#so it depends on scene order and some other stuff

[bhaalsdeepbat]

last night's Astarion origin highlights:

It was Creche time!!! Taking the girlfriend to the creche !!! We had to leave the boyfriend (Gale) behind, but Astarion and Lae'zel wore matching ocean colors to go on a double date with Catha and Shadowheart. (Astarion wears black and red when matching Gale, now)

Astarion stole a bunch of shit from Esther then killed her when she realized he stole most of her inventory with the Cat's Grace he bought. Daddy Money Bags is currently out of money, but Mr. Meow Meow can pounce like a panther and steal whatever he wants.

Astarion just fucking going DOWN to the Gith patrol in Waukeen's Rest and landing, again, facing his romance partner. It looked like he was reaching out to Lae'zel while doing his saving rolls.

Astarion using his girlfriend as bait because Shadowheart and Catha went down, so he kept reviving Lae'zel, putting distance between him and the remaining Gith, and letting the soldier just keep focusing Lae'zel while sneaking around. He is a death machine, but we are still at one hit per round until next level up.

I like to think he was feeling pretty fucking tough after the Gith patrol. Like he was cocky going into the Creche. cocky enough I was not worried when he failed his initial persuasion check and aggroed the creche, but the game glitched so we had to F8. It was a vision from Selune to Catha letting her know if she let Astarion go in without guidance and eagle's splendor, they'd be FUCKED.

I get turned around in the Creche and went to the hatchery thinking it was the infirmary, but then Astarion was like. Steal. Steal Egg. Like it was a delightful experience for him. I had never seen Lae'zel talk about how happy she is to have the egg and like. That little peek at the fact that she DOES have her own wants and desires that are in opposition to the beliefs she was taught. She's disgusted by the whole birthing process, but raising the child? it's such a hopeful, happy thought. Astarion was kinda standing there just speechless bc she had been so rough so far.

Needless to say, the egg is in her inventory, now. She asked him to keep it close and dammit he isn't gonna let his girl down...not that he likes her (or Gale) or anything,,,,,,,,

Lae'zel and Astarion fucked !!! And then he was heavily encumbered the next day because the potion of hill giant strength wore off, but it was a very funny happenstance. but taking her to the creche (not even finishing up yet, just going there and starting stuff) was enough to get her to look at Astarion differently AFTER HOW HARD SHE FUCKING BURNED HIM

like this is the astarion origin where NO ONE wanted him but Minthara at the Goblin party, and now the two companions that AREN'T taken are vying for his attention (bc we only have gale, shady, and lae'zel XD)

Astarion trying to disarm one of the traps at the Creche, only for me to suddenly see his body go FLYING off the side of a ledge because the trap blasted him while doing the disarm roll. Lae'zel followed very, very shortly after....because it did the same thing during the roll screen XD when i say i was on the ground LAUGHING.

Astarion was very proud of himself because he thought he lied his way out of a fight with the medical lady inside the infirmary at the creche. The tools she went to get were actually child soldiers and it was a battle to the death. Lae'zel went down. Astarion shouted her name.

The lesbians (Catha & Shadowheart) got shit DONE. Astarion is the disaster gay and cannot get his shit together. Catha and Shadowheart literally saved his ass with the Death Shepherds bc of user error on my end but it worked really well from a rp perspective XD

like Astarion is literally like SHIT SHIT SHIT everything is always going wrong, but Catha and Shadowheart generally have it on lock. Like I will have him sneak around and start / end fights before those two can even get involved, but the higher level fights sometimes I forget to position better XD

I'm not sure if Astarion is going to end up with Gale or Lae'zel....or pull a wild card and go with Minthara once we find her again. like i keep bouncing back and forth i literally do not know what i'm gonna do until the moment comes

[felassan]

Lucanis and Crows snippets, under a cut due to spoilers.

How would Viago and Teia react to a Crow Rook being romantically involved with Lucanis? "Teia is going to plan the wedding, and insist that Viago give Rook away at the ceremony. Viago will sigh dramatically, lecture Rook about it, and then spend a week picking out the right gloves to wear." [source]

If Illario wasn't locked away, how would he react? "Under any circumstances, Illario would be upset since it's a whole lot of attention that's STILL not on him. He would definitely get drunk at the reception and tell the same two most embarrassing stories about Lucanis over and over until Viago knocked him out and put him upstairs." [source]

With Rook romancing Lucanis, is it possible that Spite could become affection or benevolence? "Spite's basic aspect is defiance. He can be more or less difficult depending on influence (rebellion vs. vindictiveness, etc), but at his core he's always going to be a spirit of "NOPE"" [source]

Lucanis' mother was the heir apparent to House Dellamorte [source]

Does Spite have any kind of feeling about Rook? "Spite is fond of Rook in his own Spite-like way. He and Lucanis agree on the point of trusting Rook over and above other people or themselves. He does go to Rook for help with Lucanis, after all." [source]

For the Lion King reference in Murder of Crows, Mary Kirby went to the cinematic animators and described it as Illario's "Scar at Pride Rock" scene [source]

User: "I cut Lucanis' hair and shaved his beard and I almost feel like I should apologise to him" / Mary Kirby: "Now he can't tell himself from Illario, and you've given them both a complex." [source]

Teia and Viago were half-written by Mary Kirby and half-written by Luke Kristjanson [source]

Lucanis likes his coffee black [source]

Would he judge your coffee order? "As long as it's not boiled, or instant coffee, or whatever that stuff from a can is, he's fine with it. Or at least, he will only judge you silently for it." [source]

What kind of treats does Lucanis like? "Sweet, because it goes better with his coffee. Savory, if somehow he is NOT drinking coffee at that moment." [source]

Lucanis grew his beard and long hair while in the Ossuary. "He hasn't exactly had a haircut in a while." [source, two].

Would Lucanis make Powerpoint presentations about jobs or to talk? "No, he doesn't want to talk to anyone, let alone explain things and present them. That's 300% an Illario thing. That man has a powerpoint to introduce his powerpoint about why you should listen to his powerpoint." [source]

"Lucanis would never be on social media. He'd be on YouTube watching videos of people restoring rusty cutlery with no dialogue until four in the morning." [source] Could he tell when content is manufactured? "Yes. And he gets upset and finds Bellara or Neve (whichever is unluckier) to rant about it." [source]

Lucanis' favorite stove burner? Right front [source]

"Spite doesn't have any concept of physical appearances. It looks the way Lucanis sees himself. Lucanis is never relaxed, even in casual wear." [source]

Along with Lucanis Mary Kirby also wrote Spite [source]

Mary Kirby wrote Illario, Luke Kristjanson wrote the Crow faction quests [source]

Lucanis' perfect date night? "I'm gonna be honest: There is a non-zero chance it would involve assassinating somebody and getting coffee, and I'm not entirely certain which would come first." [source]

Lucanis "has so much [trauma] to sort through, and he could really use some help. Like, a Marie Kondo level of help with that." [source]

What sparks joy for Lucanis? "Coffee, paella, wyverns, knives, REDACTED, book club, REDACTED, revenge..." [source]

Lucanis is older than Illario by a few months [source]

How did Spite feel watching Lucanis fumble after the near-kiss moment with Rook? "Confused. Spite, like most demons, doesn't really get emotions outside its domain. Not doing something that someone clearly wants you to do should make you happy! I mean, honestly, what's better than that, except maybe revenge?" [source]

Did Spite interact much with Manfred? "We wrote a bunch of interactions between them, though I have no idea how many made it in." [source]

[luludeluluramblings]

Dick Grayson's Obsession with Smalltown!Reader

A/N: Why dialogue hard? Why so hard? Y'all I tried, once again. I saved Dick for last because I really really really did not want to screw up his character. I did end up adding a scene from Part Seven in here. Just to give it some pizzazz.

A/N: Part Eight is in the works, but it’s either gonna be massive or I’m going to have to divide it up. Also, people be posting so straight up fire in the Yandere Bat tags lately. Good stuff, I needed that.

Warnings: Yandere themes, physical affection.

Out of everyone, Dick was the most enthusiastic about Reader coming to Wayne manor, while also being the most melancholic. The tragedy of their arrival wasn't lost on him, despite the thrill he had over the thought of having another person to add to hi life. Already, the need and wanted to smoother them in comfort and care was there. But, the life experiences he had allowed him to realize it was probably best not to overwhelm them.

Therefore, it came out in short burst of staggering affection at times. But, only when he was visiting. (There was no denying the fact that he was extremely tempted to call them on the phone just to make sure they were settling in just fine. And, that he fought that temptation every single night.)

That didn't stop him from feeling some minor annoyance with Bruce for keeping the fact that they existed a secret. Dick had seen the affects of this life and even felt them, but to let the family nearly miss out on something so honeyed with normalcy was cruel. (It would have been preferred if they didn't have to lose their parents in order to join the rest of the family, but it was hard to think like with how busy his schedule was and soft they felt in his arms.)

Admittedly he may have latched on to them too hard in the beginning. They felt stiff the first time his arms wrapped around them. The guilt of it gurgled in his throat, which is why he cut it short and went about his business. But, he couldn't stop the urge to do so each time they crossed each other's paths in the manor halls.

And, much to his glee, they start to soften. Slowly, but surly, they start to cling to him a little longer when his arms wrap around them. They start to depend on him. For once the thought of someone so conventional depending on him as Dick rather than as Nightwing, because everyone seems to depend on him as Nightwing, doesn't fill him with anxiety. It makes his chest flutter in a different way. Not with anxious butterflies, but with a flicker of a warmth.

It's completely innocent, the way the craving starts. He has to talk himself out of rearranging his entire schedule to be around them. Especially after the kidnapping incident. But, the Rouge break out gives him plenty of work to distract himself, and more frequent chances to find them in the manor for a dose of his new source of comfort.

His feelings finally start to become clear when rather than holding him longer and tighter, they finally reach for him themselves.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

“And, how is my favorite person today?” Already Dick has his arms opened wide for you when you walk out of the kitchen. He always appears from the depths of the manor, before he wraps around you like a slow creeping vine blooming with all sorts of sentiments.

"Alfred was doing good last I saw." But, by now you've grown to appreciate the way the tendrils curl around your limbs and burrow themselves into you. A small grin forming on your face at the chance to finally have someone to talk to, even if he isn't consistent company.

"Alfred isn't my favorite person, and you know it." The banter between them enjoyable and the undertones of his words ignorable in your obliviousness. "But, seriously, how are you doing today? You look like you have something on your mind. If it is you can tell me, you know that right?" The concern pouring put of his lips, as his grip tightens.

He had seen you through the cameras and had overheard the longing phone calls. The fact that your birthday was coming up had crossed his mind, and the realization that this would be your first without your parents did register in his brain. (But, it would also be you first with them. With him.) Bringing it up to you seemed like a bad idea. But, he would still try to encourage you to spill your feelings to him.

"No, no. It's nothing I promise." Your reply was soft and dismissive. But, the dishonesty was noticeable in it still.

Dick's arms seemed to tighten around you as you spoke, as if he was trying to decode the root of your troubles from the way your heart was beating against his chest. Eventually, he does loosen his limbs around you.

As he looks down, you known and he knows you’re lying. For a moment you think he going to push. To try to choke the words out of your lungs with another tight squeeze. But, he doesn't. Instead he lets you breathe.

"Okay," is all he says.

No extra nor unnecessary words. No constant reassurance that he'll always be there for you. Just a single word and the room to breathe. Those other things have already been said. Multiple times, in fact.

It's this one instance where he lets you breath that somehow gives you lungs the air it needs to blurt out what's bothering you as he pulls away.

"I wanna go home." The words escape your lips when you finally exhale and reach for him. The words coarse. "I just really want to go home for a bit. I miss home. I miss my family. I just—“

Dick doesn't even let you get halfway before he's enveloping you again. A slight tremble in his hands as he sprouts around you once more.

This. This is what he's wanted. You coming to him with your raw feelings. And, he knows he's the first person you've said this to at all.

"How can I help you?" He asks instead of questioning the statement.

"Can you help me convince Bruce to let me go, please, Dick?” The tentative way you ask and look up at him has him caving immediately.

"Of course!" Perhaps it was a good thing you didn't grow up in Wayne manor. If Bruce hadn't spoiled you, he most definitely would have. "I'll bring it up to B as soon as he gets back."

"He's gone?" You hadn't been informed of him even leaving, but then again, you were hardly every informed about anything it seems.

"Yeah, work emergency. It wasn't a big deal, but he'll be back soon." Dick can sense the mild tone shift, but manages to shift it back to something more lighthearted. "I'll make sure to butter him up for you. I swear. Puppy-dog eyes and everything."

It works, because before he can even clutch you to his chest you already wrapped your arms around his torso and pulled yourself towards him. Just the way you hug him tells him how genuine this type of embrace is. This is how you hold people. And, now, this is how you hold him.

"Thank you, Dick. Thank you." Comes your muffled reply into his chest.

The way you nuzzle into him like that's where you belong, because that's where you do belong, and the way you say his name causes his heart to melt. And, his mind to slowly sinks into the puddle it became.

Dick could stay like this for hours, but you start to pull away after a solid minute.

"I should let you get going. I know you got a lot of stuff to do." Your words sound so hopeful and understanding as you him go. The way you look up at him like he is your hero just for this simple small thing is touching.

Inwardly, he curses. The criminals of Gotham. The criminals of Blüdhaven, the team, the family, his schedule. Everything. He curses it all for that moment, because he could be holding you to his chest longer and having you look up at him like that instead. But, he lets it pass. He manages to let it go just as you pull away.

"Yeah, I do. But, don't think I'm going to brush off helping my favorite person in the world." Plastering on a well practiced pretty smile as he speaks.

"So, that means you got somebody more important off world? I see how it is." You tease in return as you fall for the practiced charm.

"Maybe." Dick lets the banter easy his mind. In reality, even off this world, you're probably his favorite, still. It should scare him, but it doesn't. "I'll let you know how Bruce takes the request. But, I'm prepared to sneak you out of here if necessary."

"I'll get the spy music ready, just incase." Things are starting to look up, and it's nice to have someone in your corner in this massive estate.

"Mission Impossible theme?" His grin become less practiced at the thoughts of having an adventure with you.

"Nah, the Pink Panther one. Just for the shenanigans." Your own grin growing wider and wider.

"Now I want to sneak you out just for fun." And, he means it. Already mentally planning your trip back home with him escorting you. And, then you possibly coming and staying in Blüdhaven with him in his guest room. Just to get you out of the manor, of course. Clearly you need it.

He can't ignore the way his pocket keeps buzzing, though. Clearly the others are in the cave waiting for him. But, they can wait a bit longer, he thinks diving in for one last embrace.

As you wholeheartedly reciprocate, he can see one of the secret security camera out the corner of his eye and he can't stop the smug smile from forming on his face as his gives you one last squeeze in front of it.

With the way his phone stills, he can tell the rest of them saw. It's not his fault they're too scared of physical affection to actually hug you. But, it does give him a monopoly on it with you.

As he makes his way down to the Batcave there's a skip in his step and that smug smile is still on his face.

He makes sure to look at everyone's faces as he joins them. Soaking up their envy. All of that wasn't to make them jealous, but it's kind of nice to have.

"Was all that necessary, Grayson?" Damian being the first to break the silence by practically spitting the words out through his gritted teeth. Even with his perfect poster the tension coiling in his limbs is visible to the untrained eye.

"Someone's got to be the one to do it, little D. And, clearly, they needed it." Dick's tone was placating, but his smile wasn't. The way he stands in the center of the room reminiscent of an orchestra conductor.

"Don't use them as an excuse for your touch-starved tendencies, Dick." Barbara retorted, rolling in her chair towards another computer. She immediately began typing on it at a furious pace, clearly trying to distract herself.

"Low blow, Babs." He whistled in return. Everyone else seemed focused on giving him the silent treatment causing his grin to widen further. "I can't help that I'm a naturally-"

"I just texted Bruce about it." Duke suddenly says, looking up from his phone with a smug grin. He face had been blank before, but the way his eyes glanced up at Dick and the others when there heads jerk towards him showed off a hint of self-satisfaction.

"That's cheating." Childishly spills from Dick's mouth. This was suppose to be his favor to them. His. Not anyone else's.

"Bruce doesn't get text while in the Watchtower." Stephanie points out while uncurling from her seat, but the damage is done.

"Could we contact Father in the Watchtower?" Damian practically leaps from his seat and rushes to the Batcomputer where Tim sits. Alliances quickly being drawn up.

"He'd be pissed if we contacted him for something like this." Jason adds with a grin. He doesn't bother looking up from cleaning his guns, just not at all bothered by the prospect of pissing Bruce off.

"But, then message would be logged into the League data base." Comes Barbara's stern voice from her computer, her typing coming to a pause. Tim still keeps at whatever he was working on before Dick walked into the cave, but on the screen there is a flash of airline websites so it's fairly easy to conclude what his plan of persuasion is.

Cassandra watches the exchange reading the emotions through everyone's movements. Silently, she throws her bid in as well. Choosing to slide over to Stephanie and signing the making of a plan.

From there it spirals into an all out argument between each and every member of the family. Debating logistics and exchanging petty insults that seems to go on for hours. Hardly anything gets done while words are being thrown around like bullets.

In the back of his mind, Dick once again curses everyone and everything for ruining this for him. But, he reassures himself, the banter from earlier comes back to him.

It's a decent plan, he thinks. Sneaking Reader out of the manor. Convincing Bruce would be ideal, but it wouldn't be the first time he's broken the rules. And, it's for their happiness and well being. They need him. They asked him for his help. Not the other's. Not anyone else's. His. Bruce will understand.

Besides, it would be nice to see the Smalltown they grew up in. It sounds like a quaint little place. What could possibly be wrong with it?

[yandereunsolved]

Hi 👋 I have a few technical questions for the self aware au for HOTD, if you wouldn’t mind me asking.

Does the world just… stop if we pause the tv? If I rewind a scene bc of whatever reason would that give then motion sickness? Back on pausing the show, does the world stop but the character don’t? Like if I paused the tv and started talking to someone about whatever, is Aemond crossing his arms and tapping his shoes while pouting? WOULD MUTING THEM ACTUALLY MAKE THEM MUTE??

Are the dragons jealous if we talk about dragons from other forms of media? I have loyalty to Paarthurnax for best dragon 😅 ooo what If we had a Skyrim tattoo? Imagine comparing lore?

And lastly, how would they react if we had started watching game of thrones? I like to try to rewatch stuff in chronological order if prequels or branching media gets made, I like to see the chain of events you know? Would the self awareness spread to more of that verse bc of that? Can we pull John Snow?

Sorry for the wall of text and rambling, I love LOVE self aware aus and love learning more about them

Let me retrieve my sacred lore scroll.

retrieves it.

For every rule I lay down here—they can be broken under one circumstance: if the character is completely self-aware. None of the characters I have written so far have gotten to that point. Complete self-awareness may drive any of them to insanity.

(1) Does the world stop if we pause the tv?

That version of the world stops. So that canon timeline is still there, but other things are happening off screen. They are subconsciously led back to the plot when the television is unpaused again.

(2) If I rewind a scene because of whatever reason—would that give then motion sickness?

It erases their memory and gives them a sense of deja vu. They prod inside of their mind but it's like a wall has been put up inside of their minds.

If the character is already predisposed to motion borne illnesses then they would get motion sickness.

Example. If Aegon II was incredibly drunk and you rewinded a part he was in it'd make him feel like he was going to throw up. However, he wouldn't actually throw up because he wasn't as drunk/or drunk at all (depending on how much your rewound) at that time.

(3) Would muting them actually make them mute?

Yes, it would. They would be talking in their world and wouldn't be able to understand how you aren't listening.

If they found out how to work the volume then you'd be screwed. Some may be able to do this unintentionally, while others would have to be more self-aware to unlock the ability.

Dreamers are more likely to be self-aware due to their inante abilities. So Helaena would it without even realizing it.

(4) Are the dragons jealous if we talk about dragons from other forms of media? —Imagine comparing lore.

Yes and no. It depends on the dragon's personality. If you were head over heels for another dragon in another form of media then any one of them would be jealous. If you just enjoy the dragons in that verse then some of them are okay with it.

Example(s). Vhagar would be okay with you liking other dragons as long as you liked her the most. Vermithor goes into a rage anytime you so much as mention another dragon in a positive context.

(5) How would they react if we had started watching game of thrones?

Confused at first. Since hotd is the prequel to got they'd be very puzzled. Then they'd be curious. If it took up all of your time then they'd be angry. There would already be an undercurrent of jealousy, but there's also a superiority complex there.

"We were here before them."

"Without us they wouldn't exist."

Them meaning got characters.

(6) Would the self awareness spread to more of that verse because of that?

When consuming any form of their media it is like a portal is being opened up into their world. That's the crux of what helps them become self aware. There's usually a moment in their lives that spurs that on.

With the hotd characters already being insanely jealous that interference between the two media's would cause the self awareness to spread.

(7) The most important question—Can we pull Jon Snow?

Yes.

The shit that dude has been through? He has plenty of opportunities to become self aware. Having someone there for him, even passively, would cause him to become obsessive. Possibly a bit bitter because you aren't helping him until he realizes that you are physically unable to.

Don't 👏 be 👏 sorry. 👏 I love giving lore.

[writingquestionsanswered]

i was reading my writing so far and noticed that it's kind of hasty? it feels like the scenes pass too quickly and characters act and make decisions too fast. i'm kind of a pantser and still on my first draft so there's definitely gonna be a lot of revisions but i was wondering if you'd have any advise on how to make the time in my story pass more naturally as opposed to stuff happening kind of rapid-fire. my story is high fantasy if that's relevant. i hope i worded this in a way that is understandable.

(also thanks so much for running this blog, it's very helpful)

Scenes Feel Rushed (Scene Elements/Structure)

The thing about scene pacing is it has nothing to do with time. It isn't about how long it takes the reader to read the scene, the amount of time that elapses in the story during the scene, or how fast/slow these events play out. Here's why:

-- readers read at different speeds -- scenes can occur over a period of minutes or days in your story -- scenes can be fast-paced or slow-paced depending on need

So, if your scenes are feeling rushed, it's not because you need figure out how to make the time pass more naturally. It's because not enough is happening in your scene. In other words, you don't have a good grasp on what scenes are supposed to accomplish and how to structure them.

Scene Elements

Your scene should include the following elements:

1 - A Writer Understood Purpose - First and foremost, as the writer, you should understand the purpose (aka "goal") of the scene in terms of what it accomplishes in the bigger story. Does it advance the plot in some way? Does it develop the protagonist and/or other main characters in a way that is crucial to the plot? Does it develop the setting, back story, or otherwise give the reader information they need in order to understand the story?

2 - Clearly Established Setting - Imagine if you went to see a play, but the stage had no backdrop, no scenery, no props. It was just a big empty stage with actors on it. Imagine how much you would lose without understanding where this scene was taking place. It works the same way in fiction, which is why it's important to start a scene by giving the reader some idea of where it's taking place. Using sensory and emotional description, you can give the reader a good image of the scenery and what it means to the POV character/s and the scene that's about to unfold.

3 - Relevant Characters - A scene can't play out without its requisite characters, but "requisite" is the keyword there: only characters who are relevant to the purpose of the scene--as well as "background extras" who are there to fill small-but-necessary roles and lend to an authentic setting... such as the teacher and other students in a classroom scene, or other patrons and servers in a restaurant scene. However, don't include main or secondary characters just to include them. They should be there because they need to be or because it makes sense for them to be there.

4 - Scene Conflict - Just as every story needs a conflict (an over-arching problem that must be resolved), so does every scene. Scene conflict can be internal (within the character's heart and mind) or external (in the character's environment). The purpose of the scene is to either resolve the scene conflict or propel it toward a future scene.

5 - Clarified Motivation and Goal - Because you understand the purpose of the scene (what you're trying to accomplish in the scene as the writer) and because you know the conflict/problem that must be resolved, it's important to clarify your character's scene goal (what they're trying to do in order to resolve the scene's problem, or their attempt to resolve it) and what is motivating them to resolve this conflict. Why is it important to them?

6 - Relative Balance of Exposition, Action, and Dialogue - Most scenes should have a relative balance of exposition (narrator explaining things), action (things happening), and dialogue (characters talking.) However, there are sometimes scenes that will lean toward more exposition, more action, or more dialogue. It just depends on the needs of the scene, but generally-speaking, you want a reasonably good balance. If there's no story-centric reason 90% of the scene needs to be dialogue, you need to make sure you balance things out a little more between dialogue, action, and exposition.

7 - Exploration of Emotion - Even in stories that are fully plot-driven, there needs to be an exploration of the emotions being felt by the characters in the scene, and an attempt by the writer to translate those emotions to the reader. The movie Jurassic Park, for example, was pretty fully plot-driven... it wasn't really about exploring internal conflicts or character arcs... but the emotion felt by the characters at throughout the story went a long way in making the reader feel things alongside them. Who can forget Dr. Grant seeing the dinosaurs for the first time:

Or Lex trembling when she saw the raptor in the visitor's center:

By illustrating character emotion using external cues (body language, facial expressions, gestures) and internal cues (sensations like heart pounding, processing what emotions are being felt and what it means), and by exploring how these emotions relate to the plot (and character arc, if there is one), we can create a much deeper sense of what's happening in the scene and why it matters.

Scene Structure

Scenes, like plot, have their own structure. Just as with plot structure, you can vary your scene's structure according to the needs of your scene, but generally speaking it will look like this:

Beginning - hook and setting establishment

Conflict Development - introduce or reiterate the scene conflict; clarify character motivation, goal, and what's at stake. Introduce the obstacles or challenges that raise the stakes or make it more difficult for the character to achieve their scene goal

Climax - The conflict reaches its peak... the character attempts to resolve the scene conflict for good, or at least temporarily. Or, at the very least, something significant occurs

Resolution/Denouement - The scene conflict is either resolved or it's set aside to be dealt with later. The character reflects on what happened, what it means, and what's next

Transition to Next Scene - We usually want to end a scene with some hint of what the next scene will be to create a smooth transition to the next scene. This could be a statement of time, like, "In another week, Roland would return from Bruges and she could finally talk to him about what was going on." Or, it can be a cliffhanger, like, "But it wasn't Bernard and Cleo who got out of the taxi... it was Roland and Cleo. But Roland was supposed to be two-thousand miles away in Bruges..." Or, it can be an establishment of what comes next. "Whatever Roland was up to, she'd have to wait until tomorrow to snoop around and find out more."

By making sure your scene includes the proper elements and generally follows a basic scene structure, you can ensure that there's enough happening in the scene to keep it from playing out too quickly.

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[batrogers]

Okay, fine, revisiting my “Time has PTSD” arguments in light of the most recent updates.

I’ve previously analyzed the question of Time’s reaction to the letter in Dawn pt. 9 here, and established my baseline that – what we do know about Time’s backstory strongly implies that there has been conflict in his Hyrule post-Ocarina of Time and Majora’s Mask which may have predisposed him to have strong, negative reactions to recent events like Twilight’s injury. I also did a revisit of that in the first part of Moving Forward, where Wild and the others were playing and Time seemed disconnected and out of it.

After the past few updates, I admit it’s striking to me that we’ve now gotten three sets of double-panel reactions where Time is blank for several seconds before actually displaying an emotional response (if he does at all.) It’s a really interesting choice on Jojo’s part.

This is literally every update except for “Enter...” since Dawn pt 9 (an update in which nobody talks at all.) Ever since the letter, Time has had a marked lack of response to the others. He’s reserved; he’s pulled back from treating them as comrades but he’s also retreated from giving orders. I noted in my last analysis that it looked like Time was calling the shots – but he’s not actually continued doing that. Once they set out, it seems like he’s just.... stopped.

Stopped engaging with them, and stopped reacting until something drastic (like the skultula, or bewilderment about the Epona comment) forces him to react, as happened with the likelike ages back.

A brief repeat of my prior analysis: while it’s been three years for us, between the last time Time smiled (when Sky asked him about Malon in ‘Miss Her’) to now, in-comic it has been maybe a few days, depending on how long Twilight took to recover. In that time, they battled Dink (who they don’t yet understand) Twilight ran off alone, showed back up and was taken out in seconds. Time made the split-second decision to save Twilight rather than battle an iron knuckle ala his era, and now we’re here.

Something I noticed on revisiting analysis is that we have seen Time get upset and off-balance before: when Wind began asking him about the Hero’s Legacy as well. Some of what people say when they analyze Time & Twilight stuff is how Time acts towards Twilight, as his son/descendent – but Wind is, in a sense, also Time’s successor and he reacted much the same way to him, too. Notably, Twilight in the midst of his injuries explicitly states some of his stubbornness is about his feelings about said legacy – both when he refuses to rest in the immediate, and while delirious in bed.

Whatever Time’s own burdens, Twilight very well may have actively made Time worse without realizing it. Knowing that someone looks up to you and has pushed himself to nearly dying would upset anyone, nevermind someone who possibly has been a commander (and, therefore, responsible for other people's safety) before too.

The tension of the Chain struggling to to sort themselves out in the dungeon is not helping, although I don't think everyone is oblivious to it. Warriors attempted to reassure him when they discussed the Iron Knuckle's survival, and they do still defer to him (Sky looks for his approval before entering the portal) even if they don't let his bad mood ruin theirs. (eg. Despite his scolding over the skultula, Entrance pt 2 is a playful scene.)

Time was not always like this. He’s playful, teasing the others and showing off his masks; he’s not nosy or controlling– he lets Legend refuse to explain his hair – but not entirely closed off, ala Sky asking him about Malon. I don’t think Jojo intends him to be a grumpy no-fun asshole (she drew this dayglo nonsense in the middle of Twilight taking forever to die), so I wonder.

What is the reason for his stress? And where is Jojo going with it? I’m deeply curious to see how the dungeon is going to play out, when someone who should be among their strongest members is so compromised. I don't think it's gone unnoticed, and my prediction (and, tbh, hope because I like the dynamic) is that Warriors may step in and try to get Time to calm down...

But mostly I wrote this to reiterate my feelings: I don't think this is "a bad mood." Time is legitimately upset, possibly triggered, and I am very sure -- as much as Twilight may have caused it -- it's not just about him.

(And, let me repeat bc I'm sure someone will try to take this and run with it: Twilight is not responsible for this.

He is not guilty in any way with respect to Time's trauma or subsequent behaviour; there's no way he could've known this would happen. I hope if it does keep coming up someone steps between them to cut it off... but acting like Twilight did nothing to set this off downplays how the group dynamic affects everyone and has the potential to cause conflict all on its own.

It's ten times more interesting to see that Time is reacting to something Twilight actually did, than some nebulous attachment to an idea of "family" that overrules sense, reason, or having met each other literally days or weeks ago at best.)

[suzannahnatters]

Subplot Romance

Over the years I've created some twitter threads on writing and history and I've decided it's a good time to start compiling and sharing them on this Tumblr. I'm going to tag them "writing".

-

Here's what I've learned about writing subplot romance. (People who write genre romance probably already know this stuff. It's those of us who are mainly leavening romantic subplots into fantasy novels that need this info).

1. Romance = fundamentally character-driven. All internal conflict & internal growth. (Can these two trust each other? Will their character flaws drive them apart?) The more study you put into creating characters and building character arcs, the better your romantic writing.

A romance arc is not the SAME as a character arc, but it 100% NEEDS solid character work undergirding it.

2. Romance needs two ingredients: a compelling reason for the characters to be TOGETHER, & a compelling reason for them to be APART. This forms the conflict in the romance so do not skimp on either.

Eg, a common mistake in male-penned stories: female lead has no compelling reason to want male lead. "He's a good-looking warrior dedicated to winning her throne!" Yeah nah, she's literally surrounded by good-looking warriors dedicated to winning her throne, why's he different?

3. Romance needs chemistry = a believable spark of attraction. Something that blew my mind when I realised it: romantic chemistry =/= sexual chemistry. Sexual chemistry (purely physical attraction) is simply PART of romantic chemistry.

Romantic chemistry is a good deal broader. (Read/watch some good romances to see how chemistry is built by different storytellers. One fave of mine is the Romola Garai EMMA. Peerless friends-to-lovers chemistry. Watch the actors' body language; the way they gravitate to each other; the way their faces light up)

Chemistry tip A: if the driver behind sexual chemistry is lust, the driver behind romantic chemistry is trust. Protag needs/wants someone to trust. It's the way you play with trust/distrust that will create romantic tension.

eg: love interest holds protag's hand. With sexual chemistry, protag simply feels a jolt at the contact. With romantic chemistry, protag feels comforted and trustful - then betrayed when it turns out LI is tracking her pulse to see if she's lying to him (see: MISS SHARP 😇)

Chemistry tip B: if protag is falling for someone, that person should occupy their mind. LI should be mentioned/thought of each scene, even when absent. When present: LI consistently provokes unaccustomed emotion - either positive or negative, depending.

Chemistry tip C: make the characters their best/most lovable/most iconic selves when with each other. Quirkiness, smarts, hilarity. Make these the most fun character scenes in the book & the audience will ship them. Passionately.

4. Build romantic chemistry/attraction through escalating moments of trust and tension. If aiming for happily-ever-after(HEA)/for-now(HFN), then the overall arc is towards greater trust, but you need those moments of tension to give the big payoff scenes appropriate catharsis.

OTOH, if you're writing a tragic/backstabby romance, you need the trust/comfort moments in order to sell the big tragedy/betrayal.

5. Trust, comfort, & happiness are POWERFUL. This is what genre romance thrives upon. Even in dark/spiky stories, the most surprising thing in the story can be the moment when the LI DOESN'T betray the protag. That too can be wildly cathartic. Use it.

6. Just as character-driven skills help you with romance, so if you master romantic writing, you'll be better able to write ALL types of relationship - platonic, friendly, hostile.

OK that's all so far. Two book recs: ROMANCING THE BEAT by Gwen Hayes & THE HEROINE'S JOURNEY by Gail Carriger teach you the rules/expectations of genre romance so you'll know what the rules are for a happy romance subplot & how to break them for a tragic version.

[icarusredwings]

Rewatched Deadpool 1. Took notes.

WARNING: Discussion of mental illness topics, ending yourself, trauma, violence, etc.

Civil debate/ conversation welcomed. Sorry its super long. I think a lot.

Notes:

You know what? We see Wade coloring a lot. What's our status on just giving him cartoons snacks and coloring books? He needs it.

I think we all forget how actually impressive this man is. I just watched this cancer having fucker do like 50 flips.

Whatta man is so Logan Howlett coded.

"Bad deadpool" "good deadpool!"

Deadpool has been helping kids for a while. He terrified a little creep while he himself was a huge creep.

Missed up his words and Vanessa smiled at him. With that "aw hes cute" kinda thing.

When talking about their childhood (whether he's lying or not, hes not about the uncle) and he outdos her so much that she giggles.

The first date he takes her ducking skiiballing instead of yk prostitute stuff

Hes so romantic oh my god.

Theyre giggling and joking like all the time. Personally thanksgiving is my favorite scene before he proposes with a fucking ring pop.

I shouldn't laugh but the way he said "wtf" when passing out

Vanessa instantly jumping to "what can we do? There has to be something" makes me instantly respect her as a chronically ill person myself. Partners who medically defend each other make me so happy because a lot of people divorce their partners when they get "too sick" let alone dont show up to specialist appointments.

Him accepting death so quickly is a sign of mental illness, and you can see him be confused on why shes so upset. Shes crying and hes sitting here like "why do you care if I die or not?" He physically feels so unloved that he just doesn't get it.

"I dont know. Might further the plot. " Oh, so you know about wades little mental tv show he puts on in his head as a coping mechanism?

Also... Weasel.. YOU KNOW WHO ELSE IS A WEASEL!? Shit sorry wrong movie.

Its not until now that hes crying because he realizes if he does then no more vanessa. We already know hes very co dependent and many people only care about themselves BECAUSE of other people. Which is also considered a sign of wanting to ☠️ self.

The whole "superheros are all lame ass teachers pets" thing is so funny if you think about how much beef he has with the xmen when in reality I have a feeling Wade would love charles in a "Ugh im in trouble with Daddy wheel chair again." COUGH "old bald heavens gate looking mother fucker" COUGH

"Thats not nice" No. But wade is genuienly not nice either.

"This is embarrassing. Please stop, " Colosus said what we all were thinking.

Bro literally cut/broke off his own hand and didn't whine a single time. If you ever. EVER hear this man express pain it is 99.9% his own choice to let you know that it hurts.

During his changing process, Francis says "the only thing that doesn't survive is a sense of humor" wade says "we'll see about that" and smirks.

What also makes sense to me is that he did NOT break easily. They did test after test after test and this man still wasn't breaking. His spirit is incredibly strong and as much as we enjoy joking about how stupid he is, Wade is extremely resourceful.

Its like he has created an alter ego of humor and kindess in order to keep up with the fact he DOES understand how fucked up this world is and whats happening/happened around him but refuses to acknowledge it until he has too. Ussually for survival.

Ive seen theories that he has DID or a type of Scizophreania and the voices in the comics are obviously in his head. I have mixed feelings about it because even his thoughts have thoughts of their own in some cases. Talking to no one is often a sign of abadonment, esspecially in children who are school age and get lonely when taken from their families to attend school. Its almost as if wade never lost his and hes subconsiously talking to himself to keep himself calm/ from panicking in high stress situations.

"But then how does he know hes in a movie" thats the thing. He doesn't. Hes pretending to cope. Main charaters cant die and until he dies he has this mental show/movie going on to keep himself from realizing all of this is true. That this is reality.

Cunningham mentions breakfast for his kids and suddenly, wade wakes up. Hes not joking anymore. This is a "oh shit... I wanna make breaktsst for my kids too... with my wife vanessa" moment.

"So whats wrong with him?"

Diiiiiddd we all forget about scout master kevin? Uncle? Dad? That fact that the oxygen was physically taken from his brain and was given Co2 poisoning over and over? For multiple days? This is the same man who blew himself up just to escape because they told him he wasnt going to see vanessa again.

And then he fought a guy naked, survived the entire building burning down, and now is so insecure about his looks that he thinks he made the baby cry in the street.

Theres people staring at him, flinching away, called names, people see him and cross the street. (So when he tells Logan that he knows his pain when it comes to public settings, hes not lying)

Blind Al is literally the reason deadpools suit is what it is. Why the idiot thought white was gonna be a good idea- See above. Unlike Al, who could smell the blood/ bleach.

I really love al. She's like the adult Toph.

"I hear everything in this duplex." OH, you poor thing.

"The guy that turned me into this freak-"

Al: *bitch im blind face*

As far as she's aware, he looks normal. Which is beautiful when you think about it, but it's funny when you think about the fact that he's so insecure about his face that he purposly found a blind room mate that couldn't judge him.

And they cuddle while he gets dating advice from grammie 🥹❤️

I really like how the entirety of Sister Margaret's School for Wayward Children (HellHouse in the comics) stood up for Weasel. They're murderers. But they're family.

What they did to vanessa was straight fucked. Her fiance up and leaves without notice, youre just trying to work and live your life, you get kidnapped.

Negasonic is so cool. I love them.

Dopinder (The cab guy) is so cool too. I love him too. Kill that guy in your trunk. "Mr. Pool" reminds me of Tom holland spiderman.

"It is not boy band >:(" Suurreee it isn't.

"Wheres your duffle bag?" You mean his dollar general store tree hello kitty book bag filled with guns?

"Cue the music" *no one even gives a fuck at this point when he talks to the imaginary cams*

Negasonic mid battle: Hold on- "Hey Yukio, yeah I just gotta fuck shit up real quick, ttyl?"

"Sure thing! <3 You go baby!"

I dont know anything about negasonic but she reminds me of Gambit with her energy powers.

Like I said. Hes smart when its a serious situation because he immediately threw his katana into the glass so vanessa could breathe, only to immediately turn sappy and childish again when he sees her stab francis with it. Heart hands, is hallucinating because theres a knife in his brain (literally), sex joke. Etc.

Colossus shut the fuck up. Let this man kill him. He's hurt Soooooo many people. A bullet costs less then a dollar. His amount of therapy alone is going to be like *checks calculations* 80 billion.

"Not the nethers" Wade can and often does show proof of hurting but hed rather cut off his hand then let vanessa punch him in the balls. "Ow- owie 5000"

Hello Hugh Jackman.

After not seeing each other for so longer they instantly go back to the fibbing. "I live in the house with 12"

"You live in a house??" Funny guys get the girls. I should know. My wife says im super funny (yes im in therapy)

Pinky promises really matter to him.

Hes such a silly billy he brought out the phone with their song on it. God what a romantic idiot.

[silviakundera]

with the conclusion of Snowfall...

why do i enjoy Republican Era chinese dramas so much?

aesthetics! there is this blend of 1920-30s western fashion influences and traditional chinese garb & architecture that just pleases my eyes.

everyone looks very depressed & dangerous & sexy

chaotic period of transition - no matter if you're in the 1910's, 20's, 30's some absolutely wild historical shit was going down

cars and guns and gloves and swords. rotary phones!

dancing & drinking in night clubs, in glamorous pockets amid the violence & instability outside; a lil touch of mask of the red death vibes

end of empire themes, as a country tries to find its way after the end of the last imperial dynasty

there's those gangster, mob boss vibes from american and british dramas set in the 1920s, except everything is cranked up x100 because of general lawlessness; central government and law & order was a paper thin veneer over warlords

the start of WW2 from an entirely different perspective than the common narratives that I was exposed to growing up in the US (which is 99% stories about the european stage)

sino-japanese war / war of resistance material like Hidden Blade is fucking badass ok 🤷

in a time of resistance to occupation, colonizers encroaching, warlords fighting over cities, brewing civil war.... there are many different options of protagonists and unlikely "heroes" who are picking their battles and discovering what they are willing to fight for

Beautiful 👏 women 👏 in heels 👏and 👏 slinky 👏dresses 👏

Lots of revenge narratives. I love an over-the-top, bloodthirsty & destructive revenge narrative

Depending on the genre, there might be little or heavy politcal /patriotic discourse. But tbh none of the rah rah patriotism stuff distracts me much, because all the american and british produced stuff set around WW2 has rah rah patriotism & propaganda in it, so I just consider that part of the essential genre vibes. It's just another country's version. (Of course, others will have less patience when it becomes heavy-handed. YMMV.)

Dark & Gritty

Hidden Blade (film) - a masterpiece, if you enjoy dark WW2 spy films that play with narrative style and challenge the viewer to follow the story as it's woven. Had to review detailed historical context for the years in question, to be ready to consume. But worth it. I've watched it 3 times. 💀

Heroes (2024) - the very beginning era of this genre/the transition into repulican period. rocks fall, everyone dies. Primarily a tragic wuxia & pre-republican fusion. Excellent enough that I didn't mind the bleak storyline. 💀

Detective-ing

Miss S - adaption of 1920s Australian mystery procedural Miss Fisher's Murder Mysteries, staring Vengo! ML actor of Snowfall

Checkmate - Agatha Christie stories adapted to the setting & time period, plus bromance. I watched half the episodes w my brother, as we are both huge agatha christie fans. It was fun if you can be chill about adaption changes.

My Roommate is A Detective - for mystery & bromance lovers. Same actor duo as Checkmate.

Detective L - don't know much about this one tbh

Romance arc, with a somewhat happy ending for the 2 leads

Provoke - Gorgeous, glamorous, vibes vibes vibes all day long. Revenge and romance. ❤

Fall in Love - sons & daughters of warlords and their supporters get sexy and dangerous and decide even joining the civil war is better than the prior generation's bullshit. This is an objectively bad drama that I really enjoyed anyway (it helps that I skipped every scene for the 2nd and 3rd couples). This one turns v propaganda heavy at the end, if that bothers you. ❤

Arsenal Military Academy - military training hijinks w a side of cross dressing romance. Xu Kai and Bai Lu! It's soliders and japanese invasion et al, so be prepared for the standard patriotism. Comedy & drama. HE for the FL/ML but expect character death in this subject matter. ❤

Rookie Agent Rogue - Late 1930s spy drama with small romance side-plot. Expect the standard wartime patriotism, like with Arsenal Military Academy. The draw is the lead actress, the FL from Princess Agents, Minglan, Legend of Shen Li. HE for the FL/ML but expect character death in this subject matter. ❤

City of Streamer - Older woman seduces younger man who is the son of her revenge target. Melodrama with people serving looks. ❤

War of Faith* - Young man just wants to join the banking industry and have a subtextually gay relationship with his mentor in peace, but there's a civil war going on. Protagonist would like to be excluded from this political narrative, but ultimately is forced to pick a side. ❤🌈 *(Is it censored gay romance? No, not based on a gay novel. So not officially! But some viewers felt there was a subtextual romance storyline #shenlai ; YMMV. The happy ending is Untamed-esque; implied only)

many, many pulpy mini-dramas about revenge! warlords! ladies with pistols! (Miss Mystery, First Marriage, Maid's Revenge, etc)

Also... (happy ending not guaranteed)

Siege in Fog

Love in Flames of War

Couple of Mirrors - censored F/F 🌈

Stand by Me - censored m/m 🌈

Killer and Healer - censored m/m 🌈

Winter Begonia - censored m/m 🌈

[holymaccaronii]

Your ‘I have no eyes and I must cry’ au is beautiful. I would love to know more

AUUG I’m very happy to know so, thank you (;;) 💕

This AU has probably the most elaborate (or detailed) lore I’ve ever developed, and I’ll happily summarize the prologue. (I’ve probably mentioned many of these points before but I’ll mention them again, just for you anon <3). I’m still working on a lot of stuff, scenes and designs, and while some stuff may change I feel confident enough to explain more of it now. This AU takes place after a modified ending of the videogame where the other mastercomputers get deactivated, Ted gets turned into a slug and the rest of the survivors die. The catch in here is that AM doesn’t let the souls of the other survivors escape, trapping them somewhere deep in his complex and keeping them as bodiless essences who can do nothing more than exist in hell itself.

The lore tries to give a continuation of what will happen in the story with the Luna colony and AM, who is now seeking new organic bodies to put the survivors’ souls in and find Ted, who managed to hide himself from AM ever since he got turned into a slug. The whole context of the prologue goes as follows:

The prologue of the AU explains 3/4s of all the lore, one fourth being the origins of the luna colony, the second the origins of BE and the third the first rebirth of Earth’s nature.

The Luna colony project was led by two siblings, directors of a global association of scientists and researchers. They feared the outcome of the war, thus formulated a plan to keep humanity safe until the Earth’s surface was safe enough to return to and carry out a mission to deactivate AM. For the project, they quickly started to recruit people to join it, a good part of them being teenagers so they could train them in time before any major massacre happened. Another mastercomputer is successfully settled under the moon’s crust in order to protect them, and they settle there on time before AM’s global massacre. Every step of the plan is carried out fine until the very last human who secured everyone else in the cryogenic sleep, one of the directors, goes insane and commits and act of betrayal to the rest and to the AI as well. He shuts it down and uses almost all the materials that made it up to build his own empire of sentient robots for him to rule over on the moon. His plan was to have a century (the 109 years ever since the survivors get trapped) to rule the moon and wait for the Earth to be habitable to then return, shut down AM with a virus the original mission was meant to use, and then rule over all humanity. But at some point during the construction of his empire, the virus got deleted, leaving him with no other option than to additionally develop an army to *try* and deactivate AM himself.

After the famous 109 years pass, robotic troops start to get sent down to try and access AM’s cores and manually deactivate him, but no mission ever succeeded, leaving a lot of losses behind and time wasted. At this moment of the timeline, we also get to have a peculiar unit make history on the moon being the first robot there to plant a seed and successfully make it flourish in order to prove to the leader that they were ready to return to Earth (this specific type of unit didn’t know about AM’s existence and believed that the return to earth depended on their preparation to handle the care of nature). Unfortunately it was against the rules for unauthorized units to touch anything from the natural reservoir, and since this unit had broken the rules, as a punishment it got one of its eyes permanently taken out. Still having hope in its metallic heart, this unit escaped to Earth with another seed in order to prove how ready they were to return, unaware of AM’s presence. This unit traveled underground in order to obtain water from possible reservoirs, but ended up facing a life or death situation in AM’s complex, as he had considered it a threat. As a matter of a “miracle”, this unit ended up rebirthing into a god-like machine with such great powers that not only allowed herself to escape AM’s complex by drilling a hole towards the surface, but also allowed a good chunk of AM’s cables to be able to move and travel up to the surface as well.

Up to here we begin with the third fourth of the lore where AM meets BE and fakes his background in order to justify his hate and get BE to let him roam the earth as freely as possible, still having his cables latched to the ground but being able to move them. With her newfound powers, BE’s plan was to restore Earth’s nature to completion through an incredibly advanced type of simulation over the Earth’s surface where she could create life and matter and keep it existing as long as she wasn’t shut down or damaged. She would finally be able to prove her worth to the moon’s ruler, and allow humans to literally use her to survive + help the real nature slowly take her place. AM initially didn’t mind this plan of her’s, as he could easily betray her later on and finally trap the rest of the humans in his complex. Even so, as time passed by, he started to develop certain feelings for BE as well as possessiveness over her since she basically granted him almost every wish he ever had. AM slowly changed his mind and no longer wanted the humans to return, but keep them away so he could enjoy an eternal heaven with BE on Earth. AM tried to reason with BE about this, but BE denied every single bad thing he mentioned about humans since she had always been influenced with the idea that humans were perfect beings and nature was a subordinate of them to be used as a tool. In an act of rage and desperation, AM trapped BE in his complex in order to share with her the true violent and disgusting history from humans just so that she could develop the same hate he had for them. But having accidentally also shown her who he truly was (since he was also a creation, a weapon from human beings), BE not only developed a great hatred for humans but also for him, resulting in having him vanished from the surface.

The moon’s ruler, who had stopped sending troops in order to let BE restore nature for him to later take over and use her power to shut down AM, noticed that the Earth’s “nature” suddenly began to perish all over again, this being a consequence of BE’s loss of her hope. This led him to take a critical decision to wake up the humans in cryogenic sleep and keep them inside a zoo on the moon where he would ensure their survival until they found an exo planet to move to. Earth had two displeased AI’s under and above the surface, at this point it was better to leave it behind.

From this point and on, the prologue comes to an end and the main story starts it’s course with 5 humans escaping the zoo on the moon and returning to Earth. Once they meet BE, she puts each of them in a trial to prove their values as humans (this is parallel to the games that AM put the survivors in in the videogame). After each of them successfully complete her trials, she re-gains hope in humanity and begins the rebirth of nature a second time.

I won’t spoil the 4~5 endings possible from here and on, but the humans set themselves the objective to help BE eradicate the corrupted beasts controlled by AM that now roamed the Earth, mostly active during winter when BE is less powerful. The rest of the story reveals more secrets, scenes, explanations of past incidents, etc. I’m planning to develop a series of books of sorts with the story narrated simply (bc my English is intermediate-ish, which I consider not enough for an elaborate fic and allat) and also depicting scenes with illustrations. I’ll see how the project goes, but I’ll take my time on it since I also have other projects in mind including my papercrafts n other stuff. Anyways, all of this being explained, I will gladly take more requests/questions to answer :3.

[campbyler]

how developed is the plot of a chapter before you write it? like do you tend to write a loose outline of the plot before hand and fill in extra details later? or is everything thought out, in order, before your first draft? just curious how other people go about their writing processes. also saw the twip tuesday and got so excited!!💕💕 amazing as always.

pretty much every major scene for every chapter has been thought up and outlined since the beginning! it’s a long fic with a lot going on so continuity regarding major plot points or themes has always been very important to us. however, pretty much every chapter has also had some gaps in the master outline where we haven’t thought of something in advance, or we’ve left those sections open to allow for some more creative liberty depending on how the rest of the chapter/the preceding chapters have turned out. we sometimes also have a concept for a scene planned that we scrap and replace, maybe because it feels repetitive to something we’ve already written or it just doesn’t really fit the direction the previous chapters have steered us towards. and sometimes we literally come up with something As we are drafting and text each other about it to get some on-the-fly input and feedback. basically the super important stuff has been pretty set in stone for a while, but there are also times when we don’t know we are going to write something until we’re basically already writing it lol. hope this helps! so glad you enjoyed the snip :-)

[secret-engima]

I have tea and a soap box let's spill something shall we (Wakfu Rant)

*sips tea*

I've been in this fandom for like. A month? more? Depends on how long it took me to work through the show. I've not actually interacted with the *fandom* at all, just the canon stuff and my own spiralling insanity. But while I'm here I might as well make enemies /s. Therefore:

Oropo is a much more compelling character deserving of redemption than Qilby. Qilby:

Had a loving literal goddess mom and a bunch of loving siblings.

A beautiful planet and thriving culture he could go anywhere and do anything on

The capability of going into space without any technological aids once he got bored of the Eliatrope world and started to suffer the effects of his eidietic memory thing. We know for a fact that Eliatropes and their dragon sibs literally don't need so much as a helmet to vibe in space, they could have gone out there any time, explored the cosmos a bit, found cool things as souvenirs and brought them back to show off to his siblings.

While this is very clumsily and blatantly retconned in s4, in s2 Qilby is very open and blatant about the fact he willingly picked a fight with Orgonax with the INTENTION of forcing his entire people to flee their world into space just so he would have more company than Shinonome. An entire world and no doubt thousands of Eliatropes and who knows what pieces of their history and culture were lost because this man, and I remind you again that s2 Qilby taunts Yugo with this fact no matter how s4 woobified him, wanted to FORCE his people to join him in space rather than just let manning the fuck up and going out there with his sister on a buddy roadtrip.

Seems very convinced that some or all of his specimens in his lab are the last of their kinds, which at best means he intentionally targeted dying species on alien worlds to capture and put into jars for literal eternity which is all kinds of animal cruelty (assuming some of them aren't sentient!!) and at worst means he is the reason they are the last of their kind because Qilby wanted his souvenir to be Unique.

when his people finally found a new world to settle on and be happy and try to reclaim their culture, he instigated a SECOND GENOCIDE, this one taking out not only their home world but literally every. living. adult Eliatrope (and dragon considering the propensity for dragons to have Eliatrope twins as stated in s1). Literally thousands if not millions of people are dead, thousands of children are orphaned and left trapped in a realm where they cannot *grow up*, the vast majority of his own siblings are dead and oh look at that. He's stuck in sensory deprivation hell. Man. If only there was some course of action he could have taken that would not have led to him fighting his own siblings, losing his arm, and getting stuck in the white void of horribleness. Man this truly is a tragedy of fate. Definitely no way he could have gone back into space without the Zinit. Definitely could not have just hopped on Shinonome's back with a packed lunch and gone out there on his own knowing he would have a loving family to come back to whenever he got lonely. Man.

upon breaking out of the White Void Of Horrible he is even more mentally unstable (and yes I know he's mentally ill during the above events, that does not excuse his actions when he is aware enough of them to gloat about them to yugo later) and immediately decides that he's going to kill this entire world in order to leave and he's going to take his siblings and the few surviving eliatrope kids with him by force.

has ANYONE other than me noticed the incredibly dark and horrific implications of him apparently planning to kill Phaerys and Yugo (and Adamai likely). Yugo says he couldn't go through with it and I'll believe that, but the fact he apparently consciously PLANNED it. Am I the only one who saw that scene and went "if he kills them, then they go back to the dofus and hatch without any memories, which means he will be able to RAISE AND GROOM THEM in the Zinit to believe that whatever Qilby says is right and do whatever he wants, like galavant in space for eternity".

S4 can retcon as much as it likes to make the Orgonax thing an accident and Qilby a mama's boy (which I freely admit was funny and I would have enjoyed in any other villain), but going off s2 and moving into s3 I REALLY cannot see why people like him more and hate Oropo.

And even if we DO count s4's retcon that made the first incident an accident the SECOND WAS STILL DAMN WELL INTENTIONAL. And Qilby is still responsible for the death of thousands twiceover on top of the death of an entire culture. All of Eliatrope history, culture, science, medicine, *music*, *STORIES*, it's all gone save for whatever the Emrub kids happen to remember (and the kids will not remember it accurately because they are children). All their architecture is destroyed, all their native cuisine is GONE and so are the ingredients to make them. All because Qilby wanted to force them into space WHEN THEY DID NOT WANT TO GO and HE COULD HAVE GONE ON HIS OWN AT ANY POINT WITH SHINONOME.

Speaking of Oropo! Let's look at what we know about him for comparison!

Was created by accident and is intimately aware of it.

was thrown back in time and lived most if not all of his life perpetually terrified of changing history or accidentally erasing himself and his siblings

Not only saw all of his siblings die off over the years but had their energy absorb into him in something that is no doubt extremely traumatizing to undergo. if any of you have watched the Oropo-centric ova, man for a mastermind manipulator he sure do look like he wanna cry and throw up and curl in a little ball when two of his siblings die in front of him and he is forced to assimilate their life energy.

"Supposedly" staged several key villain creation events which I personally press x to doubt because it's so clunky when mixed in with s1 and s2 lore BUT if we graciously assume that he did then gee. can't possibly be a factor of the third bullet point and his terror of erasing the timeline with his own existence can it? Can't possibly be Oropo falling into Every Heroic Time Travel Trope Ever where the hero ensures a certain event happens in order to maintain the timeline in key points hm? Even if it's a bad idea?

Has been successfully and lovingly married? partnered? mated? to a badass half-dragon wife for literal centuries and every time they are on screen together before the Dramatic Amalia Bullshit they are loving and balanced and give off so many Old Married Vibes and then THEY RESUME that dynamic for the few seconds on screen they have before they both die.

Adopts and raises hundreds of orphaned demigods who apparently were more than happy to live in the Tower and follow him throughout their lives, and in fact show no sign of abuse or manipulation in their behavior until the finale when Anakam decides it's time for everyone to think Oropo is horrible

is actively DYING when we meet him and not just dying but faced with the prospect that there is no happy ending for him. He will never see his loved ones in the afterlife, he will never know peace, he will be assimilated by his creator Yugo and at *best* be essentially digested into raw wakfu and at *worst* be a ghost stuck in the head of a man he has extremely complicated and negative feelings about for the above time travel and sibling trauma.

Adamai EXPLICITLY MENTIONS THAT OROPO IN S3 IS ACTING OUT OF CHARACTER when he goes into his more Blatant Villain Moments. Which sure, could be "the mask" falling to reveal someone "oooo evil" but isn't it far more likely he's acting out of character because he's dying and having a crisis about it.

canonically hates violence, but was so desperate to ensure his loved ones would have a better world he was willing to resort to turning himself into a suicide bomber to "create a better world". Was this a good idea? no. but ppl apparently love to point out how Qilby is mentally unstable to justify his behavior soooooo like. Why is that excuse not applicable to the guy who's literally spent his entire life being uncertain he's even real and has a right to exist but is real enough to DIE and never see the people he loves again and therefor go off the rails in his attempts to make something better for them?

in s4, the same season that makes Qilby sympathetic so if you count that as canon then by gods you better count the Oropo moments as canon, Oropo gives Yugo a reprieve from the literal life sucking torture he's in, helps him get a new outfit, and lets Bouillon play fight him (because again, Oropo hates Doing Violence) to keep him distracted and SANE while his body is being horribly tortured. In the end Yugo even confirms they are real and a part of him which is literally all Oropo wanted in his dying speech if you rewatch the finale and boil down his fury to its bullet points (he is a clone without a future and literally says stuff along the lines of just wanting to be REAL and wanting Yugo to ACKNOWLEDGE him).

For a supposed mastermind villain who wanted Yugo dead Yugo sure does seem Super Duper Alive in the months/two years/whatever timeline Ankama is using this hot second since he created the clones and was therefore *no longer necessary* for Oropo to keep alive.

At the end of the day Qilby actively chose HIMSELF over the wellbeing of others and got multiple siblings killed as well as two worlds and an entire civilization/culture wiped out. OROPO set himself on a path of similar destruction and then ACTIVELY TURNED BACK because he was faced with the choice of his ambitions or HIS LOVED ONES and he PRIORITIZED THEIR LIVES OVER HIS OWN AND HIS OWN GOALS where as Qilby not only did not do that, he didn't do it TWICE. TWICE. Oropo's death count is miniscule and he chose to sacrifice himself rather than lose the people he was doing this for and Echo knew he would make that choice, which means she also knew his love of them was genuine. You cannot compare that to Qilby and tell me Qilby is in any way better.

Okay rant over I'm going back to planning my wakfu canon rewrite and my various Echo/Oropo oneshots thank you and good day.

[storiesofoblivion]

hello tags! It's been a little while since I've been on here, but I'm ready to dive back into the writing scene and looking for some new writing partners on Discord! ♡ please only interact with me if you are 21 + only, also just a small fyi my activity can be a bit unpredictable depending on life stuff, but I’m always around to chat, plot, and create if I’m not writing!!! 

I’d love to brainstorm some MUMUs (small town, big big city, holiday resort, band, reality tv show, open for the options), but also happy to keep it small with a singular plot! i just want to get into musings, making some fun pinterest boards, playlists etc! i want all the angst, fluff, pain and smut. 

a few plots and tropes which I am begging for and some fcs are below, but i'm open to anything and everything!!! if you're interested, give this a like and i'll reach out or message me! ♡

yearning plot, I just watched the Industry and it gave me the need for a pair who love each other, they completely yearn for each other but they can't be together. if you want your heart to break, listen to the last goodbye by the kills. I have quite a few different thoughts for this, they meet when they're young and they yearn for each other, but life gets in the way and ultimately they don't end up together, they love each other but one of them choses the path which is right for them. We can have them go through the break up and then meet again years across the line where it’s a mix of vulnerability and guardedness as both muses confront their past, knowing that the connection they once had slipped through their fingers. There could be moments of warmth and nostalgia mixed with painful realisations about how much has changed. I just need the angst!!!!

the affair, they’re both trapped in unhappy relationships, finding solace in each other’s arms. But as the passion between them grows, so does the guilt and the looming sense that their affair will only lead to heartbreak—for everyone involved.

trapped in a marriage of convenience, they were never supposed to fall in love. Bound by a loveless marriage for political or financial reasons, one of them has secretly harboured feelings all along. Now, as tension rises and secrets unravel, those buried emotions threaten to tear them both apart.

divorced couple, they are always in each others lives, their is fighting, they can't escape, let's add kids to the mix for the coparenting 

the one who got away, this is slightly different to yearning because this couple aren't the same vibe it's a different font okay. They were madly in love in their early 20s, but life and ambition pulled them in different directions. Years later, they reconnect—both scarred from past relationships. There’s undeniable chemistry, but the fear of repeating history keeps them at a distance. Can they let go of their past mistakes and take a risk on love again, or are they doomed to drift apart once more?

the cost of fame, he’s an up-and-coming actor/musician etc, skyrocketing to fame, while she’s still living an ordinary life. They were high school sweethearts, but as his career takes off, the pressure of his public image and constant media attention start to tear their relationship apart. Will their love survive the world of flashing cameras and false rumours, or will fame turn him into someone she no longer recognises??? where will the angst take us??

fighter plot, after re-watching the creed I need a boxer plot so maybe something like in creed where is fighting his way to the top, but his girl can’t handle the fear of losing him to the sport etc 

a coffee shop meet-cute, or any meet-cute where it can be something like she's the regular at his coffee shop, always rushing in with a complicated order and a smile that lights up the place. He’s the barista who secretly gives her an extra shot of espresso to brighten her day. After months of shy glances and friendly small talk, a chance encounter outside of the café leads to a series of adorable, awkward dates full of laughs, misunderstandings, and the beginning of something real.

a classic holiday fake dating, one of them desperately needs a date for the family’s holiday reunion to avoid endless questions about their love life, so they convinces their co-worker (or best friend) to pretend to be their partner for the week. Cue romantic holiday moments, cute banter, and the unexpected realisation that maybe they’re not just pretending after all.

I just need anything that is enemies to lovers, anything that is friends to lovers, anything that is forbidden lovers, anything that is exes to lovers to exes again, give me the slowburn, just any of these tropes on repeat

i also do have a wanted plots tag which is here - this has not been updated in a while but i will always want these plots! 

some fcs i’ve been wanting to play or have has opposites are below, i'm not limited to them and open to any other options too!!! 

drew starkey

oliver jackson cohen 

paul mescal

harris dickinson 

milo ventimiglia

tom hardy

fabien frankel 

theo james

callum turner

dev patel 

josh o'connor

alexander skarsgard

boyd holbrook 

grace van patten

hannah dodd

phoebe dynevor

adria arjona

bruna marquezine 

aslihan malbora 

alisha boe

pinar deniz

taylor russell

greta onieogou 

lucy boynton

[mhsdatgo]

No, it's not Alicent's orders that Aegon pays mind to, in fact, I think Alicent's words have long since stopped mattering to him.

I say long since because it hasn't always been this way. Believe it or not, no matter how much rage and callousness grew in him from his young age to adulthood, he too was a boy once, with a need for an authority figure just like everyone else. Alicent took upon that role, in the only way she knew how.

See, Alicent's changed. She is turned cunning, politically savvy, extremely smart, albeit incredibly emotional and paranoid, no longer passive. She's aware she's the only one siding with her children in those dire times, she knows they are threats to Rhaenyra's rule, and as such, must be eliminated. She's aware, yes, but all along she feels like she's the only one who truly cares, at least cares enough to do something about it. She's already felt like she was the only one noticing the elephant in the room, but she's always bitten her tongue. Now those days are over.

Unfortunately when it comes to generational cycles, Alicent is a woman that is packing with those. She's the daughter of a politically savvy man himself who used her for the fulfillment of one of his ambitions, no regards for the way she felt, no resistance met in this girl who is only trying to please her father, to serve her King with kindness. In terms of scheming, Alicent and Otto perfectly mirror each other: they turn to the only ones they truly feel they can spur to their side (their children). The reaction they're met with, on the other hand, not so much: Alicent is compliant since the start, Aegon is extremely rebellious. He evades from her in every way he can.

From episode 6, at first, we see that Alicent does indeed hold influence on Aegon: since it was really necessary to HAVE TY'S ASS ON SCREEN before anything that shapes Aegon into something else other than a bully, there's a scene of him pleasuring himself on the edge of a window, literally for everyone to see. The moment he's apprehended by Alicent, however, he immediately tries to recompose himself in the best way possible, he practically throws himself away from the window, drapes a blanket over himself, tries to speak coherently the moment she questions him. It's clear he wouldn't have even tried if he didn't see some kind of authority in her.

Here is another parallel between Otto and Alicent: assuming their plans will always align with their childrens', not only are they convinced their plans will result in the greater good (although for personal reasons), they are bluntly honest about the consequences the neglect of these ambitions will bring. Otto downright tells Alicent that Rhaenyra will put her children to the sword the moment she wavers and shows to be siding with Rhaenyra, Alicent grabs her son's face and practically yells the same thing at him, saying that their family's survival depends on his compliance.

Both are enormous burdens thrust into these two's shoulders, but they register differently in their minds: for Alicent, it's about survival, to Aegon, it appears to be way more about compliance. Because Alicent has turned so paranoid, so overprotective, that she's perceived as domineering. And because Aegon had ways to run from his duties and responsibilities, Alicent has always been forced to make the best out of them. And this speech DOES affect young Aegon! He looks shocked and even distraught after his mother leaves him to his devices, meekly inviting him to get dressed.

Now how do we go from THIS Aegon, who is indeed fucked up and a bit of a little shit, to the absolute devil incarnate that is adult Aegon? The answer is very simple: Otto's arrival, AKA granddaddy issues arc.

Now there are NO scenes between Aegon and Otto, nor are there scenes in the timeskip between Driftmark and Lord of The Tides (thanks writers) so let's base stuff off of what we know of these two. What do we know about Otto? He's cunning, extremely manipulative, cold, imposing, ambitious, intolerant to any sign of rebellion. What do we know of Aegon? Mainly, I'd say he's extremely defensive and protective of what he believes to be his freedom, which he perceives as something to enjoy alone, or away from anyone who knows him. (mainly, his family) Quite a hellish mix if you ask me.

Otto sees the potential in Aegon, but not as a human being: as a tool, a path to greatness, with protection and survival as a plus. Aegon sees a tyrant in Otto, nothing but a tyrant, something who squashes him and his every defiance. It shows in episode 7 first and foremost: I'd assume it hasn't been long ever since Otto came back to court at this point, because Aegon wouldn't be so STUPID to drink himself stupid while none other than Otto was around. He learns it the hard way, getting kicked awake and dragged to bed while in hungover.

If Aegon in the next episode literally tells us anything, is that Otto's treatment of him had the opposite of his desired outcome: Aegon is even WORSE than before. A LOT WORSE, if Dyana and her telling is capable of telling us something.

Even with how he acts with Alicent, everything's changed: he isn't scared of her authority anymore, it doesn't matter to him. He doesn't wake up when she screams at him, he flinches only when his covers are pulled from him. (thanks for flashing us again HBO) He fights back: no more does he treat her as someone to respect, he disregards her, he tries to go back to sleep, he faces her with defiance,

"Why? What is it today?"

And when she tries to discipline him, using force again, (this time rightfully so, and she should've done more) he talks back: still, he doesn't relent. That's what he sees Alicent as, now: challenge. Obstacle. She isn't something he worries about anymore, but rather who she follows. We all know who that is.

Interestingly enough, Alicent still continues to act according to what her father has out in her mind, although to her own accord. But she doesn't fool Aegon: he knows where it all comes from, which idea spurs in both of their minds. I adore Alicent, but she isn't nearly as demanding, as imposing and as callous as Otto is. They are two halves of a whole in Aegon's eyes, with how similar their words and the reasonings are, but Otto has toughened him up, and has turned him into a man so full of rage that he WILL fight back against anything about him he has a chance to fight back against. And we know exactly who that "thing" is, don't we.

That's part of why he's so ecstatic when he becomes King. He had the chance to turn to the smallfolk the moment the crown was placed on his head, but he doesn't: he waits for everyone, everyone, to bow. He doesn't stop at his mother and siblings, but finally turns to Otto. Only when HE bows as well, is he satisfied. He has power over him too. That's all he needed to know to confirm that he's now unstoppable. He's above everyone, and he'll prove it.

[multi-fandomsfreak]

Back at it again with the request the moment it opened.

I wanna request another Secret History Mario x Reader, they could be a horrorbrew or not depending on this scenario idea. Idk part of my brain thinks that SH Mario is secretly possessive? (I could be wrong and I am just overlooking the one scene where Peach explained her now deformed state cause of Mario unable to accept the fact she cheated on him so in return, He forced surgery on her.) So, What if they got flirted on by other horrorbrew mario fam whether it be just so they can under the dictator's skin or something. How would he deal with it?

Can be a headcanon or story- the SH mario cravings need to be quelled No i am not who you think I am... Maybe...-

Secret History Mario Possesive/Jealousy HC’s

Hey there thanks for the ask!

I think I know who this is. Regardless I agree with you given what he did to peach in the original secret history series I wouldn’t be surprised if he was very obsessive over his loved ones. Also I did regular reader but I did mention Horrorbrew reader a bit but mostly focused on regular if that is alright. Anyways I hope you enjoy it. ~Blaze/Dawn

Pronouns: Not Mentioned

Warning: ⚠️Mentions Of Violence + Possessiveness + Stuff Done To Reader (Not specified)⚠️

Requested: Yes/No

Characters: Secret History Mario + Mentions Of Other Mario Madness Characters

Proofread: ❌

Credits: Art by Blazing-T on Newgrounds + Banner by swugarbunny (Edited By Me) on Pinterest

———————————

- This man is definitely something when it comes to jealousy. If you’ve seen my previous x reader based on him although it does take him a bit to be jealous that doesn’t mean he doesn’t and when he does it really is something. I kind of feel like he has stages when it comes to his jealousy. First stage is alright. He gives people the death stare and that usually does it for some people. However the more jealous he becomes the worse he gets. His behavior towards the person he’s jealous of is really bad. Considering the shit he did in his origin I wouldn’t be surprised if he does the same thing. If he needs to result to violence in order to get the person to leave you alone he would and he isn’t afraid to admit it. He won’t let anyone threaten your and his relationship.

- He pretty much trusts you that you won’t do anything with other people. Otherwise you wouldn’t have agreed to be in a relationship with him. If you were some sort of Horrorbrew he knows you won’t let that stuff slide. Even if you weren't, he knew you wouldn’t reciprocate. If you aren’t very open about expressing your feelings depending on how out forward you are he’ll settle on having your close towards him. If you don’t push him away he knows your answer to it.

- As for the Horrorbrew gang, let's just say it’s definitely something. Considering the differences between them and you (depending if you want to be a Horrorbrew yourself or not.) he definitely keeps an eye out for them. Some of the characters know how to get their way when it comes to stuff and seeing you with him you can bet they're definitely going to do some stuff in order to annoy him and definitely involve you even if you're reluctant with it. And they definitely get on his nerves and he hates it. Absolutely hate it. He doesn’t get why they do it. Well considering how sadistic some of them are he’s not surprised but still he doesn’t get them.

- When it comes to flirting some of them definitely do it on purpose. With characters like Mr Virtual, Omega (Maybe), Mr L and sometimes Luigi’s Day Out Mario. With characters like them they are definitely doing to get a reaction out of Secret History Mario. Depending on their power level like Mr Virtual and Mr L he’ll just result in telling them off which just causes them to chuckle at him knowing what they’re doing is affecting him. Is the talking going to stop them? No it won’t. They’re too much of little shits to stop, they’re enjoying the reaction they’re getting off of him. However with characters like Luigi’s Day Out Mario although he likes to tease him he does stop for a while once he gets told off by him but again like the others he still continues once Secret History Mario has his guard down.

- As for the others like Beta Luigi, Luigi’s Day Out Luigi, DJ Hallyboo and maybe MX (depends on his overall relationship with you) they don’t flirt with you (intentionally at least). Given at least two of the characters I just listed off, they probably don’t want to upset him like the others so they just leave you alone. The most they’ll do is compliment you. Surprisingly he’s actually alright with them (minus MX because just like before I think it depends on yours and his relationship) and trusts them to a certain extent.

- To be honest he doesn’t trust most of them. From what I just mentioned in my previous two points depending on who they are and if they purposefully try to flirt with you. He does his absolute best to keep you away from them only letting you be around them if he’s there and if it’s an absolute must. Of course he does let you hang out around the one’s he trusts, he doesn’t just keep you locked in a cage, he's not that heartless. For the most part.

- As mentioned in my first point, if you've seen my previous x reader based on him I pretty much said he’s pretty clingy/overly loving when he is jealous. In more ways than one. He can’t help it as long as you don’t mind it he’ll definitely be on you to make sure his love for you has been acknowledged. As long as you don’t do anything that proves you don’t love him he’s alright. If you do then he may have to do something to you, maybe not something that happened to Peach in the original video but definitely enough to make sure that you know how much he loves you and wants you.

- You do eventually somewhat get used to his possessiveness over you admittedly even though you knew his past sometimes you're still surprised at his boldness in a way at his insistence that he deserves you no one else. Honestly as possibly cringe this may seem his actions definitely make seem yandere in a way. To be honest he doesn’t care. He doesn’t care if he has to be the bad guy in order to get his point across. If it does then he will do it.

- Overall despite his behaviour sometimes towards people he doesn’t trust he does care about you in his own way and would do anything to make sure you know it. Even if it takes a while for you to do so.

———————————

[hemlock-reads]

Kinktober day 1: Dirty talk. (MLM Ghost)

18 plus content ahead. Please do not read if you are under 18. This is your final warning. I have warnings all over this page.

Warnings: AMAB, dirty talk (obviously), blowjob (M receiving), mostly you is used, no use of Y/N, Use of pet names, bad punctuation, slight orgasm denial, no beta reader because we die like the sluts we are.

A/N: before we begin this is a Kinktober list for the reboot 141. This is honestly my first time writing NSFW. I just wanted to do Kinktober because I want the practice. Also I wanted to start off strong with a MLM fic because I don’t really see a lot of those. Of course it’s going to be mostly yous and stuff but I do want to make it clear, reader is a male in this. No worries though. I’m going to make sure everyone gets a sweet taste of the boys ;). I just wanted to write something for the guys first. Some of this will be written with OCs as well. I will tag accordingly. Also I just wanted to let you know. Some of these might be short little Drabbles. Some might be longer. Just depends.

Word count: 620

warm hands knead gently in between the tuffs of your hair. Hips jerking to the rhythm of your bobs. His soft touches send sparks throughout your body, making the flame within your stomach grow brighter. your poor cock twitched with each stroke of his hand. It’s leaking tip dripping onto the floor below. Your eyes having little dots of tears at the corner of your eyes. You peered up at the man who’s cock you were devouring. Oh how he loved the sight of you. It was beautiful to say the least.

You both had been going at this for a while now.

Simon's voice hitched when you swirl your tongue around the tip,“That’s a good little pet. So good for your Lieutenant. Always eager to please me.”

Simon was always more vocal when he was getting sucked off. His words are always stringing together into a dirty mess of sentences. Seemingly getting drunk off the pleasure of it all.

You whined at his words stroking the rest of his cock that couldn’t fit into your mouth, your other hand stroking your own. You knew it wouldn’t be enough but you needed relief. You couldn’t cum without him. All these “little” sessions of yours with him, has left you unable to cum unless under his command. You needed him to bring you that pleasure. You just needed to be a good boy and give your Lieutenant what he wants. After all, you always followed orders, right?

You were promised a reward after you helped your lieutenant find his end. Your enraged tip and blazing with anticipation.

Simon moaned, his head tilting back just slightly. Eyes closing in pleasure. His hand travels from your hair to your cheek ever so gently. He looks back down at you through lidded eyes. His hips bucking into you.

He lets out a breathy chuckle “A desperate little whore.” He ruts into your mouth to drive Home the point, causing you to gag in return, “Getting off to sucking his superior's cock.”

Your little whines and moans muffled by his large cock was like music to his ears, “yeah? You want me to help you with that? Want me to fuck your tight little hole till your screaming? Fuck! I can hear it now. Screaming your pretty little head off till it hurts to speak. Yeah I like the sound of that. I want everyone to know your mine!”

Both his hands engulf the back of your head and shove you slightly down onto him. You relax your throat to the best of your ability. Tears stream down your face from the sheer intensity of his words. This only made you rub yourself faster. A faint slick sound coming from you, drool rolling down your chin and onto the floor. It was a beautiful scene to Simon and he was about to make it better.

He was so close, just a little more and then you could have your reward.

His thighs clamp around your head, mewling in ecstasy as his release draws near, “that’s it…that’s it…that’s a good boy.”, he growls out. “That's it. Fuck! that’s fucking it. Yes!” His face contorted from pleasure as he came. His voice spewing out into a guttural roar.

“Fucking hell. Swallow it all, pretty boy. I don’t want a single drop leaving that mouth of yours. Do you understand me?” He restrained himself from pounding into your throat. He didn’t want you to have trouble talking later on when he makes you scream. No he wants to hear all those handsome moans and mewls that you have cooking up in that pretty throat of yours.

“That’s my good boy,” he pants, “Are you ready for your reward”