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capslocked · 7 months

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PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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ihaveverything · 4 months

Text

Limitless manifesting for beginners

part I - the basic concepts

part II - states, techniques, change

part III - mental diet, sats

part IV - daily life, time

ʚ part V - resistance, faith, the ''real'' world

°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ

Changing your life can happen faster than you ever possibly imagined, but you first have to understand the basics of who you are. This goes beyond the common saying of “you don’t manifest what you want, you manifest who you are” into a deeper spiritual truth about our existence as souls and a reality far greater than what we see now. Each of us has many probable lives, access to infinite probable realities, and is truly the sole creator for our individual reality.

“First of all, a soul is not something that you have. It is what you are.” – Seth Speaks: The Eternal Validity of the Soul

Resistance

To enter a state is not the most difficult thing. In fact, it should be rather effortless, until the factor of resistance and strain comes in. There is no benefit in affirming or visualizing against how you feel, because the latter will always be the victor. In fact, it only reinforces lack because of avoidance.

“There is a great difference between resisting evil and renouncing it. When you resist evil, you give it your attention; you continue to make it real. When you renounce evil, you take your attention from it and give your attention to what you want.” – Neville Goddard, The Power of Awareness

Since we live in a physical reality, we often identify with the part of us that is responsible for daily activities, and we barely give any thought to the unconscious portion of ourselves that is the basis for creating the experience around us. We rely on our senses to survive and allow the outside world to determine how we feel. However, the concept of us being more than a physical form has been discussed in both scientific and spiritual fields. As you have likely learned from Neville and / or Seth, our consciousness is far more than a production of the neurons in our brain. Our own physical form, which we have so strongly identified with, is just like a custom fitting glove that we are constantly creating to suit our needs. We are in the physical as Gods in training, learning how to use our thoughts to create our human experience. This gift is something we were born with, and although the Law is not common knowledge to most people in this world, the truth about reality and our identity is not hidden. It is displayed in each of our lives on a daily basis, with a perfect correlation between the states we’ve been entertaining and the events that occur.

“However, the understanding of the causes of your experience, and the knowledge that you are the sole creator of the contents of your life, both good and bad, not only make you a much keener observer of all phenomena, but through the awareness of the power of your consciousness, intensify your appreciation of the richness and grandeur of life.” – Neville Goddard, The Power of Awareness

Knowing this perspective of being a fragment of God, it is completely up to us to create anything we desire with our imagination. There are 3D circumstances that seem to hold us back, but if you really think about it, what’s more limitless? The 3D world or your imagination? And which comes first? The imagination. Sometimes we wish things were different, we hope this will change, we wonder if that can happen, but notice how none of these are a solid confidence in your experience now. You are the only one limiting yourself to your 3D circumstances. Breaking free of this mindset can be as simple as remembering who we truly are and what our purpose on Earth is. No one knows what your individual purpose for coming here is, but just as an example, let’s say it’s to learn how to create a long lasting relationship with someone you love because that was something you failed to do in the previous life. You chose this life and consented to your current circumstances as a second try, but when you surrender your mind to what you created in the first place, it’s really just disappointing yourself for a second time when you could’ve taken this opportunity to learn. Now that was just a probable situation, and it doesn’t apply to everyone, but if you accept a new view of life and allow yourself to feel connected to infinite possibilities, doesn’t that sound much easier and more powerful than feeling stranded in a 3D world?

“How many of you would want to limit your reality, your entire reality, to the experience you now know? You do this when you imagine that your present self is your entire personality, or insist that your identity be maintained unchanged through an endless eternity.” – Seth Speaks: The Eternal Validity of the Soul

“It is not that physical reality is false. It is that the physical picture is simply one of an infinite number of ways of perceiving the various guises through which consciousness expresses itself.” – Seth Speaks: The Eternal Validity of Soul

Manifesting is effortless because it’s a decision, not a chore. If you were asked to get from Paris to Tokyo without a plane, that’s gonna take a lot of effort. You were not asked to do so. The key points to making that mental decision effortless is understanding life from a creator’s eyes + playfully using your imagination beneficially + gentle reminders that creation is finished + repeatedly making the same choice for which reality you will experience without trying to change anything in the 3D. As the Seth quote above says, your physical reality is not fake, and it’s actually a misconception to believe so. The people you meet everyday are real human beings with the same feelings and consciousness you have. However, there are many different versions of what you can experience, so your goal is to select something new. Telling yourself that 4D is the only real world and 3D is fake can lead to delusion or inner conflict when everything around you seems so real (which it is), because it could cause a spiral. If your SP left you in this reality, it does not mean that they are a fake puppet who doesn’t have a mind of their own. All it means is that your circumstances are aligned with whatever states you were dominantly entertaining, but you can change that at any moment. People often get confused with how to view the 3D because it gives them the most resistance, which brings them closer to trying rather than effortless manifesting. Your experience is made of internal selections, choices, and decisions. Choosing something better for yourself should be as easy as second nature, because who doesn’t want a better life?

“You must begin to trust yourself sometime. I suggest you do it now. If you do not then you will forever be looking to others to prove your own merit to you, and you will never be satisfied. You will always be asking others what to do, and at the same time resenting those from whom you seek such aid.” – Seth, The Nature of Personal Reality

Everyone who reads Neville and Seth should have come to the realization that we are connected to God / source. There is absolutely no power outside of you that determines your reality, so there’s really no reason for us to trust anyone but ourselves. Seeking outside help for more knowledge is a good start, but ultimately experience and application is the breakthrough moment for most people’s understanding in the Law. Nothing beats the feeling of your first major manifestation coming into fruition and you start thinking what more you can do next. Sometimes the only thing that stops you from seeing manifestation as effortless is having one foot in and one foot out. If you take a step forward but keep looking back at where you were before, then you haven’t really bought the Pearl of Great Price like Neville says. No teacher, book, guide, or video can do the mental work for you. At the end of the day your biggest motivator will and should always be yourself, because you need the drive to change your life.

Faith

When considering the best way to manifest your desires, it’s important to recognize that if you were bound to the 3d limitations of this world, many fundamental concepts such as creation is finished, infinite versions of yourself and others, different probable realities, imagination is not fiction, etc wouldn’t exist. Having an intellectual understanding of these things is not the same as feeling an emotional connection. Since the Law of Assumption places faith in breaking free of limitations and opening our minds to endless possibilities, it would also be helpful to view ourselves from a different perspective.

When people spiral over circumstances or are feeling resistance when doing techniques or returning to the state of the wish fulfilled, it is often because they lack a sense of control. They may view the current situation as solid, or their beliefs are too deeply rooted so they can’t see how the things they put attention on aren’t actually objective facts about reality. They could also feel like they are at a disadvantage, or are unsure of what to do when met with undesirable events because they aren’t finding comfort or confidence in accepting that they are actually the sole creator of their reality.

“Do not judge after the appearances of a thing. In judging after appearances you forget that all things are possible. Hypnotized as they were to the reality of appearances they could not feel the naturalness of sanity. The only way for you to avoid such failures is to constantly bear in mind that your awareness is the Almighty, all-wise presence, who without help, effortlessly out-pictures that which you are aware of being. Be perfectly indifferent to the evidence of the senses, so that you may feel the naturalness of your desire–and your desire will be realized. Turn from appearances and feel the naturalness of perfect sanity and sanity will embody itself. Your desire is the solution of your problem. As the desire is realized, the problem is dissolved.” – Neville Goddard, I Know My Father

Essentially what Neville explains in his teachings is that it is beneficial to live life from “God mode”, or in other words, a perspective where you truly are the only cause for every external materialization in the 3d world. I understand that there are many religious people who also follow manifestation content, and their beliefs may not resonate with saying “I am God”, which is perfectly fine. Ultimately the goal of this perspective is not to claim power for vanity, but to gain confidence and understanding in knowing just because you are a human, it does not mean manifestation is a powerless being trying to do magic tricks to make a miracle happen. When we view the Law as an unbelievable or difficult promise, mental dieting becomes much harder because there is a belief that prevents us from seeing things as attainable, or even effortless and naturally promised to us. The “God mode” perspective is helpful because it allows us to feel more connected with infinite possibilities that easily dissolves doubts and fears surrounding circumstances. Think about it this way, would God worry about being blocked by their person? Would God worry about not passing a job interview or not having enough money? No of course not, so you shouldn’t worry either. What you can gain from the Law of Assumption is fulfillment of your dreams and desires, so aligning your perception of yourself with someone that is easily capable of getting such things will lift a weight off your shoulders.

When you are going about life attending to your daily commitments, it can be easy to forget this perspective, because certainly anyone would look at you weirdly if you claimed “I am God and you are too”, but if you treat this as a playful reminder and an internal understanding that benefits your manifestation, it won’t feel like you’re usurping power. If you are waiting in line at the store or cooking at home and your mind wanders to the unlovely things, observe how you’re viewing yourself. Are you surrendering to physical human senses, or are you taking control by confidently returning to this new perspective?

Resistance is often defined by the emotions and thoughts we have, but if you think about where they come from, the root is always a belief. All circumstances, no matter big or small, are no trouble if you start believing in things that allow you to feel more powerful. You cannot possibly feel upset over something when you know you are connected to God and things will change because you say so. View life from the eyes of God, and your circumstances will reflect that back to you eventually.

Additionally, faith is believing in the unseen. How do you know what is unseen and what is improbable? You need to test it out. People always want to rely on others for motivation and success, but your life is your life. You have full responsibility and control over it, and there’s no excuse for anyone to stop themselves from reaching success because they always want to hear about someone else’s story first. It does not do well to compare or to worry. All the answers you need are within you. Ask yourself before you ask someone else, and learn to give yourself the willpower you need. A leap of faith is not as complicated or scary as it seems. You will gain faith after you realize this works for me, I’ve done it and now I will do it again. Joy from seeing other people’s stories will never be the same as the feeling of winning on your own. It’s understandable to question the Law after a significant period of no results, but ask yourself this question, “Have I truly changed my beliefs?” If the answer is no, then there’s no reason to doubt the Law, because you haven’t met the condition under which your 3D will reflect your desire. If the answer is yes, then that means you believe with full conviction that you already have what you want. With that being the case, then you are someone new. Why would that new version of you question where your results are? The logic of the Law is that you won’t get hurt or disappointed from applying it. Success is inevitable, and if you’re applying it properly, then there’s no reason for you to feel negative anymore.

The ''real'' world

I’m sure many people have wondered at least once in their lifetime what the meaning of life is, why are humans here, and what happens after death. There are curious minds that think about this existential question frequently, and people who don’t care about spirituality and manifestation beyond achieving their own desires. And that’s perfectly fine. People hold different beliefs all around the world. From religious ones to scientific theories, there’s always been a central question of what is the true purpose of our existence. The Law of Assumption is closely tied to metaphysical concepts such as the multiverse theory, cognitive scientific conclusions that studies how the brain / mind alters and shapes our realities, psychological perspectives on emotions and their subjectivity, etc. Manifesting is not a baseless optimistic lifestyle, nor is it confirmation bias. The Seth Material has introduced an extensive and detailed collection of works that explain how we have come to this world to experience life as humans. We are learning and evolving, shaping our realities with our thoughts, beliefs, and expectations. Seth even dives into the afterlife to explain death, afterlife choices, and other planetary existences and communities. He explains our existence:

“I am telling you that you are not a cosmic bag of bones and flesh, thrown together through some mixture of chemicals and elements. I am telling you that your consciousness is not some fiery product, formed merely accidentally through the interworkings of chemical components.” – Seth Speaks: The Eternal Validity of the Soul

For the people who found this material intriguing, some may have come to the realization that the world is quite more complex than what we can perceive right now. It is not to say that spiritual findings and beliefs should take over our daily life and affect our ways of living by completely branching off into a secluded mindset that differs from any other normal social interactions we may have. From my perspective, it’s a proposal that may be beneficial to those who are feeling lost or powerless. To recognize and embrace life as an experiential game of choices rather than an unknown path of challenges is a way to understand effortless manifesting. The most limitless we can be is always within our imagination, because it’s truly a place of possibilities, freedom, and creativity, so enjoy it.

“Suffering is not good for the soul, unless it teaches you how to stop suffering. That is its purpose.” ― Seth Speaks: The Eternal Validity of the Soul

#law of assumption #manifesting #loa #loa blog #loassumption #neville goddard #edward art #manifestation #loa states #imagination creates reality #loass states #conciousness #imagination

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mochatsin · 4 months

Text

When MC Gets Pushed Off the Stairs

You can be the kindest person or the biggest brat this exchange program has ever seen, but it won’t erase the fact that you have enemies. Some demons just can’t stand the idea of a human earning the favor of the seven avatars… and there are others that plan on doing something about it.

TW: implied bullying, falling down the stairs, sprained ankle + MC in a cast, violence, demon brothers being a bit more sinister.

I was in the mood for a bunch of dark and spiteful demons. I might make a separate part of them taking care of MC during the times they have a cast.

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“Who do they think they are? They probably feel invincible when they have those brothers stuck to their hip.”

You tried ignoring the rumors and whispers, you knew it wasn’t true so there wasn't any reason for you to bring this up with anyone. Though there were a bunch of demons, specifically these two girls, that are quite irritating. They definitely knew you could hear them, but that doesn’t mean they’ll lower their voices whenever they start talking about you. Seeing your discomfort is what even encourages them to keep talking, and you’re walking down the stairs to your next class so you can avoid them because there’s no way you’re gonna give them that satisfaction of seeing how bothered you are.

“Invincible? As if! They’re just a human.” The other mocks, looking at you with disgust.

“Let’s find out.” Is the last thing you hear before you feel someone’s heel push your back, making you lose your balance and fall over. It was a blur after that, until he came by…

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Lucifer

Students are crowding the stairwell, and Lucifer can feel the annoyance already blooming. A crowd like this usually means trouble, and he wonders if Mammon is trying to place bets in secret again. It won’t be the first time he catches his brother discreetly collecting gambling money after convincing other students to bet on something stupid, so Lucifer isn’t going to be surprised if his initial thought was right as he pushes through to see the commotion.

That’s when Lucifer desperately wished he was right as soon as he saw you on the ground. Two demons on top of the stairs laughed and mocked you, but the moment Lucifer stepped in the scene they immediately shut their mouths out of fear and so did the crowd of students around you. He can piece the scene together and understand what happened, but he needs to hear from you first.

He kneels down to your level to check up on you. You’re not unconscious and that’s great, though you seemed pretty shaken up. Falling down the stairs and having several students stare at you wasn’t pleasant after all. “Come, let’s discuss what happened in the student council room.” Lucifer offers, since the last thing you need is to be the center of attention and he knows it won’t be a good idea to let you stay here longer.

He helps you stand, but you stumble and cling onto him for support. Your foot… it hurts so much that putting pressure on it sent jolts of burning pain that almost made you scream. You’re trying to be strong despite the pain, you can’t show weakness in front of Lucifer who’s relying on you to represent humans. What kind of image are you showing them? That you’re fragile and weak? It’s all getting overwhelming and Lucifer can see you’re already at your limit.

He turns to the two demons on the top of the stairs and glares at them. The temperature drastically dropped, breathing felt so heavy all of a sudden, and there’s this feeling of dread that paralyzed not only the two but also everyone around them. Trying to run away wasn’t an option, the two girls knew it would just make things worse for them.

“I expect to see the both of you in the council room at the end of the day. Or else.” There’s no negotiations, and opening their mouths to protest is already a defiance to Lucifer’s orders. He’s already quite strict on his brothers, what more to a pair of demons that doesn’t seem to understand that there are consequences to their actions? “Everyone, get back to your classes.”

Once everyone has finally left you both alone, Lucifer carries you in his arms. There’s no way he’s letting you limp to the infirmary in this state. He checks your ankle and sighs when he realizes it’s sprained. You thought at first that he’s stressed because you getting hurt meant more work for him, but the worried look on his face shows that it’s not about that.

You’ve been so strong for doing so much here like helping Lucifer manage all of his brothers while still doing your duties as a student, trying to keep up a good impression enough for Diavolo’s exchange program. Now seeing you hurt with a swollen ankle is making Lucifer rethink his views. It’s not pity that’s written on his face, it's… something else entirely.

“I don’t think you’re weak at all… but maybe it’s time that we take care of you, little lamb.” Lucifer says. It’s an understatement to say that you’re dependable because you’re much more than that to him. He wonders how he even managed to get by with his brothers before you came into their lives. You’ve been so reliable, Lucifer almost forgets that you’re also fragile. You’ve done too much, you deserve a break and be pampered. It’s exactly what he does now that you’ve got a cast on your foot.

Lucifer doesn’t like seeing you with those crutches, it doesn’t sit right with him when someone like you is suffering from something as basic as going up the stairs. He starts making a proposal about making RAD more accessible for students by adding elevators or magical levitating platforms. While it’s a good idea on its own, you can tell that they had this plan so that you don’t have to suffer through the stairs anymore. Everyone else immediately agreed to the proposal without second thought.

Lucifer had the two demons apologize to you, and he doesn’t care whether they bruise their skin or get covered in dirt, they will be doing it properly. To beg on their hands and knees, bowing down until their foreheads touch the floor. He won’t let them up until they actually feel genuinely sorry, he doesn’t care how many students will be staring at their pathetic displays. He’s almost tempted to dig his heels into the back of their skulls should they lift their heads for even a single inch from the ground.

He’ll chip away at their pride that led them to hurting you, finding a way to humiliate them in every subtle way until they’re the ones cowering their head. Lucifer would make subtle comments each time their paths would cross, always looking for a single flow that he would call them out for under the pretense of how it’s unbefitting as a student of RAD. It’s so harsh that the brothers almost felt sorry for them. Is it petty? Perhaps it is. But he doesn’t feel guilty at all when they actively chose to hurt you, and maybe he’ll stop once your ankle is all better.

Mammon

You two were together but then he said had somewhere he needed to be. Mammon was supposed to meet up with you before classes, he just needs to talk to some people he owed a few grimm to and possibly ask for another deadline extension. He’s turning to every corner trying to make sure Lucifer won’t spot him counting his debt, though he did notice the crowd that was forming a few meters away.

He didn’t give it much thought at first, but that’s until he heard the whispers of students walking towards the scene. ‘It’s that human exchange that fell’ ‘fell? They were pushed, weren't they?’ And that’s when Mammon starts to sprint, honestly hoping that it was Solomon and not you that they were talking about.

“Outta the way dammit!” Is all you hear, with a few grunts from students getting forcibly shoved to the side before Mammon finally finds you on the floor clutching your ankle. He squats next to you to check the damage, and you can tell from the expression on his face that it doesn’t look good at all.

He looks up at the stairs and sees the two demons snickering at each other before running away from the scene. Mammon recognizes them, he’s heard some of the nasty stuff they’ve said about this exchange program, and especially about you. It just never occurred to him that they’d do something this drastic when given the chance. Mammon was gone for ten minutes and that was enough time to hurt you.

He wanted to run after them, force the two to apologize to you. To make them pay. Though the wince and cries from you are what makes Mammon think with a clear head. You tell him that your ankle is hurting, you can’t move it as much without any pain. So he carries you and makes a run for it to the infirmary. No ambulance compares to how quickly Mammon ran just to get you some help.

Mammon stays by your side, too afraid to leave you for another second after what happened. He stares as they patch up your ankle and you’ll be in crutches until it heals. He’s mad, but definitely not at you. He’s angry that this happened under his watch when he’s supposed to be making sure you’re safe from demons like those. That was a role entrusted to him and he already feels like he failed.

“Ya aint leavin’ my sight, not until that ankle of yours is back in shape aight?” And he meant every word. If he’s not glued to your hip, then you swear you can see a three-eyed crow that’s following you around wherever you go. You just feed it some snacks if you have some when you can, and you wake up with shiny trinkets by your desk the next day.

Mammon is ready to be at your beck and call anytime you need it. You let out a grunt of frustration if you dropped your bag and spilled all your belongings. Your sprained ankle makes it hard for you to bend over to get them, but the moment you turn your head, Mammon is already at your feet grabbing you everything. If it weren’t for the circumstances (like your injury), Belphie would probably exploit this and make his older brother do everything while pretending you asked for it.

The two girls have noticed how much those crows have been following them around. Crows can hold grudges, and they definitely recognize the demons that hurt the human they (and their master) care about.

It started off as something harmless as landing on their desks, squawking at them, or stealing their pens before an important exam. Though when Mammon noticed them occasionally mocking you behind your back for that cast once you came back to RAD, the crows became more aggressive. The birds pulled on their hair, pecked and bit on their skin, clawing at them whenever they could.

Desperate for this madness to stop, the demons are already by Mammon’s feet begging for the crows to leave them alone. Personally, Mammon would’ve done something much worse but there was no way he’s going to abandon you for a second with that cast. “I’m feeling quite generous, so if ya hear me out on my conditions i’ll let you off the hook yeah?”

In exchange for finally getting some peace from those crows, the demons agreed to two conditions. One, never to lay a hand on you ever again unless they want the risk of the birds invading their homes. No more mocking or even looking at you with malice. Two, pay Mammon every month. By the time that you got that cast removed, Mammon has paid off some debt from his classmates and he’s quite proud of it. At least he could take care of you and save some coin at the time. No one said it had to be his money right?

Levi

Levi didn’t spend lunch with any of his brothers or classmates as usual today. He likes spending his free time alone in isolated places like the school garden, empty classrooms, or even the rooftop so he could play his games or watch his anime in peace. Socializing with too many people is overwhelming, this is his own way of recharging to get through the rest of the day.

Though there are rare instances that Levi would ask you to join him in his little hideouts, because you’re one of the people he doesn’t feel too draining to be around. He planned to share some of the snacks he bought for the both of you, but he saw that you were talking with his other brothers at the cafeteria. Feeling dejected, he decided to spend the lunch alone as usual and wait for the class. There’s no way you would want to spend time with someone who’d rather play gacha games on his phone for lunch…

He was hiding by the corners of the stairwell to play his game when he overheard two demons talking so badly about you, followed by hurried footsteps and then a heavy thump at the end of the stairs. Then he heard a familiar voice cry out in pain, and it’s when he realized that you were pushed off the stairs. He saw your body on the floor, trying to recover from the fall and he felt like his world was crashing in on him. He’s frozen in place, unsure of what to do without making things worse.

You turned around and found him hiding behind the stairwell, eyes locked for a moment that felt like an eternity to the demon. That’s when Levi realized he can’t just stand there idly when his player two is injured. Despite the anxiety, he ran to your side anyway to check on you. His face went so pale when he saw you clenching your ankle, the pain evident in your expression. “I-i’ve got you just… dammit what do i d-do…?!” He mumbles the last part, because he knows this isn’t a game where it takes one button to heal you back. No saved file to help him now.

Levi looks up at the stairs and sees the two demons glaring at the both of you. Out of all the brothers, they would never take Levi seriously. To them, he’s just some demon who dedicated his life to a world of fiction and seeing him fumble right now just proves it. They say that Levi just lacks any real skill to even help you before they left.

He hates to admit that those two are right, and that makes him loathe himself even more. Levi almost went down on a spiral, but that’s until he felt a phone get placed on his hand. He turns to meet your gaze, you handed him his D.D.D. and he knew what you were asking him to do. Levi quickly dials for his brothers and help came to you after a minute of doing so. He’s thankful for their quick responses, he wouldn’t be able to handle it if a crowd started forming around you both.

Everyone of them was huddled outside the infirmary while you were getting patched up, and Levi explained what he witnessed. Though he starts going into his self-destructive speech patterns at how he could hardly do anything to help you by himself that he needed to get his brothers to do it for him. He felt so useless to you, but Lucifer interjects. “It’s natural to panic. But if you did not call for us, then they would’ve been in pain for much longer.”

That helped Levi feel a little bit grounded hearing reassurances from his brothers. Lucifer then tasked Levi to be the one in charge of taking care of you during school days. Since Levi also takes his classes online, then he can watch over you while you’re resting in the house. You both can take online classes together while you recover from your injury.

Levi spends most of the time in your room instead because there’s no way he’s making you go up those stairs to his room, and he doesn’t want to risk you getting hurt or slipping if you try to get in his bathtub. As clumsy as he could be, Levi did his best to take care of you. He did want to spend some time alone with you, but he wished it didn’t take a sprained ankle to get what he wanted.

“I-if only this healing item exists, it would’ve been really handy right now…” He says as you both play a two-player game, the demon staring longingly at the recovery potions on the screen and wishing it could take away your pain right now. Levi often wonders… maybe if he didn’t sulk from the jealousy, if he actually asked you that day to go spend lunch with him, then maybe you wouldn’t have gotten hurt like this.

Levi was watching some anime while you slept, and he saw the bullies on the anime picking on the innocent main protagonist. The scene just reminds him of what happened to you, and that brings him this sense of rage and justice. It was unfair what those two girls did to you, and Levi doesn’t think it’s right that he does nothing about this (assuming that his brothers haven't gotten to them first).

The girls found all their accounts hacked. From Devilgram to their bank accounts. Their emails and passwords were changed overnight so they couldn’t figure out how to get it back, and if by some miracle they recovered their accounts, everything was already wiped clean by then. Levi may not be the most confrontational brother, but he’s the best behind the screen. He’s chugging his third energy drink as he thinks of new ways to plant a virus in their D.D.D.’s when he goes to school at the end of the week to hand over both of your homeworks.

When Levi overheard the girls still talking about you during break, they found all their stuff completely drenched and ruined by the time they came back to their seats even though the classroom remained dry. Gadgets were water damaged, and schoolwork that they were supposed to be submitting later is already long gone. Even their lockers were stuffed with sand and sea water, spilling all over their uniforms as soon as they opened it. The teachers scolded them for the mess they ‘created’ no matter the protests that they never did, but who would believe them if they said it was Levi’s doing? The girls never uttered your name again.

Satan

The teacher assigned you both as partners for a class project due next week, and Satan suggested that it’s best to get a head start on it while your schedules are free. You babysit all of his brothers every day, so Satan expects that your days are going to be quite busy if any of them knew you had a bit of free time to spare. At least his plans are something productive, he gets to spend time with you while also finishing some homework together.

It’s ten minutes past the agreed time you both were supposed to meet. Satan is outside the school library, tapping his foot on the floor as he messaged you but receiving no response. He knows he could’ve gone ahead to do some research to pass the time, but the point of this study date was to do the project together. It’s never like you to be late without any notice, so he sets out to look for you.

Satan is walking swiftly, wondering if you were still at the cafeteria. He dials your number to try to call you during his search, and he stops in his tracks when finds your phone on the ground, the screen cracked. It brought alarms in his head and he picked it up to figure out where you must’ve dropped it. It wasn’t hard because he soon spotted the crowd of demons by the stairway nearby. He could immediately guess what happened as he ran to the crowd, and he’s shocked when finally sees that you were the source of commotion.

He doesn’t care how many students he shoved just to get to your side. Seeing you on the ground in pain already warrants an emergency. Satan guessed your phone flew out of your hand when you fell. “What happened to you?! Where does it hurt?!” Satan asks, pulling you close in his arms and checking what’s causing you pain. He sees your ankle swelling slightly, and he’s trying to deduce what he can do to help after reading all of those human health care books just for you.

Though the laughter he’s hearing from the distance is annoying and distracting. Satan glances up and spots the two girls fleeing the scene, looking so proud of themselves. When he realizes what happened to you, his anger is already bubbling through the surface that it’s almost hard to contain. The pained expression on your face doesn’t help, the only reason he hasn’t fully transformed into his demon form is that he doesn’t want to draw more attention or hurt you more than you already are.

The way these students crowded around you like vultures to a feast is making Satan frustrated at each and everyone of them. How could they just stand there and watch while you were in pain? And those two girls, he will make sure to burn their faces into his memory for later. You could practically feel the heat of his wrath radiating from your pact and it’s making your body hurt more. Satan realized that his temper right now could be causing you more pain, so he focuses his thoughts into getting you some help instead of the anger that wants to burn everything and everyone around you.

“Calm down… just calm down…” he mutters over and over while he gently scoops you into his arms, though it sounds more like he’s trying to convince himself. Satan is careful when carrying you so he can take you to the infirmary, and all the students parted like the red sea when Satan shot glares at them, quickly scattering like rats while the two of you disappeared into the infirmary.

His eyebrows are furrowed the entire time as he waits for you to get patched up. His brothers have already arrived after they heard what happened, though they could sense that the fourth born is already on edge like a ticking time bomb. He’s quiet not because there’s nothing to say, but because he’s trying to hatch a plan. Something like this shouldnt go unpunished…

Satan is glad for his position in the student council because it meant that he could access some files from RAD. What does he do best? Studying and gathering as much information as he could. He looks for any detention notices until he finds the names and faces of the two girls that hurt you. A smile spreads across his face, though it was nothing pleasant. Like he just found his new prey.

He just needs to wait for that detention day, patience is the key to success. So for now he’ll focus on taking care of you. Satan pays more attention to you, always attentive to your needs. He brings you notes from any classes that you’ve missed during your recovery, and you heard from one of the brothers that they’re all trying to rack up money for a better phone since yours broke. you do admit that you feel bad for all the extra work he puts up for your sake, especially since Satan even had to do most of the project that you both were originally supposed to do together in the first place if it weren’t for the incident.

“You’re speaking nonsense. I don’t mind putting in more effort just for you, all you need to do is to recover. I’ll consider that as my thanks.” Satan would bring you books in bed or make you some coffee topped with some latte art just so you wouldn’t feel so bored. You can’t go to cafes or libraries with him like you both used to, so Satan will do everything with you in the comforts of your room.

Satan counted the days until it was time. He assigns another brother to watch over you. Asmo pretends not to hear the sound of the main door closing in the middle of the night, distracting you with something pretty he recently bought. The next school day rolls around and everyone is lucky you’re still in bed rest when the news broke out. Two students were found unconscious on the stairs in an awful state. Normally, falling down a flight of stairs doesn’t do much damage to a demon as much as it can to humans. And yet the bones in their legs were absolutely shattered…

None of the brothers were honestly too bothered to tell you the events that transpired, mostly because they knew the culprit. Satan would rather that you focus your energy on recovering. The only news that Satan told you was that you both got a perfect mark on the project you both worked on in the comforts of your room, but he doesn’t bring up what happened to those two demons. You only found out when Solomon accidentally told you during his visits.

Asmo

There’s only a few minutes left before the next bell would ring, so Asmo makes sure to retouch his makeup in the school’s bathroom just as he usually does. He dedicates twenty minutes of his daily time making sure that he looks absolutely perfect, so he could bless the eyes of those who pass by to bear witness of his beauty. At least, that’s what he always tells you whenever he leaves.

Just a bit of blush here and there to match his eye shadow, and Asmo has this proud smile on his face when he’s sure that he looks absolutely spotless. He wanted to bring you along to his little pre-class make up routines, and maybe next time he’ll hear that sweet ‘yes’ from you when he asks. Just thinking about you is making him giddy, so Asmo packed up his pouch and tried to look for you.

It didn’t take him long because as soon as he opened the bathroom door, he spotted a few students by the stairs. Asmo finds it unusual because what could be so important that he’s not the center of attention? Regardless, he’s intrigued enough to investigate the source and he’s horrified to see you down the stairs, clutching your ankle.

If it wasn’t you, then it was Asmo’s shriek that probably drew more attention to the scene. He’s quickly running to your side and checks if you hit your pretty little face anywhere. “Darling, that must’ve been a nasty fall! I would hate it if you got any bruises anywhere on that perfect skin of yours.” Asmo whines as he helps you sit up to give you more support, wrapping an arm around your waist.

When he did so, he heard a scoff and finally turned his attention to the top of the stairs where the two girls looked at you with disgust. He recognizes one of them from his fanclubs, a girl that often tried to get his attention. The facial expressions and body language says all he needs to know, he’s seen this look before. Someone like you being held by Asmo is a major offense to her eyes. The two demons storm off before Asmo could say anything.

Asmo pursed his lips together in frustration before he turned to all the students crowding around you. For once, he hated this attention you’re getting and he sees how much you’re getting shaken by this. “Scram.” Asmo said with enchanted glowing eyes, watching as they all obeyed his command. He then turns to you and wraps your arm over his shoulder to hoist you up. “Come on, let’s get that treated or Lucifer will kill me!” Asmo says to try lighten the mood, though it doesn’t hide the bloodlust in his eyes.

He doesn’t like sweating when he just retouched his makeup, but he can’t even bring himself to think about that now whenever he hears the pained whimpers from you everytime you struggle to take a step. The brother’s eventually arrive to find Asmo outside the Infirmary, scrolling through his phone. Looking closely, he’s actually stalking the profile of the demon he saw earlier and there’s a sinister smile on his face whenever he learns something new about his target. The smile was enough to creep Levi out.

Asmo is always checking up on you when you’re at home recovering, trying to cheer you up whenever he has the chance. It’s gotten to the point he lessened his time clubbing or going to malls just so he could stay with you. “When you’re out of that cast, there will be a special bath full of rose petals with your name written all over it.” Asmo does his best to pamper you whenever he can, knowing how hard it must be to have that cast. It’s truly awful when these sorts of things have to happen to you when you both just bought some matching shoes together! He decides not to wear it yet until your foot gets better.

While you were gone, Asmo did what does best. Gossip. He started giving that other demon attention like she always wanted, whispering and suggesting things in her ear. About how that other demon, her friend, was saying disgusting things behind her back and Asmo is only telling her this to ‘look out’ for her sake. He relishes in her angered expression, knowing he now has her wrapped around his finger like a puppet and all he needed to do was sit back to watch the show.

Each day he found himself feeling excited to go to school just to see how those two would hurt each other this time. It started as something petty with his fan constantly bumping into what she used to consider as a friend, feigning ignorance whenever she’s confronted. Of course, she retaliated back until their silent arguments full of passive-aggressiveness turned into something more violent and hostile. It started from mean notes to death threats until they can’t even stand being in the same room without trying to claw out each other’s eyes. All because of Asmo’s pretty words.

There are times teachers are called to intervene because two girls began fighting in the hallways, screaming profanities while pulling at the other’s hair or horns. Whenever the drama dies down, Asmo would go back to add more fuel to the fire just to watch them burn. He tells his dedicated fan more lies just to enable that rage, spreading a rumor or two around the campus to make it sound reliable. He loves having that charm that captivates and charms, especially someone as gullible as this demon who’d listen to anything he says.

News was no longer about your recent incident, it was now about how the two demons fought so badly that they fell over the stair railings from the top floor all the way down. Given the severity of the injuries they’ve given each other from the week alone, they had no choice but to be suspended until the student council decides what to do with them.

Of course, the brothers knew Asmo pulled the strings, seeing that smile on his face whenever the two girls would try to tear each other apart made it so obvious. Not only was it easy and entertaining, but it kept his nails clean too. It’s not like he broke a rule right? They both did this to themselves. “I can’t wait to tell my darling what happened~!” Asmo hums excitedly on his way home to you.

Beel

Lunch time is definitely Beel’s favorite part of the day (and the lunch lady's worst nightmare). He’s golfing down as much food as he could since he’s been so hungry from his last class which was Magical Potions. Whenever his hunger starts to act up, it’s already a struggle not to eat the ingredients to alleviate it, knowing his teacher would scold him just like last time when he chowed down the entire jar of shadow salamander tails.

He’s lucky whenever you both are paired up together, since you bring him some candies to alleviate his hunger enough for him to focus again. You were his lifesaver. Just the thought of you makes Beel wonder where you were. He went ahead today because you said you needed to see Satan to discuss a project, and you were taking quite a while. He’s had food saved up for you and it’s getting harder for Beel not to eat your share, plus it’s always better when you both eat together.

The last straw was when he saw Satan in the cafeteria and when he asked the blonde where you were, the fourth born said he couldn’t find you. Beel grabs a few snacks to keep his stomach going when he searches for you. Normally it’s hard to convince Beel to leave the cafeteria during lunch break, but you’re that important for him to abandon the heaping food on his table. He was trained as an angel to be ready for any sort of disaster, and his gut is telling him that something is definitely wrong. He only confirmed it when he was walking down the stairs and saw everything.

Two girls were laughing and mocking the human he’s grown to love and care for, and when he found you on the bottom of the stairs after a fall, Beel was seeing red. He doesn’t hesitate to slam his fist against the wall and demand silence, because there was no way he was going to let them insult you any further. The two demons saw him and stiffened, quickly running away from the scene to avoid getting caught. The girls knew that Beel would crack their skulls open like he did to that wall if he got his hands on them.

Beel normally would’ve gone after them, but seeing how you’re struggling to get up on your own is what changed his mind and ran to you instead. He doesn’t even get to run all the way, at some point Beel jumps down the last flight of stairs just to reach you quicker. “Tell me if it hurts…” Beel whispers as he tries to help you up. You winced from the pain, and he decided to effortlessly carry you all the way to the infirmary because he would never make you limp this entire trip and deal with the ache. He’s a big demon, and lots of people find him terrifying when aggravated. And yet he’s so gentle when it comes to you.

Being a fangol player, Beel knows what it’s like to hurt yourself. He’s had Lucifer and Mammon help him back to the house after one intense match against the opposing team. The difference is that he could heal a bit more quickly compared to your fragile human body. What normally takes days for his body to regenerate could last months for you. He’s being careful when he carries you to the infirmary, holding you close like you’re the most delicate thing he’s ever held and he might be right at this point when he watches the nurses patch you up.

Beel is pacing so much outside the infirmary that his twin had to calm him down before he would drill a hole in the middle of the halls, his head is thinking about all of the what-ifs. Luckily you weren’t critical, save for the sprained ankle, but there’s this guilt on his face when he looks through the window and sees your cast. Maybe he should’ve been with you when you went looking for Satan so that he would have protected you, but what’s done is done now. So he focuses on taking care of you and reminding you that you could always rely on him for help.

He brings you some of your favorite treats whenever he comes home from RAD so you both could eat together. At some point, he heard from Solomon that milk is the key for humans to have stronger bones. You tried not to laugh when Beel got a galon just for you, innocently thinking that it would’ve helped you out with your injury if you drank all of it.

Beel is too nice for a demon, he might be the kindest of the seven brothers. But there’s been this tension around the orange haired demon whenever he’s sharing a class with the two girls that pushed you down those stairs. There's this hardly contained rage and blood lust, so a lot of students avoided mentioning what happened to you around him unless they want to get caught in the crossfire.

Beel finds it frustrating whenever he feels that he can't do anything about this rage. Watching you limp around in crutches around the house while those girls were striding down the halls without a care, it wasn't fair. It’s taking all his willpower not to just throw them out of the window for what they did to you. He broke several pens whenever he's too angry during class that Satan had to lend him some of his own. He feels this loss of appetite now that you’re not around to share food with him, and whenever he would remember the incident he would bend the metal of his fork, shaping it effortlessly like it’s clay. It’s a matter of concern for the brothers now.

Belphie took his twin out to the gym so Beel could let his frustrations through workouts. He may have destroyed two punching bags, but it was enough to bring down that anger to a safer level now. And during all that, Beel finally confided in his twin. About how he saw those girls mock you, and this innate urge to just see them suffer but it’s impossible to do that without destroying everything in his path. He would get in a lot of trouble, and he knows that would upset you instead.

“It’s just unfair, you know that they didn’t deserve that…” Just because he was nice doesn’t mean he wasn’t vengeful, but he’s at a loss of what he could do that wouldn’t result in another property damage bill sitting on Lucifer’s desk. Belphie can just sense how his Beel is itching for a bit of revenge, and who is he to deny what his twin wants?

For Magical Potions, Beel had to partner up with Satan and Belphie since you’ll be absent for the time being. They had the perfect plan, all Satan needed was a good sleight of hand to drop something in their cauldron when he walks by. Given that these two love pulling pranks on Lucifer specifically, they took a page out of their book of schemes for new targets.

Maybe his brothers forgot to consider that these two demons do not have the same kind of strength or resistance that the eldest had… or they both did this on purpose. Adding hellfire frog legs into the girl’s cauldron during Magical Potions class was actually more explosive than they expected, resulting in awful burns on their skin and hair. Beel’s priority is to take care of you everyday so he didn’t have much time to relish in this side of his that wants to wreak havoc, but he admits that seeing your bullies in pain like this is actually fun. It’s almost as satisfying as those ten stack pancakes he had two days ago… ah great, now he’s getting hungry again.

Beel is coming home to you with a box of your favorite treats. You wanted to try those new batch of sweets from Madame Scream but the brothers kept you in bed rest due to your ankle, so Beel went out of the trouble to get them for you. It took a lot of willpower not to eat a single one on the way back which deserves praise. You’ve been feeding him so many snacks during class to help him focus, this is his way of returning the favor to you.

He doesn’t bring up what happened during potions class with the girls that pushed you, and he honestly didn’t feel the need to do so since they weren’t important as you are to him. He’s too busy trying to feed you some yummy snacks to even think about that. You only hear about what happened through his twin who was grinning from ear to ear when he recalls the boils and burnt hair. “Well, it’s their fault for not checking their cauldron. They’re not smart and careful like you.”

Belphie

Belphie found a perfect spot to sleep around RAD where he’s sure Lucifer won’t spot him yet. It’s hidden in the school gardens, a nice secluded area with a small bench surrounded by bushes that would surely keep him out of sight. He’s been slowly putting pillows and blankets he’s brought so that it becomes a little slumber haven for him, and Belphie feels that he’s ready to show you his secret spot. He’d never tell his brothers because he wants to have at least a few minutes alone with you every weekday.

The problem with that plan is that Belphie can’t even find you. He’s already at the verge of passing out from the exhaustion of trying to keep himself awake in his search for you. Lunch in school is normally his nap time allowance, but he really did want to show you this secret hide out so that you both could enjoy it together.

He runs into his twin who was also looking for you, so it’s better they just stuck together right? Belphie had plans to show Beel anyways once this was done with. They passed by a corner to go upstairs in case you were already in the classroom, and that’s when they both saw you at the bottom of the stairs where those two girls were laughing at you.

Belphie didn’t know what came over him, but his body could hardly move when he saw you like that. It’s bringing him a lot of bad memories of choices he came to regret until this day, remembering the things he did to you when he threw your body down the stairs. He wanted to forget that, but seeing this whole situation is making that memory repeat in his head. Like the guilt is creeping back to him, and he froze in place not knowing what to do other than to relive the moment.

Beel grabbed Belphie by the wrist to snap him out of the trance, reminding the youngest that you need some help. The twins came by your side, hoisting your arms over their shoulders to help you in the infirmary. The two girls were already long gone while Belphie was in a frozen state, and Beel would’ve gone after them if not for his twin and you because his family always comes first.

The one thing that’s comforting Belphie right now is the fact that you’re still alive and breathing, though it can only do so much. He doesn’t like seeing you in pain like this, so he offers a spell so you could sleep through it while the nurse from the infirmary patches you up. He’s quiet the entire time when he watches you rest, Beel tries to talk to his twin about it but he refuses to let his problems known. It’s not like it was hard to guess, Beel can tell what’s bothering his twin but doesn’t mention it.

Belphie has been taking naps by your side whenever possible, sleeping in your room and making sure to give you sweet dreams each time you start falling asleep. Though he himself couldn’t sleep. Each time he tries to get some shut eye with you, he ends up reliving that day when they found you at the bottom of the stairs. The way those girls mocked you was unforgivable, and he hates how it’s hitting too close to home. Whenever he wakes up, he checks on your pulse while you’re asleep and sighs in relief every time he feels your heart beat. Like it’s the only thing that can calm him down.

By the time he woke up from his third nightmare, Belphie had enough. If he wants to feel at peace again, then he needs to get rid of the source of the problem. It wasn’t fair that you’re suffering like this, he hates seeing the empty seat next to him in class knowing that you’re supposed to be there instead of staying at home with that cast. Lucifer told him that they’ll be dealing with the matters soon, but Belphie had no intention of listening to them in the first place.

Belphie has been gradually giving the two girls nightmares, and each night they progressively get worse. From using their phobias against them to waking up from a gorefest nightmare in the middle of the night. It costs them sleep, and Belphie thinks it’s the perfect piece of karma whenever he sees the bags under their eyes getting darker each day. Hair and clothes started to look more haphazard when there’s barely any energy to keep themselves up.

Whenever Belphie shares a class with them, he pulls a little bit of magic to make them fall asleep during class until they get into a lot of trouble. He loves doing this when there are important tests and activities so they’d miss it and fail. No amount of coffee helps keep them awake during the day while the nightmares plague their sleep. The constant fatigue and the lack of sleep is starting to get to them, and Belphie has been observing everything. Movements were more sluggish and alertness has gone below the baseline. Just exactly what Belphie was waiting for.

It’s a simple plan that leads to the least amount of struggling and effort needed, because all it took was one shove for them to tumble out of the railings and down several flights of stairs. When they’ve finally stopped rolling against the stairs, they hear Belphie’s heavy footsteps as he walks down to their level until he’s stepping on one of them with the heel of his foot. He’d compare them to bugs, but that would be insulting to all insects.

“You know, I had a lot of plans with them that day… I don’t like it when people, even my brothers, decide to ruin them.” His love for you and spoiled attitude is what’s fueling his anger right now, so he had no qualms with pushing them down the next flight of stairs with his foot. And whenever they think it’s over, he goes down and does this again. Like kicking a pebble he’s found on the ground… all the way down to the first floor.

There’s this satisfied look on his face as soon as he sees the two girls on the floor already at the brink of unconsciousness. He feels so much lighter now, and all he can think of is how he wants to go home to take a nap with you. He doesn’t even walk over to the side, he just steps over the two girls on his way out.

Belphie comes home with the usual drowsy expression, but you can tell he’s in a much better mood now. He lays down next to you in bed, already hugging you close to his chest while making sure he’s not hurting your ankle. “I think I can get more sleep now…” he says with a confident smile on his lips, lulling you to slumber with him. After that incident, it’s the first in a while that Belphie finally has his usual 10 hour nap.

#obey me #obey me shall we date #shall-we-date-obey-me #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me headcanons #obey me scenarios

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caligvlasaqvarivm · 7 months

Text

Murder, Love, and Destiny: An Eridan Ampora Character Study

Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.

Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.

Eridan is the least casteist highblood, if you ignore all the slurs.

Those are his emotional support slurs.

Pale EriKar was not only canon, but set up to be endgame.

Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.

He's Sad.

The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.

Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.

Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:

Eridan is a Consummate Murderer.

The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.

At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.

Compare Feferi: Go Home:

That should keep her happy for a while. At least until she dies.

To Eridan: Go Home:

That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.

So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.

Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!

Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.

But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.

Which brings us to our next point:

Eridan is Crushed by Anxiety.

If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.

If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.

Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.

Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.

(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)

Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.

He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.

He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.

NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.

Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.

SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.

We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.

KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties

Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."

And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!

CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble

You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).

Even being proud to be a sea dweller is pretty much an outright lie:

CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!

One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.

And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.

CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:

Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated

Secondary title: Those Are His Emotional Support Slurs, Okay

In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.

Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:

CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry

CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway

It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:

ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!

THEY don't even think he's being casteist.

In fact, directly contradicting this earlier argument he has with Feferi:

CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ

He OUTRIGHT states his real feelings here:

CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies

So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.

That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.

The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.

Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.

The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!

And it's all made worse because:

Eridan is Dumb of Ass (and True of Word)

Oh my god you guys he's so stupid that it hurts.

Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)

CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.

This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.

CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands

He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.

This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.

So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.

And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:

ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science

Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.

It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.

I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.

So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?

Uh, okay, so I swear this isn't shipping goggles -

Pale EriKar Is Canon And I Can Prove It

So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.

What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.

At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.

The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though

("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")

The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:

CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly

And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.

It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)

So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?

See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":

FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.

Compare that to Tavros asking for advice later down in the same memo:

PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.

He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.

You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:

KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.

That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?

That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:

TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole

He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:

TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on

Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,

Eridan's first instinct when in emotional duress is to go to Karkat.

Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).

Eridan is willing to shelve his own emotional meltdown for Karkat's sake.

Eridan demands to be the one to provide Karkat with emotional support.

And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:

CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it

Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:

PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it

Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.

But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).

So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)

But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:

GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.

But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:

CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.

In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:

But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:

PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.

It's extremely funny. Over the course of talking to Eridan, he goes from:

CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO

To:

CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.

Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:

A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.

That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.

It also goes on to note:

But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.

But what's really interesting is the next page.

And yet others will seem to have been hatched for each other.

Did you catch that? Let me zoom in.

(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)

In fact... in Eridan's first visual appearance...

The crab has always been there for him.

It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:

TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)

When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.

There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.

First, they both do the bonk:

Second:

CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.

Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):

CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.

Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:

The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.

Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.

And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:

Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.

So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:

ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.

(Which he specifically tells Karkat about.)

So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...

Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)

So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.

I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."

Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.

So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.

It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.

It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.

I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.

The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.

Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.

Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.

Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.

Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.

Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.

There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.

Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:

The Prophecy

ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.

ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized

GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway

Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)

But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.

Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.

Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.

That last one is actually relevant to:

The Thematic Importance of EriKar As Soul Mates

Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.

Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.

Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.

But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.

Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.

In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.

But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.

Because all the trolls SHOULD have survived.

Vriska should've survived because people should be allowed to have second chances.

Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.

Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.

Equius should've survived because people should be allowed to grow and change their beliefs.

Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.

Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.

Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.

Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).

And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.

I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?

This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.

This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!

Pale EriKar means LOVE WINS.

Thank you for reading.