#so long as you respect Her ways

[welcometowindswallow]

Welcome to WindSwallow Manor

WindSwallow Estate and her grounds welcome you, Visitor. There are simple rules to follow; respect the staff, be on time to breakfast and dinner, make haste from the screams in the trees, and enjoy the koi pond.

This blog will be the dumping ground for conceptualization and ideas for a project called WindSwallow Manor, done mostly as practice for worldbuiliding and story writing. Anything put here is subject to be changed, moved, or dropped later. This is now the end of the first post in an archive of a project to be.

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[maingh0st]

The hate Taryn gets is way too exaggerated and disproportionate. It’s just straight up misogyny at this point, in my opinion. The fandom needs to get over it.

I could literally write a treatise about Taryn-hate at this point lmao. I’m going to share some thoughts (this actually got quite long), but I want to include a big ole disclaimer: at the end of the day, everybody gets to engage in fandom in the ways they want. everyone is free to love or hate whichever characters they want, for the reasons that feel valid and real to them. that being said, the treatment of Taryn specifically is really troubling and bizarre to me. 

I think it’s worth pointing out that when we say Taryn-hate seems misogynistic, that means a lot more than just “people who hate Taryn hate her because she’s a girl.” in my opinion, fandom misogyny toward her often gets couched in broader terms. some examples of what I mean by this are:

(1) Taryn does things that are bad and I don’t like that - uhhhh okay. everybody in these books does shitty things, so let’s think about why specifically the actions of Taryn (a 17-18 year old girl being manipulated by multiple men in her life) fall into the category of unredeemable for you. the reason we might point to this being misogynistic is because it’s a double standard that doesn’t apply to other characters—we’re willing to forgive Cardan his cruelty, or centuries-old Madoc for the trauma he's inflicted and his ongoing need for bloodshed, but Taryn is just a stupid, evil girl for trying to secure her place in Elfhame through the levers of power that are available to her. she can never be forgiven nor redeemed no matter how loyal she is to Jude moving forward. why is that? what sin of hers are so particularly evil to warrant this response? and we have to answer these questions in the context of Elfhame & its moral code, not in the context of our own world.

(2) I could never see myself acting in the way Taryn does and therefore I don’t like her - okay? I can never see myself acting like Madoc, or even like Vivi (don’t get me started on Vivi & the fact that she gets passes Taryn never does), but that doesn’t mean I can’t have empathy for them. I understand that we experience the books through Jude’s perspective, so we’re automatically more prone to rooting for her—and to be clear, I love Jude! but fiction challenges us to experience the world through other perspectives, and it’s my opinion that Taryn acts in a way that is completely consistent and understandable with her experience of Elfhame. “I’m not like you,” she tells Jude. “I want to belong here. Defying them makes everything worse. You never asked me before you went against Prince Cardan—you didn’t care what it brought down on either of our heads.” 

while Jude’s defiance is held up as girlboss behavior (by me, too! I love a “get worse” arc), Taryn’s more traditionally feminine approach to finding her place in Elfhame is reviled (@slightlyrebelliouswriter23 has a great post on the fawn response to trauma & on passivity). more on this point below. 

(3) Taryn isn’t a “girl’s girl” - I am begging fandom to think critically about why Taryn betrays Jude & what that says not just about Elfhame, but about our world. these girls live in a world that affords them little power and agency. we meet them on the cusp of adulthood, and they’re both hyper-aware that they need to secure their place in Elfhame. Jude refers to knighthood as “earning” her place and is uninterested in marriage, but Taryn seems aware that she’s more likely to secure her place through the latter option (and also expresses the fear that Jude is going to leave her behind). it’s an oversimplification, but a useful one for the sake of this conversation, to point out that Jude chooses a more traditionally masculine approach, while Taryn chooses a more traditionally feminine one.

the tragedy is that this world—and particularly the men in their lives—pit them against one another. Locke offers Taryn the thing she wants most, requires a vow of her secrecy, and then begins flirting with Jude (and that's not even to mention him being a gancanagh!). at a point in her story where Madoc and Oriana are the only family who are still around for Taryn, Madoc capitalizes on Taryn’s ignorance (and also her awareness that she's never been the favorite daughter) & uses her to betray Jude. I almost never see these complexities brought up in conversations about Taryn, which is just gross to me, and echoes the ways that patriarchal power structures pit women against each other in the real world. 

I’ve seen people argue that while Jude’s approach is also flawed, she at least doesn’t betray Taryn. and like… kind of? she certainly doesn’t betray Taryn as directly as Taryn betrays her—but some of that just strikes me as dumb luck. consider what might’ve happened if Dain hadn’t died at the end of book one. what lengths might he have asked Jude to go to in order to prove her loyalty to him? or if we rewind even further—it’s honestly just dumb luck that someone didn’t harm or kill Taryn (Valerian, for example, could've chosen the wrong window). Jude’s antagonism of Cardan & his friends had a direct effect on Taryn’s life, and even though Taryn begged her to stop, she bullheadedly charged on. the difference is that Jude’s risky decisions ultimately work out for her, while Taryn has to face the consequences of hers not panning out the way she wanted them to. 

this isn't exhaustive, and there’s so much more I could say, but this is already so long. so in conclusion, the reason all this matters to me personally is twofold: 

at its best, fiction teaches us empathy. part of why I love tfota is because it takes characters & dynamics that are really messy & helps you, the reader, understand where everyone is coming from & why. the fact that we love Madoc is a testament to fiction’s ability to do this. so why is a teenage girl treated like the true villain of this story? what about her makes us incapable of empathy? why, in the mind of the fandom, is she not allowed forgiveness (or even just a chance at redemption) for the harm she's caused, while other characters are? I see people stanning Nicasia, who actively tortured Jude (over a boy, no less!!) ffs

fandom misogyny reflects our world. why are people eager to forgive toxic male love interests, yet hold the bar impossibly high for girls? why is there such a narrow set of choices & behaviors that we consider acceptable for female characters? Holly wrote a story about two young women carving out places for themselves in a world hostile to them, hurting each other in the process, and ultimately deciding to forgive, love, and root for one another—and fandom has taken that complex narrative and pitted them against one another, upholding one as the girlboss who can do no wrong while treating the other as scum. misogyny thrives on women treating each other like the problem, so if this is our attitude toward a fictional story where we’re afforded direct looks into characters’ thoughts, how much worse are we going to be in the real world, faced with real, imperfect women?

anyways, in conclusion: you're entitled to dislike taryn, but if you feel such vitriol toward her that you're literally making hate posts (or commenting under fanart of her!! holy shit), I invite you to interrogate where that hate actually comes from. fin.

[tethys-the-aquatic-sea-godness]

The worst thing is, Viconia would've fit perfectly in Shadowheart's storyline. From Viconia's (non-romanced) epilogue, we know this:

Viconia does found a cult of Shar in Waterdeep and she is betrayed by one of her followers. She is, not Shar. Shar, in fact, admonishes Viconia for this, showing she clearly never ordered that. And Viconia does not give a damn. This is the woman who left the cult of Lolth and went to the 'lighter' option that was Shar (compared to Lolth). She already deals with agents sent by Lolth, she's not going to let Shar tell her what to do.

The nature of the betrayal Viconia was the subject of is left entirely up to the player. With Viconia and Shadowheart's backstory being what they are, Shar's plot for a Selûnite child could've been perfectly inserted as the reason for Viconia's falling out with Shar.

Viconia left Lolth because of how children were treated, how she was treated herself. She did not turn to Shar to do the same thing. She would reject Shar's plot the moment the order came, and that would be the perfect trigger for one of her follower to turn of her. Shar's cult being what it is, I don't think taking down the whole lot is overkill to avoid further backstabbing. There aren't many who will pick their priestress over their goddess, especially not with how Sharran's faith emphasizes self-effacing. Can't make a decision for yourself when you don't think for yourself.

Shar's reprimends following what Viconia did further proves this wasn't what the goddess wanted. Complete that by adding she's incensed Viconia rejected her order and slaughtered her willing clerics, and you've got the perfect connection between Viconia and Shadowheart.

In BG 3, we could've met Viconia in Baldur's Gate, rather annoyed because she's been getting an influx of Sharran agents after her, and she's tracking the source to put an end to it. A Shar-aligned Shadowheart could've the mission to purge the cloister that failed to kill her, while a Selûne-aligned Shadowheart would work with her to put and end to the cloister, to give them both some peace and quiet.

Epilogue could've them both sharing tips on 'How to best kill an agent of faith sent after you'. They both have sharp tongues and a similar past, they could've had fantastic banter.

Instead we have this mess.

[applesandbannas747]

Here’s the thing. We can assume that Williams knew about the one-reserve rule from the start, and yet she took on two reserves, knowing one would be cut. It's clear from her interactions with Nick and the way she talks about him that she's betting on him, but she kept Eugene as a safety net just in case Nick couldn't improve fast enough. She's using her students as pawns to win against her old rival rather than seeing them as people she's supporting in achieving great things.

The way she approached cutting Eugene was so insensitive and shitty that it feels fucking malicious. She chose to publically cut him from the team, and to make it worse, she started it off by saying she needed the best on the team, then immediately gave the slot to Nick. That is simply an unnecessary prelude--there is no reason she needed to 'justify' her choice by outright telling Eugene he's not good enough.

Yes, Nick fenced better at camp, and yes, Williams is justified in her decision. What she's not justified in is stringing Eugene along when she knew from the start he was deadweight only to publically kick him off the team right before they actually start the season. Her treatment of him was callous and--hopefully unintentionally--cruel.

[whatudottu]

Regarding your cerebrocrustacean headcanons mentioned in the previous ask: they very well could be somewhat canon given how, when asked if Albedo and Dr. Psychobos would be willing to work together, Derrick J. Wyatt responded with "Psychobos seems like a total team up slut, he'll team up with any villain any time" (his words, not mine).

Which he likely meant in the sense of "Psychobos is so power-hungry he'll team up with anyone in order to get ahead", but with your headcanons and the fact he never talks much about his personal life in mind, you could alternatively interpret it as "Psychobos is so desperately lonely he'll accept anyone he has even the slightest similarity with into his clique, even members of a species he's violently xenophobic towards" (probably to cope with/serve as a rebound for his mancrush Azmuth friendzoning him /lh /hj).

Now all of this is making me realize that it was a massive missed opportunity in Omniverse to not have Psychobos' demeanor do a complete 180 around the people he works with compared to everyone else (whether sincere or a thinly-veiled manipulation tactic) if not solely for a few jokes. Especially him acting like an affectionate father figure towards Malware (whether he likes it or not) solely so he can rub it in Azmuth's face that "I'm a FAR more attentive and caring parental figure towards your creation than YOU ever were, and I use the term loosely".

WHAT DO YOU MEAN DJW SAID 'TEAM UP SLUT' HAHAH WHAT!? dear god it's true it's on the wiki what the fuck what the fuck assdfjhghsdlfkgfkl-!

I mean, look at his already canon group; Khyber, allegedly the greatest huntsman in the galaxy, teaming up with Dr Psychobos to make a little watch that can sample (specifically predatory) animals; and Malware, a technology absorbing mutant mechamorph, working with the cybernetically enhanced (also listed as a mutant???) cerebrocrustacean in order to make said watch- if liking the concept of animals and incorporating machines as part of oneself is enough to get into Dr Psychobos' clique well, he's certainly stretched what that means far enough to at least snag two others into his initial team up. Same can't be said for Attea and the incurseans which seems to be more of a sponsor type relationship, and Maltruant commissioned him to repair his body but violated the trade agreement so whether or not Psychobos would do business with the incurseans again, he's already squarely sequestered Maltruant in the outest of out-groups :P

Hah, the 'Dr Psychobos adopting Malware specifically to stick it to Azmuth' bit reminded me of a signing-the-adoption-papers version of the 'I throw my used car batteries in the ocean' thing- something along the lines of; [psychobos voice] "You are the most calamitous individual I have had the pleasure of meeting, and I use the term loosely." [malware voice, threateningly] "I have devoured and absorbed the specs of the Omnitrix." [psychobos signing adoption papers] [malware, experiencing the affects of cerebrocrustacean in-grouping and having no frame of reference on how to deal with it] "What the fuck is happening-"

[ciderjacks]

The JD vs Amber Heard stuff was actually insane. I didn't keep up with it because I disagreed with the sheer principle of publicizing something like *that* but the misogyny was MASK OFF...

NO LIKE FRL IT WAS SO INSANE

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[pardonmydelays]

god i love sundays

[faaun]

i feel rly sad and conflicted abt one of my best friends on earth but idk who to ask for advice bc i usually would have consulted her in this situation lmao

[captainuranium543]

My favorite genre of fan media is when a creator has an obvious favorite and invests all their time and energy into them to the point you can watch their improvment as an artist/writer through media based on that character alone.

There's a level of love to that I find wonderful, like clearly this character hit you the way nothing ever has. Whether you're a friend or a stranger, whether I like the character or not, it will always be a joy to see you happy.

keep doing what you do fr

[thyfggfy]

Me after creating a mental list of my favourite characters from certain medias :.... I may have a type

Female characters that constantly have to prove themselves cuz no one believes in them and there is always someone who surpasses them get behind me.