#so that was like passive aggressiveness part
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holidayinhell · 21 hours ago
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CWs: carewhumper, dubcon touch
“Sorry ‘bout earlier.” 
Whumper waved an apple in front of Whumpee’s face, shiny, bright red and perfect. But Whumpee sat in place catatonically, staring straight forward at the wall behind Whumper.
“Hey. Look at me bud.” 
Whumpee paid him no mind.
The tall man tried to swallow his annoyance. He knew it was important for Whumpee to feel safe and relaxed right now, but it wasn’t in his nature to be so… understanding. He was the impatient type, and the silent act was his least favorite form of passive aggression. 
“Hellooooooo.”
Whumpee shot a poisonous look up to Whumper, grimacing.
Whumper raked his nails across Whumpee’s neck, dragging them into the delicate flesh. It wasn't enough to draw blood, but enough to force a sharp gasp as Whumpee recoiled, scrambling backward. 
Fuck! Goddamn it!!!! He lost his fucking temper again. He didn't mean to. Why does this keep happening?!
“Sorry. Oh, fuck. I shouldn’t-- shit, I’m sorry.”
“Yeah, you really act like you’re fucking sorry.” Whumpee spat sarcastically. His good arm clutched the fresh scratches below his ear. It hurt, but the pain was nowhere in the same league as his violently pulsating arm.
A tear rolled down Whumpee’s nose, landing with a sting on his broken wrist. He glanced down at the black-and-blue marks. Perfect handprints were seared into the skin there, an echo of Whumper’s unforgiving grip. He'd never forget the sickening crack when Whumper snapped it—sharp and hollow, like stepping on a brittle branch in the woods.
“Well, I uh, couldn’t find any gauze at the Penny Mart. But I got this bandana I can use to wrap around it though. I’ll make a sling thinggy or whatever.” Whumper hesitated for a moment before pulling a crumpled bandana from his jacket pocket.
“Aaannnnd… this is the best part.” He presented the captive with the red apple again. “I got this for you.”
“Woah.” 
“Right? Isn’t it crazy shiny?”
“Yeah.” Whumpee ran his fingers over the apple’s immaculate, shining flesh. “It really is.”
He hated how fascinated he was with a simple piece of fruit. Then again, how long had it been since Whumpee had eaten something that was actually grown from the earth? 
Hanging from its stem pinched between Whumper’s fingers, it rotated in the air slightly, and it was so red it practically glowed, shining like a Christmas ornament. For a moment, both men were strangely enamored with the perfection of the apple.
Just as Whumpee outstretched his hand to accept the strange gift, the fruit fell to the floor, bouncing against the concrete with a dull thud.
“Goddamn it Whumpee.” Whumper muttered, voice low and frustrated. “I was tryna do somethin’ nice.”
“It’s okay.” Whumpee said numbly, retrieving the bisected chunks from the ground. The juices from inside the apple glistened under the light. 
“Huh. Almost expected it to be red on the inside, too.” Whumper anchored his head on Whumpee’s boney shoulder. He was pleased when Whumpee didn’t pull away, allowing him to rest his ear against his collarbone.
“So," Whumper said coolly, "do you still want it?”
“...yeah…”
“Mm, yeah, I’d eat it too.” Whumper growled into Whumpee’s ear. “Even smashed to pieces and ripped inside out.” 
Whumpee shifted on his feet, uncomfortably shrugging Whumper’s face off his shoulder. The man took a step back, eyes flickering over to Whumpee, his intense gaze tracing his body up and down, savoring the sight.
“Don’t do that.” Whumpee protectively shielded his broken wrist.
“Don’t do what?” Whumper laughed with a crooked smile, his voice teasing. “I was just sayin'. The inside of the apple is just as pretty as the outside. Maybe even more pretty. And ya know...” 
Whumpee didn’t know what to do when Whumper stepped into him, putting his mouth over the red scratch marks from earlier.
“I bet you’re like that too.” Whumper purred as he lapped at the skin. 
His tongue swirled over the scratches and glided up Whumpee’s neck until he met the fleshy lobe of his ear.
“It’ll be a nice day when I can finally rip you apart too. But I'll take good care of you 'til then.”
((more whump drabbles))
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dropoutconfessions · 7 hours ago
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Everyone’s allowed to feel how they feel about K. You do not HAVE to like K. K is an imagination people and does not matter compared to reality people.
The actual problems that I think all this discourse is stemming from is a problem in not just fandom here but in fandom as a whole. It’s a problem of trends: Why is our attention so frequently held by the masculine and white? Why, when we expand the world and look into the interiority of side characters, is our focus so targeted on white men? Why are women so overlooked, why are people of color so often ignored?
This is a wider issue. A trickling down of real world racism affecting our little play spaces. And the problem is that an issue which appears in larger trends, an issue that is a general pattern of behavior, is not easy to fix. We can’t fix this by harassing individual people. We can’t fix this by ignoring it. We definitely can’t fix it by pretending like its a problem here and only here rather than everywhere.
I wouldn’t be so bitter about K and dislike of K if I wasn’t overly sensitive to the idea of POC and femme characters getting the short end of the stick. I wouldn’t be so apprehensive about SamEvan, which is a frankly adorable and lovely ship, if I could trust people in general to act right about black women. I wouldn’t be so mad when people call Jammer and his friends rude while ignoring anything Evan did if I hadn’t seen it as the start of a malicious pattern.
If I hadn’t been in fandoms where every single woman got called a Hideous Bitch and every single person of color was Secretly Evil then I wouldn’t even be posting this. If I hadn’t seen people latch onto men with three lines and refuse to even consider thinking about women with entire arcs, I wouldn’t care about the lack of K posts. It would just be opinion. But it’s not just opinion when it happens over and over again to the same kinds of characters every time.
I don’t think it’s that bad in the mismag fandom. I don’t WANT it to get that bad here. But I don’t know how else to stop it, so I type up little confessions, and I hope someone reads them and thinks about this shit a little bit before they post.
I think people should calm down and stop insulting each other. I think people should take a break, if they need one, from fandom. I think people should leave each other alone and quit passive aggressively throwing ‘shade’ at opinions they don’t like because there is NOTHING wrong with individual opinion. There IS something wrong with the pattern its a part of but you can’t blame a person for a pattern you see in them or else you’ll end up snapping at a monster that isn’t even there yet.
Most of what I want is for people to think about how they think. Nobody has to stop liking Evan (ofc) but it is and should be concerning that even in this relatively progressive space, I keep seeing the same patterns creep their subtle and insidious way into the things I love.
I think we can all do better than this. I think we can do much better. I think we deserve better, all of us, than all of this.
-
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atlantis-just-drowned · 7 hours ago
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i'm back with another request favorite writer 😼, i was wondering if you could do Sun n Moon/Reader who's the daycare manager.
Essentially they help tidy, manage schedules, supplies, ect???
(sorry for not leaving more notes on your posts, tumblr doesn't show me ur stuff often 😭😭)
A/N: Hiii thank you so much for your kind words and patience?? My motivation has been on the floor but I'm trying to make it work somehow! Anyway, here is some mildly-annoying-coworkers to friends (to lovers) for your heart! :D
Sun & Moon x daycare manager!reader relationship headcanons
Please reblog this post! Likes make posts die :(
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Masterlist
When you first got hired as the Daycare manager, you work was... Well.... Tough
To say the least.
Sun's sassy attitude and constant micro-aggressions were really getting to your nerves
And Moon.....
Well
Let's say you sometimes wondered if he saw you as his boss or his toy
He WILL jest around and stare at you while chuckling instead of following your commmands
Both of them don't really like the idea of having a human supervising them
I mean they're doing a super neat job on their own!! They don't need you!! Why would management send you here?!?
But surprisingly, instead of quitting
You actively try to work with them.
Unexpected I know.
You're not just bossing them around and yelling when they don't do what you want!!
You actually communicate with them to explain the goal of your missions and ask for their ideas when they refuse to do things your way!!
Okay to be honest how it ends up working out is truly a mystery to you
But after a while of almost constant bargaining
Welp the bargaining starts to lessen.
They do the activities you prepared instead of announcing a completely different unrelated thing to the kids
They don't argue as much about the schedule for naptimes
Hell, you can finally catch a fucking break
Of course you let them know how much you're thankful to them for agreeing with stuff (finally)
Sun also starts to get a little less mean, thankfully
You're greater at your job than he thought you'd be!! Different than the managers they had before, for sure, but it's a good thing!! You actually adapt your work and the schedule for them, and not despite them!!
He might start to take a liking for you
After a long while
I mean you truly are the first human handler to not treat them as objects
So of course it takes time for them to trust you
But Sun eventually does because he's just too much of a sweetheart
Moon just... Teases you a bit less. If that means anything.
(it does)
Or at least it's not mean teasing anymore
He's still a Creature™️ tho
Sun still acts confident and almost cocky at times, but it's not passive-agressive anymore
He can even appear charming at times, now that his jokes and remarks aren't meant to make you quit your job
And of course both argue from time to time
Or well, show their dislike of your commands in their own ways I guess
Their "own ways" being that Moon crawls up to the ceiling and sits in a corner upside-down to pout
And Sun just outright refuses to execute whatever you told him to do (and WILL get snappy if you insist)
The trips at Parts N Service are the worst, but you manage to get them down there two times out of three
But overall your relationship with the both of them is getting better and better everyday!
And you genuinely feel so glad the day they give you a friendship drawing!! You're officially their friend now!!
You almost teared up, but no one needs to know that
And then, they gave you another one
And another one
And MANY other ones
And plenty of them both holding your hands
Overtime, you became their bestest friend!!
Who could have thought you would end up being so close!!
Well you, at least, didn't expect it
Not that you're complaining!
You had to admit you grew VERY attached to them too
But oh boy was this development unexpected.
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howlsnteeth · 9 months ago
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and are you really okay? are you really okay?
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thepersonperson · 5 months ago
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Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)
Part 1 Part 2 Part 3
Some warnings before we start.
1) This analysis deals with sexual topics.
2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.
3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)
4) The raws broke me in ways you cannot possibly imagine.
(Click images for captions/citations.)
Fighting as Communication
Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.
I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.
Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.
The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?
But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.
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And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.
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He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.
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I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.
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But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.
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Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.
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Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.
Jujutsu Communication
I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.
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But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.
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Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.
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With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.
Sukuna vs Gojo
Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.
What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.
In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.
Framed as Courtship
Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?
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Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.
We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.
That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.
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Gojo never heard that conversation which is why the next point is absolutely insane.
The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.
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Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.
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The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.
How interesting that this battle has been framed as one between groom and bride.
The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.
Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.
But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:
1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.
2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.
3) Gojo intended for both of these things at the same time and left who he would end up with to fate.
Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.
Am I reaching? Is this reading intentional?
When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.
I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.
In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.
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Here's a summary of the two points I made in that post:
1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.
2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.
With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:
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Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.
Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.
Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.
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He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)
Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.
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Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.
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Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.
Time to learn some Japanese again!
Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)
That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.
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However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.
But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”
We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.
So I did what any sane person would do in this situation. I read hentai.
Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.
...
I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.
Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.
So, I’m not reaching. What the fudge did Gege mean by this?
Now that we've established that I am NOT reaching. What do we do with this information?
Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.
I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.
Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.
There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.
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(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)
I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.
Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.
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And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)
By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.
食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.
Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).
Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.
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Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.
And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.
I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.
With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.
Sukuna’s Negative Rizz
Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.
But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.
You know who can’t do that? Gojo.
As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.
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And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.
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And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.
If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.
Seriously, Sukuna sucks at communicating intent.
In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.
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Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)
There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.
If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.
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It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.
If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.
The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.
Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.
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And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.
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The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.
It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.
If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.
This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.
And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)
The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.
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It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.
But wait! There's more...
Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)
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So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.
This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)
In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)
Keikatsu specifically comes from this passage:
“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.
Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!
Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.
Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.
A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.
It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.
So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.
Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.
Notes from poem "Banging the Drum" Sukuna references include the following:
"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."
"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."
In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.
Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.
Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.
But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"
In Conclusion?
This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.
It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.
#cactus yaps#I need to have my weeaboo license revoked.#How on earth did I miss this?#GEGE WHAT DID YOU MEAN BY THIS.#Hi yes I will dress as a traditional groom on Dec 24th the most romantic day in Japan after someone else called the arrangement a date.#Is this even subtext at this point?#Why can’t these men use their got danged words instead of Umineko levels of psychological warfare.#Sukuna: ''Gojo is clearly driven by lust. How do I have s*x with him without actually having s*x?#Fighting and death are basically the same thing as s*x so I’ll do that and hopefully he sees that I love him.''#Gojo to Geto: ''Sukuna gave me the best *rgasm I've had in years. I think he hates me.''#Geto: ''Huh.''#Absolutely fascinated by girlfailures Sukuna and Geto horribly fumbling Gojo in completely different ways.#I want them to fight over him in the most passive aggressive way possible.#Gojo was meant to be a romcom harem protagonist.#Though Sukuna should be way more ok with poly given Heian rules on relationships.#But you know Geto was also ok that someone else was able to make Gojo feel good.#I like that prioritization of his pleasure. Even if it came a little too late.#Much to think about.#Consider this my Sukugo manifesto part 2.#Update 8/14/24: One of these days I'm just going to have to make a new post.#Update Cont: Sukuna calling Gojo his mid unenlightened husband wife spouse all at once using two kanji is truly insane.#Update 8/19/2024: All according to Keikatsu.#sukugo#ryomen sukuna#gojo satoru#jjk spoilers#jujutsu kaisen#lemons
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delta-piscium · 2 years ago
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Eddie does become quite famous for his music and that means he sometimes has to go to these mind numbing events where people will sneer at him until they recognize who he is, then they’ll suddenly pretend they’re old friends, they’ll ask for concert tickets and backstage passes
he mostly hates them but whenever Steve is able to come he’s so god damn excited. Steve’s parents used to drag him along to their business events and even though it’s different industries it’s all the same. Steve knows these crowds, he grew up with them and they bring out the bitchiest upper middle class version of him, a Steve who has passive aggression and faux politeness down to an art
Eddie will watch on in delighted awe as his husband, all while smiling mildly and sipping wine, destroys people. just cuts into them and also making everything sound nice, innocuous. Most of them don’t even realize it’s happening they just suddenly find themselves gaping, searching for words, as they’re backed into a corner
and Steve will look at them, tilt his head and wait them out, but before they get the chance to backtrack he’ll hum, shrug and walk away, Eddie on his heel asking if he wants to get out of there, like right now? or maybe find a bathroom?
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lemonadehtwooh · 4 months ago
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Playing Honkai Star Rail!
WHY IS EVERYONE THROWING MICROAGGRESSIONS AT AVENTURINE, DAMN 😭
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shikai-the-storyteller · 1 year ago
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Tumblr is way chiller than Twitter for sure but sometimes I see a post and I'm like. Y'all DO remember this is a block game, right? You're not gonna get legitimately pissy and passive-aggressive over characters doing things in a block game, RIGHT???
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secretmellowblog · 2 years ago
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I personally can never get into all the fanon stuff that has Javert being a father figure to Cosette because I'm always like "well, he DID kill Cosette's mother....that was kind of a significant thing that happened...even in the musical he terrorized her a bunch, but in the book he terrorized her until she died in agony, and a big part of Cosette's character is that she doesn't know what happened to her mother and desperately wants to know....idk? I feel like that's sort of a significant Thing to leave out". Though again, I get it's because people are basing it on the musical where Javert is less evil to Fantine specifically
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thepoisonroom · 11 months ago
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btw if i could give one tip to the anxious bitches as one myself it would be to avoid accusing people who care for you of secretly hating you like either it's not true and you made them feel weird and like you think badly of them or it's true and you should just bounce but either way this will accomplish nothing
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biblicalhorror · 5 months ago
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My relationship with my mom has come such a long way in the past few years only to come crashing down the second I try to do something nice for my dad and/or acknowledge that she is not the main character of the universe ://
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synthshenanigans · 11 months ago
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I cant believe fine im fine lost by 1.4% crying
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-Please listen to both instrumentals if you can! While there are the popular songs, there's a lotta good ones out there that aren't talked about enough!-
Instrumental Links:
Nerd
The Bidding
[Reblog for more of a sample size of you'd like]
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rotzaprachim · 1 year ago
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*breathes in and out through mouth* everyone is scared and grieving and still waiting for news of their families everyone is scared and grieving everyone is scared and grieving*
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biceratops7 · 2 years ago
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So what is up with “Edward better watch his step”?
This post by @asneakyfox really forced me to actually put into words how I interpreted the implicit meaning of this line. Cause when you think about it, it can get real abstract, a one to one… well anything involving this line I think is too simplistic. Interpersonal interaction of any sort really boils down to a tangled web of intention, interpretation, past experiences, hidden fears, hidden desires, etc etc the list goes on.
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Ed becoming the kraken is a result of trauma, and although as omniscient viewers we may see this an overreaction (I think we can at least mostly agree it’s maladaptive and he Should Not’ve Done It), Edward has literally every reason to believe the opposite. We know Ed is the protagonist of a romantic comedy. He does not. This man was reared in two very physically abusive environments, with peers that were all “in various stages of fucking each other over”. Any threat by someone capable was likely acknowledged and heeded in one way or another. As the original post pointed out, Izzy has already proven willing and capable with the whole navy stunt. It’s not that Ed is being overly paranoid, it’s that assuming safety is not the done thing.
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And I think a lot of times people get caught up on the details of it, like what specifically Izzy would do, how he’d logically be able to execute it, etc. As if the actual logistics of it being mulled over and proven unrealistic (which again we can only know with audience clairvoyance) would immediately deem Ed irrational. I just don’t think that’s the point. The threat can be any number of thing, it doesn’t necessarily have to be physical violence enacted by Izzy, fuck, Ed doesn’t even need to have a clear idea of what it means. He’s already playing with uncharted territory, trying for the first time to concretely initiate a way of life he’s never known before. And while it makes him happy, it does naturally erode the only defenses he’s learned. Ed’s strange look up towards the deck while the crew shouts for another song? That’s fear of the unknown. If his own crew thinks of him as a silly novelty now… then how will the rest of the world see him? What does Ed think will happen to him in a vulnerable state without the bloodthirsty legend he’s carefully armed himself with piece by piece for decades?
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I think we already know.
Izzy’s threat was probably not consciously interpreted as intent to hurt, definitely not to kill. But if Izzy’s idea of “loyalty” to Ed was getting the British to rip his closest loved one from him one way or another… yah man not a good look. If I was Ed I wouldn’t know what the fuck was about to happen, and I wouldn’t be in any state to fuck around and find out. In terms of what Izzy actually meant, I think he truly believes Ed needing to “watch his step” is a natural consequence of what’s taking place. We consistently see him in that toxic and self-centered mindset of “I need to hurt you to save you from a worse fate. I don’t want to, but you leave me no choice.” In an uncertain state where both men are trained in an environment of caution, I honestly don’t think either of them know what Izzy really intends, or what he’s trying to warn. Izzy just believes danger is either inevitable or necessary, and Ed has no reason to doubt him.
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lyekai · 11 months ago
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what has solomon done for that option to be included actually... i don't even like that ugly cow much less napping with him
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FREE MY MAN they don't deserve you sol !! u have done nothing wrong ever my pookie snookums baby doll omega pumpkin pie mon amour honeybunny sunshine my pretty princess the absolute love of my life
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ereborne · 9 months ago
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What is a Monday? A miserable little pile of obligations.
semester turnover restructure
generate/send out error reporting
figure out how to separate out unique counts
create polite reply to Massive Dick Move email
finish the bad book >:(
bò kho (not an obligation. dinner)
laundry
lizard bath
#yapping tag#I spent my weekend trying to sleep and now all my chores are due today and I wanna complain. grump grump grump whine.#the semester turnover restructure actually is a pet project so that part I like! I wish I could take my time with it though#the error reporting is. well it's easy to generate (it's actually running now) and it's tedious but uncomplicated to send out#but then I'm going to spend the rest of the day getting passive-aggressive responses from everybody#in a just world my coworkers would respond to careful itemized lists of all their fuckups with 'thank you Alexis you're so helpful#we really appreciate you flagging our mistakes two weeks before the system final-saves them forever into stone. have a cookie!'#but alas#if I'd been any less stressed and frantic when I first established the error reporting I'd have set up a separate address to send them from#write up some template emails and let the reporting all come out of the mythical 'automatic system thing'#--every 'automatic system thing' in our college is me or IT on my behalf. even the people who hired me for this don't seem to realize#if only I'd known from the beginning that nobody would ever connect me and my systems! I'd be exploiting the shit out of it--#the unique counts is going to be a headache. no idea how I'm going to structure the coding for it. might be fun to invent? we'll see#the Massive Dick Move email response also will be an invention. 'hello Mr Massive Dick I am karma here to smite you' but polite#the bad book >:( I don't want to read any more of but the deal I made with my friend is he sends me free books and I report back#we did not discuss a special 'get out of book free' card for when the main character is a godawful shit sibling. (should've done though)#beef stew is good! mostly it's on the list so I don't forget to set the timers#laundry and lizard bath can wait until tomorrow if they must but they shouldn't wait any longer than that. lizard and I will get stinky
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