#sode story keeps giving | Explore Tumblr Posts and Blogs

godkilller · 3 years

Note

HC Question: What are your thoughts on Gin's reasons for tormenting Rukia, specifically on the Senzaikyu Bridge in SS arc, and redirecting her to Aaroniero in HM? Given we know he's actually plotting against Aizen, mere casual sadism in his spare time seems a bit odd. We know from Sode no Shirayuki's persona and TYBW that Rukia is capable of being a ruthless and (literally) cold-blooded killer—do you think perhaps he was trying to draw this out of her, as it already existed in himself, to some end?

headcanon. So, it finally arrives -- the day I quit avoiding this and just. Dissect that era of Gin. Considering the amount of time and effort and passion you pour into your meta and headcanon posts, I truly hope I can do ya proud with my own spin! Here goes. I'll have to do this at layers -- because there are many different depths in which this can be taken considering intentional and unintentional implications / character motivations at play.

Firstly, because we know for a fact that, surface-level, Tite wanted to convey Gin as truly villainous to the audience reading Bleach -- it's hard for me to say that Gin could've had ANY motivations beyond a sadistic want to play around with some prey about to meet its end. At this point in time, according to the plot leading up to Volume 17 (in which Gin breaks Rukia's resolve to die), supposedly... everything is playing into the villain's hands. The villain who, thus far, has been painted as Ichimaru Gin. Main antagonist, puppeteer to all, running the diligent and loveable Hitsugaya Toshiro in circles as he seeks to unveil the truth behind Aizen Sousuke's mysterious murder. Everything this far has been 'be careful with Gin' and 'could Gin be behind this, too' and so on.

IMPORTANT: This far into the manga, THE AUDIENCE DOES NOT KNOW AIZEN'S BEHIND EVERYTHING, and Tite may very well be doubling down on throwing the scent via making Gin do a few more deplorable things leading up to that reveal. It's important to keep the narrator's intent in mind when thinking about a particularly difficult-to-decipher moment, because whether Tite meant to or not, he most certainly swayed the story to specifically lead his audience a certain direction. It's safe to assume there was some tugging and tweaking at play to make sure Aizen's reveal packed a punch. Up until the moment Aizen plunges his blade into Hinamori, it's Gin who gets that eerie panel lingering, watching them both, perhaps trying to make the readers feel unease like he's about to ruin their happiness by shooting Shinso -- or whatever that twisted man might do. Either way, that definitely could have been the surface-level reasoning behind Gin strolling out onto that bridge and asking Rukia that one question that restored her hope just enough to make her shake in her calm resolution to die. TL;DR Gin's assholery was Tite's last effort to throw the scent in order to make Aizen's reveal all the more shocking.

A layer beneath that, let's take a look --

GIN ASKS RUKIA IF SHE'S AFRAID, but not due to her own fear of death, no, but because she values the feelings of her friends as they desperately work to stop her from dying -- risking their lives, like Renji has in this instance, to save her. In a way, Gin is asking her if the feelings of her friends are reaching her. "They're all doing this for you, are you just going to give in?" lowkey. Gin is asking Rukia if she's ready to make everything they're doing for her to be all in vain. On a sadistic note, this is incredibly cruel to give someone about to be executed a crisis about letting all their loved ones potentially down via giving up in the face of the inevitable. But also, perhaps Gin is sympathizing. Which leads us into the next layer down --

Kenpachi, taunting and bickering alongside Gin whilst Byakuya deals with their prodding about Rukia's execution coming up -- and their subsequent first introduction to the audience, involves THIS throwaway line about Gin and Tousen. Supposedly, Gin's 'fear of death' is well-known enough for even Kenpachi, social butterfly extraordinaire, to feel confident enough to correct Gin to his face about it. That, or it was a taunt towards Gin, daring him to get into an argument to defend any honor at stake here. However, true or not, there's a huge overarching theme of DEATH specifically circling around Gin at this point in the story. His introduction, here, with Kenpachi, centers around Rukia's impending doom and his own fear of death. His following confrontation and introduction to Ichigo and co. involves scolding the Gatekeeper that 'failure means death' -- the following assassination of Aizen Sousuke / his murder mystery, Gin exudes killing intent at a grief-stricken and attacking Hinamori, which Toshiro then calls Gin out for -- and threatens, with finality, that if a drop of blood is spilled from her, 'I'll kill you myself' -- Gin, warning Izuru to step back whilst confronted by Toshiro later, saying "you don't want to die, right?" -- Gin, leading Hinamori towards a seemingly resurrected Aizen Sousuke, back from the dead. Gin, distinctly being shown to be closely watching as she's stabbed. Gin, being ordered to kill Rukia on Sokyoku Hill. A lot of death and killin' around ya, buddyboi.

Sidenote: Gin may very well have posed his 'fear of death' as a ploy to make him seem cowardly, putting him as one of the only captains to distinctly fear death and therefore 'a cowardly man no one should worry about' etc. etc. but that's just me...

Ultimately, with that taunt of Kenpachi's kept in mind with Gin now asking Rukia this, GIN'S IMPLYING HE'S AFRAID, nervous about failure, anxious about it all being for nothing, about letting his loved ones down and dying. I mean, it's probably too on the nose, right? Right???? ... couldn't be that :'^)

Anyway, there's more.

Another layer down. "IF I WANT TO, I CAN GET YOU OUT OF HERE EASILY. NOT JUST YOU, ABARAI-KUN AND THE OTHERS, TOO." Gin is teasing the possibility of switching sides to Rukia, and he isn't wholly joking about it when doing so. He could. He is distinctly aware. Aizen's betrayed early, after stabbing Hinamori. He brings out Kyoka Suigetsu in a flourish, and reveals its Shikai to Unohana and Isane specifically to explain it, all whilst Gin is directly within arm's reach. The issue being that Aizen could very easily use the four bodies present; Toshiro, Momo, or the captain and lieutenant of his current focus as a body-double to be stabbed by Gin in place, since Kyoka Suigetsu can be activated almost instantly. Gin would have to act fast. It'd be a blink-and-you-miss-it opening and subsequent attack. Which is why I've mentioned that Gin didn't take the shot then, too much room for error and you can't afford that when dealing with Aizen. But regardless, it was an opportunity.

Alternatively, and another layer down, Aizen could be watching at that very moment in time, masked by illusion or via the numerous methods of surveillance he supposedly has used to monitor Ichigo's progress, etc. whilst still within Soul Society and pre-betrayal. Nonetheless, Gin could be pulling Rukia's leg specifically to say to AIZEN that 'hey, wouldn't it fucking suck if I just... took her out from beneath your nose?' which is, yet another frembly remembly, that RUKIA HAS URAHARA'S HOGYOKU WITHIN HER AT THE MOMENT, STILL. Gin knows this. Gin knows that Aizen wants to feed it to his own. The one that has Rangiku's soul piece in it. Y'know. That lovely thing.

In the same vein, if Aizen's watching, Gin can use this as an excuse to make sure Rukia the Hogyoku-carrier makes it to her execution no longer hindered by any outside forces. Gin does this right before the final climax on Sokyoku Hill, meaning he very much could have acted as 'final escort' to ensure Aizen's plan runs smoothly. No straggling Ryoka, no other attempts made. The chaos is contained. The eagle's left the nest.

IT'S SAFE TO ASSUME NO MATTER WHAT GIN'S REASONS WERE, WHAT HE MADE RUKIA FEEL AND GO THROUGH WAS CRUEL, even if it was -- boiled down -- something which actually instilled her to not want to die anymore. Gin's a prime example of 'the goal was good, the execution was evil' etc. etc. so ... yeah.

This's a hot mess but I must continue. I can't keep putting this off.

THE REDIRECTION OF RUKIA TOWARDS AARONIERO'S TOWER.

Gin himself says, when asked (or it's implied by Ulquiorra) if he's distinctly controlling things to make Rukia meet Hollow!Kaien adventure zone or not, Gin says 'I'M NOT THAT CRUEL' essentially, with a 'besides, I hate sad stories' ... implying he knows how tragic Kaien and Rukia's past is, and is aware of her quiet self-blame and despair about it. Not only that, but that he's also aware that Aaroniero's capable of shapeshifting into Kaien, sort of. It's a lot. Is Gin trying to lead Rukia to have her closure about Kaien? Face her fears/demons? Perhaps Gin's acting as the villain of Rukia's storyline, constantly making her heroically endure what will eventually, symbolically, become his downfall: facing his demons/fears, failing to kill Aizen, and Rangiku sobs over him as he dies. Yada yada.

Gin could be lying, saying he isn't doing that when he in fact is, and that HE IS being mean on purpose, too. Yeah, I'm doin' that, I just really fuckin' love bullying Rukia, Ulquiorra. Perhaps Gin's telling the truth, he's trying to override Aaroniero's corridors to give Rukia a clear path through / have her NOT run into the Espada, but it's failing and it's too late, she's too far into the labyrinth. It's said that that whole section of Las Noches is Aaroniero's domain, Gin's controls may not even reach or have a say there, overridden by the Espada's own protocols and lures in which he grabs Rukia and makes her drop right into his waiting palm-ooze. To continue playing off as evil, Gin could be quietly lamenting not being able to steer her away, only capable of watching via security footage. Either way, Gin seems fucking genuine enough in his admission that HE HATES SAD STORIES. Which is depressing to know, considering he becomes one, or perhaps Gin's always been one, knowing he'll end like one, and he's that's why he's able to recognize it in Rukia and tailspin between lashing that out at her, or trying to make her avoid it. Or he's just fucking sadistic, I don't know. My brain's turning off.

Ultimately, I'll never deny that Gin's got a nasty spark in him. He could very well be trolling Rukia for no reason beyond 'she reacts potently and loudly, it's amusing' which is fucked, but also -- she's VERY bad at hiding her emotions, so someone sadistically seeking such things could gain a good bout of amusement from her, yes.

Alternatively, I'm remembering the Rock Musical Bleach moment in which Gin's actor begins happily skipping around and dancing whilst Rukia breaks into her sorrowful song she sings during the reenacted bridge scene between them. That's it, that's his reasoning. He wanted to dance to her despair. Thank you for coming to my TED talk. I'm sorry it's incoherent. I'll probably slap myself for forgetting to add things in five minutes after posting, and find a buncha typos too. Fuck my life.

#[ headcanon ] fresh snowfall; fading footprints mark his path #long post /#[ out of character ] masquerade; hide your face

23 notes · View notes

recurring-polynya · 4 years

Note

Hey an AU request for you:

During Renruki separation what if the roles were reversed. Like if Renji gets adopted (in some rival noble clan) and Rukia is left behind. Or else if Renji is going to be executed instead of Rukia. Want to feel the angst from Rukia's POV.

Let me know if these scenarios are good enough.

Thanks as always ☺️❤️

Hello, yes, I realize this was not precisely what you were asking for, but here is a scene that has been charging me rent in my own head since at least 2019, and it’s close enough and I am using this as an excuse to get it out. Thank you for your indulgence.

The actual role swap in this scenario is what if Renji had gotten Sode no Shirayuki, a zanpakutou who embodies patience and planning and thoughtfulness, and Rukia ended up with Zabimaru, a zanpakutou who just wants to fuck shit up.

Read on ao3 or ff.net (this one felt substantial enough that I made it a standalone and also I finally had an excuse to name a fic after one of my favorite Oh Hellos songs.)

🗡️ 💔 💀

The air is heavy and thick in the World of the Living. It is oppressive, as if this very plane has its own reiatsu, as if it intends to oppose their mission. It’s just a thunderstorm gathering, though, a combination of atmospheric pressure and electrical potential.

Kuchiki Renji, Lieutenant of the Sixth Division and Heir to the great and noble Kuchiki Clan would like to finish this up before they are drenched, but he isn’t optimistic.

He stands on the roof of a human house, looking down at a nearly identical residence across the street, although this one bears signage indicating that it is also a neighborhood medical clinic.

Renji cannot feel her, but he doesn’t expect to. When Rukia doesn’t want to be found, she doesn’t get found, end of story. Renji can feel the human though, the human whom Rukia has given her powers. He can’t fathom why, but all of Rukia’s ways are inscrutable, they always have been. From the morning she saved his life from an enraged water vendor to the evening she walked away from the adopted family that gave them both names and a place in the world, Renji has never understood a single thought that entered her thick skull. Even if he can’t understand her, though, she is transparent to him, predictable.

He just needs to draw her out. And that part is easy.

Byakuya says nothing. Renji has explained his logic, and Byakuya is giving him the six feet of rope he needs to hang himself. Byakuya is also inscrutable, yet predictable. Sometimes, Renji wonders how the man managed to live in the same house as Rukia for as long as he did.

“Nii-sama,” Renji says softly. Byakuya does not like being asked for reassurances, but on this point, Renji requires it. “The orders said capture or kill.”

Byakuya waits.

“Shall I strive for the first?”

Byakuya makes a tiny throat-clearing noise. “I have fulfilled my obligation to that girl. I owe her nothing. Do what is necessary.”

Byakuya would never come out and tell Renji to kill Rukia, but the message is clear enough. Despite separating herself from the family thirty years ago, a trial, a jail sentence will be an embarrassment to the Kuchiki, an exhumation of old mistakes. Rukia will always be an inkblot on Byakuya’s conscience. Byakuya has never held this against Renji, which is probably the only sign of affection his adoptive brother has ever shown him.

Renji has done nearly everything Byakuya has ever asked of him. He is an obedient brother, hardworking and respectful. He practices the family sword form, he studies the history of Soul Society, he respects his elders. He has risen in the ranks of the Gotei, he has gained his bankai, he wears the kenseikan, even though they bite into his scalp. But Renji was only adopted into the family for one reason: to ensure Rukia’s compliance, and in that, he failed.

It is time to make up for that.

Renji jumps lightly from one rooftop to the other and over the ridge of the roof. The boy’s window is on the rear side of the house. He drops down onto the windowsill. His Hell Butterfly hovers at shoulder height. “Go on,” he urges it forward, to create a passage through the wall of the house. He hopes his hunch is correct. He does not relish the idea of murdering a young human in his bed.

It is not an issue. A dark shape rips itself from the shadows, but Renji has his zanpakutou from her sheath in an instant. Instead of Zabimaru’s wicked serrations, however, he finds himself blocking the worst shakkahou he’s seen since Byakuya sent him down to Shin’ou to scout out next year’s crop of students. It’s enough to momentarily blind him, though, and he leaps down to the ground to find steadier footing.

This isn’t right. Although Rukia prefers to rely on her sword, it’s not out of her M.O. to use kidou for a sneak attack. But why bother with a distraction when she could have just blown his head off? Rukia’s kidou are rarely elegant and Renji isn’t sure she even knows the chants, but what she has is power. Or rather, what she had.

Renji scans the backyard slowly. The grass at his feet is freezing over in a slowly widening circle. Careful, careful! Sode no Shirayuki sings in his mind.

Suddenly, he feels the crackle of hainawa and he leaps out of the way just in time, flinging an avalanche of ice in the direction of his attacker. Rukia’s kick catches him in mid-air, but he blocks it with a forearm. It doesn’t ring through his bones the way it should, though.

Renji lands on his heels and skids a few feet. Rukia’s toes hit the dirt just a second after. For a moment, their eyes meet. The air is so humid, it’s thick enough to swim in.

“Abarai,” Rukia snarls, baring a sharp canine. “Of course, they would send you.” She snorts. “Scratch that, I bet you volunteered.”

Renji sneers at her, but ignores the dig at his name. “I’m impressed, Rukia. I don’t think I’ve ever seen anyone botch a patrol mission so thoroughly.” He sheaths his sword.

Rukia barks out a laugh. “What’s this? Your sense of fairness? Gonna try to kill me with your bare hands, then?”

He’d rather not kill her at all. Byakuya will be peeved, but Renji doesn’t like the idea of running through an unarmed woman. “What is this, Rukia? You’ve given a human your full powers, haven’t you? Why?”

“It was an accident,” Rukia mumbles, her eyes darting to the side.

Renji narrows his eyes. “Where did you get that gigai?”

“A friend.”

“There was an intelligence report from the Stealth Force. A Menos showed up, just for a few minutes before it was driven back to Hueco Mundo with a sword wound. I assumed that was your doing, but you don’t seem to have a sword at the moment. Unless the Menos took that rusty piece of--”

“Fuck, Renji, don’t you ever get sick of listening to your own stupid voice?” Rukia spits, and in a second, she is on him, a blur of fists and feet.

Renji didn’t put his sword away because he thought he wouldn’t need it. He put it away because he knew that he would need two hands to deal with Rukia in hand-to-hand, even at 2% of her power, or whatever dregs she has left.

“I’m trying--” he backpedals furious, blocking blow after blow, “--to help you! I realize that your brain has probably atrophied down to the size of a walnut-- ouch! -- but doesn’t any of this seem fishy to you?”

“The only thing fishy is you questioning an order!” Rukia snaps, as Renji narrowly avoids getting his feet swept from under him. “We may not have much for brains in Eleven, but unlike the Sixth, at least we use what we’ve got!”

Suddenly, Renji manages to loop one of his arms under hers and spin her into a half-nelson. Her feet pedal furiously in mid-air. His spare hand presses her wrist against her rib cage to keep her from clawing the skin off his arm, and also to try and support her weight. “Can you breathe?” he makes sure, as he tries to figure out a way he can hold her still with one hand long enough to get a binding on her.

“Yes,” she grunts angrily. “Why are you doing this? Don’t you know you’re gonna be in trouble with Nii-sama if you bring me back alive?” She spits the honorific like venom.

“You’re wrong,” Renji mutters. He hates this. He hates how stupid this is. He hates that after all this time, her stupid arrows still find their mark, every single time. “You’re wrong if you think he’s spent even a second thinking about you since you threw away everything he gave you. You’re trash to him.”

“Is that what I am to you, too?” Rukia asks archly.

“You’re--” Renji starts to say, and then hits the deck as a sword whistles through the air where his neck had been a moment before. He loses his grip on Rukia, and she rolls away, but Renji’s got more immediate problems. He shifts to a crouch, his hand loose on Sode no Shirayuki’s hilt as he scans the shadows for his assailant.

As it happens, said assailant isn’t exactly subtle. “Hey, Rukia, this guy wears the same pajamas as you. Friend of yours?”

It is the boy, the one who buzzes with reiatsu that both is and isn’t Rukia’s. He is a gangling puppy of a human being, all elbows and ears. His hair is an unnatural orange and sticks out from his head as though he has just rolled out of bed. Given the hour, perhaps he has.

“Get out of here, Ichigo, this guy isn’t a joke!” Rukia screams, and Renji realizes that she is genuinely frightened.

“He sure looks like one,” the kid, Ichigo declares, hefting his sword up onto his shoulder. It is clearly a zanpakutou, but it is absurdly large. He can barely lift the thing. “And people say my hair is a dumb color.”

“My name is Kuchiki Renji,” Renji informs him. “Assistant Captain of the Sixth Division of the Thirteen Court Guard Squads. I am here to take Kuchiki Rukia, Sixth Seat of the Eleventh into custody for the crime of transferring her shinigami powers to a human. I do not wish to kill you, human, but if you interfere, I will not hesitate.”

“Wait, what?” Ichigo sputters. “Rukia, I thought your name was Inuzuri? Is this guy your brother? If so, he sure got all the height genes. I am so, so confused.”

Rukia rises to her feet. Her face is pale in the moonlight. A line of blood shines on her forehead, glassy against the black of her tattoos. “He’s my fiance.”

“Your what now?”

Renji snorts. “Former fiance.”

“I don’t recall breaking up with you!” Rukia barks.

Renji wants to laugh. He doesn’t know which is more typical Rukia-- the idea that rejecting his family and not speaking to him for thirty years would somehow not count as a break-up, or that now is somehow an appropriate time to talk about this.

There are a lot of feelings pumping through Renji’s heart, but he freezes them to ice and pushes them away. There is no room for feelings on a battlefield. “I am taking Rukia back to Soul Society. If you do not resist me, I swear to it that no harm will come to her before her trial.” Byakuya wanting Rukia dead is just a feeling, too. The Kuchiki must stand for justice, right? This is a good compromise, Renji rationalizes. I cannot kill her in cold blood in front of a witness, but if they force my hand, things happen. Surely even Byakuya would agree with this line of logic.

Ichigo’s eyes dart to Rukia. “What about after the trial? Is this, like, a thing where you pay a fine, or…?”

“I’ll be executed, most likely,” Rukia replies dryly.

Ichigo’s jaw clenches.

“You’re a valuable asset to the Gotei,” Renji corrects. “Central may be lenient.”

The two strongest young shinigami in their generation, people used to say, when Rukia and Renji entered the Sixth together. His iron nerves tempering her volatility, her fiery passion igniting his cold aloofness. The next Kyouraku and Ukitake. No wonder the Kuchiki plucked them from obscurity.

Renji doesn’t know what people say about them now. Now that he is the sole Heir to the Kuchiki. Now that she fights among the animals of the Eleventh. People’s voices go quiet at his approach. Byakuya says it isn’t wise to listen to gossip in any case.

“Hmmm,” Ichigo shifts his sword to an attack stance. “I don’t like the sounds of those odds. I think maybe I’ll just beat your ass instead.”

“Ichigo, move!” Rukia starts, but Renji has heard the words he needs to hear.

Renji’s favorite parts of the Kuchiki sword form are the quick draw techniques. He is not as fast as Byakuya, but he is very, very fast, and his reach is better. In an instant, he has closed the distance between himself and the boy. Maybe it was a lucky reflex or maybe it was Rukia’s warning, but Ichigo manages to get that huge sword up just in time to avoid having his chest sliced open. Renji’s assault is merciless. If it weren’t for the stupid power limiter, which Renji isn’t used to, he’s sure he would have cracked the boy’s zanpakutou clear in half. Despite her appearance, Sode no Shirayuki is not a delicate sword and Renji swings her with the inevitability of a glacier.

As Ichigo backpedals, his foot catches on a loose paver, and he stumbles. Renji raises his arm, preparing to deliver the killing blow, when suddenly, a knee in his back punches the air from his lungs, and his elbow is jerked forcibly backwards.

“NOW!” Rukia’s voice bellows in Renji’s ear.

The stumble was a feint, because Ichigo is Rukia’s student, and of course she has taught him all her dirty tricks. Renji realizes he has made the mistake of thinking he could beat Rukia, just because she has no powers and no zanpakutou. She still knows him better than anyone, though. She knows his moves and she knows what a rank fool he is. As Ichigo’s sword plunges towards his stomach, Renji flares his reiatsu as best as he can, and hopes Rukia’s pet human isn’t strong enough to pierce it.

But before the blow lands, Ichigo’s eyes widen. He lets out a gurgle and falls sideways.

“Renji,” says Captain Kuchiki. “What is taking so long?”

It seems as though time is standing still, except that the pool of blood surrounding Ichigo’s prone form is growing, growing.

“No,” Rukia murmurs. “No, no, no.” Suddenly, her feet scrabble up Renji’s back, and she launches herself off of his shoulders. “You!!” she screams.

There is nothing she can do to Byakuya. Her hands glow with raw kidou, but she is weak. It is the desperate, useless move of a cornered animal.

Renji knows that animal instincts are useless, which is why he has trained every day to eradicate them. To ignore his fear, to replace his body’s natural reflexes with the kata of his sword form. So even though he knows Rukia’s attack is hopeless, he cannot help but react to an attack against his Clan Head.

Rukia hits the ground next to Ichigo with a dull thump.

Her body is wrapped in the glowing chains of hainawa.

Renji’s hand shakes, his breathing is heavy.

Rukia is screaming filthy obscenities at both of them.

Byakuya regards Renji silently. His eyes linger on Renji's sword, naked in his hand. A different reflex, and there would be two corpses on the ground.

“She should face trial, Nii-sama,” Renji says softly. “If we do not uphold justice, who shall?”

“The law, Renji,” Byakuya corrects him. “We uphold the law.” He jerks his head at the screaming woman on the ground. “Pick her up. Others are coming and you will only become more sentimental if I am forced to kill additional humans.”

Renji kneels and gathers Rukia in his arms. She does not make it easy, probably in hopes that he will toss her over his shoulder instead of this humiliation, but she is the brute, not him. He will not give her the satisfaction.

As Renji narrowly avoids a headbutt, though, he realizes that this is not merely a display of defiance. It is a distraction. “Nii-sama,” he says as he straightens up, “I do not think the human is dead.”

“It doesn’t matter,” Byakuya sighs. “I have severed his hakusui and saketsu. Even if he survives the wound, he will be powerless, and Rukia’s power should return to her.”

Byakuya considers his lieutenant’s full arms for a moment, makes a disgusted face, and then draws his sword to open the senkaimon home himself.

While Byakuya’s attention is turned, Rukia leans into Renji’s, her breath hot on his jaw. “I will kill him for this,” she spits in his ear. “And if you get in my way, I will kill you too.”

“Then we are enemies,” Renji replies quietly, “since I am sworn to protect him.”

The first fat drops of rain begin to fall from the sky.

#my writing #wacky au requests #i have never been a big fan of enemies-to-lovers #but it turns out i'm a HUGE fan of lovers-to-enemies #if you too are a big fan of lovers-to-enemies i cannot recommend enough that you listen to the entire album of dear wormwood #every oh hellos song is about renruki #and if it's not i will make it #this feels like the culmination of my life's works #if i get even one 'wtf polynya' in the notes i will be content

17 notes · View notes

forestwater87 · 4 years

Text

Every episode of Camp Camp ranked: A very (non)objective list

It's well past the time of year when Season 5 of Camp Camp would've dropped. I fully understand and support it not coming out; the crew's health and safety are much more important than a comfort show.

However . . . man, would it be nice to have some comfort right now.

So I'm reliving the entire series! I've been known to share with the world a whole bunch of Spicy Hot Takes, but I've never really sat down and talked about my feelings about the show as a whole.

And what's the best way to do that? Well, just ask Jenny Nicholson: a numbered list! That is, here's the series ranked from worst episode to best, because I want to get the negativity out of the way early and focus on everything I love (and because people enjoy complaining, so let’s frontload all that).

The takes will be hot. The feelings will be intense. The post, I'm assuming, will be largely unread.

Let's do it!

Oh and duh, there are spoilers. I tried to keep it pretty chill, but you’ll want to have watched the whole show or just not care about spoilers before going forward.

Also slashes in the middle of “naughty words” are meant to prevent this from being kept out of the main tags. Who knows if it’ll work? I don’t.

60. Who Peed the Lake? (Season 4, epis/sode 3)

Ah, good ol' Pi/ss Lake (or as @hopefullypessimistic84 calls it because she's funnier than any of us will ever be, “Pis/s Fe/tish Dot Com”). Terrible, one of the few I’d consider nigh unwatchable. I actually kind of love this episode for being such great shorthand for "the absolute worst one."

Who signed off on an entire episode centered around Sherlock Holmes meets a bad om/o joke? Give me names and addresses: I just want to talk.

59. Reigny Day (Season 1, episode 6)

And nobody was surprised.

I'll admit I'm more willing to defend this episode than many people, but it's not . . . like, good. It seemed okay when there were only 11 other episodes to compare it to, but now that there have been so many bangers, this comes across as extremely weak.

And let’s just say the Na/zi jokes hit a lot differently in 2020 than they did in the summer of 2016.

I’m overall happy with the direction the showrunners have moved Dolph’s character in, and I can’t totally blame them for using a kind of humor that was fairly common in the pre-Trump era, but yikes, this has aged like milk. And it wasn’t even very funny at the time, so it aged like milk that was already pretty bad to begin with.

58. Squirrel Camp (Season 4, episode 10)

This is a dumb one.

Not much else to say; it’s just kinda stupid and lame.

57. Fashion Victims (Season 4, episode 13)

I love Sasha, but this is filler. Which isn’t in itself a bad thing -- I have a couple episodes near the top that could reasonably be called filler, and a valid argument could easily be made that “filler episodes” don’t actually exist in a show with no plot -- but as much as I adore the Flower Scouts and enjoy the handful of good moments we get in this episode . . . who cares? Does anyone really give a sh/it about anything that happens here? Does anyone get their life from this one?

I didn’t think so.

56. Foreign Exchange Campers (Season 3, episode 3)

I know, I know, your Russian waifu came from this episode. Why do you think it’s so low on this list?

Okay, for real: this is . . . fine. It’s fine. It’s fine? I’m not mad at it, it just feels tonally incongruous and not very memorable beyond the fact that the fandom got really weird and kinda gross about Vera. But the episode itself? There’s some cute stuff with Neil and Nikki being jealous, but for the most part it’s a big hunk of white bread with some super mild white cheese that’s kinda soggy from sitting in a bag for too long and getting all condensation-y.

That is to say: it’s fine.

ETA: Space Kid does say “fu/ck.” I can’t decide if that’s a point in the episode’s favor or against it.

This is the last of what I’d call the “bad” episodes. Everything after this ranges from mediocre to mind-blowingly amazing. But whatever our failing tier of Camp Camp episodes is, it stops right about here.

Onto the good stuff!

55. Night of the Living Ill (Season 2 Halloween episode)

I keep switching this with “Eggs Benefits,” which probably means they should be tied. But whatever, this is my list and I am in charge and I’ve finally decided, after like 5 changes, that I like this one a little bit less.

It’s a fun Romero parody with nothing I’d call bad. Really this one’s only so low on the list because I think it’s kinda icky, and looking at those green snotty faces makes me queasy. If you think this is a bad reason to put it near the bottom of the list, then make your own post.

54. Cameron Campbell Can't Handle the Truth Serum (Season 4, episode 11)

I . . . don’t remember this at all. I initially had it a bit higher because I tend to love things with Campbell in them, but then I realized that nothing about this episode stuck in my brain even a little bit.

Oh, this is the “Dolph has autism” episode that made everyone either extremely happy or really mad? Okay. I guess that’s the most remarkable thing about it. Neato.

Cam, I love you, but this was just not the best use of your sleazy charm.

53. Eggs Benefits (Season 2, episode 9)

This is one of those episodes with enough cute moments and good ideas to save it from being totally unmemorable, and I mostly enjoy rewatching. Platypus being a mom is a fabulous idea, and pairing the campers the way they did was mostly really interesting and fun.

The Preston-Nurf stuff takes it down several pretty significant notches, though. It’s what the kids would call problematic, and while I normally enjoy how the show doesn’t skew away from darker themes and jokes, it didn’t really fit either of their characters and just . . . isn’t fun to watch. It’s not especially funny, it’s not especially tragic, it’s just uncomfortable.

52. Camp Campbell Wants YOU! (Season 1, episode 0)

Honestly, this would be a lot higher if it was a full-length episode. It’s funny.

The next 5 or so episodes fall under the “cute but not very memorable” umbrella:

51. Nikki's Last Day on Earth (Season 3, episode 4)

I love the ensemble episodes, so this was always going to score higher than any of the single-character “meh” eps. I didn’t see the twist coming, though I know a lot of other fans did. Textbook example of “cute but not very memorable” -- the Platonic ideal of that concept.

50. The Candy Kingpin (Season 3, episode 9)

A clever idea that plays on Max’s worst characteristics and then calls him out for them, while also giving Dolph some much-needed character development. Unfortunately, I don’t feel like it really picks up until the last third of the episode, leaving the rest just kind of sitting there.

49. Campfire Tales (Season 4, episode 13)

Who doesn’t love campfire stories?

That’s all I got. They’re campfire stories.

ETA: OH SH/IT THIS ONE HAS THAT REALLY SCARY STORY! Where David’s all like . . . Slenderman’d. Fu/ck, I didn’t remember that until I was writing out my thoughts for #35 or so. That definitely elevates it, but I’m too tired to try and re-decide where this should go, so just tie it with “New Adventure!”

48. New Adventure! (Season 4, episode 4)

New trio! Focusing on these 3 was a definite risk, and I think it really paid off. While the “plot” itself isn’t anything special, there are a handful of really great side gags (hi, Dirty Kevin!!!!) and it’s fun to see these three interact. They all get some nice character beats. It’s a good time.

47. Something Fishy (Season 3, episode 8)

This might’ve hit me harder if I’d actually seen The Shape of Water, but the send-up works fine without having more than the seen-the-trailer level of understanding. Gwen dresses pretty, which I love; Max sucks, which I also love. What drags this one down is mostly feeling like the surreal aspects of the comedy go a bit too far into the “what the fu/ck am I looking at?” territory without really . . . making an actual joke beyond “look! Wacky!"

Why is David at the opera with a bird? Why??

46. City Survival (Season 3, episode 11)

Literally do not remember a single thing about this episode except David getting mugged and being called a “homeless twi/nk.” That should probably rank it lower on the list, but David being a fluttery mother hen saves it for me -- as does the fact that it leads directly into one of my favorite episodes, and the single best story arc of the series.

Next set of episodes is what I’m going to arbitrarily call “okay! but like the good kind of okay, not the bad kind.”

45. Bonjour Bonquisha (Season 2, episode 7)

Max and Sasha masterminding a scheme is really fun; their dynamic is great (though it won’t be fully realized until Season 4), and heartbroken David is so tragically cute it actually makes my heart explode out of my chest.

Also I can’t resist a good “3 kids in a trench coat” gag.

44. Anti-Social Network (Season 2, episode 2)

Neil is very relatable and I don’t have much else to say about this one. It’s fun to see an episode that more heavily focuses on our nerdy science boy, and Max and Neil teaming up to save Nikki was really charming and sweet and set my Makkiel ship out to sea.

43. A Camp Camp Christmas, or Whatever (Season 2 holiday episode)

Why does this episode have a musical number? It’s not good.

Okay, that was mean. This is fun and cute and Gwen wears a pretty purple sweatshirt and Space Kid gives her a present and it’s really sweet. But that musical number is an instant fast-forward for me, sorry.

42. Preston Goodplay's Good Play (Season 4, episode 7)

We get some Preston character development! Awesome!

It’s done in a really trippy and surreal way that totally fits his character and heightens the drama of the episode! Awesome!

David has an apparently-tragic history of being a French mime! Not a good call!

Next tier: Some good sh/it! (Tbh, these could all be put in just about any order; they might as well be one massive tie.)

41. Cookin' Cookies (Season 2, episode 11)

I love the Flower Scouts. I love Dirty Kevin. I love the idea of accidentally starting a dru/g empire. Another weird, borderline experimental one focusing on side characters, and I think it works better than “New Adventure!” because the scale of the melodrama is just so over-the-top.

The fact that this is in the bottom 20 but I have nothing but good things to say about it illustrates how dang good this show is. It’s only getting better from here, folks!

40. Romeo & Juliet II: Love Resurrected (Season 1, episode 7)

Preston is a terrible playwright. This makes sense, because he’s like 11, but he’s the kind of hilariously bad I wish I’d been as a preteen, because his play is absolutely bonkers. Max fucking with David is great, Tabii vs. Bonquisha is great, Bonquisha in general is a giant amazonian goddess and I want to be swept up into her giant arms. Neil is . . . a robot, for some reason?

So much fun!

39. Camp Cool Kidz (Season 1, episode 4)

I don’t love Ered’s characterization in this one, but there are a lot of wacky hijinks in this episode that I think make it really enjoyable. Max’s wide-eyed revolutionary naïveté is a fun change from his usual dour pessimism, and Nikki’s loyalty to Ered is both very gay and very charming. Plus we get to learn a bit more about how the camp operates (and fails to operate), and it’s a nice way to better establish the campsite as its own setting.

(Definitely think “Cool” should’ve been spelled with a K though. But whatever, I don’t write for the show.)

38. Scout's Dishonor (Season 1, episode 3)

The birth of Neeancy! The introduction of the Flower and Wood Scouts! Neil saying “cu/nt” -- one of the first and only truly shocking uses of profanity in the entire show! ZUKO!

I don’t know if my fondness for this one is rooted mostly in nostalgia or if it was actually really fun, but I enjoyed the he/ll out of it. Not as highly-rated as some other episodes mostly because it doesn’t really do anything, character or story-wise, but not every episode needs to be a massive game-changer that drowns us in feels. Sometimes it’s enough to have a fun romp, and this is very that.

37. Ered Gets Her Cool Back (Season 3, episode 2)

Awww, Ered. I have a soft spot for her, because I love the archetype of a spoiled bit/ch clearly still figuring out how to be a person and have friends. You really get the sense of her as a teenager trying to sort her shi/t out in this episode, which I would love to see more of. Her interactions with Nerris are top-tier, and I like that it’s a continuation of how her character’s been softening since Season 1 into this kind of big-sister figure.

Also, all the female campers in this show are lesbians. I do not make the rules.

36. Attack of the Nurfs (Season 4, episode 2)

I feel like this is a pretty underrated episode. But then again, I feel like Nurf is a pretty underrated character, so maybe that’s just my own personal bias.

I really enjoyed all the different iterations of Nurf, and I think Blaine did a killer job giving each one its own personality and life. It’s a fun episode that plays hard with cartoon physics (a 3D printer printing people! I love it!) and has a surprisingly moving ending.

At least, that’s what I think. Most other people seem to find this one pretty forgettable. Again: make your own da/mn list. I liked it.

35. Mascot (Season 1, episode 2)

This entire episode is memorable for so many things, but a few of my favorites:

David is established as kind of a di/ck.

Platypus arrives and kicks all the as/s.

Quartermaster is the best.

Nerris, Harrison, and Space Kid all get little moments to show off how cute they are.

Neil and Nikki bonding.

This:

34. Quest to Sleepy Peak Peak (Season 2, episode 3)

I love watching Nerris and Harrison bicker, and Neil and Nikki fit really well into their group. It reminds me of being a kid, and of playing Dungeons & Dragons (as an adult, because I’m so cool), and of summer . . . which is a really good thing for this show. There are a lot of funny one-liners, and it’s just a good dang time.

33. Quartermaster Appreciation Day (Season 2, episode 6)

I don’t think this one is all that well-loved, but I thought it was funny. There are literally zero important plot or character moments, but it made me laugh a lot, and that’s all I need a Camp Camp episode to do.

I love QM, and the more we learn about him, the more confused and disturbed we end up being. What a fu/cking champion.

32. Arrival of the Torso Takers (Season 3 Halloween episode)

I lowkey hated this one when it came out, because I knew the Daniel stans were going to be exhausting. And they kind of were? But looking back, it’s a great way to reintroduce this motherfu/cker. He’s a lot scarier than he was the last time around -- but also less competent, which is a great way to kick him in the proverbial ba/lls -- and while I wish it had a lot more Gwen in it, it’s a clever and creative Halloween episode.

31. Operation: Charlie Tango Foxtrot (Season 3, episode 10)

Charlie . . . Tango . . . Foxtrot . . . CTF . . . OH! Capture the Flag! I never got that before. Oh, that’s neat. I love this show.

Listen, every time the writers decide to take a risk and do something bizarre and creative, I’m going to be here for it at least a little bit. An entire episode told from the POV of the Woodscouts, explaining how hard they failed in all directions? A great gag where everyone in Petrol’s story talks in grunts? The return of Jermy Fartz?! Fantastic.

30. Panicked Room (Season 4, episode 16)

Listen. I’m a sucker for my trash grandpa; anything Campbell-centric is probably going to be pretty good (except #54), because he’s just one of the most consistently funny and engaging characters. Good times are had whenever this terrible man is on the screen, and giving him a romantic backstory? A tragic romantic backstory full of mistakes and emotional damage?? One where he waited 17 YEARS for the love of his life???

We have no choice but to stan.

29. Party Pooper (Season 4, episode 15)

I’m so predictable. If you put Gwen in something, I will be happy. If you make an entire episode about how Gwen is under-appreciated and overworked and just trying to do her best despite the circumstances, I will dedicate my firstborn child to you.

Anyway, this episode is really sweet, and I liked the unexpected direction the writers took her relationship with her dad. He seems like a nice guy, they seem like they have a nice relationship, and . . . well, an episode about how hard it is to be an adult millennial hit pretty hard. Plus this was just a really pretty episode -- and not just because Gwen was in so much of it! Seriously, that night sky was a thing of beauty.

Also if you say a fuc/king word about Max and that godda/mn dog I will choke you out with your own intestines. Few things are more hilariously, annoyingly ironic than the fact that the entire fandom ignored and failed to appreciate Gwen . . . in the episode all about how everyone ignores and fails to appreciate Gwen.

28. Culture Day (Season 3 holiday episode)

Now, would it be arrogant to point out that I had the idea for a Culture/Heritage Day back in September 2018? Yes, especially since I don’t think the writers ever read fanfiction and it has literally nothing to do with this episode. Will that stop me? He/ll no it will not! I am a creature of ego! Read my stuff!

Anyway, this is a really fun look at Neil’s background, personality, and relationships. Max looking out for him is just . . . oh my god, I cannot, I’ve written like 30 of these and my brain is starting to melt, but these two are so cute. I love arrogant Neil, and I love protective Max, and I love QM and Gwen fuc/king over the Flower Scouts to save the day. Everything about this episode is lovely.

27. Cameron Campbell the Camp Campbell Camper (Season 3, episode 7)

This should not be ranked so high (even if these are all essentially tied). This is a dumb episode based on a really, really dumb premise.

But . . . I don’t know what to tell you. “Samboy Kidwell,” Max realizing he and Campbell are disturbingly similar and not liking what his future could look like, David’s “I’m not mad, I’m disappointed” face . . . this episode happens to hit all of my favorite things. It had a really good balance of heavy-handed moralizing and goofs, it was part of the most graceful lead-up into a finale the show has ever had, and I’m just all about it.

Excellent job, Samboy. Count Olaf would be proud of your disguise.

There ends the “some good sh/it” tier. We’re starting to get into the really excellent stuff now!

26. Parents' Day (Season 2, episode 12)

I know. You want this to be higher. I hear you.

Honestly I’m kind of shocked it’s this high; it’s my least favorite of the season finales so far, and I had to push past a lot of prejudice to actually rank this where I think it deserves to be, as opposed to somewhere in the like mid-40s. Mostly because it gave fuel to the raging inferno of “Max has terrible parents and David should adopt him” headcanons, which I’ve detailed my problems with extensively in the past (in a post that, statistically speaking, none of you have read).

But, trying to be objective: is this episode actually any good?

Well . . . yeah, it really is.

So much work was put into giving each of the campers families that make sense with their characters and bounce absurdly well off of them, ranging from wholesome and adorable (Nerris’s family) to quietly tragic (Harrison’s parents), and they’re all designed so well; they’re fun to look at and fun to watch interact with the kids and each other. (The only exception is Dolph’s dad, who is both kinda lame and misattributes the cause of the weird Na/zi thing because it did not come from Germany, I assure you. But things with Dolph are always a little off, and I don’t really know how you would give him a backstory that actually works with the character, so they were caught between a rock and a hard place there.)

The drama of David having to choose between the man he considers his father and the camp he considers his home is really touching, and him and Gwen choosing to take a sad camper out to get pizza instead of covering for their boss’s a/ss is such a beautiful moment for both of them that I can’t really blame the fandom for losing their mind over it. Campbell’s arrest leading into the arcs of the next two seasons was great as well, and the finale left us all with this weird sense of foreboding because we didn’t know what was going to happen next; it was the only finale that actually ended on something close to a cliffhanger, while still being satisfying enough to keep us all from melting down.

Plus, it’s funny. Carl and Candy are really funny and the idea of Neil and Nikki’s parents boning is funny in a horrible way. The joke about Quartersister is funny. It’s a good episode.

Should this be higher? Maybe, but I can’t bring myself to put it above the rest of these episodes. Again: make your own list.

25. Mind Freakers (Season 1, episode 10)

The episode that launched a thousand ships. Assuming those ships are all Harrison/Neil, anyway.

It’s hard to talk about these Season 1 episodes because they feel so classic. Like, what is there to say? You’ve all seen it a couple dozen times; I’ve seen it a couple dozen times. Harrison is a di/ck, Neil is possibly an even bigger di/ck, and magic may or may not be real. (Though spoilers for literally every season: yes, magic is definitely real.) It’s so much fun watching these two smug as/sholes snipe at each other in an almost literal playground hair-pulling way that could very easily be read as flirtation.

And the fandom did most certainly read it that way, at least for a little while.

24. Gwen Gets a Job (Season 2, episode 8)

It’s Gwen. What, was I supposed to not put it this high?

This was the first Gwen-centric episode, and it absolutely slaps. She’s pushed to the breaking point and responds by being a cold-hearted BAMF, and it got her some pretty significant hate from fans but I don’t give a fu/ck, I loved it. We got to see her all dolled up, and then we got to see her all disheveled, and both of those looks were gorgeous. David gives her a tiny fragment of the love and validation she deserves (I don’t know if this is when gwenvid started taking off -- I think it wasn’t really until “Parents’ Day,” or even Season 3 -- but I ate that s/hit up).

Also, again: job hunting post-2008. It’s a bad time, y’all. Camp Camp gets it.

23. Follow the Leader (Season 4, episode 6)

Yeah, I was kind of surprised at how high this landed, too. I guess I’m just a sucker for unlikely companionships, and these three have a great chemistry. The combination of competitiveness, sass, and reluctant admiration make their interactions a lot of fun. Their motivation of doing petty errands for Campbell for the sake of getting at the Box of Illegal Contraband is a great framework too, with high enough stakes to justify all sorts of wacky shenanigans without causing actual anxiety.

I want to see these characters forced to spend more time together. Please, RT, make that happen.

22. Escape from Camp Campbell (Season 1, episode 1)

In terms of numbers, this feels so low, but considering everything from about #45 on is ranked as at least decent, this is actually a pretty high rating. There are 21 episodes I’d call better than this, but these decisions were all pretty painful.

This introduces us to everyone! The main trio, the counselors, Mr. Campbell; we get a snapshot of the major personalities running around the camp, the major points of conflict (Max vs. David, primarily), the major building blocks of future episodes, setting, and relationships . . .

Again, I don’t know how much of my love for this episode is nostalgia -- there’s a lot of squeeing at familiar faces and gags; this is the first time David gets hit by a bus!!! -- but it was a fun and funny introduction to a series that’s ended up being so important to me, and I’m so grateful this wonderful, quirky little show with its wonderful and quirky little premiere.

Of all the episodes, I really can’t look at this one objectively. It’s too important.

21. The Fun-Raiser (Season 3, episode 1)

David and Gwen scheming is my ki/nk. They very rarely scheme together, but every single time their teamwork makes the dream work (or, more frequently, makes the dream fail horribly and have disastrous consequences) my soul flies out of my body and takes to the stars, where I write another 500 first chapters to gwenvid fanfics I’ll probably never finish.

This is a great follow-up to “Parents’ Day,” where we immediately see the consequences of the previous season finale and what happens when the one adult in the camp disappears. Mr. Campbell was a terrible adult, true, but at least he was smart enough not to steal QM’s hook. Like . . . whose plan was this? It was so bad. These two are hilariously incompetent sometimes -- often when their bad ideas are feeding off of each other, actually, a la this and “Space Camp Was a Hoax” -- and watching them frantically try and keep all their balls in the air is so great.

The ending is satisfying, too; a bit graphic, in keeping with a show that tends to keep the violence limited to periodic spurts of bloodshed 1-2 times a season and mostly pretty mild the rest of the time, but between Max stepping up and fixing everything while still being his shi/tty self to our dear dumba/ss counselors getting their dumb as/ses handed to them (deservedly so, if we’re being honest) . . . it’s such a great note to begin a new season on.

20. Journey to Spooky Island (Season 1, episode 5)

A classic.

We get to meet our spooky boy Jasper, we get to watch the comedy trio play off each other and continue to sketch out the general contours of their friendship, and we get to see the Quartermaster with a big purple dil/do for a hand. What’s not to love?

19. The Butterfinger Effect (Season 4, episode 17)

CONTROVERSIAL HOT TAKES! GET YOUR CONTROVERSIAL HOT TAKES HERE!

I’ve already gone into some pretty intense detail about why I think this one is actually really good and carries the theme of embracing change that everything about Season 4 was centered around, but none of y’all read that so here it is in short: this episode is super funny, almost all of the campers’ transformations work really well as extensions of their characters while still being strange and surprising, and the fact that Nurf creates all of these problems by trying to solve them is deliciously fun to watch in a karmic sort of way.

Or maybe it’s just because any Nurf-centric episode is going to rank pretty highly for me. That is also possible.

18. Space Camp Was a Hoax (Season 2, episode 10)

Our camp counselors being bad people: it’s my drug of choice.

We get Space Kid tripping balls in what might be one of the funniest sequences in the show, the entire camp coming together to try and pull off the stupidest, most impossible task (and kinda maybe almost nailing it???), and once again the fun of watching Gwen and David scramble to keep from getting caught in their boss’s shit/ty lies is so great. And Lindsay’s voice acting is absolutely killer, even more so than usual.

17. Jermy Fartz (Season 2, episode 4)

I get the sense this might be a somewhat controversial one.

I’ve written before about why I think this episode is a lot of fun, but it mostly boils down to two things: watching the campers try (and fail) to be nice to the most bully-able person on the entire planet, and the essential likeableness of Jermy.

No, really.

I think a lot of people were put off by Jermy’s general grossness, because . . . my god is he disgusting, but he’s also polite and good-natured, and seems totally self aware of how difficult he is to be around, without letting it make him depressed. He’s cheerful in a weirdly downbeat way that’s impossible to understand until you see him in action. He’s so matter-of-fact about his own awfulness in a way that I found entirely endearing. I don’t think I’d want him at my camp, either, but get that kid to a good dermatologist and gastroenterologist, teach him some basic hygiene and social skills, and you’ll have quite a little gentleman there.

I do however find it hilarious that apparently David got the type of tree wrong when making fun of Jermy. Not only is that a great moment for reveling in David being an as/shole, but he didn’t even have the right wood. F/ucking idiot. I love him so much.

These last ones are my favorites! (Well, duh, that’s how this whole ranking thing works.) Maybe not perfect, but just really good and with limitless rewatch value.

16. St. Campbell's Day (Season 4 holiday episode)

They Grinch’d Camp Camp. Those brilliant bast/ards, they really pulled it off.

Ignoring the fact that David is truly frightening-looking for most of the episode, this is a great bookend to Season 4, following up on the theme established in the first episode about how David is a flawed and selfish human being despite trying his best not to be.

This is another one I was surprised to find so high on the list, but the more I thought about it the more I realizes how good it is. David being a jerk is always one of my favorite storylines, and the fact that the trouble comes from him trusting Mr. Campbell too little instead of too much is a nice twist on the usual formula. Gwen coming to help him out despite a blistering hangover gave me aggressive shipping feels, yes, obviously.

Between a lot of really funny little gags like QM’s failed satanic ritual and the genuinely touching moral about the importance of spending time with the people you love, it’s just a really lovely episode that gets just the right amount of maudlin for the holiday season.

15. Jasper Dies at the End (Season 2, episode 5)

I kept switching this and “Dial M for Jasper”; it was a really difficult decision to make, figuring out where these two belonged. I think in the end, while the John Dies at the End reference was very, very good, this one loses me a little bit by being told from David’s perspective. Now, normally the more David is in an episode the more I’ll be likely to love it (see my #1 for proof of that), but his blinders when it comes to the camp and Mr. Campbell result in a really funny story, but one without the same emotional heft as hearing about what happened from Jasper’s point of view.

That doesn’t mean it’s not perfect for what it needs to be: each Jasper episode builds on the previous ones, and having the same intensity of “Dial M for Jasper,” where we learn how he died and how his relationship with David fell apart, would be weird and heavy at this point. In Season 1 we just found out he’s a ghost (and eagle-eyed viewers realized he’d been a camper with David); in Season 2 we find out how David views their friendship and time at camp; and in Season 3 we get Jasper’s perspective. It’s an absolutely wonderful raising of the stakes (for lack of a better term), but the one that packs more of an emotional punch is going to rank a bit higher than the one that’s mostly just for laughs.

That being said: there are plenty of laughs in this one. Everyone -- Griffin, Miles, Travis, the animators -- nailed this one, and it gets funnier every time I watch it.

14. Camporee (Season 1, episode 11)

AKA the episode where Forest realized she was in love with Gwen.

What a great idea for an episode, seriously. Every coming-of-age story has a talent show or a competition or a big game -- something where the kiddos can show off their improved skills and teamwork to beat their bullies or whatever. And this show has both kinds of bullies: the popular girly girls and the violent muscleheads. What a great moment to pull everyone together and show how friendship can help us accomplish anything!

Except . . . of course that’s not what happens. Of course they’re absolute garbage, and of course teamwork isn’t the answer. Gwen is the perfect foil for David here, being the anti-teamwork, anti-Camp-Campbell adult who can perfectly and effortlessly undermine David’s relentless optimism. David wants so badly for his campers to live in the same coming-of-age summer movie he did as a child, and their staunch refusal to do that leads to a really heartbreaking closer to the episode, as well as lead into the next one. Everything about this, from the challenges to the setup to Gwen shouting “we are winning this FUC/KING trophy!” is just gold.

13. David Gets Hard (Season 1, episode 9)

We have David. We have Nurf. We have Gwen. We have Max trying to be helpful in the shi/ttiest way possible.

We have all the makings of a da/mn good episode. And they deliver. Not a very emotionally intense or moving one, but so, so funny.

12. Dial M for Jasper (Season 3, episode 5)

This isn’t the fate any of us expected for Jasper, and it’s not the fate of a lot of people wanted. But godda/mn it, it worked. The constant bait-and-switch the episode keeps playing with, where you keep waiting for something really dramatic and tragic to happen . . . and then the reality is that Jasper died because Mr. Campbell was stupid and careless, and it was all just a horribly sad accident.

It’s anticlimactic, but in a way that suits the series, both as a comedic counterpoint to all the hype throughout the episode and as a way to establish that Cameron Campbell is a bad man first and foremost through selfishness and laziness, not Daniel-esque sinister evil. Jasper’s death was totally avoidable and totally Campbell’s fault, and while that’s sad, it also adds a weird sort of lightness to the episode. David didn’t do something terrible to kill his best friend, Jasper didn’t kill himself, and without having actively chosen to murder a child (well, not this time), the door remains open for fans accepting Campbell’s later pseudo-redemption. It was just an accident, and Jasper was “haunting” David to tell him that he was sorry for how their friendship ended. That’s really sweet, actually.

I think it’s the best way this reveal could’ve gone, and I’m so impressed with how they pulled it all off.

11. Into Town (Season 1, episode 8)

This might actually be the only flawless episode in the entire show. I mean, I call a lot of them flawless, and I mean that on an emotional level -- “I love this so much I cannot see anything wrong with it” -- but this one is a masterpiece of storytelling. All the technical jumbo I’m bad at, like planting and payoff and tension and all of that, is just perfect.

I feel like this is the kind of claim that needs to be backed up with a long-as/s essay full of citations and video clips and references to, like, Joseph Campbell or something, but this is my 49th entry in the list so I am not going to be doing that. Besides, I don’t think my English degree qualifies me to critique film/animation; I don’t even entirely know half the terms I’ve used to compliment this episode. Someone else please explain why this is such a good one.

10. The Quarter-Moon Convergence (Season 4, episode 5)

I’ve mentioned in other entries that the weird, surreal humor sometimes doesn’t work; it feels too much like being odd for its own sake, and sometimes gets so distracted in being surreal that it forgets to include anything funny or meaningful.

This . . . is not one of those.

Putting Harrison and QM together is a stroke of genius; the two of them are literally the most magical beings in the entire show, and using them as the conveyance for this great Lovecraftian horror-comedy was such a good idea. I don’t know if we’ll ever see these two interact in another episode -- honestly, this felt a bit like lightning in a bottle, and I have a hard time imagining what could possibly bring them together again -- but if this is the only episode we get, it is such a fantastic one.

Harrison makes a really good everyman, despite his powers; he’s just the right amount of confident and insecure to pull off that wide-eyed apprentice to QM’s grizzled wise mentor. (The fact that QM is objectively a terrible mentor is beside the point.) I still don’t entirely know what the two of them accomplished, but it feels baffling and momentous, with the perfect amount of gravity to make things extremely tense all the way through to the end.

Also, I guess God is an octopus? That’s kinda cool. I like octopuses.

9. Camp Corp. (Season 3, episode 12)

Another unpopular opinion? Oh ho ho, I am so contrary! I am Not Like Other Fans! I am the Ebony Dark'ness Dementia Raven Way, refusing to have the same opinions of all you prepz.

I know this wasn’t the most well-loved episode, but I think it did a really great job tying together story threads woven throughout Season 3: Max’s selfishness leading to him hurting other people, his growing realization that he cares about his friends and the camp itself, the parallels between him and Mr. Campbell (and the fact that they both get this redemption moment in the finale).

This is the most Max-centric season, focusing on his flaws and character growth, and they pulled it off in a really organic way that felt faithful to his character, touching without being too maudlin. The fact that his feelings about the camp are echoed in Gwen, Neil and Nikki, the other campers, and even Mr. Campbell drives home how important the camp -- and David -- are to this strange little family.

Each season, Max reluctantly becomes a better person, without changing the fundamental core of who he is. That’s a really hard putt for the writers and Michael, and I’m blown away every finale by how they so consistently nail it.

8. Time Crapsules (Season 4, episode 18)

Gwen-centric? Check.

Max learning how to be a better person while still being the bratty kid we know and love? Check.

Looks at one of the most under-appreciated character dynamics in the entire show (i.e., Max and Gwen)? Checkity check-check-check.

I don’t really have much to say about this one, which I should: it was considered a pretty serious letdown to a lot of fans, and I’m not sure how to explain why I loved it so much.

Comparing Max from “The Order of the Sparrow” to Max from this episode is wild. It’s not like 2 different characters: they’re still very obviously the same cynical, self-absorbed 10-year-old trying to survive summer camp. But he’s become a more considerate friend and decent version of that kid, and it’s great to watch. The moment where he and Gwen go too far and immediately regret snapping at each other is still painful (on my god, the VAs in this show, they’re so talented), Nikki and Neil both get nice subplots about how they’re also growing up, and the ending is fuc/king hilarious, perfectly breaking the tension from Campbell’s speech, which is both beautifully done and important to hear, especially if you’re in a period of uncomfortable transition (like, say, in your late 20s, or living through about 5 different national and global catastrophes).

And okay, I found that speech on the wiki for this episode and it made me deeply emotional, so here:

Here's the thing: you've got to take your failures and make something out of them. Take Camp Campbell for instance: a lot of poor decisions went into making this place what it is today. Sure, somewhere along the line it maybe strayed from its path, not living up to the camp it wanted to be. At some point, the camp realized that the camp would never reach the end of its path until it was ready or until it gave up. So, if the camp wanted to keep embezzling money and dealing with foreign powers, so be it! But, at some point, it didn't anymore. I never saw this coming, but I'm starting to think this camp is the best it's ever been.

If this is the last episode of Camp Camp we ever get -- and for at least a little while, it looks like it’s going to be -- I can’t think of a sweeter, funnier, and more lovely bittersweet note for this show to go out on.

7. The Lake Lilac Summer Social (Season 3, episode 6)

And again: No one was surprised.

This is the longest non-finale episode of the show, and it uses that time perfectly. Rather than having some big emotional moments and character arcs -- which are great, don’t get me wrong -- the writers use the extended time to build a series of shenanigans as complicated as Gwen’s matchmaking web, and watching her try to set up a series of dominos (with David, for once, being the responsible, level-headed one) is almost as satisfying as the catastrophic results.

Neil and Snake steal this episode, even from someone as in love with Gwen as I am, and for an episode that’s largely about making fun of shippers, there hasn’t been one that launched nearly as many ships as this. Neil/Snake? Tabii/Erin? Max/Nikki? GWENVID?! It’s all here, and I am here for it.

It was also fun to get a traditional episode setup in a very non-traditional show. I assume this means the beach and/or hot springs episode is forthcoming. (No, Pis/s Lake doesn’t count. Obviously it doesn’t count.)

6. Keep the Change (Season 4, episode 1)

Again, this is an episode I’ve said a lot about in the past -- and I was pretty uncharitable toward Season 3, which in retrospect was very unse/xy of me -- but I stand by a lot of my opinions then: this is a fu/cking great episode.

David is an as/shole, Max is an as/shole, Campbell is an as/shole. No one escapes the as/sholery. David schemes, Max catches him in the scheme, Campbell gets drunk and kind of gay . . . I’m 54 entries into this list and I don’t have much to say anymore: it’s just really good and fun and I love it.

5. Camp Loser Says What? (Season 4, episode 9)

This is another one I kind of hated when it came out, and again for fandom-related and personal-grudge reasons.

Fu/cking Daniel. That motherfu/cker. He shows up for 12 minutes and Tumblr bursts into flames. Every single time.

However, it’s really hard not to love this one. Daniel-as-Trump is a clever but subtle -- I mean, for this show’s definition of subtle -- allegory, and it’s amazing how much this slimy freak and the Woodscouts slot into it. David is a bise/xual disaster with the absolute worst taste in men, Dirty Kevin and Daniel are onscreen together for all of 2.5 seconds and the kevdan shippers lost their minds, and Xemug looks like Megamind for some weird reason.

My only minor complaint is that the ending is a bit anticlimactic, but it plays on Daniel’s stupidity and the value of teamwork, so it’s a very small nitpick in an episode that mostly works like gangbusters.

4. Cult Camp (Season 2, episode 1)

Duh. There’s a really good song and we’re introduced to a charismatic, sinister, and totally dumba/ss villain. What’s not to like?

I don’t think I even need to say anything about this episode. Season 2 started off the summer by throwing a lit firecracker directly at the viewer’s face, and ignoring the fact that we as a fandom proceeded to eat each other, it’s impossible not to get caught up in the episode’s wild energy.

And dude, that song. Fabulous. Fu/ck Daniel, but thank god he’s around to be such a prickly little pri/ck.

Now for the top 3: Literally perfect, wouldn’t change a single solitary thing.

3. After Hours (Season 4, episode 8)

I’m not sure anyone loved this episode as much as me. But this is my list, and I will put this up at the top if I want to and you cannot stop me.

It’s much easier in a lot of ways to talk about the episodes I hated than the ones I love this much. What do I say besides “literally everything about this fills me with joy and my life is better because it exists”? I don’t know. The counselors are my favorite characters, and between Gwen and QM having the weirdest bonding experience, Gwen getting to meet up with people who care about her silly fanfiction, Mr. Campbell being the trash grandpa of my dreams, David getting in way over his head . . . it’s the episode I always wanted, and they made it work so well.

Also, I just discovered that “Gwen Isn’t Your Mother So Stop Asking Her to Rinse Your Dishes” is an actual song and I am overwhelmed with delight. Here, I’m embedding it as well as linking because it’s so good:

youtube

God. This show. What the fu/ck even is up with this amazing, weird-as/s show.

2. The Order of the Sparrow (Season 1, episode 12)

Duh.

The entire first season is a great time (except “Reigny Day”), but it’s a pretty low-stakes kind of great time. There isn’t much in terms of emotional depth until the very end of “Camporee,” despite some hints at darker themes in one-off jokes and quick asides, so this episode comes a bit out of left field, tonally speaking.

But that’s not a bug, it’s a feature; if the show had been this overtly emotional from the outset, this finale wouldn’t hit as hard, and the rest of the season wouldn’t be as funny.

This manages to serve as a capstone to the conflict of the first season, building on episodes like “Into Town” and “Escape from Camp Campbell” in a way that feels totally natural for both David and Max’s characters while revealing new sides of them. It works because it’s so unexpected, but it doesn’t come across as incongruous with their personalities. It’s the first and only time David swears in all 4 seasons, and that line -- I don’t even need to say it, you know exactly what I’m talking about -- still gives me chills.

Also, Gwen sings the camp theme song. Impossible not to cherish.

1. The Forest (Season 4, episode 12)

I’m not sure if this one is a surprise or not. It might be the obvious first place, or it might be a bit of an oddball for some people.

I had a really hard time choosing between this and “The Order of the Sparrow”; I switched their places half a dozen times, and the difference in quality between the two is razor-thin. I think part of that is because it accomplishes a lot of what “Order of the Sparrow” does: puts David in a situation where he’s pushed to his absolute emotional and physical capacity, crushes every shred of hope he has left, and sees what he’s actually made of when you strip everything away. It’s much more dramatic this time around, but it’s the same basic concept.

And just like in the Season 1 finale, what we see is a man who’s determined to do good even when he isn’t rewarded for it, even when he’s actively punished for it. Who wants to love nature, and life, and make the world a better place -- despite his faults, his selfishness and thoughtlessness and anger, David proves that he is fundamentally kind. He’s not nearly as deludedly optimistic as he seems; he just refuses to stop trying.

Because somebody fuc/king has to.

I’ll admit, some of what puts this one in first place is that I’m a sucker for whump, and David really goes through the ringer. However, I also think it’s important to acknowledge the risk Joe Nicolosi took with writing this episode: it’s all centered around a single character, it’s darker and more viscerally bloody than any other episode in the show’s history, the art is focused on these grand sweeping backgrounds that must’ve taken forever to paint, and there’s very little talking in a show that runs 99% on clever dialogue. This could have so easily backfired -- and for some fans it did -- but it was brave and beautiful and breathtaking.

I’ve actually only watched this in full once. It’s really hard to get through; it’s just so intense and even disturbing. But if there’s one episode I'll remember for the rest of my life, even when I’m 80 years old and haven’t seen the show in years, it’ll be “The Forest.”

It’s funny how such a sharp departure from the format and style of the rest of the show somehow manages to perfectly capture the heart of it. Talk about a fuc/king achievement.

So what have we learned?

I don’t entirely know what the purpose of this whole exercise was. I think it was mostly to get myself a nice Camp Camp fix that came from something other than slogging through 20 different fanfic WIPs, and to remind myself of what a strange and fun ride the last 4 summers have been.

I also wanted to take a moment to acknowledge what Camp Camp means to me. This show has been hugely important to me on a personal level: I met two of my best friends through this fandom, and I’ve never been more connected to a community or readers than I have with CC. I know I bi/tch about this fandom a lot, but it’s a big extended internet family, and I’m so happy to be a part of it. Going through all these episodes, getting the chance to ramble about the things I liked and the things I didn’t, was a great way to reconnect with a series and community that I love.

So . . . what have we learned?

1. Season 4 was all over the place.

Some of this has to be due to the sheer volume of episodes, but when I sat down and organized everything into tiers:

There isn’t a single category Season 4 doesn’t have at least one episode in. I was surprised to see how high a lot of them ended up; it really was the best and worst of the show so far.

For the fun of it, I decided to give a number to each placement -- 60 points for the #1 episode, 59 for #2, etc. -- and see how each season broke down. Because that’s that kind of thing I think is worthwhile, apparently. And . . .

2. Seasons 1 and 4 are really good, actually.

Well, I don’t think anyone’s surprised to see how well Season 1 stacked up; it was amazing. But I was surprised to see how much I ended up enjoying Seasons 3 and 4, when if you’d asked me before this little project, I would’ve said they were the most underwhelming. Maybe I messed up the numbers a bit -- I’m no mathmagician -- but not only are they all really close, but Season 4 was one of my favorites.

3. This entire show is really good, actually.

One thing that really struck me when I put it all together visually is how most of the episodes sit in the “good,” “really good,” or “amazing” categories. The amount of episodes that are memorable, fun, and/or emotionally resonant is crazy. I don’t now how many other tiny cult-hit web series can say the same, honestly, and all of the writers, animators, directors/producers/other people whose jobs I don’t really understand, and voice actors should be commended for their outstanding talent and hard work.

4. Thank you, Camp Camp.

It was a real pleasure to relive all of these episodes again and think about what they meant to me. It won’t be the last time I sit down and watch this show -- and it certainly won’t be the end of my being a shrieking fangirl over it -- but with this break, where we have to get through a blazing, extremely difficult summer without a new season to fawn over, it’s nice to stop and appreciate what a precious gem of a show this is.

I hope everyone involved with Rooster Teeth is taking a much-deserved rest and prioritizing their health and well-being. Thank you for creating something truly special, and I can’t wait to see what happens next.

#campcamp #camp camp roosterteeth #thank you RT Animation for giving me my life these past 4 years #cc david #cc max #cc gwen #i'm not tagging all the characters #campcamp masterpost #i really hope this doesn't get hidden from the tags but #guys this was a super intense labor of love please check it out #but also reading it is also a super intense labor so i get it if you don't XD

84 notes · View notes

jarofrebukepodcast · 4 years

Text

Interlude Mini-sodes/Season 2 Update

Howdy everyone!

So, after some behind-the-scenes talks, we have decided to change our schedule for the time in between seasons and the season 2 release!

- We will be uploading interlude mini-episodes on the 15th of every month. These episodes are canonical to the story and we have some fantastic new VAs and more appearances from beloved characters returning! So keep an eye out!

- Our season 2 will debut in June instead of April, giving us 4 months to get all of our ducks in a row and for the cast & crew to rest. Each month between now and then we will release a minisode and then come June we’ll be back to episodes every 7th and 21st!

Thank you all so much for your support and understanding! We cannot wait for y’all to continue on this journey with Dr. Jared Hel & The Enclosure... trust us, it’s all only just begun!

Between now and then we will still be hosting the Jar of Rebuke Fanart giveaway/contest (rules are pinned on our page) and also some fun Twitch streams with JoR cast & crew over on @casperolivervo‘s Twitch channel on Mondays, Wednesdays, & Thursdays! Follow “Jar of Rebuke” & “casperolivervo” on social media for updates.

And we’ll see y’all in about a week for our first interlude episode!

#jar of rebuke #jor podcast #audio drama

12 notes · View notes

darisu-chan · 4 years

Text

whatever our souls are made of (his and mine are the same), pt. 1

Hi!

Welcome to my first entry for IR Month.

This is a new collection of interconnected one-shots, that you can also find here.

Hope you like this first chapter!

See ya!

but if i know you

Prompt: once upon a dream

Summary: And she believes she would wait for him for lifetimes. Yet she’s not sure she wants to wait any longer.

But if I know you, I know what you'll do

You'll love me at once, the way you did once upon a dream

Rukia has never been one to ponder the meaning of dreams.

When she was a young, hungry child, she never allowed herself to daydream, much less to dilly dally in whatever nocturne vision she had had the night before. The only way for her to stay alive had been to keep both feet steady on the ground. Never looking back. Only ahead, to another day of struggle. And that’s how her life went. Day, after day, after day.

She finds that being a Shinigami is not that different.

From the moment she had entered Shin’ō Academy, Rukia hadn’t dared look back or stall. And when she had been adopted into the Kuchiki Clan, she had forced herself to not yearn for what she couldn’t have, and instead be grateful for all the wonderful things she now got to enjoy.

What were dreams when you got warm food in your belly, a soft bed, clothes and a job?

Rukia had always been pragmatic, and so, most of her days had become dull.

Although it is true that Hollow-hunting brought some action into her life, between training, filling out paperwork, attending meetings, and the occasional get-together, decades have passed her by without much excitement. Even after becoming a lieutenant, her life hasn’t exactly been colorful. It just means she’s busier and that her responsibilities have increased.

But there have been times, sprinkled here and there in the past four years or so, when she has felt more alive than ever before. When her days have been filled by sunlight. When she has been painted orange by more warmth than she had ever known before.

And it has been in these moments, when Rukia has allowed herself to dream.

Back in the Human World, back in Karakura, she has learned the true meaning of wonder.

When she was powerless and lost in a foreign place, she had finally felt as if she were more than what she always had been. She had finally felt human. And even though such feelings had ended up burdening her, Rukia cannot help but cherish every single one of them.

Because Shinigami have ambitions and emotions, but they don’t let themselves experience the beauty of life, as they are, by all effects and purposes, dead. So they go through their afterlife fighting, and working, and drinking, and eating, and worrying about, quite frankly, nonsense.

And Rukia had been like that as well. Trying to become a better Shinigami, but failing in both her duties to her division and her duties to her brother. There had been only one ray of hope that had soon been extinguished by her own failings.

But in Karakura, she had felt lighter than ever during those couple of months.

And she had had dreams.

Dreams about the manga she would read, the bunnies she so liked, the spirits she had encountered, the people she had met at school, and even what went down in the lessons she hadn’t been quite able to grasp. It had all been so very mundane and simple, yet wonderful at the same time.

There had been a beauty to it, to these dreams any normal human had every day. The ordinary had seemed so rich to Rukia, in comparison to the tediousness of her dead life.

But there had been nightmares too.

Some humorous, like when she had dreamed she had failed an algebra quiz ─ only to find out later on that she had done so indeed.

Others were more gruesome.

(Mistakes from her past, rain, blood, Grand Fisher)

She didn’t like to dwell as much on those dreams, preferring to forget about them once morning would come.

But, most of all, she had dreamed about Ichigo.

Rukia hadn’t stopped to think at the time what it meant to dream so often about him.

As they had spent almost every waking hour together, it had been obvious to her he would have to appear in her dreams as well.

It was to be expected.

However, even when they were apart, Rukia had found herself dreaming about him.

About his stupidly bright-colored hair, his scowl, how he would complain each time he had to fight a Hollow. How good he was with kids, particularly his younger sisters. How nice he often was to her, bringing her food, asking if she had been hurt during a tough fight, teaching her school stuff, and even lending her money.

(How heroic he had looked when he had saved her from her execution)

During their time apart, Rukia had figured Ichigo so often appeared in her dreams because she missed him. He was so ingrained into her life, into her soul, that she wouldn’t even be surprised if, somehow, he shared space with Sode No Shirayuki in her inner world.

However, now she has to question this idea.

And it’s not as if Rukia doesn’t miss him ─ she does, oh so much ─ but the nature of her dreams is much different than it used to be.

Because, after the war, things have changed.

In the Soul Society, in the Gotei 13, in her division, death looms everywhere she goes. Tragedy had struck in the afterlife as it had never before. They had lost so many great Shinigami, and their absence is felt even two years after the war was won. Rukia, who had to deal with the tragic death of Captain Ukitake, feels it more keenly. There is now an even greater responsibility on her shoulders. To do right by her division, by Ukitake-taichō, by Kaien-dono.

Yet it is frustrating.

Rukia cannot help but wish she was anywhere but the place that was supposed to be her home.

When she’s all alone and no one is looking, she often thinks about clear skies, green grass, the breeze gently blowing on her face, the sun, shining brightly from above, warming her from inside out, as she walks the streets of a sleepy town. She envisions classrooms, the mall, the park, and a house next to a clinic. Soft dresses, delicious food cooked by young hands, lion plushies, and orange at every corner. It’s peaceful in this corner of her mind. But whenever she catches herself having such thoughts, she admonishes herself. Because the Soul Society is where she needs to be. She is a soul, and this is the place where souls live. It is time to stop pretending she is human.

At night, when sleep takes over, it is a different story. Her treacherous thoughts make a comeback, and it is when she dreams about Ichigo again. She sees him, not broken or defeated, nor as a hero, just him, standing next to her, and smiling at her so tenderly, as he had done back at the Soul King Palace, when their blades had crossed as they had trained. And Rukia believes this is what happiness is all about. What she had been missing her whole life. The feeling of standing next to Ichigo as her equal. Side by side. Always together.

However, her dreams are not as calming as they could be. Because each night, just as she is enjoying his presence, Ichigo will suddenly give her his back, and walk away. Far away from her reach. And before vanishing, each and every time he would look back at her only to cryptically say, “You know what to do.”

And what the hell is that supposed to mean? Rukia thinks every single morning, upon waking up. Because she does know what needs to be done. Ichigo is a human, and thus had returned to his home, his family, and the life he had been meant to live before she had gotten in his way. And she needs to continue down her own path. Guiding her division, making nii-sama proud, fulfilling her duties, and being the best Shinigami she can be.

They are from two different worlds and no matter what her dreams tell her, this is how things have to be. Forever apart. Meeting once in a while. Each of them moving on. Finding their own place in the universe.

Such is the way things must be.

The natural course of their existence.

The unavoidable truth.

Yet there are some things that not even destiny can stop.

Everything finally falls into place one evening when Renji comes to pick her up at her division, claiming he needs to talk to her. Rukia is not sure what is going on, but she walks away with her friend to a secluded area, where Renji pours out his heart to her. He confesses he has loved her ever since they were children. But that when she had been adopted into the Kuchiki family, Renji hadn’t felt good enough for her, and had decided to wait until he was finally worthy of her. And now, after several battles won, after the end of the war, with both alive, he has decided it is time to make his intentions known. He wants to love her, to marry her, and even to have children with her. Whatever she wants, Renji swears he will give her.

Rukia is stunned into silence, not knowing how exactly she can respond to such a confession. Renji, most likely fearing her refusal, tells her to sleep on it before giving him an answer. He leaves her there with the promise that, surely, in the morning everything will be clear for her.

But when she goes back to her room, she doesn’t think about Renji. Instead, a distant memory resurfaces in her fogged mind. Suddenly she’s back in Karakura Town, to a time when the Arrancars had left them rest for at least one day, just before things had gone south. Yuzu had wanted to watch a movie that night, Rukia recalls. She had chosen a romantic film about a princess, one Karin and Ichigo hadn’t cared to watch, but had accepted out of love for their sister. And, as they had watched it, Rukia had been mesmerized by what she had seen. She still isn’t sure how humans had managed to make drawings move on a screen, but the combination of the animation’s fluid motions, the colors, the music and the voice acting had made for an unforgettable experience. Yet, the plot perhaps had been what had intrigued her the most. The story about a young girl, the same age as Ichigo, cursed to sleep for one hundred years, with the only cure being true love’s kiss. Luckily, in the film the heroic prince had defeated the witch and had kissed the princess that very night. No harm had been done and the two had lived happily ever after. But how sad it would have been if the girl had slept for a lifetime, wasting her life away, Rukia had wondered. She had told Ichigo as much later that same evening.

“But she does, in the original story.” He had interjected. “Or at least in the version I know.”

Rukia had been clearly surprised by this statement, so Ichigo had continued explaining. “In the story, there is no prince at the beginning. So when the princess pricks her finger, she falls asleep for a hundred years, just as the curse intended to happen. And once that period of time had passed, a prince did find her and kissed her, breaking the curse and waking her from her deep slumber.”

“But why didn’t he appear sooner?” Rukia had questioned, clearly outraged.

“Well, the story comes with a lesson. That it is better to wait for a hundred years for your true love than to just marry anyone else just because.” Then Ichigo had become inexplicably bashful, and as he scratched his cheek, he had told her, “but it’s just a story. Don’t think too much about it.”

But she had.

Rukia had often wondered since about the cursed princess.

One hundred years is a long time for a human.

It is more than a lifetime.

So many things can happen during that time, and upon waking up, the world would have definitely not been the same for the princess.

And when she slumbered, what had she dreamed about?

“Her prince!” Yuzu had quickly answered Rukia. “She probably dreamed about her true love day after day until she finally got to meet him. So that when they met, she knew him by then!” The young girl had exclaimed, gushing about the romance in the story.

But that answer, if lovely, was not truly satisfying.

Because who would wait for a hundred years for a promised love? And what would one do during that time? Would you truly be happy not living as you wait for someone that may not come at all?

And what about dreams? What do they even mean? Can they truly show you your true love? Or is that just wistful thinking?

Would a sleeping princess dream every night about her true love?

Would someone who is awake only be able to feel alive in dreams?

And now, as Rukia lays awake considering this, she may have found her answer.

There might be some truth to that story.

Because, even though she should be thinking about Renji and his proposal, all she can think about is Ichigo. Him and his deep eyes, his ever-present scowl, his calloused hands and the way they feel against her skin. They fill every corner of her mind. She thinks about his passion, his will to protect, how he pretends he’s not as kind as he really is. How he never fools her when he’s sad and about to give up. How he believes he’s weak, ignoring that his strength goes beyond his muscles and fighting abilities. And she wonders what he’s doing right at this very moment. Perhaps he’s studying or working on a project. Maybe he’s already asleep. Or it could be he’s out, hanging out with his friends. Then, Rukia cannot help but ask herself if Ichigo ever thinks of her as much as she thinks of him.

It is then that it clicks.

The reason why she has been dreaming about him for as long as she has.

And Rukia can only conclude that Ichigo is who and what she wants.

It has always been this way.

And, yes, she believes she would wait for him for lifetimes. Wait until his remaining human life is over. Until he can join her in the Soul Society as a true soul. And it could take eighty years or more, but that doesn’t matter to Rukia. She is willing to wait for him, no matter what.

Yet she’s not sure she wants to wait any longer.

Because, even if life and death should separate them, the issue is not as clear cut as others have made it seem.

There must be a way for them to be together now.

“You know what to do.”

Yes.

Rukia knows that now.

So the next morning she wakes up with purpose, beyond doing what it is expected of her.

She talks to Renji and explains as much as she can why she cannot accept his proposal. To his credit, her friend doesn’t get upset. He’s visibly sad but understanding at the same time. As if knowing what she is about to do, Renji simply tells her to take care of herself, and to tell Ichigo he better be good to her. Rukia can only thank him for the kindness he has always shown her, and watches him walk away, finally able to move on.

It is a bittersweet affair.

Telling Byakuya, on the other hand, is altogether a different story. It is supposed to be more difficult than talking to Renji was, yet she soon learns that it is not, as it takes nii-sama one look at her to know what she intends to say.

“It took you long enough, Rukia.” Is his mere reply.

It goes without saying that his reaction leaves her flabbergasted.

Of all people, Byakuya should be the first one to oppose her. But she forgets he is one of the few people that gets her decision.

Nii-sama manages one soft smile at her, before talking again. “He’s waiting for you. Go. I will handle things here.”

As astonishment becomes understanding, Rukia can only nod. She feels a tightness in her throat that she can’t unravel. She turns around and she’s almost out of the door when her brother speaks again.

“And Rukia.”

She turns to look at him.

“I’m very proud of you.”

She could’ve hugged Byakuya right then and there and cry in his arms, but she controls herself. It would make the two of them uncomfortable and, besides, there is no time left to lose. So, instead, Rukia sprints away from the Kuchiki Mansion and opens a Senkaimon to Karakura Town. As she enters, she never looks back, and when the gate opens, she finds herself directly in front of Urahara’s store, who is already waiting for her, with a knowing look on his face.

“I had a feeling we’d have a visitor today.” The former Shinigami explains to her, as he shows her the new gigai and the set of clothes he’s carrying.

Rukia is once again overcome with emotion, but before she can thank him, Urahara interrupts her.

“Don’t make him wait anymore.” It is what he tells her before shooing her away.

She doesn’t think twice and, now inside the gigai, she leaves to her destination.

The trek to the Kurosaki household is much more peaceful than Rukia remembered. As she walks under blue skies, with the sun shining brightly from above, she feels lighter somehow. As if this is the place where she’s meant to be. And when she sees the house in the distance, she can’t help but grin.

As she reaches the door, there is a single moment of doubt. Rukia cannot stop herself from questioning if she made the right choice or not. But as she takes a calming breath, she assures herself. Because if there is one thing in this world that Rukia knows better than she knows herself, it is Ichigo.

And he has never failed her.

So, with her heart leaping through her throat, she knocks the door.

Not a second later, he is there, openly gaping at her.

“Long time no see, Ichigo.”

Rukia can’t help but smile.

He looks just the same as always, if a bit out of breath.

Then, warm arms envelope her.

She’s made it home.

#ichiruki #ichirukimonth #ichirukimonth2020 #ichiruki fanfiction #my fanfiction

49 notes · View notes

mac-3-impact · 3 years

Text

We have been evicted from the property we lived at almost two years…so that is why I haven’t been posting…no time to even answer. Misunderstanding with a neighbor I was trying to help brought problems and she sent a bad man to attack me. The man punched me with a hard left roundhouse, pushed my wife Marlene down and tried to kick me…plus stole my phone. I explained to our few homeless group here, I was trying to give warning to this woman who yells at everyone all the time, the danger she put herself into out here in the sticks and she thought I was making threat on her. Later she apologized for her actions to Marlene and my son plus got my phone back too. We’ve been packing since it is obvious we overstayed our welcome. I have tried to create and organize a movement and to continue it throughout the State of California after doing clean up here, amd all the homeless plus Helping Hands will come with their families to help clean the property, but so far have not been successful even in getting the local news people out here. I learned the story of what has been occurring: Honeless people are being herded. Trash buikds up and they evict the homeless who move to another camp, then bring in a crew to clean the area. Apparently three Christian churches organized to clear this property and the people are all being treated so disrespectfully. It is sad. This has happened before.

I wanted this story to be heard. Being given false words of ownership brought us here, yet we are not bad people, sinply victins of poor circumstances.

We were helped when we were in dore circumstances and ked to this place here in Redding California, a godse d for us. Now we are back where we started, only now much more painfully moved, physically, emotionally and spiritually.

It is dofficukt to see others treated this way, especially the destitute kicked when they are down. To solve this problem all around people are waiting to help clean the property. We had not placed main focus on relocating since we were goven permission and the story fit: the outdoorsman we met is a Veteran awaiting hip survery. He tokd us his family owned the land in a family trust, and they were working to build a community center for the disadvantaged, people of poor circumstance, some disabled physically or mentally, who came together to support each other. The outdoorsman’s brother were working on an environmental impact report and once that was done woukd be creating the center.

This was a big part of my incentive towards helping especially after becoming involved with God and the mission I was given towards creaing world peace to heal humanity, using my iwn life as means to teach people how to heal by following my story as I worked to heal and create peace within myself.

It has been difficukt to be so open and honest, publically huniliating myself at times and exposing ny innermost thought as it iccurred. Without support and doing this in my isn has taken my to depths in my soul and through a lot of personal pain to heal, yet I am a better oerson for it and hope others have become better through it as well. Perhaps the story will be goven airtime…yet as with all things, outcomes are very seldom known, only our goal as long as we can keep it foremost against whatever odds we face. Hopefully my body will be more cooperative tomorrow. Since the notice was given me, I have slept even less than my usual 3-4 hours and exhaustion is so prevalent, rest is difficult. Muscles bunch and cramp whike my mind spins in seeking solution to the latest obstacles on a personal level. That Marlene was harmed also weighs on me. She has a huge bruise on the lower sode of her left buttock (both of us injured only on the left side by this assailant), plus her knee is swelled to almost double it’s normal size. I have tried to heal and massage as much as possible to reduce swelling of the water pocket inside her knee, plus now her left shoukder and back are so sore she looked like Quasamoto last night. My lower back is toght and inflamed plus my neck is now too, I have a sprained keft wrist from the kick and since my body has been worked so much, the pain medications are not doing their normal job. Sleep deprivation has affected us both so tenpermemt has been affected too. Well that my story since the 11th of rhis month. Carry on!

1 note · View note

simpsonsnight · 4 years

Text

Episode #83

WHAT THIS?

Cape Feare Season 5 - Episode 2 | October 7, 1993 One of my all-time favorite episode from childhood! This was definitely my favorite episode up to this point. This is mostly a parody of Marty ScoreSaysHe parody of Cape Fear, which I literally never saw before maybe a year ago (Fun Fact: I have spent most of my life never having seen a single Marty movie. Not on purpose, but there came a point where I realized I somehow managed to never see a single one well into adulthood, and this revelation DID *sorta* make me resistant to seeing any, for no other perverse reason than it was a mildly unique trait I had; I broke my cherry on Goodfellas in the last few years... pretty good!!). I realize watching this now, Sideshow Bob really turns a corner here, officially becoming a revenge-fueled homicidal maniac, intent on murdering Bart just out of pure hatred. The classic era of the show tends to have him go back and forth in the severity of his villany, even appearing reformed at certain points. But this is the Sideshow Bob that we see during the post-classic episodes; he’s almost always cartoonishly homicidal, almost always trying to murder Bart. Even if that’s not what the episode is about, it’s always alluded to as if it’s fall-back position. This episode is pretty funny, but it’s not as funny as I remember. I think I liked how gag-heavy this one is, because in the early 90s I was obsessed with spoof movies. Take the last scene, and if you really wanna go deep, listen to the audio commentary for it on DVD. This was actually the final episode produced for season 4 and held-over. So, reportedly a lot of the gags that wound up in this show were typical of the type of gags that were regularly put in the storyboards and promptly deleted by producers seeking to keep the show grounded. The final scene where Bob performs for Bart’s final request, we see Bart holding a Playbill and a mysterious pair of flesh-colored hands hand Bob a bouquet of flowers from off-camera: two impossibilities that at this point in the show would never have made it. I seem to recall Matt Groening saying that everyone was tired and the more privileged members of the Simpsons staff went home early while the animators went buck wild without anyone to reign them in. Another thing about this show was that it ran short. The couch gag is the give-away, but there are so many gags with limited animation in this that may or may not have been created after the episode’s first record: Lisa receives a pen-pal letter from a third-world country experiencing a coup. The scene is accomplished with voice-over while the camera slowly zooms in on Lisa’s mostly-static, but concerned-looking face. Grandpa rambles on, and it just seems like a lengthened scene with recycled animation. And the gag that might be the most memorable of all: Bob steps on a lot of rakes. This scene goes on forever, and it’s really funny. But it goes on so long that my wife left the room during it and thought I paused the show for her. Anyway, this episode is super funny, and I’ll always love it. But it also makes e think of some moron on twitter who tried to meme the joke where somebody in the court remarks “no one who speaks german could be an evil man” with that screen and quote and adding “ain’t you heard of hitler tho?”, as if the show wasn’t making that joke already. Fucking IDIOT. STUPID. FUCKING STUPID IDIOT BITCH. THE B-SODE:

Goof Troop: "Goof Fellas" Season 1 - Episode 58 | November 25, 1992 Goofy and Pete witness an attempted murder and get put in the witness relocation program! And the title parodies a Marty movie! How about that! Part of me wishes I didn’t limit the B-SODE to cartoons, so I could use that Fresh Prince of Bel-Air episode where Will is playing poker with his friends and tells a story about how he and his family were put in the witness relocation program and got tracked down by a scary mobster, only to reveal the whole story was just a gag. The punchline of the show is that jazzy jeff puts on a rubber mask of the scary villain and spooks Will at the end of the episode, which is bullshit because it’s impossible for there to be photographical specificity in a fake story Will was telling. Pissed me off. I guess I found a way to complain about it. Good.

#simpsons #season 5 #goof troop

6 notes · View notes

strikearose · 4 years

Text

Over a jazz tune (IchiRuki)

Here’s the translation of a little story written years ago, I hope you guys enjoy it <3 Summary: It was by pure chance that Rukia had found it one day as she was exploring the wonders hidden in the Kurosaki's attic. You can also read it on ff.net (link) and ao3 (link)

It was by pure chance that Rukia had found it as she was exploring the wonders hidden in the Kurosaki's attic. This place was truly a treasure trove and among her greatest finds were a whole bunch of out-dated items of clothing, dusty furniture and hilarious picture books. However, what that was standing before her very eyes was even more extraordinary and intriguing than anything she had ever seen before. The object had a very peculiar shape : a large sort of golden horn was fixed on top of a wooden box while a small, delicate, crank handle was anchored on the side. She felt the fabulous instrument with her fingertip, appreciating the roughness of the woodwork and the delicacy of the bronzed details.

What could be the purpose of this thing? If there was even one, of course, as her sojourns on Earth had taught her how much Humans liked to surrender themselves with objects that were utterly useless!

A smile of wonder came on her lips as she lifted the object of her dreams with her hands, eager to know more about it. Unfortunately, Rukia quickly felt disenchanted as she realized that it weighed a ton. Bringing it to the redhead's room was going to be a real pain, but she could do it on her own - she was a Kuchiki, after all!

His eyebrows frowned as he heard the heavy footsteps of the brunette coming in his direction. What the hell was she going to show him, now? Vintage pictures that were from a time than none of his close relatives had lived in? Other eccentric outfits that had belonged to his father long, long ago? Well - at least that was what he hoped because even he had no real interest or whatsoever in fashion, the memory of that awful purple sequined jacket still gave him chills.

Ichigo did not have the time to think of it any longer - the door of his room opened with a bang, revealing Rukia's exhausting face. Not expecting it, he watched her struggling to drag a large cardboard box into his room. It was only after receiving a murderous glare from the shinigami that Ichigo finally decided to give her a hand - hey, it was way more heavy that what he'd thought. What the hell was inside that box?

When the brunette's treasure was finally brought to his bed, Ichigo allowed himself a sigh of relief while Rukia, losing no time, immediately began to unwrap... A phonograph.

The young man squinted his eyes slightly, he had no recollection of ever seeing that thing. It probably belonged to the previous owners.

"Ichigo, what is this marvelous thing?"

His chocolate eyes slowly lowered onto his friend's face - she was literally begging him to answer. He had learned over time to appreciate this side of the goddess of death, far different from her usual professional and distant mask. It was in those precious moments, when she left aside her role of shinigami to appreciate every little thing she was given to discover on Earth, that she seemed the most human to him. Her curiosity was always genuine.

"It's a phonograph, Rukia", he smiled and closed his book for good. "It's like the ancestor of a record player, you know? It's kind of a radio, it makes music."

He wasn't going to give her in a nonsensical explanation of how the machine worked - a demonstration would make much more sense. With a cautious gesture, he lifted the sapphire from the record-deck and, plunging his hand into the box, tried to grab whatever record was supposed to be in there.

...

Nothing.

He frowned - if the phonograph was stored there, everything should be in there too.

"Ichigo?", inquired the brunette after a few moments of silence.

"Something is missing", he sighed. "Sorry Rukia but it won't work."

A veil of disappointment passed over her, quickly swept away by her usual mask of neutrality.

"Ichi-nii, are you there?"

Ichigo's eyes opened and he slowly lifted his head, lost. What had happened? He just remembered looking at a particularly tough math problem and then... Nothing. He had fallen asleep on his desk.

"Ichi-nii?", his little sister's sweet voice brought him back to reality:

"Come in Yuzu", said the elder Kurosaki, muffling a new yawn.

The schoolgirl opened the door carefully, smiling, and closed it behind her.

"I wanted to have a look around the garage sale downtown, but Daddy has patients to take care of and..-", he cut her off gently.

"Just give me a few minutes to finish up and then we'll go."

A big smile brighten up the face of the youngest Kurosaki - he knew how much she loved dusting off, sewing, and bringing back to life whatever ancient dolls she could find - Kon being a living proof of it.

With his hands in his pockets, the schoolboy walked through the streets and stalls of the city, keeping a close eye on his precious little sister. Yuzu was on her seventh purchase when they passed along an old vinyl stall - if Ichigo didn't bother to pay it the slightest attention, the young girl grabbed his arm and forced him to approach.

"Weren't you looking for one of those things Ichi-nii?"

His gaze fell mechanically on the discs, but it was only when he met the radiant smile of his sister that he made the connection. The sweet giggle that escaped Yuzu's lips set his cheeks on fire as he used his last savings for an 'ungrateful idiot who wouldn't even understand'.

Several days had passed since the yard sale but the shinigami hadn't bother to even show her face. If at first, the brunette's lack of interest had upset Ichigo - 'She brings and unwraps it, lose all interest two seconds later and leaves it in the middle of my fucking room' - he stored his latest acquisition in a empty corner of his desk and eventually forgot about it too.

The red-head was writing the thirty-seventh line of his essay when he heard a few knocks at his window. Any form resentment instantly forgotten, it took him only a tenth of a second to unlock it for her. It wasn't like he was really looking forwards her return.

...

No.

Ichigo simply had good reflexes.

And maybe bad faith, too.

The high school student didn't comment on how tired she looked - the contrite smile she gave him when she entered his room definitely erase any rancor he still felt. She looked as if she hadn't have a proper night of sleep for ages - there was no way he could have kick her out in her state.

"Yo", he cleared his throat, the silence made him feel quite uneasy.

"Good evening Ichigo."

The conversation stopped there but the atmosphere had mellowed down considerably. Rukia, removing Sode-No-Shirayuki from her waist, gently put it in the closet as he went back to his geography.

"Oh, it's still there!", Rukia's calm voice forced him to look up.

Obviously, she was talking about the phonograph which hadn't been moved for almost two weeks, forcing the poor student to hop over it each time he wanted to go to his bed.

"Yeah, it's your mess by the way so you better..-"

A murderous glance stopped him in his track - well, as he had already paid for it, the least he could do was to surrender for once.

"Here, try this one," said Ichigo, handing the shinigami the disc he had brought.

Her big eyes sparkled. At last! She was about to find out how this fabulous machine worked. With a carefully gesture, she accepted the present and placed it on the player-deck. There was a sizzling sound and then, finally, the music began.

Of course, it had to be jazz music - a waltz, more precisely. The room soon felt into a relaxing, peaceful - not to say intimate - atmosphere. And as time went by slowly, Ichigo who wasn't particular fond of the genre, began humming along the song.

They were far from the sound of clashing swords and cries of the hollow. Far from the violence of the wars they had to take part in. Far from the suffering they had to endure.

He closed the geography book, this time for good, and turned his attention to the brunette who hadn't say a word in what felt like hours.

What the ?

Ichigo almost burst out laughing when he saw her dancing - she looked simply ridiculous : wiggling her tiny body to the music, her eyes were closed, her eyebrows furrowed and she was wrinkling her nose in what seemed to be great effort.

"Rukia?"

She didn't even bother to lift her eyelids and continued her strange choreography. More serene than ever. She didn't seem to care one bit that dancing wasn't her strong suit.

"Gosh, you really can't dance..."

As if by magic, the enchantment instantly broke.

The shinigami opened her eyes, her mouth now twisted in an angry frown - she was about to strike the student with a kidō spell when she realized that he was smiling at her.

Genuinely smiling.

Her cheeks turned an almost adorable pink hue as he nonchalantly rose to stand beside her.

"You suck at this too."

He didn't retort.

"No, you're even worse than me Ichigo."

"Stop complaining", he glared at her. "And watch your step!"

They both went silent.

Their cheeks were bright red and their gestures clumsy - but none of it mattered at that moment.

"Ichigo?"

He opened one eye to look at her, but said nothing.

"Ichigo!", she insisted.

"What now Rukia?"

For god sake, she couldn't hold her tongue for five minutes! She definitely had a knack for ruining moments.

"Thank you."

She smiled at him, her eyes gleaming, as if all the fatigue accumulated over the last few days had vanished.

"Don't mention it, silly."

None of them heard the light footsteps coming up the stairs nor the weak knocks at the door. Yuzu waited a few moments and hesitated before opened it carefully. What she discovered there remained forever engraved in her memory:

Ichigo, with his eyes closed, was in a trance. With his hands placed around what she guessed was supposed to be the waist of a woman, he was moving back and forth, whirling around himself.

The poor girl slowly closed the door and ran away, promising herself never to set foot in his room again.

** (small explanation: Because Rukia wasn't wearing her gigai, Yuzu unfortunately couldn't fully enjoy the show.)

#ichiruki #ichiruki fanfiction #ichiruki fic #ichiruki drabble #ichiruki fanfic #ichiruki oneshot #bleach drabble #bleach fanfiction #ichigo kurosaki #ichigo #rukia #rukia kuchiki #ichigo x rukia #rukia x ichigo #still can't believe they didn't end up together #sillyme #:(

24 notes · View notes