Pearl's new ep has me like 🥺
In addition to just being so impressed & delighted by Wordle, it's incredibly heartwarming to see the amount of inspiration that cycles through the Hermits
The aspect ratio change during her montage feels very inspired by Bdubs. Calling it a montage like a tongue-in-cheek callback to Mumbo's last ep, where he insisted that despite technically being a montage, he'll always call what he does timelapses. Tango coming and helping add extra musical feedback to the game, an aspect of minigame design that Etho really focused on a few seasons ago. She plans on adding custom Cub fireworks to celebrate wins.
To be clear this is entirely Pearl's achievement, this isn't meant to give other people credit for 8+ hours of work and design. It has just really reminded me that Joe Hills' description of the Hermits as an artists' collective is Extremely Accurate. I'm eternally delighted to see the echoes of artistic inspiration every Hermit takes & gives back to the server
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When they were younger, Sirius had always admired James. He was so chaotic, confident, funny and cool. And he was so different that what his family represented that Sirius immediately liked him. Trust me, it was platonic love at first sight.
Since then, Sirius tried to copy James in everything he could. Quidditch is cool for James? So Sirius would be a sports guy. Gryffindor is the best house for James? So Sirius would have the best Gryffindor pride.
Sirius was friends only with people that James considered cool. And hated those who James didn't stand. That included teachers and staff.
James liked to prank? Pranking became Sirius’s number one hobby.
When James got his first kiss, Sirius got his too right after. James got into his first relationship, Sirius thought having a girlfriend looked cool. So he got one as well (Though he wasn't much into her). When James lost his virginity, Sirius lost it as well.
Everything James did was cool on Sirius’s eyes. And Sirius immediately want it as well. Sirius craved love and affection so much and never got it at home, that he thought he had to change in order to like James. Because he quickly became his favorite person in the world.
As they grew, their different personalities marked who they really were. And Sirius stopped copying James so much. Because he was his own person. Plus, Sirius realized that he didn't have to be cool to impress James. He just had to be himself and James would still love him. So he started acting more like himself, getting to know himself and his preferences. He got more confident with his queerness. He started loving himself more. Still James thought Sirius was the coolest person alive. James always thought that and would always think that. No matter what Sirius did.
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Eddie’s alive, just stuck in the Upside Down, but he doesn’t go to Dustin or Mike or Lucas—oh, no. And not even Steve, either, no matter how much he respects the dude.
Nah, Eddie traverses the woods of the Upside Down, knows where that old beat up truck sits that he and Wayne found a few months ago during season that they fixed up with the blessing of the landowner, and waits for his uncle there.
Eddie’s trailer is fucked and he knows Wayne doesn’t have the money to afford a hotel room, so he sits in that truck in the woods, shivering and bleeding and singing songs to keep himself awake, and waits until Wayne turns it on.
And when he does in a few hours, Springsteen’s faintly heard and Eddie laughs because he loves his uncle, adores the man and he wishes he told him more of that when he had the chance, but he’s determined he’ll have more time later, he just has to get out of this hellish place first, and so he starts talking.
It startles Wayne at first, swears and yells flying, and then there’s tears shared between them, so close and yet so far apart. Eddie explains what he can, pressing his hands into his wounds in hopes of slowing the bleeding, and he tells Wayne to hurry with an aborted, “I love you.”
Wayne hurries. He fishes his rifle out from beneath his seat and thinks—about the kids who joined Eddie's club, about the band kid and the kid with the questions and the other kid, too, with soft brown eyes and a sad smile when he ducked his head in acknowledgment—and takes off.
He finds Harrington’s house, knocks on the door until the kid comes running. He slings it wide, revealing himself and the band kid and Henderson, Wayne thinks, who's momma is sweet and kind at the diner, and says, “My nephew is alive. Let’s go get him.”
And he didn’t know what he expected from this kid—if he thought he’d get directions or what—but he’s surprised when Harrington nods, slips on some shoes, and follows him outside to his truck where Eddie's voice is still coming through the radio.
Harrington says hi, a broken sort of thing, and promises they’re on the way, for him to just stay where he’s at, and Eddie giggles, says, “My knight in shining armor,” because he's always been romantic, and Harrington goes red and says, “Goddamn right I am,” and Wayne listens to Eddie's laughter the whole way to the portal that takes them to the other world.
It's dark and ugly and dead, but they find Eddie fast. He’s bleeding out, blubbering as soon as he sees Wayne and Steve—“Call me Steve, please.”—and it takes both of them to carry Eddie up and out of that shithole dimension.
They take him to the hospital, Eddie resting in Steve's arms the whole way, and as soon as Eddie's taken back and stabilized, Wayne and Steve collapse in the hallway. They’re quiet when they do it, but Steve's tears are hot and Wayne’s grip is tight and they hold one another close. They ask a nurse for an extra bed in Eddie's room; she’s reluctant but she does it anyway when Steve asks nicely.
Wayne and Steve camp Eddie's room as he rests, talking quietly and getting to know one another better and sharing stories of Eddie. soon, Wayne passes out in the recliner—helps his back if he sleeps upright since those discs have been deteriorating—and wakes up a few hours later to see the extra bed unused.
Steve’s crawled up into Eddie's bed with him, nestled close and tight, and they’re both awake, faces turned toward one another as they giggle and whisper and chuckle, but Wayne can’t hear them and he thinks that’s okay.
He rests some more, content to listen to the soft sounds of his boys—his boys, ‘cause Harrington is his now; a decision he made when he saw the darkness in the kid's eyes that reminds him so much of his own shit—lull him to sleep.
That is, until one Dustin Henderson hears the news that Eddie's alive and safe and recovering. He causes a ruckus and a half, and the hospital staff is in shambles, and Wayne laughs because he might just have to make Dustin one of his own, too.
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