#so just make it a darker movie??
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laying in bed thinking
#one gripe i still have with the little shop movie is the dentist.#just him in general but especially his death#its very quick compared to that intense musical number#the musical number conveys that slow descent into death via asphyxiation#and makes you think how seymour couldve shot him in the head and been done#but he didnt want the blame. so instead he let him have a really cruel death instead#just sat and watched. and that tension and death is so amazingly conveyed in the musical#and in the movie he just falls over and they exchange a couple sentences instead#and i get the tone of the movie was lighter but jesus fucking christ#the plot is still crazy and everything is still there#its just so downplayed its such a missed opportunity#especially since they were originally going for that bleak ending that doesnt follow the rest of the movies tone#so just make it a darker movie??#im sorry guys its been on my mind
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Day 44!! Movie Outfits!!
#papr daily#mafukasa#the movie outfits are so good and no one can convince me otherwise#I understand most people don't like the outfits because they're so simple in comparison to the usual fits we see in-game for events#but I NEED people to understand that. This movie likely does NOT have the budget to animate outfits with the amount of detail people want#for the movie they have to redraw the outfit OVER and OVER again it makes sense for the outfits to be so streamlined#which is why I'm so surprised they let Rui (and only Rui) get away with have all the patterns he does#me personally I think it'd have been better for them to pick either the stripes or the diamonds and ditch the other but then again it is Ru#who is he without his asymmetry and diamonds#anywasy!!!!!!!#I was gonna draw more Mafukasa swap but I was drawing a blank on ideas#HOWEVER!!! I've been looking for songs today and currently thinking of possibly#Yoru no Uta by Kikuo for Mafuyu/Wondershow and To Live by Atsu Mizuno for Tsukasa/Niigo#I like how they both match the vibes of the originals (Yoru no Uta having less “understandable” more fantastical lyrics like Sekai wa Mada#and To Live being a really personal song) BUT at the same time they contrast the songs a bit? (Yoru no Uta is much more obvious about its#darker tone and lyrics relating more to giving up than perservering and To Live is about continuing to live despite the pain instead of. yk#I also like the idea of Mafuyu's song putting more focus on her while Tsukasa's puts more focus on the others? That reflects them kinda?#but like I said these are just possibilities#though I don't think I'll be doing much with the au after this because I'm still brainrotting over the gm au that I'll make the post about#soon I prommy#Let me just finish film concert state testing audition prom AP testing concert where everyone cries and finals first and then I will >:3#but anyways gn chat!!!!!!!!!!!! :D#eyestrain#bright colors#<-?
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seeing the scarlet witch comics made me wonder what do you think of wandavision / mcu wanda
i have legitimately like. no conscious memory i watched a movie with her in it but i did because i watched age of ultron nearly a decade ago with my bro and multiverse of madness within the last like. five years With My Bro so now what ...
#snap chats#i think the funniest part is that my sister- who isnt into comics in the slightest- wanted to watch wandavision with me#i dont even know if she actually watched it she didnt mention it again after that day#i wasnt even super into comics again at that time i think my bro and i just watched doctor strange and she mentioned it#i think she was trying to do that thing where she watched all the mcu movies and stuff in the 'right' order idk#its actually funny how we... never talk about the mcu ..... she had like a Very Apparent interest in it but ... huh#lol. anyways.#i legitimately have no memory of what she does in either of those movies. like i know shes 'the big bad' in doctor strange#but im trying so hard to remember what happens. in ultron i know pietro dies my sister was Vile for reminding me of that 💀#im p sure in doctor strange she was trying to keep her kids or somethin to that degree ... i dont remember forgive me ..#maybe if its somehow brought up in convo will like. watch wandavision or even ds again with my sis LOL#tbf tho i actually heard- when it was first coming out- that wandavision was actually like. good?#they changed the ending as people pieced things together which sucked tho but anyway ....#her skin in rivals makes me pissed tho. if thats anything of note. why are you white#like ik wanda hasnt always been portrayed with dark hair and darker skin but her base is in the game ..#also the blonde is taking me out elizabeth olsen is more like ...ginger no .. not blonde at least...#insane work really ....
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Belle (2023) 🌹
#belle 2023#max gold#iceland#listen i just want to talk abt this for a second#i watched belle recently and yes it is a take on beauty and the beast#and yes it had so much more potential than it delivered BUT#im not mad at it at all?#i enjoyed it and it the scenery? stab my through the heart with that beautiful landscape#also it just feels like a quiet movie if that makes sense?#its got this like subtle quality to it and idk how to explain it#i wanted more and things could have been MORE but im sitting here making a post about it bc i cant find anything else on here about it#its classified as horror and im not 100% torn on that label for it but i get why they did that#anyway if you want a slightly darker/grittier take on the story then maybe give this one a shot?#and really its just so pretty to look at#and there are no fix it type fics to make it the more i want but thats okay i am okay#movies
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Personally I think if you make an edit that involves lightening a non-white character's skin then your computer should just blow up on the spot but that's just me
#like i understand lightening everything up because modern movies and shows are impossible to see#but you know what i mean#like we only have two darker skin black girls in this franchise leave them alone#and you think chloe can't get anymore pale? you'd be surprised#just stop omggg it makes it so hard to find good pictures of people
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they’re making that wuthering heights movie to hurt me personally
#raii talks a lot#SHUT UPPPPPPP GODDDD. Oh it looks so bad it looks SO BAD. how dare you do this to my sixth or seventh favorite book#in what world does an 18 year old girl from the 1840s look like a woman in her 30s I’m going to screammmm#also insane that heathcliff is white while linton is not . Can anyone hear me. That was a pretty significant part of the book hello#yeah no this books “other” character is described as darker consistently and serves as a constant opposite in race and class#from the linton family with their pale skin and light eyes and blond hair#but I’m sure that held no significance or anything I’m sure it was just random embellishments#THE WEDDING DRESS IS AWFUL IM GONNA BE SICK STOP MAKING MOVIES ABOUT THIS BOOK THEYRE ALL TERRIBLE#to each their own people talking about how they could do this or that to make a good adaption but to me?#in my eyes? just read the book feverishly four or five times and that’s better than the line of actors who have like. lip filler#where am i not on the moors surely no we’re in some kind of other place
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I'm gonna have to work on my final project non stop for like a month straight bc I procrastinated on it too much fuck my stupid baka life
#.txt#also I have to do a movie pitch for it bitch it's an amv with intentionally one dimensional characters 😭 tf do I even say about it#at least the characters are like. knockoff jaime and tommen so its almost like im drawing asoiaf fanart#unfortunately I've come to hate them. the knockoffs I mean#I wanna change the designs a bit so they dont resemble my blorbos as much. i think im gonna give the kid darker hair#ok well discount jaime just looks like him with 2 hands and a blue cape 💀and I cant change him atp#my worst mistake was giving him like. a solid metal skirt armor thing bc its a pain in the ass to animate#at the start of the year I had the most work done out of everyone how did this happen#its bc they started nitpicking the story and I kinda lost motivation to work on it lke this shit is stupid. and cringe#by they I mean the extra screenwriting teachers we had a couple lessons with which like. this is an animation course not a writing course#I'd get it if it was like. a full time school but we have 2 3 hour classes a week we dont have time for this shit man#ig my mistake was that my idea didn't start from the story it started from the song I wanted to make a cool music video for it#its not that the story is nonsensical or anything its just a very basic fairytale esque thing nothing groundbreaking#'but you're not SAYING anything with this' I'm not trying to omg just let me make my little amv :(#does everything need a plot twist or to subvert expectations is it not enough that it looks cool#there's a couple people who are worse off than me in terms of how much they've done but also theres a couple that are nearly done#looking at them like god I wish that were me.....#and also I think I accidentally overwrote a shot I worked on for 3 hours. killing myself#maybe I can restore a previous version but its on the school computer and the school is closed for a week so im not gonna know until then
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WOULD YOU GUYS LIKE TO SEE MY FUGLY UGLY ASS ALLEGORY OF THE CAVE X FAHRENHEIT 451 CROSSOVER DRAWING THAT I WAS FORCED TO DO FOR SCHOOL….. ITS SO UGLY AND MONTAG IS
WHITE.
AND THE HOUNDS ARE DISGUSTING THE COLORING IS SO SHITTY AND MILDRED …. Well ok she looks alright kindof but the COLORING ….. SKETCH WAS BETTER but do you guys. Do you still want to see it…….,,,,,,
ALSO NO OFFENSE TO WHITE PEOPLE PLEASE I LOVE YOU GUYS 🫶😁👍 within reason
#like ok maybe it isn’t. THAT bad#NO NO I TAKE THAT BACK I JUST LOOKED AT IT RIGHT NOW AND THE COMPOSITION IS ALL FUCKING VOER THE PLACE#IT. IT IS. THAT BAD#IF YOU GUYS SAY YESS YOULL SEE#ok but nasty bad art aside I know some of you will be asking why white Montag is such a bad thing and#there isn’t anything wrong with it!!! it’s just that for me personally#after I did a bit more thinking I was. physically incapable of perceiving Montag as anything other than POC/nonwhite#so when I look back at my old f451 art and stare into the eyes of a pale skittish twink it just#it doesn’t click. like that isn’t MY Montag if ykwim#now trembling BROWN skittish twink. that’s a different story#AGAIN I DONT have any issues with ppl making their own versions white I just think that . for me specifically. he looked a bit funny#a little off. a bit too crackerish for my liking#where is bros melanin 😭#I’m complaining right now but if I wanted to I could just… go in and try and make the skin tone darker#I might do that depending on how tired I feel after doomscrolling#also if it matters even though I have read the book over at least 8 times now not once have I touched either of the movies.#and it will STAY THAT WAY. until I completely log my notes for the book#then I can move on to the movies 🥰#but I will admit 2018 did sort of lead me to having a change of heart w my design. just a little. just a teensy bit. kinda. sort of?#actually not really now that I think about it#I have my own reasons.#TOO MANY WHITE PEOPLE MY EYES THEY BURN AAAYHHHHH MY EYES OW OW OW OWIEEEE#my Beatty design was so white that my eyes developed stage 4 cataracts#I needed a palate cleanser that WASNT Millie… oh god my Millie design…#she was white there too. terrible#it’s okay… 💔 I’ve since learned and moved on#ARGH GUYS I DONT HATE WHITE PEOPLE I JUST THINK THAT MORE SKIN COLOR VARIATIONS WOULD E NICE
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tbh tho i think my art is fugly af LMFAO
#not in a '>w< eeeek! i wish i could drawww 🥺 i can only cobble such measle crap with my lowly peasant paws.. *unveils mona lisa*'#sense but like a my style makes me want to hurl whenever i look at it bcs it's a constant reminder that it can only be what i can make it be#and bcs it looks bad to me then that means i cant make things look good if u get my sense like#idk man 😭!! im just sick of being scribbly!! and not clean! i wanna ink my art! have crisp lines! dark lines!!#not have to put stupid darkening filters on everything bcs i cant color or shade so my art is just stuck with the blinding white background#well the frustration is more how i CAN color and shade.. i CAN ink my lines with a darker one#lets not excuse my laziness now cmon ted omg dumbass bitch#it's just that doing so makes me . crazy#my attention span like. crumbles when i try to add color or ink over lines bcs thats Such a commitment to me#i HATE leaving things unfinished when it seems so monumental#like unfinished sketches or prompts? fine. those are sketches. little prompts. even if u post it it's shit#but starting big things is a COMMITMENT.. with CONSEQUENCES ! ! i just want to avoid them ig#it's like im stuck between art being a fun lil past time and being a perfectionist actually so no. no it is not#but also i NEED to draw i NEED to write SOMETHING! SOMETHING!! then i realize the weight of things and purposefully hinder myself#then later hate myself for hindering even tho it felt so good and right in the beginning ORGHH or WHATEVER#idk one of my friends told me my style reminded them of the new tmnt movie (which has been praised yeah#for like beautiful ugliness tho) and like. i KNOW it's a compliment... but. why did it make me Feel 😭 like i wanted to rip my art 2 shreds#once i lined my art and my friend (an artist i admire) said smthin like 'omg finally! ted lined art! gorgeous!'#& i KNOW. I KNOW IT'S A COMPLIMENT. BUT WHY AM I THINKING LIKE. SO VIOLENT. NOT ABT THEM. BUT MY SHIT NOW#like UGHHH i just HATE feeling trapped and helpless when actually theres help available but im just DUM!! JUST LINE UR ART TED#art is like playing sport is like making good grades is like working well is like being a good friend is like being a good person#literally. just be GOOD.#it's all a performance to me ARGHARGH! I HATE THE JOKER! I HATE BEING CRINGE@! RAGGHH I HATE THIS SHIT#<- mfs when no basketball#mfw i cannot avoid enlightenment via the meaningless distractions i codepently craveRAGGHG!!!!!!1!
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Love your new pfp!! The star sweater is super cute 💚
thank you!! :D its been a staple of lavius' design since i made him ^_^
even in his absolute oldest iteration! (the mc skin, which doesnt even have the mullet.......... man that thing is old.)
#ask a ghost#asker: wodniars-void#apparition sketchbook#oc: lavius#also yes i did decide to give him darker wings! i realized that there was two colors that only showed up once so. i fixed that ^_^#at some point i need to do a comparison between lavius (persona) & lavius (terra) since theyre so different yet so similar#elyria has a different color scheme... i mean regular lavius can honestly have any colors i just default to teal#ITS FUN its always been a nod to coraline! its one of my favorite movies and the context of the sweater in that movie makes sense :)#lavius is canonically stuck in a timeloop creating the same things over and over ^_^#image spam because i love sharing my beast! he's my beloved <3
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The Devil waits where Wildflowers grow
Part 1, Part 2
Pairing:Female! Reader x Remmick
Genre: Southern Gothic, Angst, Supernatural Thriller, Romance Word Count: 15.7k+ Summary: In a sweltering Mississippi town, a woman's nights are divided between a juke joint's soulful music and the intoxicating presence of a mysterious man named Remmick. As her heart wrestles with fear and desire, shadows lengthen, revealing truths darker than the forgotten woods. In the heart of the Deep South, whispers of love dance with danger, leaving a trail of secrets that curl like smoke in the night.
Content Warnings: Emotional and physical abuse, manipulation, supernatural themes, implied violence, betrayal, character death, transformation lore, body horror elements, graphic depictions of blood, intense psychological and emotional distress, brief sexual content, references to alcoholism and domestic conflict. Let me know if I missed any! A/N: My first story on here! Also I’m not from the 1930’s so don’t beat me up for not knowing too much about life in that time.I couldn’t stop thinking about this gorgeous man since I watched the movie. Wanted to jump through the screen to get to him anywayssss likes, reblogs and asks always appreciated.
The heat clings to my skin like a second husband, just as unwanted as the first. Even with the sun long gone, the air hangs thick enough to drown in, pressing against my lungs as I ease the screen door open. The hinges whine—traitors announcing my escape attempt—and before I can slip out, his voice lashes at my back, mean as a belt strap. "I ain't done talkin' to you, girl." His fingers dig into my arm, yanking me back inside. The dim yellow light from our single lamp casts his face in a shadow, but I don’t need to see his expression. I've memorized every twist his mouth makes when he's like this—cruel at the corners, loose in the middle.
"You been done," I whisper, the words scraping my throat like gravel. My tears stay locked behind my eyes, prisoners I refuse to release. "Said all you needed to say half a bottle ago." Frank's breath hits my face, sour with corn liquor and hate. His pupils are wide, unfocused—black holes pulling at the edges of his irises. The hand not gripping my arm rises slow and wavering, a promise of pain that has become as routine as sunrise. But tonight, the whiskey’s got him too good. His arm drops mid-swing, its weight too much. For the first time in three years of marriage, I don't flinch. He notices. Even drunk, he notices. "The hell's gotten into you?" His words slur together, a muddy river of accusation. "Think you better'n me now? That it?" "Just tired, Frank." My voice stays steady as still water. "That's all." The truth is, I stopped being afraid a month ago. Fear requires hope—the desperate belief that things might change if you're just careful enough, quiet enough, good enough. I buried my hope the last time he put my head through the wall, right next to where the plaster still shows the shape of my skull. I look around our little house—a wedding gift from his daddy that's become my prison. Two rooms of misery, decorated in things Frank broke and I tried to fix. The table with three good legs and one made from an old fence post. The chair with stuffing coming out like dirty snow. The wallpaper peels in long strips, curling away from the walls like they're trying to escape too.
My reflection catches in the cracked mirror above the wash basin—a woman I barely recognize anymore. My eyes have gone flat, my cheekbones sharp beneath skin that used to glow. Twenty-five years old and fading like a dress left too long in the sun. Frank stumbles backward, catching himself on the edge of our bed. The springs screech under his weight. "Where you think you're goin' anyhow?" "Just for some air." I keep my voice gentle, like you'd talk to a spooked horse. "Be back before you know it." His eyes narrow, suspicion fighting through the drunken haze. "You meetin' somebody?" I shake my head, moving slowly around the room, gathering my shawl, and checking my hair. Every movement measured, nothing to trigger him. "Just need to breathe, Frank. That's all." "You breathe right here," he mutters, but his words are losing their fight, drowning in whiskey and fatigue. "Right here where I can see you." I don't answer. Instead, I watch him struggle against sleep, his body betraying him in small surrenders—head nodding, shoulders slumping, breath deepening. Five minutes pass, then ten. His chin drops to his chest. I slip my dancing shoes from their hiding place beneath a loose floorboard under our bed. Frank hates them—says they make me look loose, wanton. What he means is they make me look like someone who might leave him.
He's not wrong.
The shoes feel like rebellion in my hands. I've polished them in secret, mended the scuffs, kept them alive like hope. Can't put them on yet—the sound would wake him—but soon. Soon they'll carry me where I need to go. Frank snores suddenly, a thunderclap of noise that makes me freeze. But he doesn't stir, just slumps further onto the bed, one arm dangling toward the floor. I move toward the door again; shoes clutched to my chest like something precious. The night outside calls to me with cricket songs and possibilities. Through the dirty window, I can see the path that leads toward the woods, toward Smoke and Stack's place where the music will already be starting. Where for a few hours, I can remember what it feels like to be something other than Frank's wife, Frank's disappointment, Frank's punching bag. The screen door sighs as I ease it open. The night air touches my face like a blessing. Behind me, Frank sleeps the sleep of the wicked and the drunk. Ahead of me, there's music waiting. And tonight, just tonight, that music is stronger than my fear.
The juke joint grows from the Mississippi dirt like something half-remembered, half-dreamed. Even from the edge of the trees, I can feel its heartbeat—the thump of feet on wooden boards, the wail of Sammie's guitar cutting through the night air, voices rising and falling in waves of joy so thick you could swim in them. My shoes dangle from my fingers, still clean. No point in dirtying them on the path. What matters is what happens inside, where the real world stops at the door and something else begins. Light spills from the cracks between weathered boards, turning the surrounding pine trees into sentinels guarding this secret. I slip my shoes on, leaning on the passenger side of one of the few vehicles in-front of the juke-joint, already swaying to the rhythm bleeding through the walls. Smoke and Stack bought this place with money from God knows where coming back from Chicago. Made it sturdy enough to hold our dreams, hidden enough to keep them safe. White folks pretend not to know it exists, and we pretend to believe them. That mutual fiction buys us this—one place where we don't have to fold ourselves small. I push open the door and step into liquid heat. Bodies press and sway, dark skin gleaming with sweat under the glow of kerosene lamps hung from rough-hewn rafters. The floor bears witness to many nights of stomping feet, marked with scuffs that tell stories words never could. The air tastes like freedom—sharp with moonshine, sweet with perfume, salty with honest work washed away in honest pleasure. At the far end, Sammie hunches over his guitar, eyes closed, fingers dancing across strings worn smooth from years of playing. He doesn't need to see what he's doing; the music lives in his hands. Each note tears something loose inside anyone who hears it—something we keep chained up during daylight hours.
Annie throws her head back in laughter, her full hips wrapped in a dress the color of plums. She grabs Pearline's slender wrist, pulling her into the heart of the dancing crowd. Pearline resists for only a second before surrendering, her graceful movements a perfect counterpoint to Annie's rare wild abandon. "Come on now," Annie shouts over the music. "Your husband ain't here to see you, and the Lord ain't lookin' tonight!" Pearline's lips curve into that secret smile she saves for these moments when she can set aside the proper church woman and become something truer. In the corner, Delta Slim nurses a bottle like it contains memories instead of liquor. His eyes, bloodshot but sharp, track everything without seeming to. His fingers tap against the bottleneck, keeping time with Sammie's playing. An old soul who's seen too much to be fooled by anything. "Slim!" Cornbread's deep voice booms as he passes, carrying drinks that overflow slightly with each step. "You gonna play tonight or just drink the profits?" "Might do both if you keep askin'," Slim drawls, but there's no heat in it. Just the familiar rhythm of old friends. I step fully into the room and something shifts. Not everyone notices—most keep dancing, talking, drinking—but enough heads turn my way that I feel it. A ripple through the crowd, making space. Recognition.
Smoke spots me from behind the rough-plank bar. His nod is almost imperceptible, but I catch it—permission, welcome, understanding. His forearms glisten with sweat as he pours another drink, muscles tensed like he's always ready for trouble. Because he is. Stack appears beside him, leaning in to say something in his twin's ear. Unlike Smoke, whose energy coils tight, Stack moves with a gambler's grace, all smooth edges, and calculated risks. His eyes find me in the crowd, lingering a beat too long, concern flashing before he masks it with a lazy smile. My feet carry me to the center of the floor without conscious thought. The wooden boards warm beneath my soles, greeting me like an old friend. I close my eyes, letting Sammie's guitar and voice pull me under, drowning in sound. My body remembers what my mind tries to forget—how to move without fear, how to speak without words. My hips sway, shoulders rolling in time with the stomps. Each stomp of my feet sends the day's hurt into the ground. Each twist of my wrist unravels another knot of rage. My dress—faded cotton sewn and resewn until it's more memory than fabric—clings to me as I spin, catching sweat and starlight.
"She needs this," Smoke mutters to Stack, thinking I can't hear over the music. He takes a long pull from his bottle, eyes never leaving me. "Let her be." But Stack keeps watching, the way he watched when we were kids, and I climbed too high in the cypress trees. Like he's waiting to catch me if I fall. I don't plan to fall. Not tonight. Tonight, I'm rising, lifting, breaking free from gravity itself. Mary appears beside me, her red dress a flame against the darkness. She moves with the confidence of youth and beauty, all long limbs and laughter. "Girl, you gonna burn a hole in the floor!" she shouts, spinning close enough that her breath warms my ear. I don't answer. Can't answer. Words belong to the day world, the world of men like Frank who use them as weapons. Here, my body speaks a better truth. The music climbs higher, faster. Sammie's fingers blur across the strings, coaxing sounds that shouldn't be possible from wood and wire. The crowd claps in rhythm, feet stomping, voices joining in wordless chorus. The walls of the juke joint seem to expand with our joy, swelling to contain what can't be contained. My head tilts back, eyes finding the rough ceiling without seeing it. My spirit has already soared through those boards, up past the pines, into a night sky scattered with stars that know my real name. Sweat tracks down my spine, between my breasts, and along my temples. My heartbeat syncs with the drums until I can't tell which is which. At this moment, Frank doesn't exist. The bruises hidden beneath my clothes don't exist. All that exists is movement, music, and the miraculous feeling of being fully, completely alive in a body that, for these few precious hours, belongs only.
The music fades behind me, each step into the woods stealing another note until all that's left is memory. My body still hums with the ghost of rhythm, but the air around me has changed—gone still in a way that doesn't feel right. Mississippi nights are never quiet, not really. There are always cicadas arguing with crickets, frogs calling from hidden places, leaves whispering to each other. But tonight, the woods swallow sound like they're holding their breath. Waiting for something. My fingers tighten around my shawl, pulling it closer though the heat hasn't broken. It's not cold I'm feeling. It's something else. Moonlight cuts through the canopy in silver blades, slicing the path into sections of light and dark. I step carefully, avoiding roots that curl up from the earth like arthritic fingers. The juke-joint has disappeared behind me; its warmth and noise sealed away by the wall of pines. Ahead lies home—Frank snoring in a drunken stupor, walls pressing in, air thick with resentment. Between here and there is only this stretch of woods, this moment of in-between. My dancing shoes pinch now, reminding me they weren't made for walking. But I don't take them off. They're the last piece of the night I'm clinging to, proof that for a few hours, I was someone else. Someone free.
A twig snaps.
I freeze every muscle tense as piano wire. That sound came from behind me, off to the left where the trees grow thicker. Not an animal—too deliberate, too singular. My heart drums against my ribs, no longer keeping Sammie's rhythm but a faster, frightened beat of its own. "Who's there?" My voice sounds thin in the unnatural quiet. For a moment, nothing. Then movement—not a crashing through underbrush, but a careful parting, like the darkness itself is opening up. He steps onto the path, and everything in me goes still. White man. Tall. Nothing unusual about that. But everything else about him rings false. His clothes seem to match the dust of the woods—dusty white shirt, suspenders that catch the moonlight like they're made of something finer than ordinary cloth. Dust clings to his shoes but sweat darkens his collar despite the heat. His skin is pale in a way that seems to glow faintly, untouched by the sun. But it's his eyes that stop my breath. They don't blink enough. And they're fixed on me with a hunger that has nothing to do with what men usually want.
"You move like you don't belong to this world," he says, voice smooth as molasses but cold like stones at the bottom of a well. There's a drawl to his words. He sounds like nowhere and everywhere. "I've watched you dance. On nights like this. It's… spellwork, what you do." My spine straightens of its own accord. I should run. Every instinct screams it. But something else—pride, maybe, or foolishness—keeps me rooted. "I ain't got nothin' for you," I say, keeping my voice steady. My hand tightens on my shawl, though it's poor protection against whatever this man is. "And white men seekin’ me out here alone usually bring trouble." His lips curve upward, but the smile doesn't touch those unblinking eyes. They remain fixed, assessing, and patient in a way that makes my skin prickle. "You think I came to bring you trouble?" The question hangs between us, delicate as spiderweb. I don't trust it. Don't trust him. "I think you should go," I say, taking half a step backward. He matches with a step forward but maintains the distance between us—precise, controlled.
"I'm called Remmick."
"I didn't ask." My voice sharpens with fear disguised as attitude.
"No," he says, nodding thoughtfully. "But something in you will remember."
The certainty in his voice raises the hair on my arms. I study him more carefully—the unnatural stillness with which he holds himself. Something is wrong with this man, something beyond the obvious danger of a man approaching a woman alone in the woods at night. The trees around him seem to bend away slightly, as if reluctant to touch him. Even the persistent mosquitoes that plague these woods avoid the air around him. The night itself recoils from his presence, creating a bubble of emptiness with him at the center. I take another step back, putting more distance between us. My heel catches on a root, but I recover without falling. His eyes track the movement with unsettling precision.
"You can go on now," I say, my voice harder now. "Ain't nobody invited you."
Something changes in his expression at that—a flicker of satisfaction, like I've confirmed something he suspected. His head tilts slightly, almost pleased. "That's true," he murmurs, the words barely disturbing the air. "Not yet."
The way he says it—like a promise, like a threat—makes my breath catch. The moonlight catches his profile as he turns slightly. For a moment, just a moment, I think I see something move beneath that worn shirt—not muscle or bone, but something else, something that shifts like shadow-given substance. Then it's gone, and he's just a man again. A strange, terrifying man standing too still in the woods who wants nothing to do with him. I don't say goodbye. Don't acknowledge him further. Just back away, keeping my eyes on him until I can turn safely until the path curves and trees separate us. Even then, I feel his gaze on my back like a physical weight, pressing against my spine, leaving an imprint that won't wash off.
I don't run—running attracts predators—but I walk faster, my dancing shoes striking the dirt in a rhythm that sounds like warning, warning, warning with each step. The trees seem to whisper now, breaking their unnatural silence to murmur secrets to each other. Behind me, the woods remain still. I don't hear him following. Somehow, that's worse. As if he doesn't need to follow to find me again. As I near the edge of the tree line, the familiar sounds of night gradually return—cicadas start up their sawing, and an owl calls from somewhere deep in the darkness. The world exhales, releasing the breath it had been holding. But something has changed. The night that once offered escape now feels like another kind of trap. And somewhere in the darkness behind me waits a man named Remmick, with eyes that don't blink enough and a voice that speaks of "not yet" like it's already written.
Two day passed but The rooster still don’t holler like he used to. He creaks out a noise ‘round mid-morning now, long after the sun’s already sitting heavy on the tin roof. Maybe the heat got to him. Maybe he’s just tired of callin’ out a world that don’t change. I know the feel. But night comes again, faster than mornin’ these days. Probably cause’ I’m expectin’ more from the night. Frank’s out cold on the mattress, one leg hanging off like it gave up trying. His breath comes in grunts, open-mouthed and ugly. A fly dances lazy across his upper lip, lands, takes off again. I step over his boots; past the broken chair he swore he’d fix last fall. Ain’t nothin’ changed but the dust. Kitchen smells like rusted iron and whatever crawled up into the walls to die. I fill the kettle slow, careful with the water pump handle so it don’t squeal. Ain’t trying to wake a bear before it’s time. My fingers press against the wallpaper, where it peeled back like bark. The spot stays warm. Heat trapped from yesterday. I don’t talk to myself. Don’t say a word. But my thoughts speak his name without asking.
Remmick.
It don’t belong in this house. It don’t belong in my mouth, either. But there it is, curling behind my teeth. I never told a soul about him. Not ‘cause I was scared. Not yet. Just didn’t know how to explain a man who don’t blink enough. Who moves like the ground ain’t quite got a grip on him. Who steps out of the woods like he heard you call, even when you didn’t. A man who hangs ‘round a place with no intention of going in.
I tug the hem of my dress higher to look at the bruise. Purple, with a ring of green creeping in around the edges. I press two fingers to it, just to feel it. A reminder. Frank don’t always hit where people can see. But he don’t always miss, either. I wrap it in cloth, tug the fabric of my dress just right, and move on. I don’t plan to dance tonight. But I’ll sit. Maybe smile. Maybe drink something that don’t taste like survival. Maybe Stack’ll run his mouth and pull a laugh out of me without trying. And maybe, when it’s time to go, I’ll take the long way home. Not because I’m expectin’ anything. But because I want to. The juke joint buzzes before I even see it. The trees carry the sound first—the thump of feet, the thrum of piano spilling through the wood like sap. By the time I reach the clearing, it’s already breathing, already alive. Cornbread’s at the door, arms folded. When I pass, he gives me that look like he sees more than I want him to. “You look lighter tonight,” he says. I give a half-smile. “Probably just ain’t carryin’ any expectations.” He lets out a low laugh, the kind that rolls up from his gut and sits heavy in the room. “Or maybe ‘cause you left somethin’ behind last night.” That makes me pause, just for a beat. But I don’t show it. Just raise my brow like he’s talkin’ nonsense and keep walkin’.
He don’t mean nothin’ by it. But it sticks to me anyway.
Delta Slim’s at the keys, tapping them like they owe him money. The notes bounce off the walls, dusty and full of teeth. No Sammie tonight—Stack said he’s somewhere wrasslin’ a busted guitar into obedience. Pearline’s off in the corner, close to Sammie’s usual seat. She’s leaned in real low to a man I seen from time to time here, voice like honey drippin’ too slow to trust. Her laugh breaks in soft bursts, careful not to wake whatever she’s tryin’ to keep asleep. Stack’s behind the bar, sleeves rolled up, but he ain’t workin.’ Not really. He’s leanin’ on the wood, jaw flexing as he smirks at some girl with freckles down her arms like spilled salt. I find a seat near the back, close enough to the fan to catch a breath of cool, far enough to keep my bruise out of the light.
Inside, the joint don’t just sing—it exhales. Walls groan with sweat and joy, floorboards shimmy under stompin’ feet. The air’s thick with heat, perfume, and fried something that’s long since stopped smellin’ like food. There’s a rhythm to the place—one that don’t care what your name is, just how you move. Smoke’s behind the bar too, back bent over a bottle, jaw set tight like always. But when he sees me, his mouth softens. Not a smile—he don’t give those away easy. Just a nod. Like he sees me, really sees me. “Frank dead yet?” he mutters without looking up. “Not that lucky,” I say, voice dry as dust. He pours without askin.’ Corn punch. Still too sweet. But it sits right on the tongue after a long day of silence.
“You limpin’?” he asks, low, like maybe it’s just for me.
I shake my head. “Just don’t feel like shakin’.” He grunts understanding. “You don’t gotta explain, Y/N. Just glad you showed.” A warmth rolls behind my ribs. I don’t show it. But I feel it.
I don’t dance, but I play. Cards smack against the wood table like drumbeats—sharp, mean, familiar. The men at the table glance up, but none complain when I sit. I win too often for them to pretend they ain’t interested. Stack leans over my shoulder after the second hand. I smell rum and tobacco before he speaks. “You cheat,” he says, eyes twinkling. “You slow,” I fire back, slapping a queen on the pile. He whistles. “You always talk this much when you feelin’ good?” “Don’t flatter yourself.” “Oh, I ain’t. Just sayin,’ looks Like you been kissed by somethin’ holy—or dangerous.” “I’ll let you decide which.” He laughs, pulls up a chair without askin’. His knee brushes mine. He don’t apologize. I don’t move.
I leave before Slim plays his last note. The night wraps itself around me the moment I step out, damp and sweet, the kind of air that clings to your skin like memory. One more laugh from inside rings out sharp before the door shuts and the trees hush it. My feet take the path without me thinking. I don’t look for shadows. Don’t linger. Just want the stillness. The cool hush after heat. The part of night that feels like confession. But halfway down the clearing, I see him again. Not leaning. Not hiding. Just there. Standing like the woods parted just to place him in my way. White shirt. Sleeves rolled. Suspenders loose against dusty pants. Hat in hand like he means to be respectful, like he was taught his mama’s manners. I stop. “You followin’ me?” I ask, but it don’t come out sharp.
His mouth twitches. Not quite a smile. “Didn’t know a man needed a permit to take a walk under the stars.” “You keep walkin’ where I already am.”
He looks down the path, then back at me. “Maybe that means you and I got the same sense of direction.” “Or maybe you been steppin’ where you know I’ll be.” He doesn’t deny it. Just shrugs, eyes steady. I don’t move closer. Don’t move back either.
“You always turn up like this?” I ask. “Like a page I forgot to read?” He chuckles. “No. Just figured you were the kind of story worth rereadin’.” The silence after that ain’t heavy. Just… close. The kind that makes your ears ring with what you ain’t said. “You always this smooth?” I say, voice low. “I been known to stumble,” he replies. “Just not when it counts.” I shift. Let my eyes roam past him, toward the tree line. “Small talk doesn’t suit you.” “I don’t do small.” His eyes meet mine again. “Especially not with you.” It’s too much. It should be too much. But my hands don’t tremble. My breath don’t catch.
Not yet.
“You always walk the same road as a woman leavin’ the juke joint alone?” “I didn’t follow you,” he repeats. “I just happen to be where you are.” He steps forward, slow. I don’t retreat. “You expect me to believe that?” I ask. “No,” he says softly. “But I think you want to.” That lands between us like something too honest. He runs a hand through his hair before putting his hat on. A simple gesture. A human one. Like he’s just another man with nowhere to be and too much time to spend not being there. He watches me, real still—like a man waitin’ to see if I’ll spook or bite. “Figured I might’ve come off wrong last time,” he says finally, voice soft, but it don’t bend easy. “Didn’t mean to.” “You did,” I say, but my arms stay loose at my sides. A flick of something passes over his face. Not shame, not pride—just a small, ghosted look, like he’s used to bein’ misunderstood. “Well,” he says, thumb brushing the brim of his hat, “thought maybe I’d try again. Slower this time.” That pulls at somethin’ behind my ribs, makes the air stretch thinner between us. “You act like this some kinda game.” He shakes his head once. “Not a game. Just…timing. Some things got to take the long way ‘round.” I narrow my eyes at him, trying to make out where he’s hidin’ the trick in all this.
“The way you talk is like running in circles.” He laughs—low and rough at the edges, like it ain’t used to bein’ let out. “I won’t waste time running in circles around a darlin’ like you.” I cross my arms, squinting at the space between his words. “That supposed to charm me?” He shrugs, one shoulder easy like he don’t expect much. “Wouldn’t dream of it,” he says. “Just thought I’d give you something truer than a lie.” His voice ain’t sweet—it’s too honest for that. But it moves like water that knows where it’s goin’. I shift my weight, let the breeze slide between us.
“You ain’t said why you’re here. Not really.” He watches me a long moment, like he’s weighing how much I’ll let in. “Maybe I’m drawn to your energy,” he says finally. I scoff. “My energy? I don’t move too much to emit energy.” That gets him smilin’. Slow. Not too sure of itself, but not shy either. “You don’t have to move,” he says, “to be seen.” The words hit like a drop of cold water between the shoulder blades—sharp, sudden, and too real. I take a step forward just to ground myself, heel pressing into the dirt like I mean it. “You a preacher?” I ask, voice sharper than before. He chuckles, deep and close-lipped. “Ain’t nothin’ holy about me.” “Then don’t talk to me like you got a sermon stitched in your throat.” He bows his head just a hair, hands still at his sides. “Fair enough.”
A pause stretches long enough for the night sounds to creep back in—cicadas winding up, wind sifting through the trees. “I’m Remmick,” he says, like it matters more now. “I know.” “And you?” “You don’t need my name.” His mouth quirks like he wants to press, but he don’t. “You sure about that?” “Yes.” The silence that follows feels cleaner. Like everything’s been set on the table and neither one of us reaching for it. He nods, slow. “Alright. Just thought I’d say hello this time without makin’ the trees nervous.” I don’t smile. Don’t give him more than I want to. But I don’t turn away either. And when he steps back—slow, like he respects the space between us—I let him. This time, I watch him go. Down the path, ‘til the woods decide they’ve had enough of him.
I don’t look back once my hand’s on the porch rail. The key trembles once in the lock before it catches. Inside, it’s the same. Frank dead to the world, laid out like sin forgiven. I pass him without a glance, like I’m the ghost and not him. At the washbasin, I scrub my face until the cold water stings. Peel off the dress slow, like unwrapping something tender. The bruises bloom up my side, but I don’t touch ‘em. I slide into a cotton nightgown soft enough not to fight me. Climb into bed without expecting sleep. Just lie there, staring at the ceiling like maybe tonight it might speak.
But it don’t.
It just creaks. Settles.
And leaves me with that name again. Remmick.
I whisper it once, barely enough sound to stir the dark. Three days pass. The sun’s just fallen, but the air still clings like breath held too long. I’m on the back stoop with my foot sunk in a basin of cool water, ankle puffed up mean from Frank’s latest mood. Shawl drawn close, dress hem hiked above the bruising. The house behind me creaks like it’s thinking about falling apart. Crickets chirp with something to prove. A whip-poor-will calls once, then hushes like it said too much. And then—
“Evenin’.”
My hand jerks, sloshing water up my calf. I don’t scream, but I don’t hide the startle either. He’s by the fence post. Just leanin’. Arms folded over the top like he been there long enough to take root. Hat low, sleeves rolled, collar open at the throat. Shirt clings faint in the heat, pants dusted up from honest walking—or the kind that don’t leave footprints. I say nothing. He tips his head like he’s waiting for permission that won’t come. “Didn’t mean to scare you.” “You always arrive like breath behind a neck.” “I try not to,” he says, quiet. “Don’t always manage it.” That smile he wears—it don’t shine. It settles. Soft. A little sorry. “I wasn’t sure you’d want to see me again,” he says.
“I don’t.”
He nods like he expected that too. I don’t blink. Don’t drop my gaze. “Why you keep comin’ here, Remmick?”
His name tastes different now. Sharper. He blinks once, slow and deliberate. “Didn’t think you remembered it.” “I remember what sticks wrong.” He watches me a beat longer than comfort allows. Then—calm, measured—he says, “Just figured you might not mind the company.” “That ain’t company,” I snap. “That’s trespassin’.” My voice cuts colder than I meant it to, but it don’t feel like a lie. “You know where I live. You know when I’m out here. That ain’t coincidence. That’s intent.” He don’t flinch. “I asked.”
That stops me. “Asked who?”
He lifts his hand, palm out like he ain’t holdin’ anything worth hiding. “Lady outside the feed store. Said you were the one with the porch full of peeled paint and a garden that used to be tended. Said you got a husband who drinks too early and hits too late.” My mouth goes dry.
“You spyin’ on me?” “No,” he says. “I don’t need to spy to see what’s plain.” “And what’s plain to you, exactly?” My tone is flint now. Sparked. “You don’t know a damn thing about me.” He leans in, just enough. “You think that bruise on your ankle don’t show ‘cause your dress covers it? You think folks ain’t noticed how you don’t laugh no more unless you hidin’ it behind a stiff smile?” Silence folds in between us. Thick. Unwelcoming. He doesn’t press. Just keeps looking, like he’s listening for something I ain’t said yet.
“I don’t need savin’,” I murmur. “I didn’t come to save you,” he says, and his voice is different now low, but not slick. Heavy, like a weight he’s carried too far. “I just came to see if you’d talk back. That’s all.” I pull my foot from the water, slow. Wrap it in a rag. Keep my gaze steady. “You show up again unasked,” I say, “I’ll have Frank walk you home.” He chuckles. Real soft. Like he don’t think I’d do it, but he don’t plan to test me either. “I’d deserve it,” he says. Then he tips his hat after putting it back on and steps back into the night. Doesn’t rush. Doesn’t look back. But even after he’s gone, I can feel the place he left behind—like a fingerprint on glass. ——— Inside, Frank’s already mutterin’ in his sleep. The sound of a man who ain’t never done enough to earn rest, but claims it like birthright. I move around him like I ain’t there. Later, in bed, the ceiling don’t offer peace. Just shadows that shift like breath. I lay quiet, hands folded over my stomach, heart beatin’ steady where it shouldn’t. I don’t say his name. But I think it. And it stays.
Mornings don’t change much. Not in this house. Frank’s boots hit the floor before I even open my eyes. He don’t speak—just shuffles around, clearing his throat like it’s my fault it ain’t clear yet. He spits into the sink, loud and wet, then starts lookin’ for somethin’ to curse. Today it’s the biscuits. Yesterday, it was the fact I bought the wrong tobacco. Tomorrow? Could be the way I breathe. I don’t talk back. Just pack his lunch quiet, hands moving like they’ve learned how to vanish. When the door finally slams shut behind him, the silence feels less like peace and more like a pause in the storm. The floor don’t sigh. I do.
He’ll be back by sundown. Drunk by nine. Dead asleep by ten.
And I’ll be somewhere else—at least for a little while. The juke joint’s sweating by the time I get there. Delta Slim’s on keys again, playing like his fingers been dipped in honey and sorrow. Voices ride the walls, thick and rising, the kind that ain’t tryin’ to be pretty—just loud enough to out-sing the pain. Pearline’s got Sammie backed in a corner again, her laugh syrupy and slow. She always did know how to linger in a man’s space like perfume. Cornbread’s hollering near the door, trading jokes for coin. And Annie’s on a stool, head tilted like she’s heard too much and not enough. I don’t dance tonight. Still too tender. So, I post up at the end of the bar with something sharp in my glass. Smoke sees me, gives that chin lift he reserves for bad days and bruised ribs. Stack sidles up before the ice even melts. “Quiet day today,” he asks, cracking a peanut with his teeth. I don’t look at him. Just stir my drink slow. “Talkin’ ain’t always safe.” His brows go up. He glances around like he’s checking for shadows, then leans in a bit. “Frank still being Frank?” I lift one shoulder. Stack don’t push. Just keeps on with his drink, knuckles tapping the bar like a slow metronome.
Then, quiet: “You got somethin’ heavy to let go of.” That stops me. Just a second. But he catches it. “Huh?” He shrugs, doesn’t look at me this time. “You ever seen a rabbit freeze in tall grass? That’s the look. Ears up. Heart runnin’. But it ain’t moved yet.” I run a fingertip down the side of my glass, watching the sweat bead up. “There’s been a man.” Now Stack looks. “He don’t say much. Just… shows up. Walks the same road I’m on, like we both happened there. Then he started talkin’. Knew things he shouldn’t. Last time, he was near my house. Didn’t come in. Just… lingered.” “White?” I nod.
Stack’s whole posture changes—draws tight at the shoulders, jaw working. “You want me to handle it?” I shake my head. “No.” “Y/N—” “No,” I say again, firmer. “I don’t want more fire when the house is already half burnt. He ain’t done nothin.’ Not really.” Yet. He lets it settle. Don’t agree. But he don’t argue either. Behind us, Annie’s refilling her glass. She don’t speak, but her eyes cut over to Mary. Mary catches it. Lips press together. She looks at me the way you look at something you’ve seen before but can’t stop from happening again. And then, like it’s all normal, Mary chirps out, “You hear Pearline bet Sammie he couldn’t outdrink Cornbread?” Annie scoffs. “She just tryin’ to sit on his lap before midnight.” Stack grins but don’t fully let go of his watchful look. The mood shifts easy, like it rehearsed for this. Like they all know how to laugh loud enough to cover a crack in the wall.
But I ain’t laughing.
I nurse my drink, fingers cold and wet around the glass. My eyes flick toward the door, then away. Remmick. That name’s been clingin’ to my mind like smoke in closed curtains. Thick. Quiet. Still there long after the fire’s gone out. I think about how he looked at me—not like a man looks at a woman, but like he’s listening to something inside her. I think about the way his voice wrapped around the air, soft but steady, like it belonged even when it didn’t. I think about how I told Stack I didn’t want to see him again.
And I wonder why I lied.
Frank’s truck wheezes up the road like it’s draggin’ its bones. Brakes cry once. Gravel shifts like it don’t want to hold him. Inside, the pot’s still warm on the stove. Not hot. He hates hot. Says it means I was tryin’ too hard, or not tryin’ enough. With Frank, it don’t matter which—he’ll find the fault either way. The screen door creaks and slams. That sound still startles me, even now. Boots hit wood, heavy and careless. His scent rolls in before he speaks—sweat, sun, grease, and the liquor I know he popped open three miles back. I don’t turn. Just keep spoonin’ grits into the bowl, hand steady. “You hear they cut my hours?” he says. His voice’s wound tight, all string and no tune. “No,” I say. He drops his lunch pail hard on the table. The tin rattles. A sound I hate.
“They kept Carter,” he mutters. “You know why?” I stay quiet. He answers himself anyway. “’Cause Carter got a wife who stays in her place. Don’t get folks talkin’. Don’t strut around like she’s single.” The grit spoon taps the bowl once. Then again. I let it. “You callin’ me loud?” “I’m sayin’ you don’t make it easy. Every damn week, somebody got somethin’ to say. ‘Saw her smilin’. Heard her laughin’. Like you forgot what house you live in.” I press my palm flat to the counter, slow. “Maybe if you kept your hands to yourself, folks’d have less to talk about.” It slips out too fast. But I don’t take it back. The room goes still.
Chair legs scrape. He rises like a storm cloud built slow. “You forget who you’re speakin’ to?” I feel him move before he does. Feel the air shift. “I remember,” I say. My voice don’t rise. Just settles. He comes close—closer than he needs to be. His breath touches the back of my neck before his hand does. The shove ain’t hard. But it’s meant to echo.
“You think I won’t?” I breathe once, deep. “I think you already have.” He stands there, hand still half-raised like he’s weighing what it’d cost him. Like maybe the thrill’s dulled over time. His breath’s ragged. But he backs off. Steps away. Chair squeals across the floor as he drops into it, muttering something I don’t catch. I move quiet to the sink, rinse the spoon. My back still to him. Eyes locked on the faucet. Somewhere behind me, the bowl clinks against the table. He eats in silence. And all I can think about the man who ain’t never set foot in my house but got me leavin’ the porch light on for him. —— Two weeks slip past like smoke through floorboards. Maybe more. I stopped countin’. Time don’t move the same without him in it. The nights stretch longer, duller. No shape to ‘em. Just quiet. At first, that quiet feels like mercy. Like I snuffed out something that could’ve swallowed me whole. I sleep harder. Wake lighter. For a little while. But mercy don’t last. Not when it’s pretending to be peace. Because soon, the quiet stops feeling like rest. And starts feeling like a missing tooth You keep tonguing the space, even when it hurts. At the juke joint, I start to dance again. Not wild, not free—just enough to remember how my body used to move when it wasn’t afraid of being seen. Slim plays slower that night, coaxing soft fire from the keys. The kind of song that settles deep, don’t need to shout to be felt. Pearline leans in, breath warm on my cheek. “You got your hips back,” she says, low and slick. “Don’t call it a comeback,” I grin, though it don’t sit right in my mouth.
Mary laughs when I sit back down, breath hitchin’ from the floor. “Somebody’s been puttin’ sugar in your coffee.” “Maybe I just stirred it myself,” I say. But even as I say it, my eyes go to the door. To the dark. Stack catches the look. He always does. Doesn’t press. Just watches me longer than usual, mouth tight like he wants to say somethin’ and knows he won’t.
Frank’s been… duller. Still drinks. Still stinks. Still mean in that slow, creepin’ way that feels more like rot than fire. But the heat’s gone out of it. Like he’s noticed I ain’t afraid no more and don’t know how to fight a ghost. He don’t yell as loud now. Doesn’t hit as hard. But it ain’t softness. It’s confusion. He don’t like not bein’ feared.
And maybe worse—I don’t like that he don’t try. Some nights, I sit on the back step long after the world’s gone to bed. Shawl loose around my shoulders, feet bare against the grain. The well water in the basin’s gone warm by then. Even the wind feels tired. Crickets rasp. A cicada drones. I listen like I used to—for the shift in the dark. The weight of a gaze. The way the air used to still when he was near. But there’s nothin’. Just me. Just the quiet. I catch myself one night—talkin’ out loud to the trees. “You was real brave when I didn’t want you here,” I say, voice rough from disuse. “Now I’m sittin’ like a fool hopin’ the dark says somethin’ back.”
It don’t.
The leaves stay still. No footfall. No voice. Not even a breeze. Just me. And that ache I can’t name. But he’s there. Further back than before. At the edge of the trees, where the moonlight don’t reach. Where the shadows thicken like syrup.
He doesn’t blink. Doesn’t speak. Doesn’t move. Just waits. Because Remmick ain’t the kind to come knockin’. He waits ‘til the door opens itself. And I don’t know it yet, but mine already has.
The road to town don’t carry much breath after sundown. Shutters drawn, porch lights dimmed, the kind of quiet that feels agreed upon. Most folks long gone to sleep or drunk enough to mistake the stars for halos. The storefronts sit heavy with silence, save for McFadden’s—one crooked bulb humming above the porch, casting shadows that don’t move unless they got to. A dog barks once, far off. Then nothing. I keep my pace even, bag pressed close to my side, shawl wrapped too tight for the heat. Sweat pools along my spine, but I don’t loosen it. A woman wrapped in fabric is less of a story than one without. Frank went to bed with a dry tongue and a bitter mouth. Said he’d wake mean if the bottle stayed empty. Called it my duty—said the word slow, like it should weigh more than me.
So I go.
Buying quiet the only way I know how. The bell above McFadden’s door rings tired when I slip inside. The air smells like dust and vinegar and old rubber soles. The clerk doesn’t look up. Just mutters a greeting and scribbles into a pad like the world don’t exist past his pencil tip. I move quick to the back, fingers brushing the necks of bottles lined up like soldiers who already lost. I grab the one that looks the least like mercy and pay without fuss. His change is greasy. I don’t count it. The bottle’s cold against my hip through the bag, sweat bleeding through cheap paper. I step out onto the porch and down the wooden steps, gravel crunching soft beneath my heels. The lamps flicker every few feet, moths stumbling in circles like they’ve forgotten what drew them here in the first place. The dark folds in tight once I leave the storefront behind. I don’t rush. Not ‘cause I feel safe. Just learned it looks worse when you do. Then—
“You keep odd hours.” His voice don’t cut—it folds. Like it belonged to the dark and just decided to speak. I stop. Not startled. Not calm either. He’s leaned just inside the alley by the post office, one boot pressed to brick, arms loose at his sides. Shirt sleeves rolled to the elbow, suspenders hanging slack. His collar’s open, skin pale in the low light, like he don’t sweat the same as the rest of us. He looks like he fits here. That’s what makes it strange. Ain’t no reason a man like that should belong. But he does. Like he was built from the dirt and just stood up one day. I keep one foot planted on the sidewalk.
“You don’t give up, do you,” I say. He shifts just enough for the light to catch his mouth. Not a smile. Not quite. “You make it hard.” “You looked like you didn’t wanna be spoken to in that store,” he says, voice low and even. “So I waited out here.” The streetlamp hums above us. My grip on the bottle shifts, tighter now. “You could’ve kept walkin’.” “I was hopin’ you might,” he says.
Not hopin’ I’d stop. Not hopin’ I’d talk. Hopin’ I might.
There’s a difference. And I feel it. I glance down at the bottle. The glass slick with sweat. “Frank drinks this when he’s feelin’ good. That’s the only reason I’m out this late.” He doesn’t move. Doesn’t press. “Is that what you want?” he asks after a beat. “Frank in a good mood?” I don’t answer. I just start walking. But his voice follows, smooth as shadow. “I was married once.” I pause. Not outta interest. More like the way a dog pauses before crossing a fence line—aware. “She was kind,” he says. “Too kind. Tried to fix things that weren’t broke. Just wrong.” He says it like it’s already been said a thousand times. Like the taste of it’s worn out. I look back. He hasn’t taken a single step closer. Just stands there, hands tucked in his pockets, jaw set loose like he’s tired of carryin’ that story. “How do you always end up in my path?” I ask. Not curious. Just tired of not sayin’ it. He lifts a shoulder, lazy. “Some people chase fate. Some just stand where it’s bound to pass.”
I snort, soft. “Sounds like somethin’ you read in a cheap novel.”
“Maybe,” he says, eyes flicking toward mine, “but some lies got a little truth buried in ‘em.” The quiet after settles deep. Not awkward. Not empty. Just close. “You shouldn’t be waitin’ on me,” I say, voice rougher now. “Ain’t nothin’ here worth the trouble.” He studies me. Not like a man tryin’ to see a woman. More like he’s lookin’ through fog, tryin’ to remember a place he used to live in. “I’ve had worse things,” he murmurs. “Worse things that never made me feel half as alive.” For a breath, the light catches his eyes. Not wrong. Not glowing. Just sharp. Like flint about to spark. Then he tips his head. “Goodnight, Y/N.” Soft. Like a promise. And just like always, he disappears without hurry. Without sound. Back into the dark like it opened for him. And maybe, just maybe, I hate how much I already expect it to do the same tomorrow.
The next day dawns heavy, the sun a reluctant guest peeking through gray clouds. I find myself trapped in that same tired rhythm, the kind of day that stretches before me like an old road—the kind you know too well to feel any excitement for. Frank’s got work today, though I can’t say I’m sure what he’ll be cursing by sundown.
As I move around the kitchen, pouring coffee and buttering bread, the silence feels thicker than usual. It clings to me, wraps around my thoughts like a vine, and I can’t shake the feeling that something's shifted. Maybe it’s just the weight of waiting for Remmick to show again, or maybe it’s that quiet ache gnawing at my insides—the kind that reminds you what hope felt like even if you’re scared to name it.
Frank shuffles in with those heavy boots of his, barely brushing past me as he grabs a mug without looking my way. He doesn’t say a word about the food or even acknowledge me standing there. Just pours himself another cup with a grimace. “How long’ve you been up?” he mutters, not really asking.
“Early enough,” I reply, holding back the urge to ask if he slept well.
He slams his mug down on the table hard enough for a ripple of coffee to splash over the edge. “What’s wrong with the damn biscuits?” He doesn’t wait for an answer, just shoves one aside before storming out, leaving behind his bitterness hanging in the air like smoke.
I breathe deeply through my nose and keep packing his lunch—tuna salad this time; at least that’s something he won’t moan about too much. Still, every sound feels exaggerated, each scrape against porcelain echoing louder than it ought to.
Outside, I stand at the porch railing for a moment longer than necessary, feeling the sunlight warm my skin but unable to let its brightness seep into my heart. Birds are flitting from one tree branch to another—free from this heavy house—or so it seems.
I want to run after them. Escape to where everything isn’t tainted by liquor and regrets. But instead, I stay rooted in place until Frank’s truck roars down the road like some angry beast.
Once he's gone, I let out a breath I didn’t realize I was holding and pull on my shoes. A decent day to grab some much-needed groceries.
The heat wraps around me as I stroll through town—a gentle reminder that summer still holds sway despite all else changing. I walk through town, grabbing groceries on the way as I enjoy the weather. I run by grace’s store to grab some buttered pickles frank likes. The bell jingled above me as I entered the store, and grace comes from the back carrying an empty glass jar. She paused when she looked at me before smiling. “Hey gurl, haven’t seen ya in here for a while. Frank noticed he ate up all them buttered pickles? That damn animal.” I chuckled at her words as she set the glass jar down on the front counter. Grace moves behind the counter with that same easy rhythm she always has—like her bones already know where everything sits. The store smells like dust and sun-warmed glass, sweet tobacco, and something faintly metallic. Familiar.
“He Still workin’ over at the field?” she asks, pulling a new jar from beneath the counter. “Heard the boss cut hours again. Seems like everyone’s gettin’ squeezed ‘cept the ones doin’ the squeezin’.” “Yeah,” I mutter, glancing toward the shelf lined with dusty cans and glass jars. “He’s been stewin’ about it all week. Like it’s my fault time’s movin’ forward.” Grace snorts, capping the pickle jar and sliding it across the counter. “Girl, if Frank had his way, we’d all be wearin’ aprons and smilin’ through broken teeth.” I pick up the jar, running my fingers absently along the cold glass. “Some days it’s easier to pretend I’m deaf than fight him.” Grace leans forward, voice dropping low like she don’t want the pickles to hear. “You need somewhere to run, you come knock on my back door. Don’t matter what time.” That almost cracks me. Not enough to cry, but enough to blink slow and hold the jar tighter. “I appreciate it,” I say. She doesn’t press, just gives me a knowing nod and starts wrapping the jar in brown paper. “Also grabbed you a couple of those lemon drops you like,” she says with a wink. “Tell Frank the sugar’s for his sour ass.” That gets a real laugh outta me. Just a little one, but it lives in my chest longer than it should. Outside, the air’s heavy again. Thunder maybe, or just the kind of heat that makes everything feel like it’s about to break open. I tuck the paper bag under my arm and make my way down the street slow, dragging my fingers along the iron railings where ivy used to grow. Everything’s changing. And I don’t know if I’m running from it, or toward it. But I walk a little slower past the edge of town. Past the grove of trees that hum low when the wind slips through them. And I wonder—not for the first time—if he’ll be waiting there. And if he ain’t, why I keep hoping he will.
——
I don't light a lamp when I slip out the back door.
The house creaks behind me, drunk with silence and sour breath. Frank's dead asleep like always, belly full of cheap whiskey and whatever anger he couldn't throw at me before sleep took him.
The air outside ain't much cooler, but it's cleaner. Clear. Smells like pine and soil and something just beginning to bloom.
I walk slow. Like I'm just stretching my legs.
Like I'm not wearing the dress with the small blue flowers I ain't touched in over a year.
Like I'm not heading down the narrow path through the tall grass, the one that don't lead nowhere useful unless you're hoping to see someone who don't belong anywhere at all.
The night hums soft. Cicadas. Distant frogs. The kind of stillness that makes you feel like you've stepped into a dream—or out of one.
I settle on the old stump by the split rail, hands folded, back straight, pretending I ain't waiting.
He doesn't keep me waiting long.
"Always sittin’ this straight when relaxin'?"
His voice folds in gentle behind me. Amused. Unbothered.
I don't turn right away. Just glance sideways like I hadn't noticed him there.
"Wasn't expectin' company," I say.
He steps into view, lazy as twilight, hands in his pockets, shirt sleeves rolled and collar loose. Looks like the evening shaped itself just to dress him in it.
"No," he says. "But you brought that perfume out again. Figured that was the invitation."
I shift on the stump, eyes narrowed. "You pay a lotta attention for someone who don't plan on talkin'."
"Only to the things that matter."
He stays a little ways off, respectful of the space I haven't offered but he knows he owns just the same.
"You just out here wanderin' again?" I ask, trying not to sound like I care.
"Nah," he says, grinning a little. "I came out to see if that tree finally bloomed. The one you like to lean on when you think no one's watchin'."
I feel heat crawl up my neck. I smooth my skirt like that'll hide it.
"You always this nosy?"
He shrugs. "Just got good aim."
I shake my head, but I don't tell him to leave. Don't even ask why he's here.
'Cause I know.
And he knows I know.
He moves slow toward me and sits—not close enough to touch, but close enough I can feel it if I lean a little.
We sit in it a while. That hush. That weightless kind of silence that feels full instead of empty.
Then, out of nowhere, he says, "You laugh different at the juke joint than you do anywhere else."
I blink. "What?"
He doesn't look at me. Just watches the dark ahead, like he's reading the night for meaning.
"It's looser," he says. "Like your ribs don't hurt when you do it."
I don't answer. Can't. I ignored the question rising in my head about how he knows what’s goes on in the juke joint when I’ve never seen him in there or heard his name on peoples' lips there.
But somehow, he's right, and I hate that he knows that. Hate more that I like that he noticed.
"You got a way of sayin' too much without sayin' a damn thing," I mutter.
He huffs a laugh. "I'll take that as a compliment."
We go quiet again. But it ain't tense. It's like we're settlin' into something neither one of us has had in too long.
Eventually, I say, "Frank don' like it when I'm gon’ too long."
"You wan’ me to walk you back?" he asks, like it's the easiest offer in the world.
"No," I say, but it comes out too soft. "Not yet."
He nods once. Doesn't press. Just leans back on one elbow, eyes half-lidded like the night's pullin' him under same as me or so I thought.
"You got stories?" I ask.
He raises a brow. "You askin' me to talk?"
"Don't make a big thing outta it."
He grins slow. "Alright then."
And he does. Tells me some nonsense about stealing peaches off a preacher's tree when he was too young to know better, how he and his cousin swore the preacher had the Devil chained under his porch to guard it. His voice wraps around the words easy, like molasses and wind. Whether it was true or not, I don’t seem to care at the moment.
I don't laugh out loud, but my smile finds its way out anyway.
When he glances at me, I see it in his eyes—that same look from the last time. Not hunger. Not charm.
Something gentler. Something like… understanding.
And for the first time, I let it happen.
Let myself enjoy him.
Not as a ghost. Not as a threat.
Just as a man sitting in the dark with me.
——
I've been lookin' forward to the night often these days, not because of him, of course… The night breathes warm against my skin. I'm on the porch, knees drawn up, pickin' absently at blades of grass growin' between the cracked boards like they're trespassin' and don't know it. I pluck them one by one, not really thinkin', not really waitin'—but not exactly doin' anything else either. I'm wearing the baby blue dress, The one with the lace at the collar, mended too many times to count but still hangin' right. I don't light the porch lamp. The dark feels easier to sit in. And then I hear him. Not footsteps. Not a branch snapping. Just… the way quiet shifts when something enters it. He steps from the tree line, slow like he don't want to spook the night. This time, he's carryin' something. A small bundle of wildflowers—purple ironweed, white clover, queen anne's lace—loosely knotted with a bit of twine. He stops at the porch steps and looks at me. Then, without a word, he sets the flowers down between us and lowers himself to sit at the edge of the stoop. Close. Not too close.
"I didn't bring 'em for a reason," he says after a while. "Just passed 'em and thought of you." My fingers drift toward the flowers, not quite touchin' them, but close enough to feel the velvet edge of a petal against my skin. The warmth of his nearness makes my breath catch somewhere between my throat and chest. "They're weeds," I murmur, though the word comes out gentle, almost like a caress. "They're what grows without bein' asked," he replies, and the corner of his mouth lifts in that way that makes my stomach drop like I'm fallin'. That quiet comes back. But it's a different kind now. Softer. Like the world's hushin' itself to hear what we might say next. I look at him then. Really look. Not at his mouth or his clothes ,that easy lean of his shoulders or those pouty eyebrows —but his hands. They're calloused, dirt beneath the nails. Not soft like the rest of him sometimes pretends to be. My fingers twitch with the sudden, foolish urge to trace those rough lines, to learn their map.
"You work?" I ask, the question slippin' out before I can catch it, betrayin' a curiosity I wasn't ready to admit. "I do what needs doin'." The words rumble low in his chest. "That's not an answer." I tilt my head, and the night air kisses the exposed curve of my neck. He turns his head, slow. "That's 'cause you ain't ready for the truth." The words wash over me like Mississippi heat—dangerous, thrillin'. My lips part, but no sound comes out. I go back to pickin' the grass, my fingertips brushin' wildflower stems now instead of weeds. Each touch feels deliberate in a way that makes my pulse flutter at my wrist, at my throat. He doesn't push. Doesn't move. Just sits with me 'til the moon's hangin' heavy over the trees, his presence beside me more intoxicatin' than any whiskey from Smoke's bar. The space between us hums with possibilities—with all the things we ain't sayin'. When he leaves, I don't stop him but my body leans forward like it's got its own will, wantin' to follow the trail of his shadow into the dark. But I take the flowers inside. Put 'em in the jelly jar Frank left on the windowsill.
——
The wildflowers sit in that jelly jar like they belong there—like they’ve always belonged. Their colors are faded but stubborn, standing tall in the quiet corner of the kitchen, drinking in the slant of light that filters through the window. I find myself glancing at them too often, like they might tell me something I don’t already know. I tell myself not to read into it, not to hope. But hope’s a quiet thing, and it’s been whispering to me since I first set foot in this place. By dusk, I’m already outside, wrapped in the blanket I keep tucked in the closet, knees drawn up tight. The dusty brown dress I wear is softer with wear, almost like a second skin. I clutch the two tin cups—corn liquor, waiting in the dark, like a held breath. It’s a ritual I don’t question anymore. He comes out the trees just after the steam from the day’s heat begins to fade, silent as always. No rustle of leaves, no announcement. Just that subtle shift in the hush, like the woods are holding their breath. I see him leaning on the porch post, eyes flickering to the cup beside me, like it’s calling him home. “Always know when to show up,” I say, voice low but steady, trying to sound like I don’t care if he’s late or not. Like I’m used to waiting. He tosses back, smooth as dusk, “Always pour for two?” I can’t help the smile that sneaks up—soft and slow. “Only for good company.” He steps closer, slower tonight, like he’s weighing each movement. Sits beside me, leaving just enough space between us for the night air to stretch its arms. I hold out the second cup, the one I poured just for him.
He wraps his fingers around it but doesn’t lift it. Doesn’t bring it to his lips. “Don’t drink?” I ask, voice gentle but curious, like I might catch a lie if I ask too loud. His thumb taps the rim, slow and deliberate. “Used to,” he says, voice quiet but firm. “Too much, maybe. Doesn’t sit right with me these days.” I nod, like that makes sense. Maybe it does. Maybe I don’t want to look too close at the parts that don’t fit. The parts that hurt, that choke down the hope I’m trying to keep buried. Instead, I take a sip, letting the liquor burn a warm trail down my throat. It’s a small comfort, a fleeting warmth. I watch the dark swallow the road that disappears into nothingness, and I say, “Used to think I’d leave this place. Run off somewhere—Memphis, maybe. Open a little store. Serve pies and good coffee. Wear shoes that click when I walk.”
He hums, low and distant, like a train far away. “What stopped you?” My gaze drops to my hand, to the dull gold band that’s thin and worn. I trace the edge with my thumb, feeling the cold metal. “This,” I say. “And maybe I didn’t think I deserved more.” He doesn’t say sorry. Doesn’t say I do. Just looks at me like he’s already seen the ending, like he’s read the last page and ain’t gonna spoil it.
“I worked an orchard once,” he says softly, voice almost lost in the night. “Peaches big as your fist. Skin like velvet. The kind of place that smells like August even in February.” “Sounds made up,” I murmur, feeling the weight of the quiet between us. He leans in closer, eyes steady. “So do dreams. Don’t mean they ain’t real.” A laugh escapes me—sharp and surprised, like I’ve been caught off guard. I slap at his arm before I can think better of it. “You talk like a man who’s read too many books.” “I talk like a man who listens,” he says, quiet but sure. That hush falls again, but it’s different this time—full, like the moment just before a kiss that never quite happens. I feel it—the space between us thickening, heavy with unspoken words and things I can’t say out loud.
— Days passed, he shows up again, bringing blackberries wrapped in a white cloth, stained deep purple-blue. The scent hits me before I see them—sweet, wild, tempting. “Bribery?” I ask, raising an eyebrow, trying to hide the way my heart quickens. “A peace offering,” he replies, with that quiet smile. “In case the last story bored you.” I reach in without asking, pop a berry into my mouth. Juicy and sharp, bursting with sweetness that makes me forget everything else—forgot the weight of my ring, forgot the man inside my house, forgot the world outside this moment. He watches me, a softness behind his eyes I don’t trust but can’t look away from. I hand him the other cup again. He takes it, polite as always, but doesn’t sip. We settle into stories—nothing big, just small things. The town’s latest gossip, a cow wandering into the churchyard last Sunday, the way summer makes the woods smell like wild mint if you walk far enough in. I tell him things I didn’t know I remembered—about my mama’s hands, about the time I got stung trying to kiss a bumblebee, about the blue ribbon pie I made for the fair when I was fifteen, thinking winning meant freedom. He listens like it matters, like these stories are something he’s been waiting to hear. And for the first time in a long while, I laugh with my whole mouth, not caring who hears or what they think. The sound spills out, unfiltered and free, filling the night with something real. I forget the ring on my finger. Forget the man inside the house. Forget everything but this—the night, the berries, and him. The man who doesn’t drink but still knows how to make me feel full.
——
The jelly jar’s gone cloudy from dust and sunlight, but the wildflowers still stand like they’re stubborn enough to outlast the world. A few petals have fallen on the sill, curled and dry, and I haven’t moved them. Let ’em stay. They feel like proof—proof that life’s still fighting, even when everything else is fading. A week’s passed. Seven nights of quiet—hushed conversations I kept to myself, shoulders pressed close under a sky that don’t judge, don’t say a word. Seven nights where my bruises softened in bloom and bloom again, where Frank came home drunk and left early, angry—always angry. Not once did I go to the juke joint—not because I wasn’t welcome, but because I didn’t want to miss a single echo from the woods, a single step that might carry me out.
Remmick never knocks. Never calls out. He just appears—like something old and patient, shaped out of shadow and moonlight, settling beside me without question. Sometimes he brings nothing, and I wonder if he’s even real. Other nights, it’s blackberries, or a story, or just silence, and I let it fill the space between us. And I do. God, I do. I tell him things I never even told Frank. About how I used to pretend the porch was a stage, singin’ blues into a wooden spoon. How my mama braided my hair so tight it made my scalp sting, said pain was the price of lookin’ kept. How I almost ran—bags packed, bus ticket clenched tight—then sat on the curb ‘til dawn, too scared to move, then crawled back inside like a coward. He never judges. Never interrupts. Just watches me, like I’m music he’s heard a thousand times, trying to memorize the lyrics. Tonight, I don’t wait on the porch.
I’m already walkin’. The night’s thick and heavy, like the land’s holdin’ its breath. I slip through the back gate, shawl loose around my shoulders, dress flutterin’ just above my knees. The clearing’s ahead—the path I’ve grown used to walking. He’s already there. Leaning against a tree, like he belongs to it. His white shirt glows faint under the moon, suspenders hanging loose, like he forgot to do up the buttons. There’s a crease between his brows that smooths when he sees me—like he’s been waitin’ for me to come, even if he don’t say it. “You’re early,” he says, low. “I couldn’t sit still,” I whisper back, voice soft but steady. His eyes trace me—like he’s drawing a map he’s known a thousand times but still finds new roads. I step toward him slow, the grass cool beneath my feet, and when I’m close enough to feel the pull of him, I stop. “I been thinkin’,” I say, real quiet. “Dangerous thing,” he murmurs, lips twitching just enough to make my heart kick.
“I ain’t been to the joint all week,” I continue, voice thick as summer air. “Ain’t danced. Ain’t played. Ain’t needed to.” He waits—patient, silent. Like always. “I’d rather be here,” I whisper, and something inside me cracks open. “With you.” The silence that follows ain’t cold. It’s heavy—warm, even. Like a breath held tight in the chest before a storm breaks loose, like the whole earth hums with what’s coming. “I know,” he says. Just that. Two words that make me feel seen and bare and weightless all at once. I don’t think. I just move. Step into him, hands pressed to the buttons of his shirt. My eyes stay fixed on his mouth, not lookin’ anywhere else. And when he doesn’t pull back—when he leans just enough to meet me—I kiss him. It starts soft. Lips barely grazin’, testing, waiting for something to happen. But then he exhales—like he’s been holdin’ somethin’ in for a century—and the second kiss isn’t soft anymore. It’s heat. It’s need. My fingers clutch his shirt like I’m drownin’, and he’s oxygen. His hands find my waist, firm but gentle, like he’s afraid of breakin’ me even as he pulls me closer. I swear the whole forest leans in to watch, silent and still.
He don’t push. Don’t take more than I give. But what I give? It’s everything.
He don’t say nothin’ when I pull back. Just watches me, tongue slow across his bottom lip, like he’s already tasted me in a dream. “C’mere,” he says low, voice rough as gravel soaked in honey. “You smell sweet as sin.” I step into him again without thinkin’, heart rattlin’ around like it’s tryin’ to climb outta my chest. His palm presses to the back of my neck, warm and heavy, pulling me into a kiss that don’t feel like a kiss. It’s a deal, made in shadows, older than us all—something that’s been waitin’ to happen. The second our mouths meet, he moans deep in his chest—like he’s relieved, like he’s been holdin’ back for years. Then he spins me—fast—hands already under my dress. “Ain’t no point bein’ shy now, baby. Not after all them nights sittin’ close, like you wasn’t drippin’ for me.” My knees almost buckle. He bends me over a log, and I don’t resist. I can’t. My hands grip the bark tight, dress shoved up, panties dragged down with a yank that’s impatient and sure. I hear him spit into his palm. Hear the slick sound of him strokin’ himself once, twice. Then he sinks into me—slow, too slow—like he’s memorizing every inch, every breath I take. My mouth opens, no words, just a gasp that’s all I can manage. “Goddamn,” he mutters behind me. “Look at you takin’ me. Tight like you was built for it.” He starts movin’, deep and filthy, grindin’ into me with purpose. I arch back into it, already lost in the feel of him. And then I see it. His face—just behind my shoulder. His jaw clenched tight. His pupils blown wide—no, glowing. A flicker of red embers in each eye, like fire trapped inside. I blink, and it’s gone. I tell myself it’s the moonlight, the heat, how mushy my brain is from what he’s doin’, like he owns me. He don’t give me a second to think. “Feel that?” he growls. “Feel how your pussy’s huggin’ my cock like she knows me?” I whimper—pathetic, high-pitched—but I can’t stop it. “Remmick—fuck—” He yanks my hair, just enough, til I tilt my head back. “You was waitin’ for this,” he says, voice low and rough. “I seen it. Seen the way you look at me like I’m the last bad thing you’ll ever let hurt you.” Leaning into my neck, lips brushing skin, breath cold now—too cold. “But I ain’t gone hurt you, darlin.’ I’m gone ruin you.” He bites—just a little, not sharp—enough to make me gasp, my whole body tensing on him. He laughs—soft, wicked. “Oh yeah,” he says, rutting harder. “You gone come for me like this. Face in the moss, legs shakin’. All these pretty little sounds spillin’ out your mouth like you need it.” I can barely keep up. Dizziness hits hard, slick runnin’ down my thighs, his cock hittin’ that spot over and over. “Say you’re mine,” he growls, hips slammin’ in so deep I cry out. “I’m yours—fuck—I’m yours, Remmick—” His voice drops—dark, velvet, dirtied—like he’s talkin’ from a place even he don’t fully understand. “Good girl,” he mutters. “Ain’t nobody gone fuck you like me. Ain’t nobody got the hunger I do.” And I feel his hand—big and rough—wrap around my throat from behind, just enough to remind me he’s still in control. Then he starts pumpin’ into me—fast, mean, nasty. My back arches. My moans break into sobs. “You gone give it to me?” he pants, barely human anymore. “Come all over this cock?” I want to answer. I try. But I can’t—my body’s already gone, trembling on the edge of something wild and white and all-consuming. And the second I come—everything breaks loose. He buries himself deep and roars—low and wrong, not a man’s sound at all. I feel him twitch, feel the flood of heat spill inside me, and his face presses into my neck, mouth open like he’s fightin’ the urge to bite down.
But he doesn’t. He just stays there. Still. Breathin’ like he ain’t breathed in years. ——
The morning creeps in slow, afraid to wake me, like it knows I’ve crossed a line I can’t come back from. I roll over, the sheet sticky against my skin, last night’s heat still clingin’. For a second—just a second—I forget where I am. Forget the weight of the house, the stale scent of bourbon and sweat baked into the walls. All I feel is the ghost of him—Remmick—still there in the ache between my thighs, in the buzz that lingers low in my belly. Remembered the way remmick carried me back to my porch and kissed me goodnight before walking away becoming one with the night. My fingers drift without thought, pressing just above my hip where a dull throb pulses. I wince, then pull the blanket back. And there it is. A dark, new bruise—shaped like a handprint—only it ain’t right. Too long. The fingers are too slim, curved strange, like something trying too hard to be human. My breath catches. I press again—harder this time—hoping pain might wash the shape away, or that pressure might flatten whatever’s twisted inside me.
But it doesn’t.
So I pull the blanket up, wrap it tight around me, and lie still, staring at the ceiling—waiting for some sign, some answer, some permission to feel what I shouldn’t. Because the truth is—I should be scared. I should be askin’ questions. Should be second-guessin’ everything last night meant.
But I’m not.
Instead, I replay how he looked at me—how his hands, too warm, too sure, moved like they’d known my body in another life. How he said my name like it was already his. I press my legs together under the sheet, close my eyes, and breathe deep. A girl gets used to silence. Gets used to fear. But nobody warns you how dangerous it is to be wanted that way. Touched like you’re somethin’ rare. Somethin’ sacred. Somethin’ wanted.
And I—I liked it. More than that—I craved it now. Even with the bruises. Even with the shadows twisting in my gut. Even with the memory of those eyes—burnin’ too bright in the dark. Don’t know if it’s love. But it sure as hell felt like it.
——
I move slow through the kitchen that morning, feet bare against cool linoleum. The coffee’s already gone bitter in the pot. Frank’s still in bed, his snores rasping through the cracked door like dull saw blades. I lean against the sink, sip from a chipped mug, and glance out the window. The jelly jar’s still there. Wildflowers wiltin’ now, but proud in their dying. I touch the bruise again through my dress. And I smile. Just a little. Because maybe something ain’t quite right. But for the first time in a long while—I’m happy, or well I thought…
——
The nights kept rollin’ like they belonged to us. Me and Remmick, sittin’ under stars that blinked like they was tryin’ to stay quiet. Sometimes we talked a lot. Sometimes we didn’t too much. But even the silence with him had weight, like it was filled with words we weren’t ready to say yet.
I’d tell him stories from before Frank, when my laughter hadn’t yet learned to flinch. He’d listen with that look he had—chin dipped low, eyes tilted up, mouth soft like he was drinkin’ me in, slow. He never interrupted. Never tried to solve anything. Just sat with it all. That kind of listenin’ can make a woman feel holy.
And I guess I got used to that rhythm. I got too used to it.
Because on the twelfth night, maybe the thirteenth—don’t really matter—he said something that pulled the thread straight from the hem. We were sittin’ close again. My shawl slippin’ off one shoulder, the moonlight makin’ silver out of the bruises on my thigh. He had that look on him again, like he wanted to ask somethin’ he’d already decided to regret. “You know Sammie?” he asked, real casual. Like it was just another name. I blinked. The name hit strange. “Sammie who?” He shrugged like he didn’t know the last name. “That boy. Plays that guitar like it talks back. You said he played with Pearline sometimes.” I sat up straighter.
I never said that.
I’d never mentioned Sammie at all. I swallowed. My smile faded before I could think to save it. “I don’t remember bringin’ up Sammie.” The pause that followed was heavy. And not in the good way. Remmick shifted beside me, slow. His jaw ticked once. “You sure?” I nodded, eyes never leaving him. “I’d remember talkin’ ‘bout Sammie.” He looked out at the trees, the edge of his mouth tight. “Huh.” And just like that, the air changed. It got thinner. Like breath didn’t want to come easy no more. I pulled the shawl closer. Suddenly real aware of the fact that I didn’t know where he slept. Didn’t know if he ever blinked when I wasn’t lookin’. “You alright?” he asked, too quick. “You askin’ me that, or yourself?” He turned to me then—real sharp. Real focused. “Why you gettin’ quiet?”
I didn’t answer. Not right away.
“Just surprised, is all,” I finally said, trying to smooth it over like I hadn’t just tripped on somethin’ sharp in his words. “Didn’t think you knew anybody round here.” “I don’t,” he said, fast. “You’re the only one I talk to.” “Then how you know Sammie plays guitar? I’ve never seen you at the juke joint nor heard word about you from anyone there.” His stare was too still now. Too fixed. Like a dog watchin’ a rabbit it ain’t sure it’s allowed to chase. “Maybe I heard it through the wind,” he said, not responding to the other part. But there was no smile behind it. Just the shadow of a man used to bein’ questioned. A man who didn’t like the feel of it. I stood, brushing grass off my legs. “I should head in.” He stood too, slower. Taller than I remembered. Or maybe the night just made him bigger.
“You mad at me?” he asked, quiet now. “No,” I said. “Just thinkin’. That alright with you?” He nodded. But it didn’t look like agreement. It looked like calculation. I didn’t turn my back on him till I hit the porch. And even then, I felt his eyes stick to my spine like syrup. Inside, I sat by the window, hands still wrapped around the cup I didn’t finish. The wildflowers were dry now. Curlin’ in on themselves. And I thought to myself—real quiet, so it wouldn’t wake the rest of me: How the hell did he know Sammie and what business he wan’ with him?
——— The days slipped back into that gray stretch of sameness after I started avoidin’ him. I filled my hours with chores, with silence, with tryin’ to forget the way Remmick used to sit so still beside me you’d think the night made room for him. But the nights weren’t mine anymore. I stopped goin’ to the porch. Stopped lingerin’ in the dark. The quiet didn’t soothe me—it stalked me. I felt it behind me on the walk home. At the edge of the trees. In the walls. I knew he was there.
Watchin’. Waitin’.
But I didn’t let him in again. Not even with my thoughts. That night, the juke joint buzzed with life. Hot bodies pressed close, laughter thick with drink, music ridin’ high on the air. I hadn’t been back in weeks, but I needed noise. Needed people. Needed not to feel alone. I sipped liquor like it might drown the nerves rattlin’ under my ribs. Played cards with a few men, some women. Slammed down a queen and grinned as I scooped the pot. That’s when Annie approached me.
“Y/N,” she whispered, voice tight. I looked up. “Frank’s here.” The name hit like a slap. I blinked. “What?” “He’s outside. Ask’n for you.” Annie’s face was pale, serious. Not the usual mischief in her eyes—just worry. I rose slow. “He’s never come here before.” Annie just nodded. We moved together, my heart poundin’. Smoke, Stack, and Cornbread were already standin’ at the open door, muscles tense, words clipped and low. When Frank saw me, he smiled. That wide, too-big smile I’d never seen on him. Not even on our wedding day. “Hey baby,” he drawled, too casual. “Wonderin’ when you’d come out here and let me in. These folks actin’ like I done somethin’ wrong.”
My stomach dropped. He never called me baby.
“Frank, why’re you here?” My voice was calm, but confusion lined every word. He laughed—soft, amused. “Can’t a man come see his wife? Thought maybe I’d finally check out what keeps you out so late.” Something was off. Everything was off. “You hate loud music,” I said, heart poundin’. “You said this place was full of nothin’ but whores and heathens.” He looked… wrong. Eyes too glassy. Skin too pale under the porch light. “Can’t we all change?” he said, teeth flashin’. “Now can I come in and enjoy my night like you folks?”
I looked at Smoke. He gave me that look—the one that said “you don’t gotta say yes.” But I opened my mouth anyway. Paused. Frank’s smile dropped just a little. “Y/N,” he said, his voice darker now. Familiar in its danger. “Can I come in or not?” My hand flew up before Stack could step forward. I swallowed hard.
“Come in, Frank.”
The words fell like stones. And just like that, the door to hell opened. The moment he crossed that threshold, the temperature dropped. I swear it did.
He didn’t speak. Didn’t drink. Just sat at the bar, stiff and still, like a wolf wearin’ man’s skin. Annie leaned into Smoke’s shoulder. “Somethin’ ain’t right,” she muttered. Mary nodded, arms folded. “He looks hollow.” Thirty minutes passed. Then Frank stood. Didn’t say a word. Just turned and walked into the crowd like a man on a mission. Headin’ straight for the stage.
Straight for Sammie.
Smoke pushed off the wall, followin’ fast. But before anyone could act, Frank lunged—grabbed a man near the front and tackled him to the floor. Screamin’ erupted as Frank sank his teeth into the man’s neck. Bit down. Tore. Blood sprayed across the floorboards, across people’s shoes. The scream that left my throat didn’t sound like mine. Smoke pulled his pistol and fired. The sound cracked through the joint like lightning. The man jerked, then stilled. Frank’s body fell limp over him, gore soakin’ his shirt. Then suddenly Frank stood back up like he wasn’t just shot in the head, the man he bitten standing up besides him the same eerie smile on both their blood stained mouths.
I stood frozen in place.
People screamed, chairs overturned, glass shattered. Stack wrestled another body that started lurchin’ with glowing -white eyes. Mary grabbed Pearline, draggin’ her through the back exit. Annie grabbed me. “Y/N—we gotta GO!” We burst through the back, runnin’. I took the lead, feet slammin’ down the path I used to walk like a lullaby. Not now. Not anymore. Now it felt like runnin’ through a grave. Behind me, I heard chaos—growls, screams, more gunshots. I looked back once. Bodies jumpin’ on each other, teeth sinkin’ into flesh. All Their eyes— White. Glowing like candle flames in a dead house. Annie was right behind me.
Then she wasn’t.
I turned. They were all gone. Sammie. Pearline. Mary. Annie. Gone.
I kept runnin’. The clearing opened up like a mouth, and I stumbled into it, chest heaving. And that’s when I saw him. Same silhouette. Same calm. But he wasn’t the man I knew. Remmick stood just beyond the tree line, Same shirt. Same pants. But now soaked through with blood. But his face— That smile wasn’t his smile. Those eyes weren’t human. Red. Glowing like coals. Just like I thought I saw that night I gave him everything. I froze. My legs locked. My throat closed up. Remmick tilted his head, playful. Mocking.
“Oh darlin’,” he cooed, stepping forward, arms out like a man offerin’ salvation. “Where you think you runnin’ off to? You’re gonna miss the party.” I stumbled back, tears burnin’ in my eyes. “What are you?” He stepped forward, arms open like he meant to cradle me, like he hadn’t just let blood dry on his chest. “Don’t look at me like that,” he said, like it was me betrayin’ him. “You knew. Somewhere in that smart little head of yours, you knew. The eyes, the voice, the way I don’t come out durin’ daytime—”
“You lied,” I whispered. “Only when I needed too,” he said. I shook my head. “I thought you loved me.” Remmick stopped, cocking his head. Everything soft in him was gone. Only sharp edges now. “You thought it was love?” he asked, teeth glintin’ between blood. “You thought I wanted you?” I flinched.
“All I needed was a way in. You—” he stepped closer, “—were just a door. But you kept it shut. Had to break you open. Took longer than I liked.” “I trusted you,” I said, voice crumblin’. “And you broke so pretty,” he said. “I almost didn’t wanna finish the job. But then you ran. Made it… inconvenient.” He hissed softly, a grin curling up like a scar.
“I didn’t want you, Y/N. I wanted Sammie. That boy’s voice carries somethin’ old in it. Ancient. And that joint?” He gestured back toward the chaos. “It’s sacred ground.” “You used me,” I whispered, tears burnin’ now. “I let you in. I trusted you.”
“You believed me,” he corrected. “And that’s all I ever needed.” My breath caught somewhere between my ribs and spine, all my blood screamin’ for me to run. But I couldn’t move—just stared at Remmick, my chest heavy with grief, with betrayal, with rage. He tilted his head again, eyes burning like iron pulled from a forge. “I didn’t want you,” he said again, voice soft as a lullaby. “I wanted the key. And girl, you were it.”
My throat worked around a sob. My legs, finally rememberin’ they was mine, shifted. I turned to bolt— And stopped.
There they stood.
A wall of them.
Faces I knew too well. Cornbread. Mary. Stack. Even Annie—lips pulled in a wide, wrong smile. Their skin was pale, waxy. Their eyes—oh God, their eyes—glowin’ white like candles lit from the inside. They didn’t speak at first. Just smiled. Stared.
And then—slow and soft—they started to hum. That same song Sammie used to play on slow nights. The one that never had words, just a melody made of aching and memory. But now it had words. And they all sang ‘em. “Sleep, little darlin’, the dark’s gone sweet, The blood runs warm, the circle’s complete, its freedom you seek…”
I backed away, breath shiverin’ in and out of my lungs. The chorus kept swellin’. Their voices overlappin’, mouths stretchin’ too wide, white eyes never blinkin’. Like they weren’t people anymore. Just shells. Just echoes.
I turned back to Remmick— And he was right in front of me. So close I could see the dried blood on his collar, the gleam of teeth too long to belong in any man’s mouth. He lifted his hand—calm, steady. Like he was invitin’ me to dance. “Come on, Y/N,” he whispered, smile almost tender now. “Ain’t you tired of runnin’?” I didn’t know if I was breathin’. Didn’t know if I wanted to be. Everything hurt. Everything I’d carried—love, hope, grief, rage—it all sat in my mouth like copper.
I looked at his hand again. And maybe, for just a moment, I thought about takin’ it. But maybe I didn’t. Maybe I turned and ran straight into the woods. Maybe I screamed. Maybe I smiled. Maybe I never left that clearin’. Maybe I did. Maybe the darkness that took over me, was just my eyes closed wishing to wake from this nightmare.
#jack o'connell#remmick#sinners#sinners 2025#sinners x reader#sinners imagine#remmick x reader#vampire#vampire x human#smut#18 + content#fem reader#fanfiction#imagine#sinners fic#angst fanfic#dark romance#my writing#cherrylala
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ˋ 🗯️ ⨾ I’M YOUR SECRETARY



𝖎𝗻 𝖜𝗵𝗶𝗰𝗵 𓈓 𝗒𝗈𝗎𝗋 𝖻𝗈𝗌𝗌 𝗌𝗁𝗈𝗐𝗌 𝗒𝗈𝗎 𝗐𝗁𝖺𝗍 𝗂𝗍 𝗆𝖾𝖺𝗇𝗌 𝗍𝗈 𝖻𝖾 𝗶𝗻 𝗰𝗼𝗻𝘁𝗿𝗼𝗹.
❛ 박성훈 𝑥 𝑓!reader ❜ ╱ 𝖒. list 𝖾𝗌𝗍𝖺𝖻𝗅𝗂𝗌𝗁𝖾𝖽 𝗋𝖾𝗅𝖺𝗍𝗂𝗈𝗇𝗌𝗁𝗂𝗉, 𝗈𝖿𝖿𝗂𝖼𝖾 𝖺𝗎, 𝗌𝗆𝗎𝗍, 𝗅𝖺𝗐𝗒𝖾𝗋!𝗌𝗎𝗇𝗀𝗁𝗈𝗈𝗇, 𝗌𝖾𝖼𝗋𝖾𝗍𝖺𝗋𝗒!𝗋𝖾𝖺𝖽𝖾𝗋 ✴︎ 𝘮𝘦𝘢𝘯 𝘥𝘰𝘮!𝘴𝘶𝘯𝘨𝘩𝘰𝘰𝘯, 𝘴𝘱𝘢𝘯𝘬𝘪𝘯𝘨, 𝘧𝘪𝘯𝘨𝘦𝘳𝘪𝘯𝘨, 𝘴𝘰𝘮𝘦 𝘰𝘷𝘦𝘳𝘴𝘵𝘪𝘮𝘶𝘭𝘢𝘵𝘪𝘰𝘯, 𝘥𝘦𝘨𝘳𝘢𝘥𝘢𝘵𝘪𝘰𝘯 / 𝘯𝘢𝘮𝘦 𝘤𝘢𝘭𝘭𝘪𝘯𝘨 (𝘸𝘩𝘰𝘳𝘦, 𝘴𝘭𝘶𝘵, 𝘧𝘶𝘤𝘬 𝘵𝘰𝘺), 𝘵𝘩𝘦𝘺 𝘣𝘰𝘵𝘩 𝘮𝘢𝘵𝘤𝘩 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳’𝘴 𝘧𝘳𝘦𝘢𝘬 𝘭𝘮𝘢𝘰 𓈒𓈒 16OO
( 𝖓 )。 this is directly inspired by the secretary (2002) movie because i am still not over it lmaoo.. hehe thank you my lilypad, @prkhaven, for sending this thought eeeee!!! clearly by the word count i got a little carried away with it… and a special little tag for my love @bambiihee because i can freak out with her about the movie and young james spader now (⸝⸝ᵕᴗᵕ⸝⸝)♡
You had to try and hide how giddy you were for this moment—how your body tingled with excitement and how no matter how hard you tried, your hands wouldn’t lay perfectly flat on the mahogany desk.
It took everything in you to look forward, your bottom lip between your teeth and just begging to draw blood. You could feel him behind you, the heat sweltering between your two bodies, and how he faintly trailed his hand along your hip. The excitement that coursed through you was so great that you didn’t even think to hold your breath and wait for it.
“How long has it been now?” Sunghoon asked you, his voice almost monotone, but you could still hear the anger swirling underneath it.
“Weeks, sir,” you replied.
“Weeks,” Sunghoon repeated, “and I’m still finding all these typos on my documents. Do you not understand how this makes me look? Do you expect me to send documents with red circles all over them?”
The typos were on purpose, but you wouldn’t tell Sunghoon that. It was the only way you could get the two of you to this moment—you bent over ninety degrees on his desk while your nose practically touched the paper and him standing behind you, a hand itching to raise in the air. You awaited the spanking—you were desperate for it. So much so that you had to stop yourself from wiggling your ass back towards him.
“No, si—” Smack.
You lurched forward, a half-gasp and half-moan spilling from your already parted lips. The corners of your mouth raised. Inhaling deeply, you repeated yourself. “No, I'm sorry. I’ll do—”
Smack.
Lurching forward again, the sound that escaped you was definitely a moan this time. Your head fell towards the desk as you tried to catch your breath. Sunghoon ran his hand along the fabric of your skirt, fondling your ass right before stopping right where you would be soaking through if it hadn’t been for the layers you were wearing. You bit your lip to try and muffle the groan.
“I’ll do better,” you said, your voice wispy. Sunghoon’s cupped your ass again, before you felt his hand leave and the sound of it hitting fabric reverberated through the quiet office.
Another moan escaped you and you had to lean more on the desk to hold yourself up. Still, you didn’t dare to look back at him and break the unspoken rules that he had placed for you; but you so desperately wanted to. Your knees felt weak and the heels you were wearing didn’t make stabilization any easier for you. You were grateful for the momentary pause that let you both seemingly catch your breath.
“Lift up your skirt,” Sunghoon cuts through the thickness in the air. You pause, unsure if you heard him correctly, and you look back at him.
He sports the same blank face, but you can see how he unravels at the edges around it. You notice the wrinkles in his suit and the way his tie is skewed to the side. His dark hair is in his darker eyes as he stands back and waits for you to obey his command. It almost looks as if he let the words slip from his mouth and it’s too late now to take them back. Like he inadvertently exposed his deepest desire to you by accident. “W-What?” you ask in a small voice, nervous that it’s all in your head, that the excitement has carried you away.
Sunghoon repeats himself, only this time, he adds to what he said. “Lift up your skirt and pull down your stockings and panties.”
You open your mouth again to ask if that’s what he really meant, but he speaks again before you can. “I’m not gonna fuck you,” he says.
A little disappointed, you inhale sharply at his words. “At least, not in the way you want—though I should after your behavior. You can’t even take a simple punishment without moaning like a damn whore.”
Sunghoon looks you up and down, but you can’t quite read his gaze. He’s too stonefaced. You hesitate, but you face forward again and lift your arms from the table to reach behind you. Slowly, you pull up your long skirt with shaky fingers, and after you pull down your stockings and panties until you’re completely exposed for his eyes to see.
You hear him inhale, but you don’t turn around again. The tips of his fingers trail along the skin he just repeatedly smacked, and the burning you feel there intensifies. A small whimper emits from you that you quickly try to swallow, but Sunghoon’s fingers pause anyway.
This time you feel the wind from his hand before you hear the echo of his palm slapping your ass. Unashamed now, you let your loud moan out freely. Smaller ones follow as you readjust yourself, ready for his next action. The thought that Sunghoon could see how soaked through your panties and stockings were didn’t even cross your mind until it was too late, but your back arched from the thought nonetheless.
Sunghoon’s hand caresses along the bruising skin, and his thumb gently rubs circles into the flesh. Then, his hand moves down, further and further. “Your behavior has been unacceptable. You know I value professionalism above all else, and you are a direct reflection of everything my firm stands for when they walk through that front door. Yet, you parade around, playing with your hair and cutting squares out of your skirts.”
His other hand yanks your skirt further up your back as if it was a nuisance and in his way. At the same time, his fingers delve into your wetness, at the arousal sliding down your inner thighs and coating your waiting pussy. You gasp.
“Are you trying to spite me? Do you want me to treat you like the fuck toy you’re acting like? Because I have no problem doing so.” Sunghoon’s fingers plunge into your entrance and another loud moan is ripped from you, your body lurching forward again as you immediately clench around his slender fingers. His fingers move without hesitation and curl inside of you each time they can’t be pushed in any farther.
Your mouth hangs open and your airy moans fall freely throughout the room. Sunghoon leans down so his face is hovering near yours, and you turn your head ever so slightly to the side so you can see him. His hand doesn’t stop, and neither does the sound from your lips. You can feel the boner through his pants as he leans against you more so you’re almost eye to eye.
Just the sight of his stare through his pretty lashes almost makes you cum. His hand slams down onto the table next to yours and you take the risk to put your pinky over one of his fingers. Sunghoon holds onto that action like it’s his lifeline. In a low voice he says, “I respect you as an employee too much to treat you like a slut. But—just for this moment—I’ll lower my standards for you, slut.”
His fingers move faster, and you feel like all the build-up to this moment was a mistake that you were now feeling the consequences of. You were seconds from breaking completely—and Sunghoon was front row center for the show. Mewling, you bit down hard on your bottom lip and tears welled in your eyes, but you refused to look away from his stare.
You refused to turn away from how heavy his eyes got at each and every single one of your moans. Like he wanted to close his eyes and enjoy the sound, but wanted to witness the face you made as well. Or how his mouth was open and his jaw slack. You especially didn’t want to miss the quiet moans he occasionally voiced, the sound too busy being drowned out by the sounds that you made.
It was all so glorious that your body took over and made the decision for you. Your eyes rolled back as your body went limp. Sunghoon cursed under his breath at the way your pussy held him in a vice grip and refused to let go as you broke around him, covering his hand in a pearly white.
The two of you stood there for a moment, clinging to each other as you struggled to let the oxygen reach your starved lungs. You leaned your head against his, and Sunghoon nuzzled into you before ripping himself away completely.
He pulled his fingers out from inside you, still glistening with your arousal and coated in your cum, and stumbled a couple steps back from you. You turned to look at him, and for a brief second the two of you stared at each other.
Sunghoon then rounded the corner of his desk before falling heavily into his chair, his face mere inches from yours. He closed his eyes for a moment.
“A coffee, please,” Sunghoon said thickly. His eyes fluttered open to look directly at you. You hesitantly stood straighter, confusion written all over your face. Sunghoon plucked the papers off his desk with the hand that had just given you so much pleasure that it was currently dripping down your thighs and puddling in your panties right now like it was nothing. “And this time… add more sugar,” he continued.
Awkwardly, you hiked up your panties and stockings and pulled down your skirt. You grabbed the stack of files that you sat on his desk before standing in front of it for another awkward moment.
“Y-Yes, sir,” you stuttered before rushing out of his office. Sunghoon didn’t spare you another glance.
͏ ͏ ͏͏ ͏ ͏͏ ͏ ͏ ͏͏ ͏ ͏͏ ͏ ͏ ͏ ͏͏ REBLOGS ◜◡◝ FEEDBACK APPRECIATED!
✉️ ⦂ godddd i need young james spader so desperately it’s not even funny anymore… anyway are we fw the hard thoughts layout?
𖥦 ﴾ 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖾 𝗈𝗇 𝗍𝗈 . . . 𝗺𝗮𝘀𝘁𝗲𝗿𝗹𝗶𝘀𝘁 , 𝘁𝗮𝗴𝗹𝗶𝘀𝘁 ﴿ @innocygnet @ghstzzn @heechwe @tinycatharsis @prkhaven @bambiihee @fangel @xylatox @izzyy-stuff @hyukascampfire @sunoosgfv @whosserina @jellymochii @sumsumtingz @riribelle @minaateez @everythingvirgoes @lvrs-street2mmorrow @beomieeeeeeeeeeees
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#꒰ 𓈓 𝑡ℎ𝑖𝑛𝑘𝑖𝑛𝑔 𝑡ℎ𝑖𝑛𝑘𝑖𝑛𝑔 𝑡ℎ𝑖𝑛𝑘𝑖𝑛𝑔 .ᐟ ꒱#sunghoon x reader#sunghoon smut#sunghoon hard thoughts#sunghoon hard hours#sunghoon headcanons#sunghoon scenarios#sunghoon imagines#sunghoon fanfic#enhypen sunghoon#enhypen x reader#enhypen smut#enhypen hard thoughts#enhypen hard hours#enhypen headcanons#enhypen scenarios#enhypen imagines#enhypen fanfic#enhypen#kpop x reader#kpop smut#kpop hard thoughts#kpop hard hours#kpop headcanons#kpop scenarios#kpop imagines#kpop fanfic
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masterlist
summary: after accidentally spilling soda on your shirt while hanging out with Sarah, you go to the bathroom to wash it only to be met with her brother. freshly out of the shower.
words count: 1.2k
warnings: making out, half-naked Rafe, suggestive?



The movie played on Sarah’s flat screen, with you both being lazily spread out on her bed, but you couldn’t focus. You were in her room, sipping soda and pretending to actually pay attention to the cheesy rom-com she swore was “life-changing.” But the real distraction was her brother, Rafe, who’d been lurking somewhere in the house all evening.
The tension between you and Rafe had been simmering for months. Stolen glances, fleeting touches, and a kiss that you shared not so long ago were slowly driving you insane. After the night when he kissed you after driving you back to your house and leaving with a soft ‘goodnight’, you couldn’t seem to focus on anything beside that memory.
You hadn’t told anyone—not even Sarah—because you knew how complicated it would get. Sarah’s protective streak would go into overdrive, and your other Pogue friends would probably be either pissed off or completely shoked.
You took a sip of your drink, trying to shake the thoughts from your head, when the ice-cold soda spilled over the rim of the can and onto your shirt.
“Shit.” You muttered, jerking back as the liquid seeped into the fabric.
Sarah burst out laughing, putting the movie on pause and sipping her own soda with a grin. “Oh my god, you’re a disaster. Go clean it up before you ruin my comforter!”
“In your bathroom?”
“Nah, in the one down the hall, I told you that the water doesn't work in mine. And try not to cause any more problems.” She teased, her grin wide.
Rolling your eyes, you grabbed some tissues from her ightstand and headed down the hallway. You pushed open the bathroom door without thinking, too focused on the mess.
“Holy—”
Your words caught in your throat.
Standing there was Rafe. His back was turned to you at first, a bright white towel slung low on his hips, his shoulders, and his muscular back still wet from the shower. He turned at the sound of the door, his brows raising in mild surprise.
“Didn’t know I had company.” He said, his voice lazy, like he wasn’t the one standing half-naked in front of you.
Your heart pounded. You wanted to look away, to leave, but your feet stayed rooted to the spot as your eyes hungrily slid over his perfect body, not missing a single spot and lingering on that perfect v-line. “I didn’t realize anyone was in here.” You managed, your voice shaking slightly.
Rafe’s lips curled into a smirk. “You’re staring.”
“I am not!” You shot back, though your gaze betrayed you as it flicked briefly to his chest.
He took a slow step toward you, and the air in the room seemed to thicken. “You sure about that?”
You swallowed hard, your back hitting the door as you instinctively stepped away. “Rafe, I was just—”
“Just what?” He interrupted, his tone playful but edged with something darker, something dangerous. “Sneaking a peek? It’s okay. I don’t mind if it’s you, you know that.”
“Stop.” You said, but your voice slightly trembled, and Rafe definitely didn’t miss that.
He didn’t. Instead, he leaned a hand against the door beside your head, caging you in. Face too close to you, with water drops still sliding down his damp hair right on the floor. His other hand tugged the towel around his hips a little higher, a deliberate tease, making your eyes shamelessly follow his movements.
“Relax.” He murmured, his voice low, intimate. “It’s just me.”
“Exactly.” You hissed, trying to keep your head clear and not fall for his tricks, even if Rafe’s presence alone made your knees weak and your insides flutter with anticipation. “You’re Sarah’s brother. If she finds out about this—”
“About what?” He tilted his head, his lips dangerously close to yours. “We haven’t even done anything. Yet.”
His words hung in the air, heavy with implication. You could feel the heat radiating off him, the faint scent of his soap intoxicating you. With a low chuckle, he grabbed your arm, pulling you further into the room, closer to the sink, and taking napkins from your hands. He patted your shirt to make it seem like he was actually doing something. You both knew that it was just his little game, his usual teasing demeanor around you.
You turned your head to look at the foggy mirror above the sink, seeing your reflection and once again noticing how good he looked beside you—so big, strong, and goddamn sexy.
“We look good together, don’t we?” Rafe murmured beside your ear, his pretending of cleaning your shirt long forgotten when your head snapped into his direction and you saw him just a few centimeters away from your face.
“Rafe, this isn’t—”
Before you could finish, his lips brushed yours, testing. It was gentle at first, like he was daring you to pull away. But you didn’t. Instead, your hands found his tense shoulders, gripping them as he kissed you deeper, his other hand sliding to your waist.
You couldn’t think, couldn’t breathe, as the kiss consumed you. The tension that had been building between you for months exploded all at once, leaving no room for reason. Rafe pushed you back, closer to the sink, then hooked his hands under your thighs and easily lifted you on the counter. He pushed himself in between your legs, and for a second you worried that his not-really-helping-to-hide-anything towel might just simply drop with the way how carelessly he moved in between your legs.
You panted against his lips, too lost in his touch and scent, never wanting this moment to end. Your body was heating up from Rafe's touch and the way his lips were moving against your, making it wet and messy. You slid your nails from his shoulders down his chest, leaving long stripes and pulling a groan from his mouth onto your lips. Then the door behind you creaked open.
“Babe, why is it taking you so long—”
Sarah’s voice cut off abruptly.
You sprang apart, pushing Rafe away from you, and jumped down from the counter, your heart racing as Sarah stood frozen in the doorway, her eyes wide with horror.
“Oh. My. God.” Her voice was laced with disbelief and disgust. “Ew, Rafe! What were you doing to her?!”
You tried to step forward to explain, but Rafe’s arm slid around your waist, holding you firmly in place.
“Sarah, I can—”
“Save it.” She snapped, throwing up a hand to stop you. Your stomach dropped thinking that she was actually angry at you. “I knew something was going on, but I didn’t need to see it! And, for the love of everything holy, Rafe, hold your towel!” She moaned in desperation, covering her eyes with one hand.
Behind you, Rafe chuckled, completely unbothered. “What can I say, sis? She’s irresistible.”
“Gross!” Sarah groaned dramatically. “Figure this out somewhere else! And don’t touch anything in here!” She stormed off, muttering under her breath.
You turned to Rafe, mortified. “This is a disaster.”
He grinned, brushing a strand of hair from your face. “Worth it.”
“You’re impossible.” You muttered, though you didn’t pull away as he leaned in again, his lips ghosting over yours gently and tenderly.
“And you’re not saying no.” He whispered, the smirk on his face making your stomach flip.
You knew this wasn’t over—not by a long shot.
#rafe cameron x reader#rafe cameron x you#rafe x reader#rafe cameron fanfiction#rafe cameron#rafe cameron imagine#rafe imagine#rafe x you#rafe cameron x female reader#rafe cameron x y/n#obx x reader#obx fanfiction#obx fic#obx x you#rafe outer banks#rafe fanfiction#rafe fic#rafe obx#rafe cameron one shot#rafe cameron fic
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You Can Take It, Right? | S.Mingi



MDNI 18+
Song recs: Friends by Chase Atlantic | Take you down by Chris Brown | Say my name by ateez | Red lights by Skz |
Warnings: Heavy sexual tension, explicit dirty talk, mutual pining, teasing, best-friends-to-lovers energy, Mingi being a menace, mild language, hot & messy make-out session.
Trope: Best Friends to Lovers, Mutual Pining, Friends Who Flirt Too Much, Slow Burn with a Payoff
WC: 781 words
Synopsis:
What starts as harmless teasing turns into something far more dangerous when Mingi decides he’s done playing around. Trapped between him and the couch, you’re forced to answer the question—will you push him away or pull him closer?
Author’s Note:
I had way too much fun writing this, and I hope you enjoy Mingi being an absolute menace with that dirty mouth of his. The tension? Thick. The teasing? Dangerous. And that payoff? Worth the wait. LMK if you want a part two! 😉
You should’ve known better than to challenge Song Mingi.
It started off the way it always did—banter, teasing, stolen glances that lasted too long to be friendly. You were used to pushing each other’s buttons, toeing the line but never quite stepping over it. Until tonight.
It was just the two of you, sprawled out on his couch after a movie, the soft glow of the screen flickering over his face. The teasing had started when he caught you staring.
"Like what you see?" he’d smirked, stretching his arms over his head, his hoodie riding up just enough to show a glimpse of his toned stomach.
You rolled your eyes, trying to act unaffected. "Please. You’re all talk."
That was the mistake.
Because the second those words left your mouth, Mingi shifted—his lazy smirk sharpening into something darker, something unreadable.
"All talk, huh?" His voice was lower now, dipping into that deep, husky register that made your stomach tighten.
Before you could react, he moved—one arm bracing against the back of the couch, the other pressing into the cushion beside your hip, caging you in effortlessly.
The air changed.
Mingi wasn’t smiling anymore. His eyes dragged over your face, slow and deliberate, lingering on the way your lips parted, your breath suddenly uneven.
"You can take it, right?" he murmured, and fuck. The way he said it—like a challenge, like a promise—sent a shiver straight through you.
You swallowed, trying to keep your voice steady. "Mingi—"
He hummed, dipping his head until his lips hovered just above your ear. His breath was warm against your skin, his voice a deep rasp that made your stomach flip.
"Look at you," he mused. "All quiet now. Wasn’t so cocky a second ago."
You clenched your fists, fighting the urge to squirm. "Shut up."
Mingi chuckled, the sound low and smug. "Make me."
Your breath caught.
He was still so close, his body heat sinking into you, his scent—clean, warm, Mingi—wrapping around you like a trap. But it wasn’t just his presence. It was his voice—the way he was dragging this out, letting his words settle over your skin, heavy and thick.
"If I touched you right now," he murmured, his lips just barely grazing your jaw, "would you push me away… or pull me closer?"
You should’ve pushed him away.
You should’ve.
But instead, your fingers twitched, itching to grab the front of his hoodie and pull. And Mingi saw. His smirk widened, his tongue flicking out to wet his lips as he let out a low chuckle.
"That’s what I thought."
Your patience snapped.
With one sharp tug, you fisted his hoodie and yanked him down.
Mingi barely had time to react before your lips crashed into his. And for a second, he froze—like he hadn’t actually expected you to cross the line first. But then he moved.
A groan rumbled from his chest as he kissed you back, deep and hungry, his hands gripping your waist, pulling you flush against him. The shift sent you sprawling back onto the couch, Mingi following without hesitation, pressing you into the cushions as his weight settled over you.
His mouth was hot, his lips parting just enough for his tongue to brush against yours, slow and teasing. His fingers dug into your hips, keeping you pinned beneath him, his body pressing into yours like he needed to be closer.
"Fuck," he muttered against your lips, breathless. "You taste better than I imagined."
Your fingers tangled in his hair, tugging just enough to make him groan. "You imagined this?"
Mingi grinned against your mouth, his teeth grazing your lower lip before sucking it between his teeth, biting down just enough to make your breath hitch. "Baby, you have no idea."
The way he said it—low, rough, possessive—sent a full-body shiver through you.
And then he was everywhere. His lips trailed along your jaw, down the column of your neck, each kiss punctuated by a hushed whisper, a dirty little confession. "Been thinking about this for so long." A slow, open-mouthed kiss to your collarbone. "The way you look at me? Drives me insane." His teeth scraped against your skin, making your fingers tighten in his hair.
"Mingi—"
He groaned, his hands tightening around your hips as he rocked against you, his breath coming out in a shaky exhale. "Say my name like that again, and I swear I won’t stop at just kissing you."
Heat flooded through you.
But before you could respond, his phone buzzed on the coffee table.
The sudden noise snapped you both back to reality, your heaving breaths the only sound filling the room. Mingi didn’t move right away—his forehead still resting against yours, his fingers still gripping your hips like he was this close to saying screw it and going all the way.
You let out a shaky laugh. "Guess we got a little carried away."
Mingi groaned, dropping his head into the crook of your neck. "Worst timing ever."
You nudged him playfully. "You gonna check that?"
"Absolutely not."
You giggled, finally pushing at his chest until he let you sit up. But when you looked at him, his dark, hooded eyes were still locked on you, his lips kiss-swollen, his breathing uneven.
"This isn’t over," he murmured, tilting your chin up with his fingers.
You swallowed hard. "No?"
His smirk returned, slow and dangerous. "Oh, baby… I’ve barely even started."
---
#kpop fluff#kpop#kpop x reader#kpop smau#kathaelipwse#ateez scenarios#ateez fanfiction#ateez#ateez au#ateez x y/n#ateez fluff#song mingi#mingi#mingi atz#mingi ateez#mingi x reader#mingi x y/n#mingi x you#ateez x reader#ateez drabbles#ateez imagines#ateez x you#atz x reader#ateez x female reader#kpop smut
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SWEET BROWN SUGAR (VOL 2)
˓𓄹 ࣪˖ more kink drabbles :3 including jing yuan, gallagher, mr reca, phainon (vol 1 here)
contains a bit darker than vol 1 .. meanie jing yuan :(, gallagher is gross (i need him so bad)!!!! actress!reader in reca’s hehe, phainon is lowk insane
notes cant wait for mydei’s banner (i barely saved up a 10 pull)

JING YUAN — cockwarming + breeding
lazy sex with the laziest general on the xianzhou isn’t a surprise to anyone. but alas, despite being older, bigger and wiser now, he was still raised as a cloud knight, trained to build up as much stamina as he could. maybe, you wonder, that’s why he never seems to get too tired, never seems to get his stupid fat cock to soften. however, he just can’t be bothered to thrust into you, breaking out a sweat to pound in his sweet lover, no, he’ll just stuff it right into your cunt, keeping it warm as he finishes all the paperwork diviner fu sent him. too lazy to think about what the cloud knights who barge into the seat of divine foresight will think, jing yuan figures it’s best to keep you plopped into his lap all day. but of course his princess is bound to get bored, and he’s never been an evil man. so his honeyed words fill up the room, encouraging you to fuck yourself using him, hands rubbing your tits above your shirt. lunch breaks are his favorite part of the day, since you typically work up the courage to ride him then. he won’t help you, no, he’ll save his actions for later tonight, but he still keeps you plugged with his cum, filling your tummy and keeping it warm.
GALLAGHER — daddy + corruption
gallagher gets disgusted with himself sometimes. he knows he shouldn’t hang around you so much, but you make it so easy when you stumble into his bar for the nth time this month, short skirt hanging low on your hips. but, he also knows you really don’t know any better. he’s always so nice to you, maybe a little teasing here and there, giving you time and space to ramble about whatever fad you’re into nowadays. he just nods, eyes focused on the way your lips play with the straw of your drink. gallagher’s mind is filled with you, having spent countless off duty nights tugging at his cock wishing it was your hand instead. he doesn’t hesitate when he notices how you’ve been squirming on the bar stool, back arching and your nipples showing beneath your tight shirt. of course he doesn’t hesitate when you murmur something about feeling hot and wanting his help — maybe he should’ve. now you’re pressed into his small mattress, clothing long lost on the floor of his room, too busy squealing as he rubs and pinches your clit and tits. you really don’t know any better, relying on an older man to take care of you .. gallagher thinks you’re so cute, cheeks all red as you stammer out some daddy, please while he rubs his cock over your cunny. don’t worry, daddy’ll take really good care of you, ruining you for everyone else. gallagher’s gross, really, but you don’t seem to mind.
MR RECA — filming + lingerie
does this even surprise anyone? he’s penacony’s best filmmaker, known for his versatility and ability to make every genre feel appealing to the audience. of course, he can’t stick to traditional movies forever, especially since finding out how much he loves filming you. after begging you to star in a few of his movies (action, romance, whatever!), reca started feeling insatiable, completely head over heels for you. sure, he loves taking you out on cute dates and fucking you silly after, but there’s an itch he just can’t seem to scratch… until he gets the genius (his words) idea to dress you up in lewd, skimpy clothes, a stage costume of some sorts if you will, and film you getting ruined right after. he can’t pick a favorite, and thankfully he has no issues in buying you intricate lace bras or lewd latex thongs — you look great regardless, especially since he seems to have endless recording techniques up his sleeve, always managing to picture you in the best way possible. you don’t even notice, really, as reca plows his cock into you and moves the camera to capture your breasts bouncing in your flimsy bra. but of course, your little movies stay private, between you and him. the public is not deserving of such high quality erotica! (reca just doesn’t want to share you with anyone. you’ll stick to starring in slice of life movies for now.)
PHAINON — cunningulus + dacryphilia
phainon is almost the textbook definition of knight in shining armor, always tending to each and every one of your needs. even in bed, he only cares about your pleasure, spending hours and hours on foreplay, sucking your tits and bruising your neck with endless hickeys, before burying his face in your crotch. you can try to tell him to stop, to just fuck you already, but he doesn’t listen, drunk on your cunny! he sucks agonizingly slow on your poor, swollen clit, then presses wet kisses on your puffy lips before plunging his tongue in your hole. phainon is selfish, however, and despite making you cum countless times more than he does, he still wishes to leave his mark on you, so that everyone can see that you belong to phainon of the crysos heirs. his hands grip on your plush thighs, bruising your flesh, and he’s so much stronger than you — you can’t get him to leave your poor cunt alone even if you tried. when phainon stops, only because you cried a bit too much, he admires the tear stains on your cheeks. there’s a sick thought in his brain, plaguing his mind, of how innocent you look, all fucked out on his bed. the more you cry, the more he feels his cock harden again. but when you call out his name, he goes back to being the same sweet boy you know. he can’t let you know how he truly feels, who he truly is.
#writing#x reader#smut#honkai star rail x reader#hsr x reader#honkai star rail smut#hsr smut#jing yuan x reader#jing yuan x you#jing yuan smut#gallagher x reader#gallagher smut#phainon x reader#phainon smut#mr reca x reader#mr reca x you#mr reca smut
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One Bed, Two Problems

Jeongin x reader / enemies to lovers / only one bed / smut / possessive!Jeongin
**involves!!** sex, dirty talk, cursing, rough sex, Insulting / pain kink, cursing
enjoy xx (open for request)
★.•☆•.★★.•☆•.★¸.•☆•.¸★ skzstarl0ver ★⡀.•☆•.★⡀.•☆•.★¸.•☆•.¸★
You don’t remember when exactly it started — this thing between you and Jeongin.
Maybe it was that first time he rolled his eyes at something you said during a game night, or the way he’d always challenge you on the most mundane things. What movie to watch. Who made the best ramen. The right way to fold laundry. Every moment between you turned into a petty argument — but the weird part?
It never really pissed you off. It exhilarated you. You craved it.
Which is why this trip with the friend group was already risky. You didn’t need to be around Jeongin for seven straight days, sharing vans and meals and long stares across group dinners. But you never expected this.
“We have a little mix-up in the booking,” the hotel receptionist said sweetly. “Looks like… one bed in the room for you two.”
Jeongin laughed. Actually laughed. And that smug little dimple popped.
“Perfect,” he said. “Y/N snores anyway. I’ll suffer through it.”
You spun toward him. “I do not snore.”
“Sure, baby. Whatever gets you through the night.”
You could’ve punched him right there. Instead, you grabbed the key and stormed off.
Now it’s 12:37 a.m. and you're lying as close to the edge of the bed as humanly possible, gripping your phone like it’s a lifeline.
Jeongin is on the other side — same position. Same tension. Same awareness.
Every rustle of the sheets feels like an earthquake.
You toss onto your back and exhale sharply. “Can you stop moving?”
“I’m not moving.”
“You’re breathing loud.”
“It’s called being alive, princess.”
You groan, covering your face with your arm. “I hate this.”
He chuckles under his breath, voice low and far too hot in the dark. “No you don’t.”
You peek at him. “Excuse me?”
“You love fighting with me,” he says lazily, one arm tucked behind his head. “You’d be bored if I stopped.”
You roll your eyes. “Trust me, I dream of silence.”
He hums. “Do you dream of me too?”
That silences you.
For a full beat, neither of you says a word.
“…You wish,” you finally murmur.
But it comes out too soft. Too shaky. And he hears it.
He shifts, and you feel the bed dip as he turns onto his side to face you.
“You know what I think?” he whispers.
You don’t answer. You don’t breathe.
“I think you hate me because you can’t stand how badly you want me.”
Your chest tightens. Your heart is racing, hammering. You can’t look at him.
“Don’t flatter yourself.”
“Oh, baby,” he murmurs, voice brushing the shell of your ear, “if I was flattering myself, you’d be begging already.”
You turn, ready to throw another insult, but the words die the second you meet his eyes.
God. His face is so close. Lips parted. Eyes darker than you’ve ever seen them. That cocky confidence is still there, but it’s coated with something else now.
Desire.
Raw and real and hungry.
“You want me to shut up?” he whispers.
You swallow hard.
“Then make me.”
You don’t know who moves first — maybe both of you. Maybe the universe finally snapped and said enough — but your lips crash like a storm.
It’s not sweet. It’s heat. Tongues, teeth, years of teasing and tension unraveling all at once. His hands tangle in your hair, your fingers clutch his hoodie like you need something to anchor you. Every kiss is a battle and a surrender all at once.
When you break apart, breathless, his forehead presses to yours.
“I knew it,” he whispers.
“You’re so cocky,” you pant.
“You like it.”
You kiss him again just to shut him up. This time slower. More desperate. You feel his hand slide under your shirt, warm against your skin, and your breath catches.
“I should hate you,” you whisper.
He smirks against your throat. “You do.”
“But I want you.”
“I know.”
You don’t remember who yanked whose shirt off first.
All you know is that one second you were clawing at each other’s clothes like animals, and the next he had you pinned to the mattress, body heavy over yours, lips swollen from kissing you stupid.
“You gonna whine the whole time?” he growls, dragging his mouth along your jaw.
You squirm beneath him. “Depends. You gonna fuck like you argue?”
His smirk is pure sin. “You want me to be nice?”
“God, no.”
He grins — but it’s feral now. Dangerous.
“Good,” he mutters, “because I don’t do nice with brats like you.”
His hand wraps around your throat — not tight, just enough to make you freeze. To make your breath hitch.
“Always mouthing off,” he says, eyes locked on yours. “Always so fucking annoying. You need to be put in your place.”
And then his mouth is on yours again, biting, claiming, owning.
You gasp as he flips you over, chest to the bed now, his weight pressing you down. You feel his teeth scrape your shoulder, and you moan — loud, shameless.
“You like that?” he whispers, fingers sliding between your legs. “Didn’t think a stuck-up princess like you could be so wet for someone she ‘hates.’”
“I do hate you,” you breathe.
He laughs against your skin, nipping your ear.
“Liar.”
You feel him rutting against your ass, hard through his boxers, and you push back just to feel him groan.
“Look at you,” he murmurs. “So desperate. So cocky all day, and now you’re just begging for it.”
You try to turn your head but he grabs a fistful of your hair, yanking it back — just enough to make you moan again.
“Say it,” he growls.
You shiver. “Say what?”
“That you want me. That you need me.”
You grit your teeth. “Never.”
He laughs again — dark and low and absolutely wrecking you.
“Fine,” he mutters, lining himself up behind you. “I’ll fuck the truth out of you.”
And when he thrusts in, hard and deep, your brain short-circuits.
You cry out into the pillow, hands clawing at the sheets. He doesn't give you time to adjust — and you don’t want it. You want it raw. You want it rough. You want him.
Every thrust knocks the air out of your lungs. He leans down, chest to your back, one hand tangled in your hair, the other gripping your hip like he’s scared you’ll vanish.
“You take me so well,” he growls. “Bet you’ve thought about this every night after we argued, huh? Bet you played with yourself thinking about how good I’d fuck you.”
You moan, helpless.
“Oh my god—”
“What was that?” he taunts. “No more snarky comebacks now?”
He reaches down, fingers circling your clit while he keeps thrusting. You arch like a live wire, crying out for him. Your entire body trembles.
“You close already, baby?” he whispers in your ear. “I’m not even close to done.”
You choke on a moan, tears pricking your eyes.
“Fuck, Jeongin—!”
“Say it,” he demands again, voice sharp.
Your pride is barely holding on — but your body? Your body is screaming for him.
“I need you,” you finally cry. “F-fuck—please—Jeongin—”
He groans at that, slamming into you harder, relentless. You’re so close it’s painful.
“God, look at you,” he breathes, watching your body quake beneath him. “My bratty little problem. So fucking perfect like this.”
His hand grabs your jaw, turning your face toward him just enough so he can kiss you while you fall apart.
And when you do, it’s earth-shattering.
You moan his name like a prayer, like a curse, and he follows with a low growl of your name, burying himself deep, shaking against you as he loses control.
The room is filled with panting, sweat, tangled sheets, and the aftershock of a storm you both saw coming — but still couldn’t prepare for.
You're still catching your breath when he pulls out, breath heavy, hand sliding slowly down your back. You're both slick with sweat, clothes tossed somewhere across the room, and your thighs are still trembling.
You don’t speak — you can’t. Your brain is fogged with pleasure and chaos and something dangerous that tastes a lot like need.
Jeongin lies beside you, propped on one elbow, staring. His skin is flushed, hair a mess, lips red from kissing — and biting.
“Didn’t think you’d actually say it,” he says finally, voice rough.
You blink at him.
“Say what?”
“That you needed me.”
You scoff, rolling to your side, back to him. “Shut up.”
He smirks — you can hear it.
“You’re such a brat.”
You’re about to shoot back something petty — “At least I’m not obsessed with me.” — but then he’s grabbing your waist, flipping you effortlessly onto your back.
You yelp. “Jeongin—!”
“I’m not done with you,” he growls.
Your breath catches. Your legs fall open without permission.
“You came so pretty for me,” he mutters, dragging his fingers down your inner thigh. “But I want to see you fall apart again. I wanna see how messy I can make you.”
You swallow hard. “Again?”
“Oh, baby,” he murmurs, “you started this.”
And then he’s kissing you again — deeper this time. Less anger, more claiming. Like he needs to remind you who you just begged for.
His tongue slides into your mouth as his fingers slip between your legs — still so sensitive, so soaked — and you whimper instantly.
“Still wet for me?” he teases.
“I hate you,” you breathe.
He smiles darkly. “No you don’t.”
Two fingers push in deep. Your back arches. You gasp.
“You love this,” he says, voice like gravel. “Love being split open by the guy you pretend to hate.”
He leans in, mouth brushing your ear.
“You like when I treat you like a toy, don’t you?”
You whine.
“You like it when I ruin you.”
You don’t answer — can’t — because his mouth is moving lower now, trailing kisses down your chest, nipping a path along your ribs, licking the sensitive spot just beneath your breast.
Then lower.
And lower.
And you already know what’s coming.
But when his tongue touches you — slow, deliberate, possessive — your hips jerk off the bed.
“Fuck—Jeongin—!”
His hands grip your thighs tight, holding you in place.
“Don’t run,” he murmurs. “You’re not going anywhere.”
He eats you like he’s starving — like he’s addicted. Like every moan out of your mouth makes him harder.
And god, he’s relentless.
He flattens his tongue, circles your clit, then sucks — and you almost scream.
“Jeongin—oh my god—”
Your fingers knot in his hair, pulling — but he just groans into you, the vibration making your vision blur.
“You’re gonna come again,” he growls. “Right on my face. Like the needy little problem you are.”
You do. Harder than the first time. Writhing, sobbing, wrecked.
But before you can even come down, he’s crawling back up, lips shiny, eyes dark.
“You’re not done,” he says.
You blink. “I—”
He kisses you, slow and filthy. “I’m not done.”
You feel him line up again, and this time, he doesn’t ease in. He slams into you in one long stroke, and your mouth drops open in a silent moan.
“Jeongin—please—”
“Yeah?” he pants. “What do you want?”
“You—fuck—you—harder—”
He grabs your wrists, pins them above your head, and starts pounding.
The bed creaks.
Your cries echo.
And Jeongin just keeps going.
“Mine,” he grits. “You’re mine tonight. Say it.”
You sob, body barely holding on.
“*Yours—*fuck—I’m yours—”
“Good fucking girl.”
And that’s when you snap.
You fall apart beneath him — again — tighter, messier, more ruined than before. He curses, stutters a breath, and follows, hips jerking, burying himself deep.
You both collapse in silence.
Breathless.
Shaking.
Destroyed.
_
You wake up to the worst sound imaginable.
Knocking. Loud. Rapid. Too damn early.
“Rise and shine, lovebirds!” Chan’s voice calls from the hallway, sing-songy and unforgiving.
Jeongin groans from behind you, burying his face between your shoulder blades. “I hate him.”
You whisper, “He doesn’t know—right?”
“Not unless you screamed really loud.”
You punch his arm. He just laughs.
But panic is very real now. You sit up, immediately clutching the blanket to your chest.
“Jeongin. What if someone heard us? What if they know?”
He props himself up on one elbow, messy hair, lips swollen, the faintest bite mark still on his neck.
“Then let them.”
You gape at him. “What happened to keeping it lowkey?!”
He grins, stretching. “You’re the one who said ‘Jeongin, harder, please—’”
“JEONGIN.” You throw a pillow at his face, shrieking.
He catches it, laughing as he drags you back into the sheets.
“I’m kidding. Relax,” he murmurs, pressing a soft kiss behind your ear. “We’re cool.”
Spoiler alert: You are NOT cool.
20 Minutes Later — Downstairs at Breakfast
You walk into the hotel café like you’ve never sinned a day in your life.
You are showered, dressed, dead-eyed, and pretending like Jeongin didn’t have you folded in half against a headboard exactly eight hours ago.
But the second you slide into the booth with the rest of the group, all conversation stops.
Chan stares at you.
Felix blinks.
Hyunjin looks between you and Jeongin like he’s watching a reality show finale.
“So,” Minho says, sipping his coffee, eyes sharp. “Sleep well?”
You almost choke on your orange juice.
Jeongin clears his throat and starts buttering a croissant like it’s a weapon.
“Fine,” you mutter. “Normal. Totally average.”
Seungmin raises a brow. “Right. Because totally average sleep ends with you wearing his hoodie to breakfast.”
You glance down. Shit.
Jeongin looks up with the fakest innocence you’ve ever seen. “Oops.”
Felix leans in, chin resting on his hands. “You guys were fighting so much yesterday. But now you’re all…” he gestures vaguely between you, “glowy.”
“Did you guys…” Hyunjin pauses. “Work out your tension?”
Minho: “With communication? Or—”
Jeongin: “—Body language.”
You whip your head around. “OH MY GOD.”
The entire table bursts into screaming laughter.
“You guys totally fucked!” Chan yells, slapping the table. “I knew it!”
“I heard moaning,” Hyunjin gasps.
“I thought someone was being murdered,” Seungmin adds casually.
You hide your face in your hands. “I am never showing my face again.”
But then you feel it — Jeongin’s hand slipping under the table, resting on your thigh. Quiet. Comforting. Yours.
And you peek at him. He’s smiling down at his plate, cheeks a little red, but eyes only on you.
He squeezes your leg gently.
And suddenly?
The shame melts away.
Because this isn’t just about last night anymore.
This is about what’s next. (pt.2??)
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