#so very sorry for the rant i just had to say it and your the perfect victim

[casscainmainly]

I just saw a Post of yours on CassSteph and I just wanted to share my thoughts.

For me, I dislike the ship CassSteph MOSTLY because of the shippers themselves. I have been in fandoms that spread hate to people who don't ship what they do.

For an example: before I watched an anime, the shipping was so toxic that I was tricked into liking a ship until I actually watched the show (I was tricked because the fandom was making a female character look awful so the MLM ship would look good) , and it's not only that, they sent death threats to the creator of the show and to the people who ship something else. It was so bad that the Creator had to make two alternate endings.

I used to not mind the CassSteph ship but until I actually was looking through the fandom's opinions on Cassandra ships, It was very obvious that some of you guys just bring down other people's ships. So whenever I see a CassSteph picture or anything related to it I either scroll away or block, because I don't want to spread hate to any shippers I also don't usually make comments like this.

I just wanted to say that sometimes It feels like this shipping community feels forceful, like you guys are confusing head-canon and canon together. It's also not that I hate the ship JUST because of the shippers, I just don't like them together.

(I'm sorry for the rant, it's all right if you ignore this if you don't agree with me, I just wanted to say my point of view on this ship and again, I don't make these kinds of comments to any shippers I just ignore them. This is the only one I've ever commented on.)

First of all I just want to say that you are entitled, as anyone is, not to like StephCass. It's a fictional ship and you can ship what you want. However, I do take issue with your tone here, and especially you sending this to me when I am obviously a StephCass shipper.

You say it's "very obvious" that StephCass shippers bring down other ships, but that's not true for me. Cass has a ton of ships, several of which I ship myself besides StephCass (I am a huge proponent of TaiCass/ChristineCass, and others love XantheCass, RoseCass etc.); lots of Steph fans also ship TimSteph, StephLonnie, etc. etc. If you're talking about the wlw polls then maybe one or two people were being spiteful but there was hate directed against StephCass too (including literally this ask), and I do not hold those ships accountable for the actions of a few shippers.

I'm sorry about what happened in your previous fandom but you cannot project that onto the StephCass community. The majority of us are huge Steph and Cass fans who love both characters and are fans of the source material. I'm sorry you don't ship them, but it isn't a point of me not agreeing with you, it's that this ask is a little upsetting to receive and you likely knew it would upset me because I am very public in my StephCass support. I kindly ask you not send asks like this again.

[gnarpmster42069]

light - a. arlert

cw: nerd!armin, study partners, fluff, gn!reader, lazy!reader, no established relationship, friend crush, based on the wave to earth song.

a/n: armin listens to w2e, nobody can tell me otherwise

wc: 500

“okay.. explain it to me one more time.” 

armin stares at you blankly through blond strands of hair, “I’ve explained it five times already.” 

you whine dramatically. you’ve been stuck on this same question for the past hour. it’s not your fault that history is so boring! 

you let your head rest on the cold surface of the library desk. “im just gonna do this tomorrow..” you mumble.

armin looks on at your hopeless, slumped state across from him and he takes a deep sigh. he knows you have the potential to finish all of your work with ease if you actually put in the effort.

he adjusts his glasses, clearing his throat before he speaks, “here, I have something for you.” 

you peek your head up in curiosity, expecting some answers or possibly some snacks to take your mind off of things. to your disappointment, armin pulls some flashcards from out of his backpack.

your brows furrow and you let out an exasperated sound. “please not again.” 

“yes, again.” he dismisses, being used to your usual behavior. he holds the cards close to him so that you’re not tempted to read the opposite side of them. 

“okay.. who was hirohito?” he asks, looking up from the card.

your usually rampant brain goes blank. you really need to pay attention in class more. “uhm..” you drag out under your breath, squinting at the ceiling as if it’ll give you the answer. 

“come on, you know this one. we spent, like, two weeks in class talking about him.” armin stares at you in anticipation of your answer.

you blink a few times, desperately racking your brain. nothing. you shake your head, “I don’t know, it’s not ringing any bells.” 

he flips the card around to read ‘emperor of japan in 1926.’

you raise your eyebrows in acknowledgment, “oh yeaahh, I remember now!” you say, unconvincingly. 

armin lets a hand travel up to his head to massage his temples. “he was emperor from 1926 to 1989. it’s interesting; he had the longest reign in the entirety of japan’s imperial history. he seems to be very controversial though…” 

a smile forms on his face, contagiously enough for you to do the same. the truth is, you did know the answer. you just needed an excuse to get armin to rant about whatever nerdy stuff he was into. 

the way he seemed so passionate about everything was your favorite thing about him. it was enough to get your heart to race. however, his facts were flying right over your head. 

he waves a hand in front of your face, attempting to get your attention. “are you listening?”

“oh sorry, you were saying?” you smile cheekily, letting your head rest in your hand. 

written by chloë💟

[off-the-rails-raccoon]

Did you like the new ending :3 (fuck the old one)

I LOVE IT SO MUCH!!!!!! It's the best logical way the dsmp could've ended AND because it's so open-ended, it leaves a lot of room for the fandom to build on, which isn't something you see a lot in media nowadays.

HOWEVER, it has been really bothering me these past few days since it was released, and I've had complex feelings about it that I haven't really been able to figure out until somewhat recently. Though, this is probably just me lol!

I'm gonna try to make this as short and legible as I can, but as you know I'm so very bad at that so sorry in advance.

Dsmp has been my main source of entertainment and an escape from just life in general since I first started getting into it—which was back in mid-2020 or so, but that was less of dsmp itself and more of the fandom. Though I still really enjoy the content creators content itself, I've watched them less and less and on the occasion that I see a clip or quote by them (especially Tommy) it's SO jarring how much they've changed and matured, and it's only a reminder of how I've done the same. That's the feeling I got when seeing the new lore. Everything has changed, people have matured, relationships have drifted apart, and we are living in the present.

It's like the feeling of finding an old toy that you distinctly remember loving so very much way back then and realizing you feel indifferent to it now. You've changed, your taste of things you enjoy changed, your relationships with people have changed, and you've grown.

I don't want to go back but I don't want to stop reminiscing, and this ending has made me realize that.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[alaskan-wallflower]

mission impossible 3: outsiders musical social media get your shit together

[holocene-sims]

a sneak peek for an upcoming (timeline tbd) update 😊

[lovesickeros]

Hiii just popping out to say thank you for feeding my sagau reader x furina brainroot by small interactions in "Even the Gods bleed." (Sorry if I wrote it incorrectly, I didn't get proper sleep.)

They way reader tugged at Furina's cheek— hell yeah your Grace I understand you.

i am always down to feed other furina enjoyers. at some point i need to give furi her own solo fic with reader but i know im gonna make it like triple the length of everything else..favoritism at its finest!! and proud of it. furina gets priority in everything.

[matteoberrettini]

god give me the strength 🫠🫠🫠

[delta-piscium]

Trying? Trying??? By learning. By succeeding!

(about this and my text under the cut)

this is very nice actually thank you so much <3 <3 and like, i probably do need to give myself more credit in general but also i am still very much learning and stumbling and figuring digital art out (and for the most part it is so fun)

I’m gonna ramble about this a bit so bear with me and also i apologize lol, but that art was done after a month of getting increasingly more frustrated with everything turning out so badly and eventually realizing that I was trying to 1. copy a certain look/style that i’ve internalized is what fanart and digital art should look like and is very far away from my style/comfort zone 2. i was trying to do everything digital allows without being comfortable with it or understanding it

so (and this took me a month to realize ? ??) i did what i already knew from doing acrylic and oil painting in the past and could somewhat easily transfer to digital without having to know more than the basics, like i didn’t use a lot of the things digital provides or allows for. i used layers for my own peace of mind but without actually needing them and did some color adjusting (honestly, the color adjusting digital lets you do is such a blessing to me) but the only fancy way i really utilized the medium was making it a gif (which is so fun and a lot easier than i would have thought, like honestly watch me make any future art into gifs too) but there are so many things you can do with the medium with settings/effects, different brushes, tools to use in the process etc that i just do not understand what they are or how to implement them so i am very slowly learning digital art as a whole new medium rather than just being able to use it to adapt what i already know

[only-knives]

im never going to get quality healthcare am i

[txmxkis]

ugh.

[thestripiestshirts]

Back when I was majoring in elementary education we had to do these presentations of lesson plans in which people went up and gave a lesson as if the rest of us were the elementary students they were teaching. This one guy's lesson was about the phases of the moon, and he very confidently did his whole lesson... explaining to us that the moon's phases were caused by the shadow of the Earth on the moon. At some point I finally couldn't take it anymore and raised my hand to explain that that's not how the phases of the moon were caused. I forget the presenter's response to this, but good number of people in the class got annoyed with me for "ruining it."

I used to be a grader and an occasional substitute prof for an introductory astronomy lab. That means that the majority of the people in this lab are only taking it because it’s a requirement and about half of them think it’s an astrology class.

I was grading midterms and this one girl. She was so nice and I think she was a business major. Fuck. The question on the midterm was to draw a diagram of the solar system and this poor girl. This fucking girl had drawn a Mars-centric solar system. As in every planet and the sun were orbiting Mars. I now actually have a custom Cards Againsy Humanity card I got at a con that says “A Mars-centric solar system”

I had a boy argue with me that there was liquid water on the moon (this was around when they had found liquid water on Mars in ~2015) and he wouldn’t believe me that he likely meant Mars and not the moon. After I marked his answer to the relevant lab question wrong, he took it to the department head who had promptly laughed him out of the office.

And there was another boy who, during a lab in our observatory where we would look at certain things in the sky, asked where the sun was. At 10pm in November. After some questioning it was revealed that he thought the moon and the sun were the same thing.

[yellenasbelova]

the way i made the set these tags were left on bc i saw a comment saying neal never apologized only to get this response 🤔🤔🤔

[whoreash]

steeeam ──★ ˙🍓 ̟

missing itoshi sae’s kisses was one of the most agonising thing you’ve experienced.

because, god, was he an amazing kisser. he was gentle and unpredictable— catching you when your defenses were at their weakest. his lips moving against yours like the last piece of a puzzle, slotting so perfectly.

and when times like these arised— when you sent a quick ‘hi, missing your lips’ to sae— you couldn’t help but reminisce on your first kiss with him.

which was a very awkward and abrupt one.

sae was dropping you off at your house, after school, just like he did every single day.

and there was nothing different or odd about him that whole day. he was nonchalant and unresponsive, with simple hums escaping him every once and again— notifying you that he was, indeed, listening to your countless rants.

when it was time for him to take his leave and go back the way you were just walking— he stood, silent. looking at you as if expecting you to say something— anything to get his mind off the thing that he’s been wanting for the last couple weeks.

he made up his mind when you, simply, gaped at him— waiting for a goodbye of some sort.

suddenly, his hand was on the side of your neck, angling your face up (to reach his growing height) as his lips slid against yours.

although sae wished it was— the kiss was far from perfect.

you took a moment to relax and adjust to this new found contact. after all the closest your lips have been to eachother was when you, randomly, decide to bite sae’s appealing bicep.

since none of you had any experience, you both went off of instinct— holding your breath as if scared to deepen the kiss or do something you shouldn’t.

at some point, you couldn’t hold it any longer—turning around to gasp and catch the air, that seemed to be everywhere but your lungs.

without a second word, sae turned around and left— and for once you were thankful he did. you would probably die from embarassment if you looked at him a second longer.

surprisingly, minutes later, you seemed to miss the feeling of him— tracing the place where his lips were, not so long ago.

which lead to a spontaneous text message from you.

to : saesaesaesaesae

hi

that was cute

okay sorry

i know you’re at practice i just wanted to say that i liked it.

contrary to your beliefs, sae was not at practice. he was looking at your messages pop up on his screen— too flustered to respond.

[thcsecretofus]

▐ in which, chris sturniolo takes his anger out on gf!reader after a disagreement with matt & nick . . .

“s’…..you’re alright, baby, jus’ gotta do this f’me, yeah?” he pants softly, unbuckling his belt. you sit on the bed, waiting patiently — looking at up at him with almost worried eyes.

the boys had gotten into an argument over God knows what. but it’s very clear it’s taken a toll on your boyfriend, because now, you’re hear with his cock nestled down your throat. spit pooling around the corners of your parted lips.

“shit…doin’ so—fuck…good, baby.” chris mutters, his breath caught in his throat — while he practically fucks your face. his balls are repeatedly slapping against your chin, as you gag. “fuckin’…nick- got all up in m’face- baby.” he rants.

his thrusts are rough and uncoordinated, your lungs were practically burned and screamed for the need of air — and it felt as though his cock was impossibly deep.

your hands clasp at his thighs, as you squeeze your eyes shut, your throat getting used. “he was talking bout’ some, ‘you just come to us before you do something to a video-‘ n’ all i did was do a little few changes to the video-“ he huffs.

“and matt of course agreed-“ he grunts as his pace increases, you whine and gag against his cock. “shh’, s’alright baby- ah, fuck! almost there, s’almost over mama’, you’re alright-“ he coos, stroking your hair as he drives his cock deeper.

“look at me baby..” he says softly, despite his growls and grunts — “look at me.” your eyes flicker up, all pretty n’ watery, just how he likes it. “god, mm’ you’re s’fucking gorgeous.” his jaw is slack — “m’fucking girl..” he huffs, starting to whimper softly and grip your hair. “m’gonna fucking cum baby-“

his breaths are shallow, his eyes shoot back down to you as you very obviously gag and struggle, eyes almost rolling back as spit and drool spill down his cock. coating it completely. “don’t waste a single drop, g—got it?” he huffs.

you try to nod, but it only makes his cock go deeper — you moan against his cock, making him grunt as the sticky, warm ropes of his cum spill down your throat. “fuck—ah, shit, shit, shit!” he grunts. pressing his cock fully down — “you good baby?” he pants, thrusting a few more times.

when he finally pulls out, you pant heavily — the air felt like a wave of relief to you, since your lungs had been burning for it moments prior. “swallow it all, baby- lemme’ see.” he pats your cheek, needing to see. you open your mouth after swallowing, letting him see. he bites his cheek and smiles. “good job, baby.” he coos. “you always make me feel better.” he smiles, pressing his lips to yours.

he was whipped.

✦ . ��⁺ a/n: sorry if this was terrible 🥲 this is like my first ever ‘smut’ thingy, it’s probably so bunz — anyway ! ty for reading :))

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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