#so on that note if anyone has any

[ace-oreos]

things I would like to do now that I have abundant free time: write!

things my brain is currently absolutely refusing to do even under threat of death: write

[pinkseas]

thinking about. the sovereign of elegance battle.

how initially nikki seems pretty caught off guard by being puppeted around, and almost like she's in a trance? she definitely doesn't feel fully there, her movements are a lot more limp and being VERY distinctly controlled. she feels more distant, more hazy.

but then there's the point about halfway into the battle where the banshee has her hand over nikki's face, like she's still trying to control her, and nikki looks away. meets the banshee's eyes instead.

and the banshee's own expression shifts, there, too. nikki looks almost defiant, and the banshee isn't quite taken aback or surprised by that, but she doesnt seem to have anticipated it? it seems like she's curious, intrigued. seeing nikki look at her so fearlessly, even after being puppeted by her. almost like a challenge of her own.

and after that, nikki's movements shift. they feel more fluid, graceful, more like nikki is the one in control. matching the banshee's motions and her energy, no longer enthralled but choosing herself to continue the dance. they circle each other and nikki is smiling, like she's genuinely enjoying herself.

if you fail the battle, the banshee and nikki reach out to each other, but the banshee pushes forward as nikki pulls her own hand away, looking more hesitant, almost afraid again. and if you perfect it, nikki pulls away, but not out of fear. she spins again, smiling, taking a bow. enjoying herself, still. regarding the banshee as an equal, even though the banshee had been trying to subdue her.

after that perfect score, nikki, recognizing the melody. upset that the banshee is leaving. wanting to at least know her name. reaching out to her even as she disappears.

[clockworkreapers]

so we all know the main characters of course... but these two I really like in the books- for very different reasons

[padfootastic]

oooh i have thoughts about codependent golden trio, stay with me for a second:

- ron and hermione slowly training harry out of his touch aversion by consistently showering him with small, gentle, touches. they never make it a Thing, it’s so casual harry himself forgets it’s happening a bit, but it’s crucial for him to become comfortable with being touched by anyone

- slowly, as years go by and harry’s nightmares become worse, ron progressively moves from calling his name, to waking him up, to putting a hand on his shoulder(s), to practically moving into his bed to wrap himself around harry. the first time it happened, ron’s face was fire truck red and harry was baffled to the point of incoherence (and for a second, it seemed like all their progress so far would be undone) but as before, they slowly chipped away at harry’s defences with steady support

- hermione, who was able to tweak the protean charm for the DA, created a more specific one more her and ron. if the nightmares were particularly bad, he would ping for her and she would immediately bustle up to the boys dorms. this is rly how she became so comfortable up there and after a bit, the other boys realised why she was there and let her go about the golden trio business in peace.

- and so you have harry waking up with ron and hermione in his bed pretty regularly. they were able to figure out how to expand it pretty early on (combination of some theorising and dobby’s magic) so now all that’s left is figuring out nightly configurations. more often than not, it’s either hermione or ron in the middle bc harry cannot abide being boxed in both ends. but both of them always have an arm of leg on some part of harry, as if to reassure him, even in sleep, that they will never let go.

- some point on fifth year, when he’s so fucked by the voldy visions, the only way he gets any sleep is when ron’s tucked him under his arm and on his lap, or hermione has her hands carding through his hair and head on her thigh, turned towards her stomach as if protecting him from the world. he falls asleep in the common room armchair in front of the fire with ron’s hand around his calf, massaging lightly, and hermione perched on one side of it, arm around his shoulders.

- during the horcrux hunt, this only became more common. there were very few nights they did not sleep in the same bed. privacy was almost nonexistent. they often had to bathe one another when they couldn’t get out of bed due to the grief, or went catatonic with shock etc etc.

- after the war is when people slowly started realising their tendency to be so close. until then, no one really paid attention to these three kids, atleast not so closely. but now all eyes are on them. and so the adults, the order and the weasleys and remus and sirius, see how they go into the same room at the end of the day, come out of it together in the morning. how harry using the bathroom doesn’t stop hermione from going in to brush her teeth, or ron walks around in just a towel without any hesitation when it’s the two of them but yelps and covers up when anyone else walks in.

- they see how hermione hates having her hair touched but will happily fall into a light doze when one of the boys is playing with it, and harry, who will go stiff as a board when someone so much as brushes against his side, will literally melt into a puddle when ron or hermione hug him tight. they’ve never seen ron as calm, or as settled, as when he’s around the other two—he has a purpose, and it’s never been more clearer than in those moments.

[jakeperalta]

@pscentral event 31: faceless

the buccaneers (season one) [insp]

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[dragonpropaganda]

you should talk about your thoughts on rw fanon (looking with huge eyes)

Oh god, there's a lot of major misconceptions have concreted into fanon, mostly around ancient society and ascension.

First things first! Ascension is not death! They are entirely separate things treated entirely separately by the text of the game. I can see where the interpretation is coming from, but it doesn't really align with how the text treats either subject. Five Pebbles may want to remove the self destruction taboo, but from his reaction to the rot it's clear that he doesn't want to die. Conflation of ascension and death only comes up as an offhand possibility that pebbs makes on iterator 4chan, when he's going into the possibilities of scenarios that even the other sliverists are doubtful of! (let me make clear that I am not a sliverist by any means)

Ascension is more of talked about as a form of transcendence, yeah? A Bell, Eighteen Amber Beads talks about their sitution as being "To have grasped at the boundless infinites of the cosmic void…", not as them seeking an end to life.

The beta dialogue goes into more detail, mentioning the "infinities of time and space" and the "boundless fractal planes of spirit and reality...", though this dialogue was cut and it's hard to tell how much it reflects the concept as in the released game.

As for the cultural misconceptions... there's A Lot to talk about, but the first that comes to mind is the common conflation of the five natural urges and the christian concept of sin.

It is true that the negation of urges is mentioned by moon as an alternative method of ascension, but much of what we know about the culture of the people who the fandom calls the ancients (which makes discussion of the depths a mess but that's something for another post entirely) points towards the urges not being seen as shameful.

Even the first urge does not seem to be particularly scorned! Being a warrior is presented as a cause for bragging in the Shaded Citadel pearl, being comparable with being an artist and a fashion legend. The second urge, also does not seem to be suppressed. Multiple sources attribute some level of honour to parenthood! The aforementioned pearl also mentions Seventeen Axes, Fifteen Spoked Wheel as being a "Mother, Father and Spouse" without any hint of shamefulness. Nineteen Spades, Endless Reflections expresses pride about having progeny, mentioning it alongside their owned land and esteem among their peers.

After some peer review, an esteemed friend has told me to add a section on purposed organisms as well! This is not so much my area, so I might be a bit off on some things.

As moon says, the majority of purposed organisms were tubes in boxes, and that the primal fauna of the world are almost entirely extinct. A lot of the fandom seems to ignore the first part, and i can't say I blame them, but the evolution of the creatures is so much weirder than people think.

Concept art for the creatures has this interesting quality to it, where the organic parts of the creatures have an almost... melty quality to them.

In the concept art, the flesh appears as if it's almost defying the machinery to form an animal shape. It's as if it's conquering its own artificiality the way the foliage grows over the (stone, brick and concrete, not mostly metal as some think!) ruins.

Of course, it's hard to really tell how much of this reflects the finalised concept, most of the integration is much smoother in the game, in line with a seamless kind of biomechanical design. There was always an intention of biomechanical strangeness, as shown in this screenshot of the devlog before the term "slugcat" even existed!

That said, the melty nature of the concept art shows a level of wild change inherent the biomechanical nature of the creatures, as if they truly are the result of these "tubes in boxes" almost revolting against their own boxes.

and considering centipedes... some tubes may not have had boxes in the first place!

[blueskittlesart]

pleeease give a review for infinity nikki ive been thinking about downloading it but i dont know if i have the space and if its worth it to clear some up for it !!!

as someone who spent HOURS on flash-based dollmakers as a kid, i absolutely love it. the gameplay hits somewhere between dressup game and open-world RPG, in that there's a large botw-like open map to explore, but the express purpose of exploring it is to unlock new clothes for your character. The exploration itself feels very calm and cozy most of the time, with the emphasis being on small collection tasks like fishing, bug-catching, and foraging. again, all of this is specifically to craft new outfits for nikki which you can both coordinate with no limitations to wear in the open world and use in scored styling contests with npcs, some of which reward you with game currency and some of which help you progress the story quests. the only place where i feel the gameplay truly suffers is in combat. you have one attack, and it's a ranged shooter, but there's no aim-assist whatsoever, and the mobile joystick isn't NEARLY sensitive enough to justify this. aiming in combat is one of the most difficult parts of the game, and nikki can only take 5 hits before she dies and has to respawn, making combat decently frustrating. However, there are very few places where combat is strictly necessary in-game, and both of the boss battles i've done so far had hitboxes large enough that it wasn't an issue; it's really in the open world against hordes of smaller enemies that the lack of targeting becomes really frustrating. other than that, though, the controls are fairly well-designed and intuitive, especially if you've played similar games before.

The clothes themselves are the star of the show, of course. I've yet to see a single clothing item in the game that I don't want. there's a good mix of fancy intricate outfit pieces and basics to obtain early-on, and without even touching the gacha you can coordinate some really cute outfits via in-universe boutiques and quests that reward you with clothes. Even the very obviously themed ability outfit sets that you craft early on almost always have a few pieces that are easy to mix and match with, so there's a TON of styling potential even for free players! As for the gacha, it's actually one of the more generous games i've played in terms of rewards and pity systems. My one complaint so far is that the 5-star gacha outfits especially seem to be very accessory-heavy, meaning it's possible to pull shoes, multiple necklaces, gloves, socks, and hairpieces before ever pulling the dress they're very obviously designed around. there is a pity mechanic to prevent this, but it requires you to pull a few too many times before your guarantee imo.

The story is ridiculous in a good way. It kind of reads like a 2000s-era barbie movie to me right now, in the best way possible. there's an amazingly predictable sexy villain, cute little flying creatures that follow you around, and every conflict is, of course, solved via clothes in one way or another. My absolute favorite thing about the writing, though, is how blatantly earnest it all is. at no point does the game poke fun at its own wacky concept or even attempt to make some self-aware joke about it to the player--it plays everything completely straight, and in this aspect it almost feels MORE self-aware. it knows that the kind of person who wants to play a dressup rpg is also the kind of person who does not, under any circumstances whatsoever, want to be questioned or made fun of for their love of fashion or their engagement with that game. It very much feels like the devs know that they're working with primarily girls and young women and a subject matter that those girls and young women are often looked down upon or made fun of for seriously engaging with, and so it promises to engage EXTRA-seriously to make up for that. (side note: there's one point in a story quest where, when asked to make a wish, nikki wishes that all girls never get cramps again. that was when i knew this was a game that knew its audience.) If I wanted to nitpick, i might say that every quest so far has sort of felt like an increasingly ridiculous trading sequence--you learn what you need to do very early on, but you'll always spend several hours of gameplay encountering obstacles and doing other smaller tasks to circumvent those obstacles so you can reach your original goal. this might annoy me more if the game was trying to market itself as a serious RPG, but it seems very self-aware to me, and despite how i'm describing it none of the quests ive played have actually FELT tedious. I think the fact that it's such a wild concept to begin with gives the writers a bit of leeway in how they handle the story quests, and because I as the player am aware i'm playing a dressup game I don't really expect quests to immediately get to the point and let me fight something. I will say that there are certain things that aren't super intuitive especially if you aren't a seasoned gacha rpg player, particularly the features relating to advancing your skills and the styling points of your clothing. though the game does technically explain what you need to do, it doesn't explain the RELEVANCE of the feature, just that it exists, so I had to lose multiple styling contests before I realized i could upgrade my clothing to get higher scores.

The final thing I'll talk about is performance. I'm playing the game on my iphone 13, and the performance is.... not great, i'm ngl. Off the bat, if you play the game on a mobile device, you're going to be getting a HEAVILY scaled-down version of the terrain graphics. all of those screenshots you see online of beautiful terrain full of flowers and particle effects are from ps5s or custom pcs. truthfully, the mobile app looks like a game from 2012 and it will still turn your phone into an incinerator. I've also encountered multiple graphics bugs, some during pivotal scenes, and I get consistent lags when playing for longer than a few hours, likely due to the strain on my phone's hardware. it's also an INSANE battery drain, so i only play when my phone is plugged in. All that being said, the game has been out for less than a week, so visual bugs are inevitable, and the developers have stated that mobile optimization is a priority, so hopefully we'll at the very least no longer have to overheat our devices to play it soon. Also worth noting, from what I've seen the rendering of the CLOTHING doesn't suffer AT ALL on mobile devices. presumably they sacrificed terrain rendering to allow for such beautiful texturing on the clothing itself, which, given that the clothing is the main focus of the game, I can't fault them for. Basically, if you're going to try to run an unreal engine game on your iphone, be aware that it will run like an unreal engine game on an iphone. and prepare yourself to have to let your device cool down every few hours.

tldr: i love the game so far. i'm really excited to keep playing and see where the story goes, and I think they should make more games for girls <3

[monsterboyblood]

Bass outfit concepts I decided to make while I was messing around with a more canon accurate artstyle featuring my train of thought with each design. If anyone is wondering concept 3 is going to be his official design.

I had a bonus body schematic / detail thing I was gonna include with this but I think I’m gonna save it for another post. I just want everyone to know that the paneling on his neck was labeled as his “Godzilla metre” in my initial sketch.

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[moonlightphos]

🌱🏛️

[m4rs-ex3]

actually gonna take a mini break..... which could mean i won't go on tumblr at all or it just means i'll only be making simple posts and not reblogging, and it could be for the rest of the day or it could be for a number of days (this is significant i promise usually i would be yapping like CRAZY rn)

i don't like disliking my show. i don't need to hear about everything they did wrong when i want to be celebrating everything they've done right for 7 seasons. i can't expect everyone to decide that positivity is the only way and i can't expect people to not want to share their opinions when i can't seem to stop talking about my opinion on that. i don't want to do what i did when season 4 came out and i tried to forget tdp existed for months because i couldn't stand being a fan of something others didn't like. tdp is everything to me. i'm not letting this part of my life go because i care too much about what everyone else thinks. and i know that's nobody's fault but my own, but still. i'm hoping it dies down, but even if it doesn't, i just need to step back and remind myself why i love this show, and that that is all that matters.

i know it is NOT that deep but the finals week stress + mourning-in-advance + insane adrenaline rush and joy while watching followed by + immediate feeling of dread and incredible sadness and confusion and anger after i've already had a rough couple and months and tdp was the sole thing keeping me going, it has all just been a lot, as i'm sure you can imagine. it sounds so excessive and sensitive and it probably is those things, but it's how i feel. mainly i just really needed to get this off my chest lol

[xxplastic-cubexx]

Hiiiiiiiiiiiiiiiiiiii, I recently went into the x-men and I found my own dead with Charles and Erik AND I NEED READ MORE OF THEM BUT I SO LOST AFTER POWERS AND HOUSE OF X SO I DON'T KNOW WHERE CONTINUE, can u help me?

(alsoIlikeyoursdrawingsiwishbeingsoconstantwithmycontentlikeu)

i'll be very candid with you my friend: i'm totally lost too !!!!!!! your comic-reading journey is about as green as mine and so i cant personally give you a super great guide- but beautiful people on the internet exist who've done most of the dirty work for us when sorting through the stories you 'should' read so i'm borrowing them to help us both

you can read this article to read about one person's advice with exploring krakoa and- in their opinion- its most 'significant' stories, though to summarize the issues they recommend looking into:

House of X/Powers of X (which you should have already done)

X of Swords event

Hellfire Gala

Inferno

X Lives and X Deaths of Wolverine

Second Hellfire Gala

Third Hellfire Gala

Fall of the House of X/Rise of the Powers of X (also should have already done, however...) +Single issue: X-Men (2021 series) #35 aka Uncanny X-Men #700 is featured at the end of the FoX omnibus, though the omnibus excludes an extra bit at the end involving a cliffhanger for Charles's fate after he's arrested

if you want to dig a little deeper though, you can check out this article from another individual which includes another wave of 'relevant' (word used loosely as some can be considered more poignant than others) krakoa stories and stories related to it or set during the period.

it's a lot longer and more in depth than the last article, so again i only really rec peaking at this one depending on how deep you wanna go, or if you decide you want to explore more after reading the more 'key' stories. def wouldn't hurt to give it a glance just in case you read some summaries that pique your interest!

all in all, don't take these as concrete rules or guides to follow: comics are meant to be fun, these are just good starting points if you're feeling lost or overwhelmed. at the end of the day, you decide ultimately what you want to read and which stories interest you the most

happy reading !

[rahabs]

endless moodboards for my favourite fics: Liquid Smooth by EpiKatt

"It's not your problem, Doc, you don't have to mix up in this," Wyatt said, sounding apologetic. Even expecting it, Doc couldn't help the flare of betrayal and anger. He'd do anything for Wyatt. Riding into a gunfight while half dead was nothing on the lengths he'd go for that irritating man. And for Wyatt to pretend like he didn't know that, yeah, that stoked Doc's ire nice and high. Slowly, Doc took halting steps toward Wyatt while he stared at the man unflinchingly. "That is a hell of a thing for you to say to me," he said, hurt plain in his voice, barely hidden behind the forced calm he pulled forth.

[canyourlawnmowerdothis]

recently realized ive never fully drawn cantrip so! happy lesbian week

[soepwashere]

Portal duo in Portal 2 attire!

more context and rambles below the cut

Ok some context to this! I had an idea to draw portal pals in Portal’s setting a while ago that I put into my drawing ideas list, then didn’t think about for months. Then over a month or so ago I remembered it and wanted to work on it, and I started sketching designs for the guys, buuuuut I kind of ended up making a whole Rise portal au LOL. So I drew some designs and wrote some story stuff for it, but still didn’t work on the drawing that started it all.

I made this for a reference image of Leo and Mikey in the au and planned to finally draw the image I’d had in mind for ages, but I kind of lost steam for the portal au lol. Anyways, I do still plan on doing that drawing and maybe coming back to this au because it is pretty fun, but for now take the reference drawing I made before the art looks too outdated to me lol (this is from early October I believe)