#so it wouldn't bother me much

[supercantaloupe]

my roommate is one of those people who will set numerous alarms for herself to wake up in the morning like up to an hour or two before she Actually needs to get up but sleeps through half of them (only to snooze/reset it for a couple of minutes before the next one rings again). and like if that's what you personally need to wake up in the morning whatever, But our rooms are adjacent and the walls are thin and i wake up Very easily to the sound of any sort of alarm (even quiet) which is to say It wakes me up like an hour and a half before i intend to get up and it prevents me from fully falling BACK asleep and it pisses me right the fuck off so bad

[taddymason]

I know these two shows have nothing to do with each other but I hate so much the argument that "Jay couldn't continue being an inventor because there were too many characters with that role", when in shows like arcane you have like 4+ inventor characters and they all feel like special in what they do. Just make him a mad scientist and I'll be happy

[lazylittledragon]

i keep trying to think of funny/poetic ways to talk about all the things i'm feeling right now but i honestly can't so. i'm really sad about what happened with my partner. i know he was an inconsiderate prick about it and that i didn't do anything wrong and i couldn't have prevented it but i'm just really fucking sad.

[sukibenders]

"Rhaenyra isn't the stepmother, she's the mother who stepped up!"

The HOTD writers themselves are hardly doing anything to support that narrative, so I take this rhetoric with a grain of salt. While I think, in some way, Rhaenyra does care for Baela and Rhaena....if I had to point out a motherly figure for them that could pose as someone stepping in Laena's place, Rhaenyra would not be it.

[enjoyerofstories]

The discussion of whether bree kissing sel was cheating or not is very tiring. however, i am sure of one thing: if nick kissed another person the fandom would've called him out on it

edit 1: one thing i want to add is that this whole debate is surrounded by bias from both breenick and selbree shippers. on one hand, breenick shippers consider them to be in a relationship and this is why most of them consider it to be cheating-esque. on the other hand, selbree shippers think bree and nick only have a situationship going on and they are so ready to dismiss the situation as not cheating because that would cast a shadow on their ship's first kiss scene (which is understandable tbh)

edit 2: what really bothers me about this debate is how easily people seem to dismiss bree and nick's relationship and nick's feelings. idk why i'm surprised tho. it became clear the first day i got into this fandom that most people don't care about them or nick

[lilchaoswitch]

I wish dating Sim games/otome games or whatever were gender neutral or you got the ability to choose your pronouns like in The Arcana :( I know gay guys who play dating sims is a small demographic but please please pleasepleaseplease just let me pick my pronouns so I can immerse myself in the Anime Men Romance Simulator without feeling dysphoric 🥲

[moongothic]

(Frankenstein'd two asks together for the sake of previty)

I've been pretty torn between answering this ask and just doing a deep dive re-analysis post about Marineford as a whole (from Crocodile's perspective) because I feel like rereading it now as a Crocodad Truther, I could probably make a whole lot of new observations and/or read into things differently than I did last time I read it (when I was rereading for the purpose of studying the viability of Crocodad) Like there's so much to say about the whole arc and I'd include this line of thought in there anyways... But also, do I really feel like writing a giant essay like that........

I am going to start this by refering to this mini-essay I wrote like a month ago, about how Crocodile seems to have this attitude of "no crying over spilt milk". What's happened has happened, what's done is done, it's your own fault things turned out the way they did, there's no undoing any of it and you just have to continue on. And I do think that attitude would be key here to understanding Crocodile's actions in Marineford re:Crocodad

(Sidenote because this is not relevant to the rest of the post, but the reason this is about Crocodad and not CrocoUncle etc is because if Crocodile was only loosely related to Luffy it would not have the same kind of impact emotionally (for Crocodile; like there is a difference between a nephew and a son). Additionally a part of Crocodad is that it ties into Crocodile's connection with Ivankov in a really important way. If Crocodile was only loosely related to Luffy, him also being trans would kind of be like a random sidenote without being relevant to the two being family, but suddenly if Crocodile is Luffy's other biological parent, him being trans matters a lot more. Also if he's not Luffy's other dad then we'd be still stuck asking who the fuck birthed Luffy to begin with)

While Sengoku's announcement here would make for a horrific revelation to Crocodile in this situation (a revelation we never see his immidiate reaction to, which continues to be deeply sus), what would it change, really?

The little idiot child who Crocodile had attempted to murder multiple times was his own son. Sure, he might've insantly lost whatever grudge he might've held against Luffy, then what? That feeling would be one-sided, because at this point in the story Luffy hated Crocodile's guts and he knew that too. Luffy has no idea about them being related, and even if Crocodile literally walked up the kid right that second and told him the truth, what would it change? He'd still be the man who nearly nuked a million people off the face of the earth, took over a country and killed Luffy and his friends while laughing about it. Being Luffy's other dad wouldn't make him any less of a horrible asshole (if anything it might make it slightly worse 'cause you get to add shit like "child abandonment" onto his list of crimes).

Luffy came to Marineford to save Ace. Crocodile came to Marineford to kill Whitebeard. He had no reason to interfere with Luffy's quest, and with the help Luffy already was recieving from the prison escapees, the Newkama and the Whitebeard Pirates, what would Crocodile's assistance add to the mix? Would Luffy even welcome him in helping save his brother?

Luffy had his own life, a life Crocodile had not been a part of. He had no right to try to insert himself into it at this point, after all he had done to Luffy. There's no crying over spilled milk. What's done is done, you just have to move on. He should just focus on what he came to do; get his revenge and take Whitebeard's head, as planned.

Deep breaths

...Only to realize that Whitebeard is a dying old man and not worth even killing anymore, because he's not the same Primebeard whom once beat Crocodile and crushed all his dreams. Defeating Whitebeard would not give him the catharsis he came for.

And at that point, the fuck was Crocodile going to do? The revenge he wants isn't there anymore 'cause it went bad a few decades ago. And between the raging war and Doflamingo on his ass it's not like he could just sneak out without anybody noticing. He doesn't have allies (aside from Daz under him) to worry about. He only has his hatred to the World Government.

At that point, he might as well be a nuisance to the Government and assist Luffy. Even if the help wasn't welcomed, even if Luffy hated him and regardless if he knew the truth or not, helping Luffy right then and there would still be better than letting the Government have their way and kill his son right in front of him

[winterskydragonx]

One good thing about this episode was that it was better than the season 7 opener. It was great to have the firefam family back together, all the buddie scene, Henren and Madney scene and Bobby with hotshots.

Not sure about the Gerard of it all and Buck. Nope don't really enjoy it.

Still pissed that Tommy was in the Eddie scene with the zoom call. What a waste of space. The fact that I have to deal with Tommy for probably until the end of 8a. Still pissed at Tim for bringing back a problematic character.

[astrangergivingthestrangewelcome]

I do not think evangelizing on the double standard of women being expected to wear makeup everyday to grown women is actually productive or respectful (provided they are not judging me for not wearing makeup), we can all make our own decisions on how to walk through this world, however, it is true that whenever a woman in my daily life equates making themselves decent and presentable with having a coat of natural makeup on, I do have to viscerally repress the urge to shake them by the shoulders and scream that they've been had.

[ofbardsandmen]

nothing ever excites me more than a spontaneous genshin, or more particularly, mondstadt discovery. i sat diluc upon the barbatos statue as a nice spot to go afk on without being interrupted by repetitive idle animations and voicelines (sorry diluc, this is nothing personal). my volume was turned up more than regularly by accident, and my in-game music was off despite how much i like the original game soundtrack. aNYHOW- i was about to go afk when i heard some strange noises that i didn't recall hearing in mondt before. it made me pause and turn my volume up even more. in the video above, it's kind of hard to discern the brief sounds over the noise of the wind up on the statue and in mondstadt in general, but when the wind dies down a little, you can distinctly hear voices of people, and what shocked me the most – neighs of horses. i have no clue whether it is just me discovering this only now, after 4 years of playing this godforsaken game and clearly not having paid enough attention to mondstadt's sfx before, but i still felt the need to share this terribly interesting tidbit in case there's other clueless mondstadt enthusiasts like me.

[laugtherhyena]

Sometimes i think about how Ayame's hair is really long in her adult design,,

I like to think that with everyone joining the foundation and the tragedy still going wild out there, during the first like 6 months to an year after escaping the kg (an adaptation period of sorts?) Ayame got so busy with missions and training that a lot of other things became a blur. She didn't even notice how long her hair was getting until someone else pointed it out, and by that point she decides to just leave it be.

[e-adlirez]

Spoilers for Sinsmas/Sinsmas ramble

So I had Sinsmas paused on my browser to do life stuff as usual, I Will Be Okay was in my head, and I walked back to my computer after life stuff and realized the frame I had it paused on was

D

Do you see what I'm seeing

Their positions aren't just similar, they're reversed. In "I Will Be Okay", Via is on the floor and Stolas's shadow is standing up, looking down on her and reaching a hand to her from above, which she swats away. At the end of Sinsmas, Stolas is kneeling on the floor, with Via looking down at him from above, and her hand resting on Stolas's, which she pulls away from.

AND THE PARALLELS AND REVERSALS DON'T END THERE

From what I could see, it seems like there's only one instance where the parallel doesn't totally apply.

This.

Merry Sinsmas, Helluva Boss fandom :D

:'D

[inclined--plane]

there's just something about being called (just) ace by your aroace friend even after only ever referring to yourself as aromantic

[snixx]

you know as a neurodivergent person I only have two fucking requests of anyone I consider a friend: 1) do not cold shoulder or get aggressively angry with me for something you didn't bother to communicate you had a problem with and 2) do not fucking infantalize me and treat me like a naive fragile broken child who is a burden on everyone in my life. shouldn't be too hard right??? insane how many neurotypicals are fucking incapable of doing the bare fucking minimum

[chaos-in-one]

Me: Peacefully reading my psychology textbook, enjoying learning new things

The Textbook: Yeah so prolonged stress has actually been proven to lead to a much higher risk for a variety of health issues

Me:

Me: Ah.

[finalgirlminamurray]

remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.

i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.

this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.

which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.

(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)

then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.

(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)

leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)

then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.

i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.

it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.

(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)