#so that also doesn't seem like a useful course of action. :(

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[pratically-imperfect]

Caitlyn is so messy and complex of a character, and while her original goals were paved in good intentions, she's ultimately turned her back on it unwittingly. The grief, trauma, stress, and the weight of her name and new posts, it's all adding up. All while everyone around her on the topside slowly turns their backs to her previous convictions. So, in her anger - her agonizing RAGE - she turned on the last person who could keep her accountable, who held her beliefs. Because not only did Vi endorse taking the shot, make it clear, but she ended up preventing her from it. And Caitlyn...I 100% believe SHE believed she wouldn't have missed. But I also believe that, had she taken it, she would have. She lost what she's shooting for. It would be naive to think that, in a chaotic situation such as that, that she could thread the needle...and at what cost? If they weren't killed, they would have been deeply traumatized. Continuing a cycle.

All while at home, surrounded by people who bow to her, she's constantly having her original morals tested and questioned. And now she's got Ambessa in her ear, weaponizing all the vulnerabilities she's accumulated from: Being made to confront her privilege and prejudice, to being kidnapped, made a hostage, watched Jinx explode the tower and killed her mom, a terrorist attack at a MEMORIAL from the people she'd been wanting to help (turning this from Jinx being the solo scapegoat of her past prejudice, to being an act of the people of Zaun as well), and so many little things that just add up.

She lashes out, at the height of her distress - not necessarily in malice as that implies a true intent, this felt feral to me (and that FLASH of regret at the end of that stare, before she turns...) - because frankly she isn't thinking anymore. She isn't rational, and her actions are reactional. Her emotions are raw, overwhelming, and she feels like she's alone, and also like she needs to protect herself.

This of course doesn't excuse her behaviour. She said regrettably discriminatory things about the people of Zaun in her quest for blame and revenge. Of course she chose to rise to Ambessa's 'request.' And she rejected Vi both verbally and physically after making some very harmful, manipulative sounding statements to her. Caitlyn IS in the wrong. However what this does is explain things. Humans are complex and the world is PAVED in shades of grey. Our personalities change over time, we act differently with different people. The nicest people can still do bad things, just because their perspective makes it seem good. The evilest of people can, much in the same way, do good things but have bad ulterior motives.

There is so much going on than just this, or just that. There is more to this conversation than being apologetic only to Vi OR Caitlyn. They're both victims, they've both done bad, and they have both made mistakes, and neither of them are wholly GOOD or BAD.

We can laugh and say we support woman's wrongs, and continue to love and support our favourite girls, but it's important to look at the wider context, and that there's more to it all.

I think it's this messy complexity that makes us love them, and it's also what will make the payoff so much more sweet when the time comes...if it comes. I can hope.

[vaguely-concerned]

just going about my day idly contemplating how some of the ways hawke can interact with a romanced anders are not at all unlike how they interact with leandra (and a bit of carver too, especially with a purple hawke), and then thought about my hawke in the timeline where he romances anders and was hit straight in the face with 'was he ever actually in love, or was he just desperately trying to renegotiate with his mother's ghost in any way he could' and now i need to lie down. this is the power of dragon age 2

[icewindandboringhorror]

my personal Media Genres tier ranking and also Neopets Species tiers. put together in the same post just due to being adjacently related because they're on the same website lol

links to the specific tier makers: Media Genres --- Neopets

[black-arms-hivemind]

He created false memories in Shadow and plotted to kill Black Doom behind his back how are you fuckers letting Gerald off scott free like this and instead pinning everything on Doom

[fingertipsmp3]

Why would my friend message me asking if I want to go for a walk and then when I answer immediately in the affirmative, drop off the face of the earth

[dearaceofhearts]

you walk out after an argument

characters: husk, alastor, angel dust, vox, lucifer word count: 2.9k genre: angst to fluff summary: after an argument with them, you walk out and don't come back for a few days. how do they react? author's note: hello yes this is my first time actually posting something. erm, i think i wrote too much (sorry) but hey we roll with it!! also dude i accidentally posted this before it was ready twice and i had a heart attack oh my god. anyways i don't think vox's is really fluff (oops) but everyone else's is

♡ husk

when you slam the door shut on your way out, husk lets out a low grumble, setting down the glass he was cleaning onto the bar counter with a quiet sigh. it was one of the first arguments you'd had in a long time. although he wasn't usually one to get riled up so easily, the two of you knew each other well enough to know just what buttons to push to get under the other's skin. that, alongside him already having a bad day, had been a recipe for disaster.

in the few days that pass by, it's hard to tell just how affected he is by your absence since he does a pretty good job of keeping a cool facade. to anyone looking, he wouldn't appear any different than usual, just idly cleaning bottles as he always does.

but it's the small things that give away just how much husk cares and worries for you, like how his eyes flicker towards the door whenever someone comes in, his ears perking up slightly. he hates the twinge of disappointment that follows when it's not you, a slight scowl curling at his lips as he takes a swig of alcohol from one of the many bottles on the shelves of the bar. he misses talking to you. you're his favourite drinking buddy, after all.

his gaze always seems to wander back to the front door of the hotel, lingering for just a little too long before he eventually turns back to the bar, expression settling back into its usual grouchiness. but underneath that lies a hint of worry that gnaws at him in the back of his mind, even though he knows you're more than capable of handling yourself. at the end of the day, you can never be too careful in hell.

husk won't force you to come back, but he just wants to know that you're safe and sound. he trusts that you'll come back when you're ready so that the two of you can talk it over and hopefully resolve things. he doesn't want to leave it like this, and he's sure you don't either. you mean a lot more to him than he'd like to admit.

when you decide to finally return to the hotel, he pauses upon catching sight of you stepping through the doorway. he can't help the small wave of relief that washes over him, though you wouldn't be able to tell by the way he smoothly resumes restocking the bar. when you approach the counter, he looks up, giving you a short nod. "hey." he greets you, tone surprisingly softer than you're used to, "you're back."

husk's not really the type to beat around the bush, so he'd likely address the argument pretty quickly. he's also not particularly one for verbal apologies, so he'd probably be more willing to show it through his actions. you see it in the way he lets you cling to him a little longer than he normally does, leaning into him as he wordlessly holds you, his tail loosely curling around your leg. if you listen closely, you can hear some faint purring, too. it makes you smile slightly.

"alright, 'nuff of this sappy stuff." husk grumbles after a few more moments, patting your back gently before pulling back. "i'd kill for a drink right now. care to join me?" he raises a brow, a familiar glint in his eyes as he slides back behind the counter, already moving to make what he knows is your favourite drink.

you grin as you meet his eyes, expression softening. "of course. i'd love nothing more."

♡ alastor

"you're not listening, al." you murmur, exhaling quietly. this makes him pause for a moment, head tilted. your voice sounds different to what he's used to — you're not even angry, no — you just sound... tired. the argument had been going on for a while, and neither of you were getting through to the other.

when you move to leave, he makes no move to stop you, simply watching you with an intent gaze. his voice rings out clear as day in the empty silence. "where do you think you're going, my dear?"

he falters ever so slightly when you turn back to face him with a sturdy, stern gaze, responding with a flatly spoken "out", leaving no room for anything more to be said before closing the door behind you with a quiet click.

alastor won't chase after you, because he expects that you'll come back to him of your own accord. to him, it's basically guaranteed how this'll play out. he's used to demons falling right into his hands without having to exert much effort on his end, and believes that this would be no different.

so when a few days pass by with you not approaching him at all, he finds himself slightly irritated and mildly perplexed, eyes narrowed as his clawed finger taps against his cane with idle impatience. why haven't you sought him out yet?

he's seen you around the hotel, but you've never once acknowledged his presence even if the two of you were in the same room, breezing past him while he's left staring, watching you converse with everyone except him. his eye twitches in irritation, the perpetual smile on his lips strained.

...eventually, after playing a long waiting game to no avail, he decides that perhaps rosie would be able to offer some helpful advice on how to approach this situation, since he's not used to actually handling delicate emotional matters without the— well, the manipulation and deal-making.

one of the main issues is his massive ego. it's that unfaltering pride that gets in the way of him apologising. he may be the radio demon, but all that power can't help him here. and he'd never openly admit to such, but he truly is at somewhat of a loss here. he's already tried most things that he's sure would usually make you forgive him, though for a reason unbeknownst to him, it's not working this time.

"oh alastor," rosie shakes her head with a small huff, "a lady's heart is to be treated with care." she lends some further words of wisdom and encouragement that he listens to with great attentiveness, since he does (begrudgingly) enjoy your company, and it would be a shame if it was lost over such a, in his eyes, trivial matter.

upon his return to the hotel, he manages to get you to sit down with him (after much polite pestering and insistence) to have a chat over some tea. when all is said and done, the two of you sit in a comfortable silence. you sip your tea, watching the blazing fires of hell from the balcony.

"refill?" alastor offers, glancing at you briefly through a sip of his own tea.

"much appreciated." you hum, legs crossed as you throw him a small, slack smile.

♡ angel dust

his frustration slowly fizzles out as the door closes behind you, and the guilt slowly starts to creep in. he knows he shouldn't have said what he did, and he wants nothing more than to apologise and make it up to you — but he understands that it's probably better to give you some time to cool off before trying to approach you again.

despite the argument and the harsh words exchanged between you, the fact that he cares for you with his whole heart will never change, and he hopes you know that too.

while you're away, angel always finds his thoughts drifting to you, wondering how you're doing. are you eating okay? are you drinking enough? sleeping enough? with a shake of his head and a small sigh, he tries his best to return his focus back to the task at hand, whatever it may be.

he knows you can take care of yourself perfectly fine, but he just... misses you. the guilt eats away at him when he's reminded of the look on your face when you left, the brief glimmer of hurt in your eyes before you masked it with anger and tore your gaze away.

one particular night, angel heads over to your room in the hotel out of habit, not really thinking about it when he raises a fist to knock on the door. he had been hoping to spend some time with you, since today had been a particularly rough day for him. he's also been craving for one of your sleepover nights for a while, those nights where you two would stay up to talk about anything and everything until dawn rises. those times were comforting for him — a rare moment of respite in his life.

but then he stops abruptly, remembering that you're not there. he lets his hand fall back to his side, expression quietly downcast. he stands alone in the silent, empty hallway. has it always been this cold?

after a few days, he's just about damn ready to go looking for you, making his way down the stairs as he prepares to head out. he's so focused that he almost misses the sight of you seemingly casually sitting at the bar, nursing a drink in your hands whilst exchanging low murmurs with husk.

he freezes momentarily, taking a deep breath. while he mentally debates with himself whether to approach you or not, husk notices him hesitating on the staircase. he catches angel's gaze, giving him a subtle nod. that's all the affirmation angel needs.

he slides on his usual relaxed demeanour, though it's a little weaker than normal, as he approaches you. he's admittedly a little nervous, but he's determined to work things out with you. he puts a gentle hand on your shoulder to catch your attention. "hey, darlin'. can i talk to you for a minute?"

the two of you head back to your room, where heartfelt apologies are exchanged and a long overdue conversation takes place. at some point during the talk, his hand had found its way on top of yours, thumb brushing over your skin gently. at the end of it all, he gives you a small, content smile. "...baby, you have no idea just how much i adore you." he whispers into the quiet, running his fingers through your hair comfortingly as your head rests on his shoulder.

it was an unspoken agreement that tonight was going to be a sleepover night. prepare for lots of cuddling and gentle, soft kisses.

♡ vox

he's the type to go "ha, see if i care!" when you leave, but he'll still check on you occasionally through the various cameras and electronics around the city — he swears it's just because he's making sure the new limited edition voxtek product he had given to you isn't damaged.

(...it's totally because he's looking out for you, by the way. even if it's only a little. you are his darling, after all. and uh, you'll never know what happened to that guy who tried to hit on you that one time).

(vox made sure not even a trace of that bastard remained).

his obnoxious pride makes him reluctant to reach out first. that, and he's a petty little shit. so everyone around him, whether that be the other vees or his employees, is stuck dealing with his foul mood. he's become even more irritable and susceptible to lashing out than usual since you left.

he'd rather die than admit it, but you were a calming presence in his life that he hadn't realised he needed until you were gone. he hates just how much power you have over him, though you may or may not realise it. he's supposed to be the one in charge. when did you manage to sneak into his heart? his mind is occupied with thoughts of you.

and it only frustrates him more, because you're not here.

all his employees are left on edge, even more so when he takes his anger out on some poor soul who had gotten the numbers wrong on the report they handed in. "clean this mess up." vox snaps, glowering as he fixes the cuffs of his sleeves. the demon at the door hurriedly moves to do as he says, not wanting to risk meeting the same fate.

"what? what are you looking at?" he turns, eyes narrowing at the rest of the employees who flinch, hastily turning their eyes back to the screens in front of them. "get back to work." he mutters sharply, an unspoken threat in his words.

his volatile temperament goes on for a while, until velvette decides she's finally had enough and sends you a (not so) polite text to resolve your little lover's spat before she takes matters into her own hands.

meanwhile, vox is in his office. nothing seems to be going his way, and he's just about to blow another fuse when you nonchalantly throw open the doors, inviting yourself in. he freezes, staring at you for a few moments. you raise a brow. "...so. i heard you were throwing another hissy fit."

vox scowls at that, grumbling under his breath. "oh yeah? and what'd you come back for, you prissy little princess?" he sneers, clawed fingers digging into the desk with a quiet screech. "couldn't go without me for long, huh?"

"ha. you wish that was the case." you scoff, rolling your eyes with a half-amused, irked smile curling at your lips. things escalate into another argument pretty quickly, with the two of you at each other's throats. he towers over you, eyes narrowing as his grin widens in mild irritation.

it's a back and forth for quite some time, until you get sick of it and grab him by the collar of his shirt, yanking him closer until you're glaring at one another face to face. "what the fuck do you think you're—" he starts, but he's quickly cut off when your lips crash into his. vox is stunned for a few moments but soon snaps out of it, swiftly returning your kiss with equal, if not more, ferocity and intensity.

"finally got you to shut up." you murmur, grinning as you part to catch your breath and release his shirt from your grasp. before you can pull back completely, however, his hand reaches up to rest against the back of your neck, the other firmly on your waist. it takes another long, drawn-out kiss for him to finally let you go — though not really, since he's still holding you close in his arms.

"...that was hot." he whispers breathlessly, staring down at you with a somewhat satisfied glint in his eyes. but you both know that there's more to come.

suffice to say, the two of you sorted things out.

♡ lucifer

he would regret everything almost instantly. lucifer realises just how badly he fucked up when you leave without looking back. he's not even quite sure what happened as he stands alone in the room, blinking as he's left to process everything on his own. his mind is a jumbled mess, and he can't think clearly.

all he can feel is a suffocating rush of fear as he snaps out of his daze and hurries after you, desperate to find you before you're gone. he doesn't want to take his chances. what if you don't come back? what if—

he had said things that he didn't mean, and now the weight of it all feels crushing on his shoulders. he's torn between wanting to reach out to apologise and giving you time to cool down. he doesn't want to be a bother, but also really wants to make things up to you.

most of all, he just wants reassurance that you'll come back to him and that he hasn't messed things up for good. he doesn't want to lose you. you're too precious to him for that, and he's mentally kicking himself for ever making you question your importance to him for even a second.

thankfully, you haven't gone too far so he's able to catch up to you, taking a hold of your wrist firmly. however, when you turn to look at him, he falters, the words dying in his throat. he swallows, softly clearing his throat as he scrambles to say something, anything to stop you from leaving. to reaffirm his love for you.

"...sweetheart, i'm so sorry," he whispers, expression twisted and heart heavy with remorse and sorrow as he brings you close, grip subconsciously tightening because he's afraid to let you go. "i'll do anything, i'll make it up to you, i—" he trails off, burying his face into your shoulder, "just, please... don't leave. i'm sorry."

you really can't stay mad at him for too long after seeing his genuine sincerity. he acknowledges his wrongs, wanting nothing more than to make up for his mistakes and make you feel as appreciated and cared for as you've made him feel over the course of you two knowing each other. you sigh gently, thumb lightly brushing over his cheek. "...alright, silly. let's go home."

his eyes light up at that, and he's reminded of just how grateful he is to have you here by his side as you guys make your way home together. he holds your hand the entire time.

after the two of you make up, you find that he'll leave little gifts and cute trinkets around for you despite your gentle assurances that he doesn't have to. he also gives you lots of forehead kisses. he just wants to make sure you never forget how much he loves you, and that you mean the world to him.

© dearaceofhearts ー all rights reserved. please do not steal, use or modify my works!

[catboybiologist]

So.

Re: tumblr bans of transfemmes.

Let's ignore PhotoMatt for a moment. Manbaby tech CEO doubling down on a stupid decision and making himself look like more of an ass doing so is not a new phenomena.

Tumblr has consistently said, in both public statements and leaked internal communication, that they're essentially running a skeleton crew.

They keep saying that they don't have the resources to moderate, manually review posts, have any kind of appeal process, or anything. So, as people have widely received communications about, they seemed to have automated a significant portion of the moderation to operate solely on the quantity of reports (probably with a basic filter, eg quantity of reports regarding a certain post, within a certain timeframe) to automatically ban or shadowban accounts.

And so, they wipe their hands, both to the users, the public, and their own consciousness, and go about their automated operations.

All of this is likely true. Tumblr, at this point, is essentially abandonware internally, a kind of weird vanity project/dumpster ground for server infrastructure for Automattic. Likely, they don't want the bad press of "shutting down" fully. Or maybe the trickle of revenue they get here just barely exceeds operating costs, so why not keep it around?

Whatever is the case, the bans are a result of an automated process working in the background. I'm giving them some benefit of the doubt here, of course, we can't know anything for certain- but it seems like the individual bans are not based on any specific, manual action.

And that doesn't fucking excuse anything.

Because at some point, multiple people sat down at tumblr, and decided how to cut costs.

And they decided that the bare minimum of report abuse prevention was one of the first things on the chopping block.

Before the boops. Before GUI reconfigures.

They decided to cut something that is necessary to manage online communities.

They decided to cut something that ensures any targeted group will have any kind of community online.

And then, after all of that, the only manual intervention is doubling down on the shitty decisions that the automated systems make, and plucking reasons out of their ass for why they were the right decisions all along.

It's pure silicon valley brain. Blame the computer often and always. Use it to shield the active decisions you made when designing the computer that way. Treat it as a fact of life as opposed to something they actively made decisions for.

Is tumblr staff hitting the banhammer on each transfemme one by one? No.

Is tumblr staff deliberately crafting a system that allows TERFs and other conservative bigots to get rid of the "undesirables" for them? Yup. But they sure as hell are trying to not say the quiet part out loud. If they can always point the finger somewhere else, to the advertisers, to the automated systems, to the TERFs, then they can always have juuusssttt enough plausible deniability.

But being the "queerest place on the internet" requires concious acknowledgement that queer people will be targets of harassment, and you will have to protect against that.

Side note, this is why I do try to keep my blog at least somewhat SFW. Its one of the main reasons why I choose not to reblog all of the posts I'm tagged in- if the post is overtly NSFW, I've probably seen it, appreciated it, and consciously decided my level of interaction with it mostly based on how "tumblr friendly" it is. Is that bowing down to them? A little. It's also my choice. I value the community I have here. The pushes that y'all have given me gave me the strength to transition, and honestly gives me a lot of motivation to research HRT biology as much as I can, among many other things.

Yeah, I post pictures that are clearly meant to be found attractive in ways that are generally not socially acceptable , but never actual NSFW. I would like to think that I'm pretty safe from bans, but hey. Who knows. I don't want to lose my follower base, and the community around it.

And yeah, I'm gonna annoyingly remind you of the other places to find me, make sure to check my pin. If you don't know where to go, just find me on reddit and go from there, I'll post about it if anything happens.

[cavegirlpoems]

A story from back when I played D&D. It might have been 3.5 or pathfinder or fantasycraft or one of that ilk. Might even have been 4e. It was like a decade ago.

So. Standard D&D. A party of bold adventurers of diverse origins and skillsets gets together to explore a perilous dungeon and stop a cartoonish baddy. The usual.

I end up building a fairly typical character for me. A goblin Rogue/Assassin. A stealth/melee build designed to get the drop on an enemy, do a bunch of rapid damage, and then fuck off.

She was lawful evil, and firmly in the team-fortress-two-sniper school of "You know who has a lot of feelings? Men what bludgeon their wives to death with a golf trophy. Professionals have standards." school of being a mercenary. I think I even did an aussie accent.

Anyway her schtick was that she'd noticed 'Adventurers' got to do as much violence as they wanted without social consequences, and she loved violence! So she was gonna do a stint as an adventurer, so once she was done she could go home with a big sack of gold to spend on booze and cake and hot girls. But right now she was on the job, so she was an extremely professional team player with a strict code of conduct. Always be honest with the team, follow the plan, don't mess things up for the team, split the loot evenly. Standards.

Verna was a horrible efficient little murder gremlin who was also proudly guild-certified. * * *

Now, another PC was a chaotic neutral gnome bard who was leaning hard on the 'gnomes are amusingly racist to goblins and kobolds and think this is funny and endearing' thing. He teased Verna a bunch about being green and ugly, which she studiously ignored because - remember - she had Professional Standards.

Anyway, there was a human NPC we met that she didn't like, saying he was a bit stupid and very annoying. Our gnome bard decided it would be very funny to use one of his enchantment spells to make Verna suddenly horny for him and watch what happened.

Verna sees the gnome who keeps fucking with her walk up, wave his hands and babble some arcane nonsense, and now she has weird funny feelings she can't explain. She does some thinking and concludes that she'll pay the human for a snog later, because right now this guy's just obviously cast a spell to mess with her mind, which was Not Okay. Of course, she had Professional Standards, so...

She walks up to our gnome friend and basically informs him: "Hi! I know you just did some magical brainwashing on me, and I am not going to tolerate this! However, because we're in a team together, and I don't want this to become a problem, I am going to very generously allow you to settle the matter with me. We will have a bout of single combat to first blood, and then whoever wins I will consider the matter settled and my honour satisfied, and you won't do that again, and we won't mention it. This is a very kind offer of mine, because I have Standards; where I come from the normal response would be to say nothing and strangle you in your sleep tonight."

And our gnome, who is a spellcaster not a combatant, looks at this and decides he doesn't want to get shown up by her, and basically tells her that if she doesn't like getting messed with she can go back to the goblin village, and laughs at her.

So. Shrug. Quickdraw as a free action. I get a surprise round. You're flat footed, so it's easy to hit and I get sneak attack damage. 3/4 of his health is gone. Initiative. He says he wants to say sorry. I respond that he can say that when it gets to his initiative count, but right now it's my action and he's still flat-footed and here's my big pile of d6s for sneak attack and oh dear I think that's him on -10 hp, so he's not going to get the chance.

* * *

Anyway this kicked off a massive shitstorm ooc about how I just kicked off PvP and murdered a PC for no reason and the game fell apart because the gnome's player genuinely didn't seem to understand that 'mind control' is a hostile action. This was in the bad old days before safety tools and I was playing in a fairly neckbeardy group, so 'a man makes a woman horny against her will to humiliate her and laughs about it' was apparently not a deal-breaker while 'the woman stabs him for it' was.

I still think I wasn't the bad guy in this scenario.

There is no point to this story I just wanted to share it.

[yooniivrse]

early mornings | myg

summary. when time seems to bend every morning and love speaks through tender touches and quiet reassurances.

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pairing: yoongi x reader

genre: established relationship au, tooth-rotting fluff

word count: 1k

content: yoongi and oc wake up in each others arms / they love each other a bit too much and they make it pretty clear / they kiss a lot :3

warnings: fear of abandonment (kind of? if you squint??), allusions to sex

notes: idk why i'm procrastinating the third part of 'stumble into you' so bad, but this is a result of me still wanting to write something. also, ignore the images at the top if they don’t go well together, i’m too lazy to actually put in effort today 😭 likes, reblogs, comments, and asks are all greatly appreciated!! i love you guys and i hope you enjoy <33333

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main masterlist

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Amber rays spill across the room, seeping between the gaps in the curtains and kissing your bare skin with its golden warmth.

Yoongi stirs under the sheets, attempting to untangle his limbs from you, who lay beside him. But your arms only tighten around him, and he quickly gives in to the comforts of your touch.

With your head on his chest and his arm secure under your head, he can't help the lazy smile that draws across his lips.

He's always loved early mornings with you; when neither of you have to think about anything else but each other; when time feels like it ceases to exist; when nothing else mattered, because why would it when you had each other?

You were his home; his universe; his first thought in the morning and the most frequent visitor of his dreams. Everything reminded him of you, and it was maddening. But he welcomed the longing with open arms, because he was a fool.

Because he knew that it was worth being foolish if it meant having you.

Yoongi places a kiss on your forehead, his lips pressing against a few strands of hair that lay messily across your face. The scent of your skin, faintly sweet like the lavender soap you use, lingers in the air as Yoongi buries his nose in your hair, taking in the quiet of the morning, broken only by the soft hum of your breathing. He moves his hand to rest over yours, running the pad of his thumb over your knuckles.

He doesn't expect the gentle action to wake you, but your eyes flutter open. You hum, the sound quiet and laced with exhaustion as you stretch out your body.

Your eyes light up when you meet his gaze and the butterflies in his stomach erupt, fluttering around wildly.

"Morning," you whisper. You peck his lips with a soft kiss.

"Morning," Yoongi echoes. A faint blush paints his features, and a giggle tumbles from your mouth. Yoongi catches the sound with another kiss; then a third one that lingers for a few seconds longer than the others.

It is almost embarrassing to admit the effect you had on him. You've been together for years, and known each other for even more. He knows every dip and curve of your body and you have seen him through all of his highs and lows. Yet, a kiss from you still has him blushing.

"Missed me?" you tease, and he hums in agreement.

"A lot." He kisses corner of your lips and the curve of your jaw. "You're so pretty."

You laugh; a soft sound that rings through the air. It has always been Yoongi's favourite melody-the one sound that made his heart swell and his eyes crinkle into crescent moons to accommodate his growing smile.

He tucks a few strands of your hair behind your ear, letting his hand stay to cup your cheek so that he can bring his lips to yours again. He’s addicted to the way your lips fit perfectly with his, and no matter how often he kisses you, it’s never enough

And you can't stop smiling.

The feeling that courses under your skin is almost overwhelming. It still feels surreal—that kind of love, where just being with him made the world right

The possibility of losing Yoongi terrifies you, but it's a fear that follows you everyday. Sometimes, you expect to wake up one day only to realise that this is all a cruel dream, or to find the house suddenly void of his belongings and his presence.

Sometimes, the fear creeps in before you can stop it, a quiet panic that gripped you in the space between sleep and waking. You’d reach out, half-afraid to find the bed cold and empty. But then, your hand would meet the warmth of his skin, and the fear dissolved into nothing. Because every morning, he's here. Solid, warm, and real, wrapped up in the sheets beside you. His sleepy eyes, the soft curve of his lips, the way he pulls you closer as if you’re his anchor—it’s all so undeniably Yoongi, and it makes your heart flutter with a mixture of disbelief and gratitude.

You press your forehead to his, noses brushing, as if the closer you hold him, the more real this will become. Yoongi's fingers trail lightly over your skin, tracing invisible patterns that make you shiver.

“You’re thinking too much,” he murmurs, voice raspy but tender, like he's always known your thoughts even before you speak them.

You let out a soft sigh, trying to find the words, but they dissolve on your tongue when his hand glides over your waist, settling at the small of your back.

“You’re here,” you whisper, more to yourself than him. It's a quiet confession of the relief that washes over you each time you wake up to find him still beside you. He smiles against your skin, a low hum of agreement in his throat. "I don't know what I'd do if you weren't here."

“I’m not going anywhere,” he promises, his voice carrying the weight of every unspoken assurance. "You know that I'll always be right here-right beside you, whenever you need me."

For a moment, the world falls away. There’s no fear of loss, no dread of waking up alone. It’s just him, his presence grounding you, his breath steady and warm against your neck. The intimacy of the moment swells between you, a shared heartbeat that drowns out the rest of the world.

Your legs tangle beneath the sheets as he pulls you even closer, his hand finding yours under the covers. His touch is gentle, tender, as if he’s memorizing every inch of you, and in the glow of the early morning, you feel more connected to him than ever.

You close your eyes, letting the warmth of his skin seep into yours, feeling utterly safe in his embrace.

And in that moment, you know—this is home.

[acid-ixx]

I hope you don’t mind but I need to ramble this to someone, neglected Wayne reader right? The fam would forget to bring them to social events and whatnot right? So there would be very few pictures, articles and interviews or even facts about them, meaning that reader Wayne is a rarity. Still following me? Reader Wayne with a small but devout fanbase.

I’m talking they are trading the latest pictures and sharing links to the rare interview with reader in it, following any social media they have that isn’t private, they are just fascinated by this micro celebrity that seems to always be forgotten. Okay but also imagine one of the heroes developing a para-social attachment to reader. My money is on Conner Kent, mainly bc he can project his own issues with his dads onto reader and he can Dolores ~Encanto~ reader with his super hearing and develop a even bigger parasocial obsession with them

I hope you enjoyed this ramble, I will leave you be now, see ya later alligator! 🐊

omg another one of my asks that actually predicted a major plot point... this ask ties well with the last part written here. i'm thinking about having the reader get a love interest/s but i have already written an outline but one thing is for sure—

you have more than just your family interested in taking you.

major spoilers below the cut. — an excerpt from chapter xx

(name) wayne may have been a name forcefully deleted off of the face of the internet, but that doesn't mean it doesn't have its conspiracies of its own. nobody knows who you are beyond the blurry, unsolicited pictures of you. it may have been a photograph of your back, or articles published in unknown websites and buried at the far end about a kid entering through the fancy gates of the wayne manor.

you are a product of a one-night-stand.

but they don't know who the mother is, don't know your age, or where you come from, and what business bruce has with the woman to guarantee your adoption at the instance she had disappeared without warning.

your existence was a mystery most would like to solve. after all, it was your picture that was plastered all over the newspapers and articles, it was your name that journalists whisper and it was a silhouette of your face that the underground knows by heart. every known information about you was shared discretely yet efficiently like some sort of virus.

you were a target for interest, a large sum of money if they will. and alfred had taken it in his hands to make sure there would never be a repeat of what had happened before.

it was a clumsy mistake, one that cost you your memories, and one he swears on his life he'll never make again.

the first course of action he needs to arrange, which may seem difficult for most; he needs to confront bruce.

after all, your freedom is your doom.

maybe this is out of the picture, but id' like to imagine you and connor having a therapy session where one comes out absolutely obsessed with the other, and it's not you.

connor's character for me is so, so good for an angst potential. it's like his personal struggles is a way for him to show you how absolutely you two are meant to be. and he may have met you through bumping into you (false) or maybe... he has seen you stalking through the shadows back when he visits the manor. using his superhearing, he can hear your voice from the kitchen begging alfred to relay a message to bruce, sounding so absolutely desperate. it's the way you tell alfred how you wished your father actually spends time with you, or how nobody seems to notice you— that he kind of just makes a silent promise that he will talk to you soon, he needs to know why this family seems so keen on ignoring and how hypocritical tim is for literally doing the same thing to you when he's aware of kon's past.

if he (or anyone else) should be a love interest (though he is a minor character in the series unless you guys want him to be a major one), i can already imagine the absolute hell you have to suffer not only from your family but from your own lover. just imagine the stockholm syndrome or the delusions you convince yourself with because you're finally loved by someone but that love restricts you from the very freedom you tried to build.

the batfamily would be so conflicted because why are you choosing some stranger over them...? then you slap them in the face with, "well, this "stranger" wants to kidnap me and lock me up, sure! but at least they actually looked at me for more than five seconds!" and you can watch how the color drains off their face, their conflict giving you the perfect opportunity to run away from both your ex-family and your soon-to-be-kidnapper-lover who thinks your comeback is a funny way for you to propose.

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[lunahearts]

Soooo I read all of Dungeon Meshi in this past week and I have many thoughts bouncing around in my brain and I think the only thing to do with them is some AGGRESSIVELY CLOSE READING of a scene I wanted to come back to and try to understand better.

So: I want to talk about chapter 28

This entire section of the story is something I feel like I am going to want to come back to a lot, because its such a transitional time and I feel like there are a lot of themes/ideas that I wasn't fully aware of during my first reading, and stuff I missed because of that.

One of the biggest things I have been turning over in my head is... hey, what was UP with the Marcille/Falin bath scene? Maybe it was because I was already primed to pay attention to stuff with them going into the story, or because I had already seen a couple of panels out of context. In any case, it really kind of stuck out to me as being very short but also VERY intense, while also being... hard for me to define? Some part of the nature of the intensity felt like it was going over my head.

I wasn't sure that revisiting it would help with this right away, but to my surprise, it actually WAS a lot easier for me to follow and understand when I went back to it. So I want to just do a close reading of That Scene and some other parts of the chapter & context around it all, because I think it offers insight into Falin & her relationships, and what purpose this chapter serves within the story as a whole.

So first of all, I think it's interesting that the scene starts with Marcille bathing Falin.

It feels very caring in a more platonic, less charged way then what will follow.

Marcille goes from this caretaker mode to joining Falin in the bath, and then of course we get the first of The Panels

(as a small note, I only noticed when revisiting that Marcille is using the rest of her Kelpie soap in the bath. Isn't that just the most heartwrenching little detail. Augh)

Anyway, one of the first things I thought was interesting going back to this is how much it reminded me of the very different sort of intimacy that came just before it - when Laios and Marcille assembled Falin's bones.

This is such a beautiful and intimate sequence, and something about Marcille examining Falin, whole, after the fact... I can't imagine there are not some echoes of those bones in Marcille's mind. The action seems more startling/intense for Falin at first, and maybe part of that is because Marcille has already experienced this level of intimacy with Falin's body in a way Falin herself wasn't a part of.

This panel in particular I think is a summation of the difference in the experience for them. This looks like... near orgasmic for Falin tbh, and Marcille is very focused on the actual like practical part of what she's doing, seemingly completely unaware of the Effect she is having on Falin.

The whole short sequence is focused on this intimacy that Marcille initiated seemingly without fully being aware of what she was actually doing. And once Marcille is satisfied, she is also the one that ends it, sitting back in the bath and moving out of Falin's proximity. All on her own terms, and for her own ends.

HOWEVER... Falin doesn't just let things go.

Instead, she returns Marcille's attention. First, by asking after her wellbeing:

Marcille, of course, deflects (there will be a lot of that in this scene).

But Falin doesn't let it go.

Falin is not a confrontational person. She likes to keep the peace. In this context, and in context of the way that Marcille was the one to come into Falin's space initially, the way that Marcille controlled the initial intimacy... this is striking. I genuinely think that these three panels might convey one of the most assertive actions Falin (as herself) takes in the entire story. One of the only things that outdoes it is the fucking INCITING INCIDENT OF THE WHOLE STORY.

I'd also like to point out here that this action of Falin's also parallels her resurrection by Marcille & Laios. It's is also a forbidden magical action done to save someone(s) she loves, and its something she does TO them, that they are not fully aware/able to react to until its done.

Anyway, back to the bath scene. Falin is taking action here and asserting herself. And how does Marcille react?

She flips out!! She rejects it! She tells Falin that she isn't supposed to be acting like that.

It's a very distancing response from Marcille, and also one that puts her back in that caretaker mode from the start of the scene. She also puts even more distance between herself and Falin by sinking into the water.

Falin doesn't give up though! She continues to assert herself. She's okay, she is allowed to chose to do this.

And Marcille continues to push her away. It looks to me like she only starts to relax a little once she fits Falin into a role she can better define and control. You're a patient, you're recovering, I understand this fact and you don't. Let me take care of you.

But, for a third time, Falin pushes back.

I don't think it’s coincidence that this is where she opens her eyes. She asks directly about the thing that they have both been dancing around:

The resurrection spell. The fact that Falin KNOWS about this, at least in part, recontextualizes the quiet battle for control between the two them. They both know at least some part of the truth. Marcille wants nothing else then to ignore it. Falin wants to be able to talk about it. Marcille's blatant refusal to give her those answers, I think, is what keeps them out of sync - intimate only ever in one direction at a time, never fully together.

And of course, even when directly confronted, Marcille refuses to engage with the truth.

This moment being on the bottom of the page is notable too. There's a beat here. The last panel holds on Falin's face. The reader reaches the bottom of the page, and they are held here for a beat as well, with Falin. It's not quite a rejection yet. What Marcille says isn't directly an answer to Falin's question, but it is a response. A valid one, even! Falin wasn't just asking the question after all, but struggling with guilt that Marcille has every reason to want to reject.

But then you move on the next page, and...

Marcille isn't actually addressing the question at all, not directly. She's deflecting, again. Oh we had a ~difficult time~, there were a lot of "tough situations." Even though she and Falin both know about the resurrection, and Falin has made it clear that she wants to talk about it, Marcille pushes away from the actual topic. She keeps things broad and indirect.

She offers the smallest gesture to Falin - nothing more than a whisper of 'don't worry about it I won't get in trouble' (even though Falin's concern was never just about Marcille getting in trouble).

Marcille then continues to deflect even further, completely changing the subject onto clothes and frog adventures, which seems to distract Falin as well, as she finally gives up on pushing.

And that's where the scene ends! Marcille pushes into Falin's space (without fully realizing), and Falin pushes back. She tries three times to get Marcille to acknowledge her wants, and three times Marcille rejects her, though she does eventually convey some truth. She is honest in her belief that Falin doesn't need to feel guilty, and that things will all work out, even as she continues to deflect the rest of the question. Falin finally accepts that, the topic of conversation changes, and we move on.

But there is a little bit more that happens between them. Towards the end of the chapter, they have this little 'oh no we have to share a bed' situation. Classic stuff.

And Falin seems to realize that the context of this is kinda different now then it was when they were in the magic academy. She's not a kid any more, and they just had those intimate moments in the bath. There's a new tension between them, or one that new at least to the bed sharing of it all.

And in this respect, too Marcille pulls away from what Falin is trying to say. She tries to frame Falin as a kid, tries to insist that nothing is different.

When I first got to this part, it honestly felt... a little uncomfortable? After the bath scene, it is really weird to move into a new intimate situation with Marcille explicitly treating Falin as a kid.

What I have realized in coming back to this scene, though, is how much I think its meant to feel uncomfortable. Throughout the chapter, Marcille's responses to Falin become increasingly patronizing. By letting some of that conflict between them resolve at the end of the first scene, the chapter seems to let things rest, and lets you set it out of your mind.

Then, when the same type of conflict comes back at the end of the chapter, Marcille is even more blatantly treating Falin like a kid, and the unfairness of it hits even stronger. They are both adults, and Falin deserves the truth. After 27 chapters from the perspective of Laios, Marcille, and the others in the group, this progression lets you feel things from Falin's perspective. It's supposed to feel uncomfortable because it IS uncomfortable for Falin, the way no one will quite tell her the truth.

After all, Marcille isn't the only one to do this kind of deflecting when Falin tries to ask about what happened. Laios has a similar response, right down to the 'treating her a bit like a kid' part.

Even more importantly, this final conversation of the chapter reveals one last layer in the knowledge/power imbalance between Falin and the rest of the party: she doesn't actually remember sacrificing herself and teleporting them out.

As I mentioned before, that action was one of the most assertive things we see Falin do in the story, and she doesn't even get to keep that for herself. Instead of being her action, her choice, it becomes yet another thing that the others know more about than her.

I think that's part of why there is such an air of melancholy to this hug they share on the next page

Obviously, obviously, there are so many emotions here for Laios and I don't think its all meant to be viewed as a negative thing, or that he or Marcille are being completely unreasonable. They've been through a lot, and what's more, they think they have time now. So much more time then they actually will have. Time to explain, to open up, to let Falin return to the group in full - as a teammate and not just as someone to be cared for and protected.

But they don't get time. And this relenting by Falin, this "I won't do it again," it's not something that feels triumphant. It's an attempt to comfort them, more a prayer than a promise. As if she is trying to exorcise a spirit. As if she is capable of promising that death won't come, eventually. It's what Laios needs, not what she wants.

That's the real tragedy of the chapter, I think. It's the one time, in the midst of everything, that they have the chance to give Falin what she wants - and they don't do it.

But I do think they realize that, and I think that this failure is a core part of their journey. It's another bittersweet taste to add to the mix - all the missed chances in this chapter to connect, amidst the moments of genuine peace they do get throughout it.

As Laios puts it later...

If Falin hadn't been eaten by the dragon, and perhaps if they hadn't failed her here, they never would have had the adventure that they got to share.

(or, perhaps more tactfully: in life & chapter 28, there are both good times and bad. Thanks, Chilchuk)

[sunderwight]

Crack SVSSS Mpreg AU where when Shen Yuan transmigrates in, the system impregnates him with the displaced soul of the original Shen Qingqiu.

For the purposes of this AU, we'll say that male pregnancies or trans men being pregnant in the PIDW universe are uncommon but not especially noteworthy concepts.

So now not only does he have to deal with recovering from his qi deviation and of course being pressed into the role of the scum villain from the novel he was just reading, he's also mysteriously knocked up, can't explain it, and doesn't even know for sure if the baby will recollect being Shen Jiu when its born -- and of course hate him for stealing the Shen Qingqiu life.

What's more, Shen Yuan can't bring himself to get rid of it, because he does have mixed feelings about stealing Shen Jiu's life as well. Even though he knows it's probably the best tactical move, and he doesn't even like Shen Jiu, and the system has said there wouldn't be any penalties because it wouldn't impact the major important plot milestones, he opts to just... keep it. And not think too hard about it.

Luckily(?) cultivators have a lot of control over their bodies, which means a pregnancy can last however long they want it to, so Shen Yuan doesn't have to worry about giving birth in a hurry. SJ seems fine in utero, stalling his development doesn't have adverse effects, so Shen Yuan just swears Mu Qingfang to secrecy and figures out how to keep his pregnancy at the early stages for as long as possible while he hashes everything else out. So apart from internal freak-outs, most of the early plot proceeds as usual.

Unluckily(?), this state of affairs changes when Shen Qingqiu gets infected with Without-a-Cure, as that makes it so that putting off the inevitable is no longer a viable course of action. He can't spare the extra energy and doesn't have the stability of cultivation required to mess around with his pregnancy anymore, so things have to proceed at a more normal rate.

Which means the other peak lords and the disciples on Qing Jing find out that Shen Qingqiu has been harboring a secret pregnancy for an undetermined length of time. Shen Yuan has to bite the bullet and use the amnesia excuse to explain his lack of insight to the existence of any other parents (he's surprised it works so well, because he doesn't know that the rest of the sect has already figured out he doesn't remember some things after his fever), which inspires a lot of behind-the-scenes chaos because everyone has ALSO figured out that Shen Qingqiu's amnesia seems to pertain to things that must have traumatized him in the past.

So if he's pregnant, and he lost his memories of how he got that way...

Well. Cang Qiong is now on the hunt for an attacker who might already be dead and doesn't actually exist.

But everyone agrees that Shen Qingqiu doesn't need to be troubled by these details, so if he's okay with not remembering, then they're okay with letting him not remember. The only one who tries to bring it up is Liu Qingge, and that's mostly in the context of wanting clues so he can track down the culprit and stab them until they are dead.

Luo Binghe supports the quest to find the persona responsible and violently murder them, but as a disciple he has no resources to actually go on some wild goose chase for a mystery rapist. Besides, he has more important things to do on the peak, like making Shizun's meals, keeping Shizun's house, and preparing to help raise Shizun's baby. Luo Binghe is not going to be the stepdad, he is going to be the dad who stepped up! (Binghe please cool your jets you're like fifteen you're going to give your future shizun whole new inner turmoil about whether it's possible to accidentally babytrap your own teenage disciple via immaculate conception reincarnation pregnancy...)

Anyway eventually baby SJ arrives, and Shen Yuan immediately decides to block all recollections of the childbirth process and never dwell on it again. Something happened, he's no longer going to think about it, oh look a baby! A potentially evil villain baby. With cute widdle toes and tiny fingers and a squished, grumpy baby face that gets all red when he cries...

Yeah. Despite his reservations, there's no way he's not getting attached.

He gets Binghe to help him pick out a name for the baby, partly because he feels terribly presumptuous when he actually knows this kid's real name (but he can hardly call his son "Shen Jiu"), partly to encourage Luo Binghe to have some fondness for the kid so that if he someday hates his old shizun, he might still spare his "son" from his revenge. Even though it's actually SJ's fault. Well, he's a baby now. He probably doesn't even remember anything! He sure does cry a lot! Would the OG villain cry and fuss and settle down only after being sufficiently cuddled?

Turns out, yes. Shen Jiu remembers everything from before his fatal qi deviation. He's just also still an infant. So what can he do but cry? And maybe pee on the beast and that body-stealing creature that has reduced him to this. He spends most of his early infancy waiting for someone to come smother him with a pillow, but the conspirators must want to keep him alive for some reason, because it doesn't happen. Instead he gets looked after and soothed and taken care of in a way he never has been. Also, his stupid baby instincts keep insisting that the creature which stole his body is actually the safest person in the whole world.

It's like a cruel joke. SJ finally gets the childhood he always wanted deep down inside, but the one giving it to him is some kind of monster.

[on-leatheredwings]

Dirty Laundry (18+)

Yandere! Dick Grayson x (Fem) Reader

> romantic, 18+ > Request: I think Dick would be a major creep and your rules didn't say anything about no nsft, so can I ask for a fic with this scenario: Dick stealing reader's underwear and using the dirty ones to get off while cumming into the clean ones. And putting the "clean" ones back into her dresser hoping she doesn't notice the stains and wears them? Thanks! > a/n: …………………………………… Ohhhh, so you’re crazy. Meaning, you’re just like me . thanks for the dick request i want to write him better/more ;u; had fun writing this! > tw: someone cumming in your panties without your consent or knowledge, so sexual assault. As well as yandere-typical thoughts and behaviors. > Word count: 1847 (Ugh this was supposed to be like 3 paragraphs max but i’m me.)

Dick’s your best friend. 

… You guess.

He was new to Blüdhaven, and you two just seemed to keep bumping into each other in the rare times you left your apartment. Might as well get to know the guy. You didn’t have much choice in the matter, once he attached to you. And that was okay, because you liked him back and, frankly, were in quite desperate need for friends. The man currently lounges on your bed, sifting through a magazine while you’re mixing audio for this indie rock cover band that’s commissioned you. That’s your side hustle and passion, when you’re not being a work-from-home researcher for S.T.A.R. Labs. 

You’re an hour into your work and Dick Grayson is lounging on his spot on your bed, because he has claimed a spot at this point. All is well with the world. Then, your stomach lets out a groan, and so do you.

A pair of eyes, all ocean blue and twinkling, slide over to you without a second’s hesitation. You meet them, unblinking and unperturbed. Does he know he’s kind of a freak? Being all light-eyed and adoring?

You stand up without fanfare, removing your headphones from your ears and letting them sit around the column of your neck.

“I’m going to get food from the place next door.”

You yawn and walk away from your desk. That usually was much harder for you, but Grayson’s presence in your life had made it more of a priority for you to care for yourself. “Don’t touch anything,” you say, plainly and without venom. Without another word, you’re gone, and Dick launches up from his seat once he hears the front door to your flat close.

He told himself he was going to do this today. He told himself, and he is a man of his word.

He opens the bottom drawer of your dresser, where he knows you keep your clean pairs of underwear. Then he trespasses into your closet, where he knows you keep your laundry basket.

Dick knows where a lot of things are in your apartment, and he has made it his job to know every inch of your bedroom specifically. When you leave the room, like times like this, he enjoys going around and familiarizing himself with everything. And he’s planted cameras, of course. He does leave your en-suite restroom alone, an act he pats himself on the back for. You deserved your privacy, after all. To his disappointment, you do tend to masturbate exclusively in the shower, and he must tide himself over with the audio his cameras pick up, rather than visuals.

After a moment’s hesitation, Dick buries his hands into your laundry basket. These were the things… you wore. His eyes twinkle as he smiles. Still, he had no time to waste. While often busy, the Chinese place you were at was also known for its fast service. Dick grabs the first pair of panties he sees: blue lace-trim, white in color, with blue gingham. You’re so cute. 

He sits in your closet, back to your hamper, slides off the jeans that look really good on him which he hopes you’ve noticed. All of these actions are done a little clumsier than normal because his pulse roars in his ears.

He lets his head fall backward, and he begins pumping his cock with your panties in that same hand. He thinks of your face, your body, your hands. He really likes your hands, so adept and amble, always flying across a keyboard or strumming a guitar. He thinks about the honest things you say, truthful but usually with tact. He thinks about your eyes crinkling when he’s being a show-off, and your pretty lips that you’re usually wetting with your tongue rather than finally just getting lip balm. 

At this point, Dick is a wreck, eyes glazed over and only half-open. His eyelashes flutter as he struggles to keep them open. He goes slack-jawed, pink lips only a little swollen from his biting down on them. He’s about to finish, he knows he is. It’s building in him like the birth of a tidal wave. Pre-cum and his sweat have soiled your gingham pair, and he looks at the very plain pair of navy blue boyshorts in his free hand, clenched into a fist. He finds himself blushing. Your underwear is so… you, and it’s hilarious that holding them in his hand is what is flustering him so much. Considering what he’s doing.

Dick whimpers, a sound that’s both embarrassing and utterly liberating. Pleasure pulses in between his legs, his back shoots into an arch, his balls hike up to the base of his cock. He cums with a raspy cry, right onto the crotch of your boyshorts. He had initially planned to just finish anywhere on the fabric, but at the last second decided to cum where your cunt would touch. He’s kind of romantic like that. (He’s also kind of a pervert, and he knows that.)

He pants in the afterglow of his orgasm, cheeks painted over with rosy pink. He tosses your white pair back into its home, the laundry basket.

His calloused fingers reach up for the corner of his mouth, which had been agape this whole while. 

… Was he drooling? 

Dick robotically proceeds to rub his semen into your underwear until it's just a dark stain. He pulls his dark jeans from the pool of black denim they formed at his ankles, he runs his fingers through his hair at a job well done. He returns your boyshorts to your dresser, neatly folding them like all the rest. And finally, he wipes his mouth. He returns to your bed, and it’s like nothing has happened since you left.

Dick Grayson – Gotham pretty boy, badass superhero – should probably cringe; in any other context, isn’t that so lame…? But considering it was you, honestly, what could he have expected…

You come back into your bedroom, a bag of takeout swinging from your hands. His eyes don’t leave you for an instant.

… You simply have that effect on him. 

You stomp through his room until you’re right in front of him, where he pretends to be scrolling on his phone. Your arms are akimbo as you stare down at him, blocking your room’s overhead light with your skull and casting your shadow over him. He looks up and smiles cheekily.

“Alright, Dickard.” Dick’s lips quirk. “Get out. I’m going to shower and change.” Sniffing yourself on the way back, you decided it was high time you did. 

Dick’s brain goes a mile a minute. Shower. Change. Underwear? His heart skitters but he doesn’t show it. 

“Aw, don’t let me stop you. Feel free,” he teasingly sings.

Your eye twitches and you take it upon yourself to physically move him. Not that you could if he chose to actually resist. You know that he must be strong, stronger than ‘doing acrobatics as a hobby’ must make someone. You’ve caught a peek at his abdomen and biceps now and then. Guy is ripped. 

“Go eat,” you order, throwing the takeout into his hand. “I got enough for the both of us.” Why, Dick could twirl his hair and kick his feet right now – despite a prickly exterior, you really were a sweetheart, weren’t you? He refuses to have you pay for him though. He will definitely be returning the favor thricefold.

You successfully shoo the six feet tall model out of your room. 

Once he’s out, you take your shower, standing for five minutes in the spray until it grows warm. You think with amusement at the idea of movies and TV making women showering such a sexy, erotic scene. Bitch, you are in here scrubbing pots and pans. 

After the job’s done, your feet land on your worn shower mat from college, and pad towards your bedroom once more. You catch a towel on your way there, belatedly remembering that Dick Grayson may still be loitering in your bedroom, and you weren’t too keen on the idea of him seeing your private bits. Warily shifting eyes from behind the door, you see no one’s around.

Knock knock. 

“Are you done?”

Dick’s voice from the hallway makes you panic, fearful that he may burst in before you’re ready and presentable. 

“Don’t you know it’s rude to interrupt a woman while she’s getting ready in her boudoir!“ you yell, hoping some rich person’s instinct suddenly clicks in him. You thought rich men were supposed to be gentlemanly. Really, ever since meeting Dick, who is son to the richest man in the state, you’ve learned rich people all must be whiny, clingy, braggers, show-offs, and sometimes, just plain brats. In your hurry, you swipe a panty from your drawer and slip it on past your thighs. Body still damp from the shower, you don’t notice anything. 

The rest of your clothes follow, and you choose to sit back down in your desk chair. You turn back to your double monitor set up, ready to become a screen zombie once more when you remember someone’s waiting for you.

Without turning around, you holler, “Come in.” 

Without a moment’s pause, Dick reenters, takeout plated for the both of you in each hand. He places one smoothly in front of you with butler-like precision. 

“Your meal, madam,” Dick says in a Parisian accent, and you do smile in amusement. His eyes dilate, but you don’t notice.

“Thank you, my fine sir,” you return, a little embarrassed, accent weak, but willing to keep up the bit.

Dick knows not to disturb you too much while you work, so he wanders away as you slip your headphones over your ears once more. But before returning to His Spot on the bed, he quietly treads to your dresser. He sneaks a glance to make sure you’re still occupied. And you are, that blue wash of light painting your skin. 

He pulls out the drawer, and– hhhhh.

He heaves with breath involuntarily, although it’s nearly imperceptible. You do make him slip more than he likes, but he’s experienced. He glances once more to make sure you didn’t hear that, and of course you didn’t. You’re still fiddling in Ableton Live.

He shuts the drawer and stalks to His Spot on the bed, and anyone who knows Dick Grayson would see that he is tense. He is stiff.

And how could he not be? You’re wearing the underwear he had cum on. Did you notice? Is this your way of coming onto him? No, you’re too forward to play games… Something he finds both refreshing and a shame, because he loves games. You simply mustn't have noticed. Regardless, the knowledge fills him with such ecstasy and arousal… and longing. 

He eyes you discreetly as his skin reddens. He tries to act natural by eating steaming orange chicken, plucking it from his plate with a chopstick. One day, he’ll have you, in body and soul. 

Until then, he can entertain himself with this game, however one-sided.

[innerfare]

I Love You - Part 1

Summary: Who says I love you first? How do you say it?

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid

Genre: Fluff

CW: None // SFW

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Luffy: He showed it first, asking you to join his crew, making sure you had a safe and healthy place to be yourself, fighting anyone who stands between you and your dreams, saving his funniest jokes until you're around to hear and giggle at them, even going so far as to share a little (really, only a little) bit of his meal with you, but you were the only who actually said it first. He gets severely injured after a nasty fight, and you stay by his side while he sleeps it off like he normally does, though it takes him longer than usual to wake up. When he does finally wake up looking for you and something to eat, you fling yourself on him and tell him how much you love him. You didn’t intend on confessing, but you were so worried about him and the words fell from your lips as soon as you knew he was okay. Your brows are still furrowed, and when Luffy asks why, you voice your insecurity that he doesn't feel the same way. Luffy just laughs at that and ruffles your hair. “Of course I do.” With that, he crawls out of bed in search of food. He quickly falls into the habit of telling you in the morning when you wake up, and it fills you with so much joy, it’s like he’s giving you a happy vitamin to start your day. And saying those words bring him so much joy that saying them is like he's taking a happy vitamin, too.

Zoro: To your surprise, it was Zoro who said it first. Though Zoro seems the type to bottle up his emotions, he’s actually not, he just doesn’t seem emotional because he’s really good at dealing with his shit. And he knows all too well how temporary arrangements can be, how quickly life can be snuffed out, how easily the people he loves and cares about can be taken away from him. So one late night when he’s alone in the shower, washing his hair (using Nami's expensive shampoo and conditioner because she left it in the shower and Zoro just uses whatever's within his reach) and thinking about you, he realizes how he feels, and he doesn’t even consider not telling you. He climbs into bed afterward in just his boxer briefs, his hair still damp and smelling extra good, shakes you awake, kisses you a few times, and mutters that he loves you in your ear before passing out, not even waiting for you to say it back. He doesn’t say it often after that because he doesn’t thinks actions matter more than words, but he always says it when one of you is injured or after an argument. 

Sanji: Sanji technically confesses first, but you’re the one who actually says those three words. He’s holding your hand in both of his, clutching it close to his racing heart, as he looks down at you, telling you all the ways you make his life better, all the things he’s looking forward to doing with you, all the energy he’s going to put into keeping you happy, healthy, and safe. And the words just sort of fall from your lips. He stops mid sentence, eyes wide and mouth open. The seconds drag on in silence before he’s pulling your lips to his. Both of you are very generous with these three words, saying them often and in public. If you ever hang up the transponder snail without telling him you love him, he’s calling you right back to make sure everything is alright. (Also, not really relevant, might do a separate post about this, but Sanji is definitely a heart-shaped jewelry sort of guy. He just is. Certified lover boy.) 

Ace: Your first, more implicit confession came one night before you two were ever in a relationship. You noticed he was a little off and saw him slip away from the crew as they were drinking the night away. You found him sulking by the water and sensed he was hurting, especially when you asked to say and he told you he’d rather be alone. Before you leave, you tell him, “I just wanted you to know that I’m happy you’re alive.” You had no idea that it would strike a nerve, just got the feeling he needed to hear it, and this was confirmed by him grabbing you by the wrist as you walk away and pulling you into his arms. You continue finding implicit ways to tell him you love him such as, “I think the world is a better place with you in it,” and, “I’m so glad you were born,” and Ace is never really sure how to respond, but he soaks your words up like they’re sunlight and he’s a plant. This culminates in him blurting those three words out one day when you’re sitting in a tree together, Ace avoiding your eyes for fear you’ll reject him. When you lean in and kiss his cheek, instead, he almost cries (and he does when he’s alone later on, your love the purest thing he’s ever known). 

Sabo: Sabo is always taking risks. He lives a dangerous lifestyle as the Chief of Staff of the Revolutionary Army, and on top of being one of the most wanted criminals in the world, he is an incredibly reckless individual who thrives when his life his threatened. He does not, however, thrive when your life is threatened. So accustomed to being the one others are fretting over, so used to Koala telling him off for taking this risk or making that dumb decision, he is completely blindsided by the anxiety he experiences when he finds out you’ve been captured. Naturally he launches a rescue attempt, and when it succeeds, he wraps you in his arms and tells you how much he loves you. He always makes sure to say it after that, telling you in the morning when you wake up and at night when you go to bed together, the memory of not having you there to hear it all too fresh. 

Law: Law is pretty bad with words, and, for lack of a better term, he sort of lacks a bedside manner. Needless to say, this carries over into other aspects of his life, including his love life (or lack thereof; Law has little to no experience in this arena). One afternoon, though, the two of you are fighting because you want to accompany Law somewhere and he insists it’s too dangerous despite all of your qualifications and skills as a fighter. You keep pressing and pressing, demanding to know why he won’t let you go when you are perfectly capable, until finally he blurts it out. “I love you! Alright? And I won’t lose you.” You aren’t even in any sort of relationship at that point, the two of you just sort of stewing in unresolved tension. His irate confession is the tipping point, and you become an item after that. When you hear it from him after that, it’s always in private, usually in the late hours of the night when he slips into bed and buries his face in your neck. Other times, it’s when you two pass each other in the hallway aboard the Polar Tang and he catches your hand in his, placing a warm kiss on your knuckles, muttering the words, and moving along quickly for fear someone might see despite the entire crew knowing about your relationship. 

Kid: You say it first. You say it a couple of times, actually, before you ever hear it back. You’re sitting in his workshop watching him build something, and you just sort of blurt the words out. You swear Kid hesitates before picking up the next piece of metal, but he gives no real acknowledgment you uttered those three words. Knowing exactly the sort of man he is and not expecting to receive anything in return, just wanting him to know how you feel in the moment, you aren’t actually offended, but you are wondering if he didn’t hear you. So, the next day in his workshop, you say it again, once more receiving no response. The third time you say it to him, catching him while he’s painting his nails, you receive a grunt in response (Kid is a man of grunts, not a man of words). Only in the heat of battle do you hear it back. He catches you around the waist and picks you up, and you fight thinking it’s an enemy, only for him to say, “I love you,” in your ear before deflecting a canon ball headed straight for the two of you and then setting you on your feet like nothing happened. From that point forward, he’ll say it, but only at inopportune times.  

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