#so many of my favorite projects are indies

[inkabelledesigns]

Oh absolutely. I don't think people are aware of just how much work goes into producing something like a game or show, on the indie scale or in a larger company. And it's not even just the massive amount of work, it's also all the check-ups. The planning stages, the progress checks and editing phase, the testing to make sure everything works as intended, it's not just hard work, it's a lot of time to make sure the job is done right. Management is just as much of a skill as anything in the arts is, and I think that's really important to remember.

One of the great things about the modern era is that anyone can create anything they set their mind to. If you want to make a game, you can learn the skills to make it real. You want your dream show to exist? You can learn all kinds of crafts to make it happen, and you can find others who are excited to work with you too. But learning those skills takes time, acquiring the budget to sustain the production is a challenge, and having the right tools in hand takes time, research, and resources too. The bigger studios that make this stuff have the advantage of having gotten their resources and people established, but they still have their challenges too. I get the frustration, it's really unkind when people disregard how much work goes into this stuff. A lot of the amazing indie projects we have coming out these days are coming out really quickly all things considered, and the level of quality behind a lot of these projects blows my mind.

I think, for those of you who are unhappy with the time it takes to produce these works of art, there are many ways to work with that feeling. Perhaps that's your calling to get into more indie productions and show them your support, to celebrate the things you love. Perhaps this is a good opportunity to go enjoy some time in a fandom space, discussing with fellow fans and indulging in stories together. Or maybe it's your calling to go and make something yourself. I genuinely believe that if you want something to exist, there's nothing quite like creating it with your own hands. Go make a fan project, go draw fan comics or write fanfics. Go do fan animations, go make a fan game. Go do a fan dub. Go collaborate! Or, go make your own original thing! You have the power to create anything you set your mind to. Go make the thing you want to exist! If nothing else, you'll gain an appreciation for the craft and all that goes into it.

Growing up, my sisters and I always watched the VHS tape for Peter Pan to the very end, because after the credits, there was a segment on the production of it with interview styled clips of the artists, voice actors, etc. How they drew it, how they figured out the acting, and that fascinated me. I could've watched how they figured out Tinkerbell for hours, it was so cool. Highly recommend looking into how your favorite media is made. Because now that I've delved into it, I appreciate the art a lot more than I already did. You start to notice things you didn't see before, and the care that goes into it becomes abundantly clear.

Some folks are so god damn impatient.

[writingquestionsanswered]

hiya! for writers who are complete beginners, kinda sorta maybe write at a high school level, can't describe to save their lives, have overall bad flow (as in they can't decide what little moments scenes to think up and even write, if they do, they're no good), have been told countless times to write daily and just read more but that doesn't cover the basics or foundations of creative writing, not like they can learn from a book bc they're a hands on learner anyway and p.s they're super broke so can't afford writing classes and no library near them offers free ones ---- aka me :( --- do you have any advice? lol i feel kinda doomed and that maybe writing isn't for me, but I don't wanna get my hopes down!! with the right tools, it's possible.

Free Resources for Learning How to Write

I want to start with addressing why you've been told so often "to write daily and read more" as a way to learn how to write. It's very difficult to learn and excel at a craft if you have no experience with said craft. You can read all the information in the world about how to forge a sword, but that doesn't mean you'll be able to pick up a hunk of metal and be able to forge a beautiful sword. You need to spend a lot of time watching other people forge swords, and spend a lot of time actually practicing each step yourself if you want to get good at it. Writing works the same way. Reading lets you experience what fiction should be, writing lets you practice each step for yourself.

Fortunately, there are lots of ways to read fiction for free. You can borrow books from friends, family members, and members of your community. You can check out books and e-books from your local library if you have one. You can look for Little Free Libraries in your neighborhood. There's also a lot of legally free fiction available online. Project Gutenberg, Planet E-Book, Bartleby, Literature.org, Classic Literature, Classic Short Stories, Wattpad, Archive of Our Own, Library of Short Stories, Levar Burton Reads, and sites like Kobo, Amazon, and Audible often offer freebies of both e-books and audio books.

Other free ways to learn how to write:

1 - Follow bloggers and vloggers and authors on social media who talk about the craft of writing. Some of my favorites are: Joanna Penn/The Creative Penn, K.M. Weiland, Liselle Sambury, Abbie Emmons, Hannah Lee Kidder, Brittany Wang, Alyssa Matesic, Bethany Atazadah, Lindsay Puckett, Alexa Donne, Shaelin Writes, Ellen Brock, The Writing Gals, and Sincerely, Vee.

2 - Follow writing craft blogs here on tumblr: (some suggestions) @writingwithcolor, @howtofightwrite, @heywriters, @cripplecharacters, @lgbtqwriting, @fixyourwritinghabits, @wordsnstuff, @yourbookcouldbegayer, @lizard-is-writing

3 - Watch writing craft videos on YouTube: If there's something specific you want to learn about, say, "how to structure a scene," type it into YouTube and many different videos will pop up that walk you through how to structure a scene. Just look for one that strikes you as appealing!

4 - Look for free writing resources online: many authors (especially indie authors and writing gurus/coaches like Joanna Penn, K.M. Weiland, Bethany Atazadeh, Brittany Wang, and Abbie Emmons) offer free writing resources on their web sites or by signing up for their newsletters. Often you'll see writers participating in free online writing summits/workshops which you can sign up for and either watch the videos live or via video playback that is offered for a short period of time (like 24 hours.)

5 - Do a Google Search: believe it or not, there's not a single thing you could want to learn about writing that you can't find for free on Google. If you want to learn how to improve your grammar, go to Google, type in "tips for improving grammar" and you will get a million articles that will tell you how to do just that. Want to learn how to improve your story's flow? Google "how to improve story flow" and you'll have your answer. You can even search for free worksheets, guides, and workbooks on just about anything you want. "Free character development worksheet" brought back a ton of nice looking free worksheets. "Free worldbuilding workbook" brought up several free workbooks and worksheets to help you with worldbuilding. Everything you could want to know is out there.

And, bonus: you can always read through the posts in my WQA master list to get help with a wide variety of craft and writer-related issues.

Happy learning! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[thebibliosphere]

I saw your post about ingram, and out of curiosity, is there some advantage to going through the whole self-publishing thing with retailers when you're just starting out? like I mean the way that fandom zines work is that they don't even bother going through ingram or amazon or whatever. they just set up a social media site (usually twitter) to gain followers, open preorders (usually 1-2 months in length) to generate the costs of printing upfront, and then sell anywhere from a few dozen to several hundred copies of their books (usually artbooks, but anthologies exist too). I've seen some zines generate over a thousand orders. they're kind of like pop-up shops, except for books. maybe the sales numbers aren't so impressive to a real author, but the profit generated is typically waaaay more than the $75+ apparently needed for Ingram Spark, so I still feel like new authors could benefit from this method too, especially if they just need some start-up cash to eventually move to ingram if they want to for subsequent runs of their book. I think authors would also have to set aside some of the pre-order money to buy an ISBN number to have printed on their book, and I'm not really sure what other differences there are, but I just wanted to ask about it in case there's some huge disadvantage I'm missing!

So, popup zines work well for some people, and I know some authors who kickstart their work successfully. But for a lot, it's just not feasible as a long-term stratedy. Or even as a means to get off the ground.

Fanzines succeed primarily because an existing fanbase is willing and ready to throw money at something they love. They’ve got a favorite writer or artist they want to support. Supporting all the others is just a happy by-product. They also take a HUGE amount of short-term but intense planning that just doesn’t always jive with how some of us work.

I, for one, would never offer to organize a fanzine. I’ll take part in them as a creator, but I’d rather throw myself off a cliff than subject myself to wrangling that many people and dealing with the legal logistics.

When it comes to authors doing anthologies, it'svery much the same. The success of the funding often hinges on having other big-name authors involved whose existing fans will prop up the project. Or having a huge marketing budget.

Most self-pub authors have zero marketing budget. I’m one of them, and I’m under no illusions that my work would not be as popular and self-sustaining as it is if I didn’t have a large Tumblr blog.

When I thank Tumblr in my forewards, I am utterly sincere. Tumblr brought fandom levels of enthusiasm to an unknown work and broke the Amazon algorithm so hard, that Amazon thought I was bot sniping my way to multiple #1 spots and froze my sales rankings.

That’s not the norm. And while I could probably kickstart my own work as an indie creator, that’s because I’ve put literal decades into building up a readership. I’ve been doing this since I was 16 and realized people thought I was funny. I didn’t know what to do with it or if I’d ever actually write anything, but it meant the groundwork was already there (thank you, past-me). I basically fell upward into my success by virtue of never being able to shut the fuck up and wanting to make people laugh. Clown instincts too strong.

New or first-time authors trying to sell their work without that will find it infinitely harder.

All of that aside, even if an unknown author somehow gets lucky and manages to fund their work, there’s still the question of shipping and distribution logistics. Are you shipping everything yourself? Better hope you’re able-bodied and have the time for it. (for reference, it took me months to ship out 300 patreon hardbacks because of my disabilites. It damaged my back and hands. I couldn’t type for several weeks after I was done.)

Are you going to sell primarily at conventions? Better hope you’re able-bodied, have the time and don’t have cripling anxiety about being in large groups...

Also, will selling a dozen to a few thousand copies in one burst be sustainable in the long run as a career? Not for me. Doing things via Ingram and Amazon means I earn a steady trickle of sales for the rest of my life provided the platforms remain and so long as I keep working and can generate interest in the series, not just when I have funds to pay for physical copies to sell. The one-time (in theory) cost of $75 to distribute through Ingram gets paid off pretty quick that way. And it doesn't require the same logistics as doing the popup/crowdfund.

Ultimately, it comes down to what you are capable of but also the type of work you’re doing. If you’ve got an extended network of fellow creatives who will back you or you’ve got a large following elsewhere, doing it like a popup might work for you.

If you’re an exhausted burnout who can’t fathom the short but intense amount of organization that sort of thing requires, not to mention doing it over and over and over... Ehhhhh. No thank you.

[idolomantises]

Are there any new indie shows you’re looking forward to or have caught your interest recently?

Admittedly, not really. There was some projects I was interested in and even showed some financial support but it never went through. LS Mark's recent cartoon pilot showed a lot of promise, but it also had a lot of issues that I hope Mark smooths over. Horizonauts also looks promising but I'm not very interested in it, this one is just personal though i think it has some great character designs.

If I have one major issue with Indie animation its that a lot of shows kind of feel a bit... too self indulgent. A lot of indie shows feel a bit too derivative of other works, even more promising ones. I'm also just not very impressed by a lot of the character writing and dialogue. I can't be too hard on these creators because I know many of them are not professional writers but I think i'm seeing one too many indie shows that have "lol funny gen z humor" and i wish we could get shows that felt a bit... different? I don't need something overly serious but shows like Lackadaisy, Human's B Gone, Tales of Alethrion and Monkey Wrench are my personal favorites because they feel very fleshed out with some great writing and dialogue (hell TOA has no dialogue and its still peak).

In fact, its actually kind of surprising to me that a lot of shows are pretty lacking in queer characters. Despite my many, MANY grievances with helluva boss and hazbin hotel, i do appreciate it when a creator wants to make their show very queer and i'm honestly just kind of surprised it continues to be one of the few indie productions with an explicitly queer cast. Obviously though, having queer characters that doesn't mean quality and there's a ton of shows i love with 0 queer characters. i guess its just more surprising when i see an indie show either avoid adding a queer character or make it subtext, when its not really necessary for shows that wont risk censorship (but i also wouldn't want it too in my face of course).

And this is just a personal thing but, so many shows have humans as protagonists and i wanna see more weird guys.

I'm excited for the state of indie animation but i would love more variety! I could care less about amazing animation if the writing still isn't great.

[aannonn]

⭑.ᐟ˚⭐彡 // bold text , strong colors , spoilers

A TLDR about the podcast for those who don't really want to watch the whole 1 hour and a half video !! :> ( I had posted it here before but I deleted it cause I wanted to wait a bit until I finally 'completed' it (technically speaking 'cause I'm only really making a TLDR at what my brain stuck onto or else I may get burnout. (っ °Д °;)っ) so I wouldn't have to edit this post every time . . lol ... feel free to add anything else in the reblogs/notes though !! ^ _ ^ )

The Most Successful Stick Animator in the WORLD Ft. Alan Becker - Dojocast Ep.6

。─ ⭐ Animation vs. Animator/Minecraft Stuff !!

° . They have been working on AvA 11 for over a year ;; 20 minutes long ;; Probably the biggest one they have ever worked on ;; They are doing their best to push it as early as they can , possibly around early december or even late november // { 54:07 }

° . They have a Minecraft Short being worked on about BedWars ;; This one's been really complicated since they are using real Minecraft acting with stickfigures // { 54:56 }

° . Next thing coming up is a Three-Part series about Green ;; It's a surprise. lol // { 55:40 }

° . AvA is going to be atleast Three seasons ;; As long as AvA and Minecraft are popular they are gonna keep going // { 57:08 }

° . King Orange used to be King Gray for a long time ;; Alan was considering to make him a light purple for a while // { 58:10 }

° . Alan's favorite is The Second Coming // { 1:06:36 }

° . Alan had different ideas for the 'fight scene in the box // { 1:19:29 }

° . Animator vs. Animation was originally supposed to be a trilogy ;; At the end of AvA3, everyone was supposed to die ;; His senior year college Teacher, who knew about his animations, gave him the idea to continue the series // { 16:45 }

。─ ⭐ Alan Becker's Production Team & Other Stuff !!

° . Alan's biggest inspiration was his lead animator; Terkoiz = The same one who worked on AvPhysics // { 1:00:07 }

° . Alan is the lead creative ; Hatena is the line producer ; There are three project leads = One takes care of AvA , One takes care of AvM , One takes care of Everything Else ; The animators are not segmented into only a certain series , they work on everything based on their skill set ; Also a Production Assistant that helps Hatena takes notes // { 1:02:34 }

° . An advice for any animators struggling to break into the industry/studios be it Indie or major ones : TLDR: The best thing you can do as an Independent artist is post your work as much as you can, and eventually opportunities will land and you have to take them as they come. You have to put yourself out there; Get yourself into as many doors as possible, and just get to know everyone. // { 1:07:29 }

° . They got inspiration from BoxOfCrayons' Voices Plus Faces !! // { 1:15:27 }

° . Alan made Animation vs. Animator 1-4 completely on his own. ;; Animation vs. Minecraft was when he decided to experiment in having a team of animators, and he did it with the diamond armour as it was an extremely tedious process (he taught 5 animators to do that). ;; in Animation vs. Youtube, Stone and Oxob were the first two animators he trusted to animate stickfigures. // { 27:45 }

° . ABTV is basically a loop compilation of all the AvA/M videos they ever made ;; They are trying to make it fun by adding little transitions between the episodes like "you're watching ABTV !! ^0^" ;; Eventually it'll get to every single transition between episodes; Is unique // { 48:44 }

[l0vem41l]

the passenger princess playlists

「 tws + notes: no tws, unedited, probably ooc, self-indulgent because we have fun here, author's taste in music is utter shit 」

「 gn!reader, can be platonic or romantic <3 」

↳ ft. these stupid parasites that keep infecting my brain aka bruce wayne,clark kent, jason todd, tim drake, and stephanie brown

author's note: THEY ARE THE PASSENGER PRINCESS!!!! WHY???? because if i projected my music taste on the reader insert we would have many issues. im not THAT self indulgent w/ my stuff i say, posting hcs of character's music tastes based on my own

you decide that it's time to show how much you trust them.

"hey," you mutter, eyes still on the road, fingers absentmindedly drumming on the wheel. "...you can have the aux cord, by the way."

▸ BRUCE doesn't even take it at first. he usually prefers to drive in complete silence himself, so he lets you handle the music. he's pretty nonchalant about what you play, indifferent to most music as long as it doesn't make his ears bleed.

the first time he takes the offer and plays something he personally enjoys, it's pretty straightforward: his main genres are classical, jazz, and dad rock. like... a lot of dad rock. he can read the room er, car?? well enough to know that the classical and jazz songs he listens to aren't exactly driving playlist material. and yes something in the way by nirvana will be played battison i fucking love you

BRUCE's songs include: ♡ she sells sanctuary by the cult ♡ something in the way by nirvana ♡ 1979 by the smashing pumpkins

▸ CLARK is more than happy to share his music! he's always been excited to hear whatever you jam out to and is pretty open to different genres. he definitely finds favorites of his that match the energy of your car playlists. doesn't wanna play anything that's too much of a bummer though, mainly because driving with you has such good vibes!!! he can't ruin that :( unless your in some sorta mood to be upset. then he's got some stuff aka a lot of elliot smith and jeff buckley

he finds a lot to love in all sorts of genres. it's a mix of stuff that he grew up listening to with his parents, stuff that he found on his own from artists he enjoys, and stuff you introduced him to. his music taste is just a mosaic of love for the people around him.

CLARK's songs include: ♡ it's been a long, long time by harry james and his orchestra ♡ cupid by sam cooke ♡ real love baby by father john misty

▸ if there's someone who's going to criticize music without sharing his full music taste? it's JASON. he's actually not mean but he'll make comments which give the impression that he thinks he'd be better with the aux. like bro ask for the aux normally. REMIND HIM WHO'S HOLDING THE WHEEL. YOU BETTER PRAY THAT THE VOTERS ARE IN YOUR FAVOUR WHEN WE DRIVE INTO THIS TELEPHONE POLE

when you give him the aux privileges he's secretly overjoyed. he likes a lot of different genres, rock, metal, indie rock, some punk... but don't ruin his mood by pointing out his music taste is vaguely inspired by bruce's. or make fun of him for listening to sleep token. obviously he likes listening to chill music too— but for a drive? it's gotta be loud and fast. secretly gets happy when you like the songs he plays. the validation gives him a quiet sort of joy.

JASON's songs include: ♡ knives out by radiohead ♡ goddamn these hands by the taxpayers ♡ custer by slipknot

▸ TIM is pretentious about music, but he doesn't intend to be. he's proud of his taste to the point where he's beyond spotify wrapped and stats.fm. i firmly believe he's made his own software to track the music he's listening to and it's thorough. that being said, he really doesn't mind listening to your music. he likes giving recommendations based off of the songs you play in the car.

tim adores branching out into different genres, and the more obscure it is, the more he likes it. given, he's also into some pretty known and loved bands. car seat headrest. radiohead. slaughter beach, dog. the minute you hand him the aux, he's trying to put you on his favourites. a lot of indie. like... so much indie. and midwest emo... american football WILL be played. he also unfortunately cannot hide his love for the pinkerton album.

TIM's songs include: ♡ never meant by american football ♡ oh! starving by car seat headrest ♡ tragic girl by weezer

▸ STEPHANIE is so cool. i've seen swiftie headcanons but guys... pop punk princess stephanie brown is too real. pop punk, alternative rock, riot grrrl— all that stuff. probably got aux privileges before you even gave her permission, she just started queuing up her songs with yours.

when she gets full control, she already has a playlist ready for the drive. it's kind of all over the place, but the vibes are great. you will go from mommy long legs to chappell roan and then to whatever recession pop artist she's into that week. steph is also a big fan of evanescence, kittie, and hole. those in specific are heavily headcanon-y but i feel like she'd appreciate them.

STEPHANIE's songs include: ♡ misery business by paramore ♡ cherry scented by jack off jill ♡ gimmie brains by bratmobile

▸ what are you listening to? you don't know but CASS seems happy at least. when you gave her aux privileges, she didn't really know what to do. she ended up just picking her favourite songs out of your usual playlists.

eventually, she gets excited by the prospect of sharing what she usually listens to and it's... something. so here's the thing: she listens to a lot of ambient noise. like, things that people usually sleep to. you once drove around for half an hour listening to nothing but the noises of rustling leaves and chirping birds through your speakers. and she was happy.

she listens to a lot of music where there's not a lot of lyrics most of the time, but tends to listen to some of stephanie's music as well— usually the more mellow side.

CASS' songs include: ♡ relaxing tranquil day in the forest by nature sounds ♡ healing ritual by whatever, dad ♡ to violet by adrianne lenker

part two... potentially??? lmk which character's you'd want ^_^

— reblogs always appreciated!

[cantareincminor]

Fandom Wrapped (Reader Edition) 2024!

Thanks to the wonderful @kattyelf for creating this template! Links and detailed reviews under the cut.

Disclaimer: I probably read hundreds of SxF fics in the past year, and it was not easy to choose which ones to put in the list above (or below)! This fandom is full of wonderful, friendly creators and I am so glad to be part of it. I also had to narrow it down to only the ones I read and reread in 2024, not 2022 or 2023. Finally...I also happened to read many good fics only once. Sometimes a fic is just too painful or sad to reread, especially if it's not finished.

Favorite fic and author: After peace by @unhappy-sometimes!

I could gush about unso for a whole post and not be done, but I will try to contain myself. Her fic After peace originated from an AU comic she drew where Twilight was forced to retire early due a major injury, and drifted aimlessly until WISE asked him to take care of an orphan they had rescued from Project Apple. There are several things that amazed me about this fic and cemented it in first place for 2024:

The premise. It was original and so full of potential.

How personal Twilight's journey felt to me. I didn't have a life-threatening injury, but I did put my career on hiatus in the past year and have often struggled with questions of -- what am I worth when I'm not "doing" anything? I was so used to going 150% in the rat race and coming out on top at great personal cost to health and family; even if all that was bad, how else can I get that sense of accomplishment? How can I stop wanting that sense of accomplishment?

Her style, which is both vivid AND concise. The fic was around 22K words if I remember correctly, with a well-constructed plot, character arcs, plenty of emotional beats, and a satisfying resolution. I often wonder if my writing is too verbose and when I see something like After peace, it challenges me to do better.

THIS WAS UNSO'S FIRST FIC EVER. THE HELL. It's like a freshman album that gets put up for a Grammy.

Fic(s) I reread (plus runners-up):

That Time Yor Seriously Thought About Leaving by peonydee: This is a WIP with one more chapter before completion, I believe. Peonydee's style is unique in how it's hard-hitting and disarming at the same time. Yor and Twilight find themselves in impossible situations, their relationship tested to the limit (and one of them in a close brush with death), yet there's still an undercurrent of wry humor, almost fatalistic due to the fact both of them have been steeped in death and dirty work for decades, yet still hopeful and reaching for each other. I also cackle every time she makes Twilight go off on a mansplaining tangent without ever using the term outright. A masterpiece of show not tell.

Is It Really All Right? by zyzy1083: This one is tender. A jealous!Loid fic with a fascinating portrayal of Loid from Yor's perspective. The imagery of a dark sea choking down any true thought or emotion from breaking for air will stay with me for a long time. There's also the fact she basically made up lyrics for an indie song as part of the plot and I had to ask whether it was a real song. Finally, there's the fact she was bold enough to portray Loid as less than a perfect, kind, smiley husband toward Yor, but in a believable way. He snaps at Yor at times. He loses his patience. It feels like a real relationship, in the awkward tension when one partner wants to talk and the other absolutely does not want to talk. I admire that courage and wish more authors would take that risk (calling myself out I guess!).

Green-eyed Monster by bigbruja: another jealous!Loid fic that's lighthearted and fun. This is a comfort reread. I enjoy seeing Loid recognize the threat of a supposed "old friend" of Yor's, questioning his own feelings and how far he needs to go to fend this guy off. The guy is a Garden assassin, unbeknownst to him. I also love Yor's own inner struggle of just wanting everyone to get along, but showing steel when she needs to.

dalliance by rosetintednerdglasses: this is a WIP, but it is HILARIOUS and I hope everyone will go encourage this author to pick this fic back up when they have a chance. TLDR, Twilight (in disguise) is sent on a joint mission with Thorn Princess and flips out internally when he sees it's Yor. Handler then orders him to ensure Thorn Princess continues to cooperate. So as Twilight, he has to sort-of honey trap Thorn Princess, while as Loid he has to keep Yor happy. Poor Yor believes she's torn between two different men and close to cheating on Loid! Situational hilarity all over the place, and fun world-building, like this other WISE agent randomly named "Steel Bunny" (LOL).

Not According to Plan by @kyrathel: love you girl! This is a gift fic for me, but that's not the reason I reread it (even though it's a WIP as well!). It's SO FUNNY. Twilight gets it in his overly anxious head that he MUST defend his wife from the bullies at City Hall, so what does he do? HE INFILTRATES CITY HALL AS A NEW FEMALE HIRE. The world absolutely needs more petty!Twilight! The latest chapter features laxative brownies. Enough said.

Let's start living dangerously by @beannoss: I specifically reread the later parts when dumb Twilight gets over his dumbness and finally talks to Yor! And they kiss again! I love the way huhwaku (beannoss) portrays overthinking Twilight AND overthinking Yor. And also, the simplicity of Yor at the same time. The voice she uses for both of them is refreshing, it really puts you in the mindset of the character. Yor's giggles ("teehee!") as she teases Twilight about his little perfectionist habits are a cute touch to a gentle, heartwarming fic about these two highly competent professionals just starting to take baby steps in how to be competent at a relationship.

Fic that made me emotional:

100% Perfect by @sometimesiship. Where do I begin? How about with the gut aversion I initially had to the premise of a futuristic AI dating bot AU, due to all the tragic, dark AI movies I have watched? But as it neared completion, someone convinced me to give it a try and I AM SO GLAD I DID. You can see my gushing comments in almost every chapter. The development of the relationship between human Yor and AI Loid is so natural, funny at times, poignant always, and beautifully written, even though from an objective standpoint not much exciting stuff happens (I mean canon-typical excitement like murders and spy missions). Sometimesiship has a way of describing emotion that is so raw -- she can portray the same emotion a dozen different ways with analogies and setups and dialogue and whatever -- and it still doesn't feel old. And the emotion that dominated the second half of the story was grief. Basically the grief of loving someone you know you're going to lose. Like being the spouse of a terminal cancer patient. I didn't cry while reading, but it was a closer call than I have had in a VERY long time. So much beauty and humanity in this story. And spoiler (?), it's a happy ending. So I hope you all go check it out!

That's a wrap! If you read this far, stay tuned for a Writer version of Fandom Wrapped 2024!

[lil-tachyon]

For the last couple weeks I've been drawing logos / designs for local-ish (mostly NJ, some PA and NY) bands as warmups in the morning. Here's what I've come up with! Massive post below the break explaining each logo + where to find each band and listen to their music.

Teenage Halloween- a staple of New Jersey basements for probably about a decade now and finally getting wider recognition in the last couple years. Pop punk / power pop with a killer horn section. First time I saw them was in New Brunswick playing with Walter Etc. and Blowout. They played a killer cover "Build Me Up Buttercup" and my wife got a black eye in the pit. Recommended tracks: "Brain Song," "666," "Clarity." Their first EP is on a separate bandcamp page btw, check it out here it's great.

Sweet Pill - They will call themselves a Philly band but in my heart they'll always be from Glassboro. Definitely one of the more recognizable names on this list. Emo revival - early stuff is more twinkly, more recent stuff is heavier. All of it's great. Recommended tracks "Nephew," "High Hopes."

Shark Club - Central Jersey's finest. I'm very biased because I actually know these dudes and they did the music for my wedding. Some of the best pop punk you'll hear and the nicest people you'll meet. Recommended tracks: "Game Theory," "Bill Murray," "Heavens to Betsy."

Rest Ashore - My favorite band for the last (oh God I'm old now) eight years. From gut-wrenching emo ballads to virtuoso math-rock instrumentals they do it all. One time I got to sing vocals on "Lucy's Theme" at a house show- thank you Erica! Recommended tracks: "Hjarta," "Chinese Opera," "Devotion," "Soyuz Sweetheart." Too many bangers to name honestly, just deep dive their discography.

Morus Alba - First band I ever went to see at a house show and still one of my absolute favorites. Their music feels like the bridge between the best pitchfork, /mu/ alt rock bands and high energy basement emo. I mean that as a compliment and I hope it comes off as one lol. I should note that since 2019 Morus Alba has morphed from a band into an experimental hip-hop project so later releases sound radically different and basically disconnected from the earlier stuff. Also my favorite release from them, Live at Isabelle's, has been scrubbed from the internet but if you'd like the files just email me. Recommended tracks: "Skyscraper," "Human Resources," "The Goodnight Waltz."

Have a Good Season - another Jersey mainstay that's still going strong. Emo revival in their earlier releases, now with more 70s power pop influences in their newer stuff. See them live, they put on a fantastic show and usually play some great covers in addition to their original music. HaGS guys if you're reading this, please put your version of "Since You've Been Gone" online, I'm begging you. Recommended tracks: "Joseph / Shel Silverstein," (you have to listen to them together for the drop, so good) , "Gum, "Gleaux / Scab." Also, frontman Nic Palermo interviewed me once.

Elephant Jake - If you see any of these bands live make it EJ, they put on such a damn good show. Electrifying indie punk from the Empire State. Recommended tracks: "F.D.C." "Sarah Moyer," "Goodness to Honest," and of course you gotta learn "Sebastien Bauer" for the singalongs.

Blind Lion - Sadly one of the greats that we lost along the way. Defunct since about 2017. I only got to see them once but it was a great performance. Alongside their own stuff they played some killer covers of "Bad Moon Rising" and "Moonage Daydream." I had trouble doing a logo design for them because I actually really like the composition, if not the "Ed Hardy-ness," of their existing logo so what you see here are two separate attempts, neither of which feels entirely satisfying to me. Frontperson Larry Flately currently plays in Nematode and also handled production of Bradley Gardens joke hiphop group The Breakfast Boiz under the moniker "DJ Ova EZ." Recommended tracks: "Brumous," "Dinner."

Fighting Seasons - A band that I sadly found out about too late (via a sticker under the bridge in my town which has since been painted over). 2010s pop punk that packs a helluva punch, especially considering that I'm pretty sure the members were high schoolers for most of the band's existence. I think some members may have gone on to form Sawce (FFO Chon, Polyphia, that type of music) but I can't remember where I read/heard that so ¯\_(ツ)_/¯. Recommended tracks: "Fighting Seasons," "Oil on Canvas"

Milkmen- Another fallen giant, officially disbanded in 2019. Like Morus Alba, they played the very first house show I attended and their few releases remain on constant rotation in my home. Used to put on a great show and were one of the bands I always thought would make it big until suddenly they weren't around anymore. Frontman Ben Thieberger contributed guitar and vocals to Covid quarantine project Kin if you're looking for a bit of an extra fix but beyond that I don't know what these guys are up to these days, sadly. Recommended tracks: "Ramus," "Johnny Dangerously," "how sieves catch breeze," "K.O.T.H."

Stand and Wave - New York (now Philly) pop punkers delivering instant dopamine hits with every track. Another great live act, see them with EJ if you can! They often play shows together. Recommended tracks: "Convos," "Mrs. Dash," "Splashton Kutcher," "Michael Collins."

My Chemical Romance - You know who they are. While I was drawing all these other logos I ran a poll on Patreon to decide which famous New Jersey band should also be graced with a drawing from me. MCR won the poll by a hefty margin so unfortunately you won't get to see me do an illegible black metal take on Hoboken's Yo La Tengo. I ended up doing two versions: the one with the halo is the first, the one with the bats was the second. I tried to do something kind of thin and elegant with the first one and I don't think it's terrible but I also wasn't quite satisfied with it. For the 2nd attempt I tried to lean into the kind of pulpy, almost horror punk aesthetic of early MCR and I think that one looks better even if it's less original.

Anyway if you took the time to read through all this, thank you very much! And please support these bands! Also If any of the links aren't working please let me know.

-Logan

[raymantogether]

Rayman Together Community Spotlight #4 - MarkedAsUnreal

Introduction:

Rayman 3: Hoodlum Havoc was published by Ubisoft Paris and released on February 21st, 2003, in Europe and in March 2003 worldwide. That was almost 22 years ago. Feeling old yet? Well, Ubisoft did release Rayman 3: HD in 2012, but we won't talk about that. Rayman 3 is undoubtedly a fan favorite in the series thanks to its whimsical but very risque adult humor. The game is also critically acclaimed thanks to its very fun and diverse 3D platforming and its exceptional cast of characters and enemies. Nothing has ever come close in the series to the success of Rayman 3, in my opinion. And while I wait in hope for Ubisoft to bring back Rayman to his core 3D roots, I can't help thinking, Why doesn't Ubisoft just remake Rayman 3. 

Fortunately, this is no longer an issue. For this latest Rayman Together Community Spotlight, I have the pleasure of interviewing Marked As Unreal, a Rayman fan from Poland who is working on the Rayman 3 Fan Remake on YouTube. This ground-breaking development blog focuses upon reimaging Rayman 3: Hoodlum Havoc using Unreal Engine 5. The development process has been fascinating to watch, and this has become undoubtedly a favorite fan project of mine. The results have been spectacular, and the game looks simply incredible. You can see the results for yourself below from these comparison shots.

(Rayman 3: Unreal Engine Fan Remake)

(Rayman 3: Hoodlum Havoc)

(Rayman 3: Unreal Engine Fan Remake)

(Rayman 3: Hoodlum Havoc)

So sit back and relax as this latest community spotlight takes you into more detail about the genius behind the Rayman 3: Fan Remake and a more personal insight into this amazing community project. 

Spotlight:

1. Please introduce yourself.

"Hi! I’m Mark. I’m a gaming enthusiast from Poland who dreams of making his own small indie title one day. To help me achieve that goal, I’m currently trying to learn game development and Unreal Engine by remaking one of my favorite games of all time, Rayman 3. I didn’t have much coding or Unreal Engine experience prior to this project, but I did work as a 3D artist for almost 4 years. The most notable project I’ve worked on as a 3D artist was “The Medium” by the Bloober team. What was really awesome about this project is that its art style is based on Zdzislaw Beksinski’s paintings, who is a painter that I am a big fan of."

2. What do you do for a living?

"For most of the year I work at a campground doing maintenance, but in the summer I work at an ice cream/waffle shop."

3. What do you enjoy doing in your spare time

"I often play games and watch various shows when I’m looking to have a chill time. There are many games which I would consider my favorites, but to name a few (besides Rayman of course), there are the old Halo games, the Dead Space series, Old School RuneScape, Subnautica, the Bioshock series, Portal 2, Undertale, from software games, or the Respawn Entertainments Jedi series. As shows are considered, I lately find myself really enjoying anime. My favorites are Vinland Saga, Attack on Titan, and Jojo’s bizarre adventure. Jujustsu Kaisen is also really sick. Regarding more active ways to spend my free time, I really love bouldering (it’s a type of rock climbing) and snowboarding."

4. What got you into the Unreal Engine project on Rayman 3?

"Learning game development by trying to recreate one of my favorite games just seemed like it could be a ton of fun (and I wasn’t wrong, because it is a blast!). And I decided to go for Unreal Engine because I really wanted to try out the new features everyone was talking about (Nanite and Lumen). The fact that many AAA companies use Unreal Engine to make their games also made it feel like a better choice than Unity."

5. Tell us about your experience on the project with Rayman 3.

"The hardest part was the start, of course. I didn’t really know Unreal Engine, so doing the simplest things was a challenge. Every step required me to go through a tutorial first. Also, I started this project with the most complex part, while still having very little programming knowledge, which was coding in the characters movement and collision. On one hand, this was maybe not the wisest thing to start with, but on the other, I wanted to start with the hardest and most important part, to know if there is even a point in trying to make this game in the first place. Otherwise, I was at risk of doing something easy for half a year just to hit an unpassable wall. But you know, the greater the challenge, the greater the satisfaction once you overcome it. So, satisfying and fun are two main words that I would use to describe my experience working on this.

What’s also an amazing feeling is to have this complete freedom and agency over the project. I can make it look however I like, I can work on whatever I feel like working at the moment, and I can work at a pace that I feel like working at. It’s an amazing luxury that’s only possible because this is a passion project.

I’d also like to mention how cool of an experience it was working on the Teensie highway part of the level. Because of how surreal and random that part is, working on it felt very fresh and different. Not to mention that it was a nice way to see how much I’ve grown since I started this project, because while coding in all the logic for the surfboard Rayman, I could see how much easier this was for me to make in comparison to the regular Rayman that I was making when starting the project. Granted, the surfboard Rayman is much simpler in terms of complexity, but still, I felt like I could see a noticeable difference in my skill level. 

Finally, I can’t leave this question without mentioning what a great laugh I had when putting in all the drunken Teensies around the Heart of the World area. I love those guys, and creating all those little stories (like the two teens fighting on a ledge) was such a fun experience."

6. How has it been for you personally revisiting Rayman 3?

"To be honest, this doesn’t really feel like I’m revisiting the game, because I replay Rayman 3 fairly often, so it kind of feels like this game is never far off."

7. Are you planning to recreate the whole game in Unreal Engine?

"I’m sorry to say that no, I am not. It’s like I said in one of my first videos: this was always meant to be a learning opportunity for me, as well as a way to get a grasp on what project scope seems realistic for one person or a small team. If I had unlimited time, then I would love to recreate the whole game, because I love working on this. But the sad reality is that I'd probably be well in my 40s before the whole game would be remade. I’d like to be younger before I start working on my own games.

I’m not yet sure where exactly I will stop, but I am going to finish the fairy council level and share it, so everyone will have a chance to play it.

I haven’t really ever mentioned, though, what my plans are for the project; once I decide, it’s time for me to move on, so let me reveal them right now. My plan is to share the whole project for anyone to download and create a Discord server that will act as a hub for the project. I will be there to assist and help anyone who would like to make something using my remake (like continue from where I left off, make their own custom levels, or even just use some parts of it to create something else entirely).

8. Has anyone at Ubisoft or within the gaming industry approached you during your time sharing your development blogs on YouTube?

"No, no one has."

9. Are you planning to do any other Rayman games or any other videogames in Unreal Engine in the future after you have finished with Rayman 3?

"After the Rayman 3 remake, I will start making my own title. I already have a pretty clear idea of what that game is going to be; however, I’m not going to share that information yet. There is a lot of work left in this project, even just for the first level, so I’m still keeping my focus on the remake."

10. You are also a fan of the Unity Engine; can you tell us why?

"I just really enjoy working in it. It’s really cool that anyone can just download this software and start creating a game. I really like how the software is structured. I feel like it's really daunting at first, but once you get the hang of it, using it just makes sense. Nowadays, I don’t really need to revisit many tutorials on how to do some things because I find the whole user experience pretty neatly organized and logical. What’s also really cool is that a lot of features are pretty cutting edge and yet still free to use (this is a bit of a double-edged sword, however, as new features are often pretty risky to use as they are not yet properly tested for production)."

11. How did you get into the Rayman series?

"My first Rayman game was Rayman 1 on the PS1. I was probably around 4 years old or something like that, so I think that it goes without saying that I didn’t beat it back then (and still haven’t, but I never really went back to try). Then, if I’m remembering correctly, I found Rayman 2 lying in a supermarket on a heap with other games and managed to convince my mom to buy it. I was probably around 6. This one I did manage to beat, but it took a long time. Some parts were really challenging back then. Also, it was really hard for me to figure out that I needed to backtrack in order to help Clark. Then I think I got Rayman 3 around the time it came out, so I was probably like around 8. So old enough to beat this one without too many issues. This is also the one that I liked the most at the time. I vividly remember how the first time I booted Rayman 3, I had this weird bug where the left key didn’t work, and I thought that maybe this was intended. I figured that since Rayman doesn’t have his hands (because Globox runs off with them), he has problems with keeping his balance, and that explains why I can't run left. Let me tell you, trying to catch that barrel without the ability to run left was pretty impossible, haha. Luckily, rebooting the game fixed the issue."

12. What is your favorite Rayman game and character?

"My favorite game is either Rayman 2 or Rayman 3, depending on my mood. Both to me have their respective strengths and weaknesses, but both are absolutely amazing. Rayman 2 is unmatched in its atmosphere and level design. Rayman 3 has really fun combat encounters, and I like the characters (design and writing) much more. And the whole Knaaren desert level is just so awesome! When I was a kid, my favorite character was straight up Rayman, but now it’s definitely the teensies. Though Globox from Rayman 3 is a close second place. Whenever I play Rayman Legends, I usually play as a teensie (but if I don’t feel like playing as a teensie, I always go for Rayomz)"

Thank you so much for being a part of my community spotlight, Marked As Unreal. It was a pleasure to read and see some of the creative processes behind the Rayman 3: Fan Remake. I look forward to seeing everything once it's complete. I wish you all the best with the development and in your future projects. 

Please don't forget to support Marked As Unreal. If you are eager to see more, I have included links to their social accounts below. Have a good weekend, Rayman fans. See you next time. 

MarkedAsUnreal Links:

https://www.linkedin.com/in/marek-holubowski/

Rayman The Boardgame:

Rayman fans, don't forget Rayman: The Boardgame Kickstarter campaign ends on October 8th. There isn't much time until the end of the campaign. If you haven't already, don't forget to pledge and don't miss out on this amazing board game and some amazing bonuses. 

[deer-head-xiris]

🛸PROJECT ANNOUNCEMENT!!🤠

I'm working in collaboration with Creature Comforts Press to create and print my first original comic, "Coyote Kennedy"! This is an 18+ (🔞explicit) comic featuring my favorite alien abductee cowboy and his many monster encounters!

This is still in development, but the first issue is fully sketched! I'll be able to stream while I work on some pages, but you can see the first 4 sketched pages on my patreon right now! Please consider supporting me there to help this project along! ✨

I am so so excited about this project, working with Creature Comforts Press so far has been a dream come true through the whole process 🥺 keep your eyes on this queer indie press, they've got great things in store 👹❤️‍🔥

[titanrpg]

you got a minute? I need a favor

Hey everyone, it's Lex. Happy New Year to you and yours!

Today, I have a huge announcement about Titanomachy RPG and its future. This month marks 3 years since I joined TTRPG Twitter. I've met so many incredible people and learned so much from y'all. Your support has allowed me to take one HUGE step in my life. 

I recently moved to Maryland from Florida to get some basic human rights. I also left my job of 7 years to try and live unburdened by selling hours of my life to some random rich guy. And now, I'm taking Titanomachy RPG full-time.

Here I am, already having taken the leap. I have some money saved up, yes, but ultimately I am trusting in the generosity of others to help me build out a life I can truly love.

So yes, this is a Patreon announcement. And there's a link to Caltrop Core below (if you want to make a one-time contribution). But before anyone exits this email, I want to talk about all the cool stuff everyone can expect from me, regardless of Patreon status or donor status. I have a lot of exciting things coming in 2024, like:

a NEW open license d12 system called DODECA!

physical copies of my games becoming available via Indie Press Revolution, starting with NIGHTHAWKS!

more consistent game & system releases

seeing more of my work in some upcoming Evil Hat projects (look for me in the Girl by Moonlight stretch goal zines)

prints of "prayer to curse ron desantis", bunny girl osr posters, and perhaps shirts/hats/merch?

ttrpg workshops IRL in the Maryland area

and much much much much more!!

Now, here's the link to my Patreon before I forget: https://www.patreon.com/TitanRPG

I have an AWESOME founding patron bonus. There are 3 tiers of membership, and no matter which you choose to join today, you'll get a pre-release PDF of GOLDEN BEETLE PLAYGROUND, my Medabots-inspired TTRPG built on Caltrop Core EX.

This bonus is ONLY for people who join this month. After January, I'll take it down to work on the game further (and eventually do a full release later this year). 

For tiers 2 and 3, I'll be releasing one short RPG every single month. These games will remain Patreon exclusives until I can put proper polish on them (or the patrons vote to release their favorites).

There's a bunch more goodies and details on my actual Patreon page. Click that link to see!

Eventually, I'll be putting merch up on that page, so even if you can't support with a monthly pledge, you'll be seeing posters, shirts, hats, all that very soon!

These days, I'm on tumblr every so often, but no other social media. Patreon will be my dedicated page for updates, game mechanics, design discussions, everything! Even if you join at the $3/month tier, I want to provide a ton of value, starting with GOLDEN BEETLE PLAYGROUND!

Click here to see the three membership tiers and support a trans game designer today!

Thank you for your support over the past 3 years. I hope to remain worth of it for many more years to come.

All my love,

Lex Kim Bobrow

Publisher, Titanomachy RPG

P.S. Here's the link again. Take a moment to check out the page please, and if you can't contribute, please tell your friends! I've lost touch with so many people after leaving Twitter, so any help in getting the word out is 10000000% appreciated!!

P.P.S. If you could reblog this post ASAP, I'd really really appreciate it. Thank you!!!

[reddblight]

I feel like I see so many contrasting opinions on jobs for Bart when he’s older, ranging from scientist, super suit designer, cop (ew), unemployed and bouncing between part time things, etc. Honestly of those I know my personal favorites are fashion design and kinda bouncing between part time courier jobs (he’s never seemed like a full time kinda person to me tbh).

But I got to thinkin about it, what is one thing that we know Bart loves more than most other things? Video Games.

I propose this, indie video game designer/freelance artist Bart.

It makes sense in my head, Bart’d be bitching to Preston or Kon about how he’s beat like an ungodly amount of games and is getting bored/needs something new to play. They would make an offhand comment, joking about making one himself and I think he would find the idea intriguing. (Or honestly Helen could have suggested it after listening to Max get on Bart about needing to do something responsible to make a living & Bart shutting down).

I think that between hero work it would give him a creative outlet for his hyperfixations. Plus he’d probably have a blast figuring it all out. The first couple of games would be simple, figuring out the basics, but after those I can see him getting like really focused on a passion project game that he fully codes and illustrates. (He probably makes a young justice game, or skins in the games of his friends)

He’d definitely become a hit in the indie gaming community for the unique controls and mechanics in his games. People would reach out and ask him to help make their games, and eventually people would just start becoming really excited for whatever project he was working on.

Meanwhile he’s still just chilling with his friends in his free time, letting them playtest his games and taking suggestions on what the funniest easter egg could be. I think he’d mostly be couch surfing, hopping between staying with friends and “family” members on a whim. Usually chilling wherever the YJ was or hanging out at Carol, Preston, or Rolly’s.

Just feels more fun than him being a DC brand of “scientist” (no specific generalization or study) or cop (again ew). Plus he could still design hero suits while doing this (i like that headcanon, its fun)

[clairedaring]

Nonkul and Bright's experience in queer media prior to I Feel You Linger In The Air

So... I've fallen down the huge rabbit hole that is I Feel You Linger In The Air (even though I was already down bad earlier this year when I finished the novels) since the airing of the series. I've tried my best to consume everything translated IFYLITA-related content and now I'm here to summarize a few points I love about the (immaculate) casting of Nonkul and Bright.

For Nonkul

Prior to IFYLITA, Nonkul has had a few BL-adjacent projects:

2014 indie gay film "Love's Coming", where he plays a friend of the gay protagonist.

2016 sitcom series "Bang Rak Soi 9/1", where he plays a student with a crush on his straight best friend (main character played by Tongtong, who you may have known from To Sir With Love or Khun Chai)

2019 chinese bromance "Dive", where he plays the 2nd main lead who develops "strong friendship" with the protagonist as swimming teammates

But IFYLITA marks Nonkul's first time playing in a BL series where he is the protagonist.

Back in 2021, Nonkul posted this Q&A video on Facebook, where he answered the question "If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?". To which Nonkul went on a full long discussion on how he doesn't view BL as a genre and talks about what kind of role he would want to play (full clip below).

Transcript:

If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I'm gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. "Like, wow, that's my type!", I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. - Nonkul

For BL Series, I think I can work with everyone. I don't think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who didn't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel 'Peremo'] I would prefer to choose the "heroine" role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a "heroine" role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo']. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I'm not only fixated on this novel. I'm also open for many more BL series if there is an interesting plot. - Nonkul

Interestingly the 3 checklists Nonkul mentioned his dream BL novel/character 'Peremo' had was 1. playing the 'heroine' role; 2. it has a LOT of action; 3. it is also sci-fi fantasy genre. And then in 2022, Nonkul booked 2 action dramas and IFYLITA which checked off criteria 1 and 3 of his wishlist (he mentioned it in this interview).

In 2022, at the beginning of IFYLITA announcement event, Nonkul mentioned that one of reasons that he accepted to play Jom in IFYLITA is that the story didn’t just put love scenes in just for fan services. Previously he had rejected some series because of that.

Nonkul read the novel prior to the acceptance of the role and you can tell he put a lot of care into bringing Jom to life (Nonkul immediately tweeting his apology after the pilot trailer is out about him accidentally using right hand to sketch (because Jom is left-handed), discussing various novel details with fans of the book at event, discussing how to punch Ohm like Jom would instead of punching him regularly as he would in other series, even giving book-film comparison commentaries in the BTS of the episodes)

Nonkul's physical and facial features are also so similar to Jom in the novel, especially his Chinese heritage is taken into account by the casting directors (Jom is also Thai of Chinese heritage iirc). Honestly kudos to P'Tee and co for snatching Nonkul.

For Bright

Prior to IFYLITA, Bright has played a supporting male gay character in the CH3 Lakorn 'Rivalry' and starred in PP Krit's MV 'It's Okay Not To Be Alright'.

But IFYLITA still marks Bright's first ever male lead role (ngl I was quite shocked when I found out about this because like the man is SIGNED to CH3, what are they doing?) AND his first official "BL" series.

Bright also accept the role of Khun Yai after he went to buy the novel and read them.

Before filming, Bright practiced a lot to portrayed Khun Yai as close to the novel as possible (the way Khun Yai walks with hands behind his back, his posture, him speaking in the different local dialect...)

Here are some translated interview questions Nonkul and Bright did before filming IFYLITA for bangkokbiznews that I found really interesting and want to share (original Thai article) (translated by twitter user lingerair/eugust)

Question: How is your individual characters? How are they similar or different from you? (1)

Nonkul: Jom and I are very different. Jom has soft and sensitive part. He cried so many times, and often gets upset with things that if it's me, I wouldn't be upset like him but his tears is already flowing. Bright: Khun Yai is quite similar with me. He's calm and wise. It's easy to be Khun Yai when I read the script. I try to put myself as Khun Yai. I'm Khun Yai and Khun Yai is me. I always think like this to be able to moderately act as Khun Yai.

Question: BL series has become a powerful "soft power". What do you about this? (2)

Nonkul: To be honest, whatever entertainment media it is, I view all of them as soft power but can't deny that during this period foreigners are especially interested in Thai Y series. I think it's a good thing. In the end, no matter what kind of content they are interested, it's a pleasant thing. Bright: Bright agrees (to that) very much. There are so many BL series with many fans both in and outside of the country, thus I think that it's good quality soft power in presenting a lot of things. Such as "I Feel You Linger In The Air" has a lot of Thai culture incorporated it in. Nonkul: Since it's period (series), it won't look like we're forcing Thai culture into (the series). We want foreigners to learn about how was it during the era and how it affects the present.

Question: This novel has a lot of fans waiting, do you feel pressured in taking a role in this? (3)

Nonkul: There's a little bit of pressure but personally, when I've worked till this point, I'm kinda used to this. I can say that I already have some expectations (for myself) and receive some pressures as a motivation in working but I'm not that stressed by it. Bright: Similar to Non, I'm a little bit pressured but we will both do our best, everyone will do their best. Fans has expectations because they want to watch the adaptation. We'll do it in our way and we hope everyone'll likes it.

As a huge fan of the novel, I just love how much love Nonkul and Bright have for the original novel and the amount "homework", care and dedication they have to crafting their characters to be as close as possible. I really hope everyone who have reservation or hesitance watching I Feel You Linger In The Air because you didn't vibe with previous Dee Hup House’s productions, should still give IFYLITA a chance (or at least try watching Episode 6 & 7) because it is seriously unlike any previous DHH’s productions (in all aspects: plot, direction, pacing, cinematography, music, lighting, color-grading, overall production…)

For my post on Bright and Nonkul's preparation for IFYLITA

[mynameismad]

now that you’re making updated versions of early sakana pages for webtoon, are you planning on formatting those new versions for the hiveworks website as well, or will those pages remain in all their original glory?

The sakana-comic.com pages will always remain in their original versions!

With links being suppressed on twitter (which used to be my biggest platform) and ad revenue down across the web, It's been much more difficult in the current social media climate to point people to a unique website like sakana-comic. So I figured I'd be remiss not to give the top webcomics aggregate a fair shot. (Still missing SmackJeeves all these years later though... u_u).

You could probably consider the Webtoons version its own separate comic project because of how many edits I'm making, and I'd encourage any SAKANA fan to check it out and see what's different! I'd also HIGHLY encourage everyone to visit and interact with their favorite webcomics on their home websites, not just Sakana's (and please make sure to turn off your ad-block while you're there!) All indie creators are feeling the squeeze right now!

[indieyuugure]

Indie? Sorry if this is a hassle but is there any advice you’d like to give people who are new to making comics..?

Sure, not exactly sure if it’ll be helpful, but I can try!

Number 1# Plan out your story before you draw it. I know it’s tempting to just start drawing—and I have done this SO many times myself—but it’s so much better and easier to plan out what happens when, how and everything else that goes with it BEFORE hand

Number 2# Backgrounds are important! Something I learned was that when your panels’ backgrounds are all white or gray or just some plain color, it makes the reader confused. They can’t see where they are and it creates an odd discomfort in your comic that causes disconnection. Simply sketching a background for the character and blurring it makes sure that there’s at least something recognizable as a location and it helps to ensure your reader doesn’t get lost in the setting.

Number 3# Have fun. I know you’ve heard this like a million times and it seems ridiculous, but I am seriously. So many amazing artists will drop fantastic stories because they get burned out. Go at your own pace, don’t force creativity. Doodle something else for a bit.

Even if it’s not burn out from working too hard, maybe you’re just feeling like you’re slowing down, your passion isn’t as fiery as it used to be, your ideas aren’t as amazing as they once were. Go back to the start, back at square one. Why are you making this comic? What inspired you to do this in the first place? Go back to that. If it’s a tv show, rewatch your favorite episodes! If it’s a book series you love, reread your favorite book or chapter!

Rediscovering your inspiration, not only rekindles your passion and determination, but also reminds you that this is a fun project you created to express your love for something amazing.

Hopefully you found this helpful. I wasn’t sure what kind of tips exactly you were looking for so I just picked 3 of the biggest lessons I learned from making my comics.

Good question! :]

[pharawee]

I think it's no secret that I'm not all that much into gmmtv BLs. I used to think that it's because I'm just not that into the romance/slice-of-life/ensemble cast genre and it's pretty much all gmmtv focusses on in their BLs. Or maybe I'm really that shallow and I just don't like anything mainstream.

I can't really talk myself out of the mainstream thing because it's unfortunately kind of true, but also I like plenty of romance/slice-of-life/ensemble cast shows by smaller companies, like Gen Y or Future or Our Days (the list goes on and on and on).

There's just something about gmmtv BLs these days that loses me every single time. A series starts out strong with an interesting concept and characters and then it just gets... boring to me:

The things and characters and issues I find interesting are never delved into, and (probably because of that) everything just feels so shallow and formulaic and palatable. Shows like Never Let Me Go and Be My Favorite and My School President completely underwhelmed me towards the end, to the point where I was relieved when they ended and I no longer had to gif them (which is an entirely different thing that I'm trying to work on 🙏).

And now the same thing is happening with Wandee Goodday and it makes me really sad because I really like Great and Inn and the rest of the cast.

Mind you, I'm not blaming gmmtv for this. They're mainstream for a reason and good for them! I'm also not saying that their approach to making series or marketing their actors is bad because clearly their success and their many fans prove them right.

But there's just something about how smaller or indie companies work that appeals to me so much more. I like shoestring budgets, I like it messy and rough around the edges. I like it when they're so passionate and ambitious about their projects that they try to make it happen no matter what. I like it when they take risks with genres and stories that bigger companies wouldn't touch because they're not as marketable. I like when they say "fuck it, let's do wonky sound and rookie actors because if we don't we won't have the budget to make it happen at all."

I suppose it's similar to gaming for me, where I appreciate indie games and ambitious AA titles much, much more than AAA games that tend to appeal to the biggest possible audience.

Ultimately, I'm glad there's a market for both, but it's sad to know that many smaller productions will never be as commercially well-received as mainstream titles (while ironically being held to the same standards). And it's also bittersweet to know that whenever gmmtv contracts one of my favourite actors (which is fine of course - it's one of the best things that can happen to an upcoming actor in Thailand), I know that I won't get to see them again in the kind of series that I prefer.*

*Sometimes they contract them out to non-gmmtv productions. That's how I became a fan of Marc Natarit. But as soon as they're in a fixed acting pair it's basically over.

I guess the easiest solution is to just stop watching BLs from gmmtv (I'm explicitly only mentioning BLs here because I like most of their gen shows a lot more - The Gifted is still one of my favourites and just recently Enigma and Midnight Museum and Mama Gogo were absolutely amazing) but the problem is... their pilot trailers actually get me excited. Right now I'm really looking forward to Kidnap and ThamePo. Plus, once in a while gmmtv DOES take a risk and then you get incredible shows like Not Me (which apparently didn't do very well numbers-wise, so from a business pov it makes sense not to invest in them too heavily).

In the end, I think I need to get a lot more selective with the Thai BLs I want to watch. After all, there's now so many of them that we can finally afford to be picky (and that has to be a good thing, right?).