#so that was like passive aggressiveness part

[xinganhao]

🥈 svt vs. reader's bad boyfriend.

anon → "could you do a post with one of the members getting after yn's bf because he thinks he's not treating her well enough?"

⌗ ┆i have a terrible feeling i might've misunderstood this req,, so please forgive me if i did lol ꒰ ꒡⌓꒡꒱

‧₊˚✩彡 includes: reader has a bad boyfriend, hurt/comfort, [light] angst, crack, cussing, [short] headcanons under the cut.

🥈 headcanons .ᐟ

— "break up with him now" ✩ junhui, soonyoung, wonwoo, minghao, vernon.

ah, yes. the trope of someone who will immediately insist that breaking up is the solution, although, in this case, it's completely warranted. soonyoung and minghao are the most vocal about you ending your relationship, but in their own little ways. for his part, soonyoung's a little annoying about it— you'll barely have explained your current predicament and he's already whining, "just break things off with him!" minghao, meanwhile, actually listens, but his expressions and consequent advice are brutal. he's always been no-bullshit when it comes to life, and so when he hears about all the things your boyfriend is doing/has done? he's actively advocating for you to get up and go. junhui's the type to take it out on your boyfriend. he's constantly threatening bodily harm and various other minor crimes against the poor guy, even though he doesn't really ever act on it. he is extra cold when he's in the other man's presence, to the point that your boyfriend may be under the impression that junhui hates him. (spoiler alert! jun does!) wonwoo isn't always vocal about his distaste; he's a little more backhanded/passive-aggressive about it. he's more of an actions guy, through and through. picking up the slack here and there to show you that your boyfriend is a dick for not doing things that your friends can. vernon also struggles a bit to get the right words out, so he just... says it as it is. he may look like he's packaging his advice as a joke, but he's 100% sincere when he sends you breakup playlists and reddit threads about ending things with your significant other. that's just his way of communicating it, really.

— "but are you okay?" ✩ seungcheol, joshua, mingyu, jihoon, seokmin, seungkwan.

for the most part, all the boys are the 'just-end-your-relationship-please' type, but there's also some who rely more on expression of concern. take mingyu, for example, whose chief endeavor will be to cheer you up. he'll leave sweet nothings and encouraging notes in hopes of lifting your mood; his eyes, constantly peeled to see how you're faring. you can rant in to the wee hours of the morning, and both seungkwan and joshua will listen. they'll let you tell the same old stories again and again; even if they half-joke that you just never listen to them, they're still there as a shoulder to cry on. seungkwan is more likely to give advice, while joshua's strength lies in non-judgmental indulgence. seokmin will make it his life's mission to distract you from the issue at hand. a movie night? a trip to an obscure café? if it will improve your mood in any way, shape, or form, he's already halfway there. he won't even mention your boyfriend, if you don't bring him up. seungcheol is similar to mingyu in the sense that he best expresses his concern through little encouraging gifts. he's not the type to push the envelope, to try and get you to talk when/if you're not ready, so he just communicates to you that he's there, when/if you need him. jihoon's also a bit unsure how to navigate a relationship that's not his. he can pick up how you're feeling, at the very least, and so he instead focuses on that. he's a quiet, steadfast presence who will take you to the gym or encourage you to write songs, if only because he thinks those might be potential solutions.

— "play stupid games, win stupid prizes" ✩ jeonghan, chan.

svt's petty line, how i love you so. they can all admittedly be petty when they want to be, but these two? they take the cake. jeonghan is a big believer in "show him what he's missing." he'll snap hot photos of you on your behalf. he'll let you use him as a nice little ploy to incite some jealousy. is it a little toxic, a bit red flag-y? sure, but that asshole is putting you through much worse. jeonghan's a firm believer that revenge is a dish best served cold, and he's cold to the bone when it comes to making sure you get what you deserve. (and that your boyfriend, too, has what's coming for him.) chan is insistent that you should break up with your boyfriend, of course, but he's a big believer that you should go out with a bang. it's a bit amusing, to see one of the group's more lowkey members insist that your boyfriend should be on the receiving end of a public lashing. some might say he just likes the drama. truthfully, he just wants to make it abundantly clear to everyone that you're not someone to be messed with, and that you're not going to settle for anything less now that you've kicked the devil's incarnate to the curb.

[allwaswell16]

[4 pics, 4 quotes, 4 iconic 1D fics]

Iconic fics by ...

- disgruntledkittenface -

[1]

“So,” he says casually, looking from Nick back to Louis, “you and Nick didn’t come back to the bar last night.”

And the sentence just hangs in the air between them, like an accusation. Louis can practically see the effort Harry’s putting in to keep his face neutral, but the intense frog expression creeps its way back in. And suddenly Louis get it.

Harry is jealous.

He wants to laugh. It’s preposterous to think of, being jealous of Nick of all people. Nick who can see Louis’ feelings for Harry written all over his face and in everything he does.

“Yeah, after we went for a smoke, I just felt like going home,” Louis explains, biting back a smile. Knowing he’s not being clear enough, he continues, “Nick just walked with me, stretching those ridiculous legs of his, I guess, but Liam picked him up as soon as we got back to my apartment building.”

Harry is still glowering. It’s ridiculous. It’s so fucking cute. Louis is so fucked.

[2]

“I do! We do,” Harry says, looking at Louis, who smiles warmly at him. “I just always thought I would adopt, but I guess I see the issues here for, like… succession?”

“Yes, my successor has to be a biological relative,” Louis says gently. “Lottie wants no part of it, that’s why she was so eager to donate eggs. And I’m not sure if she’ll have children of her own.”

“It is actually a matter of state,” Hervé adds, not unkindly. “Securing the line of succession secures Monaco’s status as an independent principality. If there is no biological heir, upon the prince’s passing then the state would be absorbed by France.”

“Oh, fuck,” Nick mutters, summing up how Harry feels. Well, he wasn’t wrong when he tried to tell Harry what a big fucking deal all of this would be. 

[3]

“Sorry to bother,” he says lowly, dripping sarcasm. “But would you mind shutting the fuck up? You’re ruining the show for the rest of us with your passive-aggressive bullshit.”  

Harry automatically twists around to see the couple’s response; it looks like husband is gearing up for a retort, but there are quiet murmurs of agreement from the people around them, and the man on his seatmate’s other side even claps him on the back in thanks. Chagrined, the couple slump down in their seats, their lips unhappily sealed.

Harry turns to the man next to him, who’s already looking at him from under the smudge of long, dark lashes that frame his blue eyes. A slow grin overtakes Harry’s face as he meets the man’s steady gaze. For once his words don’t fail him, and he leans in just close enough so the man will be able to hear him as he whispers “thank you.”

[4]

“Is that another new tattoo, Z?” she asks, reaching out and gently turning Zayn’s arm to get a better look. “Oh, yin yang, right?”

Louis immediately squeezes Harry’s thigh, turning to her with wide eyes, but Harry’s too busy fishing for a thin slice of cucumber at the bottom of her glass to register what’s happening. Zayn is still holding her arm out so Liam can see the tattoo when she glances up and Louis pointedly looks from her to the tattoo and back again. Harry’s confused face is adorable, she looks like a disgruntled kitten trying to surmise what Louis is attempting to silently communicate. It takes a minute, but understanding finally dawns in her eyes and she claps her large hand over her mouth, her shoulders shaking with laughter.

“What?” Zayn asks, throwing a dirty look at them.

“Nothing,” Louis manages in a strangled voice. “Nothing! Great tattoo. Harry? Shall we?”

- Answers Below -

[1] you came into my life

They stand around talking for a minute and then Jonathan starts to ramble, “Has there ever been, like, an unrequited gay love story in here? Like a Brokeback Mountain moment where, like, someone just fell in love and they didn’t mean to?”

Louis feels bile rise in his throat as Jonathan’s eyes sparkle, pleading for a yes. He manages to look around and see thoughtful looks on his coworkers’ faces before their heads shake no.

“Not here,” Liam says finally.

When the Queer Eye cast and crew sweep into Louis’ small town and fire station to make over his best friend and coworker Liam, Louis’ carefully constructed walls start to fall down and he has to face his fears – and the only guy he’s ever been able to see a future with.

[2] Darling, so it goes

Harry Styles is a world-famous actor at the height of his career but a personal low point when he meets His Serene Highness Prince Louis of Monaco by chance. He doesn’t think they’ll ever see each other again, but after striking up a correspondence, it turns out they have more in common than he thought. Then they start to fall for each other. Louis is different from anyone Harry has dated before and their relationship moves fast as Harry realizes he’s ready for a change. Soon Harry finds himself adapting to an entirely new life, in a country where he doesn’t know the rules, the customs, even the language. Harry is used to people underestimating him, and he’s more determined than ever to prove them wrong.

He just needs Louis to meet him halfway.

Grace Kelly AU.

[3] just one look (and i fell so hard)

Louis takes a small step back, breaking the moment first. “Well, I should–” 

“Do you want to come up?” 

The words are out of Harry’s mouth before he’d even planned them, and he bites his lip.  

“Oh, thank god,” Louis laughs, stepping back into Harry’s space. “I wasn’t, um…” 

“Wasn’t ready to let go of you yet,” Harry finishes quietly, glancing up at Louis. 

“Yeah,” Louis nods, reaching up and twirling one of Harry’s curls in his fingers. “Yeah, exactly.”

Harry has wanted to go to the Shubert Theatre ever since he moved to New York and lucked into a rent-controlled apartment just outside of the Theatre District. When he finally gets his chance, he hopes the night can meet his sky-high expectations. But the last thing he could have expected was the man seated next to him.

[4] i must admit i thought i'd like to make you mine

Louis fell apart when her ex broke up with her and moved across the country. Just as she’s starting to move on, Zayn comes back to town for their mutual friends’ wedding – with a new girlfriend as her plus one.

Blindsided and scrambling to save face, Louis lets herself get talked into a fake relationship with her new friend Harry. Their arrangement makes Louis feel pathetic and embarrassed, but it’s only going to last a few weeks. She just has to get through the wedding – what could happen?

[coolingrosa]

could you,, perhaps maybe sorta kinda if your so inclined,, share some errormare hcs,,? I am completely starved of content for them and I really really like ur art and writing so erm yea! <3

I’D LOVE TOOO

-The easiest part of Nightmare Error can touch is his tentacles- since they don’t feel human and just feel like slime. It’s not a pleasant texture, but it doesn’t feel humanoid at all or warm enough to make Error’s phobia trigger, so Nightmare only touches him with his tentacles if need be.

-They tend to get into really explosive fights- due to each of their coping mechanisms while arguing infuriates the other. Nightmare stays cool and passive aggressive which makes Error more angry and hot headed- which just makes Nightmare annoyed. Stay far away from these two when they are fighting…either Error will start throwing things or Nightmare will kick him out and be in a horrible mood for the rest of the day…

-They apologize with gifts- never words. Error is too prideful and Nightmare has a habit of slowly getting consumed by guilt for getting angry that it makes him feel ashamed. Most of the time, he believes no words will be enough to apologize for simply being mean to Error, so he gives him sweets. Error apologizes with affection or with slight off topic things. He’d come into a room and tell Nightmare he thinks he looks nice, but that’s all Nightmare really gets as an apology. It’s more than enough.

-Error refused to kiss Nightmare after finding out he drank coffee like a madman. He hates the smell and taste and will walk out of the room when he smells it. Nightmare obviously hated that and switched to only having tea- making sure it’s sweet flavored so Error will kiss him more.

-Nightmare fell first. HARD. Error fell for him after Nightmare was constantly there for him and helping him in battles.

-Error knits Nightmare clothing only to test how they look. He knows Nightmare’s goop will ruin them, so Nightmare basically serves as his model for different kinds of outfits. It makes Nightmare very flustered.

-Both have been together for so long that they don’t really celebrate anniversaries bc everyday is a day of happiness when the other is by their side

-Error doesn’t remember how they first met. Nightmare remembers it exactly.

-Error remembers exactly how he asked Nightmare out and is constantly haunted by how he got so nervous he glitched out and stomped on Nightmare’s foot before tumbling off of the side of a floating island in Outertale. Nightmare caught him and when Error came to, Nightmare said yes to going out.

Nightmare does not remember any of this. Error makes sure to keep it that way.

[weakheroo]

Yhwach and Jugram yandere headcanons . ̬ 𝓸𝓯.ㅤ★ܠ𝟬𝟮⃝▒

Yhwach

Very possessive. If anyone ever got too comfortable with you, they're suddenly gone the next day whaatt xd. He'd want to be the only one you talk to and would most likely try to isolate you.

One time you were reading a book in the palaces library when a, lets say, brave soul decided to sit pretty close to you striking a conversation about the book you were currently reading. And when he got closer that your sides touched, as if on cue Yhwachs spiritual pressure was felt and suddenly the quincy next to you was decapitated, blood splashing everywhere, on your clothes too. "My apologies darling..." he lightly smiled, you weren't sure if it was directed at you or the body. "I'll have some servants clean you up...I'll also have to make a private library for you hm?...so no one will bother you." He said the last part darkly before exiting.

He's overall sweet and tries not to scare you, but won't hesitate to punish you if you're being bratty, for exp only allowing you to dry hump him until you learn your lesson or not letting you cum until he says so. Loves to let others know you're his so he'll always leave something characteristic of his on you, like his reishi lingering on you, his cloak wrapped around you. Very controlling and demanding.

Jugram

Has a death stare battle with anyone that looks your way guess who wins. At first he was cold and only wanted to keep you in his room and he honestly had no idea with what to do with you, but he felt the need to keep you close to him forever, so when you first showed him affection, he got more addicted than he already was and started being softer. Unlike Yhwach he doesn't realize he's a "yandere".

Very overprotective and would be at most rest if you only stayed locked up in his chambers. Doesn't wanna lose you and would deem killing someone "necessary" for your protection. Often catches himself staring at you from a distance. If y'all ever argued he'd be the one giving you the silent treatment with that cold demeanor, he'd also be veryy passive aggressive. yes he's petty like that.

Is pretty gentle during love making though. He prides himself in being the only to see you like that. After he cleans you up and give you some cuddles he'd tell you to rest in his bed and practically lock you up in his room so you don't even have a choice to leave girl atp you live in his room.

Requested by: @stuckinhell2 ˚₊✯͡ 🜚 *·.

[prettyboykatsuki]

This is a weird thought piece question so if you don’t wanna answer it’s okay. But genuinely as a character I think Katsuki is very aware of people he cares about. Almost in an Izuku type of obsessive way, maybe less intense and prone to writing it down, lol. But as I trust your perspective on him a lot I wanted to ask, do you think he’s the type of person as a friend or significant other or potential person, to be aware of insecurities?

Or to care genuinely? For example if you were insecure about your size. Do you think he would be aware of that and be silent? Or would he love the insecurity in spite of your feelings? Or does he not really think twice because he cares about you and doesn’t know you would even feel that way. It’s a weird dilemma I ran into wanting to write a piece for him and I realized I couldn’t figure it out. Hopefully I am explaining myself properly?

Thank you 😭

i understand what u mean lol dw and i think if u read some of my pieces my stance on this aspect of him is hard to grasp bc i dont often write more insecure readers. mostly bc i think its a little bit harder to write well as it requires more nuances but thats a diff can of worms jdhfkj

i think its important to understand less so what bakugou does and does not care about and moreso the way he process information - which is largely intuitive.

like i do understand what you are asking and because bakugou is bakugou - yes, i think he is probably aware of these things. he picks up on them often and usually uses them in some context when throwing insults or even in more light hearted interactions.

but a lot of bakugous informational processing is based on a pragmatic, systemic and reason based way of thinking. and a lot of what impedes that way of acting is his own emotional state. in the beginning of the series, he's a lot more insecure in himself and he projects that onto other people. it causes him to act in very irrational and ridiculous ways

however by the end of the series, katsuki s a fully processed and emotionally realized man. so he defaults to a more elevated, calm and secure version of himself that relies on what he's best at which is using his intuition to draw conclusions and implementing a reason based plan. before he was doing that just with logic.

but he has the emotional tuning to also do this in his relationships and he's taken a lot of time to learn to navigate them.

so i think in a partnership, it's unlikely that he does not know at all. i think he probably picks up on the insecurity in smaller ways but does not put a real name to it (i.e. i dont think he thinks of it consciously / actively) until something comes up which forces him too do it

and that something would be if its putting his partner in any kind of serious emotional distress or comes up frequently as a reason for their upset.

katsuki has this line he says very famously says to shouto "there's no way you could've noticed something that i didnt but lets hear it anyway." and he's being passive aggressive af lol but there is some merit to that.

he's a very keen person naturally and he spends a significant amount of time with you - so he definitely knows to an extent. maybe no actively, maybe not consciously - but just an intuitive understanding.

however, because he loves you - he will only intervene when he thinks its necessary to do so. and this isn't because he doesn't care about you, but because he specifically had to handle his own insecurity and he knows firsthand what you're experiencing in himself.

but katsuki loves you and also has a lot of faith in you. he will push if he thinks you need to be pushed, and he will assure if he thinks you need to be assured. he's a good partner in that way. but for the most part, he won't interfere because he trusts in you as a person to overcome things. insecurity is not something that can be mended by another person if it's within yourself, but it can be healed when it's reframed to you by someone who loves you.

and if you need that from katsuki he will undoutedly give it to you. but he trusts you to handle business basically. so not in a bad way, he treats your insecurities as simply being apartof you.

he doesn't have any feelings about the insecurity itself. he's not lying when he says that. but thats because he loves you more as an amalgalm of all the parts of you. his view of you is rounded out and he sees all of it as you. if he loves you, he loves you. there's nothing that needs to be changed as longs as its you. so he has no opinion on if you like or dislike something. you are you no matter who you are or what you look like.

bakugou is very explicitly not shallow. appearances in love are generally unimportant to him. he falls in love with people not looks even when people don't believe that because he's so pretty lmao

[cuttyclowngirl]

Daima EP.5 Spoiler Review/theories

• While Panzy's eye color means nothing in regards to her lineage, she does come from an important lineage as some of us suspected. Panzy, princess of machine otakus. Glorio not immediately recognizing her by name or appearance likely implies either 3rd world demons aren't interested in the royal family in general or Panzy's very existence is somewhat restricted to those who live/work at her castle. Could it be that she never actually received a collar as a result of that? Is that why she wears the scarf?

• Glorio very clearly doesn't want anyone outside of Goku's circle to join in regardless of any help they can offer. (Not part of Dr Arinsu's plan?) No choice now. Panzy's a helpful mechanic.

• Glorio did in fact speak to King Kadan, who did not in fact request that Glorio seek out those who defeated Majin Buu; implying that Glorio "snuck" into King Gohma's castle & gathered intel on Goku & crew in episode 1 before being "sent out" by King Kadan. Even a 3rd world demon who does "work" in the 1st world shouldn't be able to get anywhere near the castle of THE SUPREME KING of the DEMON REALM. He was let in. Dr Arinsu popped up unannounced in episode 1 & Glorio just happened to be spying behind a pillar? Nah.

• The 3rd demon world being the biggest, (yet worst off) world in the entire realm might just maybe imply worlds 1&2 have slightly lower gravity, but probably not.

• King Kadan is a man of seemingly righteous anger (Glorio describes him as an uncivilized Mafia boss) who wants to get rid of King Gohma & somehow assume the throne of Supreme King. For "peace". Is that actually possible? Was he perhaps promised that position by a manipulator in the shadows? (Dr Arinsu?) Panzy said her father "only steals from criminals & only kills bad people", which is usually a set up for a heartbreaking reveal that'll leave Panzy in tears. Or it could be nothing.

• Apparently those awful collars even function as tracking devices.

• They even have onigiri in the Demon Realm. Cute. Implies demon rice fields & unique demon ocean seaweed.

• Panzy has a knife she hasn't used yet. Judging from all that courtyard soldier training going on at her castle, she probably picked up a few moves from watching & learning.

• It was nice hearing Goku introduce himself with both his names. His interactions with Panzy are cute so far, as I'd hoped. Panzy herself is charmingly stubborn, insisting on getting her way without throwing tantrums/ throwing a fit.

• In the 3rd world at least, the inhabitants live up to a thousand years. This likely doesn't apply to the Glinds who live for a VERY long time.

• Every Majin (demon) can use at least one magic spell. So could magical enhancement explain Glorio's strength?

• Goku can canonically touch his nose with his tongue.

• Panzy implied that there are next to no Glinds in the Demon Realm due to the vast majority leaving ages ago, as many of us suspected. Though based on the passive aggressive conversation Shin had with Glorio episode 3, there might be a handful of Glinds somewhere in 2nd world.

• So the stick with blue cloth tied to it from the OP isn't a grave marker, but a path marker. Based on the sound of the wind (in the scene in this episode) & the direction the cloth was blowing, you're supposed to take the path the cloth points to. (In the OP the cloth is blowing to the right, then the camera pans to the right, where Goku & crew are seen traveling)

• Panzy confirms that Dabura was still a bad guy prior to the events of the Buu saga, so thankfully he hasn't been retconed as a good guy King. (Wouldn't make sense)

• Dende's caretaker (nanny?) is cute. Hope she gets a name. Much smarter of King Gohma planing on raising Dende so he can have his own personal set of dragon balls & probably get rid of Neva. (So it was probably Degesu's idea)

• I want to know what those demon onions have seen...

• The Tamagamis have never been defeated. Their poor win streak's about to be demolished.

• Smart of Shin (Supreme Kai) to bring up the pin number issue with King Kadan, who introduced us to a demon (of currently unspecified gender) named "Hybis" (Hibiscus flower?) who loves ballet & will head out to pick up/help Vegeta & crew. Hybis also shows off a device that's visually similar to the dragon radar, but also Babidi's energy reading device we saw Spopovich using when Gohan went SSJ2 at the tournament in the Buu saga. Just cooler. (Panzy is also seen holding a similar device in the ED) I swear, if the eyeball on Hybis' belt turns out to be the Tertian Oculus...

• Shin straight up drops "universe 7" in front of Goku, who doesn't register it & that's hilarious. Shin also finally shared his suspicions of Glorio with Goku, bringing up things we've been bringing up & such. Goku was Goku about it.

• I wasn't ready for the children's book art style bit when King Kadan ordered 3 men to steal a plane for Hybis from the "Nemophy Gang".

• Man, someone must've put a plane curse on Glorio, cuz bro has ZERO luck in that department. A 4 day trip & it breaks down in 2 minutes. (Guess Kai-Kai isn't an option)

• Hope we return to Kadan castle from time to time to introduce us to a few of those background characters like cool, pretty, buff red head with the silly ah chest plate.

• Wonder if Glorio actually has any of that liquor King Kadan offered to provide.

• Cute detail of Goku carrying luggage with his nyoibo.

• I super hope that axolotl tailed stuffed animal Panzy brought along will actually be sold IRL. I want.

[goodluckclove]

Haha wow this is such a passive aggressive and snide response to an indie author based on a promotion that they could've just easily ignored. Especially since it's critiquing marketing tactics I've seen used on countless indie author marketing posts - mainly brief synopsis and that troupe diagram.

Don't like it? Yeah man that's fine. But this writer is not the first one to use it. In fact, an elevator pitch like the one in the second photo is usually the first thing trad pubs and agents ask for before prompting for a greater synopsis.

Even assuming this person has a great amount of experience in publishing and marketing, I don't understand the logic behind using a pretty harmless blazed post that's super easy to just scroll past as an excuse to publicly shame an artist for like not immediately fitting the way you'd like to be advertised to. A way that I imagine this person would also either ignore or complain about.

I don't usually call people directly out like this but I'm kind of in a mood, and this author's response so was level and respectful that it made me kind of pissed on their behalf.

When you read this, Noah, if you're looking for someone to consider from the perspective of someone who worked in SEO and Social Media marketing for like - five years? People off the Online Sidewalk are less likely to do really any searching to get the info they need to know from a post/ad. It might help to have specific links for like a greater synopsis (you mention the emphasis on worldbuilding I found myself curious to learn more about that) and maybe even an excerpt.

It's difficult to figure out though and I'm also not certain I'm doing a good job. Marketing is tricky and very nerve-wracking! It's part of why a major appeal of trad publishing is that they (less now than before) do a majority of marketing for you!

But yeah good luck out there! Hope the new books are looking real pretty.

My new author copies finally arrived so my online shop has signed copies with an art print and bookmark bundle IN STOCK again 🌺🛡️

Suneater is the first book of an ✨Adult Gay Fantasy Romance✨ series set is a massive 🌑Dark Fantasy Setting.🌕

It’s got:

🌺 Strangers to Lovers

❤️‍🔥 Slow Burn Romance

🐉 Lots of Worldbuilding

🛡️ Protector/Glasscannon

☯️ Opposites Attract

🌈 Lots of Queer Rep

🧠 Mental Health/Grief Rep

🌻 Character-Driven Plot

🐦 Flawed/Morally Gray Characters

🐦‍🔥 Found Family & Emotional Growth

🔥 EQUALITY as a Relationship Dynamic

🌸 Push/Pull Dynamnics

🏳️‍⚧️ Written by a Neuro-Spicy Trans-Masc Enby (aka my very gay butt) 🫶🏻

[howlsnteeth]

and are you really okay? are you really okay?

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as ��ん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[delta-piscium]

Eddie does become quite famous for his music and that means he sometimes has to go to these mind numbing events where people will sneer at him until they recognize who he is, then they’ll suddenly pretend they’re old friends, they’ll ask for concert tickets and backstage passes

he mostly hates them but whenever Steve is able to come he’s so god damn excited. Steve’s parents used to drag him along to their business events and even though it’s different industries it’s all the same. Steve knows these crowds, he grew up with them and they bring out the bitchiest upper middle class version of him, a Steve who has passive aggression and faux politeness down to an art

Eddie will watch on in delighted awe as his husband, all while smiling mildly and sipping wine, destroys people. just cuts into them and also making everything sound nice, innocuous. Most of them don’t even realize it’s happening they just suddenly find themselves gaping, searching for words, as they’re backed into a corner

and Steve will look at them, tilt his head and wait them out, but before they get the chance to backtrack he’ll hum, shrug and walk away, Eddie on his heel asking if he wants to get out of there, like right now? or maybe find a bathroom?

[lemonadehtwooh]

Playing Honkai Star Rail!

WHY IS EVERYONE THROWING MICROAGGRESSIONS AT AVENTURINE, DAMN 😭

[shikai-the-storyteller]

Tumblr is way chiller than Twitter for sure but sometimes I see a post and I'm like. Y'all DO remember this is a block game, right? You're not gonna get legitimately pissy and passive-aggressive over characters doing things in a block game, RIGHT???

[secretmellowblog]

I personally can never get into all the fanon stuff that has Javert being a father figure to Cosette because I'm always like "well, he DID kill Cosette's mother....that was kind of a significant thing that happened...even in the musical he terrorized her a bunch, but in the book he terrorized her until she died in agony, and a big part of Cosette's character is that she doesn't know what happened to her mother and desperately wants to know....idk? I feel like that's sort of a significant Thing to leave out". Though again, I get it's because people are basing it on the musical where Javert is less evil to Fantine specifically

[thepoisonroom]

btw if i could give one tip to the anxious bitches as one myself it would be to avoid accusing people who care for you of secretly hating you like either it's not true and you made them feel weird and like you think badly of them or it's true and you should just bounce but either way this will accomplish nothing

[biblicalhorror]

My relationship with my mom has come such a long way in the past few years only to come crashing down the second I try to do something nice for my dad and/or acknowledge that she is not the main character of the universe ://

[synthshenanigans]

I cant believe fine im fine lost by 1.4% crying

-Please listen to both instrumentals if you can! While there are the popular songs, there's a lotta good ones out there that aren't talked about enough!-

Instrumental Links:

Nerd

The Bidding

[Reblog for more of a sample size of you'd like]