#sole gold

[pradafeet]

What about some leather?

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[nightwonder7]

Hard to reach, but not when you have bees.

[kitchensinkchronicles]

ok i'm really bad at drawing so it's hard to represent it but the pheras poster i made earlier have me an idea for a charm bracelet and

do you guys see the vision

[cdroloisms]

fuck it i'm making this c!awesamdreamity sitcom AU (dr3 edition) a real thing for the funnies alone. why the hell not

premise: they get thrown into a sitcom. that's it. they're in a sitcom world that plays by sitcom rules, which means that everything that occurs Has to conceivably work within the genre. that means no throwing dream in a cell underground and treating him as a prisoner, sam, that's not funny enough. they can't leave or escape, and if they try to do something that Doesn't work within the genre they'll either just be completely unable to do it or they'll be foiled in some genre-specific way (ex: sam tries to build a cell on the property anyway and ends up in a three-episode arc about his fight with HOA)

the main point of this set up is that anything is technically possible as long as it works within the bit. also, yes, there's a laugh track, and whether or not the characters can hear it has everything to do with what's the funniest option (c!sam fucking hates the thing, for the record.)

highlights of this include:

the sitcom Demands A Relationship. because neither c!quackity nor c!sam is willing to do the whole married couple spiel with c!dream, that means that c!awesamq are the ones that are officially "together." this goes so fucking badly and is like, the primary reason why i'm making this a thing in the first place

c!dream isn't Allowed to be a prisoner, but he does have to stay within the house. between the genre and c!awesamq's opinions, he's not really going to end up as just "the roommate" or family or you know, an official third part of the throuple, so the maid it is

a level of violence is allowed but like, the actual pain/consequences has everything to do with whether it works For The Bit or For The Drama. like, c!q might hit c!dream with the car and nothing will happen bc it'll be played off as a punchline, for example, but also a dramatically timed fall might lead to someone walking around with a broken arm for an 'episode' or two. there's no magical accelerated healing here, just the Power Of The Bit

similarly, a lot will be allowed to slide as long as you're genre savvy about it. c!quackity won't be able to get away with outright torturing c!dream for hours, of course, but pushing him around is fine as long as it's funny enough. especially if it comes with a side of romantic drama

speaking of the romantic drama, hoo boy are c!awesamq a fucking TRAIN WRECK. like my god are they so toxic. c!sam is literally the quintessential asshole condescending boyfriend on that server and c!q has a quick fuse, a hell of a temper, and generally reacts to being talked down to with several knives and cursing. they take to a domestic romantic relationship as a fish does to . uh. lava maybe. like it's BAD

think screaming slammed doors things being thrown there's a glass sailing towards c!sam's head screaming over the banisters holes in the drywall fine! FINE! [laugh track] bad. it'd be gloriously, ridiculously toxic. the crowd goes wild

c!quackity has to contend with the fact that his husband is absolutely down horrendous FOR THEIR STUPID GODDAMN MAID .

the maid also wants his husband more than quackity :/ sidelined in his own relationship once again (i wonder why, Q)

how well they adjust has everything to do with how well they acclimate to the genre. c!quackity does the best job--he knows how to play a crowd and do so well. c!sam by FAR acclimates the worst. he's inherently completely offended by the idea of everything about his job and the prison being turned into Entertainment, into something Funny, into A Show To Consume and basically reacts to the sitcom thing by trying to ignore it. this, of course, means that he ends up generally being the butt of the joke

c!dream is. well. at least he's got less stress about dying i guess. and is generally a lot less injured bc starvation and torture lead to lower comedy ratings smh. is still kinda in hell but you know yesterday he got to watch c!quackity hit c!sam over the head with a frying pan and literal cartoon birds appeared so

honestly he's kinda quietly having an existential crisis and lowkey earning sympathy points from the proverbial audience by being the one that comes off the least as Just The Complete And Utter Worst

(meanwhile: c!sam is yelling at c!quackity for how he's apparently cut up all of his dress shirts while c!quackity screams back about something something and he can stick the scissors up his ass)

[laugh track]

[abbyn0rmlleefahriki]

Silver or Gold?

[pradafeet]

🎅🎄❄️Merry Christmas to all !! ☃️🎁🦌 (Dm me for more content)

[boxwinebaddie]

oh freckle, freckle⠁.. what makes you so s p e c i a l?

[phoenixiancrystallist]

Month 2, day 21

So normally I'd be back in Blender today since it's Friday, but I really wanted to get this design down first. And I think I'm happy with this! :D

If I do decide to make any more tweaks to it I can do that in Blender itself. Which I'll probably have to just to get things to actually, ya know, work in 3D space. But I'm really proud of how it turned out and I'm gonna have so much fun converting it into 3D tomorrow :D

[aureentuluva70]

While I love the whole "kind individual and traumatized individual" relationship dynamic I do admit I have my problems with it, but that's mostly with how people write the characters, not the trope itself.

My problem with it is that the "ball of sunshine", as said character is often referred to, seemingly only exists to revolve around and be the salvation of the other character. Most of the time, we know little about their life outside of their relationship with the other person, and that annoys me to no end. Why? Because it strips away all possible nuance and depth that character could have had and gives it to the other character, dumbing them down into an often goofy, sometimes even naive individual only there for the sake of an entertaining relationship dynamic.

And this is coming from someone who does like the trope; I think it can be profound and beautiful when written correctly, but so many people hand all the great characterization over to only one character while almost entirely leaving out the other and it doesn't have to be that way. Let them both be great characters both together and on their own!

[luminessdoodles]

💜my take on F!Vil💜

(she's everything)

[theholidayslingerlikebadperfume]

.

[catcatb0y]

I would like to see historical stories that actually recognize and utilize things like political marriages and romantic affairs using the historical morals they set up rather than viewing them through the modern moral lense of "cheating is bad."

More often than not, what happens is that the female lead will be tied to either an Emperor or a King who has naught an empty court or castle- the narrative or the setting will establish plainly that this is a normal occurrence and socially acceptable! The female lead is either someone who shuns his ~promiscuous practice~ (of preferring a romantic partner over someone he is politically tied to...) or she's in love with him, and his tending to his duties or having a lover is seen as the cause for heartbreak and jealousy.

In series that explore the female lead getting over her affections (of being disgruntled with the loveless marriage), she is often- if not always- shown near immediately coveting the attention of another man. (Usually he covets her attention, but she encourages it and reciprocates as she falls in love with him. Cute story- still also cheating)- THIS is seen as freeing, groundbreaking, and one would dare say the higher moral choice... even though the dude she got married off to is doing the literal same thing.

Her finding love despite a stiffling political bethroal is shown as positive, perfect! Whereas her husband finding love despite a stiffling political bethroal is scandalous and lascivious! (They also almost always frame the mistress as being to blame for the husband's cheating real shocker)-

The cultural stance on affairs is never really relevant despite being established and the morality of it is almost always thrown away to add in the concept of drama and jealousy.

I'm not saying that jealousy should be omitted or ignoring a good "I know I shouldn't be upset, but I am-" path, it's just. Not done? At least not that I've really seen. It never seems to really explore the emotions of. Well, anyone involved.

The powerful man is either seen as greedy or stupid, the mistresses/concubines he has are seen as greedy and conniving, and the female lead is jealous and resentful, but actually her pettiness is very girlboss slay of her.

[stuckinaworldofisolation]

Il momento della giornata che preferisco | 6:00pm

[marclamhofer]

Tende da sole a Camaiore

[watchilove]

ochs und junior special edition luna sole blue patina white gold leaf and Sterling Silver 925 case

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