#so much love for albert

[p4nishers]

god. GOD. the underlying anger in everything terry writes really IS apparent in hogfather bc fuck u mean this is how things should be? no the fuck it shouldn't. poor people shouldn't have to be satisfied with what they get, that's just fucking capitalism. i REALLY like that terry decided to use death as projection for what he thinks bc death doesn't know anything and it has to be explained to him and by it being explained to him it shows how fucking stupid those things are. bc ok here's this world where an equivalent of santa ACTUALLY exists and, because it mirrors our world, it's still unjust. santa actually fucking exists in this world and he could give ANYONE ANYTHING bc he's essentially a god and people gave him that power by making him up, BUT because ppl imagined him in a way that poor people don't get shit (like they usually do) and rich people get EVERYTHING they want, he exists like that. whereas death has seen the absolutely WORST of humanity and he STILL thinks that's bullshit and it's not how it should be, it's just how it goes. bc capitalism is always capitalism where there's money and the world will always be fucked up as long as there are oppressor to hold it up. like i just.

[raz0rvampire]

Me and bro

[saltsig]

I haven't finished DGS2 yet but I love them so much omg</33

[s-dei]

Chris Redfield can't understand this life

[heathenoushound]

Bro did NOT like being blinded by a flashbang

[elliotruinsresidentevil]

They can never make me hate you, Jake 🤍

Also, my friend Beetle’s reaction (he doesn’t know who Jake even is):

[nshtn]

i see a lot of wesker content is about domestic fluff like making meals for one another!

but post-arklay... just imagine... he has the prototype t-virus now. wesker's caloric needs are vastly different. the man could run a mukbang channel without any unhealthy eating tactics with the amount he must now consume to maintain his weight and appearance and prevent the virus from turning him grey and sullen.

something that has changed about him, most intriguingly, is his taste. his desire for exceedingly fresh cuts of meat prepared blue, an uptick in umami and savory taste receptor activity. he's even had to wipe his face before a meal once, salivating gratuitously to the point of drooling and falling deathly silent in equal parts exasperation and embarrassment, so different from the composed, gentle menthol of a quiet man you'd come to know.

you buy a lot of fruits now, purposefully picking out the granny smiths, plantains and pineberries, anything a little less on the sweet side for his shifting palate. you even begin to grow cucumbers to pickle for him. your kitchen, once full of small, lively rack-pot plants like oregano and sweet basil now sports fast-growing savories like chives, fennel and dill.

cooking with a crock pot becomes ideal. a batch to you is a meal to him, so you can set it up in the morning for the evening.

you make a tray of cookies and he eats them all! he'll be hungry again in thirty minutes. he would prefer a bit more salt next time. maybe you could experiment with higher protein concentration? he does not elaborate, but he is polite.

wesker, of course, affords you the same small details when he cooks for you. he doesn't push to encroach on your own dietary choices, even if they're far different from his newfound primary carnivory. he consciously portions things (though sometimes he heaves a bit too much for you), leaves the salt until the end so that he can salt just his own half, and ensures every raw item reaches a satisfactory internal temperature for the time you need.

[dulcemapis]

for all my fellow 2AM/CAM truthers 😔

[tero-ga]

I, I have been thinking about them, quite too much, so here's bunch of random doodles of them-

[funniestpersonalivefr]

resident evil music headcanons

OKAY OKAY first time writing something and putting it out there but i need to speak my truth lmfao. dont judge too harshly im just autistic about resident evil

includes: albert wesker, leon s kennedy, chris redfield, claire redfield, jill valentine, rebecca chambers, and carlos oliveira

albert wesker:

let's be so fr wesker is gonna be a prick about music

only listens to classical music and maybe some slow smooth jazz

he only listens to music at home playing it through a record player

just imagine him sitting in his at home office working on research with tchaikovsky playing in the background

he'd enjoy going to ballets, symphonies, and operas and you cannot convince me other wise

leon s kennedy:

"he's so lana del ray coded" shut up his ass is listening to limp bizkit be so fr

especially when he's older its just divorced depressed dad rock

he's screaming the words to higher by creed in a bar and chris is trying to calm him down like yikes

definitely would try to go to concerts but they get so loud it gets a little overwhelming for him

he's got a banger cd collection and he's got a portable cd player he refuses to get rid of

chris redfield:

he says he doesn't have that much of preference in music as he just will listen to whatever is playing on the radio

however i think he definitely likes classic rock and classic country

he enjoys bands like queen, pink floyd, and the police

with his work schedule he rarely gets the opportunity to attend concerts and a lot of his favorite artists are dead (rip me too tho)

chris doesn't listen to a bunch of music but that's okay the man is busy

claire redfield:

claire, claire, claire

i wanna say claire is listening to abba and she sings along and dances whenever she does

she also would listen to stevie nicks

(also probably bands like weezer and gorillaz)

and i think as lana del ray started popping off claire was there listening like cmon guys she'd love the ultraviolence album

jill valentine:

jill is listening to the cranberries and the cardigans

when she was younger she loved loud rock but as she's getting older she finds herself wanting to listen to calmer music

when she was younger she would've loved bands like nirvana

now she likes to just plug her headphones in and lay down (its her way of escaping everything and taking a step back)

her and claire make playlists together 🫶

rebecca chambers:

can i real quick just say i love rebecca? okay thank you she is my girl

now idk if this is gonna be controversial but im gonna say it

she'd be a swiftie

she certainly doesn't enjoy taylors carbon emissions but she loves the music (her favorite album would be 1989 or lover)

she's also someone who uses a streaming platform instead of lugging around cds or something

carlos oliveira:

whore.

i just know this man is listening to songs like daddy's home by usher

he probably enjoys a lot of hip hop and rap

some of his favorite songs are captain save a hoe, california love, and it wasnt me

he's like if hey sexy lady by shaggy was a person

anyways just remember these are all my opinions and dont like scream at me for it yk. this is just a silly post. :)

[celestcelest]

Therapy with Dr. Albert Krueger anyone :3?

was a bit bored yesterday and decided to color the tweels in a different color pallet

[moodyspoodys]

An important message from Wesker

[magistralucis]

this is the first Space Marine I have ever painted Please Be Kind 😭🤣... during housecleaning I unearthed this old mini my fiancé had as a child and long story short I made him into a teacup, please welcome Brother Connoisseur of the ~*~*~Albertus Regius~*~*~ Chapter

[ryllen]

I have never ventured to the side of wanting to romance unromanceable NPC before,

but isn't Wei kind of a marriage material ?

[starlostlix]

Albert's Masquerade Ball, his role as a Mastermind and trivialisation by the aristocracy

The Masquerade Ball, about half way through the Scandal of the British Empire arc, is a really cool scene that exemplifies the reasons for the necessity of the Moriarty plan in a way that is specifically designed by Albert, with the intention of helping Irene support their cause and inform him of what her stolen papers contain.

As a reflection of the aristocracy

The Masquerde Ball's activity of the evening is a game, where the Lord of Crime 'kills' people by spilling wine on them and the guests must figure out who he is to save the day. This shows how the nobility have trivialised the concept of the Lord of Crime, turning his genuinely threatening acts into a simple game with a quick solution. They see the Lord of Crime as either a 'gentlemanly criminal', a trend, or simply an illusion to scare others. They, since they feel untouchable due to their wealth, ignore the seriousness of the issue and turn it into an evening jaunt.

The general customs of a Masquerade, as explained in the chapters, is to be unidentifiable and unconventional. They are allowed to be rude or controversial here, but only because it comes at no price to their reputations. It accentuates the surface level nature of nobility, with its focus on reputation and social standing over anything else, including empathy.

The event's 'Lord of Crime', Baron Rollinson, doubts the general existence of a real Lord of Crime whilst essentially masquerading as a satirical take of him. His choice to target Albert for just simply being 'rude' in front of him shows that the nobles are extremely insecure at the slightest hint of dissent, and are willing to go to extreme lengths to stifle it (as seen at many points of the series). In this way, Rollinson also acts as a stand-in for any of the nobles the Moriartys' have targeted - adding to another point related to Albert which I will get to later.

When Rollinson, after being found out as the evening's Lord of Crime, dies of a heart attack, the aristocracy simply brush it off and move on as if nothing happened. This not only simulates their general ignorance and detachment from death and its effects, but their detachment from the Lord of Crime. The Ball's satirical take on the Lord of Crime is a way to reveal their genuine apathy to death and those of lower class, constructed by Albert himself.

Albert as the mastermind of this ball/'play'

Albert is clearly shown to have orchestrated this event down to the smallest detail. He is one of the main sponsors of the event, knows who their 'Lord of Crime' is, knows how to provoke him into being targeted so his meeting with Irene can go ahead, and knows how Rollinson is eventually to die. It's also set up to include a noble who is connected to Irene (since her friend died in a fire that Rollinson started to gain insurance money), and acts as a form of 'society in miniature' to show Irene just how in need of change the world is.

Once they have been targeted and 'killed' by Rollinson's 'Lord of Crime', they have their conversation on the balcony floor above the main ballroom. From there, they can see all the people and events happening from above, as if watching a play. The Moriartys continually mention crime as a performance, and this ball is essentially that but for an audience of two (Albert the creator and Irene the spectator) rather than a mass audience. Being above the main ballroom acts a representation of the way Irene and Albert have differing knowledge that makes them see the nobility through a lense that is more critical of and perhaps morally 'above' the culture of victorian aristocracy. They watch the performance unfold as Irene eventually realises not only the power Albert holds as Em and the Lord of Crime, but also the goals he has in mind - goals that she somewhat agrees with, or can be convinced to agree with.

So what point does Albert make with this? Well, in essence, this whole Masquerade - the representation of aristocratic society, the power of the Lord of Crime, the issues in society that need to be fixed - it is all in an effort to get Irene to side with them. Albert sees Irene as a useful asset with not only the papers she possesses, but her own skills and goals in changing society to be less classist too. Albert specifically mentions her successor, Martina Meier (who was murdered for simply being working class and successful in the acting/performance industry), as what pushed Irene into extortion of the rich - and shows her a taste of a more permanent solution to what she has being trying. It is Albert's knowledge of Irene's past and friends that helps him truly win her over, tailoring a situation and noble victim to her experiences.

But the event is also in itself generalisable to any noble who has committed evil acts. Rollinson (as mentioned) could act as representation of any noble, and the method of death (heart attack) is much reminiscent of Chapter 2's Baron Dublin's death. In this way, whilst the plot has many personal relations to Irene, it is also able to be seen as generalisable enough where she can see how it may affect many other of the 'evil nobles' the Moriartys target. She can see the usefulness and possible future targeting of the plan through Albert's 'play'.

So, Albert has created a performance that acts as somewhat of a mini test run of the idea of 'crime as a performance', tailored to one specific person as a recruitment tool. Albert has proved himself to be a mastermind of crime and also persuasion, and they have managed to progress their goal of removing 'rotten nobles' in the process. And it's all executed in such a gripping and interesting way, which I adore.

[I freaking love this scene man. Perhaps one of the best Albert centric plots if not THE best. It's all so interesting in the way it's staged and what it says about society, Albert and also Irene. There was probably more I could mention but it's nearly 11pm and I am tired. I hope to make more of these as I reread the manga from time to time, to talk more about scenes that deserve analysis.This part is Volume 6, or Scandal of the British Empire Act 4-5 specifically.]