#some of these might be obvious and you might use them already but as my therapist pointed out

[vaguely-concerned]

do you ever think about how, when we get lucanis' ossuary mind note on what he was thinking during the fireplace scene at the end of his recruitment mission... what's implied to be his instinctive internal reaction as he's saying "you'd have to kill me" out loud sure isn't 'and I don't want to die'. it's '(and spite would die)'. do you think spite's gremlin-y candle-hungering give-me-FIRE! >:D presence has maybe saved that guy's life even more times and in more ways than are immediately obvious at a glance. do you ever. cry.

it's also very. him that the thing that would stay his hand on killing himself partially might be that he just isn't willing to visit the same cruelty or harm on spite as zara, even when accepting his passenger spirit as collateral damage would at least offer a chance to put an end to his own pain, which at that point he seems unable to see any other way of truly escaping or find real relief from than to die. there's so much resentment and fear and other understandable fraught emotions in spite and lucanis' relationship early on, but it's just as clear that deep down lucanis conceptualizes spite as fundamentally innocent in what's happened here -- perhaps, indeed, more innocent than he manages to conceptualize himself until someone else can help him get in there and start to untangle it with him. he's protective of spite in some subtle ways right from the start, taking pains to point out several times on the jog through the ossuary that the spirits here were just as much victims in what was done to them as anyone else. when spite acts out during the fireplace scene... how much of lucanis brushing it off the way he does is about the '*actively bleeding from the eyes* don't worry about me' avoidant side of it all, and how much is him trying to shelter spite from the eyes of people he does not know well enough yet to predict how they’ll react in response — towards himself or spite. (additional idea to really bring on the heartache: do you think he has maybe intervened in pretty much the same way between illario and caterina over the years and that’s how he does it so smoothly and automatically; it’s basically psychological muscle memory. Haha. ow.) 

Between that and the pretty consistent language he uses that frames spite as child-like, even when he means that in frustration/enfant terrible flavoured terms lol, you get the sense that regardless of how much Lucanis is aware of this on the surface, there is a deep instinctive protectiveness in him for spite. I think that even comes across in the scene where lucanis tells you he’ll continue to pursue a way to separate him and spite on the minrathous route. So I was kind of picking up on/working with that already subconsciously, but when I found that note it hit me like a sledgehammer that clearly in some part at least, the reason lucanis is still here is that he knows now that spite would die with him and doesn’t find that price acceptable. Spite thinks that lucanis mentally locking himself in his (torture :() room and refusing to speak to him is an act of rejection or trickery, but to my eyes taken with everything else we know about how lucanis’ brain tends to work… as much as it’s an expression of avoidance and fear and overwhelm and trying to get away from the voice pushing him towards action when the mere prospect of action fills you with despair to even contemplate (“There’s nowhere to go”), I think it’s also a mark of lucanis’ affection and protectiveness of spite. The guards along the way make it very clear that more so than to keep the outside world from coming in, this place is for protecting people from what might break out. 

And that’s why I think this is also such a good case study to look at lucanis' internal freeze logic and why it has been so adaptive for him up until now when faced with completely impossible emotional situations to which there are no good answers or causes of actions available, even though it's inherently and unavoidably one of those 'what's worse, the medicine or the disease' solutions a brain cooks up. lucanis by the point of inner demons is facing this conundrum: 1) I can't live like this, it hurts too much. I've been in pain so long I’ve got screams where my blood should be and it just keeps getting louder, and nothing really touches or helps that. 2) I can't die to escape this, because that would also kill spite (and also I've got a job to do I guess *working 9-5 slowed with reverb and with underwater sound distortion effects is playing in the background*). those are of course not actually his only options, but in the state he's in they are the only options he can conceive of. (that's not infrequently how it works, when the suffering is that intense and unrelenting. Nothing gives you tunnel sight quite like ‘I just need this to stop’ agony that has gone on long enough to add sheer soul exhaustion to the mix)

so what happens in the end? his freeze brain -- honed, I'm sure, through many long years of attachment trauma and abuse and loss for exactly this kind of 'uh-oh. Incoming FUBAR situation alert let’s go' -- kicks into action and makes him do nothing except what's externally required of him, so he can stay just functional and momentarily distracted by a plethora of avoidance behaviours enough to get through his daily life, if like not particularly happily so... and otherwise, as it were, locking himself in his room deep inside where nothing can touch him, where nothing gets in and nothing gets out, no harm allowed to either escape from within nor allowed to pierce through and get inside. numbness isn't actually a cure for that kind of suffering, but it's the closest thing you're likely to get with any immediacy and if you’re desperate enough by god you take those. It’s how he survived his upbringing, and it’s how he survived the ossuary — as he tells Davrin straight out, the trick to just shut down every part of his soul he can to get through intolerable pain, loss or helplessness. I don’t think that mechanism came to him in the ossuary the first time, I think that blueprint was deeply embedded in his neurons and went ‘ah. My time again. Not to worry I’m a bit of an expert at this I’ll get us through this yet (though you may not thank me for it by the end of it all)’. 

In that state he's unable to himself reach out and meaningfully ask for help (and also like... why would his inner world have any framework for that as even being on the table? this has never been an option before in his life, not in any safe or consistent way; he's fucked up the way he is because the same things/people that should have been and partially, comparatively, were the sources of help and relief and safety growing up are also the sources of pain and abuse, that eternal irreconcilable ambivalence, the double edged sword of unpredictable insecure attachment), but it also keeps him from doing anything uh drastic the other way too, on acting impulsively in ways that can’t be taken back. (that seems to be more illario’s role/dubious privilege in the family lol.) at many points in his life and especially growing up, freezing and going numb around the pain is as close to having control of anything as there was any hope of. 'harm will be inflicted on me unpredictably, but fuck you I don't have to truly feel it as long as I shut all this other stuff down as well, that's what I can control' nervous system logic. (it'll get you every time.) for what it’s worth I’m not so sure his nervous system judged that one incorrectly, I think that is the kind of rebellion you would have to cling to while being raised by someone like caterina, because look at illario if you want to know how much she respects and rewards anything more overt or active. (I mean, if you don’t succeed, at least. swing at Grandma Dellamorte you’d better not miss or you’ll meet that cane swinging at you the other way and she will not miss)

I say all this because I think it's as easy to demonize the freeze response as it is to demonize anger, to conceptualize it only as an obstructive force that, as bellara puts it, is one of the purest forms of a heart not seeming to want to let you be happy, or a mindless byproduct of trauma. But in my experience, the brain doesn’t generally come up with ‘stupid’ defense mechanisms. Even in the most maladaptive of coping mechanisms, there is at the core of it some part of you that once meant to save your life, no matter what trouble it is wreaking for you today. when you look at the setup of Lucanis’ soul, as it were, you can see the dual and in some ways genuinely noble and even tender qualities this response has in him, however misguided: it does imprison, but it also protects, and it means to protect; for all the pain along the way it has sheltered all the parts of his soul that are most precious and breakable, the most vulnerable parts that want to live and so so importantly love completely and freely. Lucanis thinks he’s protecting not even primarily himself but everyone he loves by staying where he is. (“It would be better for me to stay here than to risk losing you”) A child’s logic, to be sure, but logic of a kind and clearly one that caterina has encouraged in him because that’s a conception of love it’s been very useful for her for him to have. Freeze looks like utter hopelessness on the surface, but in some ways I think it’s the utmost triumph of hope — a spare and unrelenting winter that exists because it thinks one day spring might still come, and the things too precious and fragile to thrive in your life as it is now might bloom then. 

He is an adult now, and Caterina no longer controls his entire world, physically and emotionally. There’s finally room for other things, other people, himself, in his life, without everything having to defer to the gravitational force of what Caterina wants from him at the end of the day. And while I think her jumpscaring him with the First Talon position is partly her attempt to wrangle him back into the status quo of control she once had, I’m not sure it’s going to work quite the way she might hope — at least in the Treviso saved route, there are just too many fresh spring shoots in his life at that point that could grow into something new, it’s too late to trample all the saplings growing up through the cracks in time (and indeed some of them might also fight back). (The outlook on the Minrathous saved route is um. Perhaps less convincingly immediately hopeful to me and the prospect of actually getting around to healing further down the road, but I refuse to give up on him that’s my little guy and he’s above all incredibly smart and stubborn and not a quitter and all the rest of this still remains true beneath it all, just like. Give him a moment here.) His hopes and dreams have diversified while she had her back turned lmao he suddenly keeps them with so many more people than just her and Iillario now. She doesn’t hold the monopoly of meaning and connection in his life the way she used to. And whether out of love (you know. Hope is every man’s prerogative I suppose) at seeing him really happy for perhaps the first time or sheer pragmatism, I think she’s going to have to accept that and adapt her ways of doing things with him accordingly, or else have him drift even further away from her.

Spite is the urgent impatient voice that starts to break through to go ‘that moment is now it HAS to be now. We need to shake off the shackles and illusions and face what’s actually here so we can learn to properly live now, or this winter will starve us to death as surely as anything Zara could do to us’. And he is right! As crucial as this soul-starvation landscape has been in survival, it has clearly reached the end of its sustainability, you can’t survive permanently on frost alone. I just also want to recognize the credit Lucanis (and his fucked up but valiant nervous system <3 pour one out for a real one) also deserves for stubbornly holding on in any way he had to until Spite’s true escape project is even an option for either of them. Especially since Lucanis seems to harbour a lot of self-loathing and frustration over his own propensity for freeze — “You know him. You can open the door, but he won’t walk through it”  (still one of the saddest most painful things I’ve ever heard. In case you were wondering. He knows. He knows what he’s like, and he despairs of it, he thinks it means it’s his own fault he still feels like this. Augh.) The real point at the end of the day is not that spite saved lucanis or vice versa, but that as traumatic as it was to get there and against all cultural expectations, it is ultimately their enmeshed condition, their togetherness, that saved them both. (which, again, when you consider the cultural narrative of possession and spirits most andrastian nations are working with…what a radical conclusion to come away with haha. Not unprecedented at all, if you look at Wynne and her spirit, but on a deeper and more psychological plane than ever and even more impactful for it, to me.)

[threadbearsweater]

one warm day is all i really need | arthur morgan

When you find yourself taken in by a gang of outlaws, the last thing you expect is to grow sweet on one of them- and have the feelings reciprocated. Arthur Morgan doesn't have time for romantic nonsense, but a few memebers of the gang want to make sure that he gets to indulge in his obvious affection toward you. Tags: 3.9k words, an unlikely romance, meddling gang members (with the purest of intentions, one might suppose); female reader, alcohol use, smoking, emotional smut. A repost from a (regretfully) deactivated blog.

Arthur first notices your eyes on him one evening around the campfire at Shady Belle. He won’t accuse you of staring– Lord knows he’s been known to look at you with the same foolish grin you’re wearing now– but he tips his hat to acknowledge you. The heat in your cheeks is suddenly warmer than what the fire has already provided; your grin only grows until your teeth are showing, and you duck your head into your shoulder to hide. Arthur takes a long swig from his whiskey bottle and grimaces as it goes down. He hasn't had a drop of anything in days, and the burn takes a little while to grow numb to now.

“Think she's sweet on you, Morgan,” Sean says in his Irish lilt, giving Arthur an elbow in the ribs.

“Naw, she's lookin’ at you,” Arthur deflects, though he hopes he's wrong. He thinks he knows.

“She told me last week to keep my eyes on my own work,” Sean continues. “I really don't think it's me she wants, Arthur.”

You turn to whisper something to Sadie, who laughs out loud with her face tilted toward the stars. You dare a glance back at Arthur, who is, in fact, looking at you.

Maybe there's some truth to what Mary Beth told you yesterday.

“Arthur's been awful quiet lately.”

The sun shines through the trees and dapples the table where you're seated with bright spots of pale yellow. It's your third round of dominoes with Mary-Beth, and she's whooping your ass, as usual. You don't know how she does it, but each game you play, you're a little more privy to her prowess.

“You think so? I don't know him as well as you.” You hope it isn't obvious that your heart started beating a little faster at the mention of his name. It leaves you breathless.

“Oh yeah,” Mary-Beth continues. “He's been scratchin’ away in that journal of his a lot more, too.” She leans closer, conspiratorial, her eyes twinkling with the gossip she's about to share. “Karen said he went to town twice last week to have a hot bath. If you knew Arthur like I know Arthur, why…you'd know that's highly out of character for him.”

“But you said he'd been quiet. Is that unusual for him, too?”

She hums and purses her lips. “Well you see, Arthur isn't usually a man of many words on a good day. But it's been real bad lately. He don't even give John a hard time like usual.”

You ponder the dominoes for a moment and then make your move. It doesn't earn you any points, but at least you didn't have to draw. “What do you think the problem is?” you ask, nonchalant as possible.

Mary-Beth smiles. Big and bright and sparkling. “Oh, it's not a problem at all.” She lowers her voice and cups her hand to her mouth. “Arthur's in love.”

You gasp, then giggle behind your hand, and Mary-Beth follows suit. Hosea looks on and shakes his head, so you quiet down, reaching across to grab Mary-Beth's hands. “Who do you think it is?”

Her cheeks are tinted pink, and she looks around to make sure there aren't any ears to hear. Word travels fast around camp if one isn't prudent. “I think it's you.”

A thunderstorm rips through Shady Belle a little over a week later. Your little tent that you share with Sadie is ripped straight off its supports in a terrible gust of wind, and you and the others hightail it inside the house to take cover just as it begins to hail. There's quite a ruckus as everyone huddles inside, windblown and rain-soaked. A few of the men hold up lanterns to illuminate the darkness while you watch the lightning and feel the thunder shake the old bones of the house.

“Everyone just calm down,” Dutch calls, descending the stairs, wearing some ridiculous robe with his arms spread wide. “Are we really gonna let a little old thunderstorm keep us from getting a good night's sleep?”

“Says the man with a bed inside the house,” Arthur bites, rounding the corner from what used to be the kitchen, holding a lantern up high in front of him. “Dutch, you better allow these ladies to take cover in here for tonight, or I'll–”

“Or you'll what, Mister Morgan? Pray tell, what kind of man do you take me for?” Dutch's eyes are fiery as he stares Arthur down; a display of dominance. A veritable cockfight.

Arthur's jaw twitches, but he doesn't back down. “The kind of man I should hope would have some goddamn respect for his family.”

There's a tense moment or two where everyone is quiet, then Dutch relents. “Fine, fine! But I expect everyone out there pitching in to clean up in the morning.” He points at Arthur and raises his voice again. “That includes the other man with a bed inside the house,” he sneers.

Arthur shakes his head, then looks away only to catch sight of you, shivering in your wet undergarments, huddled close to Mary-Beth for what little warmth the two of you can share. For a minute, he forgets to breathe, then composes himself enough to cross the room.

“Come on in here. Get yourself warm and dry by the fire.” His hand on your elbow is rough but warm as he leads you toward the fireplace. You nod and look back at Mary-Beth, who shoos you away with a flick of her wrist and a wink; you notice that her teeth are chattering. Despite the humidity that hangs heavy in the air, the temperature has turned chilly with the storm.

Arms crossed over your bosom to preserve any shred of modesty you might have left, you allow yourself to be led away by Arthur. Dutch and some of the others head upstairs while Charles and Javier keep watch from the front porch.

“You alright?” Arthur asks. He covers your shoulders with one of his heavy winter coats, and you pull it around you, grateful for the weight and warmth of it. Another clap of thunder shakes the house and you jump. Arthur chuckles.

“You laughin’ at me?” you quip, placing your palms flat in the direction of the fireplace. You don't even bother to hide the grin you feel curling on your lips.

“No madam, I am not,” Arthur says earnestly, taking a seat beside you on the old wooden crate he's set up as a makeshift bench.

“Then just what do you find so funny, Mister Morgan?”

He scratches the back of his neck, looking into the flames. “Aw, I dunno. I'm sorry. It's just that you're…”

You bump him with your hip, unable to stop the giggles that bubble up from your chest. “I'm what?” you pry.

There's a clatter of something falling on the front porch, and Arthur uses it as a good excuse to get out of this hole he's dug for himself. “I better go see what's going on out there. Charles might need my help.”

“I'm what, Arthur?!” you call, to no avail. He's gone before he can see the proverbial hearts in your eyes.

The saloon in Rhodes is a little nicer than the ones you visited in Valentine, though it's a far cry from the ones you used to frequent in Saint Denis. Still, when Sadie and the other girls decide that it's high time you have a little fun in town, you throw on your best dress and let Karen curl your hair and even apply a little of the makeup you snagged from a homestead up north. For the first time in months, you feel like a proper woman. There isn't time to be melancholy about the past, though, when the boys start whistling and cat-calling upon the sight of you and the other girls.

“Aw, knock it off!” Sadie hollers. She's decided to dress up a little tonight, too, much to everyone's surprise. But she hikes up her skirts to hop into the wagon, calling for the rest of you all to hurry it up. “I've got a bottle of rum with my name on it that's waiting for me to come drink her all down!”

You catch the sunset on the way to town. It's dazzling over the meadows, all golden light and warm, blazing oranges and reds that settle into a brilliant pink by the time your reach the main road into Rhodes. You wish you could see Arthur's eyes, but he's got a handle on the reins next to Charles in the front of the wagon. You've seen him watching the sunset before; he always looks so peaceful those evenings at camp, and you often wonder what he thinks about in those few minutes before the horizon is painted in pastel hues.

Karen starts singing a song that everyone eventually joins, and before you know it, you're pulling up in front of the Rhodes Parlour House. You can already hear the piano and a few voices from outside; the sound of it stirs something in your soul that makes you long for the familiarity of home, but you quickly shove it aside in favor of the company of your new family.

“Madam.” Arthur's voice brings you out of your thoughts and back into the present, where he waits at the back of the wagon with his hand extended to you. You beam at him, and he feels dizzy. And when your soft hand fits into his, he straightens his knees so they don't buckle and betray him.

“Why, thank you, kind sir,” you say, lifting the hem of your skirts to step out onto the dirt road.

Arthur leans in, dangerously close to your ear. You can smell the whisky and cigarettes on his breath, along with the faint tang of gunpowder and hair pomade. “You sure do look nice in that dress.”

You demure and fan yourself with your hand. “Just how much have you had to drink already tonight?” you giggle.

“Ahh, just a little nip to take the edge off.”

“Mm-hm. Sure, Arthur. Whatever you say.”

The night starts off relatively calm, as most nights do. You and the other girls find an empty table to sit and pick up on the town gossip, and the men start a hand of poker. It grows loud and crowded sometime around midnight, and it's hard to have a conversation without shouting over the din of voices, the clink of glass bottles, and the slow drag ragtime music from the piano. The ambiance is charming and lighthearted, and there are even a few couples drunkenly dancing on the porch.

You push back in your chair and find that when you stand, you're a little more wobbly than you thought you would be. The alcohol has loosened you more than you realize, and you grip the table for support until you feel a firm arm around your waist. “Whoa there.”

It's Arthur, who has won the last round of poker and has come to check in on you and the other ladies. You're pulled tight against his chest for one fleeting moment, and you look up into his eyes. He, too, seems drunk, with his eyes gleaming and drooping at the corners, his smile easy and his cheeks flushed.

“My knight in shining armor,” you slur, pretending to faint in his embrace. He only pulls you tighter against him, both of his broad hands splayed across your back. You laugh, and he smiles.

“You weren't getting another drink, were ya?” he questions with a raise of his brow.

“‘m thirsty,” you whine, lifting your empty glass entirely too close to his face. It knocks against his nose, which sends you into another fit of laughter.

Arthur takes your wrist– gentle but firm– and lowers the glass away. “Think you need to drink something that's not whiskey,” he drawls. You can't help but watch the way his lips form around the words; the slip of his tongue between his teeth, the way his mouth turns up into the hint of a smile when you pout. Before you can think too long and hard about it, you lunge forward and kiss him. Hard and clumsy and impulsive. You don't give him time to react. You're far too involved in the kiss to notice, but the girls at the table behind you have all gone silent. Arthur slides his hand along the side of your face and presses his fingers upon the nape of your neck, kissing you back like he really means it. (He really does.)

You pull back suddenly, breathless and reeling, swiping the back of your hand over your mouth. You're still held firm in his embrace, but the playfulness in his gaze has been replaced with an intensity that makes your knees weak all over again.

“What'd ya do that for?” he asks.

“Could ask you the same thing.”

“Well, you started it.”

“And you finished it.”

“Oh, I ain't finished with you, yet.”

“That a promise or a threat?” Your pulse is thumping wildly in your ears.

“Ya know, they got rooms upstairs for that!” Sadie shouts. There's a ripple of laughter across the table. Arthur's hand on your cheek feels like a brand, his arm about your waist an anchor. The rest of the room comes back to you in a woozy blur, and you look around, a little lovestruck and a whole lot drunk. Arthur's lips at your temple make your eyes flutter shut, and the room fades to black as tIt'weight of you slumps against him. He staggers only slightly, but holds you firm, chuckling softly.

“It's a promise,” he whispers.

You come to some hours later. Your mouth is dry as the desert, your head feels like lead, your skin broken out in a cold, uncomfortable sweat. At some point, it seems you were covered with a downy soft blanket, and the pillow at your head is much more fluffy than the makeshift one you made out of a bedroll at camp. At first, you think you're dreaming. Then, you wonder very briefly if you're back at your childhood home in Saint Denis. You almost call out to your mother when you hear a soft snore from the other side of your bed.

The room spins when you turn your head, and you rub your eyes until Arthur comes into focus. He's sprawled in an armchair a few feet away. His arms are crossed over his chest while his chin is tucked into his chest. Off to the side, you spy his boots; his big toe pokes through a hole in his sock and you smile at how vulnerable he looks.

“Arthur,” you whisper, shifting slightly as you pull the blanket up around your chin.

He grunts and lifts his head slowly. He frowns a little at first, but when he focuses on you lying there, so close he could reach out and kiss you again like he did last night, there's a slow, easy smile that spreads across his face.

“Hey there, party girl. You feeling alright?”

You could kick yourself for all the giggling you've done around him lately, but you can't help it. He brings out something giddy and downright foolish inside you, so you toss a pillow at him and bury your face in the sheets.

“Aw, come on now. I'm just messin’ with ya.” He leans forward and rubs your head affectionately. “I'd say you were feeling pretty good last night.”

It's in that moment a white-hot jolt of sheer panic shoots down your spine. Quickly, you check to make sure you're still wearing clothes. Aside from your breasts being a little lopsided in the confines of your bodice, you're relieved to find that your dress is still intact and– more importantly– on your body. You dare another peek at Arthur and notice that his shirt is unbuttoned down to the middle of his chest and he's discarded his vest somewhere, but he, too, is fully clothed. Thank the good Lord above.

You must've said that last part aloud, because Arthur laughs. “Don't worry, nothing happened. Though it weren't for lack of tryin’ on your part,” he says, scratching the back of his neck. “Thought I was gonna have to lock you in here like some feral cat till you settled down.”

Oh. Oh Lord. You try to recall what happened that led you to this room, but all that comes to mind is a lot of loud conversation, some dancing, a spilled drink across Sadie's lap, and Arthur's hand on the side of your cheek. “Oh…”

Now you remember it in vivid detail.

“Didn't know you cared for me like that,” he says. It's earnest and tender, a few shades less intense than the kiss you now recall, the one where it felt like he wanted to eat you alive right there in the middle of the saloon. Now, he thumbs your cheek and looks at you so fondly you swear your heart jumps right up in your throat. “I mean, I'd been hoping. Wasn't sure you was looking for a romance.” He huffs a short sigh, frustrated with himself. “Aw, hell, what am I saying? ‘Course you weren't. You're just looking to survive, just like the rest of us, and here I–”

“Shut up,” you say, taking hold of his hand and tugging him closer. He resists until you pull even harder, watching the fire in your eyes blaze to life. “You talk too much, Yankee.”

“I ain't no damn–”

“Kiss me.”

He's over you in an instant; you're pressed flat against the bed, completely and totally at his mercy. This kiss feels different than the drunken one last night. It's sober and honest, if not a little hesitant, as if he's holding himself back from devouring you wholly. The warmth of his body against yours takes your breath away. Or maybe it's the way his tongue laves heavy into your mouth, unashamed of how badly he craves the taste of you. You grip his hair at the roots and tug him down to kiss him harder, lifting your upper body to meet him until he presses down, his chest flush with yours.

Things get heated quickly.

His mouth moves across your cheek, down your neck, and he groans against your skin, rutting his cock against your thigh. You fleetingly wish that he had managed to get you out of that dress before he presumably tucked you into bed and passed out in that chair, because there’s a whole lot of fabric between you and him that really pisses you off right now. Arthur must feel much the same, because he’s bunching your skirts up past your knees while you’re fumbling with his belt buckle, desperate to feel him against you, inside you. It’s clumsy and crazed, rushed and rough, but you manage somehow to shuck off every last bit of your clothes and his until you’re breathless and so, so eager beneath him.

“Need you now,” you whine. You feel insane. Dizzy and dehydrated, impossibly turned on, every nerve ending on fire when his callused hands grip the fat of your thighs and open you to him.

“Greedy little thing, ain’t ya?” One of his hands slips between your legs to find you wet and swollen. He presses the pad of his thumb against your clit and pushes a finger inside you; the sound you make nearly has him finishing there on the sheets, so he wastes no time in getting himself as close to you as humanly possible.

“Never wanted something so bad,” he murmurs into the dip of your shoulder. He wants all of you– all at once– wants to fuse his hands against your skin and sink himself into you so deep that it would be impossible to tell where he ends and you begin. The heat from his body takes away what little breath you have left, his mouth on each part of your body building the buzz in your chest until you feel like you might just burst open. You grabbed at each other like it was the first and last time you might have this opportunity, as if you wanted more than what the other of you was able to give.

Considering the kind of life you’ve both led so far, it’s a good possibility that you might never get to do this again.

“Give it to me,” you plead, opening yourself further to him, fingers wrapped firm around the base of his cock. “Please.”

Arthur Morgan is a man of incredible strength and self restraint, except when it comes to a woman like you.

There’s nothing gentle about the way he takes you. It’s primal, sweaty, filthy, rough. Arthur pushes as far inside you as he can go, then pushes further when you beg for more. He cups your knees with slick palms and presses you open as far as you can bend; you tug roughly at his hair and bite down on his shoulder when the pleasure builds to a blinding ferocity. The wooden bedframe knocks angrily against the wall with each thrust, but you can’t bring yourself to care if anyone hears. You can’t focus on anything beyond the feeling of him filling you with every stroke of his cock, of the taut, corded muscle in his back and shoulders as you grapple to hang on as tight as you can. Your orgasm hits your hard and fast, and he encourages you through it, taking his time to give you long, controlled strokes. It’s as pleasurable for him as it is for you. “‘Atta girl,” he rasps, lips moving against your ear. Your hand flies to your mouth to muffle your cries, but he pulls it away and threads his fingers with yours, pressing it onto the pillow. “I wanna hear it.”

Your moans are what drive him over the edge.

He buries his face against the side of your neck, panting heavily as he comes, driving into you so hard that you can almost feel the mattress beneath you begin to sag under the weight. You cradle his head in your hands and link your legs around his waist, boneless and languid in the aftermath of your own pleasure. When he moves, you move with him, riding out the waves together until you’re both too tired to move another muscle.

Neither of you speak for a while. He lies on his back with an arm around your shoulders while you curl against him, tuned into his heartbeat and swirling little patterns into the hair on his chest. It’s comforting to feel him next to you, to watch his chest rise and fall as he steadies his breathing, to soak up the warmth of his skin against yours.

You’re the first to break the silence. “Did everyone else go back to camp last night?”

Arthur nods slowly. “Something tells me they planned all this.”

“Planned it? You mean…” You lift your arm slowly and flick your wrist to acknowledge the room you’re laying in. “This?” You lift your chin and grin at him. “Or getting us together?”

“Room was paid for before I even had a chance to ask if they had one,” he explains. “Think it was Mrs. Adler.”

You vaguely recall her shouting something about a room after you kissed Arthur last night, and you shake your head. “You complaining?”

He turns to his side, draping an arm across your hip. “Me? Never.” You’re suddenly pressed beneath him once again; from the looks of it, you won’t be getting out of this bed anytime soon. “Specially when I’ve got you here to help me keep warm.”

[tsukiakurotori]

I might be a little late but...if I may... *carefully presents my two current wolships, then hides* 🥺

Tsukia and Haurchefant-

They enjoy cuddling, once Tsukia is comfortable and used to the physical contact. She comes to feel safe with him, so will often be trying to have her activities such as reading be near him. Sometimes her tail will even subconsciously curl around him when they are together without her noticing. 🤭

Bonus (a future little snippet of them):

Morning had dawned. But Tsukia was still sleeping. And he… He didn’t have the heart to wake her. The paperwork could wait. As she snuggled closer, seeking warmth, he brought her into his arms, wrapping the blankets tighter around them. She gave a contented sigh, relaxing deeper into slumber. The smile that appeared on his face couldn’t be contained as he gazed at her fondly.  Gently nuzzling the top of her head, Haurchefant decided that he would sleep in this morning as well. Taiki gave a quiet huff as he stared at the two from his bed on the floor. The hoarhound pup settled back down as well, curled into a ball. All was quiet in the Commander’s quarters, though all others were already bustling through their morning routines.  It wasn’t long before some started wondering where Lord Haurchefant was, unused to him being absent at this hour. There were a few who could only give each other knowing looks before going about their business. 

Safianne and Estinien-

These two are still pretty new to me as a ship, but... Currently, I would have to say that they enjoy training and adventuring together. 🤔 Safianne may be a Sage, but she trained as a Lancer in Gridania when she was young before then, so Estinien ends up teaching her the ways of a Dragoon while they are getting closer and learning about each other. Though initially baffled by it, I think Estinien also enjoys when she randomly falls asleep against him, feeling safe enough to let her guard down, and when she shares her travel snacks with him or specially makes some for him. 🤭💕 I think they both enjoy the playfulness that comes out during a good sparring match between the two however.

Considering one of the things she did during their initial interactions was kicking a lance up off the ground to single-handedly point it at him... This moody Sage is undaunted by his grump. 🤣

I love them a lot with just the few snippets I have so far. 😭💕 She's so willing to do anything to protect him, even at great cost to herself, as she is unwilling to stand by and lose him like she did her parents. Not when she has the power to change things this time.

For the sake of protecting anyone she gets into a relationship with, Saf wasn’t one to make obvious displays of affection, such as kissing or holding hands in front of others. It was to save them from being targeted by anyone after her. But it becomes different with Estinien.🥺

*realizes how much ranting I've been doing* ...Oops. Apologies for the length. I shall make myself scarce now. Hopefully, this brought you even just a tiny bit of enjoyment. 😅🥺💕

Throwing this out there as a wolqotd -

Could I get some wolships in here and what’s their favorite activity together? 🫣

[formulapookie]

2+8 pecco/luca :)

2 (branding) + 8 (breeding)

Ok so actually it’s not even his fault, Luca simply looks divine tonight, dressed all smart and perfect and with his hair perfectly in place.

It’s totally normal that Pecco wants to ruin him and make him scream his name. Totally.

And what’s even more normal now that he thinks of it is wanting to leave marks everywhere, on his neck most of all, his neck and his chest for sure, because fuck he’s too hot and people apparently like to stare a bit too much.

That guy, Vale’s friend, especially, he hasn’t fucking taken his eyes off Luca for one second, and he’s been standing awfully close to him for a while now.

Luca is completely unaware of the flirting it would seem, and Pecco is sure of that because he spent something like one year constantly trying to hit on his boyfriend and they only got together because Pecco got the courage to kiss him at Luca’s birthday party, and the older had been so surprised he thought it was a joke, and Pecco almost hit his head against a wall, Luca kept saying “I never thought you were flirting, I thought you were just being nice”.

But that guy knows damn well what he’s doing, placing his hand on the small of Luca’s back, making jokes, laughing at every stupid thing Luca says, complimenting his outfit on top of that.

He’d want to drag Luca to one of the many rooms the Ranch offers, but he obviously can’t, it’s Vale’s 46th birthday party and they really can’t leave just to fuck, or ask Vale for a room, and they can’t simply go to some room, because they’ve all been locked to avoid exactly this. Plus Vale doesn’t have a clue the two of them are dating. 

Only Bez and Cele know, they may or may have not walked in on Pecco getting fucked against a wall a few months back, and since then he hasn’t fucking heard the end of it.

“Scared you’ll lose your boyfriend Franci?” “Shut up Bez I’m not scared” “Jealous then? That guy would eat Luca alive if he could” “i’m gonna punch you” “Nah you won’t you love me” “Go bother your boyfriend instead” “I would but he’s in the bathroom trying to calm down and stop his legs from shaking so much, it’s not like he can walk back in here looking clearly fresh fucked no?” “You are disgusting, there’s people here, it’s Vale’s party” “Yeah, that’s why it’s funnier”

Cele walks back in that moment, his hair a bit messy and the shirt wrinkled, but at least he’s not shaking, and Bez immediately goes to him and helps him sit at a table, whispering something in his ear.

Pecco feels a hand on his shoulder and he immediately knows it’s Luca, who’s holding a flute of prosecco in hand, looking at the people rather than him directly.

“Want to know what I stole from Uccio?” “Cocaine?” “Oh come on you know I’d never try that shit, no no, something more…useful for us” “Tell me” “The keys to my room”

Pecco goes still, looking around to make sure no one heard him, and once he makes sure of that he lets out a breath, fidgeting with the bracelet Luca gifted him on his birthday.

“So you want to…like, go?” “Well of course Pecchino, you think I planned to stay here all night acting put together at my brother’s party and not touch you?” “Kinda?” “Mh you clearly still don’t know me too well then”

Pecco is about to reply, but Luca grabs him by the wrist and starts walking out the party area, avoiding anyone who might look at them suspiciously. Luckily for them the majority of the guests are already wasted or drunk, so no one notices them fleeing.

They aren’t even yet to Luca’s room that Pecco  decides he has waited long enough, so he pulls Luca towards him and starts making out with him, the very obvious bulge in Luca’s pants a clear indicator they gotta go to the room right now.

Pecco lets go of his boyfriend and follows him to his room, which gets unlocked in the span of three seconds, and once they’re in it’s locked just as quickly.

“Come here” 

Luca follows Pecco’s words and walks up to him, taking his face in his hands and letting the younger cup his ass and pressing their clothed cocks together. Luca moans a bit at the action and it makes Pecco smile, especially since Luca lets go of his face to unbutton his shirt, quickly undoing all the buttons and taking it off, letting Pecco do the same with his.

They resume making out, Luca’s hands working Pecco’s fly open, palming his dick through the boxers, making him moan in the kiss as his jeans are shoved to the ground and Luca gets his hands on his pecs.

“Get on the bed” “Oh you’re demanding today Pecchino?” “Either you get on the bed and get naked or I’m leaving you like this”

Luca bites at his lip before walking over to his bed and sitting there, slowly undressing, just to get Pecco riled up more than he already is. 

“You want a blowie?” “I want to fuck you” “Straight to the point ok” “Open your legs and pass me the lube” “No need for it” “Of course you need it” “Come check yourself”

And Pecco nearly almost certainly dies when Luca spreads his legs, because of all the stupid unhinged sexy things he could’ve done Luca chose to walk around all night with a plug.

Pecco stares for a full two seconds before getting on the bed as well, pressing Luca’s body against the mattress and smashing their lips together, rolling his hips against his boyfriend’s.

He grabs both his thighs and clenches his hands around them, feeling the strong muscle of them under his palms.

“You’re” Pecco stops to leave a hickey on Luca’s neck, he hasn’t forgotten how that man was looking at him before, and he’s not gonna just stand there and let that be, he wants to make sure it’s clear that Luca is taken “really something else you know? First time I topped you were all shy and quiet and now you just walk around like this”

Pecco doesn’t waste a second of his time and he immediately tugs down his boxers and takes out the plug, tossing it on the bed and flipping Luca so he’s on his hands and knees, stroking his dick a few times before entering him with one fast and precise thrust, which hits Luca’s prostate, making him arch his back and moan, Pecco immediately covers Luca’s mouth with his hand, because he really wouldn’t like being caught at Vale’s party of all places. He’s completely covering Luca right now, and it makes the other feel incredibly good, like he’s somehow owned by Pecco.

Luca keeps moaning against Pecco’s palm at each thrusts, every single one of them aiming his prostate and never missing, basically heaven on Earth, and that’s when Pecco starts kissing his neck, then switching to biting and sucking on the spots he’s kissed, drawing a sort of necklace there, always keeping his hand pressed against Luca’s mouth to keep him quiet, deepening his thrusts and picking up his pace, until the only sound that can be heard in the roos is that of his hips slapping against Luca’s ass.

His other hand is keeping Luca’s hip up, and he’s sure he’s leaving marks there too, which is even better than hickeys on the back of his neck. Luca’s ass in fucking red now and nothing is there to stop Pecco from letting go of his hip to smack it a few times, making Luca’s whole body tense up and shiver.

“You liked that right? You want more?”

Luca mumbles something against Pecco’s palm and he stops muffling his words, slowing down his thrusts and moving his hand, having him repeat what he just said.

“Yes yes please again”

Pecco smiles and picks up his pace again, this time Luca shuts himself up by burying his face in the pillow, moans getting suffocated by that as his legs keep shaking like crazy and Pecco gets faster, he’s sure the sound of it can be heard outside the room as well.

Both his hands are on Luca’s ass, squeezing it and leaving multiple marks, then spanking him another few times, making Luca’s body jolt with pleasure.

“You’re perfect Luca I swear, everytime I fuck you it’s amazing I never want it to end”

Luca gets tight around him and Pecco is glad because despite wanting to fuck him forever he’s human and he’s much too close now. And the more he looks at Luca’s red ass marked with his handprints the more he wants this man to be his forever.

He bends over his body, biting at Luca’s ear and whispering right into it.

“If you were a girl fuck I’d get you pregnant to make sure everyone knows you’re mine, I swear I’d do it, I wanna get you pregnant so people don’t dare to touch you”

Luca’s louder moan is muffled by the pillow but it’s clear he likes what Pecco just said, and Pecco couldn’t ask for a better reaction. The younger gets one of his hands around his boyfriend’s dick, stroking it in time with his thrusts, fucking in even deeper than before, hitting his prostate repeatedly and biting down on his collarbone, leaving teeth marks there.

Fuck he wants to mark him all over, cover every centimetre of his skin with his hickeys, brand Luca as his, only his.

“Luca I’m close”

Luca doesn’t answer, too busy moaning out loud and reaching his orgasm, clenching more around Pecco’s dick and his whole body shivering as he lifts his head from the pillow, turning around and calling for Pecco to kiss him.

Pecco obliges and as soon as their lips touch it’s over for him, he’s filling Luca up, moving one hand so he can close it around his throat, forcing Luca to stay in the kiss even more, the other hand still jerking him off to make sure he’s gotten out every single drop he had in him.

When he lets go of Luca’s neck he slides out, the older feels a bit weak, his legs still shaking from his orgasm and his brain trying to get back together.

He doesn’t have the time to calm down tho because Pecco turns him around and starts kissing him again, stroking his thighs and then suddenly phishing the plug back inside him, caging his release there.

“Keep it for me, yeah? I might not get you pregnant but I can fill you up and you’re gonna walk around like this so you remember you’re mine”

Before Luca can get his answer out Pecco starts branding him again, leaving hickeys on his neck and chest, biting at his nipples, and even going as far as drawing a “P” with hickeys on Luca’s left pec, on his heart, while leaving many other even a bit further down, on Luca’s belly and hips.

By the time Pecco is done Luca is completely painted, various degrees of purple, blue and red scattered all over his body, and Pecco couldn’t look more proud of his work.

“Let’s go back, your brother will be wondering where we are” “Stay with me for the rest of the party please?” “Sure baby sure” “So they know you did these”

Pecco smirks and kisses his lips, helping Luca to dress up back again and trying to look at least presentable.

“Vale is gonna kill you, you know that right?” “I’d die happy knowing you’re like this because of me”

Luca blushes when Pecco indicates his branded neck when saying “this”.

As they get back in the party room Bez sees them and winks at Luca, who blushes, then gives Pecco a thumbs up, all while holding Cele in his lap, who simply makes a face at the two coming back looking like that.

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[random-thought-depository]

This response may seem meandering at first but I promise there is a point I'm getting to.

One area where I think the canon Accord's suckitude is kind of incoherent is, like, who was the Accord's giant military-industrial complex gearing up to fight before they met the Affini? The Accord's deal seems to be earlier half of the twentieth century style jingoistic chauvinistic militaristic racist ethnic nationalism but for a species instead of an ethnicity, which suggests it's probably aliens, but the only external enemies I've ever seen them mentioned as having are the Affini and the Nyrans, and while the Nyrans at face value seem like the obvious answer here as far as I've seen the Nyrans get portrayed as basically pathetic innocent victims of Terran imperialism who were never any kind of serious threat or rival (admittedly I'm basically just basing this on their portrayal in One Analyst's Opinion). I guess the obvious defense of this worldbuilding choice would be something similar to that "remember that racism is literally based on nothing" post that went around a while back, but I still suspect this is an area where you can see that the setting was designed by committee (with the coordination problems that implies) and has some crude seams and I feel it contributes to the general impression that the authors are just really obviously stacking the deck to give the Affini maximally unsympathetic opponents.

In another post I think you might like reading, I said the HDG fan project I might be interested in doing if I had way more skills and resources is a video like this one but for a battle in a canon-ish version of the Affini domestication campaign against the Terrans, and I pointed out that the intro this video uses for Heraclius and the Romans would be really fitting for the canon Terran Accord in that context. But here, I want to draw attention to the fact that this symphony is about a battle in a big war the Roman Empire and Sasanian ("Persian") Empire fought against each other in the early decades of the seventh century, and in the middle decades of the seventh century this happened to the Romans and Sasanians; the early Muslim expansion conquered the Sasanian Empire and much of the Roman Empire. I suspect this sequence of historical events wasn't a coincidence, in the same way it wasn't a coincidence that the Inca empire was having an epidemic and a civil war just before Pizarro showed up (i.e. if they hadn't been attacking empires that had already been weakened by other events Pizarro and the Rashidun Caliphs might have been much less successful).

If you read the description of that video on Youtube, it's pretty much explicitly artist's intent for you to be thinking about this when you're watching it:

The war of 602-628 would be a turning point in the history of the region, and indeed the world. Having depleted their resources and manpower after the war, both empires were left vulnerable as a new power arose in the ignored, mysterious stretches of the Arabian peninsula, a new threat to both powers united by the fervour of a new religion. Less than five years later, the Arab Muslims would begin the invasion of the Sasanian Empire which would spell its doom, and would become a new enemy that would weaken the Romans.

Which gives this video a profound feeling of tragedy to me. I guess if you're a Muslim you might feel differently watching this, and I don't have any particularly strong opinions on whether a timeline where the Romans and Sasanians defeat the early Muslim expansion would turn out better or worse than ours (the opinions I do have on it are pretty much "I guess all else being equal it's better if conquerors fail, cause a successful war of conquest probably usually causes more suffering than an unsuccessful one and a world where attempts at conquest usually fail has better incentives" and "my default guess is from the perspective of the twenty-first century and approximately my values Rashidun Caliphate is a dud world and ours are likely more-or-less a wash"), but, like... When I watch this I think: everybody who gets to show up as a character in this is losing, to a greater degree than is just true of war in general; if they could see the end result of the sum of their actions they'd probably all be horrified by it; if you gave them that foreknowledge maybe they'd make very different choices. It's a different but somewhat related feeling to the one I get when I watch this.

I got to the part at the end where Heraclius in exultant relief prays to his god after his victory, and I went, hmm, I wonder if that's the same Heraclius as...

The year Heraclius came to power, the empire was threatened on multiple frontiers. Heraclius immediately took charge of the Byzantine–Sasanian War of 602–628. The first battles of the campaign ended in defeat for the Byzantines; the Persian army fought their way to the Bosphorus but Constantinople was protected by impenetrable walls and a strong navy, and Heraclius was able to avoid total defeat. Soon after, he initiated reforms to rebuild and strengthen the military. Heraclius drove the Persians out of Asia Minor and pushed deep into their territory, defeating them decisively in 627 at the Battle of Nineveh. The Persian Shah Khosrow II was overthrown and executed by his son Kavad II, who soon sued for a peace treaty, agreeing to withdraw from all occupied territory. This way peaceful relations were restored to the two deeply strained empires. Heraclius soon lost many of his newly regained lands to the Rashidun Caliphate. Emerging from the Arabian Peninsula, the Muslims quickly conquered the Sasanian Empire. In 636, the Muslims marched into Roman Syria, defeating Heraclius's brother Theodore. Within a short period of time, the Arabs conquered Mesopotamia, Armenia and Egypt. Heraclius responded with reforms which allowed his successors to combat the Arabs and avoid total destruction. ... The following year, the Arabs launched an offensive into the Arabah south of Lake Tiberias, taking al-Karak. Other raids penetrated into the Negev, reaching as far as Gaza.[54] The Battle of Yarmouk in 636 resulted in a crushing defeat for the larger Byzantine army; within three years, the Levant had been lost again. Heraclius died of an illness on 11 February 641;[d] and most of Egypt had fallen by that time as well.[59]

He is! Oh, you poor man! You have no idea what's coming!

What I'm saying is I think the We Did Stand A Chance AU equivalent of the Terran/Nyran War should have this vibe.

Aside:

"The Sasanian leitmotif uses an actual period Sasanian poem in Middle-Persian written by Pahlbod or Barbad, the official court musician of the Sasanian Empire, which shows an interesting form of national pride, comparing Khosrow II to clouds that overshadow both Caesar and the Khaghan of the Göktürks."

Oh! Since this person was a Sasanian general but wasn't Iranian (his intro is titled "The Empire of the Iranians - Rahzahd the Armenian") I thought maybe "Caesar is the moon, the Khagan is the sun / My lord is the clouds, pregnant with rain / When he wills, he covers the moon, when he wills, the sun" was supposed to be his way of saying (in a way that's kind of respectful to all three of them) "The Shah is better than the Caesar, but my god is secretly better than both of them" and clever and intriguing as that! That intrigued me enough that I ended up reaching the end of Google trying to learn more about this person (I found very little about him online) before it occurred to me to just read the Youtube description of the video and I found out I'd totally misinterpreted it! Reminds me of that time I realized what I thought was a great line in Heather Dale's Joan was actually me hearing the song wrong (it's actually "and Heaven is nigh," I thought I heard "and Heaven is mine").

Thinking about a Human Domestication Guide AU I’m making called “We Did Stand A Chance”. The Affini in this AU are not post scarcity. Their ships are comparable to human vessels and the majority of their structures are on planets instead of colony ships. They still have a resource advantage over terrans, and Affini are still fucking hard to kill, but in this world it’s achievable to overcome the threat.

The AU would be cataloguing the series of decisions and capitalistic mechanisms that cause the downfall of the Terran Accord WITHOUT an existential enemy force.

After all, the temptation to just surrender to an enemy working towards gay luxury space communism that wants to care for you forever may be too great for some.

This is of course non-canon to the HDG shared universe.

[risingsunresistance]

you guys should try webfishing

[watery-melon-baller]

does anyone know a better way to try and reformat a research question for a survey because I am SUFFERING

[arolesbianism]

Man oni can't do this to me I'm supposed to be preparing for artfight but all I can think abt is Them™ from the second I wake up to the moment I go to bed how am I supposed to prepare in these circumstances 😔

[rubys-domain]

i did some beyond the map border shenanigans, and i discovered something that's either really wholesome or really creepy depending on how you want to look at it

i might be very far from the first one to discover this, but if you open the camera while paimon's trying to take you back within bounds (asuming you're not in a stance that keeps you from opening it like swimming or something), paimon stays onscreen and keeps moving like she does in the paimon menu. but if you move the camera so that it's looking at her from the side, she'll turn to face the camera and do her little wave.

now i don't think they'll do it, but... if genshin pulls some "you, the player" thing endgame... honestly i would be interested in seeing how they pull it off

[inmaki]

gojo showing off your back scratches to geto

( cont from this fic! req, visual ) .

contains: sex talk, desc of back scratches, crack, sugu is called daddy once (as a joke.. right..)

everything was relatively peaceful in suguru's apartment. key word: relatively.

a forgettable yet appreciated sunday afternoon, not a cloud in sight despite the weather forecast predicting downpours of rain. either way, the raven-haired man insouciantly rested across his white couch, reaching the conclusion that today would be a day for self-care, relaxing, and perhaps some meditation.

there was only one thing ruining his peace.

all morning, suguru has been forced to try and ignore the stain a certain someone has left on his couch — a pair of unecessarily expensive yet dirty shoes being the culprit.

despite these attempts, every once in a while his gaze can't help but wander over at the mark — as if it'd poof out of existence if he glared hard enough.

"fuckin' asshole.." he mutters. it was a wonder his relationship with his best friend managed to stay so promising despite all their differences, yet suguru wouldn't have it any other way, even after situations like this.

right when he grumpily turns back to the tv — which was playing some crappy, low budget rom-com — his apartment door is yanked open and suguru swears he nearly jumps out of his seat.

great, was this it? was he about to get robbed, perhaps evicted? and then probably die? forced into the afterlife knowing gojo's shoe-shit was still on his new couch? no that can't—

"i fucked her!"

suguru whips his head towards the apartment door, announcement being disregarded as he nearly groans in agony. speak of the devil.

big blue eyes peak out from under circular sunglasses, one hand already raised in preparation for a dap up while his stupid, big, dirty shoe pushes the door closed behind him. gojo wears a black compression shirt with grey sweats, marching over to his friend with a ginormous grin across his cheeks.

"take your shoes off, now," suguru snaps, nodding to his friend's feet with a frown.

"yeesh... whatever y'say, daddy," the bastard never loses his smile as his hands raise in surrender, kicking them off by the door smoothly. "what's got your panties in a twist?"

geto pinches his nose bridge. "don't call me that," as he continues the scolding, he points to the living room with his free hand. "you got a mystery stain on my couch, satoru. do you know how many youtube videos i watched trying to get this shit off?"

unphased, gojo takes a look at the strangely colored blob against the armrest's leather material and shrugs. "my bad. did you try febreeze?"

"what— no? dude, febreeze is for.." when suguru looks back up to sourly meet his gaze, he could immediately tell the white-haired man was already drifting back into la-la-land, words going in one ear and out the other. "..nevermind. why're you here?"

at the reminder, satoru seemingly brightens, head shooting back up as if he was just told he'd won the lottery.

"oh god, don't make that stupid face—" he pauses. "the fuck are you doing?" suguru might as well say goodbye to his self-care day, because now gojo was stripping in the middle of his living room, shirt thrown haphazardly onto the still-very-much-stained couch.

"just look!" suguru squints as his friend swivels around to face the wall, pushing his bangs away to get a better view of the— oh shit.

it takes the raven-haired man a second to process what he's seeing before shuffling forward, closely examining the achingly red, bulging scratch marks displayed sexily across the latter's back and shoulders. "no way.."

suguru knows the strongest sorcerer well enough to notice how he purposely didn't use reversed cursed technique on these scratches, just so it'd be obvious to anyone that caught a glimpse of what exactly occured. to his further dismay, he can already picture a smug and sweaty gojo walking around their local gym like this, proud simper on his pretty lips as he easily raises a pair of weights in his veiny hands.

a hiss escapes geto's mouth as he runs his finger down a particularly agitated one, knowing exactly how painful they could be after experiencing many hook-ups of his own. even so, satoru only licks his lips, neck craning to the side so he can pride himself in his friend's gobsmacked expression.

"damn, these are deep. you actually hit it?" suguru confirms, raising a celebratory hand.

turning back around, satoru daps him up, a massive smirk now on both their faces. "hell yeah, it was amazing."

it was impossible to predict what gojo would do next after barging through his front door — especially considering how many times he's done so — but this has to be the last thing suguru ever expected.

not that he was complaining — in fact, all of geto's temper and need for relaxation seemingly flew out the window, the feeling of proudness for his best friend overthrowing anything else.

and even if he hated to admit it, the way gojo was so eager to come over and announce his virginity loss to him was more than a little endearing, and dare he say cute.

"that's great, man. congrats." suguru leads him into the kitchen — still shamelessly shirtless — to grab them both a can of beer in celebration. while the white-haired man usually didn't get involved with any form of alcohol, this occasion was most definitely exception-worthy. "you made y/n cum too, right?"

an offended glare is shot his way. "duh, two times."

"huh. surprised you could last."

as suguru pours their drinks into two fragile cups, gojo exhales, not bothered in the slightest by his jab. "dude, same.." he admits dreamily. "she was so fuckin' tight and warm.. and oh— fuck, her moans? heavenly.. 'can't believe i didn't bust after the first minute.."

geto gulps, trying his best to ignore the mental image his brain was producing from his dirty words. you can't blame him — both of you were smoking hot, and he was a simple man.

even now, he could already imagine what you both looked like; panting and moaning, skin-slapping so loud that it echoed through the whole room, how blissed out you'd look as gojo's cock split you in t—

satoru's playful sigh cuts through the tensing air. "who knows sugs, maybe you'll have another kind of stain to worry about next time we're over~"

he's never snapped out of a daydream so quickly. "don't even joke about that."

over the next hour, the two men sat manspread on the stained couch, taking leisure sips while recalling satoru's final moments as a virgin — suguru giving out his secret tips and tricks along the way.

maybe sometime, suguru could offer some.. hands-on learning instead.

mlist! <- sugu.. how could u think abt ur bestie and his gf like that... tsk tsk tsk (if u enjoyed reblogs/comments r appreciated heheh)

© inmaki on tumblr. all rights reserved. do not cross-post, translate, copy in any way, etc.

[cherrygirlfriend]

rafe catching innocentvirgin!reader working out

warnings: smut, no actual sex but like graphic descriptions of fantasies so i think it counts? MDNI this is for my pilates princesses, i'm trying to get into it and whew i have so much respect for yall,,, ANYWAY hope u guys are staying healthy and safe!!! mwah

rafe was knocking on your door impatiently, wanting to see you more than anything after the day he had, finding out that the development he had been busting his ass for for months had been delayed, but you weren't answering the door or even his texts telling you to open the door; that didn't stop him, the man knowing where your parents kept the spare key, getting it out of a pot of asterias, opening the door. you'd told him he could only use it 'only in case of emergencies', but to him, this constituted as an emergency.

rafe didn't bother to put the key back as he walked further into the house, hearing the noise of the television coming from your living room. he made his way to the living room, his eyes widening slightly when he saw exactly what had you so busy.

you were splayed on the floor, a pink workout mat underneath you, watching some workout video on your tv while your headphones were on, wearing a pair of pink fitness shorts that made your ass look so good he was almost drooling, along with a white sports bra, turned away from him, one of your hands splayed on the ground while the other one was bent on your head, one of your knees on the mat while your other was reaching up.

"jesus christ." he mumbled as he stared at you, the curve of your ass in those pink shorts causing his dick to stir in his shorts.

only a few seconds later, you moved to sit down on the mat, only to be startled by your boyfriend shamelessly ogling you, letting out a small gasp as you basically fell on your ass on the mat, your eyes widening.

you took off your headphones, throwing them onto the couch behind you, and even though your face was already warm and flushed, it seemed to get worse when you noticed him staring at you. "rafe!" you exclaimed as you stood up, his eyes now locked onto your hardened nipples under the sports bra, your tits almost pressed together, a sheen of sweat running down your cleavage.

"jesus fucking christ." he said, licking his lips slightly as you took your pink zip-up jacket and put it on, yet the way it clung to your body and the small sliver of your sports bra did almost nothing to hide how delicious you looked. "no, no, baby, don't stop on my accord." rafe grinned, his hands on your waist, aware that he was sporting a pretty obvious hard-on as he pulled you closer.

"i don't want you to see me all gross and sweaty." you pouted, and the way you sucked your lip in made nothing to calm down the obvious tent in his shorts.

"you look so fucking sexy right now." he said, pulling you closer to him, and you could feel his hard-on press against your abdomen, the blonde letting out a small groan from only that contact. "literally, i've never... jesus."

"i'm not sexy right now." you roll your eyes, pushing away a stray hair that had stuck to your cheek, trying to look down in embarrassment.

"you're kidding, right?" rafe snorted, his hand going lower and lower, almost going to the curve to your ass. "i think you can feel how sexy you look, huh?" he took hold of your chin with his fingers, and lifted it up, making you look up at him. "if you didn't want to wait longer, do you know the things i'd do to you?"

"w-what?" you asked in a way that was almost a whisper, biting your lower lip as you looked at him through your lashes.

"fuck, i'd just rip that cute little set off and take you right here on the couch. i'd make you ride me, give you a workout that's much better than this crap you're doing, your tits bouncing in my face, my hands gripping those pretty thighs... shit, i might cum just thinking about it."

you softly smacked him in the chest, feeling a warmth in your abdomen only he managed to cause, sure that you'd never blushed so hard in your life. "raafee..."

he brings your face up to his, bringing your lips to his as he bent down slightly, the kiss much more heated than any other kiss that you'd shared, his hand now on the curve of your ass, squeezing it in a way that made you gasp against his lips, his other hand now in your hair.

after a moment, you pulled away breathlessly, his erection had somehow gotten even worse than before, your lips swollen and a doe-eyed look in your eyes. "we should... uh, we should stop, since, you know..."

"yeah, i know baby." he rolled his eyes exasperatedly, before chuckling softly. "god, i'm not gonna forget this little outfit in a while. lemme take a pic of it?"

"noo, i look gross!"

"don't talk about my girl like that." he tsked, taking hold of your jaw. "come on, i need something to get myself off to later."

"alright, fine." you scoffed and rolled your eyes, before letting out a small chuckle as you started unzipping your jacket.

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.