Of your brother. You’re home now, he had said, a shadow of love in his eyes, Be glad for it. 

But home was ancient stone, crawling with moss. Home was the deep, muddy moat that you always threatened to push Benji into when he was getting on your nerves. Home was Black Aly’s voice, scolding you whenever your arms were still too weak to string a bow. 

Home was a dead weirwood tree and a boy with stormy eyes. 

But duty… 

That was something else entirely. 

Closing your hand around Benji’s, your chest fills with water as the last of the ice melts. Hard steel turns impossibly soft, your feet shuffling until your body is flush against his—still-entwined hands pinned between your chest, trapped between fabrics of gold and red. 

Benji leans down, his forehead pressing against yours. There’s nothing dangerous about him. Nothing unpredictable. 

You know him—from the crook in his nose to the scar above his lip. From the lull of his voice to the weight of his steps. His quick temper and his shy smiles. 

High above, the sky cries out. Thunder booms, lightning cracks. Misty rain turns to a violent downpour. 

And he leans in, oh-so carefully. A trembling breath against slick skin, chapped lips hovering over yours. 

“You can come home,” Benji whispers, repeating himself. You can’t think—can’t breathe, as he utters against your mouth, “Let me take you home.” 

And he kisses you. A tender, desperate kiss—the kind that drives your lips apart with the sheer force of it. He tugs his hand from yours, slips it out from between your bodies and brings it to rest on the back of your neck, tangling his fingers in damp, rain-soaked hair. 

Restraint is no more than a breath in the wind. Desire curls in your stomach. Your pulse pounds in your veins, rich with red red red. 

But then there’s your brother’s voice in your head: I don’t trust him. 

And you know what he meant was: You’re my sister—my blood, red or gold—and I’m worried about you. 

You pull away, breathless and broken, one half of your heart lying on either side of the boundary stones resting miles and miles from here. 

Lips still close enough to brush against yours, Benji pants. “Say yes.” The love in his eyes isn’t a shadow. It’s a bright, blinding light. A proud declaration and a howling plea. “Say you’ll come home.” 

You look down—to the sigil embroidered on your tunic, to the still-drying blood on your palm 

An estranged brother and a forbidden lover. 

And you. 

The bridge to a great chasm. 

The futile remedy to centuries of enmity. 

You take a step back—reaching inside of yourself, pulling shriveled vines up your throat, knowing that the words hammering in your chest will be anything but delicate. That they’ll taste of rot in your mouth. 

“I’m not sure I have a home, Benjicot.” Pain echoes across his face, each syllable a rusted dagger in his heart. Another step back, grabbing your bow from where it laid in the mud, abandoned what feels like a millennia ago. “Not anymore.” 

When you turn to leave, thunder crashing overhead and a sob caught in your throat, you go alone.

The heir to Raventree Hall doesn’t dare to follow. 

You walk in silence, your bow hanging at your side. Behind you, there are no snapping twigs and no low, careless whistling. There’s only rain and—

A branch creaks overhead, halting your steps. Your bow is drawn in a single breath, the cut on your palm stinging as you  slide an arrow from the quiver slung over your shoulder, readying to shoot. You look up, drops of rain splattering against your cheeks as you scan the trees. 

There. 

Perched on a wet, mossy limb was a pair of beady eyes staring down at you. A raven, letting out a low, curious croak. 

A single shot and you could go back to camp. 

A single shot, you tell yourself, and your blood might finally run gold. 

A breath—and then the bow string goes slack. 

You slip the arrow back into the quiver.

a/n - does any of this even make sense? idk, you tell me lmao. overall, just wanted to play around with capturing the confusion that might ensue for a reader who has no clue where their loyalties lie anymore, lost in who they are and who they think they're meant to be--anyways, hopefully the ending makes sense to you because it makes sense in my brain

anyways

benji tag list (so sorry if I missed you!) - @jacaerysgf @lenasvoid @valdezthg @xzydra11 @snixx2088 @lianna75 @kennafild @ghostinvenus @heystaystray @but-i-write-so-i-must-count @a-song-for-ages

[tagasaing]

i have to get this out of the way, re: dungeon meshi discussions

major spoilers ahead, obviously.

you know for a series that focuses so much on platonic and familial relationships it’s weird that dungeon meshi has attracted so much useless ship wars though. the most important driving force in the story is two sibling relationships (laios’s search for falin, thistle’s search for delgal) and one of the central themes is how loving others way too much can lead to your downfall (thistle’s desperate attempt to keep his loved ones leads to his mental state deteriorating so much he starts torturing people he claims to protect, marcille’s fear of losing her friends leads to her being easily manipulated by the main antagonist)

even with regards to falin. thistle wants to bring the ‘brother’ he raised back at all costs, he saw a young human woman as nothing more than a dragon, his tool. marcille wants to bring falin back at all costs, she didn’t care about the repercussions of using monster meat instead of animal meat even though she was an expert at ancient magic and should know why it’s such a dangerous practice.

each and every single one of the major characters has some form of tragedy with their family one way or another: the toudens, marcille and her dad. chilchuck and his wife. senshi’s entire backstory. izutsumi’s hidden desire for a mother. namari’s father. shuro and his family. kabru and his mother(both tallman and elf). mithrun and his brother. thistle and the melinis.

even some of the minor characters: flamela and her dead twin sister. the twins and the floke couple. kuro being the closest mickbell has to a family. etc etc

as someone who has reread this manga several times by now, i wonder if people just… read it once as fast as they could and act like they’re some sort of authority on fan discussion. i’ve seen people brag about reading the entire thing in one sitting as if it’s something to be proud of. this manga isn’t meant to be read that fast, that’s how you get people claiming that laios doesn’t reaaally love falin as much as marcille does.

to these people, laios just gets in the way, as if it wasn’t his idea to go down the dungeon in the first place, it wasn’t him who said his pain doesn’t matter because falin suffered more than him, it wasn’t him who felt immense guilt for leaving falin behind, it wasn’t him who found her skull, it wasn’t him who killed her to save her from her chimera form. i feel like people forget about the ‘too’ part when marcille said “i miss falin too”

marcille knows how much falin and laios love each other. that’s why she asked him if she’s allowed to resurrect her and didn’t act on her own. that’s why when both times a shapeshifting monster copied marcille to trick laios, it was what she looked like at the time she was reviving falin.

as someone who DOES ship farcille, none of the romance is canon. this isn’t meant to be anti-farcille. one of the post-canon comics is about falin gently turning down shuro because she wants to travel the world, “you can’t tie a dragon down” after all. she wants to travel the world and find herself because she doesn’t know who she is outside of marcille and laios. even marcille, who was hoping she’d reject him, tears up because of how beautiful and tragic it was.

there are a lot of ship teases because what author doesn’t like a good ship tease. but to say that dungeon meshi is a romantic love more than it is a story about family(both real and found) is a great misinterpretation of the text.

[hawkepockets]

actually. 🫷😀🫸 THOUGHTS ON AVELINE

i think aveline is a CORE da2 character, and her relationship with hawke is super super interesting. she’s hawke’s oldest friend in the game & by act 3, maybe the only enduring connection to their homeland & childhood besides the mabari. her voice, her bearing, her stated values are all very noble & movingly fereldan—but her actions both as guard captain & as a party member should be so profoundly disappointing to hawke almost no matter how you play them, which generates a powerful tension. imo it’s really poignant and adds a lot to the game’s central tragedy.

because how can hawke cut her off! but look at how she behaves: ignoring the serial killing & sexual assault of isolated older women and elf girls, baiting the arishok, slut shaming isabela, condescending to merrill. but how can they cut her off? the question is a privilege and a torment!

in this way i think she strikingly complements gamlen. like no matter what gamlen does and says to you, your love interest, leandra, the surviving hawke twin—he’s family and the only way into kirkwall. hawke is not permitted to sever those ties. and no matter what aveline does and says to you and all the women in your party, she remains your oldest friend and the only way back to ferelden, emotionally.

both aveline & gamlen will maintain a warm relationship with hawke as long as hawke tolerates their picking on those in proximity to hawke—but if hawke pushes back with aggressive dialogue options, both will tone match and became sour and hostile. aveline can be really quite awful to a red hawke, and will throw them to the ground and beat them at 100% rivalry. so there’s kind of an underlying challenge in both of these characters: how much will hawke, as gang leader & player character, put up with when it’s not directed at them?

of course, for all the nostalgia that seems to occlude av’s wrongdoings in kirkwall, she’s not really a childhood friend of hawke’s. she was a grown woman when they met, lothering was lost, and the moment was pretty heated thanks to aveline’s hostile templar husband.

and yet hawke is no more reliable & objective in their treatment of the past than varric is. and aveline is what they have! she’s standing in for all of ferelden, all of the past before the blight!

and likewise hawke for her! hawke is the only one left in act 3 who remembers wesley! aveline is the only one who remembers the dead hawke twin!

and as reprehensible as some of her decisions are, aveline’s grief for wesley and her enmity toward the old corrupt guard captain are sympathetic and her voice is sexy and husky and beautiful enough that. well im sorry i just lost the plot for a minute. uh

there’s also the act 3 subplot of the templars trying to take over the city guard, which sets up aveline as the only thing standing between kirkwall’s mages & absolute templar authority in the city. it’s literally her or cullen at his most brainwashed & violent. (to cullen’s credit he also thought it was a bad idea. but i won’t give him so much credit that i believe he’d turn down the position if aveline was removed.) between a knight-commander and a hard place, a pro-mage hawke has to choose the hard place.

so both of my playthroughs i’ve felt like hawke’s friendship with her is at the very least strained, if not completely ruptured, but they have to back her. how much that feels like fucking sandpaper may vary from hawke to hawke.

ultimately i just think she brings a lot to the table. i don’t necessarily understand why she’d be anyone’s all time #1 favorite companion, but you know.

[lxkeee]

Hi, could I request a Lucifer morningstar x darkness demon overlord reader? She lurks in the shadows like a boogeyman, she acts like morticia adams from the adams family, how would he meet or act around the gothic queen👁👁✨

LUCIFER X OVERLORD! FEM! READER

Part two

Lucifer was just wandering around hell, unknowingly entering a territory of an overlord.

He doesn't know okay? It's just a forest of dead wilted trees with ominous aura.

His first instinct is to investigate.

This is his first time coming here, he only discovered this area after flying by to return to the palace.

Lucifer was walking around the dense forest, with his guard up.

The forest was quiet. A little too quiet.

He isn't afraid, unfortunately. He knows he can kill any demon who would try to mess with him.

Crack. A twig snapped

His head whipped to the direction of the noise, “Who goes there? Show yourself!” he threatens, wings in full display.

Shadows moving around him and finally stopping in front of him, morphing into a figure.

Lucifer expected a lot of things, but this.

A very tall and gorgeous woman, large deer antlers on her head. Sultry eyes and a smirk on her face.

Oh fuck, she's beautiful. Dangerous. He can sense the power she has.

“Good evening your highness, I didn't expect to see you here wandering around my home.” the woman says with a chuckle, making the man become a little flustered.

“Your home...?” he asked hesitantly and the woman nodded.

“Yes, this is my home or rather my territory. My home is somewhere around here. I just sensed a presence around these grounds and decided to check. I didn't expect to see the king of hell to be here.”

“M-my apologies, my lady. I simply didn't know.” he stammers a bit. Ah, calm yourself Lucifer. You're more powerful so you shouldn't be intimidated, he says to himself internally.

“It is alright, if you don't mind. Do you want to join me for a cup of tea? I just so happen to have finished brewing some.”

Lucifer is cautious around sinners, especially her. He doesn't know why his heart is palpitating this much. The best reason he got is fear loud incorrect buzzer noise

“I don't want to intrud—”

“Nonsense! You're not intruding.”

“But—”

“Do not fret, I am not going to hurt you. I should be the scared one as you are much more powerful than me. I am sure you can obliterate my existence with a flick of your finger.” the woman laughs softly, a kind of laugh that reminds him of the books he's read. The kind of laugh that draws you in.

“How about this, how about we get acquainted with each other? So that you'll be more comfortable?”

Lucifer's eyes narrowed, “Why are you so insistent?”

“Well, I just love making friends and you my dear seem to be an interesting character that I don't mind befriending.”

Lucifer rolls his eyes but eventually nodded, “Fine, My name is Lucifer Morningstar.”

“Wonderful, then... It's a pleasure to meet you Mr. Lucifer, my name is [y/n]” She says before gently holding his hand and placing a small kiss on his knuckles.

With a smirk on her face as her eyes looked at him as she did so.

Lucifer's cheeks reddened, quickly snatching his hand away from the demoness.

“So, about that tea?”

Lucifer is beginning to see a pattern.

A type even.

It's been a few months since he's met the deer demoness.

Surprisingly he managed to get along with her, despite her... Rather questionable actions.

He often visits her mansion at the middle of the forest where he met her or the other way around.

She often surprises him by popping out of the shadows with her presence concealed.

She's playful, mysterious, dangerous, beautiful.

And tall.

He likes his women tall okay?

And he likes them a little deranged.

Anyways.

She keeps teasing him.

Just like the other day, he came to visit at the wrong time and she forced him to help her get dressed.

It was inappropriate! She only asked him to zip the zipper of her dress.

Poor guy was blushing.

She didn't make fun of his obsession with rubber ducks.

She even made ducks out of shadows and made it swim around his room and of course, he made one too with his powers.

The shadows and gold dust ducks swimming around the room and in the air.

It was... Cute...

Lucifer has gotten to know the woman better too, he has gotten the chance to see many sides of her.

Lucifer isn't stupid, he can tell he's developing feelings for her.

He's afraid, he's afraid of getting hurt again or hurting her.

He has issues he needed to fix first.

Though, he is slightly a flustered mess around the woman.

Can you blame him? She calls him endearing nicknames! She calls him sweetheart and it just makes his heart flutter.

He is cautious around her not because he's afraid of her but because he fears his feelings for her would accidentally be known.

And she just appears out of nowhere!

It took awhile for him to sort his emotions and he thinks he is finally ready to confess.

But first, Lucifer needs to find hints if she feels the same way.

“Thanks for the coffee, [y/n]. It tastes amazing as always.” Lucifer says, admiring the duck shaped cream that is floating on his coffee.

“It is a pleasure, sweetheart. Drink to your heart's content. I know you've been stressed lately.” She says with a gentle voice.

“I have a question.” he started, already planning a discreet way to ask her.

“Hmm? Go ahead.”

“What if let's say... You have a close friend and you've only known him for a couple of months but they fell in love with you and now they're planning to confess to you? Would you date him?”

Don't mind him guys, he's trying his best.

[y/n] tilts her head slightly, confused before giggling.

She's not stupid but she kinda wants to tease him.

“Depending on who this friend is.”

“Just answer.” he deadpans.

“Yes, would you confess though?” she asked as she leans forward to reach him across the table, holding his chin. Lips just a few inches away from each other.

Lucifer.exe has stopped working.

“Y-yes...” he stammers, beginning to feel shy as his cheeks heat up.

“Do you want a kiss?” she asked teasingly.

“Please...?”

“Good boy.” she says before finally pressing her lips against his.

It was the most addicting kiss he ever experienced.

“I like you.”

“I like me too.”

“[y/n]!”

“I am just joking, I like you too.”