#so idk if that will make it less interesting

[settlersoferia]

Eria trivia because if I'm gonna play bingo with the list I might as well share

how about no currency? how about people genuinely wanting to help each other? barter exists and in tight knit communities like the villages, everyone will have some kind of chore (a job, normal people call that having a job) like hunting or chopping down trees for the fire, so that everyone contributes within their abilities and everyone is taken care of

totally not because making up currencies is the bane of my existence, what the heck do I call it??

30 hour clock,

° 1 marks sunrise and most people naturally wake up soon after since the magic comes from the sun, and they get an energy boost

° work / school doesn't start till 3 (or even later) so that everyone has plenty of time to eat, get ready and get there with no stress

° getting up before sunrise is considered unreasonable, few do it, expecting someone to do it will earn you a hit to the head and no compliance

° sunset is at 16

° night time is rest time, you go chill at home with family or friends or alone or sleep

° unless you're nocturnal ofc,

° or partially nocturnal, then insert whatever routine (or lack there of) works for you

° to indicate time more specifically than to the hour you can say '2 and a half' or '2 and a quarter (or 3)', people don't watch time too closely so that's all you'll hear in daily use

there is an official precentral time measure system that goes to 100 but who needs that, written 2'50 for 2 and a half and so on, you get it

don't have seasons worked out, maybe there aren't any or they make too little sense to predict with reasonable regularity, magic, you know how it goes

magical weather anomalies, will work out the kinks eventually

3 moons, no planetary rings on Eria but I love them and I will put them somewhere, that is a promise, maybe on a moon, that'd be interesting; ooh wait can a moon have mini moons? I wanna

whatever colour roads the city wants to have, maybe even rainbow or iridescent (the whole planet is gonna be lively and colourful)

dragon bone jewellery and other trinkets, it's a culture thing for them but can be given to friends too

(dragons are sentient, not animals)

their bones are famously dense and durable (and black)

there's a synthetic material called dragonbone or blackbone with similar properties (less durable than the real thing but easier to get) (dragons and magic sensitive individuals can feel the difference)

+ dragon hide armour (really comfy and durable, should be gifted not bought)

the equivalent of marriage is soul binding

° there are magic perks like some minor telepathy, feeling when the other is hurt, etc

° there aren't any restrictions on how many you can have & you can soul bind with friends

° the strength of the connection depends on how close you are

legal names only matter for documents and can be changed relatively easily, you can take partner's name if you wish, no need for any ceremonies as religion and stuff exists separately of law (as it should)

people like to give each other nicknames so you might not even use your legal name much

no concept of virginity or bastardry ✅

no proper concept of gender because multiple species live here and every species has some different cultural norms so over time it just kinda blends together and none cares

idk if it's monotheism but over time some people took to seeing the planet as a goddess and there are legends of her Children™ who are perceived as either gods of their own or some sort of semi gods

and no creationism because everyone knows where they (or their ancestors) came from and it's not Eria

although some might believe they're descendants of The Children, whether it's true I cannot tell

'gods that don't look like people' a whole planet goddess

don't really have anything on pets yet but I'll make a separate post about animals and I can do some funky pets

nonverbal communication - Erian sign language may not be the most advanced one but it's commonly used so you can communicate to some extent with most people across the planet

I'm actually planning to explore the creation of it in the book

and I'm sure there are some proper versions of it around, will probably figure out more eventually because it's a shame not to have any

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

[melrosing]

who do you think jaime didn't tell cersei and tyrion about aerys? is it because they already don't blame him?

I think it’s a few things??

Firstly, there’s the fact that Jaime hasn’t told anyone before Brienne, not just his siblings. He doesn’t like having to explain himself to anyone: if people have assumed the worst, he resents the expectation that he should beg for their understanding. If they’re so shallow minded, why should he tear himself to pieces trying to win back their esteem?

Then I think he also suspects that if he did try to explain, they wouldn’t believe him anyway - the trappings of the KG and House Lannister are such that many would judge Jaime by his supposed allegiances before Jaime as an individual, and there’s nothing he can do about that. And I think that’s part of what ‘by what right does the wolf judge the lion?’ means - both sides have blood on their hands, why should he submit to their judgement?

all this gets away from the fact Jaime hasn’t told his siblings but I think it’s the context - Jaime has tried to convince himself he doesn’t owe anyone an explanation, he doesn’t care what anyone thinks. and as for Cersei and Tyrion, I don’t think they care what his reasons were either way. Cersei is not impressed by moral grandstanding, and would probably be MORE impressed by the notion of Jaime killing Aerys for the sake of House Lann (rather than the city). But by and large she doesn’t care about Jaime’s inferiority, and Jaime is happy to pretend to be whatever she wants him to be, so that’s that.

And for Tyrion, idk, I think he just loves Jaime pretty much unconditionally (even now I think he still does), and Jaime’s motivations in killing Aerys just wouldn’t matter much to him. He might be kind of impressed by the moral reasons Jaime did it, and probably even surprised… but Tyrion is a pretty Machiavellian kind of guy himself, I don’t think he’d think there’s much wrong with just taking Aerys out for Tywin’s sake, either. And I think Jaime is more or less content to be an uncomplicated figure for Tyrion, because Tyrion already accepts the rest (I.e. his relationship w Cers) without question. They never seek to explain themselves to one another. EXCEPT that one time.

So the difference w Brienne (you didn’t ask but I’m thinking out loud now) is primarily this: Brienne is not a hypocrite. she walks the walk, allying herself purely to what she believes in, which is ofc true knighthood, and all this with no ulterior motive. and somewhere deep down, Jaime holds the same values as she does. so by virtue of this, her esteem means something to him. he thinks she could see him with unclouded vision, and wants to know what she’d make of him if she did.

the Lannister siblings do not really hold the same values as Jaime, nor can they see him w unclouded vision, nor are they really interested in understanding Jaime in this way, so that’s why I think he doesn’t tell them.

[funhouse-mirror-barbie]

All of the background/minor characters in Helluva Boss are much more interesting than the main characters and I’m entirely certain it’s because they aren’t forced into the Stolitz universe and they’re the only reason I watch the show now.

Like, look at this imp family/single parent unit here.

They’re watching the trial, but before that the imp woman was washing dishes and the son was grabbing cookies off the shelf.

Hi! Thanks so much for reaching out.

I absolutely agree and I think there are a couple of reasons for this—

First—The imps actually have RULES for how theyre designed as a species.

These rules are really simple, and so pretty much anyone can design an imp.

1. Imps have red skin and yellow eyes.

2. Scars, birthmarks, freckles, and other skin markings are white

3. All imps have horns. Biologically female imps have black horns and black hair, and biologically male imps have white hair and white and black striped horns.

What’s nice is that, even with these general guidelines, there’s plenty of room for variation in designing imps. Some imp’s legs are bent like a satyr’s some have more human legs, they have varying lengths of tails, different body shapes and sizes, etc.

Idk if these design rules were in place for Imps as a species from the very beginning of the show, but I think having these rules helps A LOT because it means the character designers do have freedom to make unique and appealing designs, while not getting TOO crazy, which prevents them from being too over-designed:

(All character design sheets by Erin Frost—former artist and character designer for Helluva Boss)

Second—due to being background characters, they’re less likely to over-designed in general. This hasn’t always been the case (and sometimes still isn’t) with Hellaverse shows, especially Hazbin’s Pilot:

I don’t even think these are all necessarily “bad” or incompetent character designs on their own, but they have a lot of little details, and when they’re all squished together like that, it causes some pretty rough visual clutter. Charlie is supposed to by the main focus of the above shots, but she doesn’t really stand out from the background crowd.

Same with shot of Alastor watching the broadcast—he stands out a little better since he’s silhouetted, but the characters in the foreground having so much going on really detracts from Alastor as the main focal point.

This is also just like. Not a very good composition. I’m really not trying to be mean or rude but, the characters being so overly designed and having such similar color palettes really muddles things.

Also—because there are so many design elements trying to be incorporated at once, we sometimes end up losing all those little extra details that are added due to the visual clutter. I didn’t have any idea Alastor was a deer until like 2 years ago, because his antlers were so small I never noticed them. I thought he was an owl, tbh.

I think we get the most overly complicated designs when the character artists and designers are given like. 3 or 4 different themes or ideas that they have to blend together. Alastor is a deer AND a “radio demon” AND a practitioner of voudo. Angel Dust is a spider AND a mafioso AND a porn star. Some of those ideas absolutely end up being lost because so much is trying to be fit into the design.

The most infamous example of this is Queen Bee, who’s supposed to be a honey bee, lava lamp, fennec fox, party girl, and apparently also an animal tamer?

And I’ll be honest, I’m actually one of the few people who kind of likes her design. I think if you were to simplify her and take out a lot of the extra details, she could still be a fun sparkle dog-type character. But there’s so much going on with her, that a lot of her design elements get lost.

Like, apparently the little pink mark on her forehead is actually a closed eye??? Like I think it’s supposed to be an Ocelli, the third “eye” insects can have:

But it’s just like. Closed usually I guess. In theory, it’s not a terrible design idea for an insect character, but Bee has SO MUCH going on visually that this design choice gets entirely lost. I just thought it was like. A weird symbol on her forehead, and it took me AGES to realize it’s supposed to be her Ocelli or a third eye.

This happens a lot with more of the main characters in Hb and Hazbin, because they’re apparently supposed to be SO many different things that the character designs get too cluttered.

I think this is the main reason for a lot of the less appealing character designs in the Hellaverse, because they’re trying to be like. Ten different things at once. The imps avoid this fate though because, other than maybe their general profession and age, they’re supposed to be imps. They have those design rules we outlined before. I think thats what makes the biggest difference and is also why Mammon is actually the best design of the seven deadly sins because he’s literally just a round jester you look at him and your brain goes “yep that’s a jester” and youre not left trying to figure out what he’s supposed to be for 10 minutes. He’s not trying to be seven things at once. He’s a jester. With some extra arms. Sorry I was wrong when I said it was belphagor before. It’s mammon. Dudes literally just a jester.

[chaoticmultifandom28]

All these people on Twitter going on about all the women Zoro ‘bags’. And I cringe because like Zoro isn’t like that. He’s unaware of the women who find him attractive.

Not in an oblivious way, but I’m of the firm belief that unless you’re his crew or Mihawk or maybe Perona (only since they spent two years together training and you can’t just ignore someone on an island with only three people on it), Zoro just doesn’t truly care about you enough to notice your romantic feelings or feelings in general. You don’t register on his radar.

And also he even ranks the people who do register on his radar (not on the romantic register since there is no canon romantic partner Zoro is interested in) on who’s feelings matter the most. Here’s my ranking of this:

1. Luffy

2. The Crew

3. Mihawk (he just wants to surpass him but also I think he wants Mihawks approval of being worthy to take his title)

4. Sanji (this is a joke, even with their rivalry and fighting all the time, he does try and make sure sanji is doing okay emotionally and all that, in reality he’s up there in the ranking of the crew)

Also, I do think that the gap between luffy and the crew is pretty decent. Like Zoro cares for the crew a lot, but much like the people who watched the live action without watching the anime and then watching the anime, we know that that bond between Zoro and Luffy is something no one can touch in the One Piece Universe.

Like I’m not even saying this in a shipping pov, this is something I noticed long before I knew shipping existed, let alone ZoLu being a romantic ship. Like you take Luffy’s relationship with his sworn brothers and yeah that’s special in its own way, but like Zoro and luffy were just as connected emotionally and soulfully (like soulmates [you could take it as romantic soulmates or platonic soulmates it’s your choice]) to each other that Zoro was willing to sacrifice himself for luffy after only knowing him for a year (or less or a little more idk the timeline), which is significant because it’s a direct parallel with Ace, later, sacrificing himself for Luffy to live. His bond to luffy was as close as luffy’s bond to ace and Sabo (who, for ace’s case, knew luffy for years, idk how long Sabo knew luffy before he got amnesia cuz it’s really hard to figure out the timeline and how much time has passed and I’m sure it was made known in the anime/manga but I can’t remember off the top of my head)

So anyway, sorry to the Twitter folks but Zoro isn’t a lady’s man simply because he just doesn’t care about anyone except for his crew and mihawk and perona (but the latter two is only cuz one is literally standing in the way of his goal but he’s also an inspiration and the other is cuz of prolonged exposure). Yes those women like him, but I think a lady’s man is someone who is aware of the women flocking him and who in some way entertains them whether it’s flirting or acknowledging them.

I’m not saying he doesn’t care about anyone else, it’s just that it’s kinda insignificant bc of the ones at the top of the list. He couldn’t care less about strangers, but the ones he knows he cares a little about but not enough to notice anything. He only has about four or five thoughts in his mind:

1. Swords and fighting

2. Luffy and everything that encompasses luffy even making sure he doesn’t drown

3. Sleeping

4. Booze

5. Training

(This isn’t in any order because honestly booze is the first thing that should be on the list if it were in order, much like meat would be the first thing on Luffy’s)

Anyway idk what this rant really is about, I just think I needed to rant about Zoro and what goes on in his head a little

[camsons]

I think an interesting thing that I've started doing less and less is asserting myself as a lesbian. When I was younger I would often make excuses to talk about sexuality just so that I could assert that I am a lesbian. It was a factor of like, people see you as a woman if you say you're a lesbian. I didn't really pass back then and so this was a way for me to control how others viewed and perceived my gender. Now I don't really do this. Not only is it kinda weird to insert your sexuality into every conversation, but I pass ok enough that I don't really need to do it anymore. Now it honestly feels kinda weird to call myself a lesbian, since I pretty exclusively only date trans women. Obviously trans women are women and they can be lesbians and they're wonderful and beautiful lesbians, but explaining that to cis people is difficult. I kind of wish that like, I could go to a party and chat and hookup with a cis woman. And when it gets to the point where we do have sex, I don't have to explain that I'm trans. I kind of just want to exist in a society where some women just have bodies like mine. And it isn't something that needs to be explained, it's just accepted. Idk this is probably stupid. I understand that we will likely never in our lifetimes see something like this happen, but it's still nice to imagine ig.

Thank you for reading my dumb thoughts. Have a great day, I love you.

t4t will save us all.

[obsidianpen]

After reading No Glory and Hauntingly, it's hard to enjoy hetero romance, and it's not just because your way of writing is elite; there could be so many reasons that I went hardcore m/m and f/f shipper. Like, I am dead serious when I say my favorite telenovela pairing is Luisa x Rose from Jane the Virgin. So, I am really, really excited for your original work, and even more stoked that you decided it to be an m/m pair. But yeah, would love to know why you decided that?

you know, it was an interesting thought process that involved a lot of self reflecting. There’s definitely controversy around women writing gay male romance. Most of it is, I think, bullshit, and the arguments such as ‘its fetishizing’ are way off base (no, that would be male directors and producers creating plotless w/w porn, imo). But it was a Big Question: why should I, J…Jamie (lmao I’m almost more OP than myself anymore when I’m online) write a story with a bi male lead, when I’m a female (I love writing bis okay we need more of us!!) ? The reason I like writing Harry/Tom has everything to do with their dynamic and roles in the canon, and nothing to do with the gender. Id ship them regardless. In fact I probably would have realized I shipped them sooner if it was f/m; I was just too young at the time to realize that’s what I was rooting for because I was a bit sheltered in that regard.

anyway - so yeah, why am I still interested in m/m outside of fanfiction? I asked myself, staring at the mirror. So I wrote a little bit out of this original idea, one version as a female lead and once as a male, and you know, it was a pretty interesting exercise. When I was writing a male protagonist, I was… calm? Idk, I didn’t overthink him. I knew who he was and I just wrote what he did and what he thought. But when I was writing a the female version, my anxiety was so much higher! I found myself agonizing over every bit of her personality, worrying if people would find her ‘too this’ or ‘too that’, too predictable, too pretty, not pretty enough, too tough, too weak, etc etc. I felt like no matter who I made her, people would be upset and fucking hate her. And then I realized, oh. This is probably why so many women authors like writing male leads. Because that agonizing feeling, that’s how it is to be a woman, all the time. And it’s so relieving to get to leave that behind when writing a male lead. Maybe this is all deeply problematic on my part, I’m not sure. Internalized misogyny? I don’t think so, just the bleak reality. But yes I likely have issues lmaaao

Another reason was simply that the last original work I wrote has a female lead, so I thought I’d switch it up again. Writing an m/m story is what got me into writing in the first place, so it feels weirdly like have to acknowledge that in new projects I take seriously, too?

and to acknowledge that story I already wrote with the female lead - Starlings - I agonized quite a bit less over her, and in hindsight, I think it’s because she’s a child. She goes through puberty during the story, surrounded by older women, and there are almost no men in the whole thing, so the dynamic is totally different. It’s not big on the romance, either, which also helps. So yeah. No anxiety there. But with a grown ass woman in a story that’s centered quite a bit around a super problematic romance? Anxiety. Anxiety for days. I also feel this anxiety when I write Hermione, btw.

there will definitely be a different kind of worrying writing this new original thing, though - writing a gay magical romance set in southern 1920s America is gonna require a TON of research, and I’m not taking that lightly. But that worrying isn’t nearly as personal, which makes a lot of difference.

I’m interesting in other people’s opinions on this! So please share if you’re willing. 🌸

[rookieoneil]

Controversial rant 🧍🏽‍♀️

Spoilers (7x03) (not John Nolan friendly)

JOHN NOLAN

Nolan is fucking reckless. He’s doing exactly what Tim did last season. Going after someone for a personal agenda. He’s supposed to be a teacher, how is Celina expected to make it as a cop when her teacher A isn’t teaching, and B is constantly making the job personal (something Celina, Angela, and Lucy got in trouble for) I wish for ONCE they treat him like they treat everyone else.

This episode alone let’s look at this. Seth and Miles got in trouble for saving a civilian successfully (as they should) and Nolan- instead of saving a civilian (that’s protocol) he went after a suspect and made a deal with said suspect (who got away) because it was in HIS best interest.

The man ended up losing over two pints of blood! Which could have been a lot less than it could have been. Idk if he died (probably not) but still this is crazy.

Not the point. My point is he didn’t get in trouble at all.

I know the difference being they are rookies and John’s not but still. John is constantly getting away with shit that anyone else would have been prosecuted for.

Not to mention him talking to a suspect and jeopardizing the case of two teenagers who lost their lives because it benefited him. Like how is any of what he did allowed?!? How is able to continue a personal investigation with consequences??? Tim got “demoted” (fired?) from metro because of his personal investigation. How is this different? Because John let a dangerous guy get away, and almost let someone else die.

“He was doing it for his wife” idc. Let other people deal with this. Not him. He’s too close to this,

As a husband, he’s protective and good for him, as a cop he’s reckless and will get someone killed

Ughhh I just hate John Nolan with everything I am. Never make me like him.

CHENFORD

Despite popular belief, I think that Rachel is here to get Chenford back together. I don’t think she’s here for alternative reasons.

Also I think that this friendship/ team work that they are creating will make their relationship in the future be 10x better. They need this time to reconnect let’s not get them back together for a good minute because they BOTH need to grow.

Lucy

Baby girl is finally getting a friend again. I feel like Celina and she still have a strained relationship and having gotten to a close friendship YET. But Rachel being back is good for her. Look at that trauma dump she needed to let out.

I hope my sunshine girl starts gaining her sunshine back

Jalya

James stf. I 100% agree with his stance cause those teens deserve justice. But that is not the time or place. I think he needs to learn how to leave his work at work. Wesley too.

I think Nyla needs to be more open to conversation and not just stopping James. They both need a lot of growth in communication as a COUPLE. Not communication just about work.

They need to create boundaries. Like please boundaries will save yallll

Wopez

Wesley needs to fucking let it go. Angela is not gonna cheat, and now he’s letting it affect his home life. Like bro I hate to break it to you but in the world she works in, so many of those men think about Angela like that. Like it sucks and those men suck, BUT Angela went into that career knowing that. It sucks that women have to even acknowledging this part of a job. But it’s reality and if Welsey thinks this is the only man who has those thoughts then hes really showing his privilege as man.

He’s acting like this one man has flipped his world over. Like dude. 😐 the detective -idk his name- is an asshole. And he’s not the only one in that police station who has that thought about fellow female officers. If Wesley truly believed that the first one then he’s naive. You can say oh it’s probably because the detective works so close with Angela but like Angela was in patrol, she worked with plenty of men like that. Welsey has to know this.

I don’t like that they’re leaning into this idea that if Angela knows about how this detective feels about her then she’ll cheat. Like I know that they’re not actually saying that but they’re insinuating it and I don’t like that at all. Because she loves Wesley. She wouldn’t cheat on him so I’m like why are we even playing with this plot line. It felt like they picked this plot out of a hat and was like yeah this works because they didn’t know what to do with Wopez this season.

Being a woman in a man’s field is horrible and it sucks, and as a rich white man married to a Columbia & Mexican Woman you shouldn’t be delusional enough to believe she’s respected in the same way you are. You should know about what she’s most likely facing everyday. You should not get jealous over slimes men, and instead educate yourself 👏🏼 it should take you 7+ years to figure that out buddy (btw I love Wesley I just don’t like his plot this season).

[mud-castle]

What would your Lion King prequel be like?

Funny you ask that considering I was actually thinking about it in the shower earlier. Girl, buckle up, cause I have soooo many thoughts.

I had some personal rules that was mostly to adhere to the story they were trying to tell, not the story I personally would've wanted. So that includes keeping Mufasa and Scar as unrelated, Kiros as the villain, the whole Milele plotline, etc. So let's get to it

Spoilers Obviously:

First thing I'd do is change Taka's name. Taka means "trash" which is a fucked up name first of all but second of all doesn't make sense since both of his parents love him. I'd name him either Askari, as a mild nod to The Lion Guard and because Scar could easily come as a nickname from it; Inkosi which also means "king"; or Takasa meaning "to purify."

Secondly, I'd make Taka worse. Not evil yet, but a very spoiled, manipulative brat with a soft spot for Mufasa. Taka suddenly becoming a master deceiver because his father once told him that kings have to lie sometimes makes no sense. So he's just like that. I actually imagine he gets it from his mother since she needs more character than just being good. I'd show him getting into trouble with the animals within his father's territory because of his entitlement with Mufasa often having to act as a mediator.

Taka desires and expects to be king. Full Stop. No "oh I wish I was normal and could hunt with my mother." Would he be an atrocious king? Absolutely, but that doesn't matter since it's what he's owed for being a prince. There would have to be a balancing act between Taka's better and worse traits to keep him somewhat sympathetic.

With that in mind, he never falls in love with Sarabi. He honestly doesn't care much for her. But he wants her as his queen since he's a prince and she's a princess so that's just kind of how it goes. I imagine a scene where Mufasa is trying to see his logic and he's like "but don't you think you should...idk...love... her?" And Taka just raises an eyebrow. Sarabi genuinely can't stand his ass.

Speaking of Sarabi, I'd give her some actual character. I want her to be Mufasa's opposite but also compliment him. So I'd make him very open towards new things and other animals from his experiences wandering with his parents as a cub and push Sarabi's pride and pragmatism up to 11. Sometimes he's right, sometimes she's right, but they learn from each other. I'd like a scene of them together near the end plotting and putting together everything they've learned from each other, working as a unit. I'm removing the weird super senses Mufasa had.

Mufasa dearly needs a character arc, so i'm just gonna go the simple route of him learning to stand up for himself and against Taka sometimes. he's very submissive considering he's lived most of his life under Obasi and tends to be very lenient as a result. He still acts as mediator even after the two have to run and often ends up in the middle of arguments while trying to keep the peace. Keeping his head down has kept him alive. He learns that that will not fly sometimes and someone needs to take a stand and that someone has to be him.

Also I'd keep Kiros as a cannibal, cause God knows he needs something interesting going on. He's a character who loves to play with his food. Instead of being frustrated, he's having the time of his life tracking them down to take care of loose ends (Taka and later Sarabi too). I'd move his son's death to later in the film so we have some time to see their dynamic and really understand why he's so enraged by his death.

Most major change I'd have though is adding more lions to the traveling group:

I don't like how there were already lions at the Pridelands when the whole point was that it was a fairy tale story to give hope. It's kind of weird that there were lions already chilling there, makes the end of the journey feel less impactful.

So I'm taking those lions and making them refugees of Kiros's destruction (he also has a LOT more lions than in the movie) found along the way. This includes Sarafina cause why not. Taka is fully against taking them along as some of them are injured and will slow them down. Sarabi, hating to agree with Taka, is also hesitant, especially since they're being tracked, but she's sympathetic. Mufasa says he'll take the blame if anything happens and helps them, showing his compassion and leadership.

Rafiki joins them as a healer. He's still completely unconcerned with being eaten when they meet, but he has enough of an initial use for them to be given an actual reason to spare him. I imagine Sarafina was one of the injured lions picked up and he simply says she won't make it if they eat him. Her wound is infected and she's growing slower and weaker by the day. Mufasa decides to believe the questionably sane baboon and Rafiki helps her which cements his place in the group.

Taka needs something to do too, so I'm gonna let him be the brains of the outfit. He has 0 leadership skills, but he does have a lot of good ideas. But he often needs Mufasa to actually execute it. Or worse, he needs the other lions which means he needs Mufasa to convince them on his behalf since he cannot ask nicely to save his life.

He doesn't turn into an incel when Sarabi chooses Mufasa cause wtf, but he does feel his authority slipping day by day as Mufasa shows himself to be more of a leader. He sort of "allows" Mufasa to have Sarabi and tells him as much in a bid for some control.

He doesn't betray them to Kiros cause wtf. Instead Mufasa, for the first time, gives him a firm no about something. Taka is stricken, then gets angry and careless and storms off in a blizzard where he trips and falls down a snowdrift near where Kiros is. He panics and runs, unable to cover his tracks as the snowstorm ends and leading them to where the group is heading. Taka knows it's most likely his fault they got caught but like hell he'll admit that.

Throughout the movie, Taka gets worse. More argumentative, more irritated, more angry, more insecure. He loves Mufasa, but that love only seems to be present so long as he's subservient to him. There are moments where Mufasa breaks through to him briefly, showing that he could change, but he just doesn't want to. Taka never really sees Mufasa as an equal, even if he never calls him a stray or anything like Obasi did.

Taka also gets the unfortunate experience of being pummeled and toyed with by Kiros in the battle for the Pridelands until Mufasa slams in, allowing Taka to run. Then it's Mufasa's turn to get beaten. It's up to Sarabi, with her having to convince Taka to help her, to save him. This is the singular time the two manage to work together. Putting their heads together, they manage to save Mufasa.

After the fight, Mufasa sees Taka, there's relief and gratitude in his eyes as he starts to limp to him. We see Taka's eyes soften just a bit and it seems like maybe he'll close the distance. Then the rest of the lions come to praise Mufasa for leading them this whole time and convincing them to get rid of Kiros. Taka slips off somewhere unnoticed, his pride more wounded than ever.

Mufasa shakes off the group as quick as he can, but not quick enough to see where Taka went. He finds him eventually in a cave and is wary about the whole king thing and confides in him. Taka never quite faces him, but in a nutshell he tells him that he might as well accept the title (it goes unsaid that they wouldn't give the position to Taka anyway, but it's very implied). Mufasa moves to make another attempt to connect with his brother. Taka promptly shoots him down, saying something like "you should run along, you wouldn't keep your subjects waiting."

Mufasa reluctantly takes the dismissal and leaves. Taka stares after him in the dark, his eyes brighter and greener than ever with pure envy. Then Mufasa roars and all is good.

Also Mufasa's mom is dead dead. I don't see the point in her being alive.

Also also, take out Timon, Pumbaa, and Zazu. I could not stand them.

[digitallhell]

i think its interesting that although the tiktok ban banned other apps like capcut and lemon8, those didn't say anything about trump. at least caput, i dont have lemon8 so idk how that was. but this is the ban message from capcut vs that of tiktok

is that not weird? why does tiktok glorify trump, but then capcut doesn't mention him? i think it's because of the fact that it was all a stunt to make people like him more. the whole point of the ban was to target tiktok so trump could bring it back and make people love him. it wasn't advertised as "the capcut ban" or "the lemon8 ban" or even widely as "the bytedance ban." everyone knew it was because of bytedance, but everyone knows it as the tiktok ban.

then when it came back, tiktok said "thanks to president trump's efforts" or whatever bullshit because it had been less than 24 hours also he wasn't even president yet. but capcut just came back, at least for me. there was no "trump saved the day!" message or even something just saying "yay we unbanned it!"

if they really were working with trump to "solve" this (this problem that HE created, don't forget that) then wouldn't they say that on the other apps too?? idk, all of this is bullshit.

[woozinhos]

chan single is rly interesting because i've always been so convinced he's a married man like high school sweetheart type

seungcheol - married (has a dog ik he said his brother takes care of it but let's be fr how much time does his brother have to take care of someone else's dog)

jeonghan - single (or short term/casual, if he was long term taken he wouldn't live with seungkwan or they wouldn't be living "like a couple" [their own words mind u])

joshua - long term relationship (separates work and life well, very private, idk man he just is)

jun - long term relationship (goes back to china often and building a presence there, maybe thinking abt what he wants to do for the future long term)

hoshi - single or talking (asked abt when he'd get married in that tarot show, goes home very often for someone starting their own family, generally seems locked tf in with work)

wonwoo - single (took the longest out of everyone to make friends in kpop, prefers to stay home and play games .... maybe online relationship? he doesn't seem like the type to want that though)

woozi - single (brother barely leaves the house, didn't have female friends growing up, asks for less lines in performances because he's already so busy -> single)

mingyu - long term relationship thinking abt marriage (clear answer on that fan call abt what you'd do if u had a disagreement)

minghao - talking? (romantic aka has high standards for how he wants his partner to be, maybe a little picky + i think it's harder for foreigners to meet someone that matches them because living in a foreign country changes u a lot)

dokyeom - new relationship?? (idk abt u but don't his posts give bf more nowadays... i think it's recent bcs of the clip where he called that girl pretty,, if my bf called another girl pretty unprovoked id have his head)

seungkwan - single (same reasons as jeonghan)

vernon - long ish term taken like not thinking abt marriage seriously but together (also good separation of work and life, keeps things private)

chan - married (chronically offline clear separation of work and life + he has that married man glow to him ykwim)

sorry i had more ~analysis~ for some of them but i didnt wanna make this too long and i was starting to overthink SKDJDJ

STOP THIS IS SO DETAILED the only thing is it bad I don’t think any of them is married like I just don’t see it 😭 I feel like it definitely would of been caught out if they were if they are I mean props to them 😝 but no I do love this honestly

[pinepickled]

I don't hate Scott. I think he is an interesting character on occasion (like when the narrative challenges his ideals) and I wouldn't bother watching the show if I didn't find him funny.

But also, you're just wrong. Malia thought correctly that Scott wouldn't support her. Teen Wolf in the buildup to the series finale shows several times that Scott 1. Knows what she's doing, so idk why you say "when he found out he helped her" because he knew at least 10 episodes before he helped, 2. That he disapproves of her path and thinks she's getting too much blood on her hands, and 3. Only helps when it's clear she's not going to take another path and the desert wolf will not spare her, which btw is another lesson in hypocrisy for Scott.

Scott doesn't want killing to be an answer at all. Like I said in that post you didn't read, there are several instances of justified self defense killing that happen in the series, and whether Scott holds the person accountable seems to rely only on how much he likes them. When the two werewolves from Satomi's pack kill a hunter to survive, again I'm repeating myself because you didn't read, Scott harshly criticizes them and ostracized them for what they did, claiming they took innocent lives just because their eyes turned blue- a phenomenon impossible to reliably track on who is considered innocent and guilty, by the way. Not even to mention that Deucalion and Ethan together killed so many damn people, and yet Scott let him walk free as well as Gerard, but Theo had to go for doing objectively less heinous shit than the lot of them.

That's what I'm trying to point out to you, but I guess you're a Scott stan so you can't take any criticism of your precious baby. He doesn't have a consistent moral compas on who gets redeemed for killing and who doesn't. Just vibes. And again, he never has to make that decision himself. You bring up not wanting to be the monster Monroe sees him as in 6B? Then why did he try to get Peter and Deucalion to kill her for him? In a way the writing specifically acknowledges? Why does Scott bring up that he knows he is failing to take responsibility for the dirty work his ideals need? Is it somehow better that he gets other people to kill instead of himself?

More importantly, how many people does Monroe need to kill, how many lives do her and her gang need to destroy, until Scott pulling the metaphorical trigger is justified to himself? Apparently she's killed enough to put Peter on her path, just not Scott himself.

You say it yourself: *think*. He doesn't want to be the monster Monroe *thinks* he is. Why is he concerned with what a genocidal maniac thinks? To protect his own psyche, like op originally said, so thank you for showing you do actually understand the point. He cannot accept that to keep his pack from literally being wiped off the map, he might have to seem like a monster to like 2 people.

Also, it's very morally ironic that Scott thinks in "good vs bad" "monster vs human" so much because it betrays how egotistical he is. His ideology, like I said in that post you didn't read, demands that he believe there are shades of gray, but he outright rejects that notion again and again. Notice that not once in teen wolf does he ever call an immoral human a monster: only immoral shapeshifters. That doesn't betray something to you?

Some musings about Scott's morality (probably not very common and a little controversial)

Scott McCall’s adherence to his no-kill rule can be seen as both a moral stance and a psychological defense mechanism, shaped by his own fears, insecurities, and desire to preserve his innocence. At its core, Scott’s refusal to kill, even when faced with situations that may arguably call for it, reflects a deeper internal struggle to maintain a clear sense of right and wrong. However, this rigid adherence to his ideals, especially when it leads to others suffering, reveals underlying contradictions in his character.

Scott's moral code is largely centered on protecting his own sense of innocence and moral purity. By clinging to the no-kill rule, he avoids the emotional burden of directly taking a life, even if it means allowing harm to befall others. Psychologically, this allows Scott to protect his self-image as a "good" person. His reluctance to engage in lethal violence can be seen as a defense against the guilt and moral ambiguity that would come with making more ruthless choices.

In the case of the Kanima, Scott's refusal to kill Jackson despite the clear threat he posed to others shows how his need to maintain his moral boundaries outweighs the immediate threat to those around him. His insistence on finding non-lethal solutions, while noble, reflects an almost selfish prioritization of his internal morality over the safety of others.

There’s also an aspect of moral superiority in Scott’s unwavering no-kill stance. He often positions himself as the moral compass of the group, but this also gives him a sense of control over situations. By dictating that no one should kill, Scott maintains his leadership position and moral authority. However, this control is built on a framework that isn’t always flexible or responsive to the nuanced, dangerous situations he faces. His rigid moral stance can put others at risk, as seen when lives are endangered by the Kanima’s rampage while Scott focuses on preserving Jackson’s life.

Scott's no-kill rule can be seen as a form of psychological conflict avoidance. Killing someone would force him to confront the darker aspects of his role as a supernatural leader and protector. By adhering strictly to his rule, Scott avoids the internal conflict that would come from crossing that line. In a way, Scott’s reluctance to kill is an avoidance mechanism that keeps him from fully engaging with the morally complex world he inhabits, allowing him to maintain a black-and-white view of morality.

While Scott views his refusal to kill as a form of self-sacrifice, it can often lead to the sacrifice of others instead. In situations like the Kanima case, where innocent lives are at stake, Scott’s refusal to make the hard choice arguably protects his own conscience more than it protects the people he’s responsible for. This can be seen as an attempt to shield himself from the psychological toll of killing, while others bear the physical consequences of his inaction. It’s a form of indirect selfishness—by preserving his own sense of moral integrity, he unintentionally places the burden of suffering on others.

Scott’s no-kill rule is a complex and flawed psychological mechanism. While it is rooted in a genuine desire to be morally upright, it often causes harm by preventing him from making hard but necessary choices. His strict adherence to this rule can be seen as a defense against guilt, moral ambiguity, and the loss of his own innocence, but it also exposes him as someone who prioritizes his internal morality over the safety and well-being of those he is meant to protect. In this way, Scott's idealism becomes a form of moral tunnel vision, where the desire to remain "good" leads to greater harm for those around him.

[thelonelyshore-if]

i've been struggling lately, but i'm getting some writing done today. have a bit of the beginning of cricket's scene in the coming chapter <3

[spoopdeedoop]

king and harbinger, old and young

[aloonaram]

This artwork (link below) is giving me sooo many ideas for jayvik x hp crossovers, especially post s2 …. I used to be SUCH A FIEND for harry potter crossover fics (still a fiend for crossover fics in gen) and it would be so cool if like after jayvik get zapped away by the stone they come out the other side in the hp universe and then have to learn how to navigate this world where magic exists?? But in a different form from the arcane and its revered in a way?? and an entire secret society and school exists just to teach kids magic?? And in this school theres no tech, no engineering?? Plus not to mention all the political bs as well omg

And how would they get involved with the school in first place…maybe they pop right into the school? I wish i remembered more from the books bc i feel like theres totally an event i could use but I just can’t remember much outside from like the first two books 😭

If anyone wants to brainstorm with me feel free bc like i said i loooooveee crossovers and now that im finally on break (and i have adderall now) I think i might actually start some fics

Art is here btw

[kittytheartist]

Hello! Hm, I very much disagree and would like to give my input.

Let's start from the top, you seem to think Akane is a very possessive guy, like he needs Aoi in his "possession" which is..a far cry from the way he shows his love

But you said that he stopped listening and started acting similarly to what he said he hated about Aoi, but he was listening and asking questions, he was worried about her and trying to understand her, he hates Aoi for pitying herself, running from her problems, outcasting herself and never trying to understand people because she shuts them out

It took a turn towards making actions instead of talking because Aoi literally attacked him, although she definitely wouldn't have under normal circumstances (such as NOT BEING DRUGGED OFC) But nonetheless he does not pin her down in a way of claiming her, instead he puts himself in front of her and claims his love once more

Aoi is doubting him and he doesn't understand so he tries to reaffirm his love, which is what he knows best, it may not be the most healthy but Akane has always used his love as his motive, drive and reason

He's protective because he has seen her get bullied and pushed around just because she is pretty and nice and Akane can't stand when someone doesn't stick up for the themselves so he chose to protect Aoi no matter what, purely because he loves her and wants her to be safe

This is why it was so hard on him when he lost Aoi, not because he has an intense need to possess, keep, or seek out some sort of relationship with her but because he has always been there to protect her, he has always comforted Aoi in the fact he would be there and love her...what happens when he can't keep his word? Aoi is his world and even after the severance he had no cool down on trying to figure out how to get Aoi back

Akane constantly tells Aoi he loves her not because he needs to convince himself no, but because he genuinely wishes to express his affection regardless, he doesn't need Aoi to say she loves him aloud he just wishes for her to know he loves her and always will be there. No he does not need to fulfill some need for a fantasy Aoi or even just a person to love him he's just content with however Aoi likes their relationship. That is verryyy different from staying in some wonderland dreaming of some Aoi he needs to possess.

Akane grew a strong attachment to Aoi during childhood and that has definitely fucked him over to a degree but not in a way where he just needs "Aoi" or however he invisions her but in a sense that he values Aoi's preferences than his own

Namely when Aoi and him were walking through the tunnel to get out of the far shore and she couldn't see the light so she was sharing her own interests and apologizing once she asked for his own interests he said he just likes her, that's not exactly what she wanted but it truly hurt her because she'll never be able to say it back (that is, until they reunite which she was not expecting) but this is what their relationship lacks

It lacks Akane, it may be a humorous side piece but the reality is he really does change what he does and how he presents himself because Aoi mentions it, it's less of a need for validation and more of taking your love and appreciation for someone too far, obsessive is definitely a word that could fit

When you love someone you love their interests, but Akane seems to take it farther into wanting to become those interests. It's not like he has no opinion for himself, quite the opposite but even when he hates the supernatural in after school once Aoi was interested in some occult type games he started preparing immediately

Now... there was no gaslighting in chapter 69

Aoi was trying to run away and kill herself, Akane got stabbed which of course would make you tense and idk about you but if I felt like I'd die if that wound's messed with I wouldn't be super patient also Aoi will not listen to him, she's too caught up in this idea she has of herself and other people

Let's start.... Akane wakes up and Aoi patched him up, he proposes like usual but Aoi says yes.

Aoi continues to explain that she's nothing like how he views her but that's not true..she's just been too focused on isolating herself to notice, that's also why their relationship remained stagnant and superficial. They both had the idea that they know the other better than they think but rather because they never communicated they're both still unaware of some particular feelings

But she won't let him speak. She places herself in this glass box that no one else can reach

He needs to get her attention and this seemed to be the only way he could pull her out of this mindset right away (here he also admits that he had no clue she felt that way)

So he says what would truly get her. "I hate you" ...He says this because he knows this makes Aoi sad, it shows she cares because of the memory he recalls during their childhood where he said he hated her during an argument and started crying, for the first time during their friendship

He knows how that saddens her and sure, it's not the best way to go about it and he says he lied but it's completely reasonable to hate a part of the person you love, especially if it's self destructive.

Akane never said any of that out of anger, nor because he was growing tired of some sort of need for Aoi. He said all of that because Aoi was trying to leave and she wouldn't listen. It wasn't because he was angry at her or himself but trying to get through to her was not working with the soft talk and they couldn't stay here forever, Akane's injury would only get worse and if she continued to try and leave it'd only be a back and forth, Aoi needed that reality check

Truthfully Akane has never been good at words or comforting, nor has he and Aoi had a straightforward way of communication but they understand each other so well that the odd way they go about it is not lacking in words

When he asks if she really does hate him or like him even just a little bit and instead of a response Aoi rests in Akane's hand, that was enough

Akane ends it by saying there's no need for words as he's known her since childhood.

The reality is Aoi does love him and they both understand that, that is also why he continued to confess no matter how much she hides or runs from the fact. He accepts that she is overall cowardly and doesn't want to face her feelings but would rather spend every day telling her he loves her.

Even after they're close to official (still complicated) Akane waits, he will always wait for Aoi even if she never verbalizes it she will also always love him and always has

In the new timeline she even loves Akane and wishes to be with him instead of her engagement with Teru.

You talk of Akane like Aoi's speech is spot on when they both got each other wrong, no matter how right they thought they were

Aoi wrongly believed Akane to be a liar and just like everyone else, she thought Akane only saw her for what she showed him but Akane knew her far more than she ever knew, her own problems and ego in the way of her judgement

Akane chose to say some harsh words whether they were true or not he still got it wrong. The way he handled things was a temporary salutation he thought would last when it only made Aoi lose faith in him more, although he did not know she wished to leave it all behind or that she wants nothing to do with relationships (because she is too scared to face it, she'd rather run and never return) he still made it worse

They both lied and hid secrets thinking the other never knew when they did, it may be their curse to know each other so well.

After their fight, their reunion, Akane changes his behavior after they have cleared up their misunderstanding, it doesn't have to be superficial anymore and he knows Aoi does not fancy the cheery proposals, their relationship has deepened and it all feels more intimate and caring

Although Akane was never aversive to being real with Aoi she always had her walls up and nothing was talked about so of course it was more surface level...now the gentle care and communication brings a new warmth to their relationship (might I point out if he really did feel a need to control her well being why does he let jer express and feel her feelings?? He comforts and trusts her and what she thinks is better such as keeping her hand a secret. He let's Aoi work it out with Nene...never forcing her, he does nothing to force and/or control her way of behaving and decisions)

If he really did just want some sort of "doll" or Aoi for looks he wouldn't feel the need to understand, love and protect her instead he wishes to work it out and change whatever needs changing

He truly does love and want the real Aoi

Loving the Aoi of this timeline does not mean he will accept and want any idea he gets of "Aoi"

He still sees the Aoi he's always loved in her, you think it would be an immediate differentiation on how he treats Aoi? In his mind not much of their lives would have been changed because you'd think they didn't have much to do with the timeline becoming a mess, that is not the reality and it pains him to be apart from Aoi and even wonder if this timeline is better for her

After all their communication they finally made it to a point where they were happy but then this happens..the pain of wondering whether the timeline where you're pining for your love is better for everyone else.

This arc we have gotten an IMMENSE amount of sad Akane panels, because his love is engaged to Teru of all people who seems to be the only person he genuinely thinks could win over Aoi (even though Aoi does not like him Akane sees Teru as the only threat when it comes to liking Aoi) he's not acting possessive in any way, not even close to toxic.

Akane's confession here is wildly different from his previous confessions

We can see how sincere he feels here, what in this reads possessive😭

I'll stop here if anyone has any questions I'm open and ready to make a part 2

The way Akane stopped questioning Aoi's behavior in the shinigami arc and just started acting.

For Akane to discuss the problem with words through his mouth? Yeah, lol, not far removed from the Aoi he condemns, he's also a big inventor, he's also stuck in his own theory and sees confirmation of it in everything. He doesn't need to find out Aoi's reasons and get to know her better, he consoles himself with the fact that he knows her better than others, he quickly drained the conversation about "what the hell is going on, Aoi, why are you doing this, I'm worried about you" to stupidly keep Aoi to himself. And what's wrong with that, it would seem that not wanting to let Aoi die is normal, but it's just _how_ he did it.

I believe in Akane's trauma now more than in anything else. He needs Aoi to support the trauma, so why talk to her normally? He needs to stupidly get her, so that she would be in his field of vision, in his complete control, that's why he was trying to get her every day. That's why he thinks that they simply need to become a romantic couple, and not just be together as friends, Akane needs to get whole Aoi completely.

But as soon as she suddenly moved away from him more than a hundred meters - he got stuck, he didn't even want to figure it out, Aoi shouldn't leave him. So he grabbed her, said all sorts of things out of anger, because he was tired of himself, tired of watching her, pretending that everything was fine, all his emotions were directed at her, she could really start to irritate him. And he finally pushed her to be his.

Aoi doesn't need to answer Akane that she likes him, he will convince himself of this, the danger has passed, Aoi will not leave him anywhere, and the rest is unimportant. "The Aoi in your head", Teru is right here lol, Akane is the only one playing this game, he literally doesn't need the real Aoi for this, he doesn't need to ask her opinion, he will make it up himself, Aoi is enough to just lie like a doll in his arms. Aoi wanted to leave and so he snapped, didn't let her, but what happened between them won't help them at all, Akane is still feeding this unhealthy need to control Aoi's well-being, Aoi doesn't understand what's going on. I feel sorry for Aoi the most here. As if she is some kind of evil temptress, or a masochist with a crush on her yandere friend, she is maximally intimidated by other people's behavior and confused.

Just as Kou must learn to live and let go of the dead, so Akane must learn to live apart from Aoi. It's a painful topic, he is not ready to let it go, but he should. But instead of moving towards healthy separation, we have 69 with gaslighting (Akane gaslights both Aoi and himself lol). Instead of some therapy, he only feeds his anxiety and the opinion that without it the world will collapse 😭 but wow, it's romantic

[notmoreflippingelves]

Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.

Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.

But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.

And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "

He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."

He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."

He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."

He's saying "Be 'Robin' again--for both of our sakes."