#so not exactly a screenshot edit

[dingoat]

Thirteen and Ahuska, ripping apart some Star Fortresses together.

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[azems-familiar]

them <3

[mntcoronet]

just need to ramble for a moment about a game. vaguely. real ones know what I'm on about (no one ask I'm embarrassed abt playing it and having fun)

[clearlyaginger]

wait people are actually paying for spotify I thought that was a joke

[philophobic-paracosm]

i tried

not awful for the first screenshot edit ive ever done ig

i had to SCOUR for a screenshot they'd fit into, considering if they were in the actual show, they'd have like 3 minutes of screentime

that's how unimportant they are they're literally the physical manifestation of a subplot lmao

if you saw me say Ripley was 8ft tall in the tags of another post do not listen to it i forgot 8ft is like absolutely massive lol they're barely taller than eda

imagine forgetting to check what the lineart thickness is for the actual show before drawing it sobs

im so glad i can draw their face without them looking like a horrible abomination now they used to look so crusty

DO NOT. bring leaks/spoilers into my vicinity i will fucking decimate you

[liaprime]

I said I want to talk more about the things I'm working on, so here goes!

Currently, I'm diligently working on designing Marr's office. Because a member of the Dark Council needs a big office with lots of loyal servants!

It's based on the Dromund Kaas stronghold, logically - but for whatever reason my brain decided to change the layout a little - meaning it has nothing to do with the original layout haha because that's too mundane for a Dark Councillor tsk xD

So I'm working on two things: reworking the map so it fits with the layout in my head and remodelling and decorating the rooms in the actual stronghold.

It can be unnerving but it's also a lot of fun!

[airenyah]

apparently i can't seem to keep my mouth shut so here i go rambling about acting again...

so i was watching some behind the scenes from hidden agenda and there's this one point from when they were filming the biking scene from the practice date in the park and joong makes fun of dunk for not holding onto him properly and then dunk discusses with staff how exactly he's supposed to hold joong/joke (from 2:45 on)

and there's this one thing that dunk explains afterwards (min 3:37) that delights me a lot in particular and it's this:

because YES!! he's right!!!!

it delights me to hear him say this because growing up my mom would often point out acting things to me and especially since the start of the pandemic we've done a lot of analyzing and this thing about the hands that dunk is talking about here is actually something my mom has mentioned to me before on multiple occasions when we were talking about body language in acting

in fact, i remember this one moment in particular from a year ago: we were watching the eclipse together as it aired and towards the end of the series (ep 9?? or 10 maybe????) there was this one point during an akkayan scene where my mom suddenly pointed at khaotung and went "he looks tense". and i was so confused because the boys were lying in bed in that scene, they were lying down and i was like "how the FUCK do you even see that????"

and so over the rest of the episode (and the following ones) my mom started to look out for scenes where that tension she was referring to was easier to see so that she could explain to me how she could tell. she did find a scene and i was like "ohhh ok yeah i think i get it"

and then the final episode dropped and we were watching it together as usual when suddenly my mom hits pause and goes "do you see it?"

and i immediately knew she was referring to the curled up fingers:

in fact, i had watched the ep without subs for thai practice before watching it together with her and even by myself i'd already noticed that (and i knew my mom would say something about it lmao)

and the issue with khao's hands in this scene is exactly what dunk is saying in the hidden agenda behind the scenes clip from above. khao is touching first's waist only with the tips of his fingers and it looks tentative, as if he doesn't quite dare to maximize the physical touch by using his entire hand to hold first

and that isn't to say as an actor you are forbidden from ever curling your fingers like that! however, everything you do in front of the camera (or on stage) needs to be on purpose. so if you're curling up your fingers when holding onto your colleague? well, it should be a conscious decision that you've taken in order to tell the audience a particular thing regarding the story/the character(s)/the relationship between the characters/etc

and here in the eclipse those curled fingers look strange because here we are basically at the end. we're in the final episode, more than halfway through the final part of the episode (part 4/4, min 9:04 out of 14mins to be exact). at this point the characters have been through a lot together, they've gone through character development, after a long, tumultuous story ayan and akk are finally on the same page as akk is finally comfortable with and open about his feelings for aye. so aye looking like he's afraid to touch akk just feels completely off at this point in the story (esp considering that in the story ayan is the one who is open and unapologetic about his feelings and his wants)

anyway, this is just something i was reminded of when i was watching the behind the scenes of hidden agenda and dunk brought up the hand issue. and i just always get really excited when i watch interviews and especially behind the scenes videos and the actors mention/talk about/explain something that i was taught myself

(also, disclaimer just in case: i don't mean to say that khaotung is a bad actor bc we all know that's not the case. it's just, that particular moment is off for the reasons that i've explained above. and it's somehow relieving to know that even pros don't necessarily nail every single second of their screen time kdjffdkjgf)

[saikkunen]

Anyway I started replaying Control

[astralis-ortus]

guess i missed you too much

✱ boyfriend!bc x fem!reader

— that's what being in love does to you.

w.count → 1.2k genre → fluff warning → reader referred to as baby and my love, 2 (two) chatroom screenshots a.n → based on this request! ngl i was like '!!!' as soon as i read the request bc i can just imagine how it would go i'm—ㅠㅠㅠ also, i have an announcement here about requests, commissions, and fanart shop—i would really appreciate it if you'd check it and help a girl out♡ ⋆ if you're enjoying my stories, do send me a ko-fi ⋆ see masterlist

to put it simply, chan is dumbfounded.

he's pretty sure he had mentioned to both han and changbin that you're coming here, to seoul, in a exactly week and chan needs to have all the urgent project revisions to be done prior to your arrival. he's absolutely sure the two promised they will only be gone for a little while to get some coffee to wake them up, and chan is now certain that the two are definitely not only heading out to grab those goddamn coffee.

"if you two aren't back here in 5, just know this is your one and only warning," chan muttered through gritted teeth, trying his best not to sound too pissed before sending the voicenote in their '3racha only' groupchat.

it's not that chan didn't understand—he knows he's been pushing both changbin and han more than he usually does, and chan is very much aware that the duo are bound to be a bit more rebellious than usual once they reach their point of exhaustion, but he really is looking forward to the time he's about to spend with you, and he's not about to let anything come and ruin that.

it's been a while since you've last spent a considerable amount of time together with chan. sure, there are stolen dates here and there whenever a holiday would match up and you could take some time off to visit chan's version of paradise (which is unironically everywhere within the bounds of japan) together, but those visits always ends as quickly as it starts and left the two of you with a longer list of regrets by the time you had to let your hands slip away from chan' warmth.

so this time, when you finally were able put your responsibilities on rest for two whole weeks, it didn't take much of a convincing for either you or chan to finalize the dates when you would finally be able to be within each other's reach. chan even went the extra mile to immediately book your flight coming in, though you had to basically threaten him with no video calls for a week if he went through with his other plans to spoil you rotten.

well, you could only hope that chan won't pull any uno reverse card on you once this plan came to an end.

a bell sound from his phone quickly distracts chan from the lines of lyrics he's trying to edit—an action he came to regret when the notification in view were merely a singular line of emojis sent by changbin, consisting of the same teasing faces and a pink ribbon both changbin and han been sending chan for days now on end.

"oh, he's done," chan groaned, head tilted back in annoyance as he threw his poor beanie back at the sofa where changbin was supposed to be seated right now. to be frank, chan didn't understand what changbin has been implying with the string of emojis at all. presumably changbin and han had seen the way chan saved your kakao talk profile—hence the pink ribbon, but why now? exactly when chan's the most sensitive of the topic? the fact that chan couldn't contact you drives him even crazier—you had told him you haven't been feeling well and you'd text him again once you feel better, but that was like, what, an eternity ago? chan didn't want the risk of waking you up either especially with your trip coming up, so…

he's basically helpless.

another set of annoyed groan became chan's initial response when his phone came alive with a new notification. reluctantly grabbing the device, chan was mentally prepared for a text bubble sent by the youngest of the three, containing of the same string of emojis changbin had just sent—only for his heart to jump out of his chest when he saw the pink ribbon next to your name.

before chan could type another reply, his attention were robbed by the knocks on his studio door—which is a little weird considering neither han or changbin would bother, and the fact that it's nearly midnight meant that almost no one that chan knows of should be looking for him around this time of night.

"manager hyung?" chan cautiously called out, instinctively grabbing his discarded beanie before he went to reach for the door. "did you leave something? or are you—"

the words on chan's tongue dissipates soon after the door swung open—but even with the way his eyes just doubled in size, chan still couldn't believe what he's currently seeing right in front of him now.

"hi, my channie," you finally spoke, a wide grin decorating your lightly flushed face from all the adrenaline you've been feeling; and only then, chan seems to wake up from his trance.

"wha—baby?" chan could hear how voice had skipped an octave higher, but he couldn't care less—did he fell asleep? is this a dream? chan had to pinch himself before he even pulled you in his arms, tightly wrapping the giggling mess that you are in his warmth. "you're actually here? wasn't your flight next week? did i got the dates wrong? how—"

"whoa whoa, calm down there, racer," you quickly stopped your boyfriend's wild train of questions, still with your smile plastered across the span of your face—your plan is a massive success.

"it was supposed to be next week," you confirmed, eyes still taking in chan's perplexed face while your brain etched the memory in its hall of fame, "but i miss my boyfriend too much to wait another week, so… i asked for bin and jisung's help to change my plane ticket!"

suddenly, everything that's been happening to chan in the past week just clicked—the time he caught changbin and han meddling with his laptop, the nervous chuckles, the way they become way to secretive with their phones, the phone calls, and those lines of goddamn emojis. it all finally makes sense.

"is that so?" chan shook his head despite the clear view of his dimpled smile, arms tightening around your waist, "so you three little naughty being has been cooking up plans behind my back, that's what you're saying?"

the sound of your sweet laugh fills chan with an overwhelming sense of warmth— you might spend the majority of your year apart from each other, but for chan, it's moment like this that makes all the dark nights of longing seem worth to be worth his patience.

after all, you're everthing chan ever wanted in his life.

"my my," clicking his tongue in faux disappointment, chan gently fixed the strands of hair falling over your eyes—ones ever so tender whenever you fixed your gaze on him, "what am i gonna do with you, hm? you naughty little baby?"

"not sure," you cheekily replied, lightly scrunching your nose the way chan usually does. you're just happy that you're finally in chan's arms again, to hell with any of the 'repercussions' chan might be building in his head for your little misdemeanor.

"but can you kiss me first?" you continued, trying your best to stay nonchalant despite the sudden spike of your heartbeat due to your own silly attempt at being witty and chan's surprised laugh, "i think i need my boyfriend's kiss so i could face my punishments later."

frankly, chan's head is still plagued with tons after tons of questions of your little successful stunt—he can't help it, you're someone he love and cares about after all,

but who is he to deny your sweet little plea?

©️ astralisortus, 2024. | likes and reblogs are highly appreciated♡

[neptunesenceladus]

nearly a year later

how many times can I make Tim die at the hands of his friends/kinda family before it goes past angst to just being ridiculous

[windslar]

After releasing my first collection of UI-ish templates and widgets, I found myself making more during the process of editing my posts. I'd planned on keeping this one around the same size as the previous one, but the longer it took me to properly label and organize my layers, the more I added to the file. So now we're here at like 40-ish templates (and a few even have a hidden version).

[CLICK FOR BIGGER!]

Like my previous collection, I designed this to be a "workspace" or "canvas" from which you can just pull whatever template you need. Each template is labeled and organized into folders so you'll know exactly which layers you need for your screenshot.

Tips on how to use these can be found in the original post as well as this google doc tutorial .

Font used is Helvetihand TS4 icons - L'Universims, TheSimKid, deathbypufferfish, w-sims, Tutorial on how to extract icons

TOU: Feel free to use and edit as you wish but please don't reupload and claim as your own. If someone asks where they're from, please link to this post.

DOWNLOAD FOLDER (SFS)

Windslar Collection 2.0 (91.5mb) If you prefer a less overwhelming version, I also divided this file into two parts. You can find it (as well as the first PSD collection) in the download folder.

[wiishopwednesday]

longing for something you can never return to

[ID: a collection of images relating to nostalgia. the first image is a genius screenshot of the lyrics to car seat headrest's "famous prophets (stars)." the screenshot reads "We gotta go back/We gotta go back/We gotta go back/We gotta go back." the second image is the "we got the torture labyrinth tomorrow" meme template, edited to instead say "We got missing what we can never return to tomorrow/What?/We got the beginning of the rest of our lives tomorrow/Ohhhh/Okay." the third image is a discord screenshot, with the user's username and icon cropped out so that only the text is visible, and reads "Duuudeee you missed out on those 7 days where god created earth you are fucked LOL." the fourth image is a screenshot of a piece of text, which reads in bolder font "You can never leave home." underneath it, in normal text, it reads "You take it with you no matter where you go. Home is between your teeth, under your fingernails, in the hair follicles, in your smile, in the ride of your hips, in the passage of your breasts." the fifth image is a screenshot of a post made by tumblr user ryebreadgf, which reads "YOU CAN NEVER GO BACK! YOU CAN NEVER GO BACK! YOU CAN BITE AND SCRATCH AND BEG BUT YOU CAN NEVER GO BACK!" the sixth image is a screenshot of a piece of text that reads, "YOU KILL YOURSELF AND IMMEDIATELY WAKE UP AS A CHILD ON YOUR PARENTS BED. YOU'VE BEEN ASLEEP FOR HALF AN HOUR. THE SUN IS SHINING." the seventh image is a picture of two uneven dark yellow boxed next to each other on a off-white background. the first box reads, in handwriting, "I'm terrified of change." the second box reads, "I'm terrified of staying this way forever." the eighth image is a screenshot of a post made by tumblr user dakotajohnsongf, which reads "women be looking at pictures of their childhood selves and trying to find a way back to them." the ninth image is a screenshot of a post made by tumblr user bestofgentleearth, containing a screenshot from a forum of some kind. a line of text reads "(16 hours ago) butterfly said:" underneath, an indented section of text reads "today, the world looked beautiful again. i'm starting to remember what kept me alive last summer." the tenth image is another tumblr post by user cursedsuggestion, which reads "the friend you miss comes home for good. you never see another mirror. it's summer forever and that terrible thought you keep having finally disappears." the eleventh image is a screenshot of a reddit post, with the original poster's username and icon cropped out so only the text is visible. it reads "I'm not sure how to word this, but I constantly go through this deep sense of loss. I feel like I terribly miss something I love from the bottom of my heart, but I don't know what it is, exactly. Nothing in life satisfies me, nothing makes me content, but l wouldn't say I'm depressed either. There's just this endless search for something, and at times I feel I can catch a glimpse of it - different sceneries pop into my head at times, like of a particular beach at night, and I'm moved to tears. Or I remember a dream and all the feelings that were stirring while I saw that dream, and feel entirely connected to them." the twelfth image is a screenshot of a tumblr post, but the original poster is cropped out so only the text is visible, which reads "wait i wasn't ready. i never finished that game of tag. i still need to learn how to do a cartwheel. my friends and i never finished making that bridge over the creek. i want to go back. can you carry me to bed one last time? and maybe i'll wake up tomorrow in my childhood room with my pink walls and we'll laugh over this dream at breakfast." the thirteenth image is another tumblr screenshot of a post by user heavensghost, which reads "uhhh yh sure u can go back but no one will be waiting for you there."

the fourteenth image is a screenshot of a reddit comment, with the user's information cropped out so that only the text is visible, which reads "HIRAETH (heer-eye-th) 'A deep homesickness; an intense form of longing or nostalgia for a place long gone, or even an unaccountable homesickness for a place you have never visited. A pull on the heart that conveys a distinct feeling of missing something irretrievably lost.'" the fifteenth image is a collection of 3 rows of black boxes, with 3 boxes in each row. the first box has a white, vague form of a human. the second box pictures the human form stretching its arms and legs out. from the third box onward, the human figure starts to dissipate into white dots until it has completely disappeared and only dots remain. the sixteenth image is a tumblr post by user n1ntendos, which reads "I AM HAUNTED BY A PAST I CANNOT GO BACK TO !!!!!!! anyways." the seventeenth image is a screenshot of text that reads "I cling to everything - CDs that skip, rings that turn my fingers green, the dead ends of my hair, old love notes that turn my stomach over and over. And I'm not proud but there are still boxes under my bed. And I'm not proud but my closet is still running out of space. And nostalgia is a fucking waste of time but my heart is full with it. Tell me I won't hold this forever. Tell me there will be a day where I let gloriously go." the eighteenth image is an image of larger text that reads "It's a summer day, and I want to be wanted more than anything else in the world." the nineteenth image is a photograph of a large white dog standing in a dark, flowing river surrounded by a dark forest and green trees. the dog is facing away from the viewer with its mouth open. the dog appears to be glowing, likely due to a lens flare of some kind. the entire picture feels very melancholy and nostalgic. the twentieth image is larger text that reads "Nostalgia is the aching realization that you can't go back again. The longing, no matter how intense, can never be met." the twenty-first image is a screenshot of an instagram dm, with the user's username and icon cropped out so that only the text is visible, and it reads "well the time passes anyway so I have to." the twenty-second image is a screenshot of the spotify lyrics for gerard way's song "action cat." the lyrics read "Hey/Do you miss me?/'Cause I miss you/Do you miss me?/'Cause I miss you/Do you miss me?/'Cause I miss you/Do you miss me?/'Cause I miss you too." the twenty-third image is a screenshot of text that reads "YOUR CHILDHOOD DOG IS ALIVE. YOUR DEAD BEST FRIEND WANTS TO GET COFFEE. YOU HAVE BEEN KIND AND GOOD. THERE IS NOTHING CHASING YOU. YOU CAN SLEEP. WHAT DO YOU DO?" the twenty-fourth image is a continuation of the lyrics from car seat headrest's "famous prophets (stars)" that were pictured in the first image. these lyrics read "We've gotta go back/We've gotta go back/We've gotta go back/(Don't spend too much time on it)." end ID.]

[fakezircon]

It's Done!

Three months of work from start to finish! All so I could finally present to the world:

Pocket, Minecraft Edition:

Some standard rambles and fun progress images under the cut :)

So, I started this project in early August, mostly as something I could do during downtime of a then upcoming trip.

I had seen some absolutely amazing art pieces by @royalnaym which kinda gave me the idea that minecraft rendered in pixel art has a pretty interesting while still very recognizable look. At the same time I came across @groupcritpowerdynamics 's speedrun pastel pieces and those really inspired me to try depicting my favourite game in one of my favourite mediums!

In the middle of August 6th, while in the middle of packing for my trip to the UK, I decided I wanted to do this and I wanted to have it to work on during the trip, so I loaded up minecraft and went looking for a screenshot worthy of immortalization. Unfortunately I couldn't find exactly what I was looking for so I made a brand new world and started looking around for the right vibes.

I knew I wanted a lone tree, and that if I ended up including the hot bar I wanted some hearts and food missing, so after running around for a few minutes I decided I would just do it myself and planted a sapling to serve as my centrepiece.

I gotta say I think the resemblance is striking!

And now as promised, the progress gif: mind the slight flashing, I did take these in all manner of different places including but not limited to: a plane, a handful of buses, and a small inn on the shores of England (not in that order).

It's pretty neat to me that you can see how different tones of lighting affect the perceived colour of the thread, I definitely noticed it more on this piece verses other larger stitch projects.

[hiveswap]

Summary of The Cat of The Year poll atrocities of 2023/2024

I'm sure that most people on this side of tumblr have seen the Jellie vs. Nefarious Anglerfish poll going around with like 60k votes at this point, and I'd really like clear up some of what happened since I was around for the whole thing.

Url blocked out for op's privacy. They have already left but don't look for it if you haven't seen it/don't harrass them if you already have.

1. The previous round (preparation)

I discovered the poll in its previous round, needless to say she beat Jort's ass severely. This was around the 3rd of january, meaning that this round finished before jellie's passing with only about 7k votes. Op did add their own piece of propaganda from their main:

...which was FINE. (except for stuff we'll see later) Of course running a poll while biased isn't ideal but I for one didn't even know they were the op until much later. I also added my own piece in a separate thread, and they didn't interact with it at all. There was no drama.

2. The Finale

Jellie unfortunately passed away right before the starting of this poll, which was the catalyst for what happened next. Op did exactly as last time and added a slightly more mean spirited encouragement to vote for the other contestant. This is the point where I believe that i fucked up personally.

I added this thinkpiece accusing op of associating all mcyters with Dream (who we all hate for the record) despite them not alluding to him at all. This is because tumblr has a history of disimissing all mcyters as... everything that dream was been accused of. Op did allude to not caring for mcyt. but they didn't say what i accused them of. This is important to point out because this reblog of mine is still being spread. Jellie was in the lead at the time, but not by the time i woke up next morning.

I won't be including anyone else's additions because I don't want to put blame on any specific person. Just felt like clearing up mine.

3. The Fuckening

Some time later op made this post to their personal blog:

which is insanely shitty because, as other people have pointed out, the "lame ass youtube cat" didn't die to inconvinience op or ruin their fun, and people would have probably voted for her anyway because jelly is universally beloved in the mcyt community. This isn't anti democratic. This post was added to the poll with a caption saying op should not be running this poll, and it took off. Op later went on to say that this was a joke:

This apology was not taken well by people, (including me) because "you were not meant to see it" isn't an apology and they still very much made fun of someone's pet dying. Safe to say this did not make the drama stop and only added fuel to the flame. I believe this was the point where the conversation of mcyt fans being unjustly sent hate to was reignited.

We should discuss that! it's a real thing that happens often and is equal to childish bullying. However, in this case, OP was the only one getting sent hate to my knowledge. The notes were mostly saturated by mcyt fans, and even now i can only find one or two hateful stance towards us under the whole 20k notes post.

4. Conclusions

Op posted a second apology to the catoftheyear blog to try and calm people down (i believe this is comprehensive and a lot better than the previous one) The blog was deactivated shortly after, so i only have my phone screenshots of it that i also added to the poll itself at some point:

(Edit) Here's proof that op did not write the justification they got criticised for, from the notes of the original poll:

This apology didn't get seen, or get accepted by enough people, so op made this statement on their personal:

Needless to say I am deeply dissapointed (and guilty) that it's come to this. Yes, op said tasteless things that made us all angry, but telling a human being to commit suicide is worse than being insensitive about a stranger's pet dying. Even after I posted about the blog being decatived i had someone come into my notes to wish that "they never find happiness" i mean wtf. This isn't like shipping where we can do whatever without the content creator's input. this is fucking harrowing and i can't imagine how i'd feel if this was done in my/my pet's name especially after losing them as recently as a week ago.

I hope no one from hermitcraft who is on here (let alone scar holy shit) learns about this like they did with previous lighthearted tournaments. If you truly respect the creators you claim to be a fan of as people, you do not tell people to kill themselves over them. And finally, let Jellie fucking rest, guys. she had a long, good life. I hope op can come back and also avoids behaving like this if they ever wish to do so. I'm angrier at mcytblr, though.

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.