#so many awesome artists that get less

[nocek]

Do you want to hear a funny story?

So you know that I was drawing spiderverse comics lately. Because they are fun to do. And I think people like them. I mean the most popular one has like 4K notes? That's lot for me when I usually dwell in tiny fandoms made out of like 3 people and their dog. So it's nice, everybody is having fun and I'm grateful.

but

BUT

I just found out that somebody took few of that comics. Cut them up and run the text through ai reading voice and posted it as reels on fucking youtube.

And it's not even that I'm stumped why even turn 4 pictures into video. First time I see such a time wasting thing but ok. People do like different things.

And even lke some effort was done to erase text from speech bubbles so it appears as the ai spews it aloud but it's not even about it

I had pictures taken and posted somewhere else. Usually without credit. At least this time it was credited? I guess I should be grateful.

What fucking gets me is that those comics have several hundred thousand views and few hundred comments each.

Like fucking seriously.

I don't know what's the point

I don;t know what should I feel about this

I mean unless you can make money on youtube reels? Then I can at least be pissed about it. Nice clean feeling?

Because what gets me is that most of those comments are nice so I should be happy about it? I guess? But I feel like a pathetic peeping tom looking for appreciation that wasn't given to me actually eve if I did the thing

ugh

I'm just tired

this day was already shitty so i guess it's time to give up and take a nap

next comic will be delayed

[kelocitta]

Tangentially related to some of the discussion i posted earlier but quiet literally the first RW Art Month i participated I did it completely on whim like, one day before it started. And I mostly did it because I hadn't drawn a ton of rain world and wanted to draw more. Fandom presence was a lot smaller than and I was one of a handful of artists who did the entire thing. Fast forward and I still do Art Month and I've gotten to work with VC directly. But it was quite literally something I decided to do completely on whim that set the ball rolling, and for something a lil more niche and certainly with a lot more dev/fandom art involvement than most. It's really random how and why you might get noticed more than usual, especially with the "toss it into the search and hope it pays out' mechanism of Socmed

[txttletale]

Ok so, let's assume there are 2 steps on how to deal with AI, which are:

give up on luddite dead end pursuits of turning back the clock to more indivualized production

put energy into productive working class organizing

Could you please elaborate who is even trying to do that thing you mention in step 1? Those in denial? I have yet to see anyone, all I see is people being upset and thus hating it, which is a natural reaction to having your art be stolen. Give it time, people need time to process this change.

And regarding your step 2, that's gonna happen either way? I mean, what choice do artists have? Same as all tech that those in power want to push, ai is gonna persist, it's inevitable, as is artists trying to adapt.

I genuinely see no sense in posts advocating for ai, like, it doesn't need that, it's doing good without you guys, it has a pr team working tirelessly trying to integrate it daily. What are tumblr users who advocate for it trying to accomplish here? Make artists hate it less? As an artist whose art got stolen, even if I do manage to successfully adapt, I will not stop hating ai and those behind it? Like, what's the purpose here 😭 Sorry this got kind of long

i mean i don't consider myself an 'advocate' for 'ai art'. generative visual art is an artform i personally have little interest in making. i think if openai went bankrupt tomorrow it would be awesome and very funny. you are making a classic mistake, which is to assume that every issue is like a splatoon splatfest with two clearly defined teams. i point out that the things that people frothed up into anti-AI hysteria say are at best untrue and at worst deeply reactionary, pushing right-wing social views about art or right-wing economic views about copyright because i think those things are bad.

i don't bother making posts pointing out that, like, @ApeHODL69Doge on twitter who thinks every movie will be ai generated by 2026 is moron because, very simply, i don't exist in a social environment where i run into that kind of guy or anyone who doesn't think that kind of guy is a moron, and also because liberals can and have done a pretty great job comprehensively debunking that type of guy's nonsense arguments and empty tech hype.

this does not apply to me but many users on tumblr who "advocate for AI art" are literally just defending themselves against vicious ableist harassment mobs who think it's okay to tell a disabled person their disablity isn't real or they should draw with their mouth or they're just whiny because they used the funny picture machine, so i think what those people might be trying to accomplish is to stop getting harassed, and i think that's a pretty admirable goal

my personal goal is to encourage people to think more critically about new technologies and understand that where these new technologies immiserate them it is because of the social structures and economic system under which that technology is deployed, not because of an evil devil curse lurking in the technology itself. hopefully this answers some of your confusion.

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[catmask]

genuine question – and i hope it doesn't come as weird – but how do get into...pokemon? </3

pokemon universe feels so big and there are so many games and i really like their designs – both for pokemons and trainers – making ocs in this setting would be so cool but i have no idea how to. begin!

could you give some advice?

ps leaving compliments for your comic and art in general!! i really like how your pieces are so colorful! gives the vibes of some small but cozy and fun town in a videogame..

no worries!! it seriously depends on what you are interested in - gamewise, region wise, and story wise.

heres what i can say. if you like typical top-down style pixel art rpg games where you solve tile puzzles and build a little team of monsters, any of the games before x and y is a good choice. platinum is a great introduction to the series because it doesn't baby you but is still decently difficult, heartgold/soulsilver are the 'coziest' games imo but may spoil you because of how much content there is, black/white and black/white 2 are the most story-driven of the games and bw2 is probably the longest play of all the games. emerald is also great, but its genuinely a hard game even as someone whos been a fan of the series for years. i would say to start with hgss because they're my favorites, but they're so good it might raise the bar too high for all the other games pixel-art games.

if you prefer 3D graphics, but still like the 'run around catching guys and solving tile puzzles', i think sun and moon are the best of the 3D games! the story is engaging and a little more modernized so that there are actual cut scenes, i think the pokemon available are cute and the region is really pretty. i thikn after that, x and y is pretty cute! the story is less strong in comparison to sun/moon. importantly; every game in the 3D era has a new type that was not present in the pixel art era - the fairy type, so if you want to learn the MODERN type chart and balances, the 3D games are where you'd need to start.

finally, if you're not a fan of the 'catch pokemon run around region' type games, pokemon has a LOT of really awesome spin off games. my favorites are as follows...

pokemon mystery dungeon explorers of sky. its the strongest story the pokemon company has ever written, and im a big fan of the mystery dungeon style gameplay.

pokemon ranger (any ranger game!) the story and graphics are cute, and it focuses on rescuing/rehabilitating pokemon more than capturing them. really lovely expansion of the pokemon universe.

pokemon go, because its free! so if you dont want to download a rom, or sink money into a new franchise, its an easy way to get into it.

pokemon snap - this was actually my very first pokemon game i ever played! (never owned it though heha) but there was just a remake for the switch, if you've got a switch that is. the game focuses on photographing pokemon in their natural habitat, and its really quite cute. slow paced and fun if you're not sure about battling yet.

finally... if you weren't looking to get into games at all, pokemon art + fan creations are personally my favorite things in the entire fandom! artists and writers and fangame devs are the people who hold this fandom up, engaging with their creations is a great and typically free way to involve yourself... im sorry this is so long, i hope this helps!! and ppl are free to add on to this hehe

[cicerfics]

Q's 10 Favorite Jumpers, Rated and Reviewed By 007

With Rebuttals (and Revised Rebuttals) from the Quartermaster Himself

Gifted to @foxsoulcourt over on Station Pacific, just for being awesome!

Fits Q like a glove and the shade sets off Q's lovely winter complexion. 9/10.

Didn't this ridiculous business of seasonal color analysis go out when I was still in primary school? You're dating yourself, 007.

Well, somebody has to, since you wouldn't let me take you out for a drink last night.

...

Color less garish than usual, but fuzzy texture makes Q look like he's growing mold. Off-putting. At least, as off-putting as is possible for a man of Q's caliber. 6/10.

It's mohair, you heathen, not mold!

And stop talking about my 'caliber' if you

...

The color washes out your complexion. You ought to stick to darker shades, dear. Still, this one fits you snugly and the knit is thin enough that I can see your nipples when it's chilly in the server room. 8/10, it'd look even better on my bedroom floor.

You are no longer allowed in the server room when I'm in there, effective immediately, lest I file a complaint with Human Resources. Stop looking at my nipples. (And there's a phrase I never thought I'd have to use when addressing a colleague at Her Majesty's Secret Service.)

I live to defy expectations.

Color does marvelous things for Q's eyes but the squiggles give me vertigo. 5/10.

Get your eyes checked, old man, and stop blaming my jumpers for your vision difficulties!

Ranking has dropped to 4/10 due to Q's insolence. Be nicer to me, or I'll be the one to file a complaint with HR. Age discrimination is against regulations, my dear.

Stop calling me that

I don't really think you're that old

You do need reading glasses though

I never thought I'd see the day 007 cites regulations to me.

Why are there so many bars and blocks? Why isn't the jumper one harmonious shade of gray? Atrocious. 3/10.

It's comfortable

It reminds me of that time you

Don't lie, I've caught you looking at me when I was wearing th

It's considered artistic, 007, but of course you wouldn't know anything about that.

Grand old warship, Q. Nothing more.

Don't be ridiculous, of course you're more than

...

Reminds me of my grandfather. Deeply disturbing that I still want to shag Q even when he dresses like my grandfather. 2/10, will be reporting the quartermaster to Dr. Wilson for damaging my psyche.

You will do no such thing. That poor woman has enough to bear as it is. Overseeing your routine psych screenings is enough to warrant hazard pay.

I've caught you looking at me in this one too

You don't own this one, but you should. Let me buy it for you, darling. 10/10, would tug you into a broom cupboard during your lunch hour and undo the buttons with my teeth.

What is your obsession with Tom Ford

I don't see why

You say things like this but then you never follow throu

Why did you cancel our dinner the other nigh

I am not the sort of gentleman who permits himself to be despoiled in broom cupboards, thank you very much.

Puts me in mind of those odd little sailor suits posh people used to make their children wear. I think someone put me in one, once, ages ago. 1/10, you already look young enough to make me feel like a filthy old man, no need to make it worse.

I wouldn't mind if you were a bit 'filthier', actua

Well, if the shoe fits.

And you scold me about wasting money with damaged equipment and bloodied suits. Look at the price tag on this. Outrageous. 10/10, worth every penny, you're delectable in this one.

I only bought it to treat myself after

It was my birthday and i

You said you were taking me out for dinner for the occasion but then you

…Thank you.

I'd ask what I've done to deserve this torture, but I suppose I already know the answer to that. 0/10, I will have burned this one by the time you've read this list, and I apologize for nothing.

You know exactly what you've done, yes.

Three million pounds of my department funding for heaven's sake

Not to mention the fact that you canceled our dinner after I

And I hardly bought this to torture you. I don't buy my clothes with you in mind, 007. Don't be so arrogant.

And if that isn't an empty threat and you've actually broken into my flat and destroyed my personal property, I'll have your head.

My. How forward of you, Q. Well, I'll have to insist you take me out to dinner first. Then you can have whatever bits of me you like.

Don't be vulgar, you menace.

Not unless you're going to follow through on

You're the one who backed out of the dinn

Did you really burn it?

It was a threat to national security. Could sear a man's eyes right out of his skull. It had to go.

The cats agreed with me. They didn't put up any protest when I pilfered from your wardrobe.

For heaven's sake.

Then they're getting their least favorite flavor of tinned food for supper. And you're not getting dinner from me at all.

Now, I hope I'm not being punished for cancelling on you last week.

Of course I'm not

I don't see why you

You

...

You're being punished for wasting your day reviewing my jumpers rather than completing your overdue AARs. Please allow me to direct your attention to the rather large pile of paperwork with your name on it.

Sod the paperwork.

Q. I'm sorry I cancelled. You have no idea how sorry. But something came up.

I'm sure it did.

Something to do with the job.

...

Some internal business. Something had to be taken care of.

Somebody had to be taken care of.

...

Mallory told me not to discuss it with any of the department heads just yet. I handled it, but the job won't be declassified until tomorrow. Expect Tanner to call you and the others in for a meeting in the morning.

...Oh.

Well.

You should've told me sooner.

Q, I'm shocked! You're saying I should've gone against Mallory's direct orders and disclosed classified material to you against his will?

Of course that what I'm saying, you filthy hypocrite. You could've told me. I would've been discreet.

I know you would've been. That's not the point.

...

...Bond?

I'm trying to keep you out of trouble these days.

Trying not to be the man who ruins your career.

You've never

If that's how you feel then why

Even if you did, I'd

Rather unflattering that you assume I can't take care of myself.

I can, I'll have you know. And I never asked you to protect me. I can protect myself...and I can protect you in the bargain, thank you very much. I'm rather good at it, in fact.

Well, I can't argue with you there.

...

...?

Suppose we don't wait for tomorrow's meeting.

Suppose I take you out to dinner and tell you all about the whole sordid business tonight.

...You're planning on disclosing confidential intel in the middle of an Italian restaurant?!

Suppose we skip the restaurant.

Suppose I bring a couple of curries round to your flat and we talk about it there.

The flat you recently burglarized.

Let's not dwell on the past, dear.

Besides, I think the cats are warming up to me.

And I've got an overdue birthday present for you.

...Dare I ask what it is?

A replacement for the jumper I burned. A whole new ensemble, in fact.

Something much better than anything in your wardrobe. Much worthier of you. Something to show off those good looks of yours.

Will you let me give it to you this evening?

...Ah.

Well, I was going to ask what I should wear when you come over, since you have such strong opinions on the matter.

But if you're bringing a new outfit along, perhaps I shouldn't bother to put anything on at all?

Darling, I always said you were a genius.

19:00 tonight, your place. I'd say 'dress to impress', but I think your idea is best.

There's no improving on perfection, after all.

Do you really

I want you to

For God's sake, if you don't make good on your promises this time, I'll

19:00, then. I trust you know the address

Please try to be on time, 007.

For you, Q?

I'll be early.

[blakbonnet]

*DRUM ROLL* This AOTW is the podfic edition of our beloved weekend celebration of great artists in this fandom, and our featured artist this week is none other than @lindie-kninjaknitter ✨ If you're a lover of podfics, you've definitely heard at least one of Lindie's 265 fics either on your commute or because their voice is just so calming. Lindie also agreed to answer some questions for me:

Let's start with the technical: what are the programs you use to create your lovely podfics?

I use GarageBand to record with a ShureMV7 microphone, and I use Audacity for processing and post on SoundCloud.

How did you get into podficcing? Is this the first fandom you've tried it for?

I got into podfic making I knew what a podfic was. The story “No One Would Riot For Less” by sacrificethemtothesquid was a retelling of season one from Ed’s POV. I couldn’t put it down. So I recorded into the Voice Memos on my phone so I could take it with me on walks. When I found out that this was something that people do, I asked the author for permission to post and they said yes, and with the encouragement of some generous kind pirates in the comments I recorded more.

What made you fall in love with narrating stories?

This is the only fandom I’ve recorded although after I did a few stories, I auditioned for some books on audible and have recorded two stories there. It was not as rewarding or enjoyable as recording fanfiction. I love that the audio out there helps people in the ways it does. Folks tell me they listen while they do boring tasks or enjoyable art or their commute. I feel like I get to sit in the corner of a room in so many peoples lives, reading these awesome stories and it makes me very happy.

Any tips for beginners who wants to give podficcing a shot?

Tips for beginners! There are some good resources on AO3, the sapphires project, tree change project… These were designed to try to support new podfic makers as well as get those stories to audio. But I think the most important thing is find a story you want to live in! Something you really, really love, and then record it on your phone or whatever you have. I didn’t have a microphone until I started Hell or High Water.

Sound quality wise the two big things you need to do are to get your voice through a recording device and onto your DAW (digital work station – mine is GarageBand) While at the same time, eliminating other noises as much as possible. Echo is not your friend so a bathroom is your worst option… a place with soft walls blankets carpet on the floor in a quiet corner works great. Or a closet.

What is your favourite podfic that you've narrated?

My favorite podfic is which ever one I’m working on right now! There are some I am particularly proud of the vocal performance. Throat G.O.A.T. stands out… Constellationism, Baddy Zaddy have such sense of place! Captive of the Pirate King was the first one in which I really felt part of a community. I’ve made… 260 so far… each one was my favorite as I worked on it!

What are your personal challenges when it comes to narrating podfics?

I always want to do more than I can reasonably actually record. In choosing one it means I’m unchoosing several others.

I have dyslexia… sometimes I cannot get into the flow of reading which is frustrating.

There are some topics and materials I find difficult to narrate. Often that discomfort is offset by many other things that I love about a story and so I will narrate them anyway.

When I am approaching difficult material, I do a lot of journaling. I take breaks. I record sentences in pieces, then stitch it together and I am pretty sure you can’t tell in the finished recording.

We have a wonderful community of narrators who are there to listen and help each other with things like this.

Why OFMD? 🥹

Why OFMD? I think the underlying story of figuring yourself out later in life really appeals to me. I see myself in many of the characters, Ed, Stede, Jim, Izzy, Lucius… This story and the crew have really helped me understand myself better… feel less broken? (Chapter 25 baby!!!) feel less of an outsider? To recognize that parts of myself that I’ve had to tone down my whole life are worthy of being loud about.

Please head on over to @ofmdlovelyletters to leave your love for Lindie 💕

[888-fr]

WHY I DON'T RETIRE MY SKINS: an essay

Disclaimer that I'm speaking from a point of being established here, because not everybody can afford to run their skin shop like I do. I don't judge less established artists for needing to limit their skins because they can't afford to print a run with only 2 people on it. I'm also not judging anybody who does retire their skins after a set number of prints - whole different matter! I'm giving an opinion piece based on my own personal thoughts about running my own skin shop.

Okay, now that's out of the way. I really dislike the idea of time-limiting my skins. There's just no actual justification for me, as an established skin artist, to limit skins I know will sell... aside from prestige, and putting buying pressure on my customers. So there's a couple of reasons I don't like that:

1) Erodes trust in the artist.

Yes, I could probably make more money if I kept my skins limited so people HAD to pick up my skin on release. Maybe even all 4 colors of the skin, including the one they don't really keep in their hoard. Just in case they want it down the line but it won't be available anymore.

Is this good business practice though? Do I want people to start feeling panicked every time I ping for a release, because they just picked up a new project and really really CAN'T afford to be buying skins right now but there's 5 colorways of my skin available and they'll probably be resold for 2kg as soon as they retire?

Personally, no! I want people excited when I ping, not feeling dread in their hearts and budgets. I want people to be thinking: 'Awesome, a new skin! I can't afford that right now but I know he always keeps a few on the AH at print price even after preorders end. Even if I can't buy a skin just this moment, I'll be sure to keep an eye on his thread for when I have gems again.' Or: "Awesome, a new skin! This one doesn't appeal to my lair aesthetic, so I will just nod and smile. I don't feel the need to buy it in case it gets popular for resale, because it will always be on the AH for print price."

People tell me about unsubscribing from GASP because they get anxiety being pinged for skins they want but can't have. So I want people to stay on my pinglist because there's no pressure on them whatsoever to purchase anything. It'll always be here, okay? In the meantime, just enjoy the art, maybe preview it on a scry or two. I'll be here if you're back in three weeks, or three months.

2) Passive income!

I lied. I probably would've made less money time limiting all my skins than by keeping my skins restocked. A couple of reasons for this:

- My earlier skins sold worse. This isn't psychology, it's just numbers. Some of my most popular stock were made early on in 2021/2022. I didn't have that many sales then, so could you imagine if I had retired them immediately after that? There's 230something copies of SAILOR'S WARNING out in the world right now. If that skin was time limited after preorders died down, I would've sold "only" 50 forever.

- People see my shop stock whenever you ping for a new releases. I get 3-4 sales off auction house whenever I release something new and people check my front page. It's not a lot but it's consistent.

- It's a win-win situation, okay? If a skin is popular, there's no reason to time limit it to drive up sales. If it IS popular, then people are going to see it on other people's dragons, go "damn that's a nice skin," and maybe do an AH search for it. And if there's a cheap print price copy available, they're gonna buy it.

2) Reprints are easy!

It was a lot more annoying to keep track of queue numbers and inventory back when reprints had to go through regular queue for a week. Did I put in 10 copies of SUNHEAVEN already? Wait, are my kitsune aethers back yet? How many of MOLOCH are still listed?

Now I can put in a blueprint and get my reprint instantly. No fuss at all.

3) I don't want to buy into the 'this is a retired skin' hype...

This is just personal preference. It makes me feel a little bad when a public skin I made is popular and people can't afford to have it. I'm not judging anybody who does like it when their skins are rare, special, and sought after.

It's just... I get that part of my brain scratched from my customs. They're gorgeous, they're 5 prints, they're on the AH for 30kg if you really want one. Most importantly they're niche and high coverage enough that even if someone hadn't paid me to draw an exclusive skin specifically for their dragon, they'd never do well as a public skin anyway.

Here are some tips for people looking into keeping their skins unlimited:

- You don't need to do it like I do.

Blueprints are expensive. Even I don't have my entire catalogue stocked, only the ones I noticed always have reprint requests. For example, only SAILOR'S WARNING out of 4 total colors for my impm skins is kept stocked because the others don't sell enough to justify it.

If you can't afford to stock them 10 at a time, have the customer provide the blueprints. Shelving your skins but having them be reprintable with a BP and a fee (350g is good for 850g print prices; remember, 500g of that went to you purchasing blueprints in the public run, so it doesn't make sense to charge customers a whole 850g when they're already providing the blueprint) is a good alternative to permanently retiring your skins. You don't get a ton of people who can afford that, but the option is there for people who want it.

- Notice which skins sell!

If you already have a good amount of skins in catalogue and have trouble figuring out which ones to begin stocking, you can start by checking in with your pinglist. Poll them and see which ones you'd want to rerun.

- Don't have so many recolors.

It's a law of the universe that they more recolors you have, the worse they sell collectively. I usually do 2, no more than 3. If you have to time limit your skins to get 6 recolors to hit print, then it's time to cut those recolors down.

There's reasons for this: it's choice paralysis, people may want 'complete sets' and will skip out if you're making that complete set cost 4kg total, and it just plain doesn't make sense for very similar color schemes to cover 4 different skins. Feel free to print personal recolors or have custom recolors open.

[kxlitz]

Hiiii! Hope you’re having an amaozng day! I was wondering if you could make SFWand NSFW headcanons for 2023 Bill? (Also I see him as a switch but more on the dominant side so if you could incorporate him being a switch in them that would be awesome!) (also for the SFW can you do some casual dominance hc’s aswell?) it’s absolutely fine if you don’t want to do this request just have a lovely day and keep on being an amazing person! 🫶

⭑ ࣪˖2023! Bill Kaulitz NSFW Headcanons pt.1 ˖ ࣪⭑

Ah! I love this request sm!! I already wrote a bunch of SFW 2023 Bill Hcs here so I focused on NSFW, but if it doesn’t satisfy you feel free to request again !!

࣪⭑Now, I wasn’t sure on how spicy to make this so the part 2 might be more graphic, it’ll depend on feedback :’))

- Meryl

2023 Bill. 2023 BILL. 2023 BILL KAULITZ.

What a man. Really.

A couple years back he always said that he considered himself to be pretty vanilla, but I believe that with time he discovered more about himself and what he enjoys in bed. Especially now that he’s found the right partner;)

Thank you Kaulitz Hills, for a bunch of the facts I gathered up for this.

Let’s start with the less sinful, Bill is and has always been a romantic.

On days that he’s craving you he will go out of his way to prepare the ambiance. Lights up candles, puts on a dim and warm light in your bedroom, takes out your finest black silk sheets and puts on his best attire to welcome you when you come home.

On some days that he’s hornier than others and you’re away he will definitely send you some nudes with the brattiest texts.

He has a thing for undressing you, which may sound odd but the act of carefully tearing off every piece of clothing off your body is so arousing and artistic to him.

Bill takes the time to caress and kiss every inch of your body. No matter how many times you do it he simply can’t get enough of you.

Listen it’s 2023 Bill. You can not tell me that this man doesn’t have an entire drawer dedicated to his fine lingerie collection. Lace, silk, satin, leather. He’s got it all.

CORSETS?!?! I’m foaming at the mouth don’t mind me.

He would look so good with high stockings. (The thought of Bill in lingerie does things to me) (Looking at you, Zoo magazine photoshoot)

Bill also makes sure to purchase matching sets for you :)

He might love being the dominant one but he secretly has such a big fefish for you in dominatrix wear. Nothing too exaggerated but you know, latex/leather corset or bodysuit, tall boots, dark makeup, a whip- Anyway back to lingerie sets.

Even if they don’t match his own. He simply enjoys spoiling you and what’s better than something he can dress you up all prettily in to then rip it off your body.

“I bought this and I can buy you another” as he literally rips off your strappy bodysuit.

He’s obsessed with your chest. No matter the size or shape, he loves it so much and spends so much time on it. Licking every inch of skin, kissing your cute nipples before twirling his tongue around them. Will occasionally nib at them if you’re not behaving.

Bonus points if you have nipple piercings. As long as you take care of their hygiene of course!

Give him the same treatment on his nips when you take control while we’re at this.

Bill confessed that his most erogenous zone is his ears so, if you want him to become putty in your hands nib at his earlobes, lick behind his ear and massage them with your hands. ESPECIALLY while you ride him.

Toys, Toys, Toys.

On you, On him

A drawer on his bedside table is dedicated purely to his toy collection. He’s got it all from bullet vibrators, to lovely wands he loves to use on you while he pounds into you, to dildos of every shape and size. Glass toys because he’s fancy. Handcuffs, silk restraints, blindfolds. You get the drill.

And of course, a strap for you.

He is that bf that will drag you to the sex shop with him so you can choose a new (and weird) toy to try out together.

Don’t forget lube because even the messiest of messes needs some oil eventually.

Bill did say that he doesn’t like dirty talk when it’s forced (Loveline radio interview) so he won’t push it. Expect it to be very natural when you’re at it with him. It doesn’t make it any less exciting.

“Good girl/boy, taking me so well. So deep” whimpered in your ear as he thrusts into you.

“My pretty angel, you look so pretty when I fuck you” As he holds your pretty face in place with his slender hands.

SO MUCH PRAISE!

Also, it’s Bill we’re talking about, you never expect what’s about to leave his mouth. Sometimes it can turn into a laughing fit real fast or simply leave you wondering for a minute.

He’s also so communicative! He wants to know what makes you feel good and how you’re feeling at all times.

He does the thing of holding your chin with his hand and rubbing your lips with his thumb. Makes you suck on his fingers sometimes.

Speaking of fingers. His fingering game is so good.

Knows every spot that makes you shiver under his touch. He loves to ravage your spongy walls with his digits.

Sometimes does it because he’s bored. Watching Titanic for the 24th time this year and you want to sleep? Dw, Bill’s got you covered.

Literally covered, he will overstimulate you til you’re dripping.

Unfortunately I can’t see him being into large messes though. Won’t hate it if you’re a squirter or big creamer, but he tries to keep things “under control” lmao. (But it’s sex so no, it’s never under control)

He takes your leg and kisses painfully slowly from your ankle to your inner thighs and continues onto your navel.

Not without teasing you over your underwear.

If you have tattoos he will take his time to trace them over with his fingertips or his nails, even lick over some of them just to see how it gives you goosebumps.

Bill wants to get you as riled up as he possibly can. He loves to see you loose control on him.

Which leaves you an open end to take it out on him.

Remember when I mentioned a strap? If you don’t have a dick of your own, peg this man ffs. GO TO TOWN. He loves it.

It was probably a spontaneous discovery too.

It’s no secret that Bill is into both sexes, he was curious around the idea of pegging but didn’t bring it up til he was very drunk and sharing about his sex life, as he does.

He becomes such a whiny mess, this man WHIMPERS.

PULL HIS HAIR! He does it with yours so, payback.

Really though. When you take control it’s also a way to give him a taste of his own medicine.

Oh my when you ride him?? He loves it so much.

Especially because cowgirl is such a versatile position and has so many sub-versions. AND, it works for any power dynamic. If he’s dominating, he will control your pace by your hips. Gripping on them hard. Boping you up and down, rolling them. He will leave handprints.

But when you’re the one in control, you really go to town on him. Hands on his beautifully tattooed chest for balance, riding him painfully slowly and staring into his hungry gaze.

It’s a crime that I haven’t talked about oral yet. But this post is getting WAAAYYY too long so, I will shamelessly cut it here and start working on a part 2 right away <3

If there’s something to know is that I value quality over quantity, so believe me when I say I work on sequels to my works. I really put time to think of them to make them as detailed as possible ₊˚⊹♡

[essycogany]

Amy Rose’s Quills

Yes, it’s that time again! Where I ramble about character designs and why I adore them so much. In this post, I want to talk about Amy’s quills and why I like the different ways it can be represented in official and none official media.

Just like Amy’s eye color. I’ll also make guesses as to why her overall design changed officially and in canon to make things interesting. Let’s get started!

Long Quills

This style is in Amy’s first design. Being the Minnie to Sonic’s Mickey, she had the same quill style as him. Aside from her bangs. While I do think the quills look cute, it almost makes Amy look like Sonic’s sister. I guess that’s why they changed it later on.

I say this only in comparison to her modern design. The Minnie inspiration is the reason she’s here. I’m only talking about her changing designs and making it less identical to Sonic.

My favorite iteration of her classic look is in Sonic Mania Adventures Christmas special. Just look at the differences. It may not be a HUGE change, but even her nose is slightly smaller. I just love the Mania’s designs in general. They’re awesome! I still do love the OG design too. Classic Amy is so precious.

Look at how Sonic’s quills are messier than Amy’s here. I think it gives them more dimension. Showing how one cares more about grooming themselves than the other. It’s kind of cool and I wish it was integrated in canon more. Not because it’s “important” but it’s a fun idea.

Short Quills

Ever since Sonic Adventure, Amy’s design changed immensely. Even Sonic himself noticed it in Adventure 1. Her outfit, eye color, nose, and quills (besides her iconic bangs) are different. Giving her an older more teenage look. I say this because Amy doesn’t look any older or younger then Sonic.

(Or any other teenage/young adult character for that matter)

They are sometimes even shown to have the same hight at times. Back to the quills, Amy now barely resembles her classic design and definitely looks less like a Minnie Mouse inspired design. Her classic design is still amazing, but I believe the change was a necessary one. The differences between her and Sonic are more apparent and noticeable and I think that’s a good thing.

Mixed

Here’s my own example, but there are many other fantastic fanartist who does something similar with both styles together.

Why do people like this quill style a bunch? I’d say it adds more flavor to her personality. Her having the classic long quills along with the short front dreads could symbolize her adventurous side along with her girly side. It blends the two nicely and overall looks visually interesting. While I will say her shorter quills does differentiate her better, I’ve seen plenty of artist change it up a bit in unique ways. It’s fun to create and see what ideas an artist could have for Amy.

Why Amy’s Quills Were Changed?

I’d say the official reason is because of the things I said before. But the in canon reason could be Amy wanting to look pretty enough for the next time she sees Sonic. Or perhaps she thought to change her appearance simply because she wanted to look cuter. Though I’d say the first answer is the most likely because her love for the blue blur was much more prominent in the past.

Conclusion

Did I use this as an excuse to gush about Amy again? Yep! I regret nothing. I love love LOVE Amy Rose and how interesting her design is in the past and present.

Stay Creative! 💜

[cupcakeslushie]

sorry for nagging you but i wanted to ask if you have some tips on making comics. I’ve trying making many comics but i always lose motivation and can’t seem to get past even the first panel sometimes.

I did make a pretty long post here, with some advice for starting out! But that’s more technical I guess, and it sounds like maybe you’re looking for some motivational advice? So in addition to that post, I’d say…

Don’t look at these panels where you’re stuck as failures. Look at them, instead, as first drafts!! Keep the early planning stages loose, so it doesn’t feel like an arrow to the heart if you have to make changes. Many artists need to see their thoughts collected somewhere before they can refine things and move on to the next stage. Another big thing is learning to be okay with throwing those drafts away when they become more of a roadblock than a step towards that awesome, final version you’ve got knocking around in your head.

I can’t tell you how many times I’ve spent an hour plotting the composition of a panel…or maybe I’ve gotten too focused on the little details of a character’s expression, but the rest of the shot has just….idk died. I’ll copy and paste what I did like, and delete what’s not working or I’ll completely start over, no fuss. Wipe my hands of it and refuse to look at it as a failure. If I drew it once, I can draw it again! Practice isn’t time wasted, it’s time invested into growing! Drawing is drawing!

It’s always good to look back at your work, so you can see your improvement, but only focusing on your unfinished pieces might be doing more harm than good.

And maybe, you don’t have to draw a full 10 page comic from the get go! Try experimenting with shorter form comics! You can tell quite a number of stories in just a few panels! Learning the ins and outs of something new is a lot easier to accomplish when it’s done in smaller increments. That way you can have that feeling of success more often and it’ll motivate you into not giving up!

When I started EW, I was doing parts in like, one or two pages! Because I was still nailing down the comic techniques I wanted to employ. I was gathering brushes and learning how and when to use them! Learning how to create compositions that worked around dialogue bubbles! All the boring parts of comic creating lol. But then, the more comfortable I became with those techniques, the less time they took, and I could really go wild with the creative aspect! Now my updates are much longer!

It’s just a process. But at some point, all the advice and resources in the world can only help so much. You have to be willing to put in the time!

I’d say it’s kinda similar advice they give when you start working out. When you’re first starting, and you try to do more than your body is comfortable with, you’ll be in a lot of pain and won’t want to continue. It’s easy to give up if you’re not seeing results and you feel like you’re wasting your time. But if you start in a reasonable place, and let yourself learn as you go, then you can gain good habits and it’ll get easier!

And only then, when it’s easy, that’s when you challenge yourself! Not when you’re already struggling with just starting! Or it won’t be fun and all of your drive will disappear!

And that’s really what you’re doing this all for, right? For fun!

[cripplecharacters]

Hi! Do you have some ideas in regards to facial differences and fun/cool make-up?

I'm planning to re-design a character, and was planning to give her a port wine stain during the redesign; she's also the type of character who'd really enjoy fun/cool make-up, like stuff that incorporates rhinestones or wild eyeliner shapes. I feel like she might enjoy incorporating her port wine stain into the make-up, but I'm drawing a blank as to how she might do that, and all google gives me is how to cover them, which is the exact opposite of what I and the character want. Are there any resources you could point me to? Or am I missing something that'd make it distasteful to put so much attention on her FD, even positive attention, since I don't have one? (I'll definitely try to have some more characters with FDs who are just, like, neutral about them/don't draw attention to them through make-up like that, but the character in question is one of the main characters so I want her design done before focusing on the more minor characters)

Hi!

I will preface this by saying that I'm a guy with close to zero experience or knowledge about make-up, if I misuse any basic terms or am ignorant about it, I apologize!

The idea of a character incorporating their birthmark into make-up is really fun! I definitely don't think it would be distasteful. I can easily imagine an influencer with a facial difference deciding to do something like this!

Some of the cool things she could do;

She could make it stand out more, rather than less - maybe make the color pop; make it more brightly red (or purple, or any other color hers is)?

Coordinate colors! Matching the color of her birthmark with her lipstick, or eyeshadow, or anything else. Or fun palettes; maybe a sunset gradient that incorporates the port wine stain's color?

Make fun shapes with it! If she has PWS spots, she could maybe turn them into stars, or if the whole thing is visible enough, maybe she could make it into a heart?

Adding rhinestones actually sounds awesome! It probably depends on where on her face it is, but maybe she could frame the stones to go around it, or point towards it?

She can of course wear regular make-up that doesn't put any additional attention to her PWS, there's no issue with that. Just don't make her cover it (but you know that!).

Personally, the rhinestone idea sounds the most exciting to me! There's something high fashion, or maybe even royal-esque about it that characters with facial differences don't really normally get. I would love to see that.

I think that, assuming your character has internet access, the lack of resources is an issue you could bring up in the story. A "why do I have to do everything myself, there's only so many ideas I can think of!" or "no, Unspecified Search Engine, not how to hide it- oh my god, why is it so useless" kind of scenario when she can't find anything new to do when she's out of ideas or hitting the artblock. I've been there when trying to find tutorials on drawing people with facial differences. This is how being a disabled artist kinda is.

all google gives me is how to cover them, which is the exact opposite of what I [...] want

And well, sounds like you got a lick of that facial difference experience ;-) (winky face). Now, imagine if incorporating FDs into art was popular and this wasn't an issue- okay, I probably made this point in too many posts now, but if your body of work ever gets published/popular, it could have an effect on things like this! I love seeing facial differences shown as something to be proud of and not to hide. I also enjoy that you mentioned additional side characters with FD. Thank you!

mod Sasza

[chrome-barkz-aac]

how i go to concerts as an autistic person with speech loss episodes!

PT: how i go to concerts as an autistic person with speech loss episodes

PART ONE: before the concert

plan out everything beforehand, a couple days to a week in advance. this includes where you will park (if you drive) or who you will ride with. if you're of drinking age you also need to plan who in your group is drinking (or doing other drugs) and who is the designated driver (if you aren't taking a taxi/uber/public transport)

wear comfortable clothes that you can move around in / that won't add to your overstimulation. this includes shoes that are good for standing/walking for long periods of time

practice scripts for if you accidentally bump into someone or need to move past someone ("excuse me" "sorry" etc)

if you want to participate in a mosh pit, you may want to bring a friend to hold your AAC device or go low/no tech for the concert. mosh pits can be exciting but i definitely wouldn't bring your ipad or SGD into one! i tend to go to concerts alone so instead of my ipad i brought a boogie board to write on, which is far less breakable

concerts can be loud, so you'll need ear defenders, headphones or earplugs. i like to use silicon ear plugs bc they stay in my ears even when im bouncing around a lot!

if you are going with friends, have a pre-determined signal that lets your group know "i need a break" or "i need to leave"

make sure to charge your devices beforehand. a lot of tickets are virtual these days, so your phone becomes your ticket.

PART TWO: at the concert!

when you get to the venue, you'll likely have to go through security and show your ID and tickets. be ready for this.

when you get inside, you can find your seats (if assigned) or go to the floor (if general admission) IF CROWDS MAKE YOU UNCOMFORTABLE you should hang out in the back of general admission. this gives you more space to move around and breathe. if you don't mind getting close to people, being close to the stage can be awesome! but i definitely recommend earplugs bc its really loud near the stage

just because everyone else is doing something doesn't mean you also have to do it! if everyone else has their phone/lighter out and is waving it and you don't want to, you don't have to! this goes for many other things as well. if everyone else is drinking, or doing drugs (weed is pretty common at the concerts i go to) you don't have to! if everyone else is screaming or shouting the words, you don't have to!

just because the singer onstage tells the crowd to jump, or get down, or wave your hands or any number of other things doesn't mean you have to! you can do what you're comfortable with. after all, you're at the concert to have a good time, so you should do what makes you feel the best.

you don't have to sing along if you can't speak! you can say as much or as little as you want. instead of yelling you can clap, instead of shouting the lyrics you can hum, etc.

concerts are great to get some full body stimming in! you can rock, sway, stomp or flap your hands to the beat. you can even jump up and down! you do need to be mindful of other people though - people tend to flock close together on the floor or in the pit and if you bounce around enough, you might run into someone! that's totally ok, it happens, just apologize and move on!

if you're moving around a lot, you need to be mindful of how your body feels throughout the concert. are you overheated? are you sweating? do you need water or to sit down?

its ok to leave at any point in the concert, even in the middle of a set or a song! your well being is the most important thing and its important to pay attention to what your body needs. its not a good idea to "push through" just to see your favorite artists. seeing 50% of a concert is better than seeing 0% of a concert or seeing 80% of a concert and having to leave suddenly because you have a meltdown

ultimately, do whatever you want as long as you're not causing harm to other people or yourself

do not try to make friends with the security guards. they dont really like that. i don't totally understand why but i get the impression that it is because they are working and have to keep a close eye on the crowd, and talking to them can distract them from their job.

PART THREE: after the concert!

concerts are a huge ordeal for anyone, not just disabled folks. that being said, it definitely takes a bigger toll on you when you are disabled and need extra support to recover from overstimulating environments. be gentle with yourself after the concert and give yourself grace if you are extra tired or having a hard time with things that are usually easy for you in the hours or days after the concert

as soon as you get home, have a snack and a drink of water (or juice/electrolyte drink). singing along and jumping / dancing can make you dehydrated. even if you don't feel hungry or thirsty you should have something to eat and drink. you may be riding a high of being excited or happy to hear your favorite music and not be able to discern what your body is telling you.

get lots of rest when you get home. try to sleep in the next day if you can. your body will probably be tired.

if you're feeling tired or irritable after the concert because of the emotional exhaustion you might feel, try to put on a relaxing video or do something that regulates you.

thats all i can think of ! if ne of yall have ne other ideas for how to manage concerts as an autistic person drop them in the comments or reblogs!

[adverbally]

Scarred for Life

Written for the @steddie-spooktober day fourteen prompt “bats” | wc: 724 | rated: T | cw: canon-typical violence and trauma | tags: established relationship, Eddie’s tattoos, coping with trauma | title from the song by Rose Tattoo

———

Steve delicately traces his fingertips along the lines of Eddie’s tattoo.

It’s a lazy Sunday where neither of them has anywhere to be. They’ve dozed through most of the morning, cat naps interrupted by gentle touches that never seem to escalate. It’s easy to rest in the cozy space they’ve created together, warm and held and cocooned together in Steve’s bed.

With his head pillowed on Eddie’s shoulder, Steve can’t help but get distracted by the ink decorating his body. He’s never been a particular fan of tattoos, but they suit Eddie– dark on his pale skin, macabre but artistic, spindly lines and patchy shading speaking to their amateur application but still making a statement. There’s just one that Steve hasn’t grown fond of.

The cluster of bats on Eddie’s forearm is no less aesthetically pleasing than any of his other tattoos, but Steve finds he can’t look at it for long. One bat might have been okay, even a couple. But six? Six is far too many. Six suggests even more bats not far behind, swirling in a screeching cloud, swooping in to attack, to bite, swarming Eddie while Steve screams his throat raw– 

“You okay?” Eddie murmurs. Half-asleep, his fingers absently rake through Steve’s hair. His other arm rests with his palm on his chest, putting his forearm neatly within Steve’s line of sight. He can’t help but touch even though the bats repulse him.

“How can you stand to look at them?” Steve asks after a moment.

Eddie blinks his eyes open in concern. He frowns, processing the question now that he’s fully awake. “The bats?”

“Yeah.” Even though it’s just the two of them and Steve knows Eddie would never make fun of him for this, his voice is still small and embarrassed. 

“I, um.” Eddie adjusts his position, shifting down so he and Steve are face to face. “I couldn’t, at first. I would wake up from a nightmare and I would see it and…” He shakes his head. “It was like I couldn’t escape them. I was already stuck with the scars they gave me, so the tattoo was just one more reminder of what happened.”

Steve’s voice is still a little croaky from sleep when he asks, “But they don’t bother you now?”

“Not really. The scars do, sometimes, when they itch or get sore, but the tattoo has been healed for ages. Since I don’t feel it, I don’t notice it as much, and it feels more like a part of me. Like it was supposed to be here, you know?” Eddie settles a hand on Steve’s hip. “I think it means something different now, after everything. I’m here, and the demobats aren’t. So I guess it kind of became a sign that I survived. I won.” 

It shifts Steve’s world on its axis, hearing that. They did win. The demobats disappeared when they defeated Vecna. But more importantly, Eddie is here in bed with him right now instead of rotting away in Hawkins’ cemetery. Steve is here with the man he loves instead of laying dead on the dry lakebed in the Upside Down. If Steve thinks of Eddie’s tattoo as a symbol of that success, rather than as a threat, those six bats don’t seem so sinister. 

He doesn’t say anything remotely as coherent as that, just a thoughtful, “Oh.”

“Yeah. Takes some practice to switch your perspective like that, but I think it’s worth it to be able to look at my own arm without having a panic attack,” Eddie says lightly, though Steve hears the truth beneath those words. 

He cranes his neck to kiss Eddie in a sleepy, uncoordinated collision of lips. “You’re incredible,” he tells him, mostly to watch the blush that stains his cheeks.

“You’re not bad yourself,” Eddie murmurs. He pauses for a moment before he decides, “I think our mutual awesomeness deserves some pancakes for breakfast, hm?” and vaults out of bed to grab his boxers off the bedroom floor on his way to the kitchen.

“As long as you’re cooking them, sure,” Steve agrees easily, already stretching in preparation to get out of bed. 

Eddie’s laugh echoes back to Steve from down the hallway. Such a simple pleasure he almost didn’t get to experience.

Maybe Steve will get a bat tattoo of his own one day.

[wasyago]

Hi yago! I read your tags! And I just wanted to take a moment to say: it is good that you're drawing things you both like and don't like! I know it's a bit discouraging, especially when you want to make weirder or more cartoony things, but part of building your art style is finding out what you dislike, just as much as finding out what you do like.

I love seeing your experiments. I love seeing how other artists think, and grapple with shapes and expressions and points of view. I realized recently I don't sketch very often? I don't draw a lot just for the sake of playing around. I normally draw as a means to a larger piece, and watching your sketches always makes me want to try to sketch more often myself.

Goodness, this turned into a ramble. Whoops.

In short: I'm sorry you're struggling with your art style! But I love seeing your thoughts, and I think your thoughts are stepping stones to something greater. I hope you continue having fun experimenting, and playing around with your art.

Stay awesome Yago 💜

AUGH THANK YOU 🥺

and i very much agree with everything you said. it's not a bad thing if you like some drawings less than the other, every one of them still helps to move you forward in way. even though it sucks when a drawing is not as cool as you hoped it would be x) we learn from our mistakes and stuff! not that a bad drawing is a mistake, but you know what i mean. every experience is a learning opportunity! sometimes it just takes a bit of time to realize that you're moving in a different direction. and it takes time to change course as well.

i dont think it's bad that im drawing things more "realistically" or at least with more uhm, normal proportions idk. generally it's a norm for artists to have many different styles they can switch between, and both realistic and cartoony styles are part of me and my skill pool. i just sometimes forget that i can do more than one thing and get hang up on stuff, and it feels like im trapped in one style even though I really am not.

about the sketches actually! yknow i noticed some time ago that i developed a habit of coloring every sketch i do? and it's not a bad thing, but it's certainly odd, and it used to upset me if i couldn't color something, it felt unfinished and not good enough. and I've been slowly trying to break out of this habit and sketch more and try to... loosen up? i guess? maybe to lower my standards or expectations for myself, something like that. it's very hard still but i can say im definitely enjoying drawing a lot more right now!

and im really happy that my sketches make you want to sketch too, i definitely know the feeling of seeing a drawing and just wanting to draw something yourself, so its very flattering :3

we should hang out in magma or something like that some time, just to sketch together! ive seen a lot of artists organizing those but they're always in the middle of the night for me hdhjdhs

thanks for the message Silver, you're super cool >:D

[hongluboobs]

tumblr user hong lu boobs have you played any of the new canto yet im very interested in your thoughts

Yes I do!!! I don't want to make a big post on Some Of The Stuff til the whole canto is up (if you are aware of this account and some of my recent postings it may become aware of what i am talking about) but ohhghghgh. This shit Re Awakened the naive cyanism in me!! I thought it was gone. I thought I was over Hong Lu! I haven't even been doing my dailies and weeklies as of late that's how out of it i've been. but NOPE!! We are sooooo limback babey!!

(i apologize for yapping about hong lu right off the bat. its not that guy's turn yet. it's don's world and we are all just living it, but with the way don's character is structured my brain goes more towards a "wait and see" approach for her. I know it'll be awesome and i Am invested but like. this is hong lu boobs dot tumblr dot com. I'm sorry women)

I'll put some basic stuff above the cut and then some more spoiler-y stuff below.

HUGE fan of the presentation this canto. PJM continues to get crazier with this stuff every canto and this is no exception.

In the light of that previous bullet, I am fully expecting some meta fuckery here. They've pulled some cool stuff at the ends of cantos 5 and 6 but. this is the sinner about delusion/unreality! I Live In Fear of whatever pm is cooking.

The setting is also REALLY fun. whenever I saw a new battle bg i was cheering and clapping. they're all so fun and whimsical and there's so much potential for interesting things

I really like seeing how people dress in the north of the city! We've had so many new factions/branches of factions thrown at us so far and I love a lot of the outfits! Will this still hold true when I try to draw them and get upset at the level of detail after drawing standard formalwear on pm characters for so long? Maybe!

The CGs have been really clean so far? As an artist I get worried about this stuff sometimes because it's a lot of work to get done but all the ones I've seen so far are really nice :)

If you aren't reading passives and status effects this canto. do that. my brain might be a little too small atm to comprehend some of the gimmicks w the main enemy type but some of the wording in the enemies passives may be hinting at things. Also some of them are really funny

this Might be my favorite direction they've taken the OST? Honestly it's so hard to pick because this ost NEVER misses but I've been typing this whole thing to that one boss's theme (you know the one)

If you've played through the first part of the canto, feel free to click through the read more for some of my thoughts that delve more into spoiler territory

I am so intimidated anytime the screen goes black and I have to deal with various colored text and Scary Voiceover. I cannot say much on it aside from just how scared i get whenever it happens. I'm pretty bad at identifying voices (especially if i don't understand the language) but these lines just get. so interesting

Here they are all together for my convenience (and potentially yours :) )

I don't have a ton to say on it especially because anything I say can be proven wrong Very Quickly and I am not a don quixote scholar but I think the "Please, please! I don't want an adventure, stop! Please!" line from (who i assume to me) second kindred don is VERY interesting. much to think about regardless!

UPDATE: while I was writing this my buddy lu-is-not-ok (follow him. if you like what I do you'll like what he does.) sent me this image.

Yep, we've got identity stuff going on. Yellow seems to be Our Don Quixote (It's her text color, at least, but back then she'd be the bloodfiend second kindred, hence being able to obliterate that bear immediately, and acting less in line with the DQ we know and love) while red is... maybe the original don quixote? The original owner of rocinate at least,("Your running shoes look like they could fetch a nice price...") who seems obsessed with justice and fixers like ours. I haven't read the book so I don't feel like I can add a ton more to this aside from flat speculation but I am very interested in how this develops.

Ok now I want to talk about Hong Lu stuff. Let's ignore the elephant in the room for just a second :)

I'm a big fan of the exchange between Dante, Verg, and Hong Lu. THERE IS SO MUCH CONCERNING FORESHADOWING IN HERE!!!!! OH MY GOG. I can't handle it.

the specific wording of "the most lucid one" is SO interesting to me. fully expecting these cantos to be a True Combo. I was already anticipating it because they both have so much to do with rules and the boundary of reality and delusion but with the familial hierarchy theme present in bloodfiends its Definitely happening. And the light in Hong Lu's left eye going dimmer??? with the water theming being used??? Gloom/sinking themed distortion Please Please Please. you're nothing. Theres some water connections from the book irt the land of illusion (near the end bao-yu's enlightenment is seen as realizing that everything is akin to moonlight mirrored in the water- it ultimately doesn't matter and everything predestined to happen will occur regardless) and this water theming is present in Hong Lu as well (base ego) but it's really interesting to see it Like This.\

And now. there's probably some other stuff I can talk about but I wanna say things about The Elephant In The Room. If you follow my stuff and are caught up on this canto you know what I'm talking about.

I have been compiling a diagram with every mention of Hong Lu's family across all his dialogue. (which you can see here if interested, though it's now outdated for obvious reasons) We only really get vague mentions, the only direct family appearance is Jia Huan, who shows up to say one line and then fucks off.

I was not expecting to get stuff on Hong Lu This Early. They've been giving us mostly crumbs and I was NOT expecting to get hit by All This. I have been surviving on scraps and I just had the Hong Lu lore equivalent of a rotisserie chicken thrown to me. I'm kind of rusty on DOTRC because I haven't touched up on it in a while and as such I cannot give too many details but it's very interesting to see Xichun.

I'm going to check up on Xichun's characterization in the source later because there's so many characters in that book and she wasn't really one I had that close an eye on during my read. From what I remember, she's one of Bao-yu's cousins who lives in the garden with him, and eventually runs away to become a nun when the family starts falling into decline. (mirroring Bao-yu running away to become a monk for the same reasons.) I'm probably missing stuff I'll catch when I go out to reread the book, but based on how she's depicted here it gives me more of an idea about what themes of dotrc they're pushing for canto 8.

They're for sure emphasizing the familial abuse and how fucked up the jia family is. It almost reads like all of the siblings are in competition with each other (building "factions"). and Hong Lu has said his siblings have attempted to kill him before.

Hong Lu has been like this, which lines up with his book equivalent of Bao-yu, who is notorious for being childish/naive and not necessarily working within the pre established rules and conventions set up by his family. I'm curious how he's managed to survive this long with the jias a lot more willing to Kill Eachother.

"My most amicable sibling" fucks me up so much. what the hell is this family's deal man. I'm really curious about this line, because xichun is not a sibling but a cousin in the book. I'm curious what's gonna happen with Bao-chai and Dai-yu in Limbus because it's very challenging to adapt this story without those two. Dai-yu in Dotrc is one of the characters Bao-yu feels most comfortable being himself around. Generally, the female characters in DOTRC are better people than the male ones, and Bao-yu spends most of his time with the girls as a result. I'm curious how/if they'll adapt this because it's a pretty big thing in the book and they serve as an escape for Bao-yu from dealing with the nightmare that is people like his father. I feel if it was happening, they'd probably write Xichun a little kinder, but I don't know nearly enough to make any sort of call yet. Absolutely TERRIFIED (positive. this is a good thing) for what PM is cooking.

I'm gonna have to cut this off here because i have A Lot of thoughts but i also have many assignments to finish and have been typing this for way too long! Thank you for asking the question anon I hope you enjoyed reading some of my thoughts :) !!