#so it doesn't get destroyed like the original

[charmac]

I wrote about Charlie and Dennis' paralleled childhood sexual abuse, and how their opposing trauma responses keep them from seeing themselves while they stay stuck in their own cycles of abuse.

// The content under the read more is an in-depth script analysis highlighting and discussing childhood sexual abuse and trauma response. Please read with caution or scroll past this post if these topics are known to affect and/or trigger you. //

Because Sunny walks an extremely fine line between sensitive, if not traumatic, character work and dark comedy, I've found that, in reading the scripts, the trauma being written is always much more blatant. You have to work a little harder to pick up on the underlying intent when watching the episodes (though the more and more we learn about the characters, the more the intent becomes clear), but the scripted versions of these scenes are solid evidence that the clear intent of these storylines is to reveal that these characters have extremely repressed childhood trauma, in-turn explaining to the audience why they have such fucked-up ideas of (and relationships with) love and sex. To put it more blatantly: the purpose of giving and revealing the childhood trauma these characters have is purposeful (if not needed), explaining why they are the predators that they are, and allows us to at least understand where their often psychopathic actions and rationales come from.

The fact that Charlie and Dennis were both sexually abused as children is all but obvious to the audience (and every other member of the Gang), but the extent to which these plots are intended to act as character work as opposed cheap-shot rape jokes is often lost on the casual viewer. In my opinion, the disconnect is not for lack of clear intention in the writing, but by the nature of the show being what it is.

It’s very clearly still there, easy enough to catch if you’re standing more than ankle-deep in the waters, but because Sunny is a dark comedy, it’s unfortunately easy to uncomfortably laugh past a rape joke if you don’t care to look deeper than the surface. Taking a look at the scripts helps paint a clearer picture, making it easier to point out, walk through and explore the CSA lore developed for both Charlie and Dennis, how they parallel and oppose each other, and how this trauma relates to their own predatory behaviours. 

An obvious starting point is Charlie Got Molested, which is, on the surface, an episode in which we learn that Charlie wasn't molested. What is changed from the script to the episode is this first line from Charlie, right at the very end of the episode, on his family’s response to his alleged molestation:

(Charlie's aired line is instead "Now everybody thinks that I've been molested. So, in a way, my life is ruined.")

Whether written with a specific intent at the time or not, this episode sets the stage (literally, lol) for a later building 'reveal' that (1) Charlie was molested as a child, and (2) his Uncle Jack is very much a pedophile, not just a perv (which is hinted at in the actual episode, both in dialogue and visuals), because the next time the show features a plot with Charlie and molestation (Sweet Dee's Dating notwithstanding, though important to mention, as it’s further evidence of the idea that there was clearly a thread being woven early on), it’s via the form of a play.

Charlie wrote The Nightman Cometh as a play about love, which was turned into a 'legible' play by Artemis, in which the Gang all "misinterpreted" his original intent and believed it to be about a child being raped. Charlie gets mad, because he doesn't see it, doesn't believe it, and instead believes everyone is destroying his artistic vision by refusing to let this idea go.

The script for The Nightman Cometh (which, I’d like to point out, RCG chose to make publicly available to everyone) has an alternate ending to the rehearsal of the bed scene between The Boy and The Nightman:

(The aired version shows Charlie more-comedically angry at Mac and Dennis by raising his level of frustration, physically with his hands. The mention of the Nightman taking The Boy face-to-face is never addressed in the aired episode, yet it does take place that way in the actual play scene following the rehearsal featuring doggy-style humping.)

What's heavily implied in the episode (and basically explicitly stated in the script), is that the Gang are not misinterpreting Charlie's art; the play is quite literally built around the idea that a child is attempting to communicate his rape, and Dennis is telling him that’s what it is. Charlie can't accept that, because this is a play about his life, he believes he’s created a play about love, and he is the boy and he was not raped so it can't be rape.

(And, following this, the audience can put the two and two together: Charlie’s clearly repressed CSA and the fact that his Uncle is a pedophile. In every.single.physical.interaction Charlie and Uncle Jack have, in every appearance he makes following Season 4, the fact that Uncle Jack is the Nightman is clear.)

Rolling back a little, it’s interesting that Dennis is the one to be audibly confused by (and frustrated with) the fact that Charlie can't understand his play is a rape play, because it's so very obvious to Dennis. Yet, 7 years later, he's in Charlie's exact shoes.

Because in Dee Makes a Smut Film, Dennis' plot almost directly parallels Charlie’s from The Nightman Cometh:

Dennis wrote his Erotic Memoirs as a tale of his sexual conquests, the first of his encounters turned into a 'film' by Dee, in which Dee "misinterpreted" what happened between Dennis and the Librarian as him being raped as a teen. Dennis gets mad, because he doesn't see how it could possibly be rape, doesn't believe a guy can be raped, and instead believes Dee and Grieco are destroying his artistic vision by refusing to let the idea go.

(In the aired episode, Dennis does not avoid using the word rape, and instead insists you cannot rape a guy, and that he was willing.)

Just like Charlie, Dennis refuses to accept that the people who are acting out his writing at face-value are telling him straight up that it looks like, and most-likey is, rape. Dennis can't accept that, because this is a film about his life, it's about his first sexual conquest, and he is the boy and he was not raped so it can't be rape.

This goes one-step further when Dee airs the 'film' for the rest of the Gang:

(The aired version of the video does not show anything from filming, and only shows a slideshow of photos from when Dennis was a teen, overlay text claiming he was raped, and a photo of Klinsky repeating 'hoser' over and over.)

Dennis goes on a spiel and reiterates that he was not raped. The rest of the Gang are not convinced.

And at this point, Charlie and Dennis probably should relate to each other, or at the very least intentionally give each other a pass/miss whenever the topic of childhood sexual abuse emerges, but instead they continue to have no issue believing and pointing out that the other was raped while continuing to deny their own trauma. 

In PTSDee, this paralleled-refusal is made clear. Very clear. In the script, it's even clearer:

(In the aired scene, Dennis' line is clearly cut after he mentions Charlie's mom, and it picks up with Charlie's line at "the father thing")

They see it so clearly in each other, but don't see themselves mirrored—and there's no doubt that's intentional. Because while they were both sexually abused as children, their current relationships with love and sex (as portrayed from basically episode one) are opposing, and the circumstances of their individual rape and immediate repression are extremely illustrative as to why they behave the way they do:

Charlie's trauma response is typical of pre-pubescent, forced rape. Not mature enough to even recognise what happened to him (as Uncle Jack's abuse was likely his first exposure to sexual acts), he regresses and represses, subsequently developing a repulsion toward sex into his adult life (in Season 5, Mac and Charlie Write a Movie, there's a deleted scene that makes it evident that he's disgusted by and avoidant of sex decades later), and, clearly by the depictions in The Nightman Cometh play and the lyrics of Nightman in Sweet Dee’s Dating, believing that the harassment he faced was love. 

For the run of the show, Charlie’s interest in love and sex is almost exclusively highlighted by his relentless pursuit of the Waitress. In so far as the idea that every member of the Gang is a sexual predator, Charlie is depicted as a sexual harasser, unable to recognize that disinterest, avoidance, the word "no," and stalking that leads to legal action to restrain him from the person he's pursuing is inappropriate and predatory.

While his CSA results in a repulsion toward sex (in most instances), Charlie clearly associates the concept of love with the early harassment he faced, brought on him in his own home by a "loved one," he truly believes that his own relentless pursuit will end up buying him love. Charlie is stuck in an abstinent cycle (at least, until Dennis’ Double Life) of his own abuse.

Dennis' trauma response is typical of coercive rape and grooming. He was old enough to believe that sex is something that should be seen as cool, and therefore obsesses and brags about his experience(s), resulting in his hypersexuality. In Season 5, The D.E.N.N.I.S. System, it's firmly established that Dennis' pursuit of women is something outside of genuine attraction; in fact, it's almost devoid of it. Clearly by the plot of PTSDee, he sees a woman’s sexuality as a weapon he needs to fight against. 

For the run of the show, Dennis' interest in sex is deeply entwined with the fact that he gets off on having power over his "sexual conquests". In so far as the idea that every member of the Gang is a sexual predator, Dennis is depicted as a date rapist, having an aversion to recognising (if not an inability to understand) consent, he pursues sex exclusively for his own physical pleasure, with little care for the other party, getting off on the knowledge that he’s orchestrated the situation he’s in.

While his CSA results in an obsession with sex, Dennis clearly does not associate the concept of love with the act, truly believing that sex is used to overpower someone, most enjoyable when obtained via coercion, exactly as his virginity was taken from him. Dennis is stuck in a loveless cycle of his own abuse.

Charlie and Dennis meet after their own traumas; their clearly disordered relationships with love and sex is how they've always known the other to be. When there are hints of the other's abuse, they're able to easy recognise what it is, for they sense the paralleled familiarity of their own CSA—yet their polar opposite trauma responses result in an inability to reflect:

To Dennis, Charlie was clearly raped, and Charlie fears sex and Dennis loves sex, so he can't have been raped; To Charlie, Dennis was clearly raped, and Dennis doesn't pursue love and Charlie loves the Waitress, so he can't have been raped.

Their reflections being mirrored causes them to harp on the other's trauma and keeps them from being able to truly recognise their own abuse. Call the other out and deny what’s shot back, stuff it down and continue spiralling in their own cycle of abuse.

[revelboo]

reading Waspinator story reminds me of this for some reason

Pretty much 🤣

I like to think the Cybertronians with more animalistic alt modes are much more keyed into subtle differences in scents

Worker Bee Part 12

Waspinator x Reader

• Shivering and defeated, you don't resist as he tries to 'help.' When he finally grips your chin in his claws and tips it up, you lean away and fumble until you get the water off. And he follows you as your back hits the cold tile wall, his mandibles flexing to make your skin crawl. "Don't." At your hoarse growl, his antenna flatten back before he presses his face against your neck to force your chin up. Staring at the shower head as his arms curl around you and lift you off your feet to walk you backwards out of the stall and down the hallway. And you can't even care that you're both dripping all over the carpet, too exhausted to deal with him right now. Too exhausted to even cry anymore.

• Carrying you to your nest, he sets you on your feet to find something to dry you with and his wings flick when he hears the nest creak. Turning, he finds you laying sprawled face down across the sheets. Still wet. Whatever's wrong with you, he doesn't like it. "Little friend?" You don't acknowledge him at all, and he hisses softly, grabbing your legs hanging in the floor and moving you so you're fully in your nest. "Little friend?" Already recharging? Crawling up with you, he cages you with his body and brushes his mandibles against the back of your neck, but you don't fuss at him or resist. Recharging, he decides unhappily. Venting against you, he rubs his jaw against your shoulder, buzzing softly before pulling away. Hungry. Lingering in the doorway, his wings flick. Needs energon, but you'll be defenseless while he's gone. Needs to protect you. You're his.

• Face down on the bed, you feel it creak under you as Waspinator moves off of it. And you hear his peds going down the hall. Leaving you alone. You're afraid to hope that it's actually over. That he's finally bored of following you around all the time. Reaching for a pillow, you pull it over your head. No, he's probably just eating the rest of your damn silverware. He's never leaving. This is just your life now. A big, alien puppy invading your space. Destroying your stuff. Eyes closing, you let the stress and exhaustion pull you under.

• Tearing the thin plastic you'd sealed the hive with, his wings flick as he steps into the cold night. Anxiety humming through him as he lingers close to the entry. He'll be quick. Steal some energon and return before you wake. "Waspinator return," he whispers as he starts back toward the Decepticon base. You'll be safe without him to protect you and your hive for just a little bit. You have to be.

• It's the sunlight slanting through the blinds that wakes you and you squint and roll over and don't find yourself face to ugly face with your roomie for the first time since you'd found him. Shivering, you sit up and slide out of bed to get dressed. You're chilled to the bone, used to your alien space heater nearly smothering you in your sleep. Drifting through the house, your breath catches when you find the torn tarp over the door. He's gone? Really gone? It's over. Laughing out loud, you sweep into the kitchen to fix some breakfast and freeze looking out the window over the sink. Out in the yard half buried in snow, you catch a glimpse of a wing. An antenna. And you're shoving through the tear in the tarp, running barefoot through the snow as the cold bites you to the bone. "Waspinator?" Dropping to your knees beside him, you pull his head into your lap and those purple optics open, one flickering. Hurt. Much worse than when you'd originally found him. And he whines softly, an arm lifting and then falling again. Shivering, you hook an arm around him and pull. Movements slow, he drags himself after you, back to the house.

Previous

[rainystressed247]

Ohhhh!! Can we talk about the Pokemon AU?? What ideas do you have for professors and gym leaders? What about a regional champion?? I 100% think that Techno is the regional champion and Phil could be either a professor or part of the Elite 4! Tommy can be the scrappy teen that is trying to accomplish the gym challenges and try to fight Techno for the title! Dream can be his unofficial mentor the one that comes by when things get tricky with the evil team and then had a dramatic twist of “he is the villain but actually not, he is just a tragic figure”

*crack my back and rise* Be prepared for a long post because I have a lot of them in my brain.

Original pokemon AU (base plan):

The original headcanon I had for the pokemon AU is more based around cc!Dream with a dash of drama from canon linked here! You are absolutely right that Techno is the champion and has and will continue to challenge and enter competition even outside of his region! Phil can absolutely be one of the professors! He can be invested in the study of fossil or death >.< The gym leaders are pretty loose as I don't give much thoughts to that tbh, but I do think that Tina as grass leader, Puffy as water, etc. Maybe I will throw in the newer mafia, who knows? I definitely see Tommy, Tubbo and Ranboo as the trio working their way through gym challenges, stumbling into villain organisation and accidentally saving the world hahaha.

Dream in this AU is more laid back, not liking to battle but his pokemon has maxed out friendship and can definitely rain hell on any trainers foolish enough to approach with ill intention. He works in a pokemon daycare during his free time and will give out friendship eevee for those close to him. His care to the pokemon means that most of the eevees have good EV! He definitely gets dragged into the plot unknowingly, much to the dismay of his close friends.

This AU is mostly chill and just shenanigans!

The B side of the Pokemon AU:

This, this is the part where things start to derail for me because if I can have a pokemon AU based on the cc why not go all the way to c!Dream as well.

So this is an alternate Pokemon AU involving c!character. In this side of the AU, c!Dream still possess the revival book and because of that, he forces himself to release all his pokemon with the intention to perish witht the revival book. In the process of destroying the book, he accidentally intergrate the book with himself so we now have an immortal walking revival book that is Dream. Worried that he and any of his close ones will get targeted, he devoted himself a life of a lone hermit and proceed to travel the land in hope to find a way to truly end his existence. He does, however, perform small miracle act subtly whenever he passes by someone or some pokemon in need of help as a way to atone for his sins. He makes sure to do it discreetly so that he would not gather unintended attention.

Alas, sometimes people still put two to two together so he still occasionally gets targeted. What he doesn't know is that most of the people he helped one way or another, does in fact help cover up his trail, misleading any hunters after him. Dream has one pokemon willingly follow him; a stubborn Charcadet, which prove to be a good helper by saving Dream multiple time in their travel.

Dream can hold his own against pokemons in this AU. He kinda has to, as he doesn't have a companion pokemon of his own for the longest time. Phil, as the angel of Death or the guardian in pokemon term is actively tracking down Dream to detain the revival book, but after he witness the bond between Dream and Ceruledge, he let Dream go with the condition that should Dream one day run into any problem bigger than he could handle, he would find Phil to help.

Techno is one of the child Dream helped revive on a whim. He was born sickly and wasn't supposed to make it past the night, well, if Dream hasn't shown up like a wet cat on his doorway. Techno still makes fun of him on the off chance that they met. Because of the second chance, Techno was able to become an extraordinary trainer. He helps out Dream whenever he can and even offer a roof for the homeless Dream to stay in. Dream refused ofc, but he would crash in from time to time to rest.

Speaking of the B side, it leads to an uncontrollable spiral in which I start imagining Pokemon with any and most of my AUs. Like would syndicate!Dream has an Eevee as well or would he has a Arcanine, I can totally see him accidentally taming Zygrade (Dog) without knowing it as a legendary. Also witch!Dream would have a Hatterene. Cornelius can have a Floette, Hubert and Indeedee works because of the bulter theme. Can you see how I am absolutely normal and not being able to talk about this has only made me more normal?

Anyways, thanks for the ask and sorry for taking so long to reply. It is...a lot.

[hyperpotamianarch]

So, for the time being, I pretty much dominate the #alternate jewish history tag. By which I mean, all posts under this tag are ones I either wrote or reblogged. This is, of course, meaningless. Even so, I intend to take care of this little corner of my supposed kingdom, though invaders are fully invited. Please, it would be my pleasure if you add to this tag.

Either way, this tag currently has three AUs. As the purported owner of this tag, I intend to list them - while tagging the original creator when necessary.

The first AU is going to be the one I conceived of, naturally, since there can be no ownership disputations of it: the Jewsade.

The Jewsade is an AU based on the historical divergence of His Dark Materials. However, it's an AU worth exploring for its own merit IMO. Its divergence point is around the 1520s, with the Jewish false Messiah David Reubeni and Shəlomoh Molcho. In our world those two ended up eventually killed by the Spanish Inquisition; in the world of the Jewsade, they succeeded in getting the artillery David was trying to obtain and used it to conquer Eretz Yisra'el from the Ottomans. What happened with it later? Currently it's a riddle I can't answer, possibilities range from a disaster by the hands of the Ottoman Empire or Portugal to the continued existence of a Jewish kingdom in the Middle East, barely holding its own against both Christians and Muslims who want to take the Holy Land to themselves. Exploration of it is still at work, and I'm considering presenting it in random documents of various sorts from the period. It doesn't currently have a clear masterpost, I might work on that in the future.

The second AU I've put under this tag belongs to @aviad1b. This is the Hasmonean independence AU. It's not too well-built as of yet (and might also be related to the next AU, we'll see), but the basics are: the Hasmoneans don't give up their independence to the Romans and remain a kingdom for longer. This is a bit of a hard feat, because the Hasmoneans were sort of allies to the Romans even prior to that and the civil war is what caused them to turn to a passing Roman general to solve the dispute. After you avoid that... well, the Hasmonean dynasty still needs to keep its independence between the ever-greedy Rome and the rising Perthian empire, which is not going to be easy by any means. Even if they manage surviving one civil war... well, there will be others. However, it might be interesting to picture them somehow still prevailing, despite all the odds.

The third and more recent addition comes from @magnetothemagnificent's idea of a world where the 2nd Temple was never destroyed, the 2nd Temple Still Standing AU as I chose to call it, if you have different suggestions I'm open to hear them. A lot of the discussion on it includes the note of how much we don't know what the world will look like. Christianity might not exist, or be way smaller. The Jewish Diaspora would be way smaller adn would be mostly merchants. New technologies would be applied to old traditions and sometimes adjusted to them - the beacons to indicate the start of the month will stay, but their role would be fulfilled more with modern communication technology; flights to Eretz Yisra'el will commonly have space for cattle for the Korbanot; Cohanim would dominate the field of dermatology in order to be experts on Tzara`at, some working in construction (and some with textiles?) for the other types of it as well; religious institutions will be vastly different, with structures from 2 milennia ago surviving to the Modern Day in some form; Levyim maybe being dominant in fields of music and poetry; maybe melodies used for written texts in the place of punctuation; no written Mishnah or Talmud, things are mostly kept oral; and a lot more stuff.

There's the question, with that latter AU, of how that might happen. No rebellion against the Romans might be a possibility, though a bit hard to pull up. The Hasmonean Dynasty retaining independence can help, hence the reference I've made earlier. The Great Rebellion could also (maybe) fail before it escalated to the level of besiegeing Jerusalem. I really don't know. And unless you go by the "History is a rubber band" theory of time travel, there really isn't any way to know. So I suppose we should all just think about it a little more, and making stuff up can work, as long as you keep an eye on historical events.

Now, you might accuse me of certain hautiness in writing this. Please don't. Believe me when I say, I'm just enthusiastic about alternative Jewish histories, and would like to popularize the use of that tag. I would really like seeing farther AUs based on Jewish history - I had the pleasure to encounter a couple on Facebook, following a workshop on writing alternate Hannukahs in a meet-up organized by a group of interest on Jewish Fantasy in Israel. But there can be many more, and while I would love to contribute where I can and where my help is wanted, I prefer not to start any more than the one I'm already working on. So thank you to all the participants.

Note: the reblog chain for the Hasmonean Independence AU I shared here is only an exchange between me and Aviad. However, the 2nd Temple Still Standing thread includes (beside my and Magnetothemagnificent's posts) contributions from @alyssumlovesthecosmere and @fromchaostocosmos, hope you don't mind I'm tagging you as well.

[corner-master]

A Refuge in the Afterlife?

DPxDC Crossover prompt

One day a message from space is sent to Earth, a call for assistance for the last survivors of a destroyed planet. The Justice League, of course, receive this message and a Team sets out to make contact with the group, ready to offer them whatever supplies they need and perhaps a location to rehome themselves.

Among this team would be one of the Green Lanterns, Guy or Hal, who are of course curious about why this group sought out Earth specifically instead of reaching out to the Corps? The answer to that question being quite simple:

To save the souls of their dead.

As it turns out, with the destruction of their Home World the survivors believe that not only are they at risk of becoming lost souls upon their own deaths, but the very Afterlife dimension that was attached to their world is at risk of ceasing to exist unless they find another world whose Afterlife can take theirs in as well, combing the two as one.

And wouldn't you know it, the surviving priests and/or mystics have received word from their endangered Ancestors that the Earth has a King of the Infinite Realms who may be willing to do just that. Once they reach the planet, they would be so grateful if the Justice League would be willing to help them petition this King for asylum for their people, both dead and alive.

The only problem?

This is the first time anybody from the League has even heard of this so-called King, and now everybody's scrambling to find out whatever they can about this being. And what little they are finding is nothing short of alarming. A mad tyrant who tried to invade the living world?! Yeah, they need to get on top of this fast, before the Refugees arrive!

Meanwhile, Danny just felt a shiver run up his spine and wonders if it's because his dad's latest batch of fudge came out a little too ecto-contaminated.

(Spoilers: it wasn't the fudge).

My personal Head-canon when it comes to the infinite Realms: the reason why we don't see any other religious figures or alien beings, is because Pariah Dark screwed up relations so bad with the other afterlife realms that the infinite realms has become largely cut off from everything else but Earth. Too much greed and trying to conquer shit to be considered a good neighbor, even by demon standards. Doesn't even matter that Pariah's been sealed away, it's still his dimension as long as he exists, and the absolutely hostile environment and denizens there prove it.

The word of today that inspired this post is Syncretism: (via wikipedia) the practice of combining different beliefs and various schools of thought. Syncretism involves the merging or assimilation of several originally discrete traditions, especially in the theology and mythology of religion, thus asserting an underlying unity and allowing for an inclusive approach to other faiths.

[cuteniaarts]

Mirror, mirror, on the wall...

Who's the fairest of them all?

[trappedinafantasy37]

Alright alright alright! Speedrun time so I can finish this run, finish the Act 3 write up, and start posting the Shadowheart origin fic. Did quite a bit all in one day, so let's gooooo.

Went to the sewers and found Nine Fingers Keene, someone on my list of NPC's who absolutely should be kissable but isn't cause Larian is full of cowards!

Went to the bank and found this guy.

Followed his stench right on back to the sewers. But unfortunately Jaheira got, *cough*, left behind at Moonrise so Minsc also got, uuuhhhhhh, left behind.

Unfortunately, a civil war broke out between the Guild and the Zhent. Sided with the Guild cause, who wouldn’t. Although, Minthara had some ideas about what to do with the undesirables once we take over the city. Always the little schemer she is.

Met some weirdos!

Met a pirate who had quite a thing for Minthara. I mean, "Captain Grizzly" was laying down that rizz HARD. But, can we blame her?

Killed Lora and returned to the Captain. Surprise, it's Ethel! Don't care, gimme my money. Also got an ally with a very useful skill for the most annoying fight later. *Minthara approves*.

Shadowheart went home and met her mother. Poor girl was boutta cry! Also had some pretty triggering memories while going through the cloister.

It has been so long since I've made Shadowheart go down the Selunite path that I forgot how much of a pain in the ass the House of Grief fight was. I wanted to rip my skin off the entire time! I spent thirty minutes watching Minthara and Shadowheart get blinded over and over and then have their asses beat. I actually had to go pull out the hirelings. Holy shit, I fucking hate the Sharrans! If you ever need a good reason to have Shadowheart go down the DJ path, this bullshit of a lineup is a good damn reason!

Viconia, on the ground, begging for mercy. Shadowheart did not care what happened and wanted Viconia to embrace loss. Minthara said "fuck your mother and fuck your mercy" and killed Shadowheart's mother. Gah, what a romantic she is!

I HATE SHAR! I HATE SHAR SO DAMN MUCH! FORGET THE DEAD THREE, LARIAN, LEMME KILL SHAR! THERE ARE VERY FEW THINGS I CONSIDER TO BE TRULY EVIL AND SHAR IS MOST DEFINITELY ONE OF THEM!

The price of freedom is never free...

What a whirlwind of a day. Fought in a civil war between thieves, ran into some old enemies, and Shadowheart went through one of the most traumatizing things in her life and killed every parental figure she’s ever had in a span of ten minutes! But, that’s okay. Minthara made her feel all better. After all, killing your parents is a rite of passage.

< The Wizard | The Foundry and Gortash >

[seagullcharmer]

the more i think abt my silly crossover fic the more i find issues with it..... like. i just wanted to play with a few characters (ha. ha. there were 12) but i keep struggling with it. i don't have a good fit for a time player. but luka is there. i could shove him in. but then i'd have to rearrange things. and i might just rearrange things anyway! maybe it's different sessions that have to come together like the kids and trolls! maybe the ladybug team is the only one with a decent enough seed to sprout a new universe (being the only group with a space player and a time player) and they have to find a way to get the other sessions together. idk! idk!!!

[yuelun]

/takes a little breath amidst a quiet dash. Starter call!

Though I have threads/asks to get to, I'm curious if one of these would catch anyone's attention. I know sending in sentence starters isn't always up everyone's alley and it's a little harder when it comes to interacting with a character who's canonically dead in present day, like mine. Although (I need to write up the details for the first iteration of it) I do have her resurrected in a present timeline (see tags). If you're interested in me either coming to you, or fishing up something with a bit of a red line, give this a like and I'll see what I can do! Trust me when I say, if we're mutuals, I'm interested in writing with you. See this as a little cheat to grab my attention if you want it!

[idiosyncraticrednebula]

I hate how now every time a discourse is being had about classic Disney movies, the godawful remakes (or retellings) have to be included in the conversation. It's no longer just the animated movie that is adressed. You can't discuss Aladdin without its 2019 remake, Sleeping Beauty without its 2014 remake, The Little Mermaid without its 2023 remake, Beauty and the Beast without its 2017 remake, The Lion King without its 2019 remake, Mulan without its 2020 remake, etc, etc, etc. I hate how they will be forever attached to these classic movies. It actually pisses me off to no avail.

[ruporas]

wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo

but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.

but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry

but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.

LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed

BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL

HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u

and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!

while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.

I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!

[dbphantom]

this game is so pretty it's not fair

not pictured: lucien clipping through the floor behind me

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[fabiansociety]

da2 isn't the best dragon age game *because* it's openly a tragedy, but being a tragedy forces a level of narrative coherence that the other games in the series don't have, and *that's* what makes it a better game.

okay, so. dragon age 2 runs on nested foreshadowing and a limited set of themes that almost every character and plot beat fall into: love is not enough, wealth is not enough, power is not enough, good intent is not enough. the problems you run into are structural, rather than individual, and your ability to resolve them as one person is strictly limited. the arishok is a central figure for this, because he prefigures every other tragedy and makes the game's thesis statement as clear as possible. he doesn't want to be in kirkwall, but he is compelled to remain until he gets back what was stolen. he doesn't want to lead a coup attempt, but he is compelled by qunari codes of justice to act. he does not want to die and fail his duty, but but he is compelled to by the other two impossible demands. every tragedy in kirkwall is the result of too many people with wildly different definitions of justice crammed into one place specifically designed to maximize human misery and suffering, and so you get a wonderfully nested narrative onion where each quest reinforces that idea, where there are no good options, just positions you can take — even the affinity system plays into that, where constantly gassing up your friends or constantly pushing them to change are equally correct ways to go, but ones that won't ultimately make a huge difference in their lives or characters, because no matter how much they like you, they're not under your control.

this coherence is even justified by the framing device. of *course* the moral of the game is "insisting on a dogmatic, narrow idea of justice destroys individuals and societies," it's a yarn being spun by varric the con artist to a chantry cop!

neither origins or inquisition play with that sort of narrative complexity. origins is a jaundiced hero's quest, certainly, but it's still basically a hero's quest; inquisition has a number of characters who question what you're doing and why, but the multitude of voices pulls the game in too many potential directions. DA2 was so constrained in its production that it pulled on decidedly ancient theatrical traditions, and it worked so, so well

[daemonlogical]

To be entirely fair, Greeks and Romans do not have a god of balance, nor do they have a aspect that represents space in its entirety (no Ouranos isn't Space, he doesn't include Earth). It also didn't help that adoptive as he is, Danny fully inherited the one thing Clockwork wanted to pass on: the willingness to be a chaos gremlin at a drop of a hat.

Percy and Billy enjoys this immensely. Annabeth and the Divine Twitch Chat? Not so much.

Grover is in a food coma from all the stress eating.

Prompt 81

Danny blinked at the small children Ellie was holding the hand of, looking quite proud of herself. The small children- between ten and twelve so somewhere similar to Ellie’s age- who both practically stank of magic and Gods. 

He took a deep breath, pinching the bridge of his nose even as Dan cackled while opening the door more to let them inside. “Alright, what’s your name, kids?”

“B-billy…um, Billy Batson...” “‘m Percy! Percy Jackson.” 

“Nice to meet you two- any idea where in your family you have a god or two, because one of you definitely smells like Zeus and I’m pretty sure Poseidon and I am not dealing with either of my half-brothers.” 

[corkinavoid]

DPxDC Multiverse Police (pt. 2)

"You said you're going to ask questions, then can we ask questions?" Superman really tries to be polite here because, first, he was raised by Kents and, second, Jazz and the whole interdimensional police thing looks non-hostile. At least now.

The redhead nods, "Sure, ask away, I'll answer everything I can." Then, she notices Batman reaching to touch the green shield and makes a soft, warning noise, "Ah, sorry, please don't touch it. I can show how it works later, but it's not meant to keep you out. It's to keep everything else in."

Batman reluctantly puts his head down and turns to her.

"Elaborate."

The sci-fi ship in the air makes a loud hissing sound, like compressed air being released, and the bottom part of it slides open. Jazz nods in the direction of the now open ship.

"You know what they say, it's better to see it once than to hear it ten times."

There are three humanoid figures standing in there. All of them are mostly monochrome, black and white clothes, starkling white hair. They look like one adult and two children, but it's one of the kids who raises his hands to his mouth and yells so loud everyone in three miles radius is able to hear him:

"Step away from the shield, please, shit's about to get real!"

None of the heroes move, but Jazz does take a few steps away. Wonder Woman, after a moment of hesitation, follows her example.

A mechanical voice comes from the ship itself, "Countdown to the breach. Five... Four..."

On 'three,' all three of the monochrome figures step out from the ship. But, before any of the heroes have time to worry, they all float in the air, undeterred by gravity, and the ship door closes behind them.

The countdown reaches 'one'. And in the next moment, it looks like the hell breaks loose.

Countless giant vines shoot out from the portal up, reaching for the ship. True to what the red hoverboarder said, they are very much toothy, every vine splitting in two and attempting to bite the ship like some twisted idea of scissors.

None of them reach it.

The oldest of three kids claps his hands, and a wall of raging fire descends on the vines, throwing them off. In the next moment, the trio falls apart, flying through the lovecraftian mess of carnivorous plants with practiced ease, the younger ones using what looks like icicles and little storms.

"Who are they?" Batman asks Jazz, following the youngest one's - the only girl among the three - movements as she creates a strong gust of wind with a wave of her hand. None of the vines or attacks get past the shield, though.

"My siblings," the girl answers, pointing her hand at the oldest one, "That's Dan. He's the most violent. One time, he destroyed our original world, but that timeline doesn't exist anymore." She then points to the girl, "That's Dani, the youngest. She rarely joins the crew lately. And she is actually a clone, but at this point, most of us have been cloned once or twice, so it's not a big deal anymore." She then points her finger to the last one, a boy that flies past them quicker than a lightning, freezing everything he touches, "And this is Danny. He is the most powerful one. Technically, he could have just ended the fight with one Wail, but kids like to have fun. Also, they don't get to show off their elemental powers a lot, so they are mostly being dramatic for you."

She says all this so easily, just like a matter of fact, and it is at this moment that the members of JL realize the sheer power of whoever these people are. When she casually told them she bested Superman, it could have been written as a coincidence, a joke. But this?

Dan growls as one of the vines scratches his shoulder. He bleeds green, but it's only for a second before both the wound and the suit knit themselves back together. This is not just a simple accelerated healing, it almost looks like a miracle.

"Oi, brats, I'm done with show off, get out of the way!" He yells at the other two, and Danny and Dani quickly follow the order, flying closer to him and behind his back.

"Cover your ears," Jazz tells the heroes around her, and puts her helmet back on, as Dan takes a deep breath and screams.

It hurts even those who follow Jazz's advice. Batman feels like his eardrums are about to be shattered for the lack of better word. But the vines like the sonic attack even less - most of them subdue and pull back inside the portal, and the rest is dissipating like they are being burned from the inside out.

And then, just like it began, the scream - the wail - stops. The silence feels deafening after the end of it, but slowly, the sounds return, and the JL watches Danny flying down to the center of the portal. He puts his hands on the surface of it, and for a long moment, nothing happens.

And then the Pit starts closing up.

Or, no, it is Danny who absorbs it, the green flowing up through his hands, his veins that start glowing the same green. His eyes become the same toxic color, with no whites and no irises, just glowing green all over, and his hair shimmers like stars.

A few minutes later, the portal is gone, like it never even existed, and Danny plants his feet on the ground and stretches, like one would do after a good rest.

"Oof, that was nice!" He turns to the other two, who are still up in the air, "Do you want some?"

Dan flips him off before going back to the ship, but Dani floats down to him and extends her hands out.

"Sure. I like getting it from you better than from the portal itself anyway. Gives it a sparkling taste, like Sprite," she chuckles. Danny takes her hands in his, and the green glow slowly makes its way through their joined palms, now flowing through the girl’s body.

"What are they?" Flash whispers, horrified, but Jazz hears it nonetheless and turns her head to him, taking her helmet off once again.

"That is not a very appropriate question," she chastises and smiles at their faces, "But it's okay, I get it. They are ghosts. Or ectoplasmic entities, or halfas, or highly liminal beings. Or, if you want a very simplified version, they are dead kids who are enjoying their afterlife a little too much."

"Dead?" Batman zeros on the word, snapping his eyes at the girl. She smiles, and for the first time, it doesn't look human. Her teeth are too sharp, her grin too wide, and her eyes are suddenly not just teal, but neon bright and glowing, with vertical irises.

"Most of us are dead in one way or another. And I do not mean it in a metaphorical sense."

-------------------

What I'm thinking is they have a whole system going on. Amity Park generally resides in the Realms, but from time to time, they decide they want to go on a vacation, as a whole town, and they pop into existence on one of the Earths. They don't really care for the universe or dimension they end up in, as long as it is more or less peaceful (as in, no active wars going on right where they pop up), has sunlight and nice weather.

The GIW is taking care of legal things - imagine US government reaction when a whole ass town just boom, starts existing in a place where nothing existed before? So GIW does all the paperwork and discussions. Also, they are doing their basic research on the dimension they end up in, for science purposes.

I'm thinking Vlad is still a mayor of Amity. And sometimes, when a particular dimension is rather annoying, he straight up possesses the authorities because he hates official talks and couldn't care less for morals if he tried for a week. The GIW scolds him, but don't really say no. It's not a good solution to the problem, but hey, it works.

Meanwhile, Fentons are doing ectoplasmic research. They scan the dimension for troubles, basically, looking for natural portals and ghosts causing ruckus. Jazz is almost always the one who does the talking to the heroes native to the dimension - she is the one who has the most patience and social skills. Jack is in charge of transportation and Maddie is the head of biological, ecto-biological and other species research. Tucker is the tech specialist, of course - he is the sole reason why Amity has wi-fi wherever they go. Val and her father are, kind of, protectors? Security? But for the whole town, yeah. They do have GIW agents as subordinates.

Dani is not always living in Amity, she travels the Realms most of the time, but she joins when something interesting happens. Dan is, like, on an eternal probation period, GIW and Fentons keep an eye on him, but he is one of the heavy hitters for when shit goes down.

Danny is living his best life, he is mainly the protector spirit of Amity, but he also gets to protect all the dimensions from ghosts! He helps anyone and everyone - one day he is working with Val on defenses for their main ship they use to travel inside dimensions, and the next day he is joining Maddie in her studies of new species found.

Oh, I forgot Sam. She is probably the one responsible for the magic stuff - mostly everyone else focuses on scientific aspects, but she is the one to research on occult things.

| <- prev | next -> |