#so wake me up when things are over

[vendigool]

Goofy stickers in my hand are moderately dangerous

[cozylittleartblog]

a little Postlet. . because i Miss them

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[zarnzarn]

after the events of three in the morning, safe inside Athena just kinda tucked ody under her wings.

Idk why I think that but anyway it's cannon now that after ody gets thoroughly fucked Athena pulls him close and wraps her wings around him like a cocoon

yessss she sort of chirrups and coos down at him with the owl head tilting, nuzzling at him as she cleans up. she'd do it to penelope too but homegirl is practically steaming from how overheated all the exercise made her so she just goes and usually falls asleep face down on the bed until she's cool enough that athena can drag her closer as well.

in general i think athena would be there for the aftercare because I don't see post canon odypen knowing when to call it quits, which leads to both of them being absolutely exhausted and useless after the last round. she usually just rolls her eyes shakes her head and handles it all; but they both know she's awake for hours just trilling down at them and staring happily.

[puppppppppy]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[icantdothistodaybruh]

yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from

I think I might be insane or something

[im-not-buying-it-ether]

Oh hey what about a groundhogs day event where the hero has to relive their traumatic “One Bad Day”-esque backstory but it’s another hero they either know really well and the only way to break the loop is letting that horrible event happen

Bc I’m basic my first thought was “Oh, this would absolutely tear up anyone having to walk down crime alley knowing way too well what’s about to happen”

But I’m also obsessed with my blorbo so my other thought was “Omg lol, imagine if one of the adult heroes ended up in Billy’s body just before his parents left to go die on their dig and think maybe they can save their co-worker the tragedy he faced so young only for every attempt they succeed at getting them to stay keep the loop going and they realize they have to let them go and doom this kid all over again. Haha, extra points if the loop actually lasts from that point to them actually dying so they wake up the next day thinking they failed again only for it to be tomorrow and suddenly Uncle E gets the call that his brother and sister in law are dead and then whoever is in Billy’s body is getting thrown out with a suitcase realizing maybe the nightmare is going to last longer.”

And I just had to laugh bc goddamn my brain cant stop with angst

[wildsaltair]

the thoughts this picture gives me are so insane that even tumblr has sent me an “are you okay” message

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[yourlocalsewerdragon]

revisiting this site every now and then to reminisce in how much it shaped me as a person and defined me as a literal child

[tj-crochets]

Hey y'all! Weird question time again, this time for my fellow dysautonomia havers*: Do y'all ever find that when salt and water aren't working to fix a POTS/low blood pressure and tachycardia flareup, having a bunch of sugar will help fix it? Like, not completely, but when the salt and rehydration aren't working do you ever add sugar and then they start working? *there's certainly a better way to word that but I can't come up with it right now lol

[stormbreaker-290]

My day be so fine

But then the

Y e a r n i n g, , ,

[call-me-copycat]

I just need to be told "You Can Do It" right now.

[racke7]

It kind of occurred to me today that this:

is kind of... awkward.

See, as anyone with chronic-pain will tell you, your "daily activities" will warp around your pain.

Where instead of doing things "the normal way" you've figured out some kind of mostly-painless workaround, and so you don't even have to worry about it.

And then it's also difficult to say what amounts to "most" or "many" or "some". Is there a set list of things you need to be able to do? In today's world, plenty of people go from bed to computer to bed, never even needing to leave their apartment. How does that translate?

Not to mention what "all the time" really means. Does it only care about the worst days if you have something that flares up? Does it only care if it hurts even when you stop an activity?

And how come "talking / listening" is so high up? What if your brain decides to go non-verbal from just paper-cuts? What would be the appropriate "loss of function"-comparison in that case?

Basically? There's a lot of empty holes and abstractness muddling everything, even in this seemingly incredibly useful example.

I remember someone saying "your worst day - with no meds/tools", but what if that worst day only happens a few times a year?

It's complicated, is what I'm saying. And whilst this description is definitely useful, I wouldn't take it as gospel.

In fact, you might be better off ignoring your doctor when they start asking about "numbers" and just explain how the pain effects you.

"On a scale of 1-10" "I'll wake up in the middle of the night, nearly unable to move from the pain, and then desperately claw my way out of my bed. I'll then spend around two hours sitting up and letting my body recover, before being so tired that it outweighs the pain, and I can crawl back into bed for another few hours of sleep. At which point I'll wake up in pain again. During the day, I struggle to turn around or bend over."

They might not like this, and they might interpret the "number" in their own ways (which might screw you over), but at that point it's more about them being shit than you failing to describe things.

Obviously though, I'm not a medical professional and shouldn't be giving medical-advice. I'm just saying that 1-10 is so fucking arbitrary that I don't feel like you can give the "correct" answer, no matter how much thought you put into it.