#so yeah the privilege is on show

[mariniacipher]

the way you're watching a video of two women talking about interior design, and the way they judge some spaces seems kind of judgemental to you, but it's all in good fun, right?

Only for them to show a picture of the home of one of the women- and she cannot even hang up her pictures on the wall and made midcentury look like High End IKEA via the vice of minimalism and cowardice in regard to colour and décor- which would explain why she couldn't hang up her picture, if she's so afraid to make a fucking statement.

[argxstxs]

Ohhhhhhhh shiv’s face when she realized that she’s going to be cut out of the boy’s club AGAIN and this time with a baby she can’t even talk about with her husband without risking being seen as soft … Kerry being humiliated by Marcia and the rest of the family… shiv falling down in front of a room of snickering men… gerri being thrown out as easily as garbage… connor’s mom being talked about less like a human being and more as fodder for a pr campaign…

[edwinspaynes]

Dead Boy Detectives being canceled is still one of the Top 10 Worst Feelings I Have Ever Had, but hey. Could be worse. Guess it could have been canceled on a cliffhanger with the obvious Set(TM) on different planes of existence, not speaking to each other after a desperate kiss

[beatcroc]

homest[ar/uck] posting. this was meant to be supplementary to the gerome comic as him 'explaining the joke' but i uhhhhhh forgot.

i'm not much for crossovers in the the traditional sense, but it IS one of my favorite character exploration exercises to just go like 'if x media existed in this universe, who would and would not be a fan of it?'. and these ones are pretty notorious and always very fun to mess with for that and so here we are

[finalacts]

the way under the bridge has becca see herself in the teens of seven oaks, particularly josephine and warren, when in actuality she has much more in common with kelly (background-wise, at least), coupled with her anti-police beliefs vs cam being a first nations cop + the historical & institutional baggage that carries, is so interesting to me. not fully sure how to articulate this yet but the show is putting forth a specific form of (anti-institution yet still benefiting from/privileged ?) whiteness i don't think i've ever seen in media and is really a testament to the thought that the writers have put into in creating becca and cam's characters and the larger paradigms they're meant to portray

[agentscamander-romanoff]

Headcanon:Danny Rand sometimes forgets he is a billionaire

[tricktack]

y'all ever notice how quickly people will start calling a nb person a man again as soon as they're mad at them?

[willesredlights]

.

[cushfuddled]

I finished Hazbin a bit ago and call me crazy but I honestly hope Sir Pentious' ascension had nothing to do with redemption as a concept.

I hope it was just a glitch in the matrix from like, the raw, holy power of Adam's laser blast + whatever magical artillery Pentious had revved up at the helm of his ship. I just think it would be VERY funny if Adam accidentally baptized some guy so hard he rebooted him to Heaven.

[idsb]

it is actually crazy how easily people who work in the music industry can get face value tickets for things even when it's sold out into oblivion

[commsroom]

doug eiffel is, in his own words, a man of many fears, but i think two of the most interesting ones are these twin fears he has about his self perception: he's afraid that no one will ever take him seriously. and he's even more afraid that they will.

i think a lot about his story in all things considered - what it betrays about eiffel's psyche that both minkowski and jacobi present versions of the narrative where they're in the right, but he has this fear. that he's screwing it up, that everything is his fault and everyone knows it, even when he's barely involved and just trying to help. that within his own narrative he is still in some way the one at fault, but also a victim of circumstance who everyone will jump to unfairly blame.

it's his attachment to this perception of himself - as the perpetual screwup, as tragically unlucky, as everyone's punching bag, as ultimately unimportant - that holds him back for so long. because the thought that he will only ever be those things, only ever his mistakes? that terrifies him. but it's safer than the alternative.

with his efforts to cast himself in that tragicomic role, taking eiffel seriously is such a central point to his character development (and specifically in what it indicates re: where he stands with the others) - everything about shut up and listen and constructive criticism, of course, but also. when hera connects with him in bach to the future by opening up about their shared insecurities, she shows him that she takes him seriously and tells him that he should take himself more seriously too. and minkowski can't fully understand eiffel or connect with him as a person until she comes to terms with his conviction and all the complexities that forces her to acknowledge in him.

it's so much scarier for doug "why the hell do you even care what i think? i'm so far beneath both of you that i shouldn't even register on your radars" eiffel to consider that maybe people can take him seriously, that maybe they already do. because if they want him around, if they value his effort, if they care about him and think about him and take the things he says to heart, then that means those things matter. and it means that he matters, which is terrifying both in what it challenges about his own self hatred and the weight it gives to his otherwise careless words and actions.

[void-and-virtue]

OP I LOVED UR ANDREIL POST GOING CRAZY THINKING ABOUT IT if you have anything else in that amazing brain of yours on this take please do share because i absolutely LOVED how you articulated this aspect about andreil. its something i particularily appreciate about their dynamic and relationship with anger and Their Issues TM. your post will cross my mind whenever ill think about it from now on.

I don’t think I have ever gotten an ask and this is kind of making me go insane??? I hope you know that you made my day and also, I’m so glad people share in my endless brainrot bc when it comes to this series and these characters I simply cannot stop

It really isn’t nearly talked about enough that the thing that got Andrew to actually look at Neil and become interested was (as cited by Neil himself at some point tho I can’t remember in which book that scene is from the top of my head) Neil’s bone-deep jealousy of Kevin. It’s—it ties into that whole epiphany that Neil has at some point, when he looks at Andrew and realizes that while he is hurtling towards his own breaking point and about to burn out and shatter into something he’s not sure he’d recognize if he survived the encounter, Andrew hit that point and broke from it years ago. And that’s an understanding that goes both ways between them—in a fucked up way, it feels like Andrew might be the future that Neil has waiting for him if he doesn’t end the year six feet under: hollow and drifting, passionless after everything he had to rip away from himself to be able to survive. At the same time, Neil probably reminds Andrew of how he used to be, back when he had hope for things only to have that hope rip him apart—which is exactly where Neil seems to be headed for the majority of the story.

I think that a lot of Andrew’s understanding of Neil comes from the fact that he knows intimately what it feels like to be caught between a rock and a hard place and cut his own lifeline, only to then fail to die on impact. Neil hasn’t had to resort to that yet, but he is hanging by a thread. You’d think that watching him struggle would only serve to drive it home for Andrew that he made the right choice in closing himself off, except… well. His expectations of life and the people in it are so bleak, it’s no wonder he finds himself drawn to Neil’s messy emotions and every unexpected show of spine like a moth to a flame.

Neil, for all of his issues and scars, can still feel things—can still want something so badly it defies all logic. Can want something with such visceral, fucked-up intensity that it resonates where it shouldn’t. It’s an ability that Andrew thinks he’s either lost or cut out of himself to stay somewhat safe, sane and alive a long time ago, but that remains as the most fundamental crack in the foundation of his being. It’s a fascination that seems to come out every time he’s sober and eventually ties into him wanting Neil—wanting something worth wanting and putting a name to it once he finds it. They look at each other and don’t want a watered-down version of the person in front of them. It creates a relationship that embraces issues big and small and accepts (even values!) the messy parts of being human. It means that any space shared between them immediately becomes safe once they settle into something comfortable together. The way they handle the uglier sides of each other’s personality honestly makes me feral because it’s always done with understanding and acceptance and they even find positives or comforts there that the other can’t see and that’s probably a reason for why 1) their chemistry is so off the charts and 2) their relationship is so damn healthy (in addition to their communication being stupidly good when it comes to each other).

Andrew wants something real and Neil wants to be real. And then they get to have exactly that.

[asocial-skye]

people who hate gilmore girls characters because they're classists are so fucking funny to me because that entire show has classism baked into it. it's like you all just forgot how the maids are treated in that show.

[displayheartcode]

I’m sixteen chapters into my A Great and Terrible Beauty reread, and I’ve forgotten how depressing things are before they enter the realms.

Everyone is sad! Their positions in society are suffocating!

[time-to-write-and-suffer]

Small pet peeve of mine but I hate those posts that are like "you hear the Youths call someone old and then you look them up and they're 30" because like I get it. It sucks to be called old, I guess, apparently.

But like. The person saying that is probably 15. So that "old" 30 y o is literally twice their age. Of course they're gonna call that person old.

And when I see someone who's younger than me by at least 5 years I'm gonna call them a baby. Like yeah that's someone in their early twenties, they're not a literal baby, but they're a baby to me. To them they're an adult. To me they're a baby. So they probably get annoyed being called a baby. But I don't literally mean they're a baby. And that kid when they're 30 is gonna be like wtf how is 30 old?? Cuz that knowledge comes with age.

So like if you're such a young hip whippersnapper at 30 but get butthurt when a teen calls someone your age old, displaying blatant old fart behavior ... idk man. That's a child. Who cares what they say lol. You know you're not actually old and they'll realize that too once they reach your age. So. Idk. Relax.

[starlooove]

And I’m standing ten toes down behind Eloise