#some of my earliest original characters

[toilandtroubled]

𝙞 𝙬𝙞𝙡𝙡 𝙗𝙚 𝙗𝙖𝙘𝙠 𝙤𝙣𝙚 𝙙𝙖𝙮 — 𝙡𝙤𝙧𝙙 𝙝𝙪𝙧𝙤𝙣

[sonknuxadow]

you. archie sonic artist. can you draw girl sonic characters normally

[gay-arsonists-lullaby]

Character introduction: Vincencia

• Vincencia -- meaning prevailing and triumphant,

• she/her, (very) aroace coded {and, well, she might be having a minor little gender crisis}

• a girl who, despite being on the brink of grief and rage induced madness, finds reason to live in a group of mythical deities she was always thought to fear after her village drowns her for “witchcraft” {but don't worry, I do find the concept of the ‘if I seek revenge against them I am no better than them’ trope quite infuriating, so yes, she will get a sickle and she will get to kill a dude, maybe even set something on fire. who am I kidding, of course she is going to set something on fire.}

• “ the river has remembered you ever since the day they drowned you in it.”

• all of this is going on in a folk-based fantasy realm (with slight horror elements), but fair warning, most of it is just vibes for now, sorry.

• once I post more of my OCs, you might notice that “dealing with horrific trauma through unconventional means” is a very common theme. does that say something about me as a person? no, of course not, what would even make you think that.

• “ here, we are all victims of the rules we were forced to live by.”

• DREAM GIRL EVIL - Florence and the Machine { “I am not your dream girl. I am the sudden shouting of crows when you enter a part of the forest you shouldn't have.” }

• “ ‘I could fix him’ this, ‘I could make him worse’ that... good for you, I guess? I could make myself worse and by doing so become the only think he'll ever truly be afraid of. ”

• “if he puts his hands on you, cut them off.” {Kiki Rockwell vibes at their finest}

• SAME OLD ENERGY - Kiki Rockwell / BURN YOUR VILLAGE - Kiki Rockwell {you do not dance everyday with the fear of living in headlights, the hunted, the deer}

• oh to be a deer in the headlights

• “ a lone boy on the highway / you think "that could be me." / but you were born a woman and you'll never be that free.” - MILES TO GO

• LABOUR - Paris Paloma / AS GOOD A RESON - Paris Paloma

• “for if I'm going down / I guess I'll take you with me / screaming birds sound an awful lot like singing” - THE FRUITS

• “ your man-made Gods mean nothing in these woods.”

• “a woman's first blood doesn't come from between her legs but from biting her tongue. ” - The No You Never Listened To | Meggie Royer

• “herr God, herr Lucifer, beware beware / out of the ash I rise with my red hair / and I eat men like air. ” - Lady Lazarus | Sylvia Plath

• “ it seems you are going to have to kill me twice after all.”

• I am not trapped in my own body, I am trapped in the way people perceive it. I think I wish to not be perceived at all. {just a raging and formless cloud, really. honestly, same, Vince, same}

• “dear mother, dear father; this is just survival. ”

• “-the real monsters do not have fangs and serpents upon their head; they are your friends, the men you defend, the hunters of the women you've condemned.” - I'd Rather Be Turned Into Stone Than Ever Be Like You | T.M.

• “it goes / all my troubles on a burning pile / all lit up and I start to smile. ” - BURNING PILE

• BOTTOM OF THE RIVER - Delta Rey

• “I am someone who did not die when I should have died.” - Grief Lessons: Four Plays by Euripides | Anne Carson

• WHICH WITCH - Florence and the Machine

• “isn't it strange, how we were taught to fear the witches, and not those who drowned them alive?”

[camping-with-monsters]

funny story behind this one.

so using Mary here ((and another two characters who are part of her story, Maya and Selma, also originally designed by @pazam)), since she’s what I consider the “stage 5 cryptid,” ((since she’s designed to look like the stage 5 eateot album cover)) I decided to use that one part of eateot that everyone dubs the “was it a dream?” by name here. But what’s so funny is that for here, it literally was.

I saw some weird imagery just like this in a dream and woke up and drew this. So yeah. It was a dream.

[quazies]

Enough time has passed, so I'll give you guys a look at the BLU teams concept art! Side characters usually don't get a full character sheet, just a single reference pose like this. I have a bad habit of changing designs in the middle of animating, so you'll notice Sniper overall looks a bit different, Pyro has a more round mask, Demos sleeves are half white.

BLU Medic got very close to having shoulder straps, but I decided his very blank/un-accessorized outfit fit his vibes better.

Here's the earliest piece of concept art I could find for the BLU Team, not much stuck around from this. I like my art style a lot better now lol

BLU Scout's sheet! I decided between episodes I wanted him to be older/bulkier, so you'll notice he's a bit different looking between episodes.

His original concept made for "Pootis Last Date"

BLU Engie's concept sheet! Basically just snatched this design from the comics with some minor tweaks.

Blootis' Sheet! He actually has the longest history of concept art and has been in the works for awhile. I planned from pretty early on to introduce a BLU Pootis, but I waited until it felt natural in the story to introduce him.

Very early Blootis seen on the left, probably sketched very early in the series judging by the art style. Middle Blootis was for Pootis Last Date, ended up with a much nicer color scheme in the end :)

And the earliest concept art I could find from 2 YEARS ago! This file was just called "blootis." His lore runs deep.

[writingwithcolor]

How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?

Anonymous asked:

I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?

Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.

A Secular Afterlife

What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?

More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 

The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).

While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.

A Jewish Perspective on ghosts

However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 

Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 

Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 

Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 

More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 

In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 

This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 

Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 

Meanwhile, back at the topic:

Where does any of this place Danielle?

Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 

My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 

Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.

Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 

Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 

Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 

Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  

-Meir

Hi it’s Shira with some Jewish ghost story recs written from inside–

When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)

The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.

The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.

The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.

I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.

~S

[innaillus]

Drawing Ryōmen Sukuna

Development notes

This post has been in the making since last year, before the manga has reached its current arc. My aim was to respond to comments that pointed out that my version of that time didn't look like the one in the anime. I calculate everything I do and the way I do it. My current goal is to share my thoughts on the development of my take on him - simply because I'm a nerd when it comes to anatomy and I love figuring things out. It involves a lot of thinking, questioning, analysis, dissecting information and building theories. So I totally understand if it's not anyone's cup of tea.

MANGA SPOILER WARNING

The very beginning

I used to have a serious case of lack of self-confidence. My earliest art of Sukuna dates back to 2021, but it always felt like my skills are not worthy of this particular character. I never shared my art. I was also struggling to find my artistic voice. I was obsessed with the idea of semi-realism, but even if I managed to pull it off after weeks of stylisation practices, I didn't like the results.

Due to personal reasons, I stopped trying to draw him for a long time.

The development of "my" version

It was an entirely conscious decision to draw him differently.

The top reasons for the change was that I didn't want to sexualise him in his host, Yuuji, who is a minor. Back then I thought he inflicted the deformation on himself (extra limbs, eyes, etc), for the sake of efficiency, and I was curious what he looked like before that - or what he would look like in a civilised environment.

During the process, I considered a number of factors:

the beauty standard of the other JJK men - I wanted him to fit the lineup - his original appearance made him stand out quite much

in a setting where he adheres to the rules of society, more or less, I believe his MBTI personality type (ENTJ) would dictate a lot of his choices when it comes to appearance, at least to a certain extent. I thought he would choose to have an appearance that fits the beauty standards of the era

I kept his tattoos because it's a very distinguishing feature of him, but I also exercise freedom in the way I draw them, to make them as stylish as possible

Reincarnation

I used to believe once he reincarnates, his proportions would be closer to that of a "normal" human, even if he has some extra limbs. However, his size and features are above and beyond of what we are used to, and even the story emphasises their malformed appearance. So a a whole new era of Sukuna started in my art. I chose my favourite manga panels of him and mix-and-matched the most attractive features into a figure that I consider on the fine edge of monstrosity and unconventional handsomeness.

Even when I draw him with a regular number of limbs, I keep his usual mass and proportions. I dubbed this form "true gains" form.

I also realised that some of the tattoos Yuuji's body displayed was a product of the partial reincarnation stage, like we see it on Tsumiki's forehead.

NOTE: Did anyone notice that Sukuna is getting progressively more and more human/handsome in the manga? When he took over Megumi's body, I also noticed that as the story progressed, he started to look older and more mature. I'm curious of it was a conscious decision.

Twin dilemma and speculations

According to the Japanese wikipedia page, the mythical figure Sukuna could have been a conjoined twin. Despite my extensive digging in the matter, I was shocked by the recent lore drop.

My question: what does Sukuna look like in a universe where he did not absorb his twin in the womb during development?

It hasn't been confirmed, but I find it very possible now that he was born with his extra limbs, eyes and mouth, as well as the deformed, wide features. (...as opposed to my first theory about him altering his own body for the sake of efficiency)

This, however, would mean that in a universe where both him and his brother are born healthily, he would look different. There is the obvious lack of extra arms, eyes and mouth - but I believe he would also be closer to the JJK beauty standard of men, as far as proportions go (eg. more narrow face, anime-esque nose, larger eyes).

At first I was hesitant to accept this idea, as I'm very attached to the 4-arm hulk / "true gains" form now, but then I realised: this would mean that "my"version of him actually has logically explainable place in at least an alternate universe.

Thank you if you got this far.

I may edit this post later. Let's see where the story takes us.

[retellingthehobbit]

Retelling The Hobbit Chapter 15: Unattached First chapter / Previous / Next Read full comic on: Webtoon/A03 

Other blogs : Instagram/Tumblr Sideblog

Thank you for reading! The next chapter of this comic adaptation of The Hobbit will be titled (drumroll)....The Song of the Lonely Mountain!

Check under the cut for notes on the callbacks to previous chapters of this comic, and to Tolkien stories like the Unfinished Tales! —-

—-

One of my guiding ideas for this comic is that the story is being written/drawn by Bilbo Baggins, an  “unreliable narrator,” who has a biased way of recounting events. As the comic goes on, parts of the story get retold through new perspectives (or through the eyes of other characters), and you realize the initial version you read was incomplete. 

A lot of you probably noticed that this chapter features a ton of callbacks to the earliest chapters of this comic! We saw child Bilbo and Gandalf's friendship told from Bilbo's POV in Chapter 3.....but in this chapter we see it retold from Gandalf's POV. However, Belladonna Took is our biggest instance of that!   Not to overexplain my own writing, but Chapter 1 is an older Bilbo painting an idealized happily-ever-after fairytale picture of Belladonna, while Chapter 15 features a younger Bilbo telling a far less optimistic version of her life.  While there's truth to both of them, neither of them is the full truth.

In the Fellowship of the Ring, Bilbo tells Frodo that ‘books need to have good endings,' like endings where everyone "lives happily ever after." If I were to continue this comic to the end of the novel, Bilbo’s habit of “rewriting things to be happier" would become a whole Thing. 

Second: Much of this chapter is taken directly from “The Unfinished Tales: The Quest For Erebor.” That story was Tolkien’s attempt to unite the tone of The Hobbit with LOTR, by having Gandalf explain what The Hobbit looked like from *his* perspective. The gay line about Bilbo feeling incapable of settling down into a Traditional Marriage with a Wife And Kids is taken almost directly from the Unfinished Tales. So are all the lines where Gandalf reflects on what Bilbo was like as a child, and the moment where Bilbo reflects that all of his desire for adventure has dwindled to a private dream.

Third: Obviously, the other big influence on this chapter (outside the original novel) was a similar scene in the PJ film. The little bit where Gandalf reveals the lore behind Bullroarer took monologue is the only dialogue I’ve directly lifted from that scene. ;3

Fourth: some of you may have caught that I used a quote describing Frodo’s wanderlust in the Fellowship of the Ring to describe Bilbo. The bit describing "the maps that only show white spaces beyond their borders" is also why I emphasized Bilbo’s canonical nerdiness around  maps in earlier chapters (chapter 5 especially, but also in Chapter 6, Chapter 7, and a blink-and-you-miss-it moment in chapter 14.) 

Fifth: one of my favorite things in the original book are all the scenes where Gandalf does fun Whimsical things with smoke/smoke rings. In the book he usually makes them change color or race around; in my comic he usually makes them turn into butterflies (he also does this in chapters 3 and 11.) you may have noticed that Butterfly Symbolism is a big thing in this comic.  But yeah, in another callback: Gandalf finally had time to blow smoke-rings with Bilbo, which he said he 'had no time for' in Chapter 2!

Thanks again for reading! I tentatively plan for the next chapter to arrive on November 13th.

[dorothylarouge]

Dorothy's Big List of Comic Book Recs - DC Comics Edition

I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers DC Comics; Marvel and indie lists will follow! Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers. I'm also not including books from the Milestone and Wildstorm imprints as they're kind of a separate sphere to me, although some Vertigo books may be included.

SUPERMAN

All-Star Superman by Grant Morrison and Frank Quitely: This is the book that made me a Superman fan. It is an out-of-continuity celebration of Superman and his world, and an exploration of why Superman as a character has endured for nearly a century.

Superman For All Seasons by Jeph Loeb and Tim Sale: A gorgeously-illustrated and Americana-flavored recounting of Superman's early years in Metropolis, anchored narratively by the changing of the seasons.

Superman: Birthright by Mark Waid and Lenil Francis Yu: For my money, the definitive origin story for Superman. Great characterization of the entire supporting cast, including Lex Luthor, make this a perfect entry point into the character and his world.

Action Comics (1939) and Superman (1939) by Jerry Siegel and Joe Shuster: The earliest Superman stories are still really great, and have a populist edge that many later stories sanded down. They're pulpy and fun and I recommend them!

Action Comics (2011) by Grant Morrison: This run spans issues 1-18, plus a special issue 0, of the series launched as part of DC's mostly-failed 2011 reboot, and covers Superman's early years in this continuity. The early issues bring back some of the edge that was present in the Golden Age comics, and the rest of the run is solid stuff as well. Morrison always comes highly recommended.

Superman: Red and Blue: An athology series that focuses on a broad sampling of Superman's world and supporting cast, written and drawn by various creators.

Action Comics (1939) by Geoff Johns: Specifically, I would say that issues 855 to 870 are a good span to be checking out for Geoff Johns' run on the book. These include some great stories focusing on classic Superman villains such as Bizarro, Toyman, and Brainiac.

Superman Smashes the Klan by Gene Luen Yang and Guruhiru: An adaptation of a classic Superman radio story set in the 1940s and focusing on Superman's place as an immigration narrative. And Superman gets to rough up some Klansmen!

Man and Superman by Marv Wolfman and Claudio Castellini: Another story of Superman's early years, this one focusing on his struggles to adapt to life in the big city after moving from Smallville, as well as his first encounters with Lois Lane and Lex Luthor.

Superman: Up in the Sky by Tom King and Andy Kubert: A lovely self-contained story which demonstrates just how far Superman will go to save a single life.

Superman (1939) by Elliot S! Maggin: This mammoth run spans issues 247 to 400 of the classic title, and includes some fantastic stories such as "Must There Be a Superman?" (issue 247), "The Greatest Green Lantern of All" (issue 257), and "The Living Legends of Superman" (issue 400)

Superman (1939), Adventure Comics (1938) and Action Comics (1939) by Mort Weisinger: This run spans a lot of the Silver Age era of Superman, including Action Comics #241-392, Superman #120-231, and Adventure Comics #247-396. It's a lot of issues, but in those days you can mostly read them in any order since they're pretty self-contained. This run includes a lot of classic villains and stories, as well as the earliest adventures of the Legion of Super-Heroes.

Supergirl: Woman of Tomorrow by Tom King and Bliquis Evely: A spacefaring take on a True Grit-style western with gorgeous art, and a definitive story for the Girl of Steel.

Superman’s Pal, Jimmy Olsen (2019) by Matt Fraction and Steve Liber: a madcap romp and a delightful sendup of Silver Age weirdness.

BATMAN

Batman: The Long Halloween and Batman: Dark Victory by Jeph Loeb and Tim Sale: Another Loeb/Sale joint, focusing on Batman's earlier years and the transition of Gotham's underworld from the mob to a coterie of costumed kooks.

Arkham Asylum: A Serious House on Serious Earth by Grant Morrison and Dave McKean: An examination of the facility housing Batman's rogues, and what those rogues symbolize in his world.

Batman (1940) by Dennis O'Neil: This is a classic run which re-established a dark tone for the Dark Knight which has endured to this day. The run spans Batman #224-268, along with a handful of issues of Detective Comics. Among the major developments of this run are the introduction of Ra's al Ghul and his daughter Talia.

Batman: A Lonely Place of Dying by Marv Wolfman, George Perez, and Jim Aparo: The definitive story about why Batman needs Robin. Read it in trade since the story spans both the Batman and New Titans titles.

Batman by Grant Morrison: I'm hesitant to include this because it delves so deep into Batman lore, but it really is essential reading, introducing Damian Wayne along with other concepts. Please do disregard Morrison's frankly appalling characterization of Talia. Read in omnibus format as the run spans multiple titles.

Batman: The Killing Joke by Alan Moore and Brian Bolland: It's cliche at this point but the story still is fantastic and one of the best Joker stories ever written.

Batman: No Man's Land: An epic storyline across many titles dealing with Gotham being cut off from the US after a massive earthquake and Batman's efforts to keep the peace in an abandoned city. Read in trade format.

Batman (2011) by Scott Snyder: This run spans issues 1 through 51 of the New 52 relaunch, and introduces concepts such as the Court of Owls. It's a fun run, including a brief period where Jim Gordon acts as Batman.

Batwoman (2011) by J.H. Williams III and W. Hayden Blackman: A gorgeously-illustrated book about Batman's cousin and her adventures as the Batwoman. Worth reading for the art alone.

Nightwing (1996) by Chuck Dixon: Dixon's a tool but this is still the definitive Nightwing run. This run includes volume 1 of Nightwing, a 4-issue mini, as well as issues 1-70 of volume 2, which establishes Dick's home base of Bludhaven as well as his rogues' gallery.

Detective Comics (1937) by Paul Dini: This run spans issues 821 to 852, and features some great stories by one of the great Batman writers and a co-creator of the classic animated series.

Robin (2021) by Joshua Williamson: A great run that helps to flesh out Damian Wayne's place in the DC Universe.

The Boy Wonder by Juni Ba: A great story with gorgeous art that focuses on Damian Wayne and his relationships with the other members of the Batman Family.

Batgirl (2000): The first series to focus on a Batgirl, specifically Cassandra Cain, the best Batgirl, as she struggles to adapt to life after an abusive childhood being raised as an assassin.

WONDER WOMAN

Wonder Woman (2006) by Gail Simone: Simone's run is the longest that a woman has ever written comics' premiere female superhero, and it's just good comic book fun. The run spans issues 14 to 44.

Wonder Woman (1987) by Phil Jimenez: Jimenez's childhood love of Wonder Woman shines through in his run, which placed a renewed focus on Diana's supporting cast and especially her family. The run spans issues 164 to 188.

Wonder Woman (1942) and Sensation Comics (1942) by William Moulton Marston: Wonder Woman's creator laid down the basics of the character and her world, and those early Golden Age stories are still a great read. They're fun, engaging - and more than a little kinky with hindsight.

Wonder Woman (1987) by Greg Rucka: In the early 21st century, Greg Rucka was The Guy for writing female superheroes, and his run on Wonder Woman is great. It features Diana becoming an ambassador, writing a book, fighting Medusa, and matching wits with Veronica Cale, her own Lex Luthor. The run spans 196-226. I must also mention Wonder Woman: The Hiketeia, also by Rucka, which is a Greek tragedy where Diana finds herself torn between duty and justice.

Wonder Woman Historia: The Amazons by Kelly Sue DeConnick: A beautifully-illustrated story of the Amazons and the Greek goddesses, which lays the foundations for Wonder Woman's world.

Wonder Woman (1987) by George Perez: This run reintroduced Diana after Crisis on Infinite Earths, and the first 25 issues feature Perez's simply-unmatched artwork. The whole run spans the first 62 issues of the book, and serves as a blueprint for most subsequent takes on the character.

THE FLASH

Flash Comics (1940) and All-Flash (1941): The Golden Age Flash and his early stories by his creator Gardner Fox. Must-read if you're interested in Jay Garrick, the first Flash.

Showcase #4, 8, and 13, and The Flash (1959): The Silver Age Flash, Barry Allen, made his debut and early adventures here. Much of the art is by the great Carmine Infantino, and Gardner Fox returned to write some stories. The whole concept of the multiverse debuted in this run.

The Flash (1987) by Mark Waid (as well as Grant Morrison and Mark Millar): This run starts in issue 62 and lasts until 162, with a brief run by Grant Morrison and Mark Millar towards the end. This run is the definitive Flash run, focusing on Barry Allen's protege Wally West maturing in the role of the Flash and establishing himself as the true fastest man alive.

The Flash (1987) by Geoff Johns: This run spans issues 164 to 225, and refocuses the Flash's traditional rogues' gallery, offering modern origins for many of them, while also introducing new foes like Girder, Blacksmith, and a new Reverse-Flash.

The Flash (2016) by Joshua Williamson: This run spans issues 1-88, as well as 750 to 762 of the relaunched volume 1 of the book. I hate the recentering of Barry Allen from 2009 to 2019, but Williamson's run is the most tolerable, and serves as a love letter to the Flash, while also setting the stage for Wally to return as the primary holder of the mantle.

The Flash (2023) by Simon Spurrier: The current run of the Flash, it focuses on Wally as the main Flash and the Flash Family as an ensemble. The extended first arc features a threat to time itself, and goes into some really surreal and experimental territory for a Flash book.

Impulse (1995) by Mark Waid, et al.: A more lighthearted and comedic companion book to Waid's run on Flash, this book focuses on Bart Allen, Barry's grandson, who was raised in the future and has the attention span of a goldfish, as well as his relationship with the zen guru of speed, Max Mercury.

GREEN LANTERN

The Green Lantern (2018) by Grant Morrison: A police procedural starring Hal Jordan that gets into some pretty freaky territory, with gorgeous interiors by Liam Sharp.

Green Lanterns (2016) by Sam Humphries: A buddy cop type title focusing on the team of Simon Baz and Jessica Cruz. Humphries' run spans the first 32 issues of the book.

Far Sector by N.K. Jemisin and Jamal Campbell: A murder mystery in space which establishes a new Green Lantern, Jo Mullein. Super easy to get ahold of since it was rereleased as part of DC's Compact Comics line of $9.99 trades.

Green Lantern/Green Arrow (1970) by Dennis O'Neil and Neal Adams: This run brought a social conscience to comics as Green Arrow was reinvented as a left-winger and a man of the 60s counterculture, joining Green Lantern on a quest across America. The run spans issues 76 to 89 of the book.

Green Lantern (1990) by Ron Marz. Marz's run starts in issue 48, and sees the Green Lantern paragon Hal Jordan descend into darkness before being replaced as defender of Earth by Kyle Rayner. The run lasts until issue 125, and as Kyle is my favorite Lantern I have a fondness for it.

Green Lantern (2005) 1-67 and (2011) 0-20 by Geoff Johns: Johns brought Hal Jordan back as the main GL, and his run expanded the world of Green Lantern by introducing the emotional spectrum. His run is the basis for most Green Lantern lore going forward, and is pretty essential reading.

Green Lantern: War Journal by Phillip Kennedy Johnson and Montos: A 12-issue series featuring John Stewart as he ventures into space to fight a dark force corrupting life in the galaxy. The new definitive John Stewart run.

TEAMS AND TEAM-UPS

JLA by Grant Morrison, Mark Waid, Joe Kelly, et al.: This was a back-to-basics approach to the Justice League with a core group of characters. Morrison's run on the book is probably the best, but Waid and Kelly also bring in some good stories.

Justice League of America (2007) by Brad Meltzer and Dwayne McDuffie: Another relaunch of the time, this time with a large roster inspired by the classic 1970s era of the League. Some great stories in this run, including a crossover with the Milestone characters.

JSA (1999) by Geoff Johns, Paul Levitz: The first team in comics was relaunched in the 90s by Geoff Johns, who established the Justice Society as a family first, later bringing in the Marvel Family for some great stories fleshing out Black Adam's character.

Justice Society of America (2007) by Geoff Johns: Johns' second run on the JSA is a continuation of the first, with a focus on legacy and new heroes reclaiming the mantles of Golden Age heroes. Introduces the delightful Maxine Hunkel as the wind-powered Cyclone.

New Teen Titans by Marv Wolfman and George Perez: Lightning in a bottle. This book likely saved DC after the disastrous DC Implosion. The best Titans run of all time, quality of art and writing that has never been recaptured with this team. If you loved the cartoon as a kid you will love this book.

Young Justice by Peter David and Todd Nauck: For all intents and purposes, the Teen Titans for the 90s generation. Funny, heartfelt, with great cartoony art by Nauck.

Doom Patrol (1987) by Grant Morrison, Rachel Pollack: A truly, wonderfully weird tale of the most off-beat superheroes of all, with themes of identity, life, and art woven throughout.

The Terrifics by Jeff Lemire, Gene Luen Yang: At a time when Marvel was treating the Fantastic Four like dirt, DC put out their own version, which captures the wonderous adventure of a Silver Age science fiction book with some great character work from a great core cast. A thoroughly underrated title.

Suicide Squad (1987) by John Ostrander: An often darkly-humorous book about a team of second-string supervillains coerced into doing the government's dirty work. The definitive Suicide Squad run.

Villains United (2005), Secret Six (2006), and Secret Six (2008) by Gail Simone: A group of supervillains forced together by circumstance and find themselves working together as mercenaries. A real found family of freaks type of situation.

Legion of Super-Heroes by Paul Levitz and Keith Giffen: This run spans issues 282 to 313 of the 1980 book, and 1 to 63 of the 1984 book. Includes some of the greatest Legion stories, including the Great Darkness Saga.

Birds of Prey (1999) by Gail Simone: This run covers issues 56 to 108, and focuses on female heroes kicking ass, basically Charlie's Angels with superheroes.

Batman/Superman: World's Finest by Mark Waid and Dan Mora: A team-up book between Batman, Superman, and the DC Universe, set earlier in their careers.

Justice League International (1987) by Keith Giffen, J.M. DeMatteis, and Kevin Maguire: As much a workplace comedy as a superhero book, this is a very different take on the Justice League, from the time when "bwa-ha-ha" ruled the DCU.

THE FOURTH WORLD

The Fourth World Epic by Jack Kirby: Read in omnibus or trade format. The first stories of the Fourth World from the King of Comics, Jack Kirby. The story spans Kirby's run on Superman's Pal Jimmy Olsen, The New Gods, The Forever People, and Mister Miracle, and ends in The Hunger Dogs.

Orion (2000) by Walt Simonson: A follow-up to Jack Kirby's epic, this book focuses on Orion, the son of Darkseid, and his quest to vanquish his father once and for all.

Bug! the Adventures of Forager by Lee Allred and Mike Allred: With Mike Allred's striking artwork, this book serves as a love letter to Kirby's time at DC Comics.

Mister Miracle (2017) by Tom King and Mitch Gerads: A slightly-psychedelic take on the Fourth World, focusing on Scott Free and his family with the backdrop of a bloody war unfolding between New Genesis and Apokolips

New Gods (1989) by Mark Evanier: This was a return to form for the New Gods, who hadn't had a lot of new stories to themselves since Kirby left DC, and it's a great read.

AND THE REST

Green Arrow: The Longbow Hunters (1987) and Green Arrow (1988) issues 1-80, by Mike Grell: Probably the definitive Green Arrow run. Political, edgy, and mature.

Animal Man (1988) by Grant Morrison: A fun and surreal series of adventures featuring one of the DCU's unsung heroes.

Booster Gold (1986) by Dan Jurgens: A Reagan-era story of a money-obsessed celebrity superhero rediscovering the altruistic spirit of a true hero buried deep within him.

Zatanna: Bring Down the House by Mariko Tamaki and Javier Rodriguez: A quest through the realms of magic as a reluctant witch gets caught in the crossfire of a mystical war.

Amethyst, Princess of Gemworld (1983, 1985, and 1987): For fans of magical girls and sword and sorcery, this is a must-read. A girl from Earth discovers she is the princess of a mystical realm and embarks on a quest to save it.

The Question (1987) by Dennis O'Neil: A grounded, philosophical story of a man trying his best to make things better in a city abandoned to corruption and decay.

Monkey Prince by Gene Luen Yang and Bernard Chang: Drawing on Chinese mythology, this book focuses on an unlikely superhero with connections to the monkey king, Sun Wukong.

Blue Beetle (2006) by John Rogers and Keith Giffen: Giffen leaves after issue 10, but Rogers continues until issue 25, and the rest of the volume is pretty decent as well. It establishes Jaime Reyes as the Blue Beetle, and if the cards had been better he could have easily become DC's answer to Spider-Man. Ah, well. It's always nice when he gets a book, and this is probably the best one.

Galaxy: The Prettiest Star by Jadzia Axelrod and Jess Taylor: a YA graphic novel featuring a transgender alien princess. What's not to like?

Hawkworld (1989 and 1990): A science fiction epic of Thanagar, world of the hawks. A great read on its own, but it unfortunately did a lot of damage to the continuity of the Hawkman family of characters.

Hawkgirl (2023) by Jadzia Axelrod and Amancay Nahuelpan: A fun little miniseries focusing on Kendra Saunders moving to Metropolis and having to deal with the trauma and hardship of her past. Guest starring Galaxy from that other book!

Starman (1994) by James Robinson: A grungy, Gen X book about legacy and what we leave behind, with plenty of hooks for the new reader to investigate regarding the Golden Age superheroes.

The Power of Shazam! by Jerry Ordway: The post-Crisis take on Captain Marvel and the Marvel family. A great read, and the last great run for the classic versions of these characters.

Sandman (1989) by Neil Gaiman. Obligatory Neil Gaiman is a piece of shit out of the way, his Sandman book is a beautiful and at times horrifying read, and its importance as a story manages to outweigh my disdain for its creator.

Swamp Thing (1982) by Alan Moore and Steve Bissette: Moore's run begins in issue 19 and ends in issue 64. This is the definitive Swamp Thing run, which set the standard for all to follow. It's a creepy and often touching story which remains some of Moore's best work in the medium.

[recurring-polynya]

My kid asked me to explain blood types to her today, which made me remember the odd little fact that in the character profiles that appeared at the ends of the earliest Bleach volumes, there are blood types listed for the human characters, but not for the shinigami characters. Shinigami obviously have blood, we've all seen it, we've seen so much of it, honestly, but is it like blood blood? Is blood transfusion a thing they do?

I did not have any particular recollection of anyone ever receiving a blood transfusion in Bleach, but I looked up all the hospital scenes I could think of off the top of my head. Both Byakuya nor Hinamori have sort of a notable absence of things sticking out of them. I'm no expert and I don't even particular like doctor shows, but this is a situation where I would expect both of them to have IVs for hydration, if nothing else. Hinamori's got a respirator and some mysterious carts off to her far side, at least, and maybe Byakuya's just far enough on the upswing that he doesn't need it anymore.

Next shot was the famous Rukia and Renji sharing a hospital room scene.

Renji's respirator goes...under his blanket? Is this right? This doesn't seem right. Rukia doesn't seem particularly attached to anything, although there's kind of a bundle of wires? tubes? coming out of her right shoulder area. You can see them better in this shot:

That sure doesn't look like medical grade tubing, the lower one looks kinda like Hihiou Zabimaru, tbh. IVs usually work by gravity, no? Also those tubes are way too big to be going into someone's veins.

Finally, here's Kira, getting his dubious Squad 12 medical procedure.

More shady, giant, intestine-ass looking tubes that... go into him? wtf. They're attached to a computer. Maybe these are data cables?

The upshot of all of this is that I don't think shinigami have blood transfusions. I can't imagine that they don't know about them, so I imagine it's more of a case of their blood is just part of their soul, like, all of them is just soul all the way down, and it would be nearly impossible to accept a transfusion that was made of someone else's soul (soulmate-enjoying fanfic writers, take note). They do like sticking tubes in people, tho.

This sucks because when I was originally thinking about this, of course I was thinking about all the blood Renji has in his body and whether or not he's a universal donor, because, frankly, if he is, I think they would have a special framed painting of him at Squad 4 and let him have as much donuts and apple juice as he wants.

I think the main reason manga list characters' bloodtypes anyway is because Japanese people use it as a personality test, similar to horoscopes. For the record, here are the characters whose blood types we know:

Ichigo - AO Orihime - BO Chad - AO Tatsuki - AO Isshin - AB Uryuu - AB Don Kanonji (????) - BO

When I was trying to look up what they meant, I found this hilarious graphic, thank you verywellmind dot com

Looks to me like these blood types were definitely chosen to tie into personality at least to some degree (I'm not sure about Isshin, but he probably has fake Urahara Shouten-brand gigai blood-substitute anyway, so I am choosing not to read too deeply into that). Anyway, along those lines, judging from this chart, if we wanted to bootstrap Renji's blood type from his personality, I think he would, in fact, clearly fit into the idiot-on-a-skateboard quadrant. So he is a universal donor! (or at least he would be, if he were filled with blood instead of high-concentration ghost juice.)

[larkingame]

hello all! been a moment since we last discussed some things, so I'm coming online to discuss the progress of Larkin's development and make a few announcements :)

over the last ten months, larkin has gone through a lot of changes, some of which I've documented here--but most of it I've kept pretty private. I realized that over the few short years I've been developing the game, I sort of grew an unhealthy dependence on my presence within the 'interactive fiction' community that I really, really needed to take a step back from and break, all in order to ensure that I could enjoy working on what originally started out as a passion project for me.

since july of last year, I've completely reshaped and rewritten how larkin exists as a project, shifted it's genre and started collaborating with a few others to ensure it can be of the highest quality it can possibly be. uptop, i'd like to mention @tapeworrmart who's taken on the immense task of putting together most of the game art for me, @khiita and @ann1a-1 who have both taken on the roles of my editors (and also sounding boards for when I am being absolutely insane) and my production manager phillip, who without his assistance, larkin would barely exist. with that, let's do a progress report. the intended demo of larkin, or what i've taken to calling 'episode one' (yes, i said, 'episode,' more on that in a minute) has stretched to just over 200k words worth of content. it stretches all the way from the earliest versions of larkin's original prologue, to the end of the original chapter two. so far, we've completed 3 out of the intended 20 character portraits, as well as some more art that's slowly been in development.

now, on to the announcements. probably the biggest, and the one I am most ashamed of is--due to the fact that I've been slammed with graduate school work and some other external factors, Larkin as it currently exists is not the best that I think it can be. I'm deeply sorry for this, but I want to ensure that you all are getting the highest quality game you could get from me--and right now, I know it's just not that. Which is why I am unfortunately, pushing the release of the demo back until Friday, June 14th, 2024. Patrons will be granted access to the most recent edit of the demo two weeks earlier on Friday, May 31st 2024. In the meantime, I will be working day and night (quite literally) to get what I'm dropping on you up to par and something that I'm happy with.

To make up for this disappointment, I'm planning on repopulating the blog with a lot of content over the coming months, rewriting new versions of old asks, posting art and short stories.

Next on the agenda and also an equally important announcement. I'm changing the rating of Larkin to Mature or 18+ As I've been writing these past few months, working through a lot of themes and figuring out the story I want to tell, I've found that I think the change in rating is entirely necessary. While I don't think I've ever had that big of a minor fanbase--I think that this is just what I am most comfortable doing. There has consistently grown a little bit more of gore, and trauma exploration, which is the main reason for this change in rating, but, this does allow for the inclusion of something that I've been toying with since the intial release of the game. There is going to be explicit sex scenes in this new version of Larkin--all of which, you the player are able to opt out of, or completely avoid if that's something you want--but I just thought a little announcement would be warranted. This does not mean however, I am comfortable with answering thoroughly explicit asks or getting unsolicited sexual messages. The goal is to keep this game blog mainly tame.

Please respect this boundary of mine.

Third thing to be announced. I've also changed the format in which Larkin will be released. Rather than around the twenty-five chapters in one of a series of 'Books'/'Games', Larkin will be released episodically over four 'seasons' with eight-ten episodes of around 200k-250k words each (though, this is just an early estimate--they could grow longer, as I'm basing this purely off the demo/Episode One)

Finally and a little bit of a fun note: there are now twelve romance options throughout larkin, five male, three female, one non-binary and three gender-selectable. With those upcoming asks, you'll hear more about each in the coming days :)

With all that being said, I wanted to lastly thank all of you for supporting me over the years and putting faith and your interest in this project. truly, the support of all of you means the world to me and I can't wait to share more of larkin with you all.

thank you 💖

[sapphicwizards]

Writeblr intro

🌿🌿🌿🌿🌿🌿

Hi my name is Lyra. I recently changed my url from bargainbincheese. I'm looking for community on here that can help keep me motivated and inspired to write stories.

I have one active WIP that I aspire to publish and one science fiction worldbuilding project that I write for fun but don't actively intend to publish.

The active WIP is a cool wizards story descended from stories like Earthsea and Name of the Wind. Check out the WIP intro for it here. Or read snippets and thoughts about the worldbuilding in the tag for it here. Witch, Wizard and Weaver has a female protagonist who earns many names over the course of the story. Most importantly it is about cool wizards doing cool wizard shit but it's also about becoming the weirdo you really want to be in the face of immense social pressure to be normal. There is personal transformation as a magic thing and (imo) a cool original magic system + worldbuilding. It's sort of for kids but I'm hoping that it's accessible yet interesting enough for all ages.

My sci-fi worldbuilding project is an exploration of what cultures might look like during the earliest phase of humanity expanding to the stars. I like trying to figure out what life on other planets might be like and what sorts of people would be on the ships that go to them. I haven't posted much about it but if you're interested, read this and let me know what you think!

My favorite authors are N.K Jemisin, Ursula K LeGuin and Kim Stanley Robinson. I'm also a fan of some big fantasy and sci-fi classics like Dune and Lord of the Rings. Oh and Star Trek! I like utopian fiction and I don't feel like there are many popular examples of it. I'd like to write optimistic sci-fi like Star Trek some day.

Anyway, if you're interested in any of my ideas or want to know more about any worldbuilding / characters / WIPs don't be shy! I'm friendly and I love sharing ideas with other writers.

[sabertoothwalrus]

i love it when you say Nice The Cat Boy instead of just Nico. that is his full legal name. Mr. The Cat Boy. i assumed as his creator you are on a first name basis you just respect him very much i think it is very silly

do you know how insane it would sound if I only referred to him as Nico. it would sound like I'm talking about just Some Guy

though. to be fair. I think my earliest drawing of him WAS labeled "just some guy" LMAO

idk I think it just feels self absorbed to refer to my oc in the tags by first name only. like. assuming everyone that follows me knows him and knows me well enough to know I'm talking about my fucking ORIGINAL CHARACTER and not a friend of mine. like I'm famous and everyone that follows me are fans with parasocial relationship and know all my lore (<-eugh!). like. it's been almost 3 and a half years since I made Nico, I wouldn't be surprised if lots of my newer followers have never heard of him.

[connorsnothereeither]

“And now it’s time for a breakdown…” /ref

Welcome to my (fairly long lol) breakdown of the thought process behind the Ulysses CMV background!! ✨ I’m gonna go through it shelf by shelf because I think that’s easiest, so… buckle up! :D

TOP SHELF:

On the far left, we have an Assassins Creed Apple of Eden! Most of the soundtracks to the Ulysses vods came from AC: Odyssey, and AC: Origins! The Ancient Greek and Egyptian music fit him perfectly, who’d have thought. Including the main song from Ulysses epilogue, “Reunited” from AC: Odyssey. Behind that is of course my hand-bound copy of On the Brink of Scientific Discovery. I had to work out a way to get my earliest entry into the Fable Fandom in there somewhere. Beside it is the skull, and a copy of Frankenstein, by Mary Shelly, which I’ve spoken about being an inspiration for Ulysses. Along with, of course, Homer’s Iliad and Odyssey, and Herodotus’ Histories (Herodotus being the main inspiration for epilogue Ulysses and who he became towards the end)! And naturally, James Joyce's Ulysses. I had to. Besides that again is another copy of Frankenstein, along with more Ancient Greek works, specifically Euripides’ Medea and the works of the poet Sappho! And a copy of Moby Dick, since Ahab and Ishmael were both concept names for Ulysses during character creation! Besides those, the smaller penguin books, are some of my favourite details but some of the harder to spot because they’re so small. One is another poem by Sappho, Come Close. But the OTHER is The Fall of Icarus by Ovid, which I absolutely had to put in there. Impossible to see, but I know it’s there, and it makes me happy. Of course, once again on the theme of writers is a bust of Shakespeare, but behind him, is actually the set of D&D dice I bought inspired by Ulysses, which are made to look like they have kelp and seaweed inside them! ✨ and finally on the top shelf is a ship, in reference to his sailing and ship in the epilogue art, and a mini Greek style amphora.

MIDDLE SHELF:

On the far right, at the bottom, is the black knight chess piece, the same as Ulysses tattoo!! A reference to both the Trojan horse and him being a piece in the Telchin’s game. Behind it, the tiki mug, is a somewhat vague reference to the Sea Dragon Tavern! It’s never explicitly stated that they serve tiki drinks, but it certainly feels like a place that would. Tucked in, barely noticeable, is the Egyptian Book of the Dead. Both a reference to more ancient mythology, but also, in a little way, a reference to Lenarius. A book on the treatment and care of the dead. I think it would suit him. Make Len happy. More Greek texts (the Iliad and Odyssey again) this time including Ovid’s Metamorphosis, and Virgil’s Aeneid, a reference to both the mythological epic itself and to my little guy Virgil, from SkyBound SMP. Propped against those are a boatswain’s whistle, which I like to think is a little gift from Vorago and Casus. A captain’s call, to get someone’s attention no matter where you are on the sea, along with a small canon, which is actually from St Augustine Lighthouse, and felt very nautical. Behind those is a set of tarot cards, displaying the Magician, a symbol of manifesting and living to your true potential, which is fitting for Ulysses. All of that is of course propped on ANOTHER copy of the Odyssey. The full moon, as a little reference to his bestie Fenris, and a bear statue, which is a little nod to the fact I also voiced Deltavera (and the statue was actually a gift Jamie got me one of the times we met up)! Beside that is a handful of little bottles! The dice inside are mostly just because… that’s what I keep in those little potion bottles, but maybe they’re a reference to Wheel Not Fake or something too, who knows lol- and a little white axolotl plush. My son. My own personal little Perseus, I bought him the second I saw him akgsksgs ✨🫶

BOTTOM SHELF:

Almost done lol. The globe on the end, both a reference to the cartography/travel, and the fact that it’s turned to just show the ocean, rather than any countries. The sea is his home, after all. Another axolotl plush, peeking out from behind yet ANOTHER copy of the Iliad and Odyssey, which is balanced on a copy of Dante’s Divine Comedy, as another little reference to Virgil from Bound SMP. Behind that is a whisky bottle, which is empty in the photo but not in the CMV, as a reference to the Kelpin’ alcohol! And finally, the stack of books in the corner. The folio society set of The Greek Myths are some of my favourite books I own, and I had to include them, along with a few more potion bottles, which actually include the dice from various Cantripped One Shots (I have special dice for characters and one shots when I can)! The stack of books behind the scrolls and lanterns also include Madeline Miller’s The Song of Achilles (one of the inspirations behind Ulysses & Vesperae’s relationship) and Circe (more Odyssey references), along with world myths and Icelandic Sagas, and The Decline and Fall of the Roman Empire by Edward Gibbon, which was an early and incredibly influential historical text about the Roman’s (which somewhat inspired the structure and lore of the broader Telchin society!), on top of which is more mythology like the Welsh Mabinogion, the Norse Poetic Edda, and a horror anthology titled The Great God Pan and Other Horror Stories, many of which inspired Brink!! The lantern is, in all honesty, the only there not there for a specific reason… I just thought it looked cool :)

So yeah! That was my overly long analysis of my overly detailed Ulysses set background! Barely any of it is visible in the CMV, but for my little farewell to the character and world I had spent so long falling in love with, I wanted to make the background something special 🫶

[kuwdora]

Saturday Morning Vid Recs - Space and Robots

@tafkarfanfic asked me for vid recs that are similar to the following vids:

Data’s Dream by GayleF (Gayle) and TasheryS which premiered at Escapade in 1994 - made on a VCR!! - and was remastered by morgandawn in 2004. Definitely check out the Fanlore page about Data’s Dream. Star Trek + multi-source.

Starships by bironic. Multi-source. The history of Starships on Fanlore.

These two vids are iconic. Please check them out and learn about their history from the Fanlore page, it's a great look at some vidding history and culture. Amazing vids, do love. As for some recs. I love this kind of prompt. More vids like [this vid] is so much fun. I dug deep into my vid rec archives and brain and bookmarks. I’ve also crowdsourced some recs from the vidding discord. Thank you to @rukbat3, @sandalwoodbox, @fairestcat, @monkeyswithjetpacks, @grammarwoman for the reccing help! And everyone else I might have forgotten.

From Land to Sky - and kicking ass while you're there!

Landsailor by @singlecrow/raven. Multi-source. Swades (We, The People); Master and Commander; 3 Idiots; The Dish; The West Wing; Parks and Recreation; Flight of the Phoenix; NASA archive footage; Apollo 13. ❤️ We're gonna need a bigger boat. Come O’ Eclipse by melodytree. Tenchi: The Samurai Astronomer. Calendar-making! Math puzzles! Astronomy! Politics! Eclipses! Oh my! Galaxyrise by starlady. Multi-source. Apollo 13 (1995), Interstellar (2014), Gravity (2013), Europa Report (2013), Contact (1997), The Martian (2015). This vid is full of so much wonder! The sky calls to us/If we do not destroy ourselves/We will one day venture to the stars. Going through space with the world by bironic. Space Exploration RPF. ❤️❤️❤️ From "day in the life of an astronaut" videos to international stardom; or, Chris Hadfield and his adorable mustache. Monsters of the Cosmos by CherryIce. Thor/MCU. Jane Foster/Science.Cherry’s editing is goddamn incredible. In the last century, black holes have gone from being mathematical curiosities to real objects in the cosmos. This is a vid about Jane Foster and her one true love, Science. Also, Thor is there. Toxic by JinkyO. The Planets (TV - 2019). Humanity/The Solar System. This vid is so fucking brilliant and makes me cackle in love and awe so much. It's dangerous, I'm loving it. Sci-Fi Friday in a Blender by Luminosity. Multi-source. Farscape, Battlestar Galactica and Doctor Who. So much happening in this vid. This is among one of the earliest vids I remember watching and became obsessed with back in the day. Supernova Girl by @usuallyhats. Multifandom. Doctor Who, Star Wars, Babylon 5, Steven Universe, Andromeda, Farscape, Battlestar Galactica, Firefly, Mass Effect, Stargate. So many wonderful brilliant amazing EXCELLENT supernova women and girls. Zoom, zoom, zoom. Space Girl by @aurumcalendula. Multi-source scifi. Inspired by Charmax’s Space Girl vid and Bironic’s The Greatest. This vid has a great selection of newer tv shows and films and it’s fun to play spot that character. But also this vid will grab you by the heart, too. Utterly brilliant, perfection. A must watch!! 'I've been as far in hyperspace as anybody can.' One Girl Revolution by bessyboo. Star Wars, original and prequel. Padme and Leia!! Seeing these two focused on in one Star Wars vid is an adventurous kickass ride. I'll be everything that I want to be. Space Girl by charmax. Multi-source scifi. One of the most beautiful epic space vids out there! I know I’ve recced this before and I’ll rec it again and again and again. My momma told me I should never watch Sci-fi but I did, I did, I did.

Robots! More than wires.

If a Machine by caramarie, Multi-source. Robot narrative focusing on machine origin, intelligence, and interaction with humanity. And Human fallibility. An incredibly rewarding watch and rewatch. This is the story of cables and copper wirings. Electric Avenue by @monkeyswithjetpacks. Multi-source robots! Nate’s multi-vids are always so fun, especially when it’s showcasing classic cinema and all these excellent serials. Electric Avenue has source from 1919 to 2015. His editing is always on fucking point. Don’t miss this vid. We’re gonna rock down to electric avenue. Everybody by @kuwdora. Star Trek, the Borg. This vid was actually inspired by the Backstreet Boys original music video. I still have the vivid memory of watching or rewatching the original music video in @ars-amatoria ’s kitchen. And then at some point realizing it is perfect for the Borg. Am I original, am I the only one? Fembots by Grammarwoman. Multi-source. Sexy sharp editing and fun use of all the sources. The intersection of women and technology: a spectrum of clones, AIs, gynoids, cyborgs, and other artificial creations. On by @rhoboat77. Star Trek: Picard. A Soji fanvid. Rho has the sharpest editing skills this side of the Internet and this Soji vid is so fucking badass and worth 100 rewatches. Can’t hold me down cuz you know I’m a fighter. Que Sera Sera by @ohvienna. Star Trek Voyager and Picard. Seven of Nine.Nobody vids their Seven of Nine love like @ohvienna. You gotta watch this if you love Seven. Whatever will be, will be…"

Journey through Space.

To Touch the Face of God by destina. Multi-source. The Right Stuff (1983, )The Dream Is Alive, From the Earth to the Moon (TV).This is one of the most beautiful moving vids you will EVER, and I mean EVER see. From Chuck Yeager, to the Mercury 7, and on to Apollo and the Space Shuttle Program (STS) - a very human history of the triumphs, joys, and tragedies of the USA's journey into space. Doctor Who on Holiday by sisabet. Farscape, Battlestar Galactica and Doctor Who. A mashup vid of Luminosity’s Sci-Fi Friday in a Blender. This vid inspired me so much. And I have 10 very intense ideas about how I would do my own remix of this vid if I were to make it right now. Fly Me To the Moon by thirdblindmouse. Multi-source. This vid has everything! Alien sex! Xenophilia! Zero-gravity sex! Mpreg!!! Because everyone knows this song is about space sex. Game Night in Space by garrideb. Multi-source. This vid!!!!! IS! SO! MUCH! FUN!! Game on! How are you going to spend those long nights on your starship? Play games, of course! Space poker, space chess, space Monopoly… this is a fanvid celebrating game night in space, set to Don't Stop Me Now by Queen. Starships (Monochromatic Remix) by @monkeyswithjetpacks. Multi-source. See the Fanlore page on the history of Starships (Monochromatic Remix). ALSO check out jetpack-monkey’s extensive notes and side-by-side comparison vid of the original vid and his vid!! He matched Starships shot-for-shot! Most brilliant work ever. The vid notes aren’t on the ao3 page so I HIGHLY recommend checking out the notes on his dreamwidth page! This vid is 10 million kinds of brilliant and technical prowess and perfection.

Vidshow Rec

Alien Invasion! - 30 vids curated and organized into a show by @tafadhali for VidUKon 2024. Featuring films and tv shows: Nope, Attack the Block, Pacific Rim, Venom, Doctor Who, Stargate Atlantis, Star Trek, Prey, Smallville, Rowswell, Supergirl, Arrival, Starship Troopers and more.

Follow these tags to keep up with vid recs this summer:

#saturday morning vid recs

#kuwdora recs

A helpful guide I wrote:

How to Leave Feedback on Fanvids

[starrysilvalley]

Time for the secondary protagonist of this tale, Emmet! He may have a familiar face— if only he had the same understanding of himself. He occupies more of a Virgil/mentor archetype, and within the Pokémon games universe he would be the closest to a Professor role.

To emphasize again, this project takes place in distant future of the Pokémon in-game universe. The plotlines of previous games are all considered canon up until Pokémon Scarlet and Violet. Anything past that is considered non-canon within the context of Spectrum. Emmet’s place in particular was based on the context of PLA and my own interpretations/theories on the subject of the twins when playing it (mostly answering questions like “where is Emmet”, “is he in present-day Unova or another time/place entirely”, “what happened to cause the separation”, etc.)

✨⭐️✨

Emmet is an amnesiac and fugitive against the New Unova League, as well as a surrogate father to Una. Despite being a verrry blunt and open book, Emmet remains a bit of a mystery. His earliest memory is waking up in the custody of the Pokémon League with nothing but his ratty coat and hat that just so happened to have his name stitched inside. Interregators told him he was found with illegal possessions (what type of possessions, he still doesn't know) and had been conspiring to eliminate the Champion. It was only through an intervention that he was able to escape with a mysterious little girl in tow. To this day, he still has no idea where he came from before his captivity or if he has any roots somewhere in New Unova. Although there will always remain the desire to know his true self, under the current circumstances, Emmet is focused more on his found family in Una and his business partner Fajra.

Due to his experiences, Emmet has a tendency to be more reserved… at least, sometimes. He is more mischievous than he first appears and typically uses this to his advantage when faced with more sketchy characters. He is very observant, but learned that his commentary can get him into trouble. It also may just be that he has become more restrained with his trickster side in order to show a good example to the young rascal in his charge. If he wants her to follow his safety guidelines, he should probably learn to follow them himself, right?

Emmet currently only has one Pokémon— a Neo Variant Liepard. If he had any other Pokémon prior to his amnesia, he has no way of knowing where they are or what they were. He acquired Liepard during his incarceration, but he’s never spoken on the specifics of how he acquired her. Regardless, their experiences together led to a strong comradery between them. Liepard is almost always out of her pokéball and flanking his side. For whatever reason, Emmet never pursued acquiring more Pokémon and seems to avoid Pokémon battles altogether. He’s never made it clear why this is the case. However, on the rare occasion where he and Liepard do battle, they are notoriously ruthless and almost perfectly in-sync. At the very least, he has shown to have a strong knowledge of battling, even if he doesn't seek it out.

I currently do not have as many sketches of Emmet as I do Una since I'm building Una from the ground u, and I struggle to find a design/style I like for him. This sketch of the pair and their Pokémon is one of my favorites.

My one other drawing I liked was an even chibi-er version of him (I don't usually draw in chibi style, but its proven to be the easiest to use), including some character notes from the time.

I've gone back and forth on a LOT of his character since I wanted to have his character explore a twist in the themes originally given to him by the creators. I know there are theories that Emmet is meant to embody truth while his brother embodies ideals, so its been an interesting challenge to work with this character in the dystopian context where truth is oppressed and often requires characters to abandon honesty. Its also difficult because Emmet is known for his optimism and I don't want to take that from him, even in a dystopian context. I believe his upbeat/mischievous nature helps him stand out from his brother, and quite frankly, I think even dystopian worlds could use some hope. I'm just more use to writing Ingo characters rather than Emmets. I'm hoping I can do this little guy justice :’)