#so oh very flawed

[glittergoats]

Zero Escape is a game about love

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[seagull-scribbles]

You're out of touch

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[leafatlaw]

See the reason why Wifies getting chunk banned hurt so much is because how you don’t even realize how much of a constant he’s become for Parrot. He’s always right behind him, helping solve puzzles and making jokes. It’s Parrot and Wifies. Them. And when they’re pitted against eachother it’s different and frightening, but it’s still them, they still have a plan to win, together.

But then suddenly it’s Wifies vs A Secret. Versus the thing Parrot wants so bad, and he’s already begun to take Wifies presence for granted. See Parrots fatal flaw is he wants knowledge, he need to know. And sure sometimes it may be for good, to protect the server, or just himself, but he craves the knowledge. And he knows himself if he doesn’t get what he wants to know now, he’ll regret it.

“It’s all yours” and Parrot does regret it, even before he knows the Secret, he regret it as he stares blankly at the telescope. And in a way, it’s sort of ironic that there’s no secret, because it symbolizes what Parrot has realized too late- there is no secret that would have been worth Wifies. And it’s poetic that there is no secret after all. Parrot essentially killed his best friend for nothing. Because it is Parrots fault as much as it is Spokes. Parrot told Wifies that the secret was worth more than him, Parrot told Wifies to sacrifice himself, and he knew he would do it. It is Parrots fault Wifies is gone.

(And he knows it.)

[arom-antix]

Smash your competition, baby

Open for higher resolution Credit to @neon-garbage-angel for the idea Close-ups, explanation, design, and extras below the break

So there I was, innocently scrolling Tumblr on a Monday when someone reblogs a post of mine. I go to look and find tags on my Judas piece that immediately katapult me into this piece and, as is tradition for me, listening to the song that inspired this piece on repeat until I was done. Due to stuff, that took three whole days. I want to extend a formal thanks and a formal please I will never get this song out of my head, thank you for that but I also hate you a little bit /j to @neon-garbage-angel for introducing me to Gladiator by Jann. This is canon to me now.

And because I couldn't decide while I was drawing, I did a version where Viktor still has his long hair. However, when I was doing the design sheet and really thought hard about my decisions, the short-haired version makes more sense so that one got the top spot. But have the other version anyway!

Here are some promised close-ups because this thing got intricate. I should've known. I was surprised anyway.

And then last but certainly not least: Me being back on my bullshit! Here, have an extremely cramped design sheet! (I apologise to anyone using a screen reader in advance, I'll try my best with the ALT YuY)

[puhpandas]

I love ggy so much how did they accidentally make the most intriguing hypothetical gay romance ever

[volkarine]

i actually have no words for how much it means to me to hear rook explicitly describe their gender the way i would describe my own and to have them also be voiced by someone who is Like Me (erika ishii, who is genderfluid), and to have a non-binary romance option in the game who is ALSO voiced by someone who is Like Me (jin maley, who is non-binary)... it honestly feels like a dream

[lgbtlunaverse]

So I watched A Silent Voice with some but minor knowledge of the story going in. And right at the beginning when Shoko's bullying started I had the nagging worry that while Ishida would be redeemed they'd leave Ueno and Kawai as one-dimensional bullies. Painting the girls as the "real villains" while the male protagonist got to have depth. Anyway I just finished the movie and I would like to formally apologize to Oima Yoshitoki and Yoshida Reiko I should never have doubted you.

[dukeofthomas]

I'm so done with the way everyone avoids calling Bruce an abuser. 'He's a bad parent' 'he's flawed' 'what he did was kinda fucked up' call it what it is!! He's an abusive parent, no ifs or buts about it! He's not just a bad parent, he didn't just fuck up, he's their abuser. Loving your kids or wanting the best for them doesn't mean you won't hurt them and it doesn't excuse doing so, and I personally don't think it makes it even slightly better.

[eveningrainstorm]

Listen. Swansea is great; he's a well-written character and I like him a lot. But it's weird to me how much fan content I see about him that seems to make him out to be a lot nicer than he's actually shown to be in the game, and nowhere is this more obvious than in how people depict his relationship with Anya.

I've seen other people address the whole "If Anya had told Swansea what happened he'd have killed Jimmy" thing (she did. he didn't.) but there's a larger issue where people act like Swansea cared a lot more about Anya and was a lot closer with her than is actually the case in canon. And sure, the game leaves a lot of room for differing interpretations of things and imaginings of what could have happened offscreen, but I've seen so many people act like this idea of Swansea and Anya being close is something actually depicted in canon which. It very much is not.

Like okay. Let's talk about this. What does the game itself actually show us about Anya and Swansea's relationship?

Well, we don't see much of their dynamic before the crash aside from them just being coworkers with some level of familiarity with each other. They do stand together at the birthday party, and Anya playfully tells Curly that “Swansea really likes that cake. Don’t tell anyone,” to which Swansea only "hmph"s in response. From this we can gather that the two of them are friendly enough that Anya feels comfortable teasing him. Even so, she certainly isn't an exception to his characteristic harshness and brutal honesty — take an interaction later in the same scene, where a distressed Anya says she has no savings and asks if Pony Express can really fire them like this and Swansea, not cruelly but certainly bluntly, tells her that Pony Express going under has been a long time coming.

Of more importance, perhaps, is the game's first "2 months after the crash" segment, where we are first introduced to both of them — and where the game makes it quite apparent just how little Swansea respects Anya. The very first scene, in fact, features Swansea interrupting Anya and mocking her when she tries to explain why opening the cargo hold is a good idea. Later, when talking to Jimmy, Swansea calls Anya "our so-called nurse" and says that "it's in one ear and out the other" when talking about how she nearly got injured on the broken vent. And if you get the code scanner before talking to her Swansea will tell you to get her before opening the cargo hold but specifically with the justification that "even she couldn't make the situation worse with her presence." None of this is really uncharacteristic of Swansea, given he talks about Daisuke in much the same way, but it's not something that can just be swept under the rug — and yet, seemingly, everyone does. I hardly ever see anyone even mention Swansea insulting her here.

Of course, none of these scenes are where the idea that Swansea and Anya are particularly close comes from. No, that idea comes from a single scene: "3 months after", when Jimmy finds the two of them talking in the cockpit at night. We only see the end of this conversation, where Anya, apparently crying, is saying “No. I understand completely. If that’s how it has to be—”

The game never reveals exactly what the two of them were talking about; the two main theories I've seen are that Swansea was telling her that he was saving the cryopod for Daisuke or that she had told Swansea that Jimmy assaulted her and Swansea was saying she'd just have to put up with being around him for the time being. Personally, I think the latter is much more likely, but either way, the end result is the same: regardless of how much Swansea cares about Anya, her well-being is not his first priority.

We never see any follow-up on this conversation; if Anya and Swansea meet up behind Jimmy's back at any other point, we don't see it or hear it referenced. "4 months after" offers no interaction between the two of them at all, with Swansea busy dancing drunkenly while Anya, on the other side of the lounge, tells Jimmy about the extra medicine cabinet. "5 months after", Anya commits suicide in Medical while Swansea sits drunk and oblivious in front of Utility. The only reference to Anya and Swansea's conversation — and the closest we get to a confirmation of what it was about — comes after Daisuke's death, when Jimmy uses "telling Anya who knows what" as a sign of shady behavior from Swansea, and Swansea agrees that he did talk to Anya, "but it was her telling me all sorts of things instead, wasn't it?", the implication being that she told Swansea about Jimmy raping her.

This line is interesting. Swansea is referencing what Jimmy did to Anya here, and implicitly condemning him for it, and yet... well, Anya's already dead. Swansea isn't doing anything for her, really; he doesn't seem particularly emotional or angry about it, either. All it really is, when it comes down to it, is a spiteful jab at Jimmy — just Swansea, still angry over Daisuke's death, trying to get under Jimmy's skin.

We never see Swansea react to Anya's death. This isn't surprising; we aren't shown what happened when Daisuke got the door to Medical open, and afterwards Swansea is understandably preoccupied with Daisuke's fatal injuries. The first thing Swansea says about Anya after her death is the line about her telling him things. And, well... here's the problem.

That line? Is also the last thing Swansea says about Anya.

He never mentions her again. That one line, the one that doesn't even mention her death, the one that seems more about getting at Jimmy than mourning her — that's the last we hear of her from Swansea. And maybe he does care, maybe her death is just as much a catalyst for him trying to kill Jimmy as Daisuke's is. But he never says anything about her. He doesn't mention her in his death scene. Sure, that last portion of the game is largely filtered through Jimmy's mind, his disregard for Anya keeping her out of focus, but Swansea's death — a moment of sharp, simple clarity in which Swansea says all the things Jimmy doesn't want to hear — doesn't have that excuse. Swansea doesn't say a thing about her, because in the end, he's not focused on her either.

So that's what we have. They don't seem to be that close, before or after the crash, though they theoretically could be. Anya telling him specifically about what Jimmy did could be considered a notable show of trust, but then again she could have just wanted to tell someone and considered him her best option, and in any case if she was hoping for him to do anything about it, he didn't. And despite a large portion of the fandom believing it to be the case, there isn't actually anything indicating that he told Anya about the cryo pod — if anything, his assertion that it was Anya who told him things rather than the other way around is evidence against it. Technically, anything's possible — Swansea could have comforted Anya when she told him about Jimmy, he could have offered her the cryo pod, he could have grieved her just as much as Daisuke — but looking at what the game itself presents, the picture it paints is far different from the one typically seen in the fandom.

We don't know what's going on in Swansea's head. We don't know what happens in the time between the moments the game shows us. But what the game does show us is this: Swansea repeatedly is disrespectful and rude to or about Anya; Swansea doesn't do anything after she tells him what Jimmy did to her; Swansea doesn't have any real reaction to Anya's death. Does he care about her? Probably. I'd like to believe so. But she's not the one he decides to kill Jimmy over, she's not the one he has regrets for in his dying moments, she's not the one he's saving the cryo pod for.

Maybe Swansea cares about Anya, but she's not his first priority. And isn't that sort of the point? This is what the game has been showing us the whole time: Anya is no one's first priority, except her own.

[vaguely-concerned]

I keep imagining the whole 'I'm still here sequence from treasure planet' scenario that must have gone down between rye and varric before the game starts and rye with their wide newly hopeful eyes like 'boy hope no one weaponizes this rare warm safe nurturing relationship in my life that makes me feel real and alive for the first time in so long against me in some of the cruelest and most premeditated ways imaginable somewhere down the line because that would sort of wreck me as a person maybe'. and then I don't feel so bad about where I'm headed

[eshtaresht]

hey you 🫵💥 everage american online leftist!

stop scrolling for a moment. take a breather. play this video next time you need smth to occupy you for an hour. this is very much a call out post, but I do believe this essay has many well articulated points that felt like a nice cool sip of water to me

addendum: I'm not even american but the same behavior is rampant in most online spaces, regardless of nationality

[a-couple-of-notes]

hey sorry i wanna talk some more about no one mourns the wicked.

when glinda's introduced, her first celebratory lines slide into a question:

Isn't it nice to know that good will conquer evil, the truth we all believe'll by and by outlive a lie for you and - [I]?

and in a song full of double meanings, glinda isn't asking that question (only) to the ozians. she's asking it to elphaba, who has always been that other half of "you and i." even though glinda has promised not to reveal the truth, she's still hoping that it will come to light someday for her and elphaba. and it's also a heartbreaking call-forward to defying gravity, because just like that moment where glinda almost gets on the broom, there can't be a "you and i" here--it's cut off by the world they exist in.

[claitea]

oh yeah i played a little more isat today and i have to say i just ADORE how the dialogue is written. specifically the way the party can say and do things that upset another, but its treated as just a normal thing that happens and it has no bearing on the story or anything. like i just saw siffrin, bonnie and isabeau make fun of a wilting plant which turned out to be mirabelle's and she became dejected about it, or odile worrying she didn't react well enough to bonnie's snacks even though they were fine. literally one of the first things that happens is siffrin upsetting mirabelle bc they didn't show enough enthusiasm about the sleepover. the characters feel so Human bc they make little mistakes that genuinely upset someone even to each other and i can't think of any other thing i'm into that does it like that. if that makes sense

[britneyshakespeare]

you: nicholas alexander chavez, the actor from ryan murphy's recent work

me, a mama's girl and daytime tv viewer: