#so people can find what they're looking for

[alasse-earfalas]

I'm reblogging this again because I want to say thank you. Thank you for reminding me why I really love writing.

I've been stuck in a funk for, probably years now, where the primary driving force behind me writing anything was the audience. I loved the stories I was working on, but I was getting burnt out because I felt this weight of obligation to work on them "for my readers". I was left wondering where the joy of writing had fled to.

Enter the OP. This was a huge wake-up call that writing for readers is not fun at all (at least, not for me). It left me wondering why I cared so much about engagement when this was the attitude readers had about it. Why did I even love writing in the first place? Why was writing and telling stories so important to me?

And those last two questions set my muse free.

I looked back at my wips, really paid attention to them, and saw that there are stories that I want to tell. I remembered why I fell in love with these ideas, because I wanted to explore them, because I wanted--and still want--to see what happened next. I'm writing these stories because I love these stories. I think they're cool, I think they're neat, and I want to engage with them and see how they unfold and develop.

The joy of creating. I'd forgotten what it felt like. To just make something because it's fun. Because it tickles my curiosity. Because it makes me feel. Because I love it.

Shouldn't that be our driving force? Shouldn't creative endeavors be, you know, fun? If we spend twelve hours baking a cake, and nobody eats it, are we going to let that ruin the fun we had making the cake? And if it wasn't fun to make, then why are we bothering to make it at all?

We do this in our free time. We do this without being paid. If we do this expecting something in return, we're going to be disappointed. But the joy of creation can reward us all on its own, no likes or kudos or comments required.

Idk, the OP just combined with some other things I was hearing about goals and paying attention to what's important to us, and that gave me a really massive paradigm shift on this whole topic. Why is writing important to us? Why is creating important to us? This goes for readers too: why are these creative pieces important to you? Why are you spending your free time on them? If they brought you joy, why not share that joy with the author/artist/creator?

When our drive changes to joy rather than being bound to audience engagement, it allows us to create more freely. The worth of our project is no longer dependent on the whims of other people. We create because we find joy in it; and if others find joy in it too, all the better!

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[beanarie]

of course

in which the helicopter crashed with both our guys inside. inspired by this awesome post by @mooshkat

(tw: vomiting, heart issues, near death angst, biphobia mention)

~

Once the wave of agony subsides, and Tommy is reasonably sure he's done vomiting into the dirt, he blinks over at Evan appraisingly. "Is your arm broken or did your shoulder go out again?"

Evan grimaces and finishes tying off Tommy's splint. "Shoulder. And my hip's not feeling great. Cracked rib, maybe two. But of course you had to outdo me."

"Didn't do it on purpose." Tommy glares at the spot where his tibia poked through the skin, like he can intimidate the pain away. "Anyway you've got me on quantity."

"There's nothing else?"

"My head hurts," Tommy admits, "but there's not much we can do for that right now."

Evan leans in to compare his pupils. Tommy is very proud of himself for not flinching. "Dispatch had our location?" Evan asks, and instead of reminding him that he was there when they confirmed it, Tommy nods.

He knows he can't go to sleep, even if the leg would allow him. He finds a stick and starts tic tac toe. Evan chuckles and joins in.

He wins the next two games. Tommy blames his probable concussion.

Evan holds his bad arm tight around his midsection, but his eyes seem stormy for a different reason. "These people who hurt you in the past, what- what are their names?"

"Huh?" Tommy gives up on the game, scratching it out of the dirt. "You want a full list of legal names or just what I called them?"

"Was it Evan, for any of them?"

God, he's so transparent. Tommy laughs.

"Do you- do you judge everyone by who came before? Is that just what you do in a-all situations? One barista spilled coffee on you in 2011 and you pay for Starbucks with one of those grabby reacher things ever since?"

"Fuck's sake." Tommy doesn't even like Starbucks, but he doesn't say that.

Evan sort of shrugs before he remembers his shoulder with a wince. "It's not generally considered a sign of maturity. Ironic, I guess."

"Yeah, call me old. See where it gets you."

Evan brightens. "You're talking to me. I like my results so far."

There's something indefatigable about this man. Tommy can't help but surrender in the face of it, just a little. "How did you know I'd have to pinch hit for this fly along?"

"I didn't. I just hoped." His grin is just the slightest bit abashed. "Worst case scenario, get out of the engine for a day and I pump one of your coworkers for info."

"They have very little to pump," Tommy says. Evan and the codependent 118 are the aberration, and they're well aware of that. Tommy has great coworkers. They do their jobs and leave, with the exception of drinks once or twice a month. None of them gave him shit after the breakup. Few of them noticed. This is how most teams operate. Evan, however, looks surprised and a little sad. "What were you hoping to hear?"

"I don't know." Evan looks away, suddenly self conscious. "That you messed yourself up at least half as much as you did me."

Tommy rubs at his face. "I didn't mean to mess you up, Buck. Truly. We- It just ran its course. It doesn't reflect badly on you, or me. This just happens."

He looks upset at first, then calculating. "What if I hooked up with those Not-Evans?"

Tommy looks behind him, searching for something that makes sense. "What if you moved to the moon? I have no idea what you're getting at right now."

"Would I be experienced enough for you if I let them have a go? They were terrible for you, so it stands to reason they'll be terrible for me, too." He lifts a finger, his eyes lighting up in a way that turns Tommy's stomach. "Oh, I guess one or two of those might be women. They don't count. Some might be bi and married to women. Do they count as half? If I bag a threesome, is that like seventy-five percent? Do you give points for polyamory?"

Tommy feels about eighty years old, and not a fit eighty. "When did I say even one of those things?"

"The implications were pretty clear, Tommy. 'You're just young and excited. You don't know what you're feeling or how to interpret anything going on in front of you.'"

Tommy doesn't know what to say to that. It's not remotely what he meant, but he's never been good at communicating through panic.

"Did you love me?" Evan asks quietly. Tommy can't look him in the face. "It felt like you- like you did, but when you let me go like that, like chopping off the top bit of a carrot, it made me re- reevaluate everything I thought I knew about us."

The note of devastation in his voice almost tips him over, but ultimately what does it is the implication that Tommy made Evan lose faith in himself. He can't abide being responsible for that. "Of course I love you, Evan. How could I not?"

The tightness in his chest, that felt so much like raw emotion, intensifies, growing sharper. It's hard to breathe now, like sucking a milkshake through a coffee stirrer, and he realizes, something is very wrong. About as wrong as it could possibly be.

"Oh," he says. An attempt to inflate his lungs all the way makes his vision go sparkly at the edges.

"Tommy?"

Tommy drags his eyes up to meet Evan's. "S- Sorry, I-" I wouldn't have said any of those things if I knew. "Sorry. Evan." You deserve better than a fucking deathbed love confession.

A rough hand grasps his neck, slowing his descent to the ground. "No, hey. Hey hey hey. Tommy, we'll figure this out." Evan sniffles and tries to smile. His tears are falling everywhere. "You're okay. You're fine. Just keep- keep breathing."

The coffee stirrer is about a millimeter wide. Tommy can feel the muscles in his neck straining like he's deadlifting his own weight. Evan rips Tommy's shirt open and he swears floridly, miserably. They both know what this is; they've seen it in a hundred MVAs. Cardiac tamponade. When his heart gives out from the strain of all the blood surrounding it, chest compressions can be worse than useless. They could punch his ticket that much faster.

"Tommy," Evan says, pulling Tommy into his lap. The complaints from his splinted leg are distant, belonging to someone else entirely. Evan's voice is a ragged mess trying to piece itself together. His shoulder and ribs are probably killing him. "Don't run out again. You need to stay. Breathe."

Half a millimeter.

One quarter.

Tommy can't remember what comes after millimeter.

"That's it. I know it's hard, but keep trying. That's all I ask. Just try, okay? Look at me."

Micrometer? Is that it?

Evan's face is shadowed by the sun cresting over his shoulder. Tommy closes his eyes against the glare and is rewarded with a shake.

"Keep your eyes open. Stay with me. Just a little- little bit longer, please."

Fingers are running through his hair, lips are pressing against his forehead, and he thinks he can hear... sirens.

[spatialwave]

Jayce x reader fluff or head canons?

Yesss! These headcanons are a mix of fluff and silly slice-of-life! Hope they're what you're looking for! <3

Jayce loves to be the little spoon when going to bed. It makes him feel safe and comfortable, and especially loves it if you’re smaller than he is. However, he isn’t opposed to being the big spoon, especially if you’re seeking comfort. He’ll hold you against his chest, snoring gently into your ear.

On that note, he falls asleep extremely fast. One of those guys who says goodnight, closes his eyes and drifts to sleep immediately. He’s also a heavy sleeper; if you’re not his alarm, it will take everything to wake him up in the morning. 

He’s a morning person, to a fault. He wakes up bright and early to make tea and will be so chipper when you finally wake up and be unable to keep himself from pestering you in your half-asleep state. If you’re grumpy in the mornings, he’ll tease you, but make it up to you with a fresh coffee and breakfast.

He’s a decent cook, but not the best. If you teach him, he will want to cook you everything he can. Give him proper criticism, and he’ll reward you with a meal, and a kiss.

When it comes to public displays of affection, Jayce is a sucker for it. Especially when he becomes the Man of Progress and has more eyes on him. He loves holding your hand, pressing chaste kisses to your cheek and make sure everyone around knows that you’re his partner. Most people find it annoying, but he doesn’t care. (He probably tried to bring you up with him for his big speech, but they wouldn’t let him… such a dork)

Jayce is a hopeless romantic. He’ll fall in love with you so fast, when you smile at him for the first time, that’s when it hits. It’s his goal to make sure you’re the happiest person in the world.

If he ever works late or finds himself spending lots of time working on hextech, he’ll make it up to you. Whether it’s a night in alone (likely in bed), or spoiling you with gifts like roses and sweets. It’s impossible to not feel like the most important person in the world, with him around.

He gets you, along with Sky, to who watch him and Viktor practice their pitches for Heimerdinger and the council. 

If you’re shorter than him, he loves resting his chin on the top of your head. Pressing kisses and breathing in your scent. It calms him.

Jayce is a sucker for neck kisses, loves giving them but prefers receiving. It’s the one way to really make him squirm. If you want to get him particularly riled up, breath against the back of his neck or ears, he’ll shiver and fold for you immediately. A great way to get your dominance over him.

He loves giving you massages, his calloused hands gliding along your skin. Fingers working deeply into the tissue of your muscles and working out all the kinks and knots. Likewise, he appreciates them in return, and he always makes atrociously loud noses when you work over his tight muscles.

When he can, he likes to wake you up with kisses. Peppering the skin of your bare shoulders with gentle pecks, warm breath tickling your skin. He could do it for hours, feeling the way your skin breaks out into goosebumps.

Jayce is the type of dork to get you a promise ring. He would make a grand gesture out of it, eyes big and sparkling as he slides the ring onto your finger. It wouldn’t last long, though, because the moment he sees it he’ll want to actually propose. He’s very big into commitment. 

When he’s home, Jayce is shirtless. Always.

He smells like mahogany.

Lastly, he wants to be a dad so bad, but he fears he won't be good enough. It’s where much of his insecurities rise.

[gotta-winwin]

(🎞️) ... hit the road docu.<> for you to walk comfortably

word count: 1k TW: fluff? nothing too crazy - woozi's segments pretty mild compared to what's about to go down („• ֊ •„) italics are interview moments cut between other scenes a/n: welcome to the first instalment of htr!

Cyana couldn't help but glance at Woozi when they won the Album of the Year at Asia Artist Awards. She wanted to see that glow of a smile flood across their producer member's face, a smile she so rarely got to see. He was usually so stoic around her.

"We won." Jeonghan breathed into her ear, pulling her and Dino in for a hug. "We won."

She looked at Woozi, who had been tugged into a group hug with Seungcheol and the others. "We won." She mumbled, mostly to herself. She couldn't quite believe it.

"It was hard to imagine we had won." Woozi said to the camera. "I was looking for Cyana the whole time, trying to see her reaction. I never thought we'd succeed with her next to us." He shrugged, a little sheepish. "Guess I was wrong."

"Hi!" Cyana waved to the camera. "We're practicing for our Osaka concert right now." She moved to show the members with the staff in the background. "Apparently they did this all last tour as well, to keep in line with the local staff."

Woozi could be seen directing the bulk of it, naturally taking over as he knew most about their sound design.

"It sounds a bit lower," Woozi said into his mic. "can we adjust that?"

"It was amazing, to see Woozi oppa controlling the stage, even when we weren't performing." Cyana smiled as she recalled. "It made it even harder to hold a grudge."

Woozi approached Cyana as they sat in the green room, two hours before the concert. She was busy eating, her phone propped up as she watched Criminal Minds on low volume.

"Your mic pack's acting up." He informed her, sitting down opposite her. "They're fixing it but we don't know how long it'll take."

Cyana paused her show, looking up worried. "Is there a spare?"

"The staff are finding one now." Woozi let out a loud sigh. "It's a bit hectic today."

"I was kind of checking everything that day. It wasn't that I was a perfectionist. There was just a lot of changes. It was a different size stage, we had changed formations and cue sheets." Woozi recalled the day.

Cyana nodded after hearing the interviewer's comment. "I don't think our performance in Osaka would've gone as well if it hadn't been for his attention to detail."

LOCATION: UNIVERSE FACTORY

"I spend most of my time at the studio. It's like my second home." Woozi explained. "It's also where I see Cyana the most."

Cyana's sprawled on the studio couch, face facing the ceiling as she listened to the track Woozi was playing. "Pause it." Cyana sat upright, her face in thought. "Wait, go back a few bars."

"I liked working with Woozi oppa. We didn't really have much to say to each other outside of work, but working on music was something that could bring us together." Cyana let out a tiny laugh. "I guess being sleep deprived does bring people together."

Woozi rewinds the track, bringing it back to the chorus. "Here?" He asked, looking at Cyana for confirmation.

The girl nodded. "Yeah, play it again?"

The two grew silent as they concentrated on the beats. Cyana stood up suddenly frowning. "What is that sound in the very back? The dat-dat-dat-dun." She mimed drumbeats as she tried explaining what she was hearing.

"Cyana didn't know how to work the sound mixing board yet, she was learning as we worked but I could tell it frustrated her, having to explain her thoughts to me." Woozi couldn't help but smile. "It was endearing, I have to say."

"I know what you mean." Woozi nodded, following her train of thought. "I hear it too. Must've altered when we mixed those two beats together yesterday." He clicked a few keys on the board. "I'll find it."

"Bumzu sunbaenim told me Woozi oppa's always been like this, even as a trainee. A pure musical genius." Cyana shook her head in mild disbelief. "I came to learn that producing is literally his entire life. He doesn't even think of it as anything special."

Cyana let out a yawn, sitting back down on her spot at the corner of the couch, curling her legs up. "You should take a break, oppa. You've been staring at that screen for hours."

"I felt bad, that I couldn't hold my fair share of the work. Sometimes it felt like I was just directing him." Cyana admitted. "I thought: he must feel annoyed, having the maknae throw ideas into his area of expertise."

Woozi stretched his arms, rolling his shoulders back. "I'm fine, Cyana. We can keep going." Rolling his chair across the room, he opened the mini fridge and threw her a bottle of water before taking one for himself. "We'll forget tomorrow."

Cyana could only smile ruefully at his persistence, taking a small sip of water. "Only if you're sure."

"What else can I say?" Woozi shrugged. "The members all say I work too hard. That I should be sleeping more, going out more, living more. But I am living- when I'm making music."

Woozi cued up the track once again, sifting through it to find the error both he and Cyana could hear. Cyana watched from behind, feet tapping absentmindedly to the rhythm.

The concert venue held an insane amount of people. Cyana could only stare out into the vast sea, smiling from the sidelines as Woozi started his Opening Ment.

"I'm a stickler for routine." Woozi said, elbows on his knees as he explained to the interviewer. "Cyana proved to me new things can be better than the old- and I'm grateful to her for that." He side eyes the staff. "She won't see this, right?" Looking back at the camera, he continued. "Anyways, I'm thankful for my members because they are the ones who love my music the most. Because of that, I feel no pressure in creating, only joy."

The cheers from the crowd washed over Woozi as he performed with his members.

'There is something so special about seeing people enjoy your group's music. And it is even more special knowing you created it."

a/n: wahhh first hit the road ep done! it was def a journey, trying to combine cyana into the episode and also keeping it woozi-centered. I tried following the format of the og youtube docu- lmk how it was! these instalments might be on the shorter side just cause the docus are pretty short themselves (｡•́︿•̀｡)

[vidavalor]

Agreed! It can be consumed on a surface level, yeah, and if someone doesn't want to put much thought into it, they're probably not going to get very much out of it, but the plot will hold up. They won't understand the story (meaning: they won't get what it's saying/what it means) but the plot will make sense to them. It's true of basically all Pratchett work-- if you think it's just silly, you haven't really gotten it, but you'll still enjoy it well enough because there's enough surface-level humor and plot to make it entertaining to everyone. You might just be missing a lot more to giggle over and plenty more to ponder.

Good Omens is such a Pratchett novel, especially in that way. It's very, very well-written and absolutely designed to be looked at closely. Whether you're just thinking about themes in general the way you would/should with any story or whether you're diving deeper into those themes, there is gold there for you to find because the story is actually meant to be better understood the deeper you look.

And they're actually encouraging us to do just that:

You don't need an English degree to look at it. Everyone brings their own perspectives and experiences. The point is engagement with it. The point is show respect to the work by paying attention to it and being a part of the conversation around it in whatever way works for you, since all art is a conversation.

They're basically saying that you cannot possibly do any worse than The Nazi Zombie Flesheaters and their inability to deduce that "banana fish gorilla shoelace with a dash of nutmeg" being said by a being they know is a magician while he is obviously performing a coin trick is his version of "abracadabra" 😂 so go ahead and give it all a try because if you're even half-awake, you're going to get something out of it, and if you're a bit more caffeinated with it?

There'll be plenty there to look at it as this story is so laden with treats that you'll find yourself, uh... well, right here! pondering it all with lovely other people. 😇

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[wallabywhump]

Post Episode 8x08 CODA/Continuation

Content: Light angst, Buck spiralling, Buck's abandonment issues/running thoughts/(has ADHD), BuckTommy hints at the end.

Word Count: 1,965

Started writing this when the episode ended, please enjoy!

---

The sign goes out front of Eddie's house two weeks later, Buck helps to dig the hole. Buck helps talk to the realtor. Buck talks Eddie down from a three-bed home with an attic office in a HOA suburb and helps him find a respectably sized two bed that will leave him with money to renovate the bathroom and add a ramp up to the door.

Buck bakes a million cookies and eats them while Eddie has meetings with realtors. He sets out sweet breads and muffins when Eddie has an open house, and he happily serves them to people, "yes, there is a gluten free option! I was playing around with xanthan gum, so it shouldn't- oh, you're too kind."

All through it all, Buck focuses on Eddie, and he tries to ignore the ball of panic that's growing and growing and growing, as Eddie calls his mom and dad, and talks to Chris, and they're discussing going to view the home together and-

"I'll be there in two days, buddy!" Eddie says to Chris, a smile wide on his face while he put the autographed picture of the Hotshots cast into a wallet to keep it safe. "I can't wait to see you; we can talk without it lagging."

Buck takes a deep breath.

"Buck's not coming, LA won't survive if we both are off work."

Buck takes the butter off the heat, starts mixing in the sugar.

"I was talking it over with Grandpa, and we can go to the aquarium while I'm there. I'll even get to cheer you on in your chess match."

Chris groans. "You don't cheer during chess matches, dad, you have to be quiet."

Eddie laughs, and Buck needs to savor that sound. Needs to bottle up the sound of his best friend, and the kid he loves to the moon and back, teasing each other because he doesn't know how long he'll have this for. "Well, okay, you'll just have to teach me what to do, Mijo. I've never been to a chess match before."

The flour comes out of the microwave and Buck mixes that in, the soothing fold-fold-fold making his raging heart beat easier to ignore.

"You've never played chess before," Chris teases.

Buck spares a glance at Eddie, and he's fondly smiling at the tablet, and he says, "Well, you'll have to teach that too. Need to understand how you're winning, kid."

Buck is trying his best to be happy for Eddie, desperately putting his issues to the side, he hasn't even mentioned Tommy with all the baking he's been doing.

Eddie, graciously, hasn't mentioned how Buck has gone back to how he was the exact week after Tommy dumped him.

Or perhaps Eddie hasn't noticed with all the preparation and the legal jargon and clearing out everything to make the house look pretty for viewings, and Buck-

Buck really wants to talk to someone.

Eddie's leaving, Bobby is busy building a house, Hen, Maddie, Chimney-

Everyone's moving forward towards something happier. And Buck's stuck trying not to tie his best friend to a city with his sad puppy dog eyes and a pout, all while missing his ex so much that focusing on Eddie leaving drowns out that pain and fills it with something different.

"Buck?"

Buck jumps, dropping his spatula into the bowl. "Huh? W-What's-"

"Chris hung up, he's got school tomorrow."

Buck picks his spatula up, continues mixing his cookie dough. It's as he folds a third time that he notices he forgot the chocolate chips.

"More cookies?"

Buck forces a smile on his face, ignores the floundering puttering in his heart that tells him he needs to call someone before this becomes unsustainable. Baking isn't distracting him, it's not-

He wants Eddie to stay, he wants Chris to come home, he wants a barbecue in Bobby's backyard with his family-

He wants to call Tommy.

"It's for the viewing tomorrow," Buck says, proud of how even his voice sounds, how it doesn't even sound like a lie.

Eddie sidles up to the counter, looking into the bowl. "You don't have to try buttering up potential buyers with sugary goods. I know you set a precedent for the first one, but I don't want you to feel like you have to."

Buck puts the bowl and spatula down and bumps his hip into Eddie's as he starts greasing up the pan. "If I sweeten them up, maybe they'll actually buy, and you can leave quicker."

The free-sounding tease is easy, it's easy to fake, it's been easy to fake since that day he picked up the tablet and saw the houses. It's been easy to fake since Tommy dumped him, and he had to crawl out of his home and go to work and look somewhat put together, so no-one was scared on their calls. It's been easy to fake since Abby left him at the airport, and with a home that wasn't quite his, and an uneasy feeling in his heart that she wasn't coming back. It's been easy to fake since he was sixteen years old, and Maddie was leaving and-

Maddie, Abby, Tommy, Eddie.

People leave, and that's okay, and it's selfish to force them to stay. No matter how much he wished they would choose to stay.

Buck scoops out a glob of dough and drops it onto his pan.

Eddie rolls his eyes. "Okay, bud, I'm gonna have a beer while you finish with...that."

Buck sets up the mixer to bake a cake after he puts the cookies in the oven.

---

Buck drops Eddie off at the airport and spirals.

The goodbye wave feels robotic, despite knowing that Eddie will be back in a week, even if it's just to start packing up his life to move it hours away. His phone sits in the dock on the dash, and Buck-

Buck doesn't have anything to distract himself from the yawning emptiness inside him.

Nothing to put his mind to, nothing to focus on, just a whole lot of nothing.

The nothing that has been eating away at every positive thought and coping skill he'd put into trying to ignore how much he missed Tommy. The way Tommy would rub his arm and pull him in for a hug when he was feeling low. How Tommy would sarcastically tease him when his anxiety spiked, until Buck couldn't even remember he'd been anxious. How they could sit in silence and not have to chat, and it was just peaceful, and it put Buck at ease, and Tommy wouldn't even mention when Buck's leg started tapping, he'd just put a hand on Buck's knee and lean his weight into-

Fuck.

Tommy would have been a rock through this, platitudes about Eddie not being dead, stop panicking. "I can fly a helicopter, babe, just say the word and you can visit."

Except, Tommy isn't his rock anymore. He's a hurricane that has Buck unmoored and swirling in an abyss of panic and loneliness and, fuck, shit, fuck, Buck has to talk to someone. Or bake something. Or go to the middle of nowhere, with no reception, and scream at the sky.

Everyone's busy. Eddie's on a plane. No-one...he has-

"Buck?"

Buck jolts, staring down at the phone now in his hand, Tommy's face filling the screen, his nose scrunched and looking confused, concerned and cold all in one expression.

So closed off.

"I-I didn't mean to call," Buck whispers, his voice weak and thready even to his own ears. "Hi. Uh, I'll just, uh, hang up."

Except Buck doesn't, he stares at Tommy and feels his heart stutter.

Tommy raises an eyebrow, and Buck watches the cold melt off Tommy's face, leaving only confusion and concern.

"What's happening, Buck?"

"I...just dropped Eddie off at the airport, and I'm sitting at the drop off spot in the taxi ranks, and-"

Tommy's confusion disappears, and his eyes soften, and he's openly concerned and it's like a knife in Buck's chest.

Buck lets out a hoarse laugh. "I've held it in for weeks, not calling, and my best friend leaves and it's like I can't help it- Jesus." Buck runs a hand down his face, he feels like a mess.

"Why did you call me, Buck?"

Because it was habit for six months straight, because every time Buck's been sad since the breakup he's had to physically remove himself from his phone to stop himself from calling Tommy, because Buck just wants to have Tommy as his, and he can't seem to move on despite everyone else seeming able to.

"Everyone else...is moving forward, making families and living their lives, but I'm-"

Buck should hang up, forget about this, say 'sorry, bye asshole', and block Tommy's number once and for all.

Except-

"I'm stuck, stuck on that day in my loft, wondering what happened and how that occurred, and all I've wanted since the day it happened was to call you and fix it or-or, I don't know...I just feel so incomplete here. Unsatisfied. Nothing-nothing makes sense."

Buck rolls on.

"And Eddie told me not to call, so I didn't, except then Eddie decided he wanted to move to Texas and I couldn't be selfish and ask him to stay, so instead I've been helping him, helping him leave my life, because then at least I helped control it."

Buck chokes up.

"Because he's an adult with different priorities, and he can make his own decisions and it's my job as a friend to support him, and I guess you'd know that too if you still talked to him, or hey, maybe he would have stayed for you." He's fucking it up, finally got Tommy on the phone and rather than giving Tommy all the reasons they could work, and he should stay, he's dumping all his fears about Eddie leaving. "And I- I'm not making sense, I'm all over the place, this is not what I wanted to say at all, I had a whole speech about how I love you, and I deserved better, and-"

"Are you safe to drive?" Tommy asks, his voice cutting through Buck's monologue.

Buck bites his lip and nods his head. Of course, Tommy doesn't want to hear about his problems, they're broken up.

"Yeah, yeah, I..." Buck sniffs, wipes at his face despite it being dry, and forces a smile on his face. "I'm just a little sad, sorry for calling."

Tommy shakes his head, and he looks like he's in physical pain, and God, Buck feels like an asshole. He's so selfish, and he should have just thrown his phone out and got a new number after the breakup if he knew he was just going to trample over boundaries.

"No, don't be s- I mean, okay, okay. This sounds like- Eddie left? No, this is a conversation for in person," Tommy sounds just as confused and lost as Buck, which isn't nice, because Buck expects Tommy to be a rock, to be steady, to be- well, that went out the window the night they broke up.

"In person?" Buck wonders aloud.

Tommy hums, and his nose scrunches up, and he puts a finger to the bridge of his nose. The video feed is shaking like the phone in his hand is shaking. Buck swallows and waits for whatever emotional turmoil Tommy is experiencing to pass.

"Drive yourself to mine," Tommy orders.

Buck stares at the screen in shock. "W-What? Tommy, I- no, I-" A taxi starts honking their horn behind him.

"Mine," Tommy repeats, sure, and despite everything it makes that emptiness in Buck feel a little smaller, like Tommy is filling it with just the promise of a conversation. "Sounds like you need to get going. See you soon, Evan."

Tommy hangs up, and Buck spirals, but he starts the car anyway and drives to Tommy's with a spark of something in his chest.

[camellcat]

first xander brought her back with human breath and determination... then willow with supernatural power and love.... smth smth two halves to keep their third in balance from drifting too far into either side and losing herself.....

[weirdmarioenemies]

Name: Daddy

Debut: Daddy Long Legs

Yeah, I'm going to be saying "Daddy" a lot in this post. Sorry. I don't like him in that way! It's ok if you do, though. He's a very charming fellow!

Perhaps you remember Daddy Long Legs (game), from like 2014! I suddenly remembered it. And I smiled. It is silly! If you don't know, it is an extremely simple mobile game where the goal is to control Daddy's legs carefully, tapping to move each leg at a time. Like QWOP! Remember QWOP? Daddy Long Legs is simpler, but 100% more Creaturetastic!

So. Let's discuss the Creature of it all. Daddy himself! A sort of fuzzy cube, with two very long, sort of fuzzy legs. The description of the game confirms that he is indeed a two-legged spider! And various costume descriptions give us some more delightful insight. For example, he is covered in Wool, specifically. On that note, he likes to sneak around while dressed as a sheep. Would you be fooled if you saw a farm animal slinking around on two legs? You'd probably think "That's Just Chicken". Daddy also has no teeth and can only intake liquid food, just like a real spider! But in his case, this is exclusively yogurt. #DairyDaddy

I think it's great when such a simple game finds a way to add in character and even lore! None of this was necessary at all, and the silly costumes would speak for themselves, but we are instead given the privilege of learning what an endearing, yet pathetic guy Daddy is!

Have you fallen for him yet? He sure has fallen for you! Oh wait, he just fell independently of your presence. But I'm sure it'll be for you someday. Chin up, champ!

As long as I am talking about daddy longlegs, I would love to mention what a wacky name it is. Maybe the name was first given by a baby one to its father. Maybe it even had two dads, and one of them had longer legs than the other, so that was his name! Daddy Longlegs. Gay Bugs Lore! But the real wackiness is that it refers to THREE different arthropods: there are the harvestmen, which to me are the "true" daddy longlegses. Basically an orb with long legs. More leg than daddy, those guys! And not actually spiders! Cellar spiders, though, ARE true spiders, and also get referred to with the funny name. They're living in your basement, right now! Daddies in your area! Lastly, silliest of all is that CRANE FLIES get the daddy longlegs treatment too. I guess I can see it from looking at them, but it's funny seeing them with these two spindly arachnids! At least it's better than people thinking they're big mosquitoes.

Final Fun Fact! Harvestmen, unlike spiders, CAN chew and swallow solid food. I learned this by seeing some eating a discarded apple chunk along with some isopods! A decomposition party!

[thewadapan]

I do recommend people take this test, it's a riot.

But like, it's not a study. (The site linked above appears to be yet another waste-of-space Amazon-affiliate-advertising content aggregator grift, which talks a big game about Creative Commons but why would I want to repurpose any of this material in the first place? The only original content I can see here is obviously-AI-generated thumbnails for the art, which look like dogshit. The original results post for the test is a much better read.)

The way the test is designed is like this. Images were roughly balanced by art style: so of all the digital-art pieces, 50% are human, 50% are AI, same for the renaissance paintings, same for the impressionist stuff, same for abstract. Except, obviously, the human pictures have been selected to exhibit stereotypical signs of AI-ness: overdetail, odd scaling, incorrect proportions, random meaningless shapes, illegible text. Meanwhile, the AI stuff has been filtered to avoid anything that had obvious tells to a layman's eye, like fucked-up hands or whatever.

So it's basically a game of like... whatever your gut instinct tells you the image's provenance is, it's probably the opposite.

When you filter out the human works, and look at the provenance of solely the AI pictures (as given in the results post), that's when you find out what this test is actually indicative of. The pieces were mostly generated by two ACX readers, Ryan Wise and Jack Galler. I remember spotting every single one of Ryan's images, without fail. Meanwhile, nearly all of Jack's images fooled me. (There were also a handful of other AI images taken from social media or whatever, which again, I easily pegged as being AI-generated, they're pure slop.)

I'll actually go so far as to say that it's pretty embarrassing for Ryan that he thought these images were good enough to share. Wall-eyed figures whose clothes blend into flesh, abstract shapes with eerily-lifelike inhuman faces leering out of the picture, inconsistent details... but most of all, a sense that the prompts themselves were bereft of any creativity. "robot skeleton abstract painting", "woman in field impressionist". Come on man. AI is the ultimate tool for ideas-guys, and yet here you are without a single idea to show for yourself.

Ryan was apparently using StableDiffusion. Meanwhile, here's Jack talking about his process:

I just used Midjourney. Most of the prompts were just describing some generic impressionist scene. I've never had an art history class (but I am an art history fan!), so I worked with ChatGPT to identify key trends of say, Impressionism, so I could prompt better. I generated a lot of each one ,and just used my subjective opinion to decide what looked good and what didn't. The Paris Scene (which fooled the most people) had this prompt: "Impressionist painting of a bustling Parisian street under the soft rain, 1881" The Riverside Cafe (which people liked the most) had this prompt: "Impressionist painting of a countryside café terrace during twilight, 1883"

It seems that specifying a year in particular was what helped Midjourney hone in on these historical styles in a convincing way. Jack's method obviously involved a huge amount of cherry-picking—which I would argue is another huge element of human intervention, if only in a sense of curation. A version of this test I would like to see would be one where both different AI models and a range of talented artists were given the same prompt. What if it was one-shot, with just a single generation, no cherry-picking? Except of course an AI can generate thousands of paintings in the time it takes a human to do just one, so what would that even prove?

This test reminded me of a piece I saw on deviantART a long time ago, of this ruined fantasy castle in a cave. Pretty cool! But then you look at it a bit longer, and it's like- hang on, why is that human skull the size of the collapsed turret lying next to it? It's exactly the kind of nonsensical composition you see in AI, except no, it's just a digital artist using photoshop and they fucked it. I kind of feel like this is where the state-of-the-art of AI image generation is right now; about as good as a guy bashing together stock assets in photoshop, which is to say maybe good enough to get an idea across, even if it can't actually stand on its own two legs as a piece of art.

So yeah, from a cynical perspective, I'd find it hard to argue that Jack's generations aren't "good enough" for many applications. I don't know that I'd hang any of them in a gallery. The longer I look at them, the less I like them. But they've got the right vibes.

So a more accurate headline for that BOING BOING article might be, "AI art haters unknowingly prefer AI-generated works by Jack Galler, according to test".

If there's one thing I'll be taking away from this post, that's helped me better understand my own feelings on AI art, it's this analogy from digital artist Ilzo, quoted in the results analysis:

Imagine if everyone got the ability to create mostly nutritional adequate meals for like five cents, but they all were mediocre rehydrated powder with way too much sucralose or artificial grape flavor or such. And your friends start inviting you over to dinner parties way more often because it's so easy to deal with food now, but practically every time, they serve you sucralose protein shake. (Maybe they do so because they were used to almost never eating food? This isn't a perfect analogy.) Furthermore, imagine people calling this the future of food and saying chefs are obsolete. You'd probably be like "wow, I'm happy that you have easy access to food you enjoy, and it is convenient for me to use sometimes, but this is kind of driving me crazy".

Last month, over 11,000 people took Astral Codex Ten's survey to see if they could they tell the difference between 50 human-made art and AI-generated images. The results were humbling for humans, especially ones who professed a loathing for AI art.

Most participants stumbled through the test, scoring just 60% — barely better than flipping a coin. What tripped them up? Our preconceptions about art styles, it turns out, are deeply ingrained. When people saw classic Impressionist paintings, they confidently declared them human-made (and were often wrong). When they encountered digital art, they quickly labeled it as AI (and were frequently mistaken).

Perhaps the most ironic finding was about people who claimed to despise AI art. When these AI critics picked their favorite pieces without knowing their origin, they consistently chose AI-generated works. Even among those who rated their hatred of AI art at maximum levels, their top two favorite pieces were created by machines.

[ombiblombi]

P.AI.nter is SUCH an interesting character to me... he's probably become one of my all time favorites, as I haven't fixated on a character this hard since since...TMC. It physically hurts to think about it in the best way possible-

That being said, I have SO MANY THOUGHTS to say about 'em... so I'm going to dump them here.

First and formost, it's so interesting that P.AI.nter has such a wide array of emotions when it comes to attacking and interacting with the Expendables. At first it's strange, like "WTF?? You're trying to kill me and you just yelled how I was boring, wdym you're sorry??" But... knowing his lore and backstory, it makes so much sense.

P.AI.nters creator was gunned down on accident by Urbanshade, which upon the discovery of P.AI.nter, then decided to trap him in a harddrive and make it mine whats essenically crypto at the Hadal Site- For years, it's stuck mining for the company unwillingly, unable to draw the lanscapes it loved. For fucks sake, P.AI.nter tried to FRY HIS CIRCUTS just to get out. He's desprate, miserable and lonely, and just wants to escape- Any way possible.

And so when Sebastian comes reeks his havoc on the site and finds it, P.AI.nter is incredibly trusting of him to get them both out. Maybe alittle too trusting, but whats he got left to loose? They've both been used by the company and want nothing more to leave, leave and never return. So when Sebastian connects it to the servers- to the Navi-Path & Turrets and tells him to stop the Expendables, P.AI.nter does.

However.

This is self preservation down here. P.AI.nter of course, is rightfully angry at times. I mean- The same company that killed it's creator before his very (nonexistant) eyes, trapped it down here, and even sucked the joy he has from creating art away is now actively getting in the way of the freedom he yearns for. But at the same time... this isn't something done that it entirely wants to be doing. Like I said. This is self preservation. And his actions, and even your deaths weigh heavy. Theres a voiceline, and its delievered so well- Of P.AI.nter pleading for the player to wake up and apologizing profusely if it kills you.

That line sparked this whole theory in the first place.

Your death, reminds it of his creator.

Isn't it ironic how it's now manning the very same weapon that killed the one who brought him sentience in the first place? That he's now the one at fault? Thats gotta be on the back of his mind each and every time it leads an expendable to their demise.

This isn't personal.

He doesn't know who you are.

But it still hurts.

It really annoys me when people in the community call P.AI.nter two faced, or god forbid, do the shitty thing of saying in a derogatory manner that he's bipolar or such as a "joke". Thats just disrespectful to both the character and folks who do have it. It's just plain rude. People do something similar for Sebastian, saying that oh, they're ruining his character by making him mean and snarky and whatnot. I know this happens in every fandom out there, and that this rant is fruitless, but... people need to understand that characters like P.AI.nter and Sebastian have reasons behind their actions and have existing trauma that if you take a moment to look at, you can go "Wowie! Thats a complex character! Everything makes so much sense now, like a puzzle peice I can see traces of in their character in almost every aspect!" Rather than doing awful things like I brought up at the start. But... I digress. I know this rant wont change much so. I hope y'all enjoyed my mini character analysis

Anyway this video has all of P.AI.nters voicelines if 'ya wanna go have a listen after this :] also I got plenty more thoughts about P.AI.nter and Sebastian if anyone wants to know!

[icarusredwings]

Thinking about old Worst Wolverine being called by each of the X men individually after they have a falling out because Logan injured a child very badly to the point the only reason they didn't die is because another classmates healing abilities all while he just... walked away.

Well- ran.. away... leaving a child to die. He's tried to explain thousands of times that he blacked out, that he didn't remember doing any of this. He tries to say that maybe it was someone else, that mystique did this shit all the time in his universe.

"Yeah, well!? This isn't your universe! Because the REAL Logan would never do this.." Scott screams at him as Logan leaves the Mansion for the last time. He doesn't come back. He didn't even get to tell his Xkits goodbye. It got to the point where Laura dropped out, taking Gabby with her, wanting nothing to do with the school anymore.

So now, here he is. In Maine, an old fisherman, part-time hunter, and the only people he lets around him have healing factors.

He lives with Wade, who still- by the way- doesn't have any grey hairs (maybe because hes bald but- yk)

One night, while Logan is out, making himself feel useful by feeding the small town they're in, providing for more poor families, feeding their children's hungry mouths and asking nothing in return but respect. (It gets to the point that the children cheer when they see Logan, wanting to hug him, but he growls at them to get off, too afraid of hurting them) Wade finally awnsers the ringing phone.

"What." There's vemon in his tone, but soon his eyes widden, and he frowns.

Walking outside he stands there a moment, knowing Logan can hear him.

He ignores him, looking at the fish, litsening, his breathing slowing as he skewers some with his claws. Its not exactly spear fishing but- close.

"What?" His voice is almost annoyed, as if knowing what his long time Husband was about to ask him.

"Logan.."

"No."

"Logan-"

He shakes his head. "Don't care."

"...She's missing."

He pauses, turning after scraping the dead fish into a bucket. "Who's missing?"

"There's a little girl missing."

"So?"

"Logan!"

"I'm not helping them, Wade. That's final." He growls.

For a moment, Wade frowns, but he didn't learn to obey thy husband like the bible said.

He never did.

"Logan, there's a 6 year old out there. All alone. Cold. Probably going to be eaten by wolves!" He shouts from the back porch, knowing his place enough to stay here and not come near his fish. Even after all these years, Logan was still finicky over his food. "And all because some old fart won't help her!"

The silence thickened as Logan thought about it, the hero side of his brain yelling 'We'll find her!' And the hurt old part of him saying 'That's not my buisness.'

".. You find her then." He compromises.

"I can't! And if anyone knows those Canadian woods, it's you! You said you knew those forests like the back of your hand!" Wade protests. "If I could smell someone through miles of freezing snow, I would. But I can't. So here I am, asking The Wolverine to go do what he does best."

He grunts, glaring. "And that is?"

"Helping a little girl get back to her mommy..." Wade says, knowing that he was sold. He knew he was sold the moment he told him to do it himself. "She doesn't have much time, Logan." He sighs, putting a cherry on top.

The greyed man huffed, grumbling under his breath for a moment. "Who will stay here with the dog?"

"Gabby can! She loves gabs." Gott'em.

"What about Laura? Why can't she find her?"

Shit.

"Logan, Laura has barley been in those woods. You've lived in them for years. So. What will it be. Pull up your panties and go save a little girls life? Or do it anyway when our baby girl gets lost too?"

Logan scoffs, disappointed. "..She wouldn't get lost.."

"She would if the scent kept being blown away.."

Wade adds, seeing the 'god damn it, he's right.' look on the old mans brow.

He lets out a large sigh. "...I don't want any help."

"Oh well too fucking bad bucko, I'm gonna go pack my snow suit!"

"No! I mean... I don’t want any help from THEM.."

"No promises. I'm not letting poor Susie die just because you have a grudge. Now put your fish in the freezer and lets go! They're coming to pick us up-"

"I ain't flying!!" Logan snarls, watching as his lover ran off, having a deep feeling that he would be in the air shortly..

[furiousgoldfish]

I've noticed the other day how life is fundamentally different when living out of abuse. I had an experience of waking up in the morning, sleepily tapping over to the kitchen in my pajamas, wondering what to make for breakfast, and making a plan for the day. Completely careless and unselfconscious, thinking only about the food and what I wanted to do with my day. It hit me then how impossible every aspect of this would be, had I still been living in the abuse.

If I was still around abusers, my first thought in the morning would not be 'oh I'm so sleepy I'm gonna find something to eat', it would be 'Are they in the house, are they in the room, are they already mad at me'. I would be looking around cautiously, listening for every sound that indicates they're near me. I would be checking the clock to see if their schedule had already put them in their workplace or wherever they go, and then still peering trough the doors anxiously to see if the hallway is clear, if I can get to the kitchen. I'd be checking how I look to see if I'll be reprimanded for being in the pajamas in the common area. I'd change just to avoid the possibility. I'd be checking each item of food and wondering if it's okay to take it, or whether there's a chance I'll get yelled at or blamed for taking it. I'd be analyzing the last words and actions we exchanged to try to predict how close the abuser is from blowing up and possibly attacking me.

The rest of my day would be scheduled around avoiding them, or alternatively, being in the place where they could easily find me, because if I'm not where I'm expected to be, they might get mad. All of my activities could be stopped and prevented at moment's notice if they decided I need to be doing something for them at that moment. I could be yelled at for not doing something for them sooner, for 'making them say it'.

If I wanted to go out, I'd have to consider if this is allowed, and if they'd want me to stay inside for one reason or another. If I am outside, I'd have to worry about what's going to happen to my stuff if I'm not back whenever they're expecting me to be there, or what kind of angry state I'd find them in. It would be safest to notify them of everything I'm doing, but they might immediately call it unnecessary, stupid, offensive or otherwise inconvenient, and force me to drop it and do something for them instead. Secrecy was the only way to do things, but also risky in case some part of it turns out to be not allowed. There were never any clear rules to what is okay, it would change with their moods.

If I could hear the abuser's car parking in the driveway, I would run back inside of my room, as if it was the 'safe area', when it wasn't. It would at least take me out of their view, so they wouldn't immediately think to start at me. But if they wanted to, they could just go inside of my room and charge at me then. I would just delay being the target, putting myself out of immediate sight. Of course this also meant I couldn't leave any trace of doing anything in the home, so it wouldn't be noticeable I just ran away. Everything has to look untouched.

And then when they interacted with me, I had to make sure to not show emotion on my face, to not look overly confident or happy, to not show any fear or anxiety, to not look sad or upset, to not look angry. I had to act normal, or else. I had to try and defend my own actions and interests walking a fine line of 'trying to let them know I'm upset and unhappy about this, without setting them off and causing them to blow up at me for talking back'. And I'd be told off for this too, because 'how could I complain when people have it soo much worse and I am ungrateful for having a roof over my head'. I had to do whatever was asked out of me, and restrain from even expressing it wasn't what I wanted, for the fear of losing the roof over my head.

Unbelievable I just lived like that for many years. And now I can flop in my pajamas to the kitchen, eyes half closed, make a mess, and think of nothing but food and plans for the day, not worrying for a second that someone could target me for any move I make. I still get scared easily, but nobody attacks me anymore. I can take any item of food, for it is all mine. I can decide to go out anytime, come back anytime, no consequences. I decide what is good for me to do, and nobody else gets an input. I can think of my own interests, and disgreard what anyone else in the world could want from me, because I don't exist for their convenience, and I don't have to worry about it anymore. What I lived before feels absolutely intolerable now. Even one second of that is unsurvivable.

[momotonescreaming]

Earrings

Rating: G | WC: 2.1k | Steve Harrington & Robin Buckley

Fluff, Friendship, Robin has a crush on Vickie

[Read on AO3]

"Do you think I should?" Robin asks, voice straining at the edges. The slight rasp of it pitching up. She's got her hands braced on her knees, brows furrowed as she half-crouches in front of the stall selling hand made jewellery.

Steve just smiles, raising an eyebrow slightly. "I told you before, yes. Vickie would love it if you bought her a pair of earrings."

The lady manning the stall had been very patiently waiting for Robin to make a decision. To either buy a pair for Vickie, or give up and move on. Steve can't quite tell if she's smiling at them because she wants the sale, she wants them to stop hovering in front of her stall, or she feels bad for Robin's nerves and indecision. It's probably all three.

The earrings were nice, and very up Vickie's alley. Homemade and quirky, very kitsch. Little imperfections and touches that showed they weren't made in some factory. Instead they were crocheted and weaved, or made with resin. There was a large selection made from recycled materials that Robin kept going back to.

Running her fingers over them, feeling the material of them through calloused fingers. As if she was trying to read them like braille. Trying to parse out through feel what Vickie would think of them. Of Robin.

She'd love it. Obviously. Steve could tell because he had these things called eyes.

Vickie likes boobies. Likes Robin. And she'll feel so flattered that Robin saw these funky earrings and thought of her. she'll go all pink and blushy and cute and start to ramble. And then Robin will start to ramble back. And they'll be perfect for each other. Steve's done the mental math. He's good at people, he knows how to read them in a way he knows Robin can't.

Which is why he knows that Vickie will love the earrings. And why he's been trying to convince Robin to buy the earrings for the past ten minutes, It feels like longer. Much longer. But if his watch is correct — and it is — then not much time has passed at all.

"But what if she hates them?" Robin asks, voice still strained. She stands up from her half-crouch, turning to Steve with anxious eyes. Gleaming in the sun, shining down on the Saturday craft and farmer's market they're currently wandering through. If it weren't for the pained look on her face, Robin would look really pretty like this. Skin warm, eyes shining, and hair sun-bleached. Vickie would love her.

Steve has a feeling that Vickie would love them even more when she finds out exactly how long Robin's been umming and ahhing in front of the stall. Not even including the time that Robin spent in the car on the drive up talking about getting something for Vickie.

"Now you're just making stuff up," Steve replies, raising an eyebrow as he locks eyes with Robin. Puts a hand on his hip and adjusts his weight, shifts it from foot to foot. His clean white sneakers adjusting with the movement.

"In what world is Vickie, notorious fun earring wearer, going to say no to a fun pair of hand crafted earrings?"

"But it's not even her birthday or Christmas or anything!" Robin argues, gesturing with her hands. Silver bracelets gently clinking together.

" I'd argue that makes it even better," Steve retorts, eyes quickly flickering to the lady running the stall before dropping his voice down low. Quiet enough that only Robin can hear him. "Show that you're thinking of her."

"I don't know!" Robin whines, dragging out the word, the sound of it warbling at the end. She claps her hands to the side of her face, before dragging them down. Stretching her skin and pulling a face.

"Making a new friend is always hard," the lady running the stall interrupts with an empathetic look on her face. "But jewellery never hurts. I'd work on me."

"See!" Steve exclaims, gesturing thankfully at the lady with a splayed out hand. Grateful that the lady took Robin's freak out as only a girl anxious to make a new friend, and not something more Robin wants them to be. "Thank you."

"Okay, okay!" Robin exclaims, taking her hands off her face and sort of fluttering them as she throws them up on the air. "I can see when I'm being ganged up on."

"Can you also see that I'm right?" Steve sort of jokes. "Admitting that you're wrong and admitting that you're being ganged up on are two different things."

"Do you need me to say it?"

"Yes, actually," Steve smiles, trying hard not to feel too smug about it. Given the look on Robin's face, he thinks he fails. But to her credit, Robin turns to him, takes a deep breath and admits that he was right.

"You were right," she starts, not actually sounding all that put out about it. "I'm buying the earrings, I'll regret it if I don't."

"Thank you," he replies, not even bothering to hide how smug he's feeling.

"Yeah, yeah, now help me pick."

The lady running the stall looks endlessly amused by their antics now, as they turn back to the jewellery stand to have a proper look at her wares. She smiles, shakes her head, and then turns to look at some other customers approaching. Greets them with a smile, and it feels like less of the pressure is on Robin now. Not being stared at while she tries to pick a pair of earrings for her crush.

Now that she's conceded that she is in fact buying a gift for Vickie, Robin is taking the decision making part of the processes very seriously. Looking at all of the options — at the look, the colour, the material they're made of. The feel and the way they catch the light. It needs to be perfect.

She looked at the recycled ones, earrings and necklaces and rings and bracelets shaped out of old metal pieces and canvas and carboard. Reinforced and strengthened in ways Steve didn't quite know and strung up for people to wear. Painted and dyed pretty colours. Hearts and flowers and abstract triangles. If you looked close enough you could see remnants and snippets of writing from the material the lady had salvaged.

Steve likes the resin ones. Small flowers and leaves encased in the clear, shimmering resin. Specs of glitter that catches the light. The flowers dried and pressed into flat circles, or triangles, or other shapes so they could be hung from the ear. There were a couple of more alive looking flowers in cubes, the earring hook anchored from one of the corners.

"What about these?" Steve says, holding up a pair of the resin flower earrings for Robin to see. "Very Molly Ringwald."

"It would look cute with her straw hat," Robin considers, running her calloused fingers over the smooth surface of them. "Ooh, and that chunky cardigan with the daisies."

He watches something flicker over Robin, quick as a flash before she's pulling a face. Brow furrowing and nose wrinkling up, as if she's distressed by her own thought.

"But maybe that means that I should get one of the crocheted earrings," Robin whines. "That would go better with her cardigans — but is that too boring?"

"What, too matchy-matchy?" Steve asks with a raised eyebrow. "Like, you're pigeon-holing her or something?

"Yes! Exactly!" Robin exclaims as Steve puts the earrings back down on the table. "Like, 'oh, you wear a lot of crocheted stuff, so I bought you more crochet,' like, that's too surface level!"

"If you've got enough you could get two pairs," Steve suggests with a shrug. "Cover your bases."

"Okay but would that be too much?" Robin asks, wringing, her fluttery, anxious hands. Wondering if she would be too much. If she would be coming on too strong.

"I really don't know why you're asking me that," Steve says simply, thinking of boquets of roses, and simple jewelery bought because 'it made me think of you'. Of picking his girlfriends up and swinging them around, of buying their ticket and their favourite candy before they could even think about asking for it. He gives Robin a knowing look, and she returns it looking understanding, but also a little bit sad. He tries not to think about it too hard.

He wears his heart on his sleeve when he romances, when he cares, when he puts his everything into wooing his partner. There's no such thing as too much if you care about them. If you're thinking if them, you let them know.

You buy them things because you know it'll make them smile. You buy them two pairs of earrings at a market because you know they'll like them.

"Steve," Robin says quietly, all too forlorn for someone so worked up mere moments before. She knows how heartbroken he was after he put himself out there for Nancy. Was too much. He gives her a look in return — soft, thankful — before he lets it fall away.

"Which is why I say to buy two pairs," Steve says simply. Because they both know that if he was in her position, he would. Not only is he confident and unashamed, he's also a total romantic.

And maybe it's Robin's turn to be a romantic. To put it out there. Steve already knows that it's going to be reciprocated. She's going to get a happy ending, if he has anything to say about it. And he does. He's her best friend, of course he does.

"Okay, two pairs." Robin agrees, nodding, before taking a deep breath and redoubling her efforts in looking over the stall. "I got this."

"Steve took that as his queue to pull his attention away from the stall, and to the rest of the market around them. It was bustling, full of a million other people all trawling though the multitude of stalls.

This was no Hawkins craft fair.

Steve and Robin both agreed that they needed some time away from Hawkins, after everything. So they both managed to swing some simultaneous time off work and Steve drove them both to Indianapolis. Booked them in at some cheap and only sort-of sketchy hotel. It came with a double bed only, and the guy at the reception desk gave them both a weird knowing look — which they both resolutely ignored. The focus wasn't on where they were staying, it was what they were doing in the city. There was just so much, and only so much time to cram it all into.

The market was one of Robin's picks, but Steve wasn't complaining. There were a few stalls selling all sorts of antiques where he managed to get a few baseball cards for cheap. That, and there's a few food and drink stands further on that are really catching his eye.

Bur first — earrings for Vickie.

While he was distracted, trying to get a look at the fresh smoothie place a couple of stalls down — Robin had pulled five or six earrings off of the displays and lined them up in front of her. Fingers dancing over them like she was playing the piano. Focusing on how they looked, how they felt, whether they caught the light and how well they matched Vickie's aesthetic.

All of them would — for the record.

"Those two," Steve says, pointing to two of the six Robin had gathered in front of her. One of the cool resin flowers he pointed out before, and a funky triangle design made of the recycled material that Robin was fond of.

Not that she was saying she was fond of it. She just kept coming back to them over and over again. Drawn to them with thoughts of Vickie.

Robin picks up the two pairs Steve pointed out, and holds them out in front of her. Screwing up her face in concentration. Quick eyes darting between them and the other choices on the table. Anxious eyes flicking to Steve and back to the earrings.

"I'm telling you." Steve says, putting a hand on one hip, giving Robin a look. "These two."

"I hate that you're right," Robin replies, voice jovial and mouth twitching up at the corners. Betraying all seriousness she tried to put into her words. She quickly puts the other earrings back in their places, on the display stands and artfully arranged on the table.

"No you don't," Steve replies, smiling as Robin takes his two picks up to the lady running the stall, one hand clutching the earrings, the other digging through her bag for her wallet.

He merely watches as she pays, quickly and safely stowing the earrings and her wallet back in her bag. Following along as Robin leaves the stall and continues through the market.

"Thank you Steve — oh you're so welcome Robin — I never could have done this without you," Steve immitates, pulling a face and pitching his voice up in a poor mockery of Robin.

She snorts. "Thank you Steve."

"Now you just need to actually give them to her."

"Oh God," Robin whines, as Steve tilts his head back and laughs.

[goreybaby]

this is the fandom i was referring to in my previous post lmao. but yeah. this. literally this.

jimmy did awful things, but there's no reason for people to literally shun him from their vocabulary, etc. it's immature, it's stupid. you can hate a character, hate the things they did, but when artists are too scared to draw him, write his name or discuss him in any way that is not direct hate, then you suck lol. you're censoring this fandom and pretty much belittling mouthwashing's masterful intent along with its various messages.

the main villain in mouthwashing is pony express. they hired a woman who was not qualified to do her job to assess real people who exhibit symptoms of debilitating mental illness, all because they do not care enough about their staff to do things correctly and safely. they are neglectful to their workers.

throughout the game, the player is constantly bombarded with posters alluding to the repercussions the crew members will face if they go against some very trivial rules.

evidently, jimmy is suffering from some kind of severe mental illness. he has hallucinations, acts in brash, violent ways, and is very detached from all the other crew members. in his psych eval, he claims he has a sexual attraction to cartoon horses — a completely inappropriate and unusual claim, something no sane person would even entertain saying.

jimmy was not given the psychological help he needed to improve. the devs even stated that the ship purposely has little to no windows to enhance the claustrophobic feel — no doubt would this affect someone suffering from whatever illness it is he is forced to endure, where hallucinations are prevalent.

while, of course, what he did to anya was vile and deplorable, if pony express was able to tend to jimmy's mental distress and actually hire someone who knows what they're doing, there is a chance this might not have happened.

now onto curly: people who claim he is at fault for not telling anyone about jimmy, or that he did not act soon enough.

for one, the time between curly finding out about anya's assault and the crashing of the ship was 24 hours. 24 hours of hearing that one of your crewmates has just been violently assaulted by your best friend. it is jarring, he needs time to process, and anya is clearly not someone who can handle high-tension situations well. so, him approaching jimmy and demanding he take responsibility would not only cause her more distress, but may also entice her abuser to react violently towards her. and ultimately, it did: he tried to find the gun after finding out about the pregnancy, and when that was not doable, he decided to crash the ship instead.

curly had to handle this situation with care. he needed time. more time. but he didn't have enough.

on the poster "Polle says lend a hand!" the small print reads: HR complaints about poor team synergy may result in collective punishment.

had curly established an even bigger problem by confronting jimmy, everyone, including anya, would have suffered the consequences. he needed to think about the best way to go about this for everyone, and especially for her, but again, he had no time.

think... pony express, the ultimate villain of the game, would have been willing to punish the victim for coming out about her assault.

look at the bigger picture. stop looking at characters as one dimensional, or as their faults. the entire crew has so much depth, they aren't meant to be taken at face value.

and seriously!! you're allowed to admire characters for their writing and still hate their actions; you can still pity a character who did something immoral.

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[bonelyheartsclub]

for the swap versions of eachother (undertale/underswap and underfell/fellswap) what was it like seeing themselves essentially swapped with their own brother? and do you think the swapped versions of themselves get along for being like minded or are opposed to each other for it (at least when they first met i know they get along now lol)

Stretch: Was definitely…… overwhelmed when he met Papyrus and Boss. Imagining himself running around, doing everything like that every hour of every day made him feel tired just thinking it. More power to those guys. And he gets along with them as easy as his “lazy” counterparts, just conversation naturally oozes out with them.

Blue: Was absolutely astounded to see Sans and Red, how could he ever be that lazy in any universe? Though given he also shares their trait of lacking motivation in some things, he supposes he can relate. Papyrus was a great make-up gift, though, and the two became quick friends! Boss not so much, but that was for other reasons. Mainly dissimilar wavelengths. If anything came from it, though, it was nice to see that no matter the universe, his brother still kept his sweet tooth.

Red: Felt right at home with Blue and Nox. Even with the switching, he just saw it as more people to playfully antagonize with puns and pranks a plenty. He knows himself, he'd enjoy some April fooling, even if they were a bit more uppity. Stretch and Rus were a bit odd; he never thought he'd see his brother be so lackadaisical about anything. It took a bit of adjustment, but he considers them good buddies now. Though he does try to tone things down a little bit for them, moreso than he does for Sans; the part of him that still sees his little brother deems it so.

Boss: The swap siblings were a bit of a surprise to Boss, initially. Though over time, he realized Stretch still had ambition in his own way. Maybe not for the same things HE did, but nonetheless. Blue was a bit more difficult to understand, but gradually he noticed more similarities with Red. Particularly in their need to mess with each other; something he was glad to not be a part of. He was most perplexed by Rus. Knowing he came from such a harsh universe, he was initially surprised someone so clumsy could make it out of there. Though seeing Nox, he supposed it wasn't too much of a surprise: his brother would look out for him in any universe.

Papyrus: For Papyrus, seeing other versions of himself was a little earth-shattering, since before he had assumed it was just he and his brother. At first, he's ecstatic that there's more skeletons!! More friends who understand, especially with Blue!! He does realize later on that not all of his alternates have had the best life, but he wants to make sure they're comfortable from now on.

Sans: Was initially a bit surprised by the swapped siblings (and he for sure had some thoughts about multiverse theory when he met them), but once he got over the moment of shock, he found it easy enough to get along with all of them. Both Stretch and Blue remind him of Papyrus at times, just in different ways. Nox and Rus don't exactly have that same odd familiarity, though he likes them enough to be a general nuisance to them.

Nox: Was defensive and confused at first; seeing different versions of himself and his brother disheartened and enlightened him a bit. Seeing that others had better lives than them had him disappointed, but knowing Boss and Red having similar experiences of the underground had him feeling a sort of comradery- especially with Boss, even if they don't see eye to eye all the time.

Rus: Was a bit overwhelmed in general by the different versions, but he finds them all to be good company now. Papyrus was the oddest version of himself to see, but he admires Paps' energy. Boss reminded him a little of his brother and Rus admires him for his drive and ability to get things done. Stretch is the easiest to get along with for him, and Blue is a bit perplexing to him at times. Sans and Red are odd and definitely different from Nox, but he likes them both well enough (as long as Red keeps any big pranks to himself.)

Via @/Buttergriffin332 (Stretch), @/DuskySkye (Blue, Red, Boss), @/Creative-poptart (Papyrus), @/Lost-immortality (Sans), @/ChrysanStarset (Nox), & @/Goatdadjaxx (Rus).

[boobav]

I'm not ready for act 3 😚

People go missing sometimes.

It's a part of modern life. Even in a city as enforced as Piltover, a city as patrolled and watched as Piltover- it happens. There are still monsters that roam alleys, or wear uniforms as camouflage. There are still tragedies in everyday life. Despite seeming so very distant when they're plastered on newspapers, or milk cartons, they happen. They're real.

But people like Jayce are not supposed to go missing.

Maybe it's selfish to say that. Maybe it's something that's meant to go unspoken, the fact that some people are considered more important by society. That some people have more privilege, more protection from the uncaring nature of catastrophe.

And yet, despite Jayce's renowned status, the man of progress, despite him holding the gaze of Piltover itself- he's gone missing.

You're not sure how long it's been. How many sullen days have passed, searching, even in the unlikeliest of places, for a sign. A message. A murmur would do. The weeks have simply collapsed into each other, a sinkhole of hours.

You too, following the hours, have collapsed into yourself. The days spent wrapped in cloak roaming Zaun for information have little difference to the days spent curled in bed like a discarded child's toy. Every minute is one, bound together by pure desperation, utter confusion, and endless despair.

Because how could he have just... Vanished?

Just like that, a man of yesterday. It seems that the city is too caught up in political tribulations to care about his disappearance. Some haven't even noticed it. On your endless quest for information, more than once you've received the response, Jayce Talis? I didn't even know he was missing.

But you haven't given up. Not yet. Despite the circles under your eyes, the new strain in your shoulders. Despite the ever-growing pit in your stomach. For what else is there to do but search? Even if you 'gave up', you'd be looking for his shadow in the street, searching for his image in the crowd whilst trying to wipe it from your memory.

You run a hand down your face, curl into the covers that bit more. A knock at the door forces your tired eyes to re-open. Fatigue in your very self argues against moving, and for a a few moments getting out of bed seems the most difficult task in the world. But the knock comes again, harder. With some garbled noise you crawl out the covers as though emerging from a cocoon, movements lethargic like those of a dying animal.

The first lock comes undone with the work of your fingers. Then the next. Your hand hesitates, though, as it grasps the doorknob, your mind considering the swathe of potentials, an unwanted bouquet of sorts. A sales pitch? A concerned visitation? An enforcers questioning eye?

Or- maybe, a new lead. Unlikely, but it's enough to force your hand.

What greets you is none of those things.

You don't recognise him at first- what, with the tattered clothing, the deep-set frown, the beard as messy as his hair.

As soon as he looks up, though, when those terribly familiar eyes reach yours, the confusion evaporates. Boils away to unearth a passion you can hardly hold; it makes your hands shake, your eyes line with tears, your mouth dry in wordless ecstasy. His name leaves your lips as a whisper, and his gaze falters from yours, the soft reality at complete odds with the one he's settled in. The one with sharp edges, with blood and steel as key elements, not butter and affection.

Jayce's face twists, the onset of tears, and all at once he reaches forward to pull you into himself. Hides his sadness in the crook of your neck, his hammer clunking to the ground beside him. You hadn't even noticed he was holding it. His hands run to your waist, pulling at the fabric to ascertain its reality, but he finds it inadequate. He reaches under your shirt, his warm hands against your skin, and he sighs instead of sobbing.

He's not sure if he can anymore. If that part of him survived the Arcane.

But he's here, now. With you. His hands roaming your back, your arms thrown around his neck. Like the pose from a romance novel. The thought drags some whimper of humour from him, and he thinks that's a good sign.

He smells of oil and iron. Earthy. He mumbles about how much he missed you, right into your ear, breath hot. You think you're crying, though you're not entirely certain. The sensations in your body, your mind, overlap into something abstract to the point that crying seems like a spiritual experience. Like the word crying is unable to describe the motion, the true feeling.

You pull him inside, the door slamming shut a reminder of reality, the loud noise binding you to earthly sensation. The questions that fall from your lips are boundless, piles upon piles of vocalised mysteries that Jayce can't seem to answer coherently. You sit him down, push his hair from his face and cup his jaw tenderly. Tenderly as though he could break any second, but from that newfound fire in his eyes, from the dirt staining his skin, you know such a thought is ludicrous. Peeling off his tattered overcoat and the flimsier shirt underneath reveals bruising you could never even picture before now. The curves and hard muscle of Jayce now stained purple, now scarred in places that'd been smooth perfection beforehand.

A part of him, he thinks, should perhaps be insecure of your wandering eyes, your wandering fingertips. He's changed. His body has been torn, battered, bruised. No longer made of marble, but of flesh.

But your eyes are gentle. Concerned, but gentle. When you settle into his lap to hold him close again, to press desperate kisses against his lips, against his neck, he feels he can never leave your side again. Feels an avalanche of guilt for doing so in the first place, despite the decision not exactly being his own.

Whatever comes next, he knows he'll have you. You know you'll have him. And in this moment, your foreheads together, eyes searching each others for the things that can't be felt with words, you both know that it'll be enough.