#so many wonderful roles

[astearisms]

catalysts, protectors

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[quinn-of-aebradore]

Once again thinking about the fact that, per the Caleb Origins comic, Wulf is the reason Caleb spent 11 years in Vergesson. Just. What do you think haunts him more; killing his parents or the fact that in the span of a few seconds he damned one of his partners, someone who was engineered to be one of his closest bonds, to spend gods-know-how-long in one of the bleakest places in the Empire?

[nosnexus]

I'm pretty sure Escape From the Bloodkeep was the first Dimension 20 series I ever watched.. Thanks for being my gateway into this madness! 💙

Huevember day 12

[sleepfight]

In DAI, Krem talks about how he had to bribe a doctor to sign off on his papers in order to enlist in the Tevinter military and that he had to flee after being outed and liiiike

I really want to know what enlistment was like for Tarquin. If he began his transition after the ultimatum from his father, he was presumably of or near the age to qualify for service but still young enough to rely on his family for survival. Just coming into adulthood, just finding the words to define himself, just grasping the magnitude of knowing.

And in a near parody of support, his father will only accept him as a son if he pledges his life away to a deeply patriarchal institution where stealth is not only mandatory to obtain the position in the first place, but enforced by the threat of legal prosecution. You want to be a man? Fine, if you are not a man here, you will be punished for it. As a soldier, your masculinity will be defined and held to account or you will face violence for your trespassing.

Or stay the course. Accept an adolescence of grooming to become an ideal wife and marry up in status, bring the family new opportunities. Bear children, play politics, repress, repress, repress. Swallow poison and choke on what could have been.

Be a man or be destroyed, either way.

[mssallsunday]

mouthwashing features a mc who rapes and impregnates a woman and then crashes a spaceship full of innocent people to cover that fact up when the news gets out to the ppl she confides in and the captain tells her her assaulter wouldn't do that because he "knows him" and the mc pretends like it never happened as he is haunted by the images of his lies and deceit and cowardice and the image of his unborn child and the sound of a child's cries and the captain who failed to act cannot move himself or feed himself or speak for himself or defend himself when the mc attacks him and berates him and blames him for every lie he's ever told as the captain loses every scrap of autonomy he has left. but yeah it's about fucking. capitalism and yaoi. whatever i guess

[vitrall]

I don't think Jayce and Viktor literally died. They were kind of pulled into another dimension/astral plane/whatever you call it. We see older Viktor, and while it could be another Viktor, I think it would be more meaningful if it was our Viktor, finally free from the arcane, going through the universe with Jayce, fixing timelines together. Kind of like a cosmic mission.

[monstersinthecosmos]

I read your answer, where did you say "Pandora is his actual type and Armand was his pet"

But how could Armand be just a pet for him? He is one of only three of his turned children. Marius speaks of him as the greatest love (along with Pandora). Although I see some hypocrisy in this. Marius loves no one as much as Pandora. But certainly more than just a pet

Well !

Babe the thing is that, I said what I said and it’s okay if you don’t agree!!! And I’m gonna take this opportunity to double down. (Assuming that you’re asking in good faith and not to pick on me for my analysis lmao please this fandom has traumatized me too much.)

(((TLDR the text never treats Armand like he’s Marius’s equal but also I never said that being a pet was a bad thing.)))

I want to start by talking about the concept of MAKER in VC and how canon tells us that vampires exist outside of human social constructs, including traditional family roles right? Like for example, the moment Gabrielle is turned, she ceases to be Lestat’s mother. 

But with Marius I think a lot about how he’s crafted a persona for himself, and tries to operate in a very rigid set of rules. And part of this is like, how determined he is to live by stoicism even when he’s a mess on the inside, but I also think about in TVL when he says that thing about how it’s easier to just knock a glass on the floor, and how he goes out of his way to appear more human and retain human gestures. 

So like, in the way a MAKER is kinda like, a parent/lover/companion/something too big for our tiny human minds to comprehend. We still get a Marius who is determined to be a father & mentor, and I think a lot about how his need for stoicism and humanity is probably also expressed with his need to be the paterfamilias. 

I’ve been also thinking a lot lately about Bad Fathers in Media—specifically people like Tony Soprano, Logan Roy, Roderick Usher—and how the toxic patriarchy affects their relationships with their sons. Tony Soprano in particular is one who resonates with me a lot when I think about Marius—Tony often indulges in anger because he enjoys being feared (he thinks it’s respect but it’s usually fear), and that’s a bit different on a material level from Marius “anger is too pathetic” de Romanus but they’re both sort of obsessed with the idea of stoicism and trying to be a ~ strong silent type ~ on the outside, even when they’re actually quite messy and emotional underneath.

But wait — put a pin in this for a second. We’ll come back to this, and the concept of fathers and sons. I want to pause real quick to swerve to clarify:

Armand being a pet isn’t a bad thing.

It wasn’t “pet (derogatory) 😒” —  it’s “pet (adorable creature that I care for) 🥰”.

Here’s the thing about MARIMAND if you will (I hate all the VC ship names oh my god theyre all hideous lmao) but like OKAY OKAY. THE THING IS. WHAT ARE WE HERE FOR IF WE’RE NOT INTO THE FUCKEDUPEDNESS ? 

Like I’m not telling anyone how to enjoy a ship, please have fun ! Do you! But to ME? That inter-species friction and 1,517 year age gap is like WHAT THE DYNAMIC IS ABOUT, THAT’S THE FLAVOR BABY!!! Anne Rice herself even said the book was about “a boy’s love for a monster” !!

WHAT’S THE POINT OF MONSTERFUCKER EROTICA IF HE’S NOT A MONSTER LOL

And YEAH I get that not everyone wants to read TVA as a monsterfucker story. That’s okay! It also reads as a savior fantasy. But I enjoy the messiness of it—I LIKE that Marius is an apex predator & ghoulish ancient thing. I like that it’s problematic. I LOVE that Marius really does love him, though, amidst all these other themes. I find it SO compelling.

But I never once said that Marius doesn’t love him. Of course Marius loves him. What I said is that he loves Armand the way we love a pet. I would fucking die for my cats. I regularly burst into tears looking at my cats because I love them so much. But they’re fucking cats lmao.

I never for one minute forget that Marius isn’t human. He’s operating on a whole different wavelength with different points of references and ethics and life experiences. Like, people get so hung up on Armand being 17 and IT WOULD BE JUST AS BAD IF HE WAS 18 OR 25 OR 30 LOL. A frail little human cannot comprehend !!!!!

What’s interesting with Marius’s fledglings though is that he tends not to treat them as equals. Like I think you could read TVA thinking: Once Marius turns him, they’ll be real partners. But no, they stick to their mentor/mentee, dom/sub, father/son roles. We don’t have tons of examples in canon of other maker/fledgling relationships but it’s not a coincidence that Roman Patriarch Marius maintains status over his fledglings. Even once Armand is a vampire, he’s still not Marius’s equal, and Marius’s age and power are still held over him. 

BUT LIKE.

That’s weird, right?

I MEAN THE DARK GIFT IS DIFFERENT FOR EVERYONE but it’s interesting to me that Lestat & Gabrielle’s relationship completely dissolves once she’s a vampire, but Marius & Armand’s doesn’t.

(Sidebar that like, I think there’s also ways to acknowledge that if we think their relationship is good that it’s OKAY for them to maintain these roles because Armand WANTS to be his sub but let me focus on my point here. We should also make time to talk about diegetic BDSM and whether or not it’s appropriate to use a D/s framework for this discussion if the roles are baked into the text and not a choice for the characters and not a game they are agreeing to but that’s for another post.)

So back to the thing about fathers.

I’ve been thinking a lot about bad father characters, specifically Logan Roy and Tony Soprano (also bad mother Margaret Chenowith) and the impossible standards they give their children. Logan and Tony are both men who are disappointed in their sons for being soft, because they were able to provide better lives for their children. They both spoil their sons with all the material wealth that they did not have in their own lives. For Logan we see how badly he resents his kids—Kendall even accuses him of being jealous of what they have—and for Tony he seems to be at a loss on how to parse his feelings. Part of him literally hates AJ for being such a whimsical little fuckup, and at the same time he wants to protect that part of AJ and doesn’t even WANT AJ to follow in his footsteps. Still, he hates to see that AJ is spoiled with no work ethic, and doesn’t know how to set an example for him.

Everything in Venice is designed to spoil Armand with all the things Marius didn’t get—it’s such a specific & deliberate opposite of how Marius was turned. And I think him seeing Armand as a pet puts a little bit of distance between the hurt he’d feel if he thought of Armand as a true son, or even an equal. He doesn’t have to resent Armand for having it easier than he did, but also doesn’t have to feel extremely betrayed by Armand fitting in with the cult. Like, let’s never 4get that by the time Marius catches up with Armand, Armand is right at home and thriving with them. A CULT? THE THING THAT KILLED ME????? Marius has no idea what the fuck they did to him, he just knows that Armand settled in just fine and has discarded everything that Marius tried to teach him. 

I think these roles are appropriately all muddled because it’s VC—like we said, the No Social Constructs series—so like, how do we compare the words SON and PET and FLEDGLING and SUB, I’m not sure. But my point is that he’s never seen or treated Armand as an equal, and perhaps never even a full adult person. 

ARE THESE IDEAS CONFLICTING? A little. But that’s okay. Am I incoherent and ill-equipped to tackle this analysis or is it because Marius is not a consistent person and never quite lives up to the ideal he’s trying to be? Does he want Armand to be his pet but secretly has feelings? Does he fail at being a father figure? Is he brushing off his Big Big Emotions so that he doesn’t have to admit how wrecked and destroyed he is and how badly his feelings were hurt? Idk man. I’m sure you can send me another anon to tell me I’m wrong. 

I wonder sometimes if like, keeping Armand at this lower status (like a pet) actually protects Armand from Marius’s ire and disappointment. Marius is sort of a father, but sort of not. He’s crafted a role for himself that is never all the way sincere, and it allows him some space to protect his own feelings of betrayal and disappointment when it comes to Armand. Marius is also classically bad at following his own rules, and never quite sticks the landing on the people he’s trying to be. 

I can imagine a version of events where Armand does gain some ground with Marius, maybe pays his dues and matures into someone that Marius trusts and respects, but that’s not the version of events we get in canon. Marius turns Armand, Armand remains his pupil, they visit Kiev and Marius is jealous of Armand’s father, they make it all the way to the raid without Marius ever confiding about The Parents. Even in the present day, during a dispute, Marius tells Armand he has the savage & ignorant soul of a child. Even in the present day, Marius won’t stop calling him Amadeo!!!! 

And like!!!!! It feels like Marius is more upset about Santino wronging him by ruining his home and taking his toys than he is about what Santino did to ARMAND. It’s more about Marius’s own feelings and possessions than it is about Armand’s own feelings and experience of what happened. AN ARMAND FRIDGING, IF YOU WILL. 

Anyway.

By never seeing Armand as a complete person, Marius never has to feel threatened by him. We see this in toxic parents a lot. Like, I want you to be good, but I’m insecure if you’re better than me. Or I can never fully respect your feelings because I always see you as a child and not a fully grown adult. And the truth is that Marius is actually quite threatened by Armand, on the inside. He is very hurt. He cares what Armand thinks of him. He’s relieved at the end of BCtu when he assumes that Armand wants to open his heart again. 

So idk like. I think the books end with a little bit of a hope for them; we see a lot of growth and self-acceptance from Marius in the last book and it’s reasonable to assume that he and Armand might have a long chat and nice long cry and work it out. I don’t think it’s completely set in stone, but it’s nice to think about! A nice happy ending. And I wonder if this is when Marius finally takes Armand seriously and listens to what he has to say without demeaning him! 

Am I gonna add 2000 more words to this point by tying it what the whole like “I fear him because I could love him again” thing in TVA means? No I’m not. But like. Again! It’s okay to be a pet, I think Armand liked being his pet. :) 

[multifan-dump]

thinking about how IWTV loves to play with the theme of master and servant. thinking especially about that “yes, maître” and how armand’s first appearance onscreen, for almost the entire duration of s1, is in the role of louis’s “rashid.” thinking about how, when I first watched s1, it jarred me a little to see the authoritative, almost imperious way louis spoke to “rashid,” even after having endured to lestat’s tyranny himself, not to mention the tyranny of white people. it jarred me even more to realize that that had actually been armand—the ostensible love of his life—taking louis’s orders, bowing his head, saying things like, “I serve a god.” was that a strange and uncomfortable performance for the ancient leader of the paris coven? or was it perfectly natural for someone whose past means he defaults to the role of the subordinate, the submissive, the servant? is the relationship between the master louis and the servant rashid in fact the truest, rawest representation of the core dynamic between louis and armand?

[triglycercule]

horror is so BLESSED he's the only one out of the murder time trio that has actual good people trying to influence his story 💔💔 dust and killer were both driven to INSANITY because of the choices of their respective humans but horror??? every time without FAIL the polls for horrortale's plotline have always ended in a good place for aliza (either by bettering her relationships/reputation or for her to just. not DIE)

horrortale's potential alternate timelines my beLOVEd🙏🙏 they're SO lucky that we're being kind and benevolent hehe (≧ω≦) now where are the aus based off the possible different outcomes that could've happened in horrortale HUH???? (like how aliza couldve killed toriel or chosen horror's puzzle or gone with undyne to the core........)

[rogloptimist]

all of the ways that it’s too late now

credits under cut!

worst case kid - tommy lefroy // tadej pogacar and primoz roglic - stage 15, tour de france 2020 // tadej pogacar and primoz roglic - giro di lombardia 2023 (IMAGO) // tadej pogacar, primoz roglic and richie porte - podium ceremony, tour de france 2020 (sirotti) // tadej pogacar and primoz roglic - stage 20, tour de france 2020 // primoz roglic - stage 12, tour de france 2024 (marco bertorello) // tadej pogacar and primoz roglic - podium ceremony, tour de france 2020 (daniel novakovic) // tadej pogacar and primoz roglic - stage 21, tour de france 2020 // tadej pogacar and primoz roglic - tour de france 2020 // tadej pogacar and primoz roglic - itzulia basque country 2021 (getty images) // tadej pogacar and primoz roglic (nik jevsnik// tadej pogacar and primoz roglic - tour de france 2020 // tadej pogacar and primoz roglic - itzulia basque country 2021 (kenzo tribouillard)

[sun-e-chips]

Idk if you've been asked this yet but if you haven't...

does the water park have underground tunnels? Like Disney level underground? Or not? because I know Disneyland uses them to allow cast members to get to their areas without being seen in clashing ones to "preserve the magic" and all that fun stuff (apparently they are longggg walks)

i was just curious if the park had them, and if so would underground races (literally) occur?

Hello hiiiiii @buzzybee3 !!!!!

Interestingly enough in a way the waterpark DOES have underground tunnels but not quite like what Disney has. It’s a water drainage system for all the slides and pools. This way if any “incidents” happen everything can be properly drained and sanitized, and the boys figured out a way to run a water reserve for these exact instances so the watery attraction can be up and running in no time. But everything is still regularly filtered and sanitized regardless, the reserve is just for emergencies. Nothing really for the boys to traverse the park in.

Walking around Sun, Moon and the Tikis freely roam the park as they please so in a way their always in character, but still fairly genuine. (no need for backstage paths) You bringing up cast members made me really want to dive into what life is like for the boys around WB:D

Im trying to think how best to describe Sun and Moon and their work vs leisure time around the park and resort … hmmmm

Though Sun and Moon co-own Waterspark Bay and split up the work, they do favor particular roles.

Sun: More of the financial and legal responsibilities, he handles the business side of running WB. (its all self taught, this stuff is very fun and interesting to him, which is great because it eats up a lot of his free time after park hours). Sun also makes a lot of the big decisions for the park, one example being the major reconstruction/renovations made to Waterspark Bay.

Moon: Very similar to a manager, he manages his team (the tikis) and schedules, the leader in the day to day operational decisions. Most things are reported to him (Moon is the behind the scenes leader, he does a lot of multitasking with meeting guest and park needs throughout the day) My boy is a stickler for safety and rules but having said that he knows how to break them. (What a hypocrite)

(Typing this I’m just now realizing the irony of Suns heavy working hours being at night while Moons is during the day… wow)

The Tikis fill the role of the employees; guest services, cleaning, maintenance, security, all the staff needed to fill those other roles in running a themepark and resort .

The boys still do a lot of guest interactions throughout the day though because they love it! This is where they started, this is the heart of everything they do, connecting with people and making their vacation as magical as possible. It’s the best way to find out what needs improving and to catch issues in need of quick fixes. They want to make that connection with you because it matters to them that you are enjoying yourself and making great memories.

As far as they’re concerned the money that comes from the park is money that goes into bringing a smile to your face!

…

Ok leisure

The boys do follow a schedule, but for the most part they walk around throughout the day wherever they feel they’re needed. They have the luxury to take a break whenever because they are comfortable and confident in the routine they built and if needed Sun and Moon could take an entire day off because the Tikis get the drill. (Moon would probably still be peeking at Tiki updates because he just can’t help it)

Yes even if they were on a break guests will still approach them wanting to talk, ask questions or take photos but they don’t mind they’re always happy to interact. (If the boys really wanted a break they know how to get it, empty resort rooms, in-between closed dinning hours, low guest traffic times, staff/maintenance areas etc.) but I would say they do most of the approaching to guests, people walk up to them maybe around 15 times a day which isn’t a lot. And guests typically don’t approach if Sun or Moon are currently talking to someone. *wink *wink

(Thank you so much for your questions and letting me ramble haha)

[fiepige]

Who did Hobie make watches for?

Going through the movie and pausing at every scene with Hobie to look for more details for the 100th time and I just wanted to share something I noticed:

We know that Hobie made a watch for Gwen but not everyone in the new spider-gang are wearing watches made by Hobie in the end as far as I can tell:

We see Pav wearing a watch, it's a bit hard to see in detail (especially since he isn't wearing one in his own dimension to compare it to) but I'm assuming that Hobie made this one since it doesn't look at smooth as the spider-society watches. Also:

Pav's watch doesn't appear to have the lines around it like Hobie's does when he's wearing his HQ watch.

It's kinda hard to tell if Noir is even wearing a watch due to his coat but since we didn't see him at the society when the other members of the old spider gang (Peter B. and Penni) showed up I'm assuming he maybe wasn't even part of the spider-society (or maybe he just didn't want to help stop Miles from preventing his canon event). So my guess is Hobie made a watch for him too.

Both Ham and Margo appear to be wearing HQ watches (which means that maybe Noir is too since Ham apparently was a member of HQ even though he didn't show up earlier so maybe it's the same with Noir, what do you guys think?)

This makes me wonder if Hobie didn't have the time/resources to make more watches since I feel like them wearing HQ watches might be a disadvantage as Miguel might be able to track them (though maybe Hobie has disabled the tracking in their watches, it wouldn't suprise me if that was the case.)

Hobie is obviously wearing a watch he made since he ditched his old one when he left HQ.

I honestly couldn't get a close enough look at Peni to tell which watch she's wearing lol.

Peter B appears to still be wearing his HQ watch but it's kinda hard to tell for sure, it just looks kinda smooth to me.

But a cute detail I noticed is that Hobie might have made a day-pass for MayDay! It could also just be the one from HQ BUT she's not wearing it in the scene where Gwen shows up:

(To the left we see that she's only wearing a bracelet when she's home, to the right we see her wearing a day-pass at spider HQ)

It could just be the lighting but it looks like the one she's wearing at the end is a lighter shade of blue than the one from HQ)

So until we're told otherwise I headcanon that Hobie made a special day-pass for MayDay (which is super adorable if you ask me <3)

[couldneverhurtusnow]

[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.

-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)

[ludinusdaleth]

the implications of the matron not being able to see vax's thread of fate the second he became her champion, fused with the matron not being able to see ludinus's.....

[fantastic-nonsense]

DC should give the Wonder Woman title to me instead of Tom King. I have whole arcs about Diana as a diplomat, politician, and teacher that I could write. DC PLEASE LET ME FIX HER JOB, DO AMAZONIAN WORLDBUILDING, AND BRING BACK HER CIVILIAN SUPPORTING CAST AGAIN!

Diana busts up an artifact smuggling ring and then has to deal with the international repatriation of ancient artifacts to their home countries. Bring back Helena Sandsmark and use Cassie in a supporting role.

Some major international incident occurs and Diana is running herself ragged trying to deal with it from multiple ends. She eventually has to choose between fulfilling her duty as Wonder Woman and dealing with the realities of being Themiscyra's official diplomatic presence at the UN.

Diana and Artemis have to work together to save some human trafficking victims and I get to write an exploration on the Themiscyran Amazons' isolationism vs. the Banas' interventionalism as methods of protection, self-defense, and dealing with collective trauma.

While setting up a cultural exchange project between the different Amazon tribes, Diana is appointed as the neutral representative to oversee an all-Amazonian Olympics/games festival. Shenanigans ensue as the goddesses start picking favorites and the games get gatecrashed by a mythological threat (aka "what Trial of the Amazons should have been about")

Diana, Artemis, and Donna decide to take Cassie and Yara on a traditional Amazonian coming-of-age journey. The story acts as a way to explore important touchstones of Amazon culture and the differing cultural and societal expectations they might face as adult women, both in their respective Amazonian tribes and in Man's World.

Nubia enlists Diana to go with her through Doom's Doorway to help retrieve some Amazons who were sucked in by a mythological threat while on guard duty. If they're still alive, they will be brought back to Themiscyra in celebration. If not, their bodies need to be retrieved for funerary rites and the women's re-entrance into the Well of Souls.

Exploring Donna as a linchpin connection point between the human world, all of the Amazon tribes, and the gods.

And so many others, because these are all largely Man's World and worldbuilding stories. Digging into her actual rogues gallery (Circe! Ares! Silver Swan! Doctor Poison!) and setting up bigger conflicts would be so much fun.