#so there might be some personality clash there

[violenteconomics]

I am in dire need of more of that AU that The First years get The upperclassmen toxic traits,i realy want more of It,like;

A way to include octavinelle and scarabia,maybe like,3 First years(Ace,deuce,Jack) get some of azul's toxic traits,other Three(epel,ortho and sebek) get Jamil toxic traits and yuu get both

Second thing

More reactings please,i NEED The staff,ALL The dorms and even the relatives seeing The First years developing those toxic traits,the overblots+Trey and cater for deuce getting their toxic traits right back at their face i beg you🙏🙏

anything 4 u, baby.

(but for real, though, this is an AMAZING idea, love you so much for tilling the ground for my brainwormies, mwah mwah 😘)

(also, this might get REALLY long, so hang tight!)

it was just a seed at first — a tiny idea that stuck around despite the first-years not even realizing it was there. but as the poison from their actual housewardens starts to develop into something truly deadly, so does that seed. it shows up later... but it makes itself known nevertheless.

ace, deuce, and jack have all worked for azul at the mostro lounge at one point, and though it was a very brief moment in time, it was just long enough to worm its way into their heads.

it starts with ace trappola, who's already pretty slippery with his words. but working at the mostro lounge, taking subconscious note of all the underhanded deals azul is making, he starts to pick up new... skills, let's say.

it starts small, with ace starting to give out certain favors to his fellow freshmen to earn some money. if you give him ten thaumarks, he'll do one of your everyday chores for you — dusting your room, cleaning your bathroom, making dinner, what have you. if you give him fifteen thaumarks, he'll do your homework if you don't feel like doing it, or take class notes for you if you don't feel like showing up. if you give him forty, he'll help you with something less-than-moral and definitely against the rules (he did it once back at the atlantica memorial museum — he can do it again).

there's an obvious power imbalance in all of these scenarios, but ace effortlessly words in a way that makes it seem like it's a win-win situation, when in reality, it's more like a zero-sum game.

it gets to the point where ace builds a black-market sort of reputation, and all of the freshmen know that if you need something done, ace is the person to go to.

...but then, something shifts.

at some point, ace starts a black-mailing campaign for the people who paid for the forty-thaumark favor. if you don't want your secret — one that might get you expelled, suspended, or worse — getting out, then you can pay for ace's silence with a favor or more money.

the worst part is: there's no way out. if you try attacking ace, it'll seem like you assaulted him for no reason, since if you try to explain he was blackmailing you, you'll have to tell them what he was blackmailing you with, which you obviously can't do — or else what was even the point? the same rule applies if you try tattling on him to one of the teachers or the housewardens or anybody else. and ace is a better liar than most people will ever be in their lifetime, so it's a losing battle even if you do manage to get someone to take your side.

so if you want to cross the bridge, my sweet, you've got to pay the toll.

(it's not even about the money anymore, really. riddle's thirst for control and azul's desire for recognition have clashed inside of ace in the most violent way, and now, it's all about the power it gives him over other people. and after how powerless he's felt this entire school year, being thrown left and right by overblot after overblot with no say at all, this is a power trip he never wants to come back down from.)

but ace realizes he's making quite a few enemies with his little money-making strategy, and he needs someone to help him just in case someone does come up with a plan to wipe him out. i mean, just look at azul — even with all of the loopholes and leverages in the world, even he was taken down eventually without outside help. if he wants this to last as long as possible, he needs... incentive for people to listen to him.

his own jade and floyd.

his own red-and-black collar.

using his riddle rosehearts-born dominance, and taking advantage of deuce's trey-and-cater-born passiveness, ace convinces deuce spade — one of the strongest people he knows — to help him in his economic ventures.

and deuce, seeing this as a way for ace to vent some frustration and unwilling to be on the other end of ace's ire, hesitantly agrees.

he doesn't piece together that ace is acting suspiciously like azul, but he still recognizes his own role in this whole scheme. ace is running a business, right? and deuce has only ever worked in one business before. he remembers what jade and floyd were like back when he worked under them, and so he uses that experience to inform his new position.

deuce becomes known as ace's right-hand man. he'll hunt you down if you don't pay, and he's not afraid to use force to "compel" you to. there have been stories about cat beastmen getting thrown up into trees and being left there for hours. about students getting forks "accidentally" thrown at them in the cafeteria with such precision, it doesn't really feel like an accident. about a student with a spade on his face who can throw back any attack sent his way with just as much force.

and there's nothing you can do about it, because he's in service to someone who has made himself pretty powerful. ace's silver-tongue gets deuce out of any and all trouble he inevitably finds himself in — and is ace is so brutally honest, why wouldn't people believe him? so even if you try to do something to deuce, ace has his back no matter what — and he'll win almost every time.

you mess with deuce, you mess with ace, which is already bad enough. but if you fuck around with ace, you better be prepared to find out with deuce.

they're a pair — that's always been true. but never before has that fact been so threatening.

jack howl comes next. we all know how much jack despises octavinelle's business model. but, begrudgingly, he will admit there are a lot of things he can learn from octavinelle. and more knowledge is never bad. as long as he doesn't actually use it, it should be fine.

(jack is more dangerous than ace and deuce, in a way — his toxicity is insidious in a way it just couldn't ever be with them.)

with excellent hearing, eyesight, and memory, he silently keeps note of every bribe he hears being taken. every lie he knows is being told. every mistake that gets swept under the rug. it's not long before he starts actively looking for it. it's not long before jack's uncovered dirt on almost every freshmen in school. it reminds him a bit of his time working at the mostro lounge. but instead of memorizing orders from customers, he's memorizing all their dirty secrets.

it's to protect himself, jack reasons. after all, it was only his input that put a stop to leona and ruggie's plans back during the spelldrive exhibition. he's just... preparing for another disastrous event, that's all. it's just precaution. insurance.

if it's not, then he'll have to accept that leona's overblot bothered him more than he thought. that he was weak enough to let it.

(and jack can't face that yet.)

and if, once in a while, ace comes to him looking for a little bit of information, then well, that's just lending a friend some advice. nothing wrong with that.

epel, ortho, and sebek don't have any direct ties to jamil, but they are certainly... impressionable, aren't they?

sebek zigvolt is a bit dense, certainly, but even he can see how well jamil takes care of his master. and with a master that's as ditzy and forgetful and all-over-the-place as kalim, that can't be easy. even if they are merely humans, and their experiences can't even begin to compare when it comes to serving a fae prince, sebek reckons that he can learn a thing or two by observing them. so that's exactly what he does.

one day, when kalim spills food on the floor in a hilariously ridiculous move, sebek notices something few others ever would. jamil gives the tiniest twitch of annoyance — the same way silver, in all his stoicism, often does when sebek gets too loud — but then he's back to being perfectly dutiful and polite and says "i'll go get a napkin."

it's... admirable, honestly. sebek doesn't put it into practice right away, but it stays in his mind long after he first sees it.

and then, after malleus's overblot, sebek's emotions feel like they're on fire. after being stuck in a world where it took just the tiniest crack to shatter a perfect illusion, he's wary of nearly everything that disrupts his day. now every single slight against him, no matter how unintentional it may be, feels like a personal attack on his very life. but sebek can't show these ugly emotions so outwardly — that would be dishonorable behavior that could damage malleus's reputation. instead, he resorts to subtle methods that can't be easily traced back to him like putting in frogs in schoolbags and setting brooms on fire or replacing shampoo bottles with tar.

but his repressed feelings of anger start to build to the point where he's now feeling unprecedented resentment towards... well, almost everybody.

when sebek has very first negative thought about malleus in history class — "reckless bastard" — he instantly hates himself for it and throws up then and there because how dare he.

he tries to shut them out, but the more he does, the more these intrusive thoughts start to bombard him with their uncharacteristic cynicism.

he looks at lilia from across the breakfast table, and his first thought is: heartless liar.

he spots leona lying in the botanical garden and he thinks: brainless cretin.

he even sees jamil, walking through the halls, and his mind screams: manipulative bitch.

but sebek shoves it all down because he's in no position to say that. it gets to the point where he's walking around as a silent, unfeeling husk, because to be anything else would be like inviting his inner demons to visit him on the outside. he pushes his emotions down as far as they'll go, and that's just going to have to be enough to get him through the day.

ortho shroud begins to follow a similar principle. his idia-inspired pessimism has led ortho to see others as less like people and more like characters. it's easier to think of every school day as a dungeon in an rpg. it's easier to convince himself that the other students are taunting him because they're programmed to be that way than face the reality that they just don't like him.

but the problem with seeing life as a video game is that you start seeing others as just ways to complete your objectives. like npcs or maps.

and when it comes to using people, jamil viper is king. or, for ortho's purposes, the ultimate survival guide.

ortho shapes himself into a model night raven college student — kind, charming, and sweet for the teachers, but just mischievous and rude enough to still fit in with the students.

he goes to housewarden meetings with idia to "gain leadership experience", taking notes and hearing out of every single little idea he can get his hands on (these are the people who have not just survived, but thrived. they must be doing something right). one time, riddle even pats his head and praises him for his proactiveness.

his classmates adore him for always been willing to help and being so calm about even the worst outcomes.

ortho makes himself as available as possible to the rest of ignihyde, brushing off homework or studying to help them with whatever they need — fixing game consoles, wiring in controllers, checking the internet connection, et cetera.

eventually, everyone believes in him almost as fiercely as scarabia believed in jamil, once upon a time.

ortho doesn't like telling all of these lies, but it's necessary to protect himself. it's like grinding to earn coins until you have enough money to buy that special armor in the shopkeeper's store.

...or maybe it's more like those cheesy dress-up flash games ortho used to play all the time — fleshing out the perfect outfit and hairstyle and makeup that'll earn you the most points.

if people feel like they need him, he'll be able to breeze through school without any more problems. he's put the whole system on easy mode! it feels a bit like cheating, almost.

it is like a game, isn't it? it's fun.

(at some point, ortho forgets how to stop.)

as for epel... well, he knows that his sudden snappish behavior towards the other pomefiore students won't go unnoticed for too long. but this is one of his only ways of venting, so he needs it to go under the radar long enough for him to... to squeeze out all of this sudden venom that's built up in him.

epel's not oblivious. he knows how sebek and ortho have changed over the weeks, and he knows why. but epel can't pull off "repressed" like sebek, and neither can he suddenly turn into the best person ever like ortho. but they do have the right idea about taking inspiration from jamil, so epel can fall back on what there is left: gaslighting.

every time kalim blacked out, jamil blamed it on him being sick. every time someone thought kalim was being awfully uncharacteristic, jamil called it a "mood swing". every time someone asked jamil about why kalim was acting so weird, jamil claimed ignorance.

at least, that's what yuu tells epel.

and it's perfect.

so now, every time someone confronts epel about his overly critical behavior, he lies and says he's doing it for their own good. you need pressure to make a diamond, after all. and besides — vil won't settle for anything less than absolutely perfect.

("i'm just trying to catch your mistakes before he does. and i think you and i can both agree that i'm a lot nicer than he is about it.")

every time vil confronts epel about all of the complaints he's been hearing from the other students about how epel's been tearing down their ideas for outfits and hairstyles with no mercy, and disregarding all of their achievements as "not good enough" to be proud over, epel dons a confused face.

("vil, between studying for tests and the crazy physical regiment you have me do, i barely have time for myself. you honestly think i have the energy to criticize other people?")

epel even starts turning people against each other so they won't focus on him. epel subtly threatens to take away the upperclassmen's position in the hierarchy, which sets up the other underclassmen as a threat, and epel grouses to the underclassmen that the upperclassmen look down on them for not living up to pomefiore standards, under the guise of regular teenage bitching.

but all of this, combined with their self-entitlement, leads to a mini-war in pomefiore. but since this is, well, pomefiore, where being perfect and poised is the standard, the others make sure never make it obvious in front of vil or rook.

epel plays everybody like a fiddle, and ensures that none of it can be traced back to him. it's a good way to get out his frustration. and hey — it seems like everybody's upped their game along the way. vil seems pretty happy that everybody's improving in their efforts so greatly, practically overnight!

epel wakes up with a feeling of accomplishment everyday. for once, it seems he did something right.

now if only rook could stop looking so somber...

then we come to yuu, whose inner darkness has been left to fester all year. if people think they can treat them like a ragdoll, it's only fair they do the same.

there's a lot yuu doesn't have, but one thing they're really lacking is a bit of respect. that's what it means to be magicless in an arcane academy. you're at the bottom of the food chain.

and look at what a bit of self-interest can do for you! yuu studies in the library until late into the night, burning the metaphorical candle at both ends, learning everything they can about magic until they're more well-versed in it than most students in the school. yuu starts making potions that aren't nearly as good as azul's, but they're cheap and work well enough. they start making study guides for others with their new-found knowledge, even if they do bristle with the fact that a damned study guide is what caught them in azul's tentacles in the first place. they start learning anything and everything, clinging to whatever scraps of knowledge they can write down.

with this, they successfully make their case for why they should join ace and deuce's business. eventually, they're just as feared as they are among the other first-years.

but that's not enough for yuu. the power of fear is nice, but the power of controlling other people would be much more cathartic.

so that's what they do. while ace is more focused on monetary gain, yuu uses their mountains of blackmail to convince others to do whatever they want.

if crowley throws another ridiculous task at them, yuu simply hoists it off to somebody else to do. if ramshackle dorm needs a few repairs, it's only a matter of contacting a few people before a whole construction crew paid off by somebody else comes knocking at their door. and they'll do it, if they don't want to get kicked out of the school or have their reputation ruined.

but somehow, even with all of this, yuu sets themself up as the nicest out of their little trio. they're willing to let payments slide from time to time. they listen to their clients' problems. they take constructive criticism and always seem to improve in their potions and study guides based on feedback. and if you do do yuu a favor, they'll give you certain favors right back.

so even when yuu is a covetous, greedy, all-consuming shark, the students still think they're so very, very nice. because compared to ace and deuce, what else is there to think?

but this can only go on for so long. and yuu knows that.

one day, they get called to the headmage's office. yuu is already going through their contact list — a list that's quadrupled ever since they joined forces with ace and deuce — to see who'd be willing to do them a teensy little favor for them, but when they step through the door, they pause.

inside the office are all the housewardens, their vices, the teachers, and everybody else yuu has grown to know over the past year.

yuu narrows their eyes as riddle steps forward.

"yuu," riddle starts sternly, "from one housewarden to another, i believe we need to talk."

^

(i will address everyone's reactions in a reblog, because this is honestly getting really, really long, lol. but don't worry, the reactions are coming! 🥺)

(but i should mention that there is already a good reblog of the original post by @thenumberhuntress which addresses the upperclassmen's reactions that you can find here. go read it. it's peak.)

(once again, thank you for the great ask! this was fun to make!)

[dirthamen-enjoyer]

please remember that this is all my personal thoughts and i might be wrong about some of the things. it is critical. this started off as one specific topic about solas and then ended up turning into more of a ramble. i guess? anyways spoilers for veilguard under the keep reading line.

i wish my brain worked properly sometimes because i really want to know why i feel like they didn't write solas cohesively enough. to me, he is the best part of datv. and no, it's not because i romanced him in inquisition. actually, i could never finish his romance because he was such a know-it-all and it would annoy me lol. (it's because i'm a know-it-all and know-it-alls tend to clash. i plan on forcing myself through it one day though.) despite him annoying me, i liked him as a character. i liked his reveal, the moral greyness of him.

i think mainly my problem is how they presented his morals and why he wants to tear down the veil. it feels like they couldn't decide how to focus him. so originally he's tearing down the veil because it was a mistake and wants the world to go back to the way it was so the days of the ancient elves - specifically after the evanuris are gone - could return, at least that's what i got from it.

then at the beginning of veilguard, it suddenly it feels like tearing the veil down is just a byproduct of him needing to move the last of the evanuris to a better prison. huh? in my head i always thought that solas was ready to fight the evanuris when the veil is brought down because he's willing to take the risk of dealing with them just to bring the old world back. maybe that's too headcanon-y? also i never got around to reading the books or comics fully so i might have missed some details.

then at the end it's "i must do this for mythal or her sacrifice would be for nothing" or whatever he said. huh? i don't get why it's suddenly about mythal, even with the regret murals showing how close they were. it should be about him and all he sacrificed, only for it to not go the way he wanted. without even talking about what was revealed in the regrets murals, he sacrificed the world he knew to lock the evanuris (and forgotten ones) away to try and make life better for the common elves, the slaves.

i don't know how well that last paragraph comes off. i'm just saying that it felt like it didn't belong. his whole story is about regrets, yes. makes sense. he regrets the events that happened because of the veil mistakenly happening. he regrets what's in the murals (which i might talk about in another post because :/) but the game acts like him tearing down the veil is just selfish. there's no other nuance there, it's just selfish. huh? there is so much nuance to this position, in my opinion, that i can't even figure out how to write it.

okay so i've officially lost my train of thought about this original topic, which means i don't know what else to put. i'll just say that i feel dumb that i don't understand it while it feels like everyone else does. also i don't understand why i dislike how everything ended for him. it was like someone punched me when lost elf started playing because this ending didn't feel right. and i don't know why. (that one ending... "i am a god!" bffr he would NAWT FUCKING say that.)

also let me just quickly state that i do not think they should have made the evanuris, and elves, originally spirits. it takes away the fantasy in a the fantasy story, is the best way to say it. i know it sounds weird, but... mysteries are good. not everything needs an explanation. we could have had the mystery of "what were the evanuris?" if they kept them as just gods instead of explaining them. just have the reveal be that the gods weren't good to their subjects and are all-powerful. no need to explain all the time.

this has nothing to do with how much i wanted to fight actual gods (i did. i wanted to go up against actual gods other than the archdemons. and we know that reveal :/ ) or even how much more impactful it would have made solas's history.

[fate-defiant]

malenmalenmalenmalenmalenmalenmalenmalen

[st4rstudent]

For any toontown tierlist fans out there. I made a tierlist for toons (mainly from ttcc, some rewritten is included) since I couldn't find any. I'll attach and image below of all the ones I included, but if anyone has any suggestions I'm all ears.

Link if you want it

[silusvesuius]

g*lmar rly has to be the best skajrim character on the real like even if you don't like him he just is . literally The best one i think......... on dat note i also imagine that he and ulfr*c despite being fairydust BFFs for lyfe genuinely have the worst communication skills ever seen

[lupismaris]

Didn't get to smoke before work this morning (also not at all confident I took my meds) and while I'm managing the immense stress of the day (hello three new projects) rather well I'm reminded that the ritual of a spliff and a cup of coffee does in fact help keep my teeth dull and my temper subdued

[bluebudgie]

Alright gw2 peeps, here's one for all of you with a lot of alts:

All your characters of the same class (e.g. all your rangers) are stuck together in an escape room.

Which of your "class groups" is off the worst and who gets the job done with no problem?

[direwombat]

🖤🖤🖤🖤🖤 - interpret as you will

send 🖤 and my character will answer about yours.

ooooh ok ok ok ok five oc impressions comin' right up! sorry this took so long i had to think about some of these (and also i paused to finally make darby a banner lol)

Syb + Micah

attractiveness:

repulsive / hideous / ugly / not attractive / unappealing / not unattractive / meh / no preference / ok / mildly attractive / nice looking / cute / adorable / attractive / pleasant on the eyes / good looking / hot / sexy / beautiful / gorgeous / hot damn / would tap that / perfect / godlike / holy fuck there are no words.

personality:

grating / irritating / frustrating / boring / confusing at best / awkward / unreasonable / psychotic / disturbing / interesting / engaging / affectionate / aggressive (occasionally) / ambitious / anxious / artistic / bad tempered / bossy / charismatic / appealing / unappealing / creative / courageous / dependable / unreliable / unpredictable / predictable / devious / dim / extroverted / introverted / egotistical / gregarious / fabulous / impulsive / intelligent / sympathetic / talkative / up beat / peaceful / calming / badass / flexible.

how likely they would have sex with them:

not if they were the last person on earth and the world was ending / fuck no! / never / no way / not likely / not sure / indifferent / I’m asexual / maybe / probably / it depends / fairly likely / likely / yeah sure (she's down if micah is!) / yes / would tap that / hell yes / fuck yes! / wishing that could happen right now / as many times as possible / we are already having sex.

level of friendship:

never in a million years / worst of enemies / enemies / rivals (while micah is with john and while syb is with the resistance) / indifferent / neutral / acquaintance / friendly toward each other / casual friends / friends / good friends / best friends / fuck buddies / bosom buddies / practically the same person / would die for them / true friends / my only friend.

first impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

current impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

Syb + Lilith

attractiveness:

repulsive / hideous / ugly / not attractive / unappealing / not unattractive / meh / no preference / ok / mildly attractive / nice looking / cute / adorable / attractive / pleasant on the eyes / good looking / hot / sexy / beautiful / gorgeous / hot damn / would tap that / perfect / godlike / holy fuck there are no words.

personality:

grating / irritating / frustrating / boring / confusing at best / awkward / unreasonable / psychotic / disturbing / interesting / engaging / affectionate / aggressive / ambitious / anxious / artistic / bad tempered / bossy / charismatic / appealing / unappealing / creative / courageous / dependable / unreliable / unpredictable / predictable / devious (in a very sexy way) / dim / extroverted / introverted / egotistical / gregarious / fabulous / impulsive / intelligent / sympathetic / talkative / up beat / peaceful / calming / badass / flexible.

how likely they would have sex with them:

not if they were the last person on earth and the world was ending / fuck no! / never / no way / not likely / not sure / indifferent / I’m asexual / maybe / probably / it depends / fairly likely / likely / yeah sure / yes / would tap that / hell yes / fuck yes! (please!)/ wishing that could happen right now / as many times as possible / we are already having sex.

level of friendship (assuming syb ultimately joins the cult):

never in a million years / worst of enemies / enemies (formerly) / rivals / indifferent / neutral / acquaintance / friendly toward each other / casual friends / friends / good friends / best friends / fuck buddies / bosom buddies / practically the same person / would die for them / true friends / my only friend.

first impression of them (ie, they meet while syb is fighting for the resistance):

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird scary / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

current impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

Jonah + Micah (apologies in advance, jonah's a little freak)

attractiveness:

repulsive / hideous / ugly / not attractive / unappealing / not unattractive / meh / no preference / ok / mildly attractive / nice looking / cute / adorable / attractive / pleasant on the eyes / good looking / hot / sexy / beautiful / gorgeous / hot damn / would tap that / perfect / godlike / holy fuck there are no words.

personality:

grating / irritating / frustrating / boring / confusing at best / awkward / unreasonable / psychotic / disturbing / interesting / engaging / affectionate / aggressive (it's lowkey a turn-on for him) / ambitious / anxious / artistic / bad tempered / bossy / charismatic / appealing / unappealing / creative / courageous / dependable / unreliable / unpredictable / predictable / devious (also lowkey turns him on) / dim / extroverted / introverted / egotistical / gregarious / fabulous / impulsive / intelligent / sympathetic / talkative / up beat / peaceful / calming / badass / flexible.

how likely they would have sex with them:

not if they were the last person on earth and the world was ending / fuck no! / never / no way / not likely (from an entirely realistic perspective. micah would eat him alive and no way he's trying anything with john's girl fdl;ajkfd) / not sure / indifferent / I’m asexual / maybe / probably / it depends / fairly likely / likely / yeah sure / yes / would tap that / hell yes / fuck yes! / wishing that could happen right now / as many times as possible / we are already having sex.

level of friendship:

never in a million years / worst of enemies / enemies / rivals (he is that annoying little sibling who thinks she's trying to take his brother john away from him) / indifferent / neutral / acquaintance / friendly toward each other (AT BEST tbh and any mean thing micah says about him is completely justified) / casual friends / friends / good friends / best friends / fuck buddies / bosom buddies / practically the same person / would die for them / true friends / my only friend.

first impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

current impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

Darby + Lore (literally all i can think is the two of them meeting on earth when darby is like. 16 and eager to try out the fake ID she made, lore clocking it and booting her from the bar, and then 5 years later darby returns to the same bar (dropped out of college and working as an elevator operator/unauthorized mechanic at some ritzy hotel) and lore always carding her just becomes an inside joke. one that continues if/when they meet up again in halcyon)

attractiveness:

repulsive / hideous / ugly / not attractive / unappealing / not unattractive / meh / no preference / ok / mildly attractive / nice looking / cute / adorable / attractive / pleasant on the eyes / good looking / hot / sexy / beautiful / gorgeous / hot damn / would tap that / perfect / godlike / holy fuck there are no words.

personality (please note that darby is a chaos gremlin:

grating / irritating / frustrating (if lore tries to stop darby from doing something dumb) / boring (if lore doesn't entertain darby's more destructive shenanigans) / confusing at best / awkward / unreasonable / psychotic / disturbing / interesting / engaging / affectionate / aggressive / ambitious / anxious / artistic / bad tempered / bossy / charismatic / appealing / unappealing / creative / courageous / dependable / unreliable / unpredictable / predictable / devious / dim / extroverted / introverted / egotistical / gregarious / fabulous / impulsive / intelligent / sympathetic / talkative / up beat / peaceful / calming / badass / flexible.

how likely they would have sex with them:

not if they were the last person on earth and the world was ending / fuck no! / never / no way / not likely / not sure / indifferent / I’m asexual / maybe / probably / it depends (would 100% have sex with lore just to rile up the good vicar (her favorite pass-time)) / fairly likely / likely / yeah sure / yes / would tap that / hell yes / fuck yes! / wishing that could happen right now / as many times as possible / we are already having sex.

level of friendship:

never in a million years / worst of enemies / enemies / rivals / indifferent / neutral / acquaintance / friendly toward each other / casual friends / friends (maybe?) / good friends / best friends / fuck buddies / bosom buddies / practically the same person / would die for them / true friends / my only friend.

first impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

current impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

Stefano + Bright

attractiveness:

repulsive / hideous / ugly / not attractive / unappealing / not unattractive / meh / no preference / ok / mildly attractive / nice looking / cute / adorable / attractive / pleasant on the eyes / good looking / hot / sexy / beautiful / gorgeous / hot damn / would tap that / perfect / godlike / holy fuck there are no words.

personality (they've only just met so he doesn't have much to go off yet, but!):

grating / irritating / frustrating / boring / confusing at best / awkward / unreasonable / psychotic / disturbing / interesting / engaging / affectionate / aggressive / ambitious / anxious / artistic / bad tempered / bossy / charismatic / appealing / unappealing / creative / courageous / dependable / unreliable / unpredictable / predictable / devious / dim / extroverted / introverted / egotistical / gregarious / fabulous / impulsive / intelligent / sympathetic / talkative / up beat / peaceful / calming / badass / flexible.

how likely they would have sex with them (a very funny question since as long as it passes the harkness test and everyone's consenting, stefano will have sex with just about anything/anyone):

not if they were the last person on earth and the world was ending / fuck no! / never / no way / not likely / not sure / indifferent / I’m asexual / maybe / probably / it depends / fairly likely / likely / yeah sure (basically, if bright was down, he'd be down but absolutely zero worries if not) / yes / would tap that / hell yes / fuck yes! / wishing that could happen right now / as many times as possible / we are already having sex.

level of friendship:

never in a million years / worst of enemies / enemies / rivals / indifferent / neutral / acquaintance / friendly toward each other (at least he thinks so, thus far) / casual friends / friends / good friends / best friends / fuck buddies / bosom buddies / practically the same person / would die for them / true friends / my only friend.

first impression of them:

i hate them so much / i don’t like them / i don’t trust them / they annoy me / they’re weird / I’m indifferent / meh / they seem alright / they’re growing on me / truce / I think I like them / I like them / I’m not sure if I trust them / I trust them / they’re cool / they’re genuine / I think we’re going to get along / I really like them / I think I’m in love / oh fuck they’re hot / I love them.

current impression of them:

n/a since we're still in first impression stage :)

[rubys-domain]

is it just me or... are the reputation rewards for fontaine underwhelming as hell?

[masquenoire]

✿

PRE-ESTABLISHED RELATIONSHIP MEME 0.2

“Goddamn, do I hate his fucking riddles...”

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /  [ your muse ] is the good influence  /  [ your muse ] is the bad influence  /  [ my muse ] is the good influence  /  [ my muse ] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other (we’re both bad influences)

ROMANCE.     childhood sweethearts  /  [ your muse is mines ] childhood crush  /  [ my muse is yours ] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [ from your muses side ]  /  unrequited [ from my muses side ]  /  unrequited [ from both sides ]  /  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]  /  soulmates  [ literal ]  /  awkward  /  turning toxic  /  toxic love  /  cheating [ on your muse ]  /  cheating [ with your muse ]  /  other

FAMILIAL.     siblings [ half ]  /  siblings [ step ]  /  [ my muse ] is an older sibling figure to your younger sibling figure  /  [ my muse ] is a younger sibling figure to your older sibling figure muse  /  [ my muse ] is a parental figure to yours  /  [ my muse ] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /  [ your muse ] is taken under mines wing  /  [ my muse ] is taken under yours wing  /  other

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based of professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other (VILLAIN - VILLAIN GRUDGES)

[my-thoughts-and-junk]

"what was it like having integrity for once" no jerry i. i don't think you have that.

[sunni-stuff]

Standing outside your apartment, Simon tightened his grip around the wooden toy train, the corners of the box digging slightly into his palm. His heart thrummed uncomfortably in his chest—a sensation far too foreign for someone who’d faced down worse odds than this. He was used to calculating risks, taking them head-on, but this? This wasn’t a battlefield; it was something infinitely more terrifying. He was meeting his daughter.

He cast a glance at the train in his hand, a sturdy, well-crafted toy he and Johnny had spent hours picking out earlier that day. The shopkeeper’s amused expression still lingered in his mind—two grown men scrutinizing toy trains as though the fate of the world rested on their choice. You hadn’t been specific, just a train, no frills, nothing cartoonish. And so Simon had chosen the simplest one, figuring it was better to err on the side of practicality.

Beside him, Johnny leaned casually against the wall, spinning a plastic-cased mermaid Barbie in his hands. The vibrant teal-and-pink packaging clashed starkly with the air of seriousness Simon carried.

Simon scowled, his gaze darting to the doll. “I told you, no dolls. She said no dolls.” His voice was low and rough, almost a growl, though it carried more nervous energy than actual anger.

Johnny raised an eyebrow, smirking as he turned the Barbie over in his hands. “What kid doesn’t like a Barbie? Eh? You’re overthinking this, big man.” His Scottish accent lent an irreverent edge to his words. “Besides, it’s just a backup. If she doesn’t like the train—which, let’s face it, is a bloody long shot—I’ve got something she’s bound to love.”

Simon shot him a sharp look. “It’s not about the toy,” he muttered, shifting his weight uncomfortably from one foot to the other. “It’s about… makin’ an impression. Proper one.”

Johnny’s smirk softened, his usual teasing tone giving way to something closer to sincerity. “And you think that’s all ridin’ on a train? C’mon, mate, it’s you she’s meeting, not just some toy. Kids aren’t daft—they know when someone’s tryin’.” He tilted his head toward the toy in Simon’s hand. “But, for what it’s worth, that train’s not bad. Proper classic. No gimmicks.”

Simon grunted in response, his attention flicking back to the apartment door. It was a quiet, unassuming building, but the pressure of what lay beyond that door was immense. You were in there with her—Adira. His daughter. The thought still felt surreal, even after the days he’d spent turning it over in his mind. He’d seen her before, from a distance, but that was different. This was too personal in a way he wasn’t sure he was prepared for.

“I should’ve brought the others,” Simon muttered under his breath, more to himself than Johnny.

Johnny’s eyes twinkled with humor. “Aye, because showin’ up with the whole bloody team wouldn’t be overwhelming at all, eh? ‘Here’s yer dad, and here’s his army of uncles.’ Real subtle.”

Simon huffed a dry laugh despite himself, the tension in his shoulders loosening just a fraction. Johnny always had a knack for cutting through his nerves, even when Simon wasn’t in the mood for it.

The sound of footsteps on the other side of the door snapped Simon’s attention back to the moment. His pulse quickened as the lock turned, and the door creaked open to reveal you standing there, a mixture of caution and curiosity etched into your expression. You didn’t say anything right away, your gaze darting between Simon, Johnny, and the toys in their hands.

“Hi,” Simon managed, his voice quieter than he’d intended. He cleared his throat, adjusting his grip on the train. “Uh… thought I’d bring somethin’ she might like.”

You glanced at the train, then at Johnny’s Barbie, raising an eyebrow. “I see Johnny didn’t listen,” you comment dryly, though there was a hint of amusement in your tone.

Johnny grinned, unbothered. “Insurance, lass. Always good to have a backup plan.”

Stepping aside, you gestured for them to come in. “Well, let’s see how this goes. She’s in the living room.”

Simon felt the air grow heavier as he crossed the threshold, each step bringing him closer to something he’d been equal parts dreading and hoping for. The sound of quiet giggles and the rustle of toys came from the living room, and he stopped short in the hallway, his hand tightening instinctively around the train.

“You okay?” you asked curiously, your question laced with something he couldn’t quite place—concern? Reassurance?

He nodded stiffly, though he wasn’t entirely sure who he was convincing. “Yeah,” he said, masking his unease. This wasn’t the time to let emotions run wild, not when his daughter was just a few steps away. He needed to reel everything, keep composed.. “Just… takin’ a moment.”

Johnny clapped him on the shoulder, his grin unfaltering. “You’ve got this, mate. And if all else fails—” he held up the Barbie with a dramatic flourish—“I’ve got you covered.”

Simon rolled his eyes but couldn’t help the faint smile that tugged at his lips. “Thanks for that,” he muttered dryly.

He took a grounding breath, then stepped into the living room. The sight that greeted him stopped him in his tracks—Adira, sitting cross-legged on the floor, a miniature train set spread out before her. Her dark hair fell in delicate curls around her face, and her eyes, so startlingly like his own, lit up with delight as she guided a tiny train along the tracks.

The world seemed to narrow, every noise fading into the background except for the sound of her soft laughter. This was his daughter, and for the first time, he wasn’t just watching from afar—he was here.

Adira looked up, her curious gaze locking onto him. Simon’s heart leapt into his throat as she tilted her head, studying him with a mix of curiosity and caution. Before he could speak, Johnny stepped forward, a grin plastered across his face as he crouched beside her.

"Hey, bonnie lass," Johnny greeted, bringing in  warmth and cheerfulness. He held out the mermaid Barbie, its plastic casing shimmering in the soft light. “Look what I got for ye.”

Adira blinked at him, her small head tilting to the side in the same assessing way she’d done with Simon. Then, in a voice as sweet as it was blunt, she said, “Ugee.”

Simon held back a laugh, but Johnny froze, his grin faltering. Did she just call me ugly again? he thought, momentarily stunned before recovering with a sheepish laugh.

“Oh, come on, lass. That’s no way to treat yer Uncle Johnny,” he teased, though his pride was clearly bruised. He pushed the doll a little closer, his voice softening. “It’s for you. Look—she’s got a shiny tail and everything.”

Adira’s expression shifted, her curiosity piqued as she finally reached for the doll. Johnny’s face lit up with relief, and he turned to you and Simon with a victorious smirk. “Told ya,” he mouthed, his tone smug.

Simon raised an eyebrow, unimpressed, while you merely crossed your arms, waiting for what you knew was coming.

The sound of plastic ripping shattered Johnny’s moment of triumph. His head whipped around just in time to see Adira pull the doll free from its packaging with surprising efficiency. She studied it for a moment, her tiny fingers gripping the head and the body. And then—pop—the doll’s head came clean off.

Johnny’s jaw dropped as he watched Adira inspect the decapitated doll with silent satisfaction. She set the head down beside her, then held up the now-headless body, apparently contemplating her next move.

Simon let out a chuckle, unable to hide his amusement as Johnny gawked at the scene, his earlier smugness entirely gone. “Well,” Simon drawled, unable to hide his dry humor. “Guess she wasn’t a fan after all.”

Johnny turned back to you and Simon, his expression caught between disbelief and betrayal. “What… what kind of kid just does that?!” he demanded, gesturing wildly at the scene behind him.

You shrugged, biting back a laugh. “I warned you about the dolls.”

Johnny shook his head, still reeling as he muttered under his breath, “She’s Sid from Toy Story incarnate, I swear.”

Adira, seemingly unbothered by the fuss, returned her focus to her trains, contentedly adding the doll’s head to a makeshift pile of "cargo." Johnny looked ready to protest further, but Simon stepped forward, crouching to her level and holding out the wooden train.

“Hi,” he spoke softly, his voice steady despite the lingering laughter in his chest. “I brought you somethin’. Thought you might like it.”

Adira didn’t respond right away, her eyes bouncing between him and the toy. Then, slowly, she reached out, her small fingers brushing against the train before taking it from his hands. Unlike the Barbie, she carefully opened the box, her movements deliberate and methodical. She removed the wooden train gently, inspecting it for a moment. Without a word, she added it to the tracks, her attention already back on her play as if nothing else in the world mattered.

Simon stayed crouched, watching her intently. A flicker of relief crossed his face at her acceptance of the gift. The room, heavy with unspoken tension just moments before, now felt lighter, though Simon could feel the enormity of the moment pressing against his chest.

You appeared at his side, crouching slightly to meet his eye, a small grin on your lips. “That’s a good sign,” you murmured, keeping your voice low. “She doesn’t usually let people touch her trains.”

Simon exhaled a breath he hadn’t realized he’d been holding. His gaze flickered back to Adira, watching as she carefully positioned the new train car alongside the others, her focus unwavering. It wasn’t much—just a small gesture—but it felt monumental. A start.

“She’s got good taste,” Simon adds, a touch of pride in his tongue as he nodded toward the tracks. “Knows quality when she sees it.”

You chuckled, the sound easing the edges of Simon’s nerves. “It’s not just that,” you replied, your eyes lightening as you watched Adira. “Trains are her world. If she’s letting you into it, even a little…” You trailed off, leaving the implication hanging in the air.

Simon nodded, his throat tightening with a mix of emotions he wasn’t used to confronting. For a moment, he allowed himself to simply watch her, the curve of her cheek, the determined set of her brow as she pushed the train forward, creating a soft click-clack noise against the wooden tracks. He thought of all the moments he’d missed, all the firsts that had come and gone without him. But now, sitting there on the floor of your apartment, watching his little girl play, he felt something unfamiliar: hope.

“It’s a start,” he murmured, more to himself than to you. And for now, that was enough.

Johnny hung back near the doorway, arms crossed over his chest as he watched the tender scene unfold. Simon, a man he’d always seen as unshakable and stoic, was crouched beside Adira, his usually guarded expression diminished by a rare, genuine grin. Johnny didn’t dare interrupt—this wasn’t his moment. He was just a spectator, standing on the sidelines as a long-standing divide finally began to close.

The warmth in the room tugged at Johnny’s own heart, and though he wasn’t one for sentimentality, the sight was too good to pass up. Without a word, he slipped his phone from his pocket, angling it just right to snap a quick picture. Simon’s grin, lopsided and proud, was illuminated by the soft glow of the lamp, his large frame almost comically dwarfed by the tiny train set and the little girl at its center.

Satisfied with the shot, Johnny smirked to himself as he typed out a caption: “Big man, small trains. Heart officially melted. ” He hit send, the photo shooting off to the group chat where the lads were bound to have a field day with it.

Moments later, his phone buzzed with a flurry of responses:

Roach: “Never thought I’d see Ghost look so human.”

Gaz: “He’s got the ‘Dad Look’ down already. Almost feel bad making fun of him.”

Price: “I don’t. Send more pics.”

Stifling a snicker, Johnny shoved his phone back into his pocket. He glanced back at Simon, who was completely absorbed in Adira’s world, watching as she pushed the new train along the tracks with the utmost concentration. The sheer joy and focus on her face seemed to draw Simon further into her orbit, as if nothing else existed but the tiny, clacking train set.

Johnny shook his head fondly. Big, scary Ghost, he thought, brought to his knees by a wee lass and a wooden train. It was a sight he’d never forget.

Johnny slipped out of the apartment with a quiet click of the door, leaving the two of you in a silence that felt both comfortable and weighty. His absence left the air clearer, yet filled with the unspoken. As Adira remained engrossed in her trains, her murmurs creating a gentle rhythm in the background, you found your mind racing with a single, unrelenting question:

What now?

Giving her toys was one thing. Simon showing up, physically present, was a start. But the path ahead of you wasn’t so simple. Building a connection took more than gifts and fleeting moments. Adira was too young to truly grasp the gravity of this shift in her world. Telling her outright that Simon was her father didn’t feel right—not now. That conversation would be better left for a day when she could fully understand it.

You rose from your position near him, brushing off your knees as you took a real long look at her. There it was, in her little mannerisms, her sharp focus, the way her brow furrowed just slightly as she concentrated—it was him. So much of him. And the way Simon’s gaze relaxed as he watched her? You could see it, plain as day. He wanted to be there for her.

And you wanted her to be happy.

The realization hit you with clarity: the best way to make this transition smooth was to let Simon find his place naturally. He couldn’t make up for all the firsts he’d missed, but there was still time for so many more moments.

“So…” you began, your voice quiet but heavy, the word hanging between you like an unspoken question. You turned to face Simon, watching him carefully as he sat cross-legged on the floor, his broad frame surprisingly small in this intimate space. He was still holding that wooden train, his fingers gently brushing over the smooth surface like it was something sacred.

Simon looked up at you, his eyes catching yours, and he shifted slightly, his posture relaxed, but there was something else—something vulnerable yet determined. "So," he echoed, his voice unshakable, though you could hear the undertone of apprehension, a slight tremor of uncertainty beneath his calm façade. He wanted to be open, to show you he was ready for whatever was coming next, even if he wasn’t entirely sure what that was.

You crossed your arms, not out of defiance but out of the need to ground yourself. It was a physical gesture, a way to hold yourself steady in the face of everything that had led to this moment. “This isn’t going to be easy,” you said, the words a simple statement, but they carried meaning.

“I didn’t expect it to be,” Simon replied, his voice firm, the same way it would sound in the midst of a mission, when the stakes were high. The seriousness in his tone wasn’t lost on you. But there was more than just the soldier in him now—there was a father. "But I’m here. I want to try. For her." His eyes darted to Adira, his gaze lingering on her as she lined up her train set with careful precision. It was a look filled with fierce, almost protective determination, and it tugged at your chest.

“For her,” you agreed, your heart swelling with the truth of it. “She deserves that. But it’s not just about showing up with toys. It’s about showing up for her. Being there when she needs you, even if it’s hard. Even if she pushes you away at first.”

Simon’s jaw tightened as you spoke, and you saw the muscles in his neck flex, as though he was fighting against something—maybe the grandness of what this all meant, maybe his own doubts. “I can do that,” he said after a pause, his voice low but resolute. “I will.”

“You’ll have to.” Your tone tender, but you still held that edge of playful taunting. It was your way of testing the waters, of gauging if he was truly prepared for what this would take. “She’s stubborn. Wonder where she gets that from.”

Simon huffed a quiet laugh, and a faint smirk forming on his mouth. For a brief moment, the walls he’d built around himself seemed to weaken, just a little. “Aye, can’t imagine,” he replied, the humor easing some of the tension in the room.

There was a pause, the room settling into a calm that hadn’t been there before. You watched as Simon glanced back at Adira, his eyes lingering on her as she placed another train down, her little brow furrowed in concentration. The sight was almost too much for him—this was his flesh and blood, sitting right there in front of him, in this quiet, domestic world he hadn’t been a part of.

“First things first—likes and dislikes.”

The words hung in the air for a moment, but you didn’t wait for him to respond. You turned on your heel and slipped into the kitchen, the quiet tension that had settled between you both diminishing. Simon, sitting cross-legged on the floor near Adira, was still absorbing the weight of everything unfolding. His gaze followed you as you disappeared into the next room, the brief silence stretching between the two of you.

When you returned, you were holding a file—nothing flashy, just a plain folder. You approached him and handed it over, watching as he hesitated, the weight of the paper in his hands heavier than it appeared.

The sight inside that greeted him threw him off guard—pages upon pages of meticulously written details. At first glance, it looked like a detailed report, every section filled with information about Adira’s daily routine, preferences, and even the smallest of habits. Her favorite snacks, the way she liked her sandwiches cut in triangles. Each page was packed with specifics: her reactions to certain foods, her favorite colors, how she responded to certain sounds and even what she liked to do on rainy days—took him completely off guard.

Simon blinked at it, flipping through the pages as if trying to find a sense of grounding in the flood of information. It was overwhelming, but what struck him the most was how thorough it was—how much you had put into it. Everything about her, everything you alone learned over the years, all laid out for him to see.

The file was thick, packed with details. The more he flipped through, the more surprised he became. Notes jotted in neat handwriting with labeled sections.There wasn’t just filled with cold, clinical notes. It also contained moments of tenderness, small anecdotes about how Adira reacted to certain situations or things that made her smile. You had carefully noted the songs she liked to sing along with, how she would curl up on the couch when she was feeling down, the exact way she liked her bedtime story read.

Simon looked up at you, his expression one of confusion and curiosity. “What is all this?” he asked quietly, his voice tinged with surprise.

You offered him a faint smile, though there was no real humor in it. “Before you think I’m crazy or paranoid,” you began, raising your hands slightly in defense, “I work at the daycare around the corner, and Adira comes with me. It’s policy to keep these records—just in case. You know, since some kids have allergies, or there are specific things we need to be aware of.”

He nodded, still flipping through the file, as if seeing this list of Adira’s little quirks and habits for the first time made her seem more real. More like a child who had to be cared for, understood, and loved in ways that went far beyond simply showing up with a toy.

“I didn’t know you’d been keeping track of all of this,” A look of genuine surprise crossed his face. “I didn’t know… I didn’t know you’d been doing so much.”

You shrugged slightly, a small smile tugging at the corner of your lips. “It’s nothing. Just making sure she’s okay.” There was an edge of vulnerability to your words, as if you were downplaying the emotional weight of it all.

Simon’s fingers lingered on the pages, his gaze skimming the words as if trying to understand the depth of the commitment you had for Adira. It wasn’t just about her well-being, it was about every little thing that made her, her.

“You really do know everything about her, don’t you?” he said, his voice tinged with awe.

You nodded, feeling a warmth spread through you at his reaction. It wasn’t about control or being overprotective—it was about ensuring that every part of Adira’s world was in order, even when you weren’t looking.

“I know what she likes, what she dislikes. I know how she reacts when she’s tired or overstimulated. I know what makes her laugh and what makes her cry. It’s not about keeping tabs, it’s about making sure she feels safe. Especially with everything changing right now.”

Simon absorbed your words quietly, the weight of the file heavy in his hands. The realization hit him like a punch in the gut. You had been doing this alone for so long—carrying the weight of all these little details, managing the complexity of motherhood without the support he should’ve been offering.

“She’s lucky,” he said quietly, almost to himself. “You’ve done more than I can even imagine.”

You didn’t say anything at first. The simplicity of his words caught you off guard, making you feel a bit exposed. “It’s just what you do for them,” you replied, your voice softer now, more vulnerable. “You do what you can to make sure they’re okay.”

Simon closed the file slowly, processing what it meant. He felt a surge of something—guilt, maybe, or a quiet ache—as he realized just how much he’d missed. He’d been absent for so many of the small, seemingly insignificant moments that made up Adira’s life. And now, looking at the file, he could feel the weight of his absence more than ever.

“I want to know it all,” Simon said quietly, his voice full of resolve. “Every little thing. I don’t care how small it seems. I want to learn everything about her.”

Your heart skipped at his words, and for the first time, you felt a sense of stability knowing he’d be around to lift some of the hardship off your shoulders. For once, it wouldn’t just be you anymore.

“Good,” Your voice filled with quiet approval. “Because it’s going to take time. And you’ll need to be patient.”

“I can do that,” he replied, his jaw set with determination. “I’m not going anywhere.”

By 6 AM sharp, there he was—a solid, familiar figure standing at your door with his sleeves rolled up and a faint, hesitant smile. He never asked if you needed help; he simply showed up, ready to lend a hand. Simon didn’t just want to be in your life—he wanted to belong in it. Every visit to your apartment wasn’t just about showing up; it was about figuring out how to bridge the gap between her world and his. You had been Adira's anchor, her everything. Simon understood that, respected it, but he was intent on creating his own place in her little universe—one small gesture at a time.

At first, his kitchen skills left a lot to be desired. You insisted you could handle breakfast on your own, but Simon waved you off, determined to prove himself. Adira sat in her highchair, small fingers clutching a slice of strawberry as she watched her father with wide, curious eyes. He wrestled with the stovetop like it was an enemy combatant, flipping pancakes that somehow always ended up sticking or splattering in every direction. A particularly ambitious flip sent batter flying, splattering across his shirt and the counter.

Adira paused mid-chew, her sharp little eyes zeroing in on the mess. "Messy man," she mumbled around the strawberry, her tone matter-of-fact but laced with childish amusement.

Simon froze, mid-swipe with a paper towel, and glanced at her, eyebrows shooting up. “What’d you call me?”

"Messy man," she repeated, a little more confidently this time, giggling as she pointed at the batter streaked across his chest.

You couldn’t help but laugh as Simon groaned, shaking his head with mock exasperation. “I’ll remember that,” he muttered, though there was no hiding the faint smile that tugged at his lips.

Despite the mishaps, he never gave up. Day by day, the kitchen disasters became fewer. He learned that Adira liked her pancakes shaped like stars if you had the time and that a dollop of whipped cream on top made her clap her hands with delight. He discovered she preferred her strawberries sliced thin, not chunky, and that she hated the crusts on toast but loved when it was cut into neat little triangles.

More importantly, while you were around, Adira began to interact with him in ways you hadn’t expected. She would babble at him as he cooked, her little hands waving animatedly as though she was offering advice. He listened as if she were telling him the most important secrets in the world, nodding solemnly and responding in his deep, rumbling voice.

One morning, as he handed her a plate with her favorite star-shaped pancakes, she looked up at him with a toothy smile, “Thank you, messy man.”

Simon froze, his grip tightening on the plate for just a second before he crouched down to her level. “You’re welcome, love,” The endearing nickname left his lips with ease, carrying an edge of something raw and tender.

You stood in the doorway, watching the scene unfold with a lump in your throat. This wasn’t just about breakfast. It was about Simon trying—every single day—to show her that he was there, that he wasn’t going anywhere. It was clumsy and imperfect, but it was real. And you couldn’t help but feel the faint stirrings of something like hope, watching the way Adira’s small world seemed to expand to make room for him.

After some time of this new, unspoken pattern settling in—one that felt like a quiet, gradual understanding—Adira seemed to begin warming up to Simon. It wasn’t as deep or instantaneous as it had been with you, but it was enough. Enough for her to sit at the table, nibbling on the pancakes he’d made. Enough to sit near him and listen to his voice without the immediate urge to run to you. And, perhaps most telling, enough for her to offer him a strawberry one morning before daycare.

Still, there were unspoken boundaries. She wouldn’t let him touch her trains, a sacred realm of hers he dared not trespass. And after a while of him being nearby, she’d often wander back to you, clutching at your leg or climbing into your lap, needing the reassurance of your proximity. 

You saw it in Simon’s eyes sometimes, the flicker of hurt that he quickly masked, brushing it off like it didn’t matter. But it did. You could tell. Adira was studying him from the safety of her bubble, keeping her distance as if trying to figure him out. You couldn’t blame her. Adira had lived her life with you as the constant; Simon was a new element in her world, one she wasn’t sure how to integrate yet.

But you couldn’t help but wonder: Did she need just a little nudge? A chance to have a moment with him—just the two of them—without you hovering nearby to catch her if she fell?

That opportunity came one morning when the daycare announced they would be closing down the toddler classrooms for renovations. Since Adira’s classroom was off-limits, she couldn’t come with you, leaving a gap in her schedule for at least a day or two. It was the perfect chance for Simon to step in and watch her alone, just the two of them.

That morning, Simon arrived as usual, but the atmosphere was different. You were already dressed for work, and Adira sat on the couch, her little frame wrapped in her favorite onesie—a fuzzy lavender number with tiny clouds on the sleeves. Her attention was fixed on the cartoon playing on the screen, her pillow hugged tightly to her chest.

You had considered this moment for a while, weighing the risks and the benefits. You knew how much it would mean to Simon if Adira let him in just a little bit more. But it was still a leap. You couldn’t help but feel the protective instinct rising in you, a sharp edge of caution in your chest. If anything went wrong, if Adira seemed uncomfortable or the situation felt off, you’d be home in a heartbeat. It was your job to protect her, to put her needs above all else—even Simon’s. As much as he was trying, as much as he cared, she was still your child, and her safety and happiness mattered most.

Simon raised an eyebrow as he noticed your state of dress and Adira’s lounging figure. “So, it’s just me and her today?”

You nodded, grabbing your keys. “her classroom is closed for renovations. Figured this would be a good chance for you two to spend some time together.”

He didn’t respond right away, instead Simon seemed to take everything in stride, breathing in deeply, knowing his moment was now.

You couldn’t help but study him for a moment longer, as if reading him for any sign that he was second-guessing himself. But then he smiled at you, it was genuine—reassuring. You had to trust him. You had to let him try.

Walking over to Adira, you knelt beside her, smoothing her hair as you spoke. “Sweetheart, you’re gonna hang out with Simon today, okay? I’ll be back soon.” 

Adira’s brows furrowed, her lips pressing into a tiny pout. “You go?”

“Just for a little while,” you reassured her. “Simon’s going to stay with you, and you’ll have lots of fun. Won’t you?”

Adira looked up at you with those wide, dark eyes, not fully understanding the implications, but offering you a small, shy nod. She then returned her attention to the TV, her little fingers absentmindedly squeezing the fabric of her pillow.

“She’s had her bath, so no worries there,” you swiftly explained, slipping into your role as her mother. “She’s in her onesie because it’s raining today, and for some reason, she loves wearing it on rainy days—I don't understand it but as long as she's happy. There’s food in the fridge, but after a couple of hours, I’d suggest cutting the TV off. Let her color, read, or maybe play with her trains. It gives her eyes a break from the screen. Oh, and rainy days mean pizza. Her favorite place is ‘Mario’s,’ and the number’s on the fridge. She’ll ask for the stuffed crust and extra cheese, light on the sauce.”

Simon absorbed the instructions like a soldier receiving a mission briefing, nodding along as you spoke. His eyes flicked to Adira, who was now idly kicking her feet as she watched the TV, and then back to you. “Got it. Anything else?”

You hesitated for a moment, then let it subside. “Just… be patient with her. She’s still figuring this out. You’re doing great, Simon.”

His lips twitched into a small, almost shy smile. “Thanks.”

You gave him one last glance, scanning for any signs of hesitation or doubt, but his steady demeanor gave you confidence. With a final goodbye to Adira, who waved absently, you headed for the door. With that, you left, the door clicking shut behind you. Your chest felt tight, your every nerve on edge as you walked to work. This was Simon’s test, sure, but it was yours too—trusting someone else with the most precious thing in your life. Only time would tell how it would go.

The door clicked shut behind you, leaving Simon standing awkwardly in the quiet apartment. Adira stayed exactly where she was, her little form cocooned on the couch, eyes glued to the animated animals bouncing across the TV screen. Simon exhaled through his nose, rubbing the back of his neck as he took in the moment. This was it. His chance.

He crossed the room and sat down next to her, careful not to invade her space. For a moment, the silence stretched between them, thick and uncertain. Adira didn’t so much as glance his way, her focus unwavering as the characters on the screen launched into a cheerful song.

Simon cleared his throat, the sound cutting through the air like an awkward ripple. "So, uh," he started, his voice low and unsure, "you like it when it rains?"

Adira finally looked up at him, her big, curious eyes meeting his. She blinked a couple of times, processing his question, before giving a small, shy nod.

"Yeah?" he pressed, a soft smile creeping onto his face. "What’s your favorite thing about it? The sound? Jumping in puddles?"

Her lips twitched, almost forming a smile, but she didn’t say anything. Instead, she shifted on the couch, pulling her pillow closer as if using it as a shield. Simon waited, giving her time, not wanting to push. Then, as if finding the courage, she mumbled, “The sound.”

“The sound, huh? Me too,” he said, leaning back a bit to ease the tension. “Kinda peaceful, isn’t it? Makes everything... quiet.”

Adira nodded again, this time a little more confidently. Her tiny fingers started to drum on the pillow in her lap, the rhythm mimicking the pitter-patter of raindrops. Simon caught it and grinned.

“You know,” he said, lowering his voice conspiratorially, “I used to watch the rain all the time when I was little. Sometimes I’d sit by the window for hours, just listening. My mum always said I’d get stuck there.”

Adira tilted her head at him, her curiosity evident now. “Why?” she asked, her voice soft and a little unsure, as though she wasn’t entirely ready to start talking freely.

Simon chuckled, scratching his chin. “Dunno. Maybe I thought if I stayed there long enough, I’d see something special, like... I dunno, maybe the rain would make magic happen.”

Her eyes widened slightly at the word magic, and Simon felt a small victory bloom in his chest.

“Magic?” she echoed, her tone a mix of skepticism and interest.

“Oh, yeah,” he replied, leaning in just a little, like he was about to share a secret. “The kind that only shows up when you’re really, really patient. You gotta look close, though.”

Adira’s gaze darted back to the TV for a moment before returning to him, her guard lowering inch by inch. She hugged her pillow tighter but didn’t turn away.

“Maybe,” she murmured, almost too quietly for him to hear, “maybe I’ll see magic too.”

Simon’s chest tightened, a warmth spreading there that he hadn’t felt in years. For the first time, he wasn’t just a stranger in her world; he was someone she was starting to let in.

“Maybe you will,” he said softly, leaning back into the couch. He let the quiet fill the space again, content to sit beside her, waiting for the rain—or the magic—to come.

After a few minutes, Adira reached over to the side table where her sippy cup rested. She grabbed it, then paused, her hand hovering. Slowly, she stretched it out toward him. “Drink?” she offered, her voice small but steady.

Simon blinked, caught off guard by the gesture. It wasn’t much—just a sippy cup of watered-down juice—but it felt monumental. “Thanks, but that’s yours,” he said gently, a smile tugging at the corners of his mouth.

She pulled it back and took a sip herself, nodding like she’d made a grand decision.

Simon chuckled softly. “Fair enough.”

It wasn’t much, but it was something. A small step, a tiny opening, and Simon took it as the win it was.

The hours slipped by quietly, the sound of the TV buzzing in the background, and before Simon knew it, the three-hour mark had passed. He glanced at the clock, then at the screen, and with a deep breath, he reached over and clicked the power button.

Adira's eyes widened in shock, her little fingers frozen mid-air as she pointed at the now-black screen. "Why?" she asked, her voice a mix of confusion and mild frustration. "I wanna watch..." Her words trailed off, her pout deepening as she looked back at him, like she couldn’t quite understand why he’d taken it away.

Simon bit his lip, fighting a chuckle. "You’ve been watchin' for a while now, kiddo," he said, trying to sound casual, but there was a slight hesitation in his voice. "Time to do somethin’ else, yeah?"

Adira stared at him for a long moment, her little brow furrowed as she processed what he’d said. She didn’t seem convinced at first, her gaze darting back to the black screen as if willing it to come back to life. When it didn’t, she crossed her arms over her chest, her lower lip poking out in a full pout.

“I don’t wanna,” she muttered, voice small but firm. It was clear she wasn’t happy with the decision, but Simon had a feeling it was more about the principle of the matter than the TV itself.

“C’mon now,” Simon said softly, trying to soften the blow. “We can do somethin’ fun. How ‘bout we build somethin' together? Or read a book?”

Her little frown deepened, and Simon almost felt bad for turning the TV off. But this was the first time he’d gotten a moment alone with her, and he knew it was important to break the habit, to show her there were other things to do in the world besides the screen.

She hesitated, her gaze flicking between him and the quiet living room. Then, with a small sigh, she uncrossed her arms and stood up, shuffling toward the toy box with little steps, only to find nothing that interested her.

"Books?" she asked, her voice still laced with uncertainty but tinged with the smallest bit of curiosity.

Simon smiled, feeling a wave of relief. “Books it is,” he said, standing up to join her. “I bet we can find somethin’ that’ll be just as fun as that TV show.”

Adira didn’t answer, but the way she grabbed a book off the shelf made Simon’s heart flutter with a tiny spark of victory. 

Adira returned to Simon’s side, holding a colorful book with a soft, focused expression on her face. The cover was bright, featuring two foxes—one with a bushy tail and the other a smaller, more timid-looking one. The title, No Matter What, was written in bold letters above them. She climbed up beside him and, without a word, placed the book in his lap, her small hands brushing gently against it as if offering him a treasure.

Simon looked down at the book, caught off guard by her quiet gesture. He glanced at her for a moment, meeting her eyes. She looked at him with a silent kind of expectation, waiting.

Slowly, he picked up the book, holding it carefully as if it were something precious. “What’s this?” he asked softly, though it was clear he already had an inkling.

“Foxes,” Adira replied simply, her voice soft but firm. “Mama read it. It’s ‘bout love.”

Simon’s heart tugged at the mention of you. He could imagine the way you’d read to her, the soothing cadence of your voice, the way Adira had probably snuggled up beside you during the bedtime ritual. But there was something in Adira’s face now, something that felt like an invitation—a little piece of trust she was offering him, too.

“Well, alright then,” Simon said, his voice soft as he began to flip open the book. Adira sat close beside him, her tiny hands still on the cover, watching his every move with an intense focus. She didn’t rush him. The silence between them felt comforting.

He began to read aloud, slowly at first, as if still gauging her reaction. “No matter what, the foxes knew that they would always be together, through the rain or the snow, through the darkest nights and the brightest days.”

Adira shifted beside him, her little legs crossing as she settled into his side. Her small hand reached for the page as he turned it, her fingers brushing over the illustrations. She didn’t interrupt, just quietly absorbed the words.

As Simon read on, his voice grew more confident, and the warmth of the moment started to settle between them. For a fleeting moment, it felt like they had bridged a gap, one word at a time, one page at a time. It wasn’t much, but it was something—something to build on.

Adira’s gaze remained fixed on the book, but her body had relaxed against Simon’s, the way a child does when they feel safe. As the last pages of the book came into view, she snuggled closer, her head resting against his shoulder.

When Simon finished reading, he let the book fall softly onto his lap. He looked down at her, her eyes half-closed, but still aware and trusting. She looked up at him again, her tiny voice soft as she spoke. “Foxes love each other... no matter what.”

Simon’s heart thudded in his chest, the simplicity of her words hitting him harder than he expected. He wasn’t quite sure what it all meant yet, but in that moment, it was enough to see her so close, so willing to share something so personal. A bond had begun to form—fragile, yes, but it was there.

“Yeah,” Simon said, his voice barely above a whisper, “no matter what.”

With the last of the kids sent off and the staff beginning to clean up, you closed up shop, ready to call it a day. But just as you were locking up, a loud clap of thunder rattled the building, causing you to jump in shock. Your heart raced for a moment, the suddenness of it making you freeze in place.

“Jesus, if Adira was here, she’d lose it,” you muttered to yourself, trying to laugh off the shock. But then, your words hit you like a ton of bricks.

If Adira was here.

A chill ran through you as it dawned on you just how careless you’d been. Shit. Shit. Shit. You had completely forgotten to tell Simon about her fear of thunderstorms. She hated them. Hated the loud crashes of thunder, the flashes of lightning. You’d seen her curl up in a ball, her hands over her ears, eyes wide with terror when the storms hit.

The sound of the storm outside was only getting louder, the thunder now booming and crackling as it came closer. You could imagine Adira, sitting there with Simon, eyes wide and full of fear, clutching whatever comfort she could find, and Simon… God, Simon probably didn’t know what to do. He wouldn’t have any idea how to handle it.

Without thinking twice, you dropped everything—your bag, your jacket, anything that wasn’t crucial to getting home. You shot a quick look toward the staff, offering a hasty explanation and apology. Then, without another word, you bolted through the doors, past the remaining parents who were still talking in the lobby, and into the rain.

The rain beat down on you as you sprinted through the streets, the cold droplets stinging your skin as the thunder rumbled overhead. You couldn’t focus on anything but getting home. Adira needs me. Adira needs me.The mantra repeated in your head with each pounding step. Your feet splashed through puddles, the air heavy with the scent of wet pavement and the growing tension in your chest.

It felt like forever as you raced through the downpour, but at last, you reached the building, heart hammering in your chest. You fumbled with your keys, every second feeling like an eternity as the thunder rumbled louder, closer. Hurry, you told yourself, voice shaky as you turned the key and shoved the door open.

The apartment was quiet. Too quiet.

The air felt thick, and as you stepped inside, your eyes instantly darted to the living room.  

On the couch, Simon was sitting with Adira curled up in his side, wrapped tightly in her favorite blanket. Her little body was nestled against his, her small form practically hidden in the folds of the soft fabric. On the coffee table in front of them were the remnants of their quiet afternoon—plastic plates with pizza stains, her sippy cup placed haphazardly next to the mess. Around them, the stack of books you always read to her was scattered across the table: I Love You to the Moon and Back, The Koala Who Could, What Color is a Kiss?—books that had been a staple in your bedtime routine for as long as you could remember.

The sight of them—Adira calm, safe, resting against Simon—caught you off guard. You’d expected panic, chaos, something more… uncertain. But instead, the two of them looked peaceful. Simon’s hand was gently resting on her back, his other arm loosely around her as she drifted in and out of sleep, her head nestled against his chest. She was calm. And that... that made your heart ache in ways you hadn’t expected.

You hadn’t expected Simon to be so… natural with her. He’d stepped up in a way you didn’t think was possible, at least not this soon. Maybe you had underestimated him. Maybe—no, you knew—you had underestimated this. 

Simon, with Adira, was something real.

Hi so, this took a while, wanted to make this really long for yall. For me as im writing this, it's 5 AM! I've been working on this since 1 PM yesterday. Long Fics are not my strongpoint, I had so much trouble with this because I'm a perfectionist and my tiny brain often repeats words ALOT. I'm working on it and the best way to improve is to keep writing.

As things currently go, I may write shorter things for this family, I want to develop Adira and Simon's relationship more just not with super long stuff like this. I'd also would love to answer any questions or talk about headcanons anyone has about them. Feel free to send asks!

Anyways, I hope you all enjoyed and by the time this goes up I'm sure I'll still be asleep!

P.S can someone tell me if I do tags wrong, like ive noticed sometimes when I tag it doesn't have the little underline so I keep thinking it doesn't go through </3

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[ruins-of-gods]

Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.

Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.

Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.

Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.

[avatar-aaang]

manager is about to go on vacation and then shortly after he gets back, coworker is moving. But I guess while manager is gone, boss is gonna be in here which means... I might lose my job before the week is up lmao

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?

[tossawary]

One piece of acting advice that has stayed with me for years in regards to both writing and drawing as well is: "Don't use the body to act what the character is saying. Act what the character is THINKING."

Like, as a very, very basic example: a character is apologizing by saying, "I'm sorry." But that line is going to look and sound different depending on what the character is thinking. Crossed arms and a sullen tone can mean that a character is actually thinking: "I don't mean it and also I hate you." A pleading tone and reaching out to take the other character's arm can mean: "Please don't leave me." A tired voice and slumped shoulders within context could mean: "I did what I had to do."

This is one way to begin to do "Show, Don't Tell" in storytelling. It is trusting your audience to see the depth and to catch on to the things you leave unsaid. It's fun to let the audience be observant and clever. It is also reflective of real life, where people are often scared of being vulnerable, or don't necessarily even understand their own emotions, or can't articulate their own thoughts, or have difficulty identifying the true feelings of the people around them, and so don't say very much.

There are exceptions to this advice, of course. In writing especially, rather than in a visual medium, some POV characters are very good at reading emotions from body language and others are not, and their observations in the narration may reflect this skill. Some characters will assume everyone around them is always angry with them or simply not pay attention to other people's moods at all, personalities which can also be subtly communicated to the audience and later used in the story in some interesting way.

Some characters have excellent control over their body language and tone of voice, because they are on-guard, highly trained in some fashion, or a very good liar. They will not easily communicate their true thoughts through their body language or their actions. Their lie can be so good that it can be slipped past the audience as nothing important to the plot until it comes back to bite. Their oddly perfect control over their body in a tense situation can instead maybe be used to indicate to the POV character and/or the audience: "Oh, there's something up with this person."

Body language will also change by culture and class and disability and so on. This clash can cause communication problems between characters, as a character's affectionate pat on the shoulder of another might be intended as casual comfort, but be received as overly intimate condescension. Different cultures / people can even have very different opinions on what level of eye contact and overlapping speech is rude.

This advice was originally given to me in the context of illustration and animation, in which it is very common for inexperienced artists to act out the words that the character is saying in mime-like gesture. In media for young children, we might choose to keep things very simple, as toddlers struggle to learn what it looks like and feels like to be angry or happy. But past that? People don't really behave this way. What we say and what we really mean are not always synchronized, and we can use the body to communicate this.