#so much character development could have been done

[letmereadinpeace4]

Thank you so much for mentioning Stolas and how him being neurodivergent affects how he is perceived, both in-universe and by the fandom. I was thinking about it but wasn't sure how to word it. We truly have an example of how much social conformity and charisma impacts people's perception.

I find it very interesting that for a fandom obsessed with whether the main characters (Blitz and Stolas) are held accountable for their mistakes, I have never seen a single person comment on the fact that Asmodeus was hiding his romantic relationship with Fizzarolli for years, when as far as we know, all it would have cost him if he revealed it was public embarrassment (which would have been easily mitigated with proper public communication and a few well-placed threats). This is never brought up in the show, but this has probably placed Fizz in a complex social situation (arguably even more complex than Blitz's with Stolas), not to mention opening him up to blackmail if someone (*coughcough* Mamon) decides to play that card. Asmodeus only reveals the relationship once Mamon openly threatens Fizzarolli. But hey, Fizz doesn't appear to mind, and they're so cute together, and poor Ozzie risks losing credibility and might *gasp* receive insulting comments from the other sins, so clearly this is not a problem, right? It's completely understandable and excusable for Asmodeus to hide the relationship, right? He should not be held accountable for this refusal to take responsability for his own desires, riiiiiight?

I'm not going to pretend Stolas is some paragon of goodness and fairness in his treatment of the lower classes. He isn't, and the show obviously sets him up to receive some needed character development in that regard. But if he must face the unfairness and horribleness of Hell's class system, I am curious to know why the characters who created that system and have sat blissfully unaware (even benefitting from it in many aspects) for thousands of years shouldn't need it as well? Stolas is in his late thirties, he is a prince (and not exactly the highest ranking one), and he has had no hand in creating that system nor in creating or applying the policies that maintain it (as far as we know at least). Meanwhile Asmodeus and Beelzebub are sins (while they're not the highest ranking ones, seventh and sixth strongest is nothing to sneeze at) and have been there for centuries. If they were truly concerned about the unfairness of it, they could have done something about it.

The fact is that Asmodeus and Beelzebub are fun, charismatic, good hosts. Their relationship with their respective partners is sweet, and speaks to how they don't think of themselves as too superior to sleep with someone from a lower class. They are nice people, but they are not kind people.

This is probably a controversial opinion, but Asmodeus and Beelzebub are evidence that if you are a pleasant enough person who mingles and parties with the lower class and doesn't say overtly classist stuff, people will let you get away with the bare minimum and give you a truly astounding amount of benefit of the doubt, even if you enable, maintain and benefit from an insanely classist system that massively and negatively impacts your partner, not to mention the people you're supposed to rule over.

[annakabeybeh]

Batman & Robin #17 Review

I don't know if there's too much or too little to unpack here. I'm really loving this chapters and leaving me wanting more. It's steady and calm in the pacing without feeling boring. It's just perfect. Little by little it's opening the story of Memento and I absolutely love it.

The mix of past and present could be a little annoying to some but I feel it has a good effect because even if tells you almost nothing it still gives you a precedent of things to happen.

I love the way Damanian's character is being build, it's a change from his always sure demeanor. He always had doubts about himself but he tried to no show them so this Damian is a nice breath for his development.

Spoilers ahead

This panel is important.

1st Is he talking about the way he was raised? Talia and Ras or was a small backhanded comment about Bruce? It could be both but I love the idea of it being about Bruce. Yes, Damian is intellingent and brilliant for his age but that doesn't mean that he should be doing what he's doing. He might at that moment saying that Bruce could be more and do more by being a normal citizen than as Batman and it is a good take, boring in comic sense but it is an amazing take.

2nd The doubt about the need of Batman in Gotham, it is a issue talked about in a book I read, Batman and Psychology. The question is Batman the reason everything happens or everything happens and that's why Batman is needed. The question as far as I know has arose outside comics not in them and this being questioned for me it is interesting. It's a doubt beyond capacity of a character but more of need and reason (Do I make sense? I hope so)

This panel is something that I feel writers had made Bruce do over and over again. Bruce blames others for his failiures (Blamed Dick for Jason's death. Tried to guilt trip Jason about Damian's death -DAMN BRUCE, FUCK YOU!- and he even blamed and guilt tripped Damian about Alfred's death -Again, Fuck you Bruce) but this goes beyond that in my opinion, why? Because this is a Bruce that relies on his Robin, he's not an accessory, he's an extension of himself and it was shown not only with this interaction but with the chapter before but it also goes beyond just passing blame because it also shows that Damian is getting away and he doesn't like that.

Is this just jealousy of a parent as he watch his son drift away?

Damian had been raised to be a villain or a vigilante, his choice nevertheless and his connection with Thomas Wayne was bigger than Bruce expected. He understood him and he liked him, in a way that Damian might not like Bruce but in the way Damian liked and loved Alfred. I love the idea that Damian is seeing Dr. Bashar's as some sort of Alfred's substitute (I do not trust the man but Damian needed that support because let's be honest Bruce is not that, not for Damian and not for anyone.) This show Damian in a nutshell. A person that sees the world and sees not only what's infront of him but what it can be. He sees he can be bigger and better than what he's that moment.

I mean Bruce, your ego, keep it in check. He should have done this since the beggining but he didn't because of his ego but now that Damian is interested in someone else, looking up someone that is not him he became this kind of person. That's what I feel. I find it funny and it will funnier that there's nothing to doubt the man.

This interesting. She had been suspicion that Jack is Batman but this is not a comfimation of the suspicion but to show that despite everything Damian is Bruce's son and I love it. They're different but similar. I feel that this is like comfirming that he won't stop being Robin (Don't do that to me, I need more Damian content I love him so much).

The team up with Jason is something that would fuel more disputes between Bruce and Damian. Some sort of jealousy from both of them and I love the idea, they need to communicate but they are too stuborn to do so. Damian's fears and doubts about himself and what he thinks Bruce wants from him push him to not tell him stuff. That kind of stuff was something he shared with Alfred and he hadn't found someone to confide in so Bashar had stepped because he communicates and Bruce hadn't communicated he never had ease Damian's worries.

The title of the new chapter seems Chef's kiss to me. A reference to both Death in the family and Death of the Family. I have big expectations in next chapters. Tbh this is what Damian is for me.

[loolilyumm]

I really like your interpretation of 3! Would be super excited to hear more about your 8 (or any other characters) :D

YAY THANKS FOR THE ASK!!! And I am so sorry about the late reply. I literally forgot I had this drafted 😭 I actually already rambled on about 8 a couple of posts ago - If you scroll down (or look for the agent 8 tag on my acc) you’ll find it! I think so much about her I hope you enjoy…!!!!!!! I’m so happy you like my little guys :))))))

AHEM Since you said..any other characters….I DO HAVE OTHER CHARACTERS!!!!! NOW I AM GOING TO YAP ABOUT MY AGENT 4!!!

THIS IS ELLIS! I actually love drawing him so much. I will admit that I have not thought too much about his backstory BUUTTT he makes up for it in personality!

Ellis was about 16 during splatoon 1, and he moved to the city for college when he was 18. Shortly after, he was recruited to the NSS by Marie. As of splatoon 3, he is 21 years old! He mains the Slosher Deco.

He is a freakishly tall lanky dude. He’s very book smart but acts goofy and stupid and snarky and lacks common sense. He’s a bit of a flirt and Marie acts like she can’t stand him. They tease each other a lot but they genuinely care for each other a LOT! But they’d never admit it!! Ew gross!!

He feels like a bit of a disappointment to his parents because he was supposed to be going to this fancy college in the city, but ended up leaving it and becoming an agent full time. PLUS he can’t tell them that he’s a secret agent saving the world, so they just think he works at a gas station or something 😭

Hero mode was a totally new experience for him. Marie never doubted him though. Now he’s an extremely talented agent. He’s really good at coming up with strategies and is extremely intelligent on the battlefield. He’s just so goofy that everyone forgets he’s actually smart.

In the beginning, he didn’t know who the squid sisters were at ALL because he basically lived under a rock until moving, and he was like, “pff, you can’t be that big of a deal.” LMAO.

He and Marie quickly became best frenemies. They often teased each other and had a lot of good banter and really good chemistry. Ellis developed a little crush on her but never thought it would be reciprocated!

One night, Ellis was injured on a mission. He is very deliberate about his missions, always having a plan - so he rarely gets injured.

When he came back, he saw a side of Marie that he’d never seen before. She was worried for him, helping him with his injury. The two of them realized that this was serious work. Ellis could have died. It also brought Marie to a realization. She really, really cared about agent 4. There was maybe a little crush starting to form…!!!

But the two of them STILL haven’t done anything about it. It’s been 3 YEARS. They are the definition of slow burn. Just because neither of them wants to admit that they like the other.

Near the end of splatoon 2 hero mode, Ellis became an agent full time and dedicated all his time to finding Callie. And they did!!!!! It was super awesome yay!!!!!

Currently, the NSS is bigger than ever before and they even made agent 3 the captain.

Ellis is still a goofball and loves to be silly with Callie and agent 8 (Olive.) Those two are like his sisters. The New agent 3 (Margot) is a little off putting but that doesn’t bother Ellis at all. Every once in a while, he works a salmon run shift with her, and it’s crazy how good she is.

Ellis understands that 3 and 8 went through a lot down in the metro and wants to do anything he can to help them free the sanitized octolings. (This is what led to him working on the memverse with Marina!) Sometimes the agents go down to the empty remains of Kamabo to see if they can find anyone. They are usually unsuccessful but it seems to clear 8’s conscience.

I still don’t really understand side order. Um. I kind of didn’t like how it was all virtual 😭 maybe I will make it a little different just for the sake of story. Idk yet. But yea!

That’s all I have on Ellis, he’s my boy! I think he’s my favorite to draw, and his design has been the only one not to undergo any change.

And that concludes my agent yap sessions! If you guys want to know anything about them (or send them asks or something) my askbox is always open! I love answering questions :) ((even if I am a little slow ahhhh sorry!!))

But yeah!! I’ll make official character sheets and stuff sometime soon :D thanks so much for sticking around if you made it this far!! 🫶🫶

[nerdishpursuits]

And this is one of the countless reasons I love chatting about Mafin with @midniteowlet: she's my very own toma a Tierra and grounds me, so I can approach things more rationally.

Upon concluding our debate of the current turn of events on the show, Mafin on the whole and their narrative? I've come to look at things as follows. The show very much reflects society as it is: a sad state of affairs where good people hurt and unsavory characters often prevail. The fact that we want everything good and wholesome to triumph at every turn? Idealistic, not realistic. Not to mention lofty expectations actually prevent one from truly appreciating the show, with all its ups and downs and winding roads. And personally, I'd like to keep enjoying it, without getting dragged down the utopian rabbit-hole.

For the most part, the representation we get is actually well crafted: Mafin feels organic, tried and true, and the chemistry between them is undeniable and thrilling. More so? Their story doesn't feel forced and thus, can be promoted to any viewership without it coming across as preachy and condescending, or having an agenda. If anything, Mafin is by far the best developed, healthiest relationship on the show. I, for one, much prefer the portrayal of good communication, heartfelt romance and overcoming obstacles together than a deluge of r-rated scenes. And honestly? We are being offered a damn good story here, even as it fails to satisfy everyone's hopes and demands (which in all honesty, it never could - at the end of the day, someone will always be disappointed)

I'm also reminded of Marta B. mentioning in a recent interview that the show is not aimed exclusively at the sapphic community. As such, it will not depict or cater to its particular needs. It's part of a larger ensemble and needs to appeal to a broad audience. And, when all is said and done, it actually manages to accomplish more with this kind of storytelling: one that's simpler, one that doesn't try to be pedantic. Ergo, they will not linger and preach to the audience. What they will do instead is allow the characters, their circumstances and actions, to speak for themselves. And they will trust they're doing a good enough job to let people draw their own conclusions. So far, I think they've achieved that: there’s heterosexual people watching the novela who love Mafin and think they’re the best couple on the show, there’s elderly people learning to be more open-minded, everyone loves Damian's character development, everyone hates Santiago and acknowledges he is a despicable lowlife etc. The show is moving the pieces along the board quite deftly and it makes for an interesting, if not always gratifying, game.

As for today's episode? There's no doubt that Marta and Fina only have eyes for each other. They're an established couple who will face anything thrown their way as they always have, as one. No mustachioed men will ever change that. Marta and Fina's narrative will never be whether they desperately adore each other. That they do couldn’t be more obvious. Their story? Ever has it been, and will continue to be, about their fight to attain freedom: freedom to live their love in a society that forbids it.

Therefore, I've reached the point where I'm not worried at all about either Santiago or Pelayo. Based on Pelayo's reaction upon learning Marta is a lesbian? I doubt he'll help Santiago in his attempt to sink Marta's ships. To me he comes across as a calculated businessman, but not a heartless one. He stands to profit more from a partnership with the de la Reina family than throwing Marta to the wolves. He also didn't bat an eye at Santiago's reveal, wasn't surprised or outraged. Which, I'll go out on a limb and say, is telling. He's either gay himself or simply plans on advancing his business / political career by securing a partner that won't demand his attention or affection. The first scenario ensures he remains socially upstanding while the second allows him to live as he pleases. To a man like Pelayo? It's a jackpot either way. Hopefully, the benefits outweigh the costs for Marta as well, should the plot move in that direction. And given all the signs? It's already halfway there.

That being said. It remains to be seen what happens to Santiago. I assume, and hope, his little ploy at denouncing Marta to the Civil Guard will cost him, dearly or otherwise. His own thirst for vengeance pushed him to make the wrong move which is, in my opinion, seeking out Pelayo. And while there's plenty of outraged cries that Marta & Fina don't need another man to save them? Let's not forget it's 1958. The likelihood of neither of them attracting a suitor, fake or otherwise unwelcome, is as doubtful as improbable. The fact they managed to successfully evade them so far? Quite the feat.

As for what awaits? Marta won't go to jail, I think, since that card has already been played. Or who knows? We might be surprised. The fear they need to instill in her requires new heights, in order for Marta to reluctantly accept another cage. Mind you, she's still trapped: as much freedom as she currently wields, Marta remains a woman whose very social status entraps her, singling her out as prime real estate. She's the proverbial golden goose, especially as dictated by the mores of society back then. Marta and Fina's shared dream of freedom remains, for now, a dream. One they've almost had at their fingertips, which makes their current circumstances all the more painful. I will say: it stings that Fina won't be the first to read Marta's journal. Undoubtedly, at some point, she will. After all, that journal is a mirror of Marta's very heart. It lays out her deepest fears, her innermost longings. It chronicles the fiercest battles Marta has had to wage with herself, her losses and triumphs, her meditations and hymns, the anguish and the deliverance of her love for Fina. To have it fall into the wrong hands? A violation of the utmost personal, a desecration of what is deemed sacred and untouchable. The diary symbolizes Marta having a safe space to call her own, one where she was allowed to embrace her true self, one that initiated her journey to freedom, her quest to rid herself of her shackles. Santiago has no honorable bone in his body and his hatred towards women, and Marta in particular, drives him to invade and vandalize her privacy, this blessed sanctuary she got to call her own. Let's see if Pelayo rises to the occasion and proves himself as a noble character. You can never have too many allies. Do I still take issue with how certain things are handled, with the inconsistencies and shoddy character work? Definitely. But I’m also able to simply sit back and enjoy. Let's see where all this goeth, shall we? Hello pain, let's go again.

[leliwardens]

project joplin will always be a ghost in the machine of veilguard regardless of how you feel about the game. like yes the "it what could of been" is a good reason but what i consider a more concrete reason is the bones it was built from and how it bleeds into it even now.

like. i remember early on the marketing and promotion for rook specifically was (paraphrased) an everyman type character, one that didn't have a magical hand or special papers to do what needs to be done, "having to earn the respect rather than it just being handed to them" is presumably the takeaway from this approach.

however, personal feelings aside on that opinion for previous protagonists, it's simply...untrue? yes rook has no magical hand to land them the following they start out with or the warden with treaties that gain them a guarantee army, but rook has solas in their head providing critical information, the lighthouse and access to several eluvains, and the dagger as advantages. rook didn't earn these, they were given to them by fate or by chance. presumably the earning aspect is suppose to be for the companions (though, all games have you need to maintain their loyalty/respect) and factions. there isn't a big enough equivalent from previous games to parallel factions but you could argue the treaties are similar, or the allies you gain at the end with hawke (like zevran), but nothing relevantly close.

but this isn't the point. the point i want to make is trying to market rook as so vastly different than the previous protagonists as an "everyman" is simply not true in-game no matter how you slice it and makes little sense.

but you know what does make sense for that comparison? project joplin.

in it's inception to cancellation (at least what know publicly) was a smaller scale story set far away from the previous games' direct influence: a "heist" type set up in tevinter where you would travel in a rickety old boat with your crew while on the hunt for solas assumedly under orders of the inquisitor. you were essentially a sunderland's company, or more or less what absolution was.

now this makes far more sense for the intention of rook to simply be a random, a nobody, that just so happens to stumble into something bigger and have to earn everything because they're literally an agent on a war table mission esp because the release of elger'nan and ghilan'nain was midway through the concept vs the start.

this makes me more sad than anything, because yes if project joplin was what was released it could of been vastly different than the artbook suggests since that's how game development works, but clearly it shows the capitalism bloodsucking machine that ea is a front for they had pick at the bones of a previous project and scramble to build something out of it rather than be given the time to properly change course into something actually fresh and fitting. it's not commentary on the competency of the devs either because there is only so much you can do, truly.

(and no I do not believe, claim, or otherwise think this drastic of a change happened between marketing -> release, that's stupid lol and also not how game development works)

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[ttomuras]

the last five chapters were extremely rushed and the ending feels generic and boring to me. like i literally joked about how there is going to be a timeskip, deku is gonna be a teacher and they’ll have a pull-out-your-ass solution about how deku can still be a hero. joked in a “this is too goofy” way just like ppl joked about “this is our hero academia”. this feels v?? goofy?? but in a not fun way for me

[sulfurrrr]

s2 of arcane was so pretty and fun to watch but. idkkkk the way they kept adding characters and storylines and stuff made the entire thing feel like an advertisement for LoL.

[emdotcom]

*remembers what they did to Vanny* 500 FUCKING PIPEBOMB ATTACK.

[hauntingblue]

We got koby today.... tashigi could cut the hand like zoro did in dressrosa but we got koby today....

[benvoliotheorphan]

Me: Yeah I don’t think I can really ship Kratos with anyone. It’s just really hard for me to imagine him in any sort of romantic relationship. Yes I know he was married twice, but still-

God of War Ragnarok: Shows flashbacks of Kratos with Faye

Me, with tears in my eyes: Oh, okay, nevermind.

[le-agent-egg]

This is not me hating but is it ok if I ask how come you think THH is badly written?

Don’t worry about it! Personally for me, I really dislike how many of the characters were treated, especially with the first character (how Leon and Sayaka weren’t given proper time to develop, how Makoto in my opinion does seem a bit flat in terms of personality, how the writers killed Leon and Sayaka off first because they were sick of drawing them). The second chapter also irks me with how they treated Toko’s DID and Chihiro’s gender, though I will admit a lot of stuff in game with Mondo and Taka’s relationship was actually pretty well written and honestly really cute. And I think Sakura’s death was honestly (in my opinion) one of the best parts of the game, though this could just be because I love Sakura.

This is just a personal gripe but I feel like post chapter two the game gets almost slow, especially with killing Taka off before he got any development and Celeste’s really weird motive. Plus I wish the fifth trial was just a little more interesting, and that some of the survivors like Hina, Hiro, Byakuya and Toko got a little more time to shine in game. I’m happy they got expanded on in other media, I just wish THH (especially the latter half) wasn’t so Kyoko and Makoto centric.

By no means am I saying THH is completely terrible! Believe me, I love it and I love the characters, I just really wish everyone got expended upon in game more. That’s just my opinion, and obviously I’m missing out on a lot of both good and bad things in this post. (I’m very sleep deprived rn haha) Just to summarize I think it’s writing could have been really improved if everyone got just a bit more screen time!

(I do yap a little more in the tags, mostly just about 1-1 and 1-2)

[aroacettorney]

when will aup sidestories return from war and stop leaving me bitter about how the main story ended

[waywardsalt]

now bc of that one post abt zelda getting fridged whenever that one guy directs a zelda game im thinking abt tetra just getting turned to stone in ph and like. what would it have been like if she were an actual character in ph. what would she have done how would this have changed the story

[readymades2002]

something difficult about writing/storytelling but only in short disconnected bursts is that writing anything longform is very difficult. there isn't as much time to practice long-term character development or subtlety (implying character instead of immediately clarifying) when its not really meant to go anywhere but a notes app. its a little frustrating...i'd love to do something more longform though. i've considered maybe just doing some short writing scenes in my various original universes a lot recently mostly because i just havent had time to draw anything fancy recently </3 maybe that would be something...

[yanchive]

Man, I've been obsessed with the isekai trope lately. I've been imagining a scenario where the reader gets isekai'd into a yandere romance story as a side character. You're not the main character or a love interest. You replaced a nameless character who was solely created in the story to be killed off by the yandere love interests to further the plot.

After realizing that's the role you took on, you devise a plan to re write the story to keep yourself alive.

In the official plot, your death was the cause of getting too close to the main character. Your positive relationship with them was considered a threat to the yanderes, and so they wiped you out of the picture.

So, as any semi intelligent individual would do, you decided to avoid the main character completely.

I'd like to imagine the reader wasn't well informed of this story, didn't know who the yans were, and accidentally befriended them before they even got a chance to develop any feelings for the main character. You jumped into their lives before the events that led into the original storyline. Earning their trust and unfortunately causing some peculiar emotions in them to develop.

This fucks up the whole plot. I mean, that was your plan. You just weren't trying to fuck it up so bad that you unintentionally attracted multiple yans who decided you were the perfect match for them. You were a joy to be around. You were far more intertwined in their lives than the previous main character ever was. It was generic with them and their story. A boring, "yan see's their darling from afar for the first time and falls in love on sight." Type plot.

But with you, it was so much more personal. They grew to love you for way more than just your looks. They got to know you as a person before any sort of feelings of devotion could form.

This made their efforts to claim you so much worse than they ever were in the original plot. They were much more sinister and brutal. They usually only did massive amounts of stalking, blackmail, and the occasional murder when it came to the canon story, whereas they went all out for you.

Kidnap, murder, torture, blackmail, stalking, theft, harassment, etc. Everyone around you was a threat in their eyes. Everyone around you didn't deserve you.

By the time you realized what you've done, what you've created, its far too late to fix your mistake. You attempted to break off the friendships, avoiding them at all costs, closing yourself off and spending your time trying to find a way back to your original world.

But they don't take kindly to that. Not after everything you guys have been through. Before you could find the key back home to your world, you'd be whisked away, having your new world be the confines of your yans humble abode, away from society.

Bonus option: You attempt to bring the original main character back into the plot in hopes they could redirect the yandere back into chasing them and get them off your back. But why would they need this stranger? They don't know them like they know you. And they could care less to even try to get to know them. So, the original main character ends up taking on the role you were supposed to be. The side character who was meant to die to further the plot.

You're the main character now.