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writella · 3 months ago

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Reckless Romantics

Synopsis: Can be read as a stand alone or part two to getting ready for me; a return to innocent, inexperienced!reader and her relationship with Rick Grimes; two weeks after their first time together there has been some distance, but now Rick wants to make up for how hasty he was when he touched her last.

Details: Rick Grimes x fem!reader, smut: oral (f receiving) and teaching reader how to give a handjob, unspecified (of age) age gap, sweetness + kissing + a little mutual pining maybe, probably cliche, and leaning more into Rick as the dutiful leader and gentle lover (I feel this is just as in character as dom!Rick). Reader is a music lover— any kind of music you like— but she also likes a specific band only because I watched a documentary about them at the theater in July so it made its way into the story. Slightly proofread— will be corrected more later. wc: 5-7k (I lost track after finishing it on tumblr).

A/N: I wrote this message before I returned for the summer, but I still want you to read it: Been spending time outside this summer, trying to reach some goals— time got away from me. I don’t think I’ll ever stop saying I miss you, but please know it’s always true.

— with love from writella, my beautiful reader. ♡

Rick Grimes was not a man to give in to temptation.

My mercy prevails over my wrath, he’d say— his secret keepsake phrase. The one he whispers to himself in moments of hardship; the one he uses when he needs to make decisions only a leader would. Rick was a man of discipline; honor. He never boasted about how seriously he took these qualities, but when others did— admired, applauded, stuck by him for it— it would be a lie to say that he didn’t take note and use their pride to keep him going. This is how he knows he is strong-willed, why he wouldn’t fall for foolish, forbidden things. He was better than that. The safety and prosperity he brought to Alexandria proved it, reaffirmed it.

So why couldn’t someone remind him of that two weeks ago before he touched you?

As for you, you believed yourself to be a girl who wouldn’t fall so easily for the first man who showed you any kind of affection.

From an adolescence of peers who never seemed to take notice of you to one filled with walkers and adults who were either dead or seldom your age, you learned how hard love, let alone any connection, is to come by. It has made you quite the perpetual daydreamer because of it. One with a heart and mind filled with fantasy worlds, creating what you lacked externally. It often made you see yourself as much younger than you were despite all you’ve been through. No regular person your age in the old world has probably escaped as many deaths and wannabe cowboy dictators as you have. Still, they probably knew what it was like to have a high school romance, or at least go to the movies with friends, and have graduated from well, anything. You were simply born too late and shoved into this new world too early to experience even half of it.

This upbringing has brought you up to believe yourself precocious, although— maybe you were already too old for that word now. No, you were, so maybe– sensible, realistic despite the overactive imagination; you could decipher between right and wrong, real versus fake. This is why, for as long as you could, you did not entertain any thoughts of Rick Grimes.

Other people would though, women mostly. But you did have your suspicions of others who thought the same— they just weren't as shameless. Those who were, could be found during lunch breaks from work on house porches; or laughing and whispering at community gatherings and at the back of town hall meetings. Basically any time or place they could turn into a gossip session, which was often. And it didn’t always have to do with Rick. It could be about any one of the men in town; or retelling funny moments to their friends or complaining about their co-workers. But anything of true, great interest always had to do with the community leaders. You wish you could say you were the exception to this interest, but hypocritically, you loved a good inside scoop, and luckily for you, you had a trustworthy way about you. Almost everyone who spoke to you or allowed you to sit with them and their friends for meals agreed: you were a intent, quiet listener making you the best kind of person to say things to without judgment; and people assumed you as shy, yet you loved to laugh which was great for boosting egos. They often treated you as a little sister in that way, as if the pleasure was all yours to get to hear their ramblings because they were either older or perceived themselves to be more sociable and experienced than you. You tried not to care too much about what they took you for. It was nice to feel trusted, even if people could be a little too mean or weird for your liking because no matter who it was, they made you feel as if you were watching television, and you missed television. They told you things from period mishaps– (it’s the apocalypse, there are a lot of free bleeding queens okay)— to which people in their workstations annoyed them most with very detailed explanations as to why and, of course, rumors or general talk about the leaders: who they thought each of them has slept with, if there seemed to be any fighting between them and what side they were taking, and obviously, anything that had to do with one of the guys. Some were downright obvious that one or the other was their type, while others might try to be more sly about it, always bringing whichever man it was up more than the others. But unless they were diehard Daryl girls, wanted to dominate Glenn, or had some military man, hot priest, or doctor kink for Abraham, Gabriel, or Siddiq, most of them apparently felt that Rick was the love of their lives. He was like a local celebrity. A band’s frontman.

“So, what about you?” One of your scavenging partners asked on the ride home. “Which one do you like?”

“They’re all attractive guys,” you say, keeping your eyes on the road. “But I don’t really think about them like that.” You feel a flush coming on. Crushes, or anything romantic, is a part of your internal world, not something you discuss aloud.

“Come on,” she prods. “You never join in. You just laugh at us for being delusional.”

“Whose us?” Rosita asks, her voice sharp, humorous, and not without judgment. “I don’t talk about that shit.” But secretly, she loved the drama as much as you and would have many questions for you later tonight about why you have yet to tell her of the town obsession of treating her friends like the cast of a reality show.

“I don’t laugh at you! I like it when you guys talk about that stuff.”

“But what I’m saying is that I didn’t let you ride shotgun this time so you can hold out again,” the girl jokes half-heartedly.

“What do you mean this time? I get to ride shotgun because I’m the one with the CDs.”

And it’s true, the only thing that cancelled out the silence of drive in moments where conversation ceased was your Oasis album playing in the background. Learning about the band was your new obsession. Much like listening to the crazy imaginations of the girls in town, you found the Gallagher brother rivalry riveting even if you only knew pieces of the story from the music, scraps of magazine articles, and by asking whoever in town happened to be a teen in the 90s. Thankfully you had hit the jackpot today though. One of the houses you visited was once occupied by a dad and daughter with an insane music collection in the living room and a smaller, more curated one in the girl’s room. After gathering what new music you wanted to try from downstairs, you also found some old issues of QuizFest in the girl’s room, filled with activities that were themed with shows you remember from when you were a kid, but the most important discovery— the find of all finds— was one of those Ultimate Guide, Complete Life Story magazines of none other than the band Oasis.

You would now probably know all of the drama between the brothers to tell a coherent story about the band’s history to anyone who wanted an escape from walker related events and farming talk. When you weren’t listening, that’s what people would come to you for: to borrow music, get recommendations, or to tell them a story. In all, you were getting the reputation of being the town’s music historian, meaning you usually used your knowledge to avoid talking about yourself. And it mostly worked.

Except for now.

“Well, if I had to guess,” the girl persists despite your silence, “I think it would be Rick.”

“What?” Noticing the incredulity in your tone, you calm your voice. Shrugging you say, “Why Rick? Everyone likes him.”

Rosita sends a look your way. It’s innocent enough, probably just showing that she is still listening on as she drives but you were refusing to look at anyone now to know for sure.

“Exactly,” the girl says. “He’s a classic knight in shining armor type. I feel like he’d talk you through it, which I think would be good for— someone like you.”

Your face is on fire, you can’t even speak properly. “I- first of all, what do you know about my experience?” you ask, the incredulous tone returning. But all you get as an answer is knowing snorts and chortles from the two women. Ouch. Nonetheless, you continue, “Second, you think shooting a guy in the head in front of his wife and the whole town is chivalrous?”

Oh—

That makes car goes quiet.

You know you made a mistake.

You didn’t mean it as crassly as you said it, and you did feel bad for saying it knowing that the situation was more difficult than you summed it up to be, but you didn’t apologize. All this talk about crushes and especially Rick made you embarrassed. It’s not that you didn't see what others saw anyway. Of course you noticed how nice Rick’s curls are, how he doesn’t have to use any product for them to look as they do; or those blue eyes and how when you get closer, they become that much more stark and crisp; or how good he was at talking to people, convincing them of things or simply just reassuring them as a friend; and that southern drawl that still sometimes catches you by surprise by sounding so pronounced at the end of certain words, making his voice that much more intoxicating. Of course you saw the appeal, but that didn’t mean you had a crush on him.

Right?

Maybe it doesn’t matter. You just felt you knew better. He was like a president. You know of them, and you believe in them, but you don’t get close to them. And it didn’t matter that he told Carl to personally deliver you a stereo he and Daryl found while out once. How he remembered how you liked music. How he told Carl to tell you this one was probably better than the old one you had, that it was louder. You only showed him your old stereo that once when he was helping you move. He was just a perceptive guy with a good memory. All leaders are like that.

Right?

Anyway, let’s get back to your crass… joke.

“Hilarious.” Rosita says and you hear the low contempt in her voice at your insensitivity.

“That was ages ago though,” the girl chimes in, saving you just a little, “and he did it to help her. He didn’t care about the mess he made. He save her. I’d say that’s pretty romantic.”

“Let’s not call that romantic,” Rosita scoffs, and despite the slight frustration, there was a quiet sadness in her voice at the memory. “That wasn’t love.”

“That was reckless, not romantic.” You agree. Partly because you truly do, but also in attempt to win back favor from your friend. “I shouldn’t have mentioned it.”

But after that day, it was all you could think about.

The idea of a knight; a romantic; someone that would do anything for you, ruin his reputation for you; find gifts from the outside that he’d send is son to give to you. Maybe you did find it charming, idyllic.

These thoughts soared in your mind so much so that on one night when thinking about boys from books or your favorite artists wasn't enough during moments under your sheets when your back arched and your fingers trailed up your thighs, your mind switched from people you would never meet to him, to Rick. Your eyes scrunched tighter, and you tried to shake it away, telling yourself it was just the women in town and the talk in the car getting to you. But then you thought about how rich and hot pink his lips looked on a bright sun-burning day and how it would feel like flames firing inside of you if he kissed you with them.

Ideas like these went on for nearly a year now. You even started questioned if maybe you had always liked him, maybe you were always just like the other girls even though tried to not be. You had thought it made you respectful, realistic; after all, how could Rick be the love of your life if he was everyone’s? Wonderings like this became even worse and more confusing when Rosita had asked if you’d like to move in with her. Becoming closer with her meant being around the leaders more often, which meant coincidental encounters and conversations with Rick as well. Quickly, he wasn’t just that president or celebrity anymore who talked to you sometimes and got you that stereo that once. He was becoming a peer— at least in some ways. One who was curious about your interests as much as your opinions. But it’s not exactly like you were in the in-crowd now as some people assumed. You didn’t get to go to leader meetings, and as much as you knew Rosita must have been telling you more than others know, she couldn’t have been telling you everything. But you did see him more than other people now, when he and the leaders came over to the house or when Rosita was invited over to theirs and she’s tell you to come too. And now, with these thoughts spiraling, you can’t help but to look back at the at the times where Rick approached you, gave you all his attention no matter how small it was and asked you about what you were listening to or reading that week, letting you ramble. He was an older guy, yes, but he cared, he actually listened, and he didn’t make you feel like the childish little sister others do.

Sadly, you did become the fawn like you had told yourself you wouldn’t be. But you couldn’t stop picturing him when you closed your eyes, and in fact, it was nice to imagine someone to fall asleep with, to wake up to. It was just going be your secret. Part of your fantasy world. But then— it all caught up to you.

Through the sliver of the open door he saw you, fingers between folds, goading yourself on as you chanted his name in whispers.

And to your surprise, he encouraged it. No, he did so much more than that— he helped you, made you come; gave you your first orgasm and made you his like no one has before.

You loved it. You gave into it. Even if it was just one secret moment. It made you give into the idea that this would continue but of course, it didn’t. He hasn’t spoken to you in almost three weeks until—

“Woah-” you gasp, almost crashing into just the person as you exit your room.

“Sorry,” you both say in unison, holding onto each other's forearms before quickly letting go. Your arms cross over into your chest before dropping as you enter your room again, clearing the hallway, and his hands go behind his back. He’s still as unsteady as you are, his mouth is slightly open, thinking of what to say.

“Hi,” you whisper tentatively.

“Good morning,” he politely replies. His eyes now smile slightly as he nods to you. You don’t miss how the light emanating from your bright room makes them shine. And he doesn’t miss how the light shining behind your figure makes you, in your white cotton sundress, look like an absolute angel.

“Good morning,” you repeat, giggling slightly, not knowing what else to say.

“Good morning,” he says again, lost and as giddy as you are.

“Oh wait— is the leader’s meeting here today?” Rick starts to nod and answers yes as you continue to speak, “I totally forgot! I’m sorry. I know I should be gone by now.”

He shakes his head, “It’s fine. I was just going to the bathroom.”

“Here? Was someone in the one downstairs?”

“Just wanted to be away from everyone when they came. Daryl and I came early so we started talking and I just- we didn’t see eye to eye on something. I needed a minute.”

You nod. That seems to be your signature when to talk to him. You hated it honestly. Often over-analyzing your words, worrying you’ll sound immature or stutter in front of him. “I'm sorry,” you tell him sympathetically. For a moment there is only silence which makes you worry he will go away, so without thinking, you ask: “I know you’re busy but, if you need a moment, maybe you would like to come in here instead?”

Rick freezes but then, inevitably agrees. As he enters, you close the door and quickly go to shut off the low playing stereo and rehang some of the dresses on your chair in the closet— you had been getting ready for the day. Rick goes to sit on the chair after you empty it but you stop him. You sit on the vertical side of your bed and guesture Rick to sit in the spot next to you, closer to the headboard. You wanted to sit next to him.

Rick doesn’t question this, maybe he wanted to be as close to you as you had, so as he sits, your thighs touch. You try not to move too much at the first contact. Still, the heat that starts to burn inside you makes you realize how much you’ve craved this. Can two weeks feel like a lifetime? It’s like you haven’t felt him in ages.

“What were you playing today?” He asks and you realize you eyes went straight to the area where yours and Rick’s legs touched. You know he noticed but still you try to answer normally.

“Selena. Rosita loves her. It’s one of her most famous songs: Amor Prohibido.”

He nods. “I probably wouldn’t understand a bit of it,” he laughs.

He would probably remember the singer from the news if you gave more context but you don’t. There is a silence that follows until you ask, “So,” starting slowly, “what’s wrong? Is Daryl aright?”

He doesn’t answer. His mouth is open as if he’s deciding what to say, but nothing comes out, so you continue, “You know, nothing is ever right in the world when Rick and Daryl fight. It makes me sad.”

The joke makes those lines at the sides of his eyes appear— a quiet laugh. “Well you know I’d never want to make you sad. Especially not you.” You two exchange a light smile while that heat rises fast to your heart. “We’ll be fine,” he finally says, but then he goes quiet again. Rick seems unsure if he wants to continue. He even looks at the door, wonders if the others have shown up yet, but— he knows he doesn’t want to leave. And even more, he knows he shouldn’t after ignoring you like some teenage boy. He decides to tell you what’s happening: “Daryl wants us to bring new people in. You know how he’s always going out there. But I think it’s way too soon.”

You hum agreeingly, but at the same time, you understand Daryl. “I think he just likes to give people what he never used to have,” you suggest.

“I know,” he nods a bit annoyedly; “and that’s a nice way to put it, but you know him, when he has his mind set on somethin’ he can be so damn stubborn. It’s frustrating. He won’t compromise or listen to anything.”

Endearingly, you try to withhold a laugh, your lisp pursing. Not only because when he says anything, it actually sounds like anythang, but because Rick sounds like he’s describing himself and he doesn’t even realize it.

“And,” he adds, pausing for a moment before he continues, scratching his beard. It looks as if maybe he shouldn’t tell you what he’s about to. His head hangs low to say: This is not information for everyone to know, okay? But the last time he went out there with Glenn, the reason Glenn’s arm is in a sling right now, is because they met a group, tried to bring them back and before they could make it even close to home, the group fought ‘em, tried to steal what they scavenged, and almost kill Glenn.”

You widen your eyes at the statement. You actually already knew this from Rosita, but that will stay between you two. All you feel is humbled that he felt he share it with you, despite it being a dark thing. It was a close call. Rick was right for being very cautious right now. “Wow,” is all you can get in before he speaks again.

“Imagine if we lost him. Fought this war with his wife and unborn baby at the time for nothing? So he couldn’t even meet him?” Rick shakes his head, and you notice his foot tapping lightly, making his knee bounce. This had happened a month ago now but it was obviously affecting him. “It was reckless and I told him that. That right now we need to be focusing on what’s inside these walls. People have only just started getting back to being comfortable now; to feeling like this is a home.”

Your eyes remain wide, “We did so much rebuilding you.”

“We did complete rebuilding.” He corrects, though not rudely. Shaking his head, he goes back to talking about Daryl: “I think I made it seem like what happened to Glenn was his fault. So not only were we arguing but I must’ve hurt him,” Rick realizes, “and now he definitely won’t be back today— maybe not even until next week.”

A silence hangs in the air after this; it seems he finished. Now, you know you should speak, but as the silence continues, you grow more unsure of what to say. Issues like these are things you’ve never dealt with. You didn’t want to say something stereotypical.

“I’m sorry I’m putting all this on you.”

“No, no,” you quickly console, trying to think. “Um, well,” you say, starting unsteadily, “this is probably going to sound stupid and not helpful. I don’t even remember the exact context or what was truly said so it might not make any sense either but, do you remember when I had my Oasis obsession? Earlier this year?”

“I do,” he laughs, turning his head over to your music table. His eyes scan any of the visible album titles to see if he can find it, but the print on most of them are too small. He turns back to you as you continue:

“This is going to sound a little far off but I think you and Daryl are like Liam and Noel.”

His eyebrows furrow, “Didn’t those two hate each other?”

“I mean, yes— but it’s much more complicated than that to me— but no, I don’t mean in that way. It just that there is this quote Noel says that I don’t remember exactly, but I really liked: he said that even though he wrote the music and Liam did the singing that Liam meant the words just as much as Noel did because they’re brothers and he wrote them. I thought that was beautiful, but…” you trail off.

He stays silent, trying to give you space to find your words but you feel like you’ve gone too far. It’s all pretty convoluted and not a true comparison to what’s going on that you’re even confusing yourself a little. “I think what I mean is that even though they have their different roles, they still feel very similar things and believe in the same purpose. I think that’s like you and Daryl. You two are so similar yet so different. But there’s still a binding force that always brings the two of you together. So, like I’m sure you already know and I didn’t even need to tell you, but you two will be okay. You two have different ways of doing things, but the music or the life you’re trying to create in Alexandria still has the same meaning to the both of you.” You laugh small and breathily as you end. “That probably didn’t make sense.”

Rick smiles to himself. “I didn’t get that first bit, with the quote, but no… that made a lot of sense to me.” He nods toward you and you return his smile. “You’re so bright. You know that? Not everyone knows how to stitch things together like that the way you do.”

This makes you feel good. Rick thought you were smart. You know you should say thank you, but instead, something else comes out: “May I, may I kiss you?”

“Yes,” he answers, almost stuttering it out, a hint of hesitation before he did, but he nods so kindly, so reassuringly as he tells you again: “yes.”

Your fingers touch his lower cheeks lightly, feeling the bristles of his beard. You’re slow, and careful, and scared. Your fingers linger on his jaw for a moment until they completely caress his right cheek and then you move in, swiftly— worried you’ll lose your confidence, worried he’ll change his mind. You catch his lower lip and seal the kiss. Your lips are locked for a few seconds until you retreat. It was nice, and exciting, but short. You knew you could have put your tongue in his mouth. You believe he would have let you because you remember when he did it last time, but you didn’t want to embarrass yourself by doing it wrong and once again reminding him how much you don’t know. But you’re sure giving him a grade school kiss like this one was enough of a reminder.

Your eyes roll down, chin low. Your cheeks are on fire and your hands do not know where to go so you start fiddling with the hem of your dress and then you laugh. You were trying to be courageous this time, and you were, but you also weren’t.

Rick grabs your left hand, holding it at the end of your thigh, “I liked that,” he says softly.

“You did?” You ask as softly as he, eyes meeting his.

A short, airy snicker comes out, “Mhm,” he hums, giving you a closed-mouth smile. He found you simply adorable.

“Can I… try it again?”

Rick pulls on your forearm, attempting to bring you closer to him. “Yeah,” he nods, voice gentle. “Do you want me to help?”

You nod before you speak, happily accepting, “Yes.”

He puts your hands on his shoulders. One of his grabs onto your waist and the other holds you lightly under your chin, adjusting your head to meet his lips. The first kiss he places holds just for a couple of moments as the one you gave him did, gentle but packed with longing. The next two are slow, pretty pecks that already have you melting at his touch, lips agape waiting for the next one. The fourth is the one where he brings his tongue into your mouth, carefully bringing it in quarter by quarter. He tastes the top of your mouth and tongue and you feel him as he slowly starts to explore how far you may like to go, but truly you become stagnant other than your hands that press into his shoulder. Luckily, Rick either doesn’t notice your hesitation or is already silently helping you as he takes the lead, pulling you closer by the hips and slipping his tongue in and out of your mouth to kiss you more. It makes you smile— the excitement of your first make-out session. You giggle, and then it makes him smile too and your teeth slightly bump into each other. Accidently you nip his lip because of it, making you pull back.

Your fingers hover over your lips as you impart a quiet apology but Rick just shakes his head giving you another quick kiss instead. He starts to move back on your bed, back pressed again the headboard and he tells you quietly, “Come here.”

You get up and sit higher up on the bed as well, calves folded under your thighs. He takes one of your legs and starts to put it over his as he asks, “Is this okay?”

You nod, vigor growing as you do it now, thrilled to sit on his lap. Your dress bunches around your hips and the tops of your thighs. You move closer to press your chest into his and you kiss him first again, another small one but with intent as you look at him afterward, feeling the scratch of his beard on your fingertips as you smile at him, in awe that this is happening.

“You want to try this time?”

“Uh,” he means you put your tongue in his mouth this time, but you’re afraid to do it wrong but you know you want to say yes so you do, “Yes, okay.”

So he brings you in again and you kiss him. He mouth opens a little and you try to bring your tongue in slightly but you teeth clash. “Sorry,” and quickly he responds that it’s okay and rubs your cheek, telling you to just open your mouth a little wider, no teeth, let your tongue go on top of his.

You try it. Your tongues meet again, licking each other tips before you slowing press in more, your chest touching his as you try to close the gap.

Rick starts slowly rocking your hips against his and he takes control of the kiss again. It helps you not think, you like it. And you like the feeling of that incoming tight bulge starting to form under his jeans, but then you let go. “Wait,” you say, “I like this.” You pause for a moment, confusing him more as to why you stopped. “But… there is something I wanted to ask you.”

“Okay,” his hand stay fixed on your hips and waist, rubbing soothily, “What it is?”

Another pause. “I feel nervous,” you whisper.

“You have no reason to be, sweetheart. You can ask me anything.”

You laugh, smiling as you look off to the side. Anythang.

He smiles too, although unknowingly to what you found funny. His head tilts as he tries to find your gaze and turn it towards him again.

“Well, the last time we were together here you taught me how to do something. You taught me how to pleasure myself better so,” you stutter, “I want to pleasure you. If that’s okay. And I was wondering if you’d teach me how- to touch you here.” You remove yourself from straddling him and point in the direction of his cock.

Instantly he feels a stir of his already hardening dick.

This is not how he expected things to go this time. Or truly, he didn’t expect any of this at all, but when you asked to kiss him he decided he would be gentle, more giving. It felt like you wanted him to take again, the exact thing he was trying not to do. “I feel like I took advantage of you last time.”

“Rick…” you shake your head. “I’m the one who didn’t close the door all the way. You asked if it was okay and then you asked if you could go faster. I said yes to everything…” You start to worry— is he second guessing everything now?—“I feel maybe we remember this differently.” You bow your head again now. Feeling ashamed, wondering if he did.

Rick places one hand on your knee to comfort you although he still says, “It’s just that I’ve never done something like this before.” His thumb sways on your skin. “I just don’t want you to end up feeling like you’re wasting your time. Your first times.”

You’re surprised, “It’s so funny how you can be so self-assured in front of a crowd and now you don’t think you’re good enough.” You take his hand and press it towards your chest. Your heart was racing. “I like you. So much.” You swallow as he says your name softly, realizing how fast your heart was going. “No one in town is truly ever mean to me or anything, and Rosita has been so kind with letting me move in with her and we talk and its nice but, you know— she has her flings and her friendships that are separate from mine and everyone just always seems like they have their person and I just don’t. I don’t have my person, or any person.” You remove your hands from your chest but Rick still holds onto it, squeezing your hand as you start speaking again. “You’re kind, Rick, and you make me excited, and you remember things about me… “ If your face could get any hotter, it does, “And, well, you’re very handsome. If you could teach me again, I would like that.”

God… Rick was trying to be a romantic yet you were so adamant on getting him off. He laughed inwardly, shaking his head, deciding that the best way to handle this situation— and make up for some of his guilt as he was trying to— would be to give you the thing you say you want and not what he thinks you want. Suppose that’s one for widower’s wisdom.

Decidedly, Rick gets up from the bed, giving you a once over, still admiring how adorable, and how sexy, you look to him with your feet under your lap, hands on your knees as you look up at him from the bed and your white dress. He starts undoing his shirt buttons. “Remember when I did this the first time?”

A smirk came on, there’s the Rick you remember. Blue eyes intense, and voice getting cocky as he gets ready to give you what you need, what he knows you only want from him.

“Yes,” you say quiet yet with budding excitement. You start going for the hem of your dress, “Should I start taking this off too?”

“Mm, stay like that.” He’s taking off his belt. “Thought you looked beautiful in it right when I saw you.”

Your thighs squeeze together slightly. Rick Grimes was undressing before you, for you, and calling you smart and beautiful all the while.

As Rick lowers his boxers, his cock springs up. He returns to his spot on the bed, back leaning against the headboard. All of a sudden he seems to truly recognize that he is the only one exposed. He would tell you what to do, guide you, but in a small way, in a way you probably didn’t realize, you were in control. It seems that each time this happens— although it’s only been twice— and each time he talks to you— which has been plenty— you steal a little more of Rick’s heart and he just can’t stop it.

“So,” he clears his throat, your eager eyes on his cock making him twitch, “you usually just wrap your hand around, start from the base and keep pumping up.” He shakes his head, “there’s not too much too it but it’s best to keep your hand light at the start, you—”

You nod quickly, “May I?”

As he nods back you, “Yes.” And as he says it you’re already licking your hand.

“Is it okay if I spit? That helps right? Or is that nasty to you?”

He’s caught off guard, “No, no, that helps.”

So you do and you place your hand lightly at the base as he said and you start to pump. Instantly, he lets out a gasp, and the next noises that follow are repressed grunts and groans. You want to ask him to stop doing that but you’re a little scared to speak up that way just yet and you’re too engrossed in how you can see the light veins of green and blue on him and how he’s so red at the tip. It was honestly exciting. Just this, touching him with your hand, staring at his member and watching him twitch as his mouth opens to pant lightly. It still felt unreal but you liked it and you were happy to learn. You start to pump him more towards the top, placing your thumb on his slit- pressing in. His abs clench at that. You push in a little harder and you squeeze your fist around him a little— testing it out to see what happens—and he groans, unadulterated this time, “oh, fuck.”

The heel of your foot that’s under your lap pushes into your center at that.

You start pumping faster. “Am I doing good, Rick?”

Hearing your voice sets him off, “Fuck, sweetheart. Yes.” He’s honestly choking out each of his words, he didn’t expect to get so turned on by all of this. He realizes the last time he had sex was with you that first time, and before that… he can’t even remember. “You’re doing an amazing job.”

As you pump, you start to slow down, only doing it shallowly towards his base. You’re feeling confident and you kiss the side of him, licking a fat stripe up to the top and then you pump him fully again.

“Oh, fuck, yeah,” he breathes out. He wants to tell you to slow down but it comes out of nowhere, he stutters before he can even speak. An unintelligible groan mixed with a moan comes out abrupt and louder than he intends and white spurts of liquid come out.

You go faster for a few moments, then start to slow down, a little unsure of what is best to do, but you notice when you start squeezing him a little more as you continue to pump up and more whiteness fall out from inside of him.

“Did I, make you come?”

“Yeah,” he says, huffing.

“I did?” your cheekbones rise as you ask with awe— it was another first for the books.

Rick’s tries to let his embarrassment fade, he can tell you were just excited about it, but still, he looks down and to the side, avoiding direct eye contact— almost like you typically would. You peer at him, almost nervously because of it. Rick is usually the confident one. “Doesn’t always happen that fast,” he explains.

“Well before a month ago I didn’t know how to make myself come so I wouldn’t know,” you say with self-deprecating assurance. You had heard from the girls in town that it was easier to make men orgasm. You already had it in your head as something not to judge. You wonder how hard he must have been restraining himself the first time he placed himself inside you, or if it just happened to be easier for him that time around. “I didn’t expect I could do it or anything really. I thought it was…” you smile while giggling, “interesting.”

“A good interesting I hope.”

“Very,” you assure. “I liked it.” You kiss his cheek as you take some wipes that are by your night stand and you start cleaning him up. He doesn’t tell you that you don’t have to; he helps along with you.

“You sure you’ve never done any of this before?”

You shake your head. “I just read fiction books.”

He smiles to himself, a quiet snort of laughter leaving his nose. You always surprise him.

When you two are done cleaning, he puts his boxers back on. Quickly, he is on the bed again and starts to kissing you. Rick holds your shoulder and pushes you down. Finally, it’s time for his redemption, he feels. It was your turn to be pleasured. Just like he wanted to do from the beginning.

Rick kisses down your neck to your collarbone, and the parts of your exposed chest and he pushes your dress up past your hips. His lips move back up to yours, kissing you more before saying, “I really wanna show you something sweetheart.” He presses his thumb into your clit over your underwear. “Can I kiss you down there? Have you ever had that before?”

You shake your head slowly, eyes wide. “I-” you start nodding your head, “-I would really like that.” And in such a small voice you add, “Please.”

Rick kisses your cheek. Deep and softly he breathlessly tells you, “I would love to.”

Rick moves his head lower and gives you slow kisses over your underwear from your mound to the end of your lips. He starts to drag your panties over your legs and once they’re gone he kisses up your thighs. Then his nose rubs and sways ever so lightly on your lips. He breathes in and it makes you shutter. Your heart is going crazy again. Finally, he licks upward. One long and languid stripe ending with a kiss to your clit and then he truly begins.

Tongues are wet and sticky and everything you ever dreamed of. Your eyes roll back instantly from that first lick and kiss. You remember a time when you started touching yourself that you used to never think of receiving oral. You thought it was scary, nasty, that you wouldn’t like it until the moment you thought about it as a million kisses on your most sensitive lips, or someone liking you so much that they’d get drenched by your wetness just to touch you, to taste you. After that, you thought about it all the time and now it was finally happening– someone needing you so much they just had to know what you taste like. Here he was: kissing, licking, sucking, not caring about how he looks but only how you feel— you now knew what it was like to be desired.

Rick presses his tongue flat on your clit, rubbing deep circles. His eyes are open, looking up at how your mouth opens wider and wider. You let out little whimpers, enamored by his tongue, still deciding if you like the scratch of his beard, but your eyes stay glued to the ceiling, scared to look at the scene below.

He gives you kitten licks in between speaking, “Look down. Don’t miss your first time.”

Your eyes go down slowly, watching as he gives open mouth kisses to your clit and right lip, tilting his head. He stays there for a moment, hearing your short and breathy pants, kissing and licking your clit and lower lips like they were the ones above your chin. His eye contact sends bursts of sticky wet fluid down your hole and you release a whimpered moan, they’re always sp short and soft and high pitched. He can tell you like it but he can also see you’re nervous. You don’t trust yourself, you know it, and he’s starting to realize it too. You’re scared of completely letting go.

He peppers kisses to your clit before moving upward, his tongue rolling and mouth kissing from your lower stomach to your breasts till his face reaches yours again. “No one’s here,” he tells you. He then kisses your lips allowing you to taste yourself for the first time. “Relax,” he whispers, rolling out each syllable. He holds your chin with one hand while he inserts a finger into your hole with the other, his pointer is instantly drenched and you shudder at the feeling. His single calloused finger reminds you of the time he was last inside you. He pumps slowly, looking into your eyes as he speaks, “Don’t think about who could come downstairs.”

“What if Rosita or Daryl come back?”

“What if?” He says it so simply as if he’s ready for everyone to know. Truly, that would be an issue, but right now it was not about him and it was completely about you; he wanted to give. It was short-sighted, reckless, yes, but… you were just so pretty, so bright, so insightful, and he felt like he needed to make up for all the taking he did last time, of your first time. Rosita had went to run after Daryl, hopefully no one was here anyway. But again, he didn’t care. It didn’t matter. “Lay back,” he gently commands, “forget what I said before- close your eyes. Just give in to it. Like I’m the only one who's here.”

Rick licks zig zag stripes down your slit and then he decides to insert his tongue in your hole. He goes as deep as his tongue allows, collecting your wetness and trying to swallow it in moments when he turns back to kissing. He his nose is brushing and rubbing up against your clit as he sucks wetness from down below and you start letting out stringy moans you can’t control. Soft, pretty, and continuous, “uh, ah, uh, uh” that turn into “sorry, I’m sorry.” You’re still self-conscious about your own noises. This was still only the second time you’ve heard the sounds you make when someone else is fucking you.

But Rick shushes you. Giving small kisses to your clit as he looks up at you, seeing your scrunched eyes and open mouth. “I like knowing you like it, pretty girl. I like all those pretty sounds you’re making.”

Your pussy tightens around nothing at that phrase.

“Keep going. You don’t have to be shy.” He grabs your chin and you look down at him. His beard is wet. “We’ve already made a mess anyway.”

He starts kissing your labias, licking up wetness when you decide to ask, nervously, “Can you make sounds too?”

Instantly, Rick goes again to kiss your clit, humming into it as he sucks. Breathing against you he says, “Want me to tell you I like it, sweetheart?” His tongue slides down again, tongue reaching into your hole and he moans into your pussy.

Your back arches and you mewl, you could almost scream.

That’s it, he thinks. Rick keeps humming and groaning into you now. His voice is so seductive. “I love tasting your pussy, baby.”

You couldn’t breathe.

Rick starts rubbing your clit with his thumb and going fast with his tongue in your hole “My bright, pretty girl gonna come for me? Hm?”

“Oh, Rick, I want to. Please, Rick.”

Rick starts to go faster and your brain turns to mush. Only noises coming out and when he stops his tongue movements to say something more you push his head down. “Sorry,” you say. You’ve never been forceful before but he says nothing, just continues going down on you and taking his free hand to place it over his, gesturing that he wants your hands in his hair. You tug on his curls and he grunts into you. You start chanting his name and then he switches to placing his lips on your clit and putting two fingers in your pussy. It reminded you of the first time but instead of your three fingers they were two of his and it felt so much better than you ever knew before, better than you could ever do it yourself. It sets you off. Your eyes shut tighter if they could. “Rick! Oh my god,” you moan and then again and again and then you come.

Rick laps at your cunt, vigorously trying to wipe you clean. He makes it look like it will be the last and only time. It makes you worry but at the same time he looks so sexy like that; needy for you even after you finished.

He takes your wipes and cleans his lips before cleaning you up as you did for him. He kisses you thighs and your lips and your cheeks as he continues. “You did such a good job,” he says. “You always do.”

You’re filled with pride at that. “Thank you.” Then worry sets in. You realize how public you’ve made everything. “Did I just ruin your life?”

He laughs while caressing your thigh. That anxious expression of yours that he just got rid of returns after all the work he did.

“I’m gonna check downstairs. Okay? If they’re there, they’re there.” You nod. We already made a mess anyway, you remember him saying. “They might want to start the meeting when I go down so, whatever happens, happens alright? You didn’t do anything wrong.”

Your eyes are still nervous, but it’s all too late anyway. “Okay,” you respond.

“Okay,” he says back, kissing you once more. As he dresses himself again, he tells you, “I promise I won’t wait two weeks to see you again.”

“I’d like that.”

“Me too,” he says as a send off and goes into the bathroom to clean his face.

When he reaches the living room, there is no one. Rick is thankful but confused.

As he nears the coffee table there is a sheet of yellow lined legal pad with a talkie next to it.

Call when you’re done, it reads.

“Rosita?” He questions into the device. Who else could it have been, right?

He can almost hear the grin on her face. “They should start calling you Reckless Rick for all the agony you put these Alexandria girls through.” She pauses for dramatic effect. “There’s just something about that stupid hair cowboy accent, I guess.”

Before he can respond, telling her that it’s absurd to think of him as a playboy, that he was far from it, she continues:

“So, fucking my roommate? You’re glad Glenn and Maggie called everyone over to theirs instead. Hershel took his first steps while you were teaching someone else how to take theirs.”

She unpressed the button to suppress her laughter. “Just get over here,” she concludes, putting down the walkie and going back to meet the rest of the group with a perfect poker face. She tells everyone Rick will be here shortly.

Oh, Alexandria’s leader and her new little best friend who has been hearing the townswomen’s fantasies of him for years: Reckless Rick and his reckless romantic girl.

Rosita would give you so much shit for this when she gets home.

#rick grimes x reader #rick grimes x reader smut #rick grimes x fem!reader #rick grimes x female reader #rick grimes x y/n #rick grimes x y/n smut #rick grimes x you #rick grimes smut #rick grimes fic #rick grimes fluff #twd fanfiction #twd smut #the walking dead fanfiction #the walking dead smut #the walking dead fic #the walking dead fanfic

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evilminji · 8 months ago

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Broadway :3c

And I hear ya. (Insert spooky joke here) There is a sprawling WEB of central hubs, for The Arts. For trade. For getting drunk and having a good time. The Zone is large and it is endless. You'll NEVER reach the far end. It can never reach you.

All things, in gentle sweeping waves, across eternity.

So when folks want to have "a market" or "a movie theater" or "the waterpark"? You gotta PICK a point on the endless map. Figure if you are close or far enough away for others like it, to make it worth the effort to build.

You might even be the first to do it for GALAXIES in any direction! People might fly for WEEKS to come to your place! Move their Lairs to be closer too it. Like dust gathered by gravity, slowly creating planets and stars. A mega Lair. A CITY.

They rise, they fall, the Zone shifts all the while.

But!

Does the dead starlet stop singing? Does getting gunned down, stop the show?? I think NOT! Where is her STAGE? What musicals? What dramas? What operas and tragedies and forms unknown to human kind??! Ballet dancers who CAN defy gravity! Singers who have no NEED for air! The haunting blend of instruments, that could never in life have met! From empires long turned to ASH!

The greatest show in DEATH!

Ember was a world wide hit. Yes, her voice was hypnotic. But that could be FOUGHT. It was SKILL that carried the game. And she was hardly "I was Literally The Greatest My Planet Ever Produced" skilled. She was good, great even. Not "I was Born For Greatness" Excellence.

And like?

.....eventually? Danny's gonna ask after "cultural-y" Culture stuff. Clothes and food. Music and the arts. To help his parents get used to the whole "our son is half-dead" thing. To show he's not some mindless monster now.

And? Ghostwriter? Probably an absolute legend. Does he know where you can find some CULTURE? Oh THANK ZONE! He thought you'd NEVER ask! You unsophisticated-! *fist fight in a library* Still a dick, though. Always and forever.

And just? Imagine Broadway stretched out into a floating city. That never sleeps. Never stops. Shows ever changing. Some on a cycle, some only once. Dream-like. Beautiful. Eye catching.

And yeah, Danny didn't think he LIKED musicals. It was more of a Jazz thing. But? This was important! Gotta get the whole family in the Speeder. We're going to see a play, guys! We'll pick when we get there! Family road trip! Educational! We can make notes!

His parents are trying to be supportive. Big, fixed, strained grins. Trying to pretend to be excited. But they... DO seem reluctantly intrigued? And Jazz is all but vibrating in her seat. It's basically her "before you go away to college" present. And she is THRILLED.

The longer she excitedly speculates? The more into it she gets their folks. This IS gonna be new! Exciting! Never before seen Ghost Culture! Music! As a FAMILY! Think we could find souvenirs? Ooooh, wonder if they sell CDs??!

Then? They GET there. And it's... it's like seeing the Las Vegas strip for the first time, except multiplied into a city. Made of even MORE styles and eras. At angles gravity would never allow.

The air filled with laughter and excitement, people rushing to shows or humming bits of tunes. Street stalls. Fountains. Flowers growing everywhere.

They could stay for months and not even reach a fraction of these buildings. His parents are taking countless photos. His sister squeeling with joy as she races for an information kiosk like they just arrived at Disneyland. He, at least, remembers to lock up the Speeder. Grab their day bags.

When did HE become the responsible one?

The argue over shows. Obviously. Wouldn't be Fenton's otherwise. HE wants to see the alien one. It's from mars! But it's his sister's trip, as his dad points out, so she gets to choose. She picks a musical set during the Fall of Krpton. He's... reluctantly kinda interested. I mean, EVERYBODY likes Superman, right?

It's... it's amazing. Terrible, but amazing. I mean? A coming of age story cut tragically short? Oof. Hello, massively projecting then getting FEELS about it! Yeah, sure, rip my heart out why don't you? He's fine. No, really! Just drowning in his own emotions over here. The refrain of "A Life Well Lived"? *gargling dying whale noises* he's FINE. Not grappling with anything! Go on without him!

Thankfully?

They DO sell CDs.

He... he may end up, kinda, getting a bit of a collection. Going on the weekends, hoping show to show. Wandering to whichever catches his eye in the moment. Buying the CDs for one's he likes. Which? Honestly is a lot of them. Even though there's all sorts of genres and languages. Cause it... it RESONATES you know?

The grief. The anger. The "I have died but I wasn't FINISHED. It isn't FAIR.". And? Something about ghost speak flows so BEAUTIFULLY in song? It's hard to explain. But he... he needs them.

A pair of headphones, a CD, and a clear night sky? Nothing touches it. It's like a trance made of light. Like he can just drift.

The problem? Is the CDs are kinda... Zone made? They're radioactive, for one. Nothing a Fenton CD player can't handle. But... they? Also? Kinda fuckin GLOW? Like... very, very noticeably. And not in a "ha ha, cool glow in the dark paint!" Sorta way.

.........but like FUCK is he leaving his music behind when he goes to college. Gotham will have to deal. It's already a burning shit-nado, it can handle this. Probably. He'll put um in a lead lined box. Actually, speaking OF.... he needs to get a few more of those... *goes back to packing*

Which? Is how? The Bats are treated to some of the most HAUNTING music they've ever heard, belted and crooned from Some Guy's speakers, out an open window, on the "stop for a mid-patrol drink of water and a snack" building. It's one of the intersections of their patrol routes. And THAT? That is some dude listening to a Romani ballad about death and the circus. Now it's a musical about the trenches of an obscure war.

Okay, that was DEFINITELY Kryptonian. Like... coherent Krypto- *Bruce gets a call from Clark on his "work" number DEMANDING to know where that is coming from. Who is that voice Bruce?!* huh.... Well Then.

@hdgnj @hypewinter @nerdpoe @lolottes @babbling-babull @spidori @mutable-manifestation @the-witchhunter

#dpxdc #dp x dc #dc x dp #dc x dp prompt #danny phantom #minji's writing #broadway of the Zone au #Danny's music au

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lovelookspretty · 2 months ago

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lover of mine

drew starkey x actress!reader au

— in which drew and y/n, secretly exes, must fake date in order to keep the peace at a mutual friend’s wedding, but the forced proximity makes them question whether they ever truly moved on.

warnings: FLASHBACK TIME !!!!!

authors note: guys ive lowkey been picturing things as i would direct them in a film or music video so 😭 if my writing angle feels off then thats why. but i hoped u enjoyed anyway !! if u still arent on the tag list, feel free to let me know thru replies, anons, or dms !! notifications are always on <33

you stepped out of the sleek black car, your heels clicking against the pavement as you’re greeted by a wall of flashing lights and the low hum of the press. the red carpet at the love, simon premiere was buzzing with excitement, packed with celebrities and industry professionals.

this wasn’t your first time walking a carpet, but it was different tonight—there was something in the air, an energy you couldn’t quite place, but it felt like just another event to get through.

you paused in front of the photographers, striking a few effortless poses. to everyone else, you looked like you were in your element—smiling, waving, and giving the cameras exactly what they wanted.

but inside, you were already thinking about when you could leave. you were there because the director was an old colleague from your recent work on tempest, your breakout role. it was your agent’s idea to make an appearance, to be seen and keep your name in the buzz, but you hadn’t really planned to stay long. just the premiere, maybe the afterparty, and then home.

as you moved down the carpet, a journalist caught your attention. “y/n, over here! a quick word?”

you nodded, stepping toward the microphone with a gracious smile. the flashing bulbs intensified as you answered questions about your latest projects, your outfit for the night, and how excited you were to see the film.

“you’ve been busy with tempest—how’s that going?” one interviewer asked.

you offered a polite smile. “it’s been great. we’re still filming season two, so it’s been pretty nonstop, but i’m thrilled to be here tonight to support this movie. i’ve heard such good things about love, simon.”

you kept your responses short but engaging, giving just enough without going too deep. after a few more quick exchanges, you excused yourself, nodding to your team as you made your way inside.

the grand theater lobby was filled with more celebrities and industry insiders, everyone dressed to the nines and mingling, but you were already scanning the room for a drink. maybe a glass of champagne woule make the night pass quicker.

your mind was preoccupied, already drifting toward the idea of heading inside early, when you felt yourself bump into someone. you glanced up, ready to offer a quick apology, but the words froze in your throat the second your eyes locked with his.

he was tall—taller than you expected—with broad shoulders, and his hair was just slightly tousled like he’d been running his hands through it all night. he’s startled at first, like he wasn’t paying attention either, but the moment his gaze met yours, there’s a flicker of something you couldn’t quite place. maybe recognition. maybe awe.

his lips parted slightly, as if he’s about to say something, but he didn’t. instead, he just stared, clearly a little stunned. for a second, you felt like the noise of the room faded into the background, like it was just the two of you standing there.

“sorry about that,” you said first, stepping aside to give him room, your voice casual despite the strange pull you felt from his gaze.

he blinked, shaking his head quickly. “no, no, it’s my fault. wasn’t paying attention.” he rubbed the back of his neck, clearly flustered, and then finally added, “i’m drew, by the way. starkey— drew starkey.”

there was something familiar about the name, but it didn’f immediately click. “nice to meet you, drew,” you replied with a small smile. you glanced past him, ready to move on, but he didn’t make it easy. he was still looking at you, like he was trying to memorize your face, like he’d just seen something—someone—he didn’t want to forget.

“you’re—” he began, but then cut himself off, a little embarrassed. “i mean, i know who you are.”

you raised an eyebrow, curious now. “oh yeah?”

he nodded quickly. “yeah, you’re amazing on tempest. my sisters are obsessed with the show, but i started watching it, too, and— yeah, you’re great.”

his words tumbled out fast and you couldn’t help but be a little charmed by how genuine he sounded. he wasn’t smooth like some of the other people you’d met that night—he wasn’t trying to impress you with industry talk or big names. he was just . . . honest.

“well, thank you,” you said, feeling your cheeks warm a little. “that means a lot.”

there was a brief pause, and you could see him struggling for what to say next. the thing was, it wasn’t awkward—it was kind of endearing. finally, he let out a nervous laugh, rubbing the back of his neck again. “sorry, i didn’t mean to fangirl or anything.”

you laughed softly, shaking your head. “don’t worry, you’re fine.”

he was still standing there, not moving away, and for some reason, you didn’t feel like walking off either. maybe it was the way he was looking at you, like he couldn’t believe he was even talking to you. it’s a look you’d seen before, but it felt different coming from him. there’s no agenda behind it. just . . . admiration.

“so,” you started, trying to keep the conversation going, “what brings you to the premiere?”

he blinked, like he’d forgotten why he was even there. “oh, uh, i’m actually in the movie.”

and that was when it clicked. drew starkey. you heard the name before, seen it in casting lists, but seeing him in person, you hadn’t put it together until now.

“right,” you said, nodding slowly. “that’s why you looked familiar.”

he chuckled softly, but there was still that slight blush on his cheeks. “yeah, that’s me.”

the conversation flowed a little easier after that. you asked him about the movie, and he asked you more about tempest, genuinely interested in your work, not just going through the motions like so many others do at those events. he was funny, too, in a shy, unassuming way that caught you off guard.

as the crowd around you thickened, his eyes never left yours, like he was completely captivated. you weren’t sure how long you stood there talking, but it was long enough for you to forget about slipping out early.

and then, before you knew it, the lights were dimming, signaling that the movie was about to start. he glanced toward the theater doors, then back at you, almost hesitant.

“well, i guess we should head in,” he said, sounding a little disappointed that your conversation was being cut short.

“yeah,” you agreed, though part of you didn’t want the night to end either. as you both moved toward the entrance, something pulled at you to say more, to affirm the spark that had ignited between you. you abruptly stopped in your tracks. he turned to face you, curiosity sparking in his eyes.

“i’ll catch you at the afterparty?” you told him, your voice light and teasing. you watched his face break into a genuine smile, the kind that made his entire demeanor shift from nervous to gleeful.

with that, you turned and headed toward the theater doors, the buzz of chatter and laughter enveloping you. you could feel drew’s gaze lingering on you as you walked away.

you knew you weren’t on the cast so it would have been unexpected if you showed up. but you knew that he’d be there.

as you navigated through the crowd, you couldn’t help but glance back one last time, and in that instant, you caught drew watching you, his expression soft and hopeful. a faint smile tugged at your lips, and finally, you disappeared into the crowds of guests entering the theater, but the memory of his gaze stayed with you.

the afterparty was a vibrant swirl of lights and laughter, complete opposite to the behavior of the premiere just hours ago. you stood with leila, theo, and gia, the four of you navigating the home.

after a few minutes, you spotted him across the room, laughter dancing in his eyes as he talked to a small group. you excused yourself from your own conversation, weaving through the crowd until you found yourself standing beside him.

and soon, time seemed to slip away as you both dived into deeper conversations about your lives, your careers, and the dreams you’d harbored since childhood. drew opened up about his recent experiences filming, and you found yourself sharing the struggles and triumphs of your own journey in the film industry. every moment spent together felt natural, as if you’d known each other for much longer than just a few hours.

by the end of the night, the party winder down and guests began to trickle out. you exchanged numbers, both of you eager to see each other again. and you did. time and time again.

you paced around your apartment as you gestured animatedly. throwing your hands in the air, your eyes widened with passion, as if you were trying to grasp an idea that was just out of reach. drew leaned back against the counter, arms crossed, watching you intently with a soft smile playing on his lips.

“i just wanna have some time to go out there and have some fun,” you were telling him, “be there in the moment, explore la. not with any paparazzi there to demand photos of me or take them when i have my guard down. just me and the city.”

as you spoke, your gaze shifted toward the window, where the sun peeked through the window across your living room. you imagined yourself outside, feeling the sun on your skin, surrounded by the pulse of los angeles.

spinning around quickly, your face lit up like you’d just had a revelation. “like starstruck!”

“starstruck?” drew echoed as he squinted his eyes, trying to grasp your idea.

“yeah, you know that one movie on disney? christopher and jessica are running around los angeles in that one scene—” you continued.

“—before they get their car caught in that mud and christopher ditches her at the beach,” he interjected with furrowed brows, knowing full well how the scene played out.

you stopped abruptly, narrowing your eyes at him. you tilted your head, “you wouldn’t ditch me, would you, star?”

drew shook his head, “no way.”

satisfied with his answer, your expression brightened again, and you nodded vigorously. “good. then come on.”

you grabbed your keys from the table and practically dragged him out of your apartment. the door clicked shut behind you, and you led the way down the corridor.

as you made your way into the parking garage, your laughter rung out, echoing off the concrete walls. when you reached your car, you slid in and grabbed your sunglasses from its compartment to slide them on.

drew chuckled as he put his seatbelt on, shaking his head in disbelief. “you really have a plan for everything, don’t you?”

“only when it comes to having fun,” you replied, your grin widening as you pulled the hood of his sweatshirt over his head to shield his face. “don’t worry, they’ll never see us coming,” you assured him, your laughter infectious as you started the engine and pulled out of the parking garage.

and over the course of a year, you and drew became inseparable. what started as stolen moments during movie premieres and secret hangouts morphed into a deep, unshakeable friendship.

laughter echoed in your shared memories—late-night talks sprawled on the floor of your apartment, spontaneous adventures through the streets of los angeles, and lazy mornings spent in bed, wrapped up in each other's warmth.

as the seasons shifted, so did the nature of your connection. the boundaries blurred, and your heart raced at the thought of what could be. but you both chose to keep it light, enjoying each moment without the weight of labels.

then one evening, everything changed. it was a night like any other. the winter air was crisp as you and drew strolled through the twinkling streets of los angeles. you were coming back from a cozy evening out, the laughter still lingering between you as you recounted the highlights of the night.

as you walked, the sound of distant pops drawed your attention. you paused mid-sentence, eyes widening as bursts of color lit up the night sky. fireworks!

the brilliant reds, blues, whites, and purples filled the air. a smile spread across your face as you turned to him, the shared excitement pulling you closer together.

“this is so cute,” you said, leaning into drew’s side to admire the display. you were momentarily lost in the beauty, the chaos of colors exploding above you like confetti.

but then you spotted something in the midst of the fireworks—words began to form in the night sky, each letter crafted from the brilliant light.

‘will you be my girlfriend?’ the phrase appeared among the colors, messy yet somehow legible.

you read it, confusion washing over you at first. someone was asking someone else through fireworks? but as you turned to drew, you noticed his gaze, expectant and hopeful. the realization quickly sunk in.

your mouth gaped open in shock, your heart pounding as you processed what was happening. you looked back up at the sky, needing to confirm that this moment was real, that the words were genuinely meant for you.

but you turned back to drew, and without thinking, you nodded. before you knee it, you were jumping into his arms, wrapping your arms around his neck, and holding him tightly. he caught you effortlessly, and you could feel his warmth seep into you as he hugged you back, pulling you close.

you could feel the happiness reflected there, and for the first time, it felt official—no more questions, no more uncertainty. you were exactly where you wanted to be.

and just two years later, you and drew found yourselves on the set of hellraiser, a project neither of you anticipated becoming a part of when you first met. it’s actually funny how it all unfolded.

initially, you weren’t even considering taking the role. after all, you were still knee-deep in filming tempest. the thought of juggling both projects seemed overwhelming, and you were ready to prioritize your current work over anything new.

when drew secured his role in some film, he kept the details to himself, not wanting to distract you from your current commitments. he didn’t mention the movie by name, and you didn’t press him for details; you respected his space and didn’t want to add to your own frustration about whether to accept the new opportunity.

“you should really consider it,” he urged, his voice filled with genuine belief in your talent. “this could be a great chance for you, babe, and imagine how much fun you could have! you’re almost done finishing tempest this month. after that, you’ll have plenty of time for your new project.”

you weighed his words, feeling torn. you loved the idea of the role, but the reality of juggling two major projects felt daunting.

yet, after a long talk about chasing new opportunities and taking risks, you found yourself swayed by his excitement and your own desire for growth. finally, you decided to go for it, officially signing on for the project.

what you didn’t realize, until the casting announcements were made, was that you and drew would be filming in the same movie. when you heard the news, you actually went insane. you felt like the universe was rewarding you for taking that leap of faith. the two of you would not only be working together but doing so on a film that promised to be both challenging and thrilling.

as filming began, the reality of being on set with drew hit you both like a wave. the two of you were navigating the intricate dance of being both co-stars and romantic partners, which brought its own set of challenges.

you found joy in the little things—the shared lunches, the whispered jokes during scenes, and the late-night talks about the original film. every day, you felt grateful to have him by your side, knowing that while the world outside the set may have been chaotic, your little bubble was filled with warmth, support, and your boyfriend. not everyone was able to be in your position.

but it wasn’t the same anymore. at least a year later. you were in another city, staying in yet another hotel room, the kind where the silence hung heavy in the air, almost suffocating. the glow of the city lights outside filtered through the curtains, casting a soft haze over everything.

you rested your back against the cool surface of the wall as you stared out into the city through the window. it was strange—the city was vibrant, loud, yet all you felt was isolation. your reflection stared back at you, tired eyes searching for something, anything, to hold on to.

you let yourself imagine drew standing beside you, his arm slipping around your waist, the warmth of his presence easing the ache that had settled deep inside.

but it was just a fantasy. he wasn’t there. not really. not the way you needed him to be.

he was somewhere else, in another city, on another set. networking. working. living his own life. you both were—careers that had taken off in opposite directions, always moving, always busy, always apart. your schedules were like puzzle pieces that didn’t quite fit together anymore, no matter how hard you tried to force them.

sometimes he would surprise you, show up in whatever city you were in, standing at your door with that smile that used to make your heart race. but even then, it wasn’t enough. when he was there, it felt like you were lying next to a stranger, like everything you shared before felt like a distant memory.

your mind wandered as you stared out the window, trying to remember what it used to be like. the way you used to laugh together, the way he used to look at you like you were the only person in the world. but those moments felt so far away now, like they belonged to another lifetime. your careers were taking off, yes, but your relationship was falling apart.

you tried everything to get him to spend more time with you. it wasn’t just the long phone calls or the quiet hopes you'd whisper when he promised he’d visit, but you actually took action.

you started reaching out to his manager, a move that felt so cold, so far removed from the days when it was just you and him figuring things out together. now, it was emails and calls, hoping to align your schedules like some kind of business transaction.

you’d ask if there was a window, any gap at all, where you could see each other, trying to make sense of his packed days and your own commitments. it felt impersonal, like you were just another appointment penciled into his calendar, waiting to be confirmed.

there were weeks when you’d sit down with your team, trying to move things around, freeing up your time in the hope that his manager would find a slot that worked. you bent over backward, squeezing your own projects tighter so maybe, just maybe, you’d have a few days together. but it always ended the same.

another ‘maybe next time’ or a polite suggestion from his side to ‘keep him updated’—as if he wasn’t even aware of how much you were trying to hold everything together.

what shattered you was seeing him with his costars. scrolling through social media and seeing him hanging out with them after long days on set. grabbing dinner with them, laughing with them, being the drew you used to know—but never like that with you anymore.

he made time for them, he’d pay them visits, go out for drinks, be himself. but not with you. why not with you?

you couldn’t understand it. and that was the worst part. you weren’t jealous of his work or his friends, but it hurt seeing him give them what you so desperately wanted. time. effort. attention. those small moments of connection.

you tried bringing other people into the mix, hoping it would be less pressure for him. leila and theo became your go-to when you were feeling desperate. you’d invite them out, framing it like a casual group hang, knowing that maybe if drew wasn’t faced with just you, he’d be more likely to show up.

you thought maybe he'd feel less cornered, less pressured. and so you'd reach out, asking leila to join you and casually suggesting that maybe drew could come along too. a movie, dinner, anything. you tried to make it seem easy, no big deal.

but he never gave a direct answer. it was always a dance—drew would respond with something vague, something about being busy, or how he’d love to but he wasn’t sure, and he’d get back to you. he’d redirect the conversation, shifting topics before you even realized what had happened. it wasn’t malicious, but it left you feeling hollow, like he wasn’t even aware of how long he’d been doing it, how much he’d been dodging your efforts to pull him closer.

and you couldn’t help but feel bad, feel like you were trying so hard for someone who wasn’t even putting in half as much as you were. it wasn’t like he didn’t care—he was just so wrapped up in his own world, his work, that he didn’t see how hard you were fighting to keep your relationship alive.

you were trying to reach him, but it felt like he was always just out of reach, just beyond the point where you could hold on.

it wasn’t anger you felt toward him, but this deep, aching sadness. because no matter what you tried, it felt like you were the only one trying at all—did he even like you anymore?

and then suddenly, it snapped.

like a taut string pulled too tight for too long, it finally gave way. all the moments you fought so hard for, the endless nights spent hoping, came crashing down in an instant. his words weren’t loud or angry; they were quiet, almost too calm. it was like the end had been sitting between you both for months, waiting to be spoken into existence.

“what?”

your voice was small, a cracked whisper filled with disbelief. you’d heard him—of course, you’d heard him—but it felt so unreal. your heart ached, like it was physically breaking apart, but your mind couldn’t fully process it. it felt like you were standing outside of yourself, watching this unfold, wondering if this was really happening.

“why?” you managed, your voice barely holding together as your eyes searched his face for something, anything that would make sense of this. you saw his regret, the sadness behind his eyes, but there was no answer that would make this hurt any less. his lips parted like he wanted to explain, but there were no words to fix this.

he reached for you, like he thought he could make it better somehow, but you took a step back, your hand instinctively wiping away the tear you didn’t even realize had fallen.

all the effort, all the time you had spent trying to make things work, fighting for what you thought was love—it felt like it had all been wasted. your chest tightened as you stared at him, the silence between you thick and unbearable.

“get away from me,” you whispered, your voice stronger now, though your heart was shattering inside. you waved him off, refusing to let him touch you, refusing to let him see you break any more than you already had.

he hesitated, his hands dropping to his sides as the distance between you widened, both physically and emotionally. it wasn’t just the breakup that hurt—it was everything. all the time you’d given, all the compromises, all the moments you’d spent wishing for more.

you turned around, not wanting him to see the fresh tears that blurred your vision, not wanting him to see how deeply this cut. it wasn’t just about losing him; it was about losing the version of yourself that had believed, that had hoped for something different. something better.

“good luck on everything, drew.”

the words left your mouth before you could stop them, bitter and sharp. it felt like a punch to your own chest, but you had to say it. you had to remind yourself that maybe his career was the priority now, not you. and you needed to remind him of that, too.

even as your throat tightened, and your body threatened to break down entirely, you forced yourself to keep walking.

you didn’t look back. not when the tears started falling faster, not when your hands shook as you unlocked your car door, not even when you could feel his eyes on you, burning into your back like a weight you didn’t want to carry anymore.

the sobs finally broke free once you were inside, gripping the steering wheel so hard your knuckles turned white. he didn’t chase after you, didn’t say another word. he just watched you leave, and that somehow hurt more than anything else.

as you drove away, tears streaming down your face, the weight of it all finally settled in. you didn’t want to hear his excuses, didn’t want to hear whatever reason he thought justified this. you just wanted to go home, to get away from the pain that now felt too familiar, and to leave behind the pieces of your heart that had shattered at his feet.

and just like that, the year of silence between you began.

@rubixgsworld @itgirlbrina @thepopcultureaddict @icaqttt @samsmelodrama @kissfinalgirl @itsamegazaddysworld @willowpains @toterry @wearemadeofstardust0 @cl4uus @maybankslover @itneverendshere @httpsdrewstarkey @ilyrafe @sunny1616 @pillowprincess4him @yootvi @matthewswifeeee @uwuemlwlrld @l4venderia @chenslucy @darkreymbow @congratsloserr @skyslowalking @ivy-34 @behindviolettwrites @allthoughtsmindfull @lovelylupin04 @ecstqzy @dasguccier

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itsthatmff · 1 year ago

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Watching a Horror Movie with their S/O

Included: Genos, Saitama, King, Garou, Metal bat, Zombieman

Some longer headcanons for you guys~

This turned out more chaotic than I had envisioned it, enjoy !

gn!reader

Genos(with a s/o who isn’t scared at all)

Genos was the one to suggest on watching a horror movie together because he wanted to do “Social activities” with you. He once read during his daily web browsing, that watching horror movies with people that are important to you is a nice thing to do in your free time.

You both got Popcorn, snacks and blankets that day and watched “The ring” together at your apartment.

You honestly didn’t really feel like watching a movie, especially since you already watched that movie twice.

But Genos seemed so excited to spend time with you that you just couldn’t say no.

It began pretty chill, you both were looking at the screen while eating your snacks. Genos talked about how he never watched a Horror movie because he didn’t see the point in them.

Later, when the first jumpscare popped up, you weren’t really surprised. Genos on the other hand looked very much confused.

“I do not understand, Why did she jump up to the screen?”

“So that you get scared, silly”

Later, he started asking more questions and you answered them instead of paying attention to the movie. And after a while the “movie night” turned into more of a chit chat since you both lost interest to watch the movie.

“Y/N, I must admit that listening to your soothing voice is better than watching a horror movie. My suggestion wasn’t that good after all”

Saitama (with an S/O who’s scared shitless)

Ever since Saitama got promoted onto rank B, you finally had some time to spend together as he didn’t have to patrol every day.

You decided that watching a movie at theaters would be great and left the ticket purchasing to Saitama as you bought the popcorn and nachos for both of you.

Little did you know that Saitama had gotten tickets for a horror movie. And little did he know that you were frightened by them.

You didn’t realize that the movie you had entered in was a horror movie way until 10 minutes into screening.

Sitting down on the comfortable armchair and munching on your popcorn, the sudden eerie music and the creepy hall made you halt.

“Saitama..what kind of movie is this..?”

“A horror movie.”

“Oh.”

Saitama casually continued eating his nachos when he suddenly felt you grab onto his arm. He looked at you confused.

“No way, are you scared?”

All you could do was nodd as you were closing your eyes.

Saitama felt kind of proud on one hand to have you cling onto him like that, but he set his ego aside.

“We can leave if you want to, I heard this movie is shit anyways.”

You didn’t wanna ruin your movie date like this, but you really couldn’t stand being here for another second.

Once you guys had left the theaters you apologized to him, but all he did was take your hand and give you a small smile.

“It’s fine, cmon. The fact that we left earlier means we can still catch the sale going on at the supermarket.”

King (with a s/o who loves horror movies)

King already shits his pants when seeing a monster, So I guess he Ain’t a big fan of horror movies either.

You asked him once after playing videogames if he wanted to watch a Movie with you and he agreed, not expecting anything.

At that night you both sat down and you decided to watch IT. It hadn’t even gone through your mind that the movie wasn’t watchable because it really wasn’t that scary in your opinion.

And King on the other hand couldn’t say no to watching a horror movie because he would’t want to upset you by showing his weaknesses.

When the movie began he already was shaking inside, and you didn’t notice until the first jumpscare popped up and he began sweating like hell.

“I’ll go to the toilet real quick Y/N”

A good 10 minutes had passed and he still hadn’t returned, which made you realize that he probably had gotten scared.

It was not too long after that he returned, ready to face the next gruesome 2 hours of his life, but there was no horror movie to be found.

Instead, he saw his favorite game playing on the screen, with you laying on your stomach and holding the controller.

“Y/N..what’s this?”

“I didn’t feel like watching the movie anymore. Playing video games is much more fun.”

A little smile crept upon him, he was very grateful to have such an understanding S/O.

“Sure, but don’t complain if you loose for the 2000th Time.”

Garou (with an overdramatic S/O)

You loved to tease Garou any chance you could take.

It was always fun to see him react to situations he’s never experienced before.

That day you begged Bang at the dojo if Garou could take off one day of his training to have a sleep over at yours.

At first he was skeptical, he knew how reckless the youth of today could be.

But you reassured him that it would be a movie night and no more.

With his approval you had your plan rolling.

Garou was never the overprotective type when it came to trivial things, he thought it was too cheesy and knew you were independent enough.

Once at your apartment, you put on the first horror movie you could see on netflix.

Garou made himself comfortable on the couch, spreading his legs and tilting his head back.

You sat next to him, just waiting for the first creepy thing to happen.

You know sometimes in the movie when theres this tension just to turn out that nothing happened? Like when they turn on a light and theres nothing in the room.

At such a moment you decided to go all out, cling your arms onto his waist and close your eyes.

Garou was cleaning his ear when he looked from the tv screen down to you in confusion.

“What the fuck are you doing Y/N. Nothing even happened.”

“It looked like a jump scare..”

He knew damn well you were being overdramatic on purpose again.

“I swear to god if this is one of your stupid games.”

Despite saying that, he still wrapped his arm around your shoulder.

In some scenes where even he got startled a little, he tightened his grip around you.

The plan had worked. And you had to hold back your grin to save your life.

“It wasn’t even that scary- hey, what the hell are you grinning for? You did this on purpose didn’t you?”

Badd (with an S/O who tries to act tough)

It was after school when Metal bat decided to take you out to the movies.

Everyone at school was talking about this new Horror movie that aired and of course as a good boyfriend he would want to spoil you and let you watch the movie so you could feel included at school.

You were indifferent with horror movies, they aren’t your favorites and you didn’t watch them often, but they certainly weren’t ‘too scary’ for you to watch.

As you both took your seats and the movie started, metal bat was already uninterested in what was going on in the movie. He was way more excited to be spending time with you. His gaze stuck on to you, he could see in what moments your eyes widened, when you flinched, when you laughed and when you felt scared.

It seemed like this movie was more scary than usual and it seemed that badd noticed your uneasiness.

His head rested on your shoulder,

“It’s just a movie.”

“I know.”

You knew, and still you felt uneasy. Though Badd’s assurance helped a lot. You combed through his hair as the movie progressed.

In the end, it did feel like the tension was worth it, as the ending of the movie turned out to be really good.

But that wasn’t the end of your date at all. Your boyfriend still had to spoil you rotten.

“Y/N, let’s grab food and go to karaoke afterwards, ya hear me?”

Zombieman (with a S/O who loves Horror Movie marathons)

Watching horror movies with Zombieman was a usual thing for you two to do.

Especially since you two loved the old Halloween franchise. You’d both be on the couch at his crib, him smoking his usual cigarettes, a good whiskey on the table as you two watched and discussed the movie.

It was a nice activity you two shared. And it was obvious Michael myers was Zombieman’s favorite.

The smell of cologne, cigarettes and whiskey, the dim lit living room and the screams coming from the tv. Thats what you liked to call a romantic evening.

Its only when the room is filled with smoke and he sees your drowsy eyes that he decided to finally end tonights marathon.

He put his last cigarette on the ashtray and turned off the tv.

“We’ve watched enough, haven’t we?”

That deep raspy voice could immediately send you to sleep.

“You’re surely different to please, Y/N. But that’s what I like about you.”

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writingoddess1125 · 1 year ago

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Modern AU Buggy X Reader

Buggy x GnReader

Just fluffy Headcanon!

• Buggy is the leader of a budget theater group that he spends nights writing or getting his people to practice for local shows- during the day however he has his own Boat Charter company and a second business of a delivery company.

• Has Rhinophyma and Roseaca which is why his nose is so large and red. Hates it and has been to so many dermatologist to get it fixed- but due to blood flow and other things will have it for life.

• Has a deep anger towards his half brother Shanks- He feels like their mentor Gol D Roger's who owned a large shipping company when he died it should have been Shanks who owned the shop to keep the legacy alive. Buggy would have been willing to follow Shanks if he did this since he knew he cohldnt- But Shanks ended up just leaving town and Buggy trying to keep it together before it finally went belly up.

• Secretly wanted to be an actor but never got the chops for it due to his nose-

• When you first meet Buggy its at one of the plays, it's a fun improve night. While not many people are there you go with some friends since you found the tickets online.

• You're one of the few people that actually play along with the act and seem to be enjoying themselves. Instead of half drunk college students that got the tickets off groupon-

• He has you come down to the stage and does a whole improve act with you, Being such a good sport you end up helping him get the crowd more engaged.

• Buggy invites you to do shows with him which you agree to. Hum giving you his number in exchange

• Showing up every Thursday to the improv nights and you start becoming friends with his theater group. Noticing how Buggy seemed much happier as you got along with everyone-

• After a few months he works up the courage to ask you out on a date, which you gladly accept.

• At first he tries to take you to the most expensive places but when you express he doesn't have to spend money to show he lives you- He gets more creative and thoughtful.

• Walks through the beach, coffee dates, going to musicals together.

• His favorite are movie nights, He will show off his limited cooking skills aka Hot Dogs and a assortment of junk food while the two of you watch mostly terrible F Tier movies together.

- "Which one did you find?" You call out from the kitchen getting some soda for yourself and Buggy.

"It's called Jesus Christ Vampire Hunter {OP note: This is a real movie- absolutely awful}" Buggy yelled out, laughing at just the name as you jump onto the big couch and hand him his drink as he eats some chips.

"That sounds absolutely awful" You say, looking at the cheap movie cover and reading the back with a snort. Buggy nods, patting himself on the back for finding such garbage.

"It truly is, I've outdone myself" He says proudly before the two of you start the terrible adventure. Having to pause the movie at times for laughing so damn hard-

"This is so bad!" You say as you laugh and roll on the floor- Buggy no better. However he wiped the tears from his eyes as he caught his breath.

"While we can laugh at least he made a movie-" He pointed out with a shrug, you sitting next to him and raising a eyebrow at the oddly kind words from Buggy.

"What do you mean?"

"I always wanted to make a movie- But I doubt anyone would watch them.. they barely watch my shows" He muttered, his insecurities getting to him as he subconsciously touched his nose. You reaching over and grabbing his hand quickly, kissing his lips to snap him from his terrible thoughts.

"What are you talking about?! I think your shows are great and I know you'd do a fantastic job making a movie!" You proclaimed loudly with a smile, your Boyfriend turning and staring hard at you.

He stares at you- like youd said the craziest thing ever. You feeling a creep of worry going up your back at how he was looking at you

"What is your ring size?" He finally ask and gestures to your ring finger making you blush deeply red.

#x reader #one peice x reader #one piece #one peice live action #buggy one piece #buggy the clown x reader #buggy x reader #modern buggy #buggy thoughts #op buggy #buggy headcanons

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disregardcanon · 6 months ago

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this probably seems like a weird question from your end,but why do fanfic writers care so much about comments? aos already tracks hits and likes, sorry ""kudos"", so why are comments such a big deal to the point that people will stop writing?

okay, so i'm going to take this question very seriously and i promise it's not to make you feel bad. this is a comprehensive explanation of reasons that comments are important for me, both as a writer and as a reader

engagement vs numbers game

seeing trends

buy-in

community building

engagement vs numbers game

let's look quickly at two different fics of mine. this is the kudos count for a fic called Of First Kisses and Burnt Lips

it's old. it's been up on ao3 for almost 11 years now. 258 people liked it enough to leave a kudos, 12 people liked it enough for a bookmark, and it's been clicked on 3,859 times.

i have no clue what almost any of these people on ao3 THINK about it. beyond "huh. sure. i'll kudos that". compare this to its crosspost on ffn, where i got 5 reviews

3/5 mention it being cute. 3/5 give appreciation to me for taking the time to write it. 2/5 praise the writing itself from the attention to detail with grammar to the craft. 1/5 is an "um..." which is hard to decipher but appreciate and 1/5 is a silly reaction, but it's a reaction! look, someone felt a felling reading my thing! that made me giggle!

looking at the stats here from a purely numbers perspective, my fic DID better on ao3. it got a lot more kudos than it ever got faves or reviews on ffn. but those ffn comments are still what i think about when i remember this fic.

sure, a shear number like hits or kudos can be comforting and motivating. i'm definitely not telling you to NOT leave kudos! but the fics that i've come back to, recently, are the ones where i don't have a lot of kudos but i do have a few people who are invested in the stories and leaving comments to tell me

2. seeing trends

lets look at a few of the comments on my fic The Maid of Honor Made Them Do It

so just in these two comments, we see both commenters hone in on the same detail: my choice to include a special christian music playlist that this characters' friends made for her. a few other people in this thread mentioned that same detail, so i know this bit really worked well! it's great feedback that lets me know that a good chunk of readers agree with my characterization here.

these readers zoom in on specific details that they really liked! things that made them laugh, the absurdity of the concept, enjoying reading it, and that they could see it staged, which is a HUGE compliment for a work in a fandom for theater.

i've always had trouble with imaging where characters are in a space, how they're occupying it and moving, and how to use that for characterization purposes. however, i got more than one comment on this fic about how people could see it staged! that means that i'm improving in an area that i've always struggled with. that's huge. it makes me want to keep working on this thing! it makes me feel like what i'm doing here matters, because lots of people are picking up on similar things! they're invested enough to give me a comment! and it makes me want to keep writing for the hatchetfield fandom because some people are invested in my work here. that is BIG! seeing trends in the way that readers experience your story helps a lot with writer buy-in for a project and also for writers self-analysis.

as a commenter: this helps me JUST as much. when i really dig into what i enjoyed about a fic to tell the writer about it, that helps me analyze and articulate the strengths and things i might want to take away from the storytelling, and that makes my writing better too!

3. buy-in

this is a comment on a series that has less than 100 kudos across three fics, but has thoughtful, appreciative comments on each work. it's called Melting Pot

the commenter deleted their ao3 account. they may be one of the people who commented on the next fic, which i posted recently. they might NOT have been! honestly, it doesn't matter that much to me. this person gave me a gentle and nudge about a fic that matters to me and mattered to them at the time, and they were part of the push i needed to get back to it.

from a commenter perspective, i know that hearing a kind word can help someone keep up their motivation to write, even when i can't write in depth comments the way that i like to!

just recently i only had the time to comment "nice update" on a favorite fic of mine called Teeth That Turn. but they know that i come and i read and they know and talk to me by (user)name. because they know i care about this thing they care about! and it's way more fun to do something like this when i know i can chat with the author about theories and thoughts and ideas. and this isn't a "wow aren't i so cool other writers like me! tehehe" bragging thing, it's just evidence for the case of why comments matter?

if i didn't want this to be a two way buy-in, i'd ONLY read published fiction, you know? we're all playing in the sandbox on the playground and i like what they made. they like that i like what they made :) we're scheduling a play date to fight with sticks after school my mom said it's okay!

4. community building

now i know that i just mentioned above here why i like being a commenter and how it helps authors, as well as why i like HAVING commenters as an author. i'm still arguing those things as a lead up to this section, where i have two other points to make about community building here too.

1. you can comment on OTHER comments! if you go through and read to see what other people are saying, you can agree with them. you can add some commentary! sometimes you can make a joke! and i've only ever had fun responses from something like that. authors tend to love that their fics are getting such a response that people are talking to each other about it! like look!!!!!! my thing got you to talk to someone else about it holy shit?!??!

2. commenting on fics in your fandom builds you a good reputation and makes other authors you comment on more likely to read YOUR fic. i'm not going to post any screenshots on this one because it would be embarrassing for everyone involved, but there have been authors that i really admired who gave my stuff a try after i commented on theirs. and they've told me that's why they tried it! like obviously it's not just networking or whatever, but it's really nice to have someone give your stuff a try because you've been enthusiastic and thoughtful about theirs.

and you make friends this way! fandom friends! who want to talk about your blorbos! you get to go on little play dates in cyberspace with cool people who like what you like. you don't ever HAVE to be a writer, of course. if you don't want to throw your hat into the ring or make art or edits or gif sets or anything, that's cool. no one ever has to participate in fandom outside of their comfort zone! but if you want to, you know that you'll feel more welcomed if you have some people in your corner for it, and making friends in a space, screaming about how much you love the characters you love, and remembering that fic authors especially are just fans too will help you feel like you "deserve" to exist in the space. maybe you don't write, but you go here too. you've got a space in the fandom and your comments don't have to be, like, perfect literary essays for authors to appreciate them and get a motivation boost from them still existing and us being able to go back to them and go!!! look!!! i don't suck!!! this person liked what i did so i'm okay! :)

#anons #writing things #ao3 things #the case for commenting

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power-chords · 1 month ago

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My folks and I have been reading some of the literature on COVID/Bipolar I and they seem to suspect — and I’m inclined to agree with them — that what I thought was “long COVID” after my second bout with the virus may have in fact been my first recognizable depressive episode. Most of my symptoms overlapped with the depressive phase of Bipolar I, so disentangling the two is probably impossible in retrospect, but for many many months I was behaving in ways that are completely uncharacteristic of my personality: I was exhausted, unmotivated, and even more inattentive than my ADHD makes me ordinarily; I was uninterested in things that give me great pleasure, like going to shows and creative writing; I had brain fog so bad it was an uphill battle doing things that otherwise come quite easily to me, like communicating verbally and expressing myself with clarity and precision. Gradually these symptoms subsided, and I became even more productive and social than usual, which may very well have been a protracted hypomanic phase. I caught COVID again earlier this year, and by the start of July I was spiraling into full blown mania, prone to intense emotional states like expansive rapturous joy and crying jags at the drop of a hat. Music, theater, and reading fiction felt almost unbearably moving and profound. I was writing like crazy, and pretty soon afterward I was acting crazy, too, with racing thoughts and speech, disturbed sleep, and thoughts/ideas that were growing progressively more disordered and paranoid.

I prefer the term “manic depression,” though some consider it antiquated/offensive, because to me it most accurately describes my experience. But by my 36th birthday my new shrink had diagnosed me with full blown Bipolar I. I’m much better now with several weeks of a mood stabilizer under my belt, and this past weekend we went with the “nuclear option,” I.E. a four-day course of high dose antipsychotics. I was miserable from the extrapyramidal side effects, and had to take Xanax throughout in order to tolerate the akathisia and restless leg syndrome. But thank god, it snapped me right out of it, and knock on wood I’m back to my old self — with a little luck, I’ll have another 15 years symptom-free, or with just low grade hypomanic/depressive states that are so mild as to feel like ordinary, subclinical mood swings.

What I’m struggling with is the feeling that I’ve been handed a label sticker that amounts to crippling disability at best, and an early death sentence at worst. I will probably always have to keep these incredibly powerful drugs with their rotten side effect profile on hand, and may one day need to take them consistently, if I wind up having future severe episodes. To have to choose between Shitty and Shittier over a dangerous brain disease feels like I’ve been dealt the world’s worst genetic hand, and that bums me out a lot. I know it’s not my fault, but seeing the agony I’ve put my parents through is the worst part. Figuring out how to manage this is going to be a lifelong struggle against my own lousy biology, and that sucks. I’m trying to stay optimistic. It’s been really, really hard.

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im14andivebeen14foramonth · 28 days ago

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My Outsiders experience last night!!!

hey y'all sorry for how late i'm posting this 😭😭 i didn't think id be so tired but going to school and then all of that traveling to and from the show last night wore me outtt (slept until almost noon oopsies). i really wanted to post this right after the show when everything was all fresh in my mind but i just could not muster up the energy. that being said if you send any asks about certain things it'll probably revive my memory a little bit so i can give more details about it

anywho here it goes!!

Act 1

have to start off by saying this was suchhh a surreal moment when i sat down in the theater for the first time since ive been obsessed with the outsiders for years and years

one general thing that i will say is that for some reason i expected the stage to be like huge but when i saw how much smaller it was than i imagined it actually made me feel so much closer to the actors and more in the moment which i ended up loving!!!

another general note THERE WAS SO MUCH SPITTING IT CAUGHT ME SO OFF GUARD

when i opened the pamphlet and saw that the only understudy was andre in place of renni for steve and i knew for certain that brody was there,,,,y'all i was freaking out

i was watching the left side of the theater for bordy for like a solid twenty minutes and i almot SCREAMED when i saw him walking down the aisle

the show started almost immediately after that which i didn't expect so it kind of threw me off guard but as soon as it started me and my friend were squeezing ech others hands so hard for like 30 minutes straight (side note my wrist is bruised thats how hard we were doing it)

brodys. vocals. OH MY GOD. i wasnt all that big on brody when i first found out about the musical but m mutuals have in fact swayed me and hearing him live. wow.

him sitting in the audience was so so SO cool

maybe i'm just delusional BUT me and my friend both swore that we saw brent looking right at our section at us during tulsa 67 and my heart started RACING brent i love you

the way the cars come on stage??? is so fucking cool????

did NOT know they dropped his notebook in the water my jaw dropped and the high-pitched ringing when he goes unconscious oh my goddddd

ace's "you wish" while holding her ass was so fucking funny

jason was being so playful with brent!! for the first like ten minutes of the show he was like smacking him with his towel nonstop; also during ggah you could see darry and soda arguing off to the side and darry looked sooo done (i could make a whole post dedicated to brents performance...maybe i will actually) and the way he flipped the bat in his hand was cool as hell; also do one dropped anything during the song!!!

soda and two-bit's little moment during ggah when soda sings "keeping the prettiest one on your arm" had me laughing so hard

runs in the family was so sad :(( but brents vocals were FANTASTIC live. and soda FOLD THE DAMN LAUNDRY!!!! HE GAVE YOU THE LAUNDRY BASKET FOR REASON DONT JUST DROP IT ON THE FLOOR you're making the poor boy upset >:(

jason was being sooo funny when he's on the bed with pony. he kept doing little voices and he was being super sweet too, he was playing with pony's hair and rubbing his shoulders the whole time. "544 FUCKING PAGES?!"

the flashlights in great expectations were such an amazing touch

POOR JOHNNY he looked so scared when his parents were fighting. also i will never shut up about how amazingly they use the sets, keeping the door open with the distant sound of his parents fighting was such a smart move

friday at the drive in was phenomenal live; cherry kept trying to get bob to follow her and he kept pulling away, bob looked so done with it when cherry and chet started dancing, marcia was like alll over tripp on the hood of the car and then chet and (i think?) paul were just laying all cute on the car together; plus THE DANCE BATTLE OH MY GOD???? i cant remember if it was steve or two-bit (my brain wants to say two-bit tho) but one of them started thrusting into the ground and my jaw was on the floor

i could talk to you all night...the vocals...so beyond honored to hear emma and brody get to harmonize like that right in front of me

kwp your acting HOLY HELL!!! he genuinely made me jump when he started yelling at cherry. "is there a problem here, robert?" "EAT SHIT MARCIA!"

"cherry valance" "NO SHIT!!!"

brent's anger during ritfr was sooo beyond palpable, he made me jump when he threw the bills at soda. also jason was so good at looking dejected, picking up everything and putting it back ont he table than trying to hold darry back from pony

far away from tulsa made me cry for the first time during the show!!

THE CARS AGAIN OH MY GOD!!! and the drowning scene?? the sound of pony screaming under the water??? the lights going out as bob dies and flashing before it cuts to him bloody in the fountain???? beyond phenomenal

run run brother you will always be famous to me. the boards acting as trains??? oh my god

Act 2

jft was one of the songs i was most excited to see live and it was BRILLIANT i loved the flashlights. also marcia holding back from cherry...oughhhh my heart. TWO-BITS SCREAM BROKE MY HEARTTT. and emma's opt-up!!! beautiful

general note since i don't know where to add this DAN BERRY I LOVE YOU!!!

death's at my door had me SOBBING

once again brent's anger in his fight with dally was amazing, and then the direct lead in into titt oughhhh

titt also had me sobbing by the end oh my god

the poem scene was beautiful, i was taken back to being ten years old and rewinding that scene of the movie a million times and to see it live in front of me? an honor

"ITS GOLD LOCKS AND HER UGLY SISTER!" dally was hilarious this whole scene

soda's letter...brent finishing the last line...just kill me why don't you

dally was IN johnny's face during their argument he was sooo angry i was not expecting that

when i saw pony throw the cigarette i was just kind of like "oh he threw the cigarette" and then a few seconds later i was like WAIT WAIT NOOO

THE FIREEEEEE. IT WAS SO SO SO SO SO SO SO COOL OH MY GODDDDDDD

hoods turned heros vocals were AMAZING. also darry looked so happy and proud of pony and it made me all teary

hey so. so who was going to tell me that dally carries in johnny's body like that. also he was right, johnny looked so small :(

hopeless war was DEVASTATING. that's the end.

i will forever love the lead in to trouble, the song is short but so underrated. "once a greaser always a greaser" darry marry me now

loved watching kwp and sky sneak onto the stage during the rumble

SPEAKING OF THE RUMBLE. THE FUCKING RUMBLE???? I WILL N E V E R SEE SOMETHING AS COOL AS THAT RIGHT IN FRONT OF ME EVER AGAIN. THE LIGHTING?? THE RAIN?? THE SOUNDS??? THEIR FACES BEING TERRIFIED COVERED IN BLOOD??? PONY ALMOST HITTING JOHNNY THEN STOPPING????? KILL ME NOW OH MY GOD

"pony...pony...come closer" y'all i am not exaggerating that when he's in the bed, johnny sounds like a scared little boy it broke my heart. also soda calling johnny buddy hurttt me :(

when johnny died my fucking heart BROKE. ace was in the background clutching her hair and full on SOBBING. pony on the ground??? and i saw other people say that jason goes to hold pony but at least for this show he liked sat behind pony and pulled in down so that they were both like laying on the ground with pony on top of him. pony pulling away too......:(

joshua boone the fucking MAN THAT YOU ARE. little brother only made me keep crying twice as hard as before. and guys. GUYS. JOSHUA BOONE, A FULL GROWN MAN, WAS SOBBING LIKE A LITTLE BOY THE WHOLE SOG. WHENEVER HE WASN'T SINGING YOU COULD HEAR HIM AUDIBLY SOB AND HIS WHOLE FACE CRUMBLED. HE CAME AND STOOF IN FRONT OF MY AREA DURING THE BREAK IN THE SONG AND JUST CURLED IN ON HIMSELF AND STARTED SOBBING. MY HEART.

his death scene....when pony starts talking about his death and he stands in the lights of the train, pony isn't talking super loud and you could hear josh whimper and his face crumble again and he just kept doing it over and over again like he was STILL crying from the song while he was dying

the dinner scene hurt like a BITCH. one of my favorite moments int he whole show was when brent walked over to the tv to shut it off and the whole stage was just silent. it really amplified the tension

pony beating on darry's chest :( and then brent was crying so fucking hard and then JASON was crying so fucking hard. and then cherry walking in and them both tryign to act normal. speaking of cherry the voice she uses to talk to pony HURT. ME. WHEN SHE'S ABOUT TO LEAVE AND HE DOESN'T ANSWER AND SHE JUST GOES "okay." I WAS CRYINGGGG. and then another fav moment was when she leaves and her, darry and soda all say bye, they were all so quiet about it and it felt so natural

PONY. CLUTCHING THE CLOTHES. BURYING HIS FACE IN THEM??? SODA STARTING TO READ THE LETTER TO PONY???????????

stay gold. i have no words. it was fucking beautiful and i sobbed like a baby.

also like i said i could make a wholeee post just on brent, but i need to say this now. BRENT. WAS SITTING AT THAT TABLE FOR A SOLID LIKE TEN MINUTES. JUST SOBBING. he kept looking like he was trying to compose himself like sucking in big breaths, but then his lip would quiver and his face would just crumble and the tear would start up again and and AUGHHHHHHHH it hurt so so so bad

pony saying his writing probably wasn't any good. "can I read it?" DARREL CURTIS YOU ARE BREAKING MY HEART!! and also soda's "am i in it :)?" and when pony says darry's in it too and darry goes "oh great." the whole crowd was laughing and then him telling pony to make sure he has great hair in the book so so funny

not enough people laughed at the green beans scene and it made me sad >:(

when pony looks at johnny during the finale...and then johnny looks at dally and they smile at each other....ohhhh my god

also when pony started singing about dally it broke my heart ESPECIALLY since i didn't know dally sings that part too

side note when it was a little ways into the finale song and darry and soda are still eating at the table, brent winked at jason and when jason turned i could see im smiling a little bit. i think it was brent's way of checking in wih jason and making sure he was okay, it was super cute tho

overall the finale song was fantasticccc

Stagedoor!!

andre came out first, he was super super sweet!!

then victor came out, he was also awesome!!!

y'all....when rj walked out i almost SCREAMED. he's the only one that i got a good pic with (its fine tho cuz my friend got pics of everyone else) but when he was signing my book he went "what's uppppp :)" and i was ready to fucking EXPLODE my heart was racing. and then my friend's mom manage to get a pic of him smiling at me with this big ass grin and i'm not even goign to lie i keep going back and looking at the picture every few hours my heart is full omg

next up was kwp and let me tell you guys...if i was fangirling over rj i dont even know what to say about me with kwp i was on another LEVEL. he is very very pretty and his voice is insanely charming when he's talking and he looked me in my eyes and i just.....yeah i'll never be normal about this

last up was josh boone and i was also geeking out so hard. he was like "what's going on :)?" and he was super nice, he made sure to get a pic with me after signing everyone's stuff around me and reassured me that he didn't forget about me like halfway through the signings he was just super super nice

okay guys this post is LONGGG but i had sooo much to say (and i still have more to say sooo...spam the inbox if you want more details bc i am MORE than happy to yap about it!!) overall i just feel so beyond honored to watch this happen live in front of me after spending years and years of my life in love with the outsiders. me and my friend are trying to go back soon and sit front row :)

#the outsiders #the outsiders musical #brent comer #brody grant #daryl tofa #jason schmidt #joshua boone #rj higton #kevin william paul #dan berry #emma pittman #tilly evans krueger #sarahgrace mariani #sky lakota lynch #i know im forgetting people ughh

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phefics · 10 months ago

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This just came to my mind while I was studying for my psychology exam - but what do you think THG would be like if they were dating a reader who is a theatre performer? Like them picking the reader up from rehearsals that ran overtime, watching their performances and listening to them talk about their crazy (and sometimes kinda weird) rehearsal memories?

I hope this makes sense because I am not too great with explaining things

this is so cute, not weird at all!! you didn't specify the guys so i'm gonna do all the characters i write for. hope you like!! xo

coryo is supportive, mostly because he likes the idea of dating someone who could be famous one day. he brags about your talents to people at school/work, and comes to every show, sits in the front row, and brings you roses. he admires your dedication, even when it means staying late to run scenes or crazy rehearsal stories.

finnick loves to watch you perform. he's been caught trying to sneak into your rehearsals before, and given you a sheepish grin as he's escorted out of the theater. he's just so captivated by you. as someone who has spent a lot of his life performing against his will, he loves to watch you flourish doing something you love. he loves hearing about cast drama, like straight up will make popcorn to listen to the gossip.

gale isn't super into theater but will be supportive! he likes that you have a hobby you're so passionate about, even if he doesn't understand. he tries to make every show when he isn't busy with work, and has terrible theater ettiquette the first time and keeps cheering every time you're on stage, so you have to explain that he can't do that, lol. he also picks you up from rehearsals because he won't let you walk home late at night, ever.

haymitch isn't very into the arts, in general - he's just never had an urge to consume it or have a hobby of his own. but seeing you feel so passionate about it and have so much fun opens him up to the idea a lot, and i can see him definitely going to your shows and finding the beauty in live theater.

johanna would be a stage crew girly, so i think she would participate in your theatre stuff (if it was local/small, i don't think she would pursue it as a career) and she does the lights or sound. definitely ignores directions so she can put the spotlight on you even when you aren't talking in a scene.

katniss is very supportive, but i don't see her being into theatre at all - she'll go to your shows but doesn't really vibe with it, so she's there to support you but wouldn't go if you weren't involved. if you are in a musical production, though, she will get the songs stuck in her head and whistle/sing them around the house.

lucy gray is probably also involved in theatre!! or, she at least totally understands your passion as well as your workload. if you do musical theatre, she helps you practice your songs and learns them on guitar so she can play them for you. she is always cheering so loud in the audience - she is so supportive and loving.

peeta would probably get involved in your production behind the scenes, painting sets. he is so supportive and i could even see him joining the show if you convinced him he'd be good - he's clearly a very charming actor and would probably find it fun. if he doesn't join you, though, he is in the front row of every single performance with flowers.

sejanus is the most supportive boyfriend ever, i swear. he will singlehandeldly fund your local theatre just so you can participate. he takes time off of work to go to every single show, and has flowers sent to you backstage. he helps you rehearse at home, always being a bit goofy and over-the-top when he reads the lines.

tigris would probably be involved as well, designing and altering costumes!! she loves to design and sew and having that outlet that benefits the community as well as her partner would make her really happy.

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cityofmeliora · 3 months ago

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kinda late but here is the Terzo childhood headcanons AKA new yorker Terzo post. for @plaquerat <3

ok so. i don't really have a solid interpretation of the lore, and my headcanons aren't very detailed. i'm open to floating a lot of different ideas. here are some that i like:

i've liked the idea that Terzo was primarily raised by his mother ever since i first saw the interview where TF (as nameless ghoul) suggests Terzo may be nicer than Secondo because "he seems to have, i dont know, a kinder mother?" and then i found the official instagram post mentioning Terzo's mother attending his concert in New York, and i was like 'oh! maybe she lives there. maybe Terzo used to live there with her.' it got me thinking...

Terzo was born in california and then moved to new york with his mom after she and Nihil split.

seeing the skyscrapers in new york for the first time was a really formative experience for him. that sense of awe he felt eventually inspired his interest in art deco and futurist art. new york became the base for his imaginary city of Meliora. (this is partly inspired by my own experience as a native californian because we don't really have tall buildings in california and i FREAKED OUT when i visited new york and chicago and saw REAL tall buildings.)

Terzo's mother was an artist and he spent a lot of time in the studio with her and her artist friends. their apartment walls were covered with Terzo's own art.

art and music and culture have always been at the center of Terzo's life. he and his mom would always be listening to music or viewing art galleries or watching movies together. i think Terzo's dynamic with his mother was very much like this anecdote from Carly Rae Jepsen:

My mom and I would sit and meticulously go through Leonard Cohen and Joni Mitchell lyrics together. Even from a young age I remember her being like, “I’m playing this Leonard Cohen song called ‘Famous Blue Raincoat,’ and when it’s done I want you to tell me what’s going on in it.” She would give me like a fake glass of wine when I was 8, and I would listen and be like, “I think there was an affair.” Pitchfork - Carly Rae Jepsen on the Music That Made Her (2019)

Terzo turned out to be a gifted child. super smart and naturally talented at a lot of things, but he particularly loved to build with lego / blocks and play piano.

Terzo had a great relationship with his mom. she always supported him and encouraged him to pursue his interests and to do his best.

Terzo missed his dad though. his parents had been together long enough for Terzo to remember him. he was just a kid. he didn't know any better.

when Ghost debuted and Nihil became an internationally famous one-hit wonder, Terzo developed this idealized image of Nihil as a cool rock star cultural icon in his head. idolized him a bit.

after this, Terzo decided he wanted to get serious about becoming an entertainer / musician. started doing piano recitals and competitions. youth theater. film club. all the things.

if anyone asked Terzo why he wanted to become an entertainer, he'd tell them it's because it's what he's good at. and he's always wanted to be famous. which was true, but...

what he wouldn't tell them is that a part of him was trying to emulate [his idea of] his dad and secretly hoping that if he shared that interest / became famous his dad would want come back into his life.

he knew his mom was always there supporting him, but every time he went onstage he would look out into the audience hoping his dad might be there to surprise him. (he never was.)

Nihil was the first of many many disappointments in Terzo's life.

oops! i made it sad.

anyway here's a doodle of kid Terzo getting a postcard from his dad... he didn't hear from his dad again for a very. very long time after that.

there are a lot of details i haven't square hammered out, but it's okay because these headcanons are mostly for me to like, frame Terzo's character development over time. might post more later :)

#hahaha idk why but i actually feel so nervous sharing lol #i said i would post this today and it is 11:55pm so #terzo #radley post #headcanon #fan art #radley art

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yzy-dragon · 1 year ago

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I absolutely ADORED S2E9 "Three Stories" of Link Click and was a bit surprised to see the discontent here on Tumblr, and I totally understand the reasons why people didn't like it, especially in the context of the pacing of the rest of S2 (which I also have some opinions on but I won't talk about that here), but I also felt the need to just get my heart out why I love it so much. A bit of background, I'm Chinese American but have lived in and visited China numerous times.

Music and theater. As a western classical musician and an amateur Chinese opera singer enthusiast (I saw someone else post about the possible inspo this episode got from Chinese opera), I VIBED with the artistic direction of this episode SO much. The three-part structure was almost like a sonata/symphony (and remember that one scene where Qian Jin was air-conducting in a previous episode!!) or scene changes in a Chinese opera. Nothing needs to be said about the animation style that hasn't been said already, but I like how scenes from the three individual "stories" were interwoven and reused like leitmotifs. Especially that crazy, tortured laughter. Idk if any of the parallels were intentional on the part of the director, but it's what I got from it due to my personal experiences. I know that's a highly subjective takeaway though, which brings me to my next point....

Qian Jin's "tragic" backstory. I know a lot of people were upset that the extent of Qian Jin's tragic backstory was "oh his wife cheated on him", but I think the "basicness" of his struggles was the whole point (by the way, this segment displayed various attitudes towards work, family, marriage, individual pride, and life in mainland China so subtly but so well!). I also don't think sympathy was the main thing we were supposed to feel for him, although of course there is some. The whole "tragicomedy" aspect of Qian Jin's story is that it's not some horrible, terrible, rare thing that happened to him, but a common problem faced by so many hardworking but busy married men trying to provide for their families: infidelity. But Qian Jin sees himself as the main character of an elaborate play that rivals the great dramatic classics (which, funnily enough, often depicted very DRAMATIZED versions of a rather basic series of events). And his viewpoint is validated when....

Qian Jin meets the twins. That segment is still largely from Qian Jin's perspective, because we still don't really know how LTC and LTX even feel about him. But for Qian Jin, it's a stroke of fate and fortune that could only possibly happen in theater. He's very far removed from reality at this point. Reality is that a cop whose job it is to investigate violent crime comes across two kids who are the victims of a violent crime. Again, nothing particularly special or even coincidential. It's comical like that.

The fairy tale section. Unlike the first two, I think this segment is from Xixi’s perspective, which not only justifies the cartoony artstyle but also makes it heartbreaking, due to her childlike innocence. Like Qian Jin, she also perceives her reality as something it’s not, but unlike him, she doesn’t have delusions of grandeur of being a tragic protagonist. It’s just a little fox trying to survive in a forest full of predators and hunters.

All that tortured laughter. I’ve actually noticed in a lot of Chinese media that they like to use laughter as a way of signifying a person’s complete mental breakdown due to the tragedies they’ve suffered. It’s a very internal thing that has people on the outside going, “WTF?” In this episode we have a lot of characters crazily laughing together at the same time and it seems like they’re relating to each other, but in reality they’re all trapped in their own nightmarish hells and motivated by selfish purposes.

Back to the topic of Qian Jin, even though he (innaccurately) may see himself as the hero of his own story, it's not enough for him. He wants to use Cheng Xiaoshi to change the past. He wants to become the director of the play.

I know a lot of people were disappointed this episode didn't advance the plot, especially in regard to Cheng Xioashi and Lu Guang's storylines, but I was actually prepared for a backstory episode and couldn't have been more satisfied. Again, I have other opinions on the rest of S2 but at least standalone, I think this episode was nearly perfect. And I really wasn't expecting this, but it's really elevated Qian Jin to one of my top characters.

#link click #shiguang daili ren #long post #link click season 2 #qian jin #li tianchen #li tianxi #cheng xiaoshi #lu guang #most artistic episode #I stan!

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son1c · 11 months ago

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something about me is i got into sonic in 2020 because my BJF (best job friend) at the time wanted to go see the first movie together. we did, and then we saw it three more times in theaters (before they all shut down because of the pandemic). it was this whole thing, we brought our other friends along for the rewatches and always had a lot of fun.

now, in 2023, i surround myself with people who unironically love it.

i know my experience isn't universal, but overall i've had a very positive experience with sonic. and whenever i see stuff that implies sonic as an interest is "cringe" or whatever, i'm always like "huh?" cuz it's so divorced from the reality i live in.

it makes me sad to think that some people feel ashamed about liking sonic. like, what's there to feel bad about? it's a fun series with tons and tons of content, and i think it's great that it can bring people of all ages together. there's a little something for everyone, even if you don't like EVERYTHING about it.

games, comics, music, books, movies and tv shows, coloring pages and sticker sheets... not to mention all the stuff you can make for yourself, since sonic is a very big open world full of endless possibilities irt fanart and fanfic.

idk what this post is about really. i just think it's pretty cool that when i was at the store earlier today, a kid saw my sonic socks and smiled real wide. cuz that's what sonic is to me. something to share and smile about

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thegayhimbo · 5 months ago

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Stranger Things The First Shadow Review

Synopsis: Following a horrific incident from their previous life in Nevada, the Creel family relocates to Hawkins, Indiana in an attempt to make a fresh start and instill a sense of normalcy in their son, Henry Creel. However, Henry is anything but normal, and harbors a dark secret of his own that scares both himself and his family. When a series of gruesome animal killings takes place, attracting the attention of a group of teenage outcasts and a Doctor with his own agenda, Henry realizes his secret is about to be exposed, and is forced into a reckoning that will change the course of his life, and of Hawkins, forever.........

Observations:

FINALLY!!!!

I've been waiting for MONTHS to see The First Shadow. As far back as January, we got tickets and made plans to travel to London specifically for this. Last Thursday (June 20, 2024), we were able to view it on-stage.

Was it worth it? Short answer: YES.

This is going to be divided into several parts. The first bit will detail my experience at the play, and the remaining parts will contain SPOILER HEAVY analysis of the story, the characters, and plot revelations tied directly to the mythology of the show. There's a lot to speculate on where the Duffer Brothers will take the final season from here.

Part 1: My Experience

In terms of production value, this was top-notch. I loved the set designs, from Hawkins High School, to the classic 50s Diner the characters hang out at, to the gothic Creel House, to the cold white rooms of Hawkins Lab, to the hellish landscape of Upside Down, and so on. The 50s aesthetic works well, and there were multiple shots that conveyed the sense I was watching an episode from the show.

The special effects were spectacular. Huge shout-out to the way they choreographed the mutilation of both animals and humans. It actually looked like bones being snapped and limbs twisted around. There's even a disturbing scene where Hopper and Bob are digging up the carcass of a butchered cat, and the prop they used for it looked realistic (combined with dirt and blood for nauseating effect). The lighting also helped elevate the creepiness of it all.

The music was also great. They had a nice selection of 50s songs, but they also brought back familiar themes from the show. One of my favorite musical cues was the use of Philip Glass's "Window of Appearances" which is heard when Vecna's origins are revealed in "The Massacre at Hawkins Lab" (Season 4, Episode 7). They also use it in the climax of this play:

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The actors brought their A-game, but the two performances that really stood out for me were Isabella Pappas as Joyce and Louis McCartney as Henry Creel. Pappas does a stellar job combining Joyce's world-weary "I'm sick of everyone's bullshit" attitude with the fierceness that makes Joyce stand out as a character. It reminded me a little of Natalia Dyer's performance as Nancy Wheeler, especially with the "take charge" attitude that both of them have.

As for McCartney, he was the show-stealer. I didn't go into this play expecting to feel any sympathy for Vecna, but the emotional depth McCartney brings to his performance elevates the character to a 3-dimensional complex tragic villain, which makes his eventual fall to evil all the more heartbreaking.

The audience I was with was fully immersed. Most of the jokes got a laugh, there were a few screams when jump-scares occurred, and there was a standing ovation at the end when the cast came out to give a bow. Even during intermission, everyone was chatting happily about the play, and I heard nothing but compliments.

My only regret is, due to a scheduling conflict that day, we ended up missing the first 5 minutes, and they wouldn't let us in the theater until the title cards came up. We did see parts of the beginning on a TV screen in the lobby (and one of the patrons was gracious enough to fill us in on what happened), but I wish I'd been in the theater for the beginning. My advice is GET THERE EARLY if you plan to see it. The theater fills quickly, and they may not let you in at certain points.

The only minor nitpick I have about the quality of the play is there were a few moments I had a hard time understanding what certain characters were saying. This was mostly in the scenes with Henry/One/Vecna when he was either screaming or alternating to his demonic voice. I was usually able to figure out what was going on, but I wish the dialogue had been clearer.

Overall, this was a fun experience, and I even brought back memorabilia from it:

Part 2: Characters/Story (MAJOR SPOILERS AHEAD!)

It's pretty much advertised in the synopsis, but the play takes place in 1959 when Joyce, Hopper, and Bob are in high school during the time the Creel family moves into Hawkins. The story is largely centered on Henry Creel's villain origins as he becomes more unhinged due to the power he possesses. This leads to a series of pet killings in Hawkins that catches the attention of Hopper, who ropes in both Joyce and Bob to investigate and find the culprit. All the while, Joyce is struggling to put on a play at Hawkins High School (i.e. The Dark of the Moon), which coincidentally happens to have Henry/One/Vecna as the main star! :)

These three arcs sound like they shouldn't connect at all, but to the Duffer Brothers credit, they manage to thread them in a way that's believable and engaging. Joyce's exasperated attempts to get The Dark of the Moon off the ground provide some light comedy to what is essentially a grim story, and it was a nice way for the audience to see all the adult characters from the show (i.e. Ted Wheeler, Karen Wheeler, Al Munson, Lonnie Byers, Sue Sinclair, Charles Sinclair, etc) as they were during their teen years.

The investigation of Hopper, Joyce, and Bob into the pet killings hearkens back to the old-fashioned dynamic the Party had in the first season when they were looking into Will's disappearance.

As for Henry/One/Vecna, his arc was well executed and horrifying on so many levels:

The way a young Henry Creel was portrayed in this play was oddly endearing. I mentioned earlier that McCartney brings a lot of emotional depth to the character, and by that, I mean he portrays teenage Henry as awkward, shy, creepy, funny, and even sympathetic at times. He's a kid who doesn't feel comfortable in his own skin, who has a hard time interacting with other people, and has powers that frighten him with the added side-effect of NOT knowing how to control them yet. Victor Creel mentioned to Nancy and Robin in S4 that Henry was a "sensitive child" and it turns out that was meant literally: Lights go on or off (or even explode) whenever Henry's mood fluctuates (making Henry constantly jumpy), he can unknowingly tune into the radio with his powers and mistakes it for voices in his head, he can read the thoughts/moods of other people, he can create illusions (similar to Kali/Eight), and whenever he tries experimenting with his powers, it ends in disaster. In short, he's someone who's terrified of his own shadow, and almost everything in his environment sets him off. At the same time though, there are some relatable qualities to him, such as his love for comics like Captain Midnight (which he eagerly shares with Patty), and there is an internal struggle he deals with for most of the play to genuinely be a good person in spite of the demons (both literal and figurative) that threaten to overwhelm him. He reminds me of Will Byers in some ways, and I am dead sure that parallel between these two characters was intentional on the Duffer Brothers part.

Contrary to what's implied on the show, it turns out Henry had his powers long before he moved to Hawkins. Previously, he lived in Rachel, Nevada until an incident between him and another boy resulted in said boy ending up in a wheelchair. It's ambiguous whether Henry deliberately attacked the boy or if it was an accident (it could have been either one), but it was enough to force his family to move. His parents (particularly his mother) are insistent on pretending everything is normal and that Henry will eventually get better, all the while putting more of an emotional strain on Henry as he tries (and fails) to conform.

We get a little more insight into Henry's parents, and it's not pretty: Victor Creel was already established on the show as a war veteran with severe trauma and PTSD over killing innocents during a raid, and the play depicts him the same way, with the added effect of being so wrapped up with his own issues that he fails to see his own son spiraling. The sad thing is there are scenes indicating he does love Henry (and also defends Henry's relationship with Patty, referring to it as "puppy love") but he isn't able to convey that in a way which makes Henry feel safe.

As for Virginia Creel, I don't know if this was intentional in the narration, but I found her unlikable. Putting aside the unsettling 50s Stepford Wife persona she projected, her treatment of Henry bordered on emotional abuse. She likely didn't intend that, but everything, from her attempts to keep Henry isolated from the one relationship that brings him any happiness, to constantly treating him like a time bomb waiting to go off, to pretending everything is okay when it isn't.........all of this causes whatever mother/son relationship she has with Henry to deteriorate. There's even one nasty scene where she smacks him, though she quickly regrets it when Henry lashes out in anger and forces his mom to witness a vision of herself being covered in spiders when she was locked in the closet by her abusive parents as a child. In some ways, it reminded me a little of the Norma/Norman Bates relationship from the Psycho series (minus the incest subtext) in how unhealthy it is. It was deeply uncomfortable seeing her attempt to force Henry to be something he wasn't just so she could maintain the image that she and her family were perfect. And when she realized she couldn't do that, she finally tried to wash her hands of Henry the moment Dr. Brenner showed up and offered to take Henry into his care ("Lock him up and throw away the key" to paraphrase one of her comments). I get that this is set in the 50s where there's plenty of values dissonance with how parents raised their kids at that time, and there is some context behind why she was scared of her son and his behavior (because there were times Henry wasn't acting okay), but she still handled this situation poorly and contributed to Henry internalizing his trauma and insecurities until they exploded out of him in the worst possible way. It was bad enough that Henry was dealing with something he didn't understand, but she needlessly added on to those problems.

Alice (Henry's sister) is also in the play, but she only appears in a few brief scenes, and sadly doesn't get a lot of characterization beyond being the "cheerful child" in the family. It's implied she knows that something is wrong with her brother, but doesn't look closely at it. Interestingly, they portray her like she's Henry's younger sister, even though the show established that she's supposed to be older (There's a news article in S4 that claims Henry was 12 and Alice was 15 when the Creel murders happened). Other than that, there isn't really much to say about Alice.

The three main characters (Joyce, Hopper, Bob) have their familiar quirks that will follow them into adulthood: Bob is nerdy, smart, good with technology (which comes in handy in their investigation) and the host of a radio show. Hopper is the disgruntled son of the Chief of Police who's trying to make something of his life. Joyce is high-strung, in a dead-end relationship with Lonnie, and trying to find a balance between optimism and pessimism. In a way, I'm reminded of the Steve/Jonathan/Nancy dynamic we briefly got in the S1 finale, with Joyce having similarities to Nancy, Bob to Jonathan, and Hopper to Steve. This was clearly set up as a love triangle between the 3 of them, and I have to question if the Duffer Brothers deliberately did this to foreshadow what could end up happening between Steve/Jonathan/Nancy in S5. In any case, Joyce, Hopper, and Bob investigate the animal killings when they start to happen, and while they come close to figuring out who it is, they ultimately miss the mark and pin the crime on the wrong person (Poor Victor Creel). Sadly, by that time, it's too late, and both Virginia and Alice Creel are dead.

There is a new character introduced named Patty Newby who plays an important role. She's the adopted sister of Bob and was revealed to have been taken in (or stolen as a child, as Henry later claims) by Bob's father, Principal Newby. Despite his misanthropy and awkward nature, Henry takes an interest in Patty, and the two of them develop genuine affection for one another. When Patty auditions for Joyce's play, Henry helps her with her lines (which leads to both of them getting cast as the main leads), and later feels comfortable enough to share his secret powers with her, including giving her a glamorous vision of starring and singing in a Las Vegas show. Against all odds, I actually found the relationship between Henry and Patty to be cute. Not only did it humanize Henry, but the way it was presented made sense: Both of them are outcasts with deep insecurities that they're trying to work through. Patty feels like an outsider in her family and at school due to her race (which isn't helped by people like Dustin's father making disgustingly bigoted comment towards her during class) and her complicated relationship with her adopted dad, who treats her coldly. Since Henry also feels like an outcast in his family, he's able to empathize with her, and both of them try to encourage the best in one another. In a moment of genuine kindness, Henry helps Patty locate her biological mother (who coincidentally is also a singer), and Patty returns the favor by trying to encourage Henry into believing that he is a good person and that there are positives with his powers.

I know some fans will complain about how Patty was never mentioned on the show even though she's supposed to be adopted siblings with Bob, but I'm not bothered by that. Nothing about her existence contradicts anything on the show, and it was nice to see a redeemable side to Henry that proves he wasn't a complete monster to begin with. The only thing that's harsher in hindsight is that, because Patty and Bob were close growing up, and because of Henry's affection for Patty, it makes what he does to Bob in S2 (i.e. siccing the demodogs on Bob) a lot more vile.

Finally, there's Dr. Brenner himself: If there was ever any doubt that he saw Henry and the other special kids like El as a means to an end, this play erases that. He is at his absolute worst here. Manipulative. Cruel. Determined to push Henry over the edge. Egging Henry into murdering a convicted prisoner, even though Henry fights back against doing that, all so Brenner can test him. Hurling verbal abuse at Henry, and then playing up the "Loving Papa" persona in the same way he would do with El years later. It really says something that he is the most loathsome character in the play, and that he doesn't see Henry as a person so much as a tool.

This was already a given on the show, but I still remember fans who kept making apologies for Brenner's behavior in S4 while insisting he really did care about Henry and the other kids in spite of his abuse of them. 🙄 I always maintained those were garbage apologies, and this play only reinforces that. Even though Henry is ultimately responsible for the choices he makes (regardless of the negative influences in his life), there is an argument to be had that Brenner bears responsibility for destroying whatever remaining goodness Henry had left in him until Henry became the cold, calculating monster with a plethora of rage and a deep hatred for humanity to accompany it.

Part 3: Revelations

For a while now, I've held theories that the powers El, Henry, and the other special kids have had were connected to the Upside Down. These theories were even talked about in my reviews for Stranger Things Six, Stranger Things The Other Side, and Stranger Things Suspicious Minds. I've also speculated on the idea that the Mind Flayer might be its own entity, and that Henry/One/Vecna didn't create it so much as gave it a form when he found those black particles in the Upside Down decades later.

This play confirms those theories: Not only is the Upside Down connected to their powers, but it's revealed in this play that the Mind Flayer acted as a malevolent corrupter to a young Henry, which would later lead to him becoming the monstrous Vecna.

At the beginning of the play, there's a flashback to 1943 where the U.S. military was experimenting with a new technology on the USS Eldridge to create a force field to hide the ship from the Germans during WWII. Interestingly, this bit was based on a real life experiment called "Project Rainbow," and the pamphlet I bought gives more details about it:

In the play, the technology caused the ship to end up in the Upside Down, where most of the crew was slaughtered by Demogorgons. The sole survivor turned out to be Dr. Brenner's father, who came back to the real world with altered blood in his system. He ends up dying, but passed on his secret to his son, kick-starting Brenner's scientific pursuits for the military. In other words: Brenner was aware of the Upside Down long before El banished Vecna to it in 1979.

Fast-forward a few years later. Henry is in Rachel, Nevada, playing in one of the caves with a spyglass when he encounters a rogue scientist who worked under Brenner in Nevada. Brenner had spent years attempting to replicate the experiment on the USS Eldridge in Nevada, and one of his scientists had stolen key technology and fled to the caves. When Henry discovers the technology, it transports both him and the scientist to the Upside Down. The scientist is killed, but Henry gets exposed to a malevolent entity (The Mind Flayer) before he is transported back to this world. Just like with Brenner's father, his blood is altered, and so is his personality. Brenner would later be able to track Henry down due to the spyglass he dropped in the caves after his exposure. In spite of escaping the Upside Down, Henry was now connected to the Mind Flayer, who spends the majority of the play acting as a malicious influence driving Henry to kill, and chipping away at his personality bit-by-bit:

It's not really a spoiler to say Henry is behind the pet killings in Hawkins (since he was shown killing animals on the show), but the difference here is the play makes it ambiguous how much control Henry has over his powers and actions. The Mind Flayer certainly uses Henry as a vessel, but there are moments Henry was shown to be capable of resisting it, indicating there was some manner of agency on Henry's part. In some moments, he chose to drive off the monster, whereas in others (like the deaths of Virginia and Alice Creel), he allowed the monster to work through him.

Like I said, these are theories I've held for a while now, so it felt gratifying to see them validated. While Vecna's monologue to El in 1979 implies that he was always a sociopath with powers who acted on his own accord with no outside influence, it's important to note that Vecna in that scene is an unreliable narrator twisting past events to paint himself a certain way to El. Part of it may be that he doesn't want to admit he was a victim of the Mind Flayer and that he made his own choices (Which is true: He DID have choices and the ability to reject the Mind Flayer, which we see in one scene when the Mind Flayer attacks Patty's father, and Henry intervenes on Patty's behalf to save him). Part of it may be that he's been under the hold of the Mind Flayer for so many years that, by the time El meets him, he's come to believe he and The Mind Flayer are one in the same.

Either way, regardless of what happened, there were a lot of elements stacked against Henry that makes me pity him: The Mind Flayer's influence, Brenner exploiting Henry's powers for his own selfish scientific desires instead of genuinely helping him, his parents trying to force Henry to be normal and shove down his issues instead of taking the time to deal with them..............the only positive thing Henry had going for him was his relationship with Patty. Her determination to see the good in Henry and his powers, and her belief that Henry could rise above the darkness gave some brief salvation for him. Unfortunately, that wasn't enough to save him, and the darkness won in the end.

There is a slight change I was okay with: In the show, Henry mentions that he fell into a coma after killing his mother and sister. While that is true to some extent, he actually wakes up a few hours later and flees the house to go find Patty at the school. He encounters Joyce in the basement (after the power gets knocked out) and, in a scene that's both creepy and sad, he acknowledges that Joyce is a good person and warns her that the world will punish her for it while taking away everything she holds dear. There's a dark irony to his words considering he would later be responsible for the disappearance of her son, the death of Bob, and most of the problems Joyce would later deal with on the show.

Following his encounter with Joyce, Henry finds Patty on an elevated stage platform, and begs her to run away with him. She is basically his last hope at this point, and even that is taken away when Brenner manages to track him and Patty down. There's a whole "Good Angel/Bad Devil" exchange that occurs as Patty (the Angel) implores Henry to fight against The Mind Flayer while Brenner (the Devil) snarls that Henry is already a monster and he might as well accept it. All of this cultivates in Henry using his powers on Patty, having finally surrendered to the Mind Flayer's influence, and throwing her from the rafters, almost killing her. Henry passes out after this, and Brenner takes him back to Hawkins Lab, where he will spend the next 20 years as Brenner's prisoner. Patty manages to survive the fall and, thanks to information Henry gave her earlier, she's able to locate her biological mother in Las Vegas and reunite with her. The last act of redemption Henry would ever have.

These revelations help give context to the mythology of the show. They explain what motivated Dr. Brenner for so many years. They explain the Mind Flayer was well aware of this world, and that Brenner was aware of the Upside Down long before El opened the gate in 1983. They explain Henry already had troubling aspects to begin with, and that his encounter with the Upside Down and the Mind Flayer only amplified those problems. They explain how and why Henry became disillusioned, nihilistic, and angry over the next 2 decades, and how he would project that onto his enemies once he became Vecna. They explain why Henry/One/Vecna takes an interest in certain characters on the show, from El (whose upbringing and struggles are similar to what Henry went through as a child) to Will (who shares similar traits with him as an outcast and a nerd) to even Billy (with both of them projecting their rage onto the world), and went as far as to target them. And, most importantly, it explains how Henry and other special kids like Kali and El got their powers.

This does raise interesting questions that I hope S5 will explore more of:

Since Will was kidnapped and taken to the Upside Down in S1, does this mean his blood type has been altered as well due to his exposure to the Mind Flayer? Does he now possess some kind of power similar to El that we haven't seen yet but might be unveiled in the last season?

And what about the Upside Down freezing in time in 1983? Considering the Upside Down remained consistent as a hellish environment (even after El banished Vecna to it in 1979), this gives the impression that what happened there was an anomaly. I still maintain Will's disappearance had something to do with the altered environment, and I have provided theories for it in my review of Stranger Things The Other Side, but it's still a question that remains unanswered by this play.

And then there's Patty: She does survive, and last we see of Patty is her reuniting with her biological mom, but it's also mentioned she disappeared and that Bob (her adopted brother) misses her and plays songs over his radio podcast in her memory. Did Bob ever find Patty following this, or did he die before that could happen? Does she even remember Bob or Henry, or did the fall (which injured her badly enough that she now walks with a cane) cause her retrograde amnesia? Is it possible S5 might bring her back, and she could have some role in reaching out to Henry/One/Vecna? Is she still alive at this point?

So many questions that I'm hoping S5 provides answers for.

Part 4: Themes

It's no coincidence that the play Joyce produces for the school holds parallels to the tragedy of Henry and Patty's relationship. The Dark of the Moon is a ballad about a "witch boy" named John who falls in love with a human girl named Barbara Allen. He is given a human form on the condition that she remains true to him. Through a series of tragic events (including the death of their child at the hands of religiously-crazed townsfolk), Barbara ends up betraying John, causing him to lose his humanity and become a part of the fog from the place he came from.

If we're drawing direct parallels, it's pretty obvious Henry is John, the "witch boy" embedded with special powers who falls for the human girl, Barbara/Patty. The difference is that the "humanity" of Henry is more metaphorical than literal: He attempts to not give into the monstrous influence of the Mind Flayer, and Patty recognizes this and is determined to help him through the love she gives him. However, the key difference is Patty isn't the one who betrays Henry. If anything, she remains a loyal friend and confidant to Henry (even AFTER Brenner tells her that Henry killed his mother and sister) and desperately tries to convey to Henry that she believes in him and that he can fight off The Mind Flayer. Unfortunately, that proves insufficient, and it's Henry who inflicts the final betrayal on Patty, destroying their relationship, and causing Henry to become prisoner of Dr. Brenner at Hawkins Lab. He is the "witch boy" who returned to where he came from.

It should be noted that the ballad this play is based on contains these final lyrics:

They laid poor Barbra by the old church gate,

With the wild, wild rose growin' nigh her,

And witch boy roamed the mountain high,

'Til mountain fog became him.

And then one morn, before the dawn,

The fog rolled down that mountain,

It came to rest nigh Barbara's rose,

and watered there a briar.

The rose and briar climbed the old church gate,

'Til they could grow no higher,

And there they tied in a true love's knot,

The rose wrapped 'round the briar.

And so a witch and human gal,

Had conquered death eternal,

And 'neath the darkness of the moon,

Their love's entwined forever.

Could this be foreshadowing that, as evil as Henry/One/Vecna has become, there is still a chance at redemption for him through Patty? That whatever love he held for her could bring back Henry's humanity and allow him to overcome the Mind Flayer one last time? They did a similar thing with Billy Hargrove in S3 (with the platonic love he had for his mother), and since love is one of the key forces that's been shown to repel the Mind Flayer, it could work again in Henry's favor if he chooses to take it.

However, a lot of this is tied to whether Henry is capable of remorse or empathy at this point, and considering what we've seen on the show, it's a safe bet to say whatever humanity he had left in him is now gone. I'm doubtful that even if Patty shows up in S5, it'll be enough to redeem Henry. There are some things you can't come back from, and regardless of the negative influences he was dealing with, Henry still had choices, and he chose to hurt others.

In a way, Henry's story reminds me of Coriolanus Snow's arc in The Ballad of Songbirds and Snakes: Despite the relationship he has with Lucy Gray Baird, it wasn't enough to cancel out his negative personality traits (narcissism, entitlement, etc) and whatever love he may have had for her isn't enough to redeem him, or prevent him from becoming the tyrant we all know and loathe by the events of The Hunger Games.

Another theme present was the exploration of the adult characters and how the personality traits they had as teens continue well into adulthood. It's been speculated before by various groups of people that, internally, there's a certain point where you stop growing mentally and remain the same age, and that definitely seems to be the case here with some characters. The problem is that while these qualities might have been excusable when they were teenagers, they become less appealing as time goes on:

Ted Wheeler, for example, is depicted in the play as a dumb jock who's clueless most of the time. Fast-forward to the 80s, and he's now an apathetic father who still remains clueless. Not only is this not cute anymore, it's frustrating to his wife and those around him.

Karen Wheeler is depicted in her teens as interested in her youth and beauty and dating Ted BECAUSE he's a hot jock. By the time she's an adult, she's still into that (though she does make more of an effort to be emotionally available to her kids unlike Ted) and her desire for youth and a passionate relationship almost leads her to sleeping with Billy despite the inappropriate age difference between the two. 🤮

Jim Hopper is a younger man with a fractured relationship with his abusive father, and a lot of his motivation is rooted in trying to stick it to his dad and prove that he isn't the loser his father thinks he is. It's why he takes an interest in the animal killings around Hawkins and conducts an investigation similar to how police would do it. It's also why he joins the Vietnam War later (as he would later tell Enzo/Dmitri in S4). Even later becoming the Chief of Police on the show likely has its roots in this. Years later, long after his dad is likely dead, he's still trying to prove him wrong.

Lonnie Byers is depicted as a douchebag, even as a teen, who isn't really interested in making something of his life, who's coasting off other people, and really doesn't have any desire to improve himself. Come Season 1, and is it any surprised he's a deadbeat dad who's divorced from Joyce and still making shitty decisions down the line?

Same goes for Al Munson: The play depicts him as an improv actor who's deeply self-centered, who isn't as good as he thinks he is, and is someone who just annoys everyone around him with his antics. Anyone who's read Flight of Icarus knows he doesn't get any better as an adult, and it has completely wrecked his relationship with his brother Wayne and his son Eddie.

And then there's Dustin's father: "Asshole" is the best term I can use to describe him. He's very belittling and not well-liked (even among his peers), and it doesn't surprise me that Mrs. Henderson (who's also shown to be a cat-lover as a teenager) would eventually split with him and raised Dustin on her own.

There are a few positives though: Both Charles and Sue Sinclair come out of the play as decent people, and Sue is shown to be a loyal friend to Joyce, helping Joyce to get her play organized. I can see why they ended up together, and I maintain both Lucas and Erica are lucky to have them as parents.

The overall point is, like with Henry (who also never really grew up, and is now an angry kid trapped in the body of a 30-something adult), there is a theme that change is a process you have to work on. All of these characters (including Henry) have their own flaws they have to work through, and it is a choice about whether you put in the hard work of overcoming those flaws, or you surrender to them and let them dictate your life and stilt your growth. It's always an uphill battle, and it's never easy, but when the alternative is hurting the people around you, I would argue it's worth the effort for their sake.

Final Thoughts:

While there is some leeway between how events in the play can be interpreted, there is one tiny retcon that was hard to ignore: Henry's age. In the show, it's specifically mentioned in the newspaper article that Nancy and Robin look up that Henry was 12 when Virginia and Alice Creel were killed. However, this play retcons his age to being 14 years old. My guess is this was likely done so that Henry would be a freshman, and therefore able to attend Hawkins High School with Joyce, Hopper, Bob, and the other characters. While I don't mind this retcon for story purposes, it still sticks out like a sore thumb, and I wish the Duffer Brothers would take better care with details like that, especially after what happened in S4 with Will's birthday being forgotten.

There is a pamphlet for 10€ that they sell at the Phoenix Theater that gives more information about the play, its cast, and the central ideas behind the story. You can even see it in the picture above with the other memorabilia I collected (next to the t-shirts I bought). If you're going to see the play, I highly recommend purchasing it. It's worth the money.

Overall, this was a well-written play that I'm willing to accept as canon. I hope the events in this play are referenced in S5, and have a role in how the show's story unfolds. I highly recommend getting a ticket for anyone who is a Stranger Things fan! :)

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