#so i very much believe that was the point

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

[inaccuracyinsocialmedia]

A bunch of shit on here won't "sunrise" until 2026, so good fucking luck to all of us.

Biden absolutely abandoned the American working class by choosing the fed over regular people. he allowed corporations to spike inflation via price gouging.

even as wages rise, they still aren't keeping up with inflation--even as that slows down.

He also kicked millions off of medicaid (including myself)--at the beginning of the election year. he allowed the very popular child tax credits to expire.

like, it's insane that I can point out how Biden has made several thousand dollars poorer this year.

it's insane.

and don't get me started on student debt. he didn't forgive one shiny nickel of student debt. those policies were set in place long before he took office. he just talked a little bit about it, got some mild pushback folded like a cheap suit.

like, do really expect me to believe that the guy who represents CreditCardStan to really give a shit about ordinary people?

furthermore, you can see the moment when biden's numbers collapse like a rickety old man when he prioritized Ukraine over the United States. later he did the same shit with Israel. Israel gave face to the lie that the aid to ukraine was about saving democracy or some shit. no, it was about inflicting as much misery as possible. a year into the ukraine war there was a train derailment and an airborne toxic even in east palestine pennsylvania. trump visited the town less than three weeks later. biden visited the town a YEAR later.

but yeah sure we're idiots for not idolizing achievements that are bracketed with walls of caveats and fine print. yeah sure we're idiots for believing what we see with our own eyes and not the propaganda being fed us. the problem isn't us. the problem is that you fuckers back the shittiest candidates with the shittiest policies because you are just interested in seeing how low you can set the bar and watch us bow and scrape as we crawl under it.

fuck you.

dropping this here

[anonymous-existences]

DCxDP Prompt 15 :

Danny/Wes idea, Demon Sibs Combined into it.

Short prompt and vague stuff. If I had to motivation I'll do some continuation to it but picture this.

DanyalDanny knows he's adopted, always had known especially since he was adopted as the Fenton's were out and about looking for ghosts back when he was merely 6, they found him all battered and bloodied up and immediately took him in as their own, Jazz was very pleased with a new little brother and she became her reason to stay and purpose to protect.

The Fentons aren't the best but they loved Danny, Danny could say the same as he was shocked to see their reactions when he first called them 'Mom' and 'Dad'. They burst into tears and pulled Danny into a love filled bear hug, Danny could say it was the most love he has ever felt.

But Danny, he would never talk about his past, no, no, he claimed amnesia. He felt subtle guilt when he lied about it but now it felt insignificant to worry about, after becoming a Halfa due to the portal accident, he found himself in the middle of simping A-listers and a conspiracy theorist who immediately clocked him upon sight(how did he do that??).

Wes Weston always had the affinity of finding out someone's identity behind a mask, he always voiced out these thoughts knowing no one would believe him but at times it can still get pretty annoying. Danny Fenton caught his eye, he never paid attention to the boy but he kept a secret tab on him, the way he walked felt stuff and subtly regal, the way he talked had a hidden southeast accent(?) that Wes couldn't pinpoint where came from.

Considering the Fact that Danny was adopted... Completely out of nowhere, the Fenton's picked up a boy from somewhere in the world and adopted him without question but Wes doesn't think that's suspicious since the Fentons ARE the Fentons after all.

What kept his tabs, and everything else come to life is when Phantom appeared, Kyle Weston, his brother refused to help and exempted himself from Wes's spiraling Theories piling up.

Wes immediately clocked Phantom as Danny, It's too obvious for Christ's sake, Fenton? PHANTOM? It was so original and unoriginal at the same time, Wes still forced his brother to listen and at some point Wes noticed Dash stopped bullying Danny after having Dash listen through Wes's Theoretical Rant.

Dash and Kyle want nothing to do with Danny, they don't have him, they just suspect Wes is secretly gay and his love language is comparing his crush to the awesome town vigilante ghost.

Everything is as normal as everyday until the GIW found out about Danny's identity, The Fenton Parents and Jazz weren't there when they took Danny away for 'Examination'. So Wes did what any normal person would do, pull out the exact blueprint and hidden passageway of The GIW Facility Base and Bust Danny out of there without getting the already wounded and partially open boy even more injured and in pain.

The Fenton parents did everything they could do to hide Danny as soon as they got home after Wes had contacted them somehow, they love their baby boy so much, He's their Danny, their Daniel, their Phantom.

Wes dragged Kyle into the mess, Not that Kyle had any options and thus. With the help of Jazz who was in Gotham for college, The Fenton Parents stayed behind to keep the GIW in Amity, And Wes along with his Begrudgingly Dragged Along Older Brother Kyle, Is heading to Gotham.

Did Danny anticipate that Wes and Kyle both have truth altering possibly also Reality Warping curse that they bend to their will, but then again sometimes they're too stupid and too human to use these curses to their advantage.

They arrived in Gotham and at first everything was Normal, Danny became the Handyman of their free and he'd fix anything for food and any of the sort. Especially candies for children who wanted their toys fixed, Wes was the weird quiet one who was deemed tough on the outside, soft on the inside because of how oddly kind he still was despite his first impressions.

Kyle was the chill one who was denser than rock in most occasions and jazz was the oldest one who was raising them(along with Kyle) as well as pursuing psychology.

Now here comes more of the DC part :

Wes starts to theorize about the bats, same old same old, Danny listens to them intently as Wes makes pretty good points about the identities(Except Bruce Wayne as Batman, cuz that guys a Total Himbo Billionare.)

Danny and Robin meet by pure coincidence. Danny recognizes him immediately, Damian impulsively taking off his mask and charging at Danny, Both knew they were not Clones of each other and Danny comes home with an unmasked Robin and not any of them feels that this is something out of place.

Going as far as serving Damian a plate of food and Danny introducing the Weston Siblings and Jazz. Jazz immediately mentally adopting Damian because he's her baby brother Twin thus he's just another little chick of hers.

For a while Robin takes time to have dinner on their house, Alfred obviously instantly notices but doesn't mention it Infront of others but merely tells Damian to stay safe and eat well.

The Batfam slowly notice the change of demeanor, Damian slowly getting less aggresive and acting softer and perhaps a tad bit too innocent like for their comfort, they finally follow him to the place he frequents and sneaks off to every night and they see him take off his mask and hug someone who's the exact replica of him, just blue eyes.

They see him drop his guard and become comfortable by their small dining table that fits 5 perfectly. If it weren't for his current costume at the time then he would have looked like a normal civilian boy.

Shenanigans Ensue. You guys can take it from here ✨

[barcaatthemoon]

fireball || alexia putellas x reader ||

Alexia learns firsthand why you don't drink often.

The shots that many bars in vacation areas gave were much bigger than the shots that you wereused to. Alexia had warned you of this several times, and yet, you still hadn't slowed down one bit. The two of you were still in Barcelona for the night, but she had indulged you in letting the two of you go to one of the places only tourists sought out. It was a bit gimmicky and most of the staff spoke primarily English. Alexia hated it, but you absolutely loved it.

"Ale, come dance with me!" Alexia stared at you skeptically. You could barely stand up straight, having nearly fallen twice as you tried to get another drink at the bar.

"One dance, and then we have to go amor," Alexia told you. You nodded, more than happy to leave with Alexia. However, you didn't realize that Alexia wasn't taking you home for the reasons that you wanted her to. She needed to get you in a bed for some sleep, but you could feel a subtle hum in between your legs as Alexia held you for the dance.

You tried and failed to dance on Alexia to seduce her, instead managing to nearly fall onto the ground. Alexia caught you and simply carried you out of the club. You would have normally protested, but you were more than enjoying the view of Alexia's ass as she carried you over her shoulder.

"You're so strong. Will you hold me up against the wall and fuck me?" you asked her. Alexia's jaw dropped at how nonchalantly you asked her that. You were definitely the bashful one in your relationship, often trying to bat Alexia away when she started kissing you in public. For you to just say that on a busy night street where anybody could hear was a sign that Alexia should have made you stop drinking an hour ago.

"Amor, you are very drunk. I would not feel right taking advantage of you in this state," Alexia told you as she helped you into the car. You whined and pouted, nearly on the verge of tears as you mumbled incoherently. Alexia sighed as she realized just how long of a night she was in with you. It wasn't often that you even drank a glass of wine with dinner, much less got drunk. She had learned on a trip with your national team that you were a legendary drunk, hundreds of stories coming from just a couple handfuls of nights.

Alexia thanks whatever powers in the universe she needed to that you willingly let her carry you inside. You seemed eager to get out of the car, and you managed to make the ride without getting sick. Alexia knew that it was only a matter of time, most of the alcohol you had been drinking was cheap and full of sugar. Still, you had enjoyed yourself, and that was the whole point of tonight. Alexia had given you the green light to do whatever you wanted, promising that she'd stay sober to take care of you.

"Ale, now that we're home, we can do shots!" you cheered. You made a beeline for the kitchen, but Alexia stopped you. She held onto your waist as she guided you to the couch to sit down.

"Wait here, I'll be right back," Alexia told you. You pouted, but sat there anyway. She grabbed a couple of snacks that she knew you liked whenever you'd been drinking and a bottle of water. It was a struggle to get you to drink the water, claiming that it would completely ruin your buzz.

"I can't believe that Alexia Putellas has regular chips. You always get on me for snacks," you pouted. Alexia sighed, not having the heart to tell you that she kept those around for you. You stayed on top of your fitness better than anybody Alexia had ever met, so she didn't see the harm in keeping a couple of little snacks for you around at her place. It had been early in your relationship when she asked if your snacks were approved by the nutritionist, long before she knew how hard you really worked.

"Maybe you're a bad influence," Alexia teased. That seemed to be the wrong move as your eyes began to well up with tears. Alexia quickly backtracked, but as she continued to talk, Alexia noticed that your attention was elsewhere. "Amor, you aren't getting sick are you?"

"I don't like this," you said as you pulled your top off. Alexia quickly covered her eyes, despite having openly stared as you got dressed earlier that day.

"Why are you undressing?" Alexia asked, slightly panicked.

"Because it's hot. And I'm hot. God, it's almost the winter, and I am baking Ale!" you exclaimed. Alexia rolled her eyes as she dropped her hand, unsurprised to see every bit of your clothing on the ground. "Let's go to bed."

"Are you just going to sleep naked?" You nodded as you stumbled your way towards Alexia's bedroom. Alexia followed you in and watched as you fumbled your way through your nighttime routine. Alexia tried to help where she could, but you were stubborn about doing it yourself. Alexia went through her own routine and found you asleep in bed by the time that she was halfway through the second step.

[essektheylyss]

I love that Caleb does not ever seem to take opportunities to take any kind of "this might be the last moment I have" actions. No matter what, when everyone else is going around and making their desperate moves, Caleb doesn't. Even after he recommends otherwise to others, it is notable that he among the group doesn't do so, and this is consistent with his previous behavior.

I like to think that stems from the moment he opted against trying to work with Trent—which I think, at its core, was an attempt at such an action. If Caleb had died fighting the Somnovem, he had every reason to believe that Trent would continue in his actions. Though Astrid and Eadwulf were willing to subtly undermine him, they had made it clear that they were not willing to challenge him outright. Caleb tells the Nein, when they are discussing their last wishes at the Blooming Grove before returning to Eiselcross, that he would appreciate Trent being eliminated in the event of his death. I have to believe that there was a fear or regret that his dearest motivations would not come to fruition which spurred his interest in using an alliance with him in Aeor to trap and kill him.

I've mentioned elsewhere that I believe Essek's willingness to disagree with him was one of the factors in Caleb being able to trust him and his judgment, but I would also argue it was a wake-up call for Caleb—about letting himself be distracted; about not focusing in on the mission at hand; about, potentially, expecting failure in this goal, especially after he has watched his friends say their goodbyes as if they too expect to die. "Stay on task, Widogast," is a mantra he uses in Vergessen, but he does get caught up, to an extent, in enacting as much damage as he can to the place in the process, and regardless of whether this ruthless assault slowed or sped their discovery, Trent did catch up to them, and very nearly caught Veth and Jester as well as himself. Given Caleb's fears throughout the campaign that he will draw the danger that dogs him onto his newfound friends, and his later apology to Essek in the same conversation for drawing Trent's attention to him, it is not a stretch to argue that this is yet another guilt he shoulders.

It isn't lost on me that Caleb almost died before the Nein even met, he was perpetually aware of his fragility among the group, and he was the last member of the Nein to go down and need to be revived. So I just think it's very fun if he, who so often seemed to be on the verge of death, who in fact planned to step back in history and in the process erase the person he had become, found himself at some point determined to live, and firmly confident in his ability to do so.

He does not wrap up his affairs, he does not say goodbyes, and while he may acknowledge the stakes for the group, he does not entertain the idea that he personally will not make it out alive—because, as Dorian notes, he has a lot to live for. He has to get back home to his partner and his well-maintained garden; he has to make sure the Cerberus Assembly's nefarious schemes do not continue in Ludinus's absence, perhaps even in the absence of the Assembly itself, depending on what its members do in its wake; he probably has to go egg on his godson's shenanigans as payback for Veth threatening to shoot him out of the sky.

Caleb Widogast is an absolute cockroach of a wizard, and, in true Mighty Nein form, he is at all times thriving on unfinished business.

[shapelytimber]

Updated my au's recap to add Tarkin and Krennic :)

And of course I updated The Science

[COMMISSIONS]

(also fixed Sabé's sexuality ! Thank you to the Sabé connoisseurs for letting me know she has a canonical boyfriend at one point ! xoxo)

Yapping below vvv

Welcome to me and my struggle with imperial military uniforms fjdkdkk they just so boring and often khaki-

For Tarkin I took inspiration from a Star Trek concept that I'm so mad isn't a thing in Star Wars... The dress uniform ! The classy, just for show, uncomfortable version of classic uniforms ! (Couldn't believe that wasn't already a thing in sw, but when I searched for it I stumbled upon a sub reddit called "the empire did nothing wrong" and sometimes self care is to not clic on the clearly far right corner of your fandom to look upon a shitty fan made alterations of imperial uniforms 🌸)

Also, I had to make a choice here... Do I make the empire more strict when it comes to gender norms and expectations i.e do I put Tarkin in a skirt gkkgkffn like, I already kinda did that with both Tarkin and Krennic keeping their hair long. But in canon imperial uniforms are unisex and the same for everyone, which is great to like know the imperial military (in universe at least) doesn't do sexism a lot.... But once again, the canon uniforms are a bit boring to draw, they don't have the more classy ones you would wear for special occasions and frankly if you want a side to show more gender inequality would you pick the mismatched rebels fighting for their rights and to overthrow the government, or the established force in power that is also incidentally an empire that took inspirations from a real far right party hmmmmm

Let's look at what I made different about the empire in my au, a) Palpatine is a woman, they have an empress but b) said empress force masced her apprentice and made *him* the figure head of her empire. When you think of the empire you don't picture an old woman in a bathrobe, you picture Vader, a tall muscular cyborg with no face a glowy sword and evil telekinesis.... That is gendered in the masculine (still a dyke tho, but random civilians wouldn't know that- they don't even know if he's human). Having a woman lead a fascist empire doesn't make it better- (in my country, France, the far right party has been lead by a woman for the last 20 years and that doesn't make it fucking better)

All this to say I put her in pants fjkdkd tested with a skirt but it felt too uncanny.

And I also made her stand in the worst position to draw (for me at least) : perfectly facing the camera with a stick up her ass and at parade rest so with her hands behind her back fjkddk I struggled so hard to make it look somewhat good, and I'm still not really satisfied- also Peter Cushing's face with a hat that covers his forehead looks very wrong to me fjfkk

But enough about Tarkin ! For Krennic I also modified the uniform :D (for a second time jfofk link to the first post with another version of her uniform), but hers isn't the fancy version, it's very much her work clothes ! Still trying to distinguish her from the classic military, since she is more of an engineer/architect, so she get heels, slutty white gloves and a dramatic cape coat. Also I loved putting her in a very strict outfit but making it a bit messy in small ways kgfkgj one side of it isn't zipped all the way down, and her hair is coming down from her hasty made bun :)))

PS : one must always picture the death star as the third member of this relationship <3

[threeacttragedy]

Entry 9: The One Where You Choose Your Own Brazilian Adventure

My planned post – the “In Dedication of JVN” one where I fangirl over Jonathan Van Ness and what a fun and interesting piece of the Lukola puzzle he is – was derailed today because I was once again asked about Brazil. Well, more specifically, I was asked about whether I thought we were ever going to get those steamy, hopefully X-rated pictures, from Brazil. There’s pictures?!

In truth, I thought we’d collectively squeezed that grapefruit dry and left the rind somewhere between Italy and the Glamour Awards.

Alas, here I am writing about Brazil.

It’s funny because I’ve never thought much about Brazil. I know, I know! How could I possibly type those words without my nose growing six inches in front of my face? Well, it’s because it was always Australia that intrigued me. More on that later…

So why exactly do we believe there are pictures from Brazil? And, why do we think they are going to prove some kind of hot affair between Luke and Nicola? This theory is likely fueled by rumor; rumor born from how Luke and Nicola behaved towards each other while they were in Brazil.

I thought it would be fun to play a little game of “Choose Your Own Adventure” to determine if we’re ever going to see these alleged pictures. And, yes, I will be a very sarcastic bitch when doing this.

Before I start, though, I want to give a quick shout out to my dear friend, whom I shall call The-One-Who-Drops-Random-Pics-Into-Our-Group-Chat-and-Lets-Us-Sweat-Over-Them-for-Atleast-Three-Minutes-Before-Finally-Explaining-Them. She was a wealth of information about Brazil and even had a nice mother-daughter chat with me about the significance of a clean-shaven face (pardon me for never having dated a bearded man, which is odd because I find facial hair quite attractive).

Now, gather ‘round and I shall give you a little prologue to our adventure!

I’m sure most of you already know all about Brazil. In fact, many of you are probably self-described experts at this point. But, for those who are new here, let me go ahead and light the candles and set the ambiance for you. 

On May 19, Luke and Nicola were shuttled off to do their beach photoshoot in Brazil. You know, the one where Nicola was walking the dogs; Luke was strumming the guitar; Nicola was being all girlfriend-like fixing Luke’s jacket; Luke was gazing up at Nicola at the pub while she was touching his neck; and then there was that moment when we all thought they might kiss. Yeah, all that plus Luke’s scruffy face from the week prior suddenly appeared clean-shaven. Apparently, you can never be too “Casual” when you’re headed down south (pun intended – as was that Chappell Roan reference). And, about now is where I’ll “insert disclaimer that this is speculation only.”

The following day, we had the actual premiere. I’m not sure what those two were up to before the premiere but both were un-fucking-hinged by the time they made it to the red carpet. We had angel-face Nicola looking up at Luke like he had created the universe and Luke answering Nicola’s Little Red Riding Hood vibe with one sexy ass Big Bad Wolf persona. I mean, the bits and bobs that came out of Luke’s mouth that day! “There’s a carriage downstairs.” “I mean, in this heat, all I’m thinking about is when we didn’t have to wear clothes ‘cos that would be quite nice right now.” “I mean the show is proof that it is [okay to kiss your friends].” With Nicola whispering back, “This is true.” Then there was Luke taking that mic without taking his eyes off Nicola. We had Luke helping Nicola put on her bracelets because – God forbid! – she let go of him for 30 seconds to do it her fucking self. And, let’s not forget about the two of them holding on to each other behind that woman’s back (I’m sorry, I don’t recall her name and I’m too lazy to look it up – mainly, because I’m certain most of you don’t really care about that other woman).

We were also given snippets of Luke and Nicola at the premiere afterparty, looking like two people who, at a minimum, enjoyed each other’s company. They greeted fans outside the venue and, as they walked away together, Nicola seemingly put her hand on Luke’s lower back as if to guide him in the right direction (go ahead – let your imagination run wild – it’s a great opening for a FanFic).

Then, throw in the beach walk with the giant security guard; the interview where Nicola was wearing the fluffy pink skirt and the two of them talked about Chappell Roan’s “Kaleidoscope” (seriously, those two were listening to that song together?); Nicola couldn’t stop giggling about the “meat” of the Carriage Scene; and Luke appeared perhaps a smidge too interested in Nicola’s answer about what she looks for in a man (which fit perfectly into Luke’s “Like, how nice is it when someone notices, like, your kindness or your sense of humor?”). And, we can’t ignore them seemingly sharing a tea cup and Luke reaching for Nicola’s spoon after she’d sampled a dish. Don’t even get me started on over-analyzing Luke’s “manspread” that day.

Let’s also not forget about the rumor portion of this Brazilian escapade – because that is what fuels the sexy hot pictures theory and the central plot of our storied adventure.

Rumor has it Luke and Nicola spent a lot of time with each other in Brazil.

By themselves.

In one or the other’s room.

On the beach.

By the pool.

There were also rumors of them making out in the hotel hallway.

The only evidence we have of any “alone time” are some pictures that were dumped on X of them dining together alone, without any other members of their team.

Now that the backdrop has been set, let’s go on my little adventure.

During the summer between my 7th and 8th grade years, I was bored out of my mind. I grew up in the countryside. No neighbors. No sidewalks. No cable! Just fields, wooded areas, and my two sisters, both of whom had no interest in entertaining me that summer. My mother suggested I read. After boredom had dug itself so far into my being that I was left with no choice but to read, I finally ventured over to the bookshelf and grabbed the thinnest book I could find. It was a “Choose Your Own Adventure.”

If you don’t know what a “Choose Your Own Adventure” book is, then you (and your children) are missing out. Basically, you play the role of the protagonist and make choices to determine the outcome of your story. Sometimes you make the right choice and survive; other times you make the wrong choice and get turned into a little mouse that may or may not be eaten by a cat.

Here we go.

As the protagonist of our story, you are:

THE EMPLOYEE

You’re an employee of the hotel Nicola and Luke stayed at while in Brazil. You have sworn to maintain the privacy of hotel guests; you’ve signed a non-disclosure agreement of sorts to protect the privacy of guests, especially since you have access to VIP areas. You can be a housekeeper, a watchman, a concierge, a seven-foot-tall security guard, whatever tickles your fancy. Doesn’t matter – you’re all bound by the same provisions to protect the privacy of the hotel’s guests. But, in this story, let’s say you’re the housekeeper because – what’s that old saying – the only person who knows everything going on in the house is the maid?

You’re cleaning Nicola’s room and you find lots of signs of a man being in the room. In fact, you find a coat that looks exactly like the one Luke was wearing the night of the premiere. Oh my. As you’re leaving, you see two people making out in the hallway – headed straight towards the room you’re just leaving!  It looks like Nicola and Luke. What do you do?

Choice A: Well, you’re a pervy housekeeper so you pull your phone out and start taking pictures. I mean, those two are so into each other, they don’t even notice. You then run and play show-and-tell with your friends because you can’t keep a damn secret. Unfortunately for you, that gossip spreads faster than lice in a preschool, and hotel management tracks your ass down because, guess what, your friends can’t keep a secret either. So, congratulations on being fired. You’re meeting with the lawyers is first thing in the morning. Oh, we also need your phone and the names of all your friends.

Choice B: You respect the privacy of Nicola and Luke and simply turn and walk the opposite direction. Taking photos of them never even crossed your mind! But, damn, what a good story to tell your bestie when you get home, even if you don’t have “receipts.”

THE VIP GUEST

You’re a random guest staying at the hotel. In fact, you’re a random VIP guest staying on the same floor as Nicola and Luke. When you checked in, you signed a non-disclosure agreement. I mean, you want your privacy protected, too! And, heck, NDAs are thrown out like candy these days. You’ve seen so many at this point, you don’t even bother to read them.

You take the elevator up to your floor and, as you step into the hallway, you’re confronted with – goddammit, there’s two motherfuckers all over each other! The guy is trying to slide his key into the door, but the woman’s dress is so awkwardly large, he can’t seem to find the right slot! You realize the people look a lot like those two stars from Bridgerton, and your best friend, Effie, is a huge fan! What do you do?

Choice A: You can’t believe Effie is missing out on this excitement so, of course, you pull your phone out and start taking pictures!! I mean, that NDA you signed didn’t even cross your mind three minutes later when you were forwarding the pictures to Effie! And, because you can’t control what Effie does, she forwards the pictures to all her Bridgie buddies. The next morning you awaken to find the pictures all over X. Oopsie. You feel slightly guilty, and a bit peeved at Effie – but only until you’ve had your morning coffee.

Choice B: You take people’s privacy very seriously. Well, maybe you don’t take it that seriously, but it would be too difficult to dig your phone out of your handbag to take pictures. And, to be honest, Effie is the huge fan, not you. Plus, it seems the guy finally got that door open and damn, based on the sounds of it, he's unlocked something magical. Oh well. You’ll call Effie in the morning to tell her your story, if you remember it.

THE RANDOM STRANGER

You’re a random stranger taking an evening stroll along the beach. You love the sound of the ocean. It’s so peaceful…the sound of the waves… Ugh, what is that noise?! It sounds like – shit, it is! – two people snogging in a cabana about 10 yards away from you. Wait a minute – is that? Yeah, you think it could be! I mean, you were just at the Bridgerton premiere last night! What do you do? Without hesitation, you pull out your phone!

Choice A: You creep behind an umbrella and zoom in as close as possible with your camera! I mean, shite! You can’t believe this! How long have you been filming?  Probably longer than necessary but who cares? Suddenly, you feel a presence behind you, perhaps a seven-foot-tall presence, and you slowly turn around. Fuck! Who’s this guy?! He takes your phone, drops it to the ground, and stomps on it, shattering its insides.  Asshole.  You bend down to pick up the phone, but the man taps your shoulder and shakes his head, “No.” Well, umm, yeah, I guess you best be leaving.

Choice B: You use your camera to zoom in on the couple. Snap! Snap! Snap! Then you get the FUCK OUT OF THERE! You tell yourself you don’t look suspicious at all, even though you’re practically running and your heart is about to pound its way out of your chest! Oh, thank God, you’ve made it to your car. You start it up and, like I said, YOU GET THE FUCK OUT OF THERE! You get home and take a look at the photos! Goldmine! So, should you drop them on X? Maybe be a little see-you-next-Tuesday and try to sell them to Nicola or Luke’s teams? But, hell, you don’t even know where to start with that! Or, should you just pocket them for your own pleasure? You tell me….

The End.

Yes, I am absolutely being a facetious little ass! The above scenarios were for (the most part) my own entertainment. I mean, there are so many situations where these alleged pictures could exist (these playful ones don’t even scratch the surface). But, do the pictures exist?

If we’re being logical here, you would think that, if anyone in the general public were in possession of these alleged sexy-time pictures of Luke and Nicola, or had seen them, it would be all over social media at this point. I mean, ALL OVER. So, what can we deduce from the fact that they aren’t?

That the pictures probably don’t exist. Don’t shoot the messenger! Seriously, watch where you point that thing!

But, let’s say pictures did exist. Who is the most likely person to dump them on, say, X? The hotel employee, the VIP guest, or the random stranger? I would place money on the random stranger, followed by the VIP guest. The hotel employee, who probably has the most access to VIP guests but the strongest legal barriers, would be the least likely to photo dump. What is the likelihood that someone from one of these three groups – for example, a random stranger – (a) had pictures of Luke and Nicola, (b) didn’t drop them on social media, and/or (c) didn’t share them with someone who dropped them on social media?

I’m all for a good conspiracy theory but I find this one to be a hard pill to swallow.

Maybe one person can act as a lockbox for this kind of secret, but when you start including more people, the ability to keep something (like illicit photographs of two celebrities) out of the public eye diminishes rapidly.

Remember what Benjamin Franklin said, “Three can keep a secret, if two of them are dead.”

Unfortunately, this quote is incredibly accurate. The general public cannot keep secrets.

If the pictures exist, they are most likely in the possession of Luke and/or Nicola’s team (of lawyers). So, unless they’re going to sneak them on to X for giggles (I mean, it’s been known to happen), you’re probably never going to see them – and that’s assuming they even exist.

However, if you’re the housekeeper from our first adventure and you happen to have some candid photographs you’re just dying to share, just find yourself a printer – one that cannot easily be linked back to you – and print them out. Then, “accidently” drop them at the feet of someone who knows exactly what they are, and then give them enough time to take their own photos of them and send them to their best friend’s brother’s sister-in-law’s third cousin’s wife’s neighbor, who could drop them on X for us. I mean, you should be golden with seven degrees of separation.

[ganxiously]

Okay, bear with me on this, but I am more and more convinced that 911 is in this mess with BuckTommy because they picked up a very audience-favourite trope and then, did not follow through with it till the end. What I am talking about is the 'if you are going to be bisexual, it better be for someone who's worth it' trope. We see this in most mainstream bisexual representation nowadays - schitt's creek, heartstopper, rwrb and I wouldn't say it is the best representation or the healthiest one but it is a hopeful approach and one that makes bisexuality palatable to a much wider range of audience than it would otherwise be, kind of like how 'gay for you' worked but with a step in the right direction. It also kind of subverts all the negative representation of bisexuality that we have seen so far, with the non-monogamy, sexual perversion and cheating etc and at the same time, establishes the bisexual identity in a more romantic sphere - where you are bisexual because you loved this person enough to question yourself. It is okay rn because it is so new, practically not even 5 years in the making, but it could turn harmful because that is sadly not how bisexuality works.

Now, coming back to BuckTommy, they followed this formula because that is the best way to go when your audience is not that educated on all things sexuality. If they were going to make Buck bisexual after 6 seasons of straightness, they had to put someone opposite him who would make the audience feel like 'yes! I too would question my sexuality for that guy'. So they created Tommy and they literally went the sugar and spice and everything nice route. We see other characters complimenting him and whatever else you say, you cannot claim that firefighter pilot who can fly in a hurricane does not sound fucking cool. But . . . the problem starts because they dragged it out and in an attempt to make him worthy of Buck's bisexual realisation, they kept building him in a way that would make him perfect for Buck. And this thing worked for the other shows/movies/books because the relationship is endgame in every single one of them. it works because they are literally created to be the only ones for each other. But if Tim's words are to be believed and Tommy is only the beginner relationship, he's done the math in the wrong formula here because he's accidentally created an endgame character for a temporary arc so obviously, when everything went down, the equation did not match for the audience. They are used to things happening a certain way and a cable tv procedural is not where you expect a subversion of tropes especially when that trope is nowhere near saturation point yet.

[mitchfynde]

I agree with some of what you're saying and I disagree with other parts, some parts vehemently. The talking point about the primaries being rigged... it just doesn't work for me. This was not an example of it being rigged, because there flat out was no primary. There was nothing to rig. Since timing was short, they chose the VP. It's the most obvious choice, as it's the person people already technically voted for when they cast their ballots for Biden.

Another thing about the primaries is that parties don't owe you those in the first place. You can choose to vote for whichever party or independent you want. The parties don't owe you a separate democratic process for choosing their candidate. Simply don't vote for their candidate if you don't like who they chose. That's what happened this time around, clearly.

Sorry, that topic is just a pet peeve.

The assumption of "vote blue no matter who" was definitely wrong and I definitely agree it was a problem. I believe the reason they tried so hard to court moderate Republicans is because they probably were aware of the fact that public perception of the party right now is that they are too far left, as funny as that is to anyone on the left.

Honestly, I think it's hard to energize the Democrat or leftist voters. The leftist media sphere is very anti-America and anti-electoral politics. They mock the idea of voting. They are embarassed to support the candidates, as they view them as an extension of the colonizer state that they loathe so much. I don't have as much insight on why it's hard to energize the moderate left, true Democrats, but I'm sure someone out there knows.

Republican voters certainly don't have a monopoly on being dumb or voting based on emotion. I would certainly never claim that everyone who votes Democrat are intellectuals. Hell, even some of the people who ARE intellectuals voting for the Democrats are people I'd consider dumbasses. People who rallied behind Kamala while still insisting that she was genocidal come to mind.

THAT BEING SAID, I do sort of resent what you said about Democrat voters being histrionic. Voting for the guy who tried to steal the previous election sets a very scary precedent. Especially if you have any knowledge about how it was done. And it seems like the fears of what kind of administration he'd run are already proving to be correct, based on who he is nominating.

The Republicans are, right now, more fanatical and fundamentalist than they've been in awhile. Abortion already got flipped to the states. Trans issues have been center stage for years, primarily because of right wing media keeping it there. It's a scary time if you have any progressive values whatsoever. And those fears are not at all unfounded. The same cannot be said for the opposite side.

For your short list:

Don't agree with your phrasing, but I agree with you on the optics. It was definitely a bad move to skip the primaries, but I wonder if Biden stepping down so late sort of doomed them regardless.

They definitely need to energize their base more.

Appealing to Republicans certainly didn't work this time, although I think it should still be done. Biden had some success with it.

The smugness angle certainly needs to be addressed, but it's difficult with such a huge double standard in demeanor between the parties.

Wasn't even aware they scapegoated minorities, but if they did that certainly isn't a good play either.

I personally like the DNC, but they need a big refresher on strategy going forward. I have some confidence they'll at least have a better attempt next time. If they lose again this brutally, it will be crazy, but that's assuming USA has any more elections lol.

[cuthechicane]

Full paywalled version of Lando's interview with The Race

Lando Norris recently sat down with The Race's Scott Mitchell-Malm for an exclusive in-depth interview about his 2024 Formula 1 title bid, taking on Max Verstappen and how fans perceive him.

You can read Scott's take on how Lando presented himself on The Race website today, but here's their conversation in full:

The Race: How do you look back on the year so far? Purely from a numbers point of view, you'd surely have taken that at the start of the year. But in terms of how it's played out, is there any kind of sense that there was a bit more on the table, missed opportunities?

Lando Norris: Err…for sure. I think that's quite obvious. Not as many as people think. And I think people in general think it's been a lot worse than what it's been. I think a lot of people think we've been a lot quicker than we have been. So I'm sure a lot of people will disagree with it. But I think those times, it’s a compliment that people think that, because it shows how far we've come. And I'm proud that in those days, whether Singapore or Zandvoort, I've still been the one that's there and making the most of those opportunities when we have a car that's quick enough. 

But there's clearly ones that we've definitely let things go away, which is Silverstone, Canada-ish – I wouldn't say completely. Maybe one or two others. But I think the other ones are the ones that people want to believe were bad for different reasons. Whether it was my starts, and those days when the starts have been ‘bad’ that everyone says, I've generally still been in the top three, four, five of starts. Even on those days. If you look at Barcelona, when I had a 'bad' start everyone says, the best starter in that race was Max. And I think I was like the third or fourth third best starter on the grid. It's just I happened to be next to the guy who got the best start.

The Race: Who wasn't the guy who ended up leading into Turn 1 anyway...

LN: He was the guy who had the seventh or eighth best start! The other one I’d say was a bit more unlucky was Budapest, where my initial start was very good, a tiny, tiny bit too much wheelspin and a downgraded upshift, and that kind of cost me that. So I think it's been better than people have thought. There's definitely been some missed opportunities, that's a fact. But I'm very happy with my whole season. I still feel like I've got a lot out of it. Things have not just gone to plan. Even if you go back to Austria and things like that, a race that I could have been first or second, whichever way around you want to look at it, I ended up with zero points. There's been certain races which have gone away from us. 

The fact that we're still there fighting, I'm pretty happy with the whole season that I had, because it's clear when things do go right, how amazing that they can be.  It's been still a big learning year, even though it's my sixth year and all of this nonsense, I still have to learn how to drive the car in a better way, because I still don't understand it at times. How we have to drive our car has changed a good amount, and I still have to adapt to that. Some days it doesn't suit me, some days it does. So I think it's still been a very good year, and from the outside, I understand why people think it hasn't been. And I completely almost agree with it! But once you know reasons why, of different things, I'm still pretty proud of the season it's been so far.

The Race: There's a difference between how you imagine it being when you get a car that's quick enough to fight every weekend, and then obviously what it's really like. You've learned some things the hard way, so what's that actually been like?

LN: It's been good for me. Whether I'm racing the likes of Lewis a bit more, or Max is probably the best example of all of them...Charles, Carlos, George, to be honest, all the drivers who are up the front because they deserve to be. Thing is suddenly, when I'm racing them, I'm fighting them for a win. So not coming out and doing a perfect job against these drivers, mainly Max in this case, means I win a race or I don't win a race, and therefore it hurts a bit more and it feels like there's a bigger effect to it all. 

There's more criticism or praise, whichever way around. You win, suddenly you have a lot more praise. You do one mistake, you suddenly have a lot more criticism. But I think both are good things, because people either want you to do well or they want to stand out because they want to be someone that criticises you even more. Both are compliments in ways, and I've enjoyed both of them. 

But I've paid the price, more so in terms of a championship point of view, when I’ve not done things to the correct level. And I think there's so many things that have been great, and have been completely up to the standard that it needs to be. A couple of things have not been. And I paid the price for those situations, because I'm going up against, whether it's Red Bull or Mercedes or Ferrari, on top of being strong teams, great drivers. You get punished more at the top when things don't go right than you do when you're more midfield.

The Race: There's a quote from a few years ago about Lewis Hamilton only having to beat his team-mate, in the context of a dominant team. That's exactly not the situation that you've had this year. But in terms of execution, finding out how hard it is to make sure that every single qualifying session, every start, every judgment in the race with the team – what's that been like? Because I can imagine that idea that 'once I get a car that's quick enough, I'll do it'. 

LN: First of all, I would never think that! For anyone who knows me, that's definitely not how I think. But I would say it's as tough as I've imagined because so many things can still easily go against you, even when you have the best car. Make one mistake in a Q3 lap, you're not on pole when you should have been. You don't have a perfect start when the guy who starts P2 does a perfect start, you’re P2 when you shouldn't have been. 

There's been a couple when we were so dominant – like Zandvoort – it doesn't matter if you made the mistakes at the beginning. You can come back through and you can still dominate and easily win a race. But for the majority, when people think we've had the most dominant car ever, those positions [lost] have just been costly positions. I’ve been on pole by three thousandths or five thousandths or two hundredths, and those positions are positions that just stay for the rest of the race. 

But I've always known that – it’s always just the harsh reality of when you're there, and actually you're living that situation, it’s tough to then always be positive for the next race and things like that, and know when things are going to get better. It's been a learning point, still for me, but even for the whole team, whether it's mechanics, because they feel a bit more pressure when we're leading a race compared to when we compared to when we were 10th, or the engineers because the last pole was split by three thousandths, or one hundredth of a second. Everyone wants to play a part in that, but also feels the pressure of it, including me. I think everyone's dealt with it very well.

The Race: We've seen with various drivers, whenever there's a clash with a popular driver, someone ends up getting pelted on social media. But I don't think I've seen a driver with such a negative narrative against them as I’ve seen with you this year...

LN: Yeah, I don’t know why.

The Race: You’ve noticed it as well. How do you feel about that?

LN: I find it…I find it's a little bit weird, because I read all those things. I wouldn't say I'm affected by them, but I do think of them. Do I think it affects me negatively? No. Because I've actually been used to doing that for a while. I've learned how to read things and choose what I want to affect me and almost help me be better or choose what I just want to let slip away, and I just read it for the fact of reading. 

Certain things I’d say I don't understand how people have gotten that perception. And that's when I always just have to come back to the people who know me, know that this isn't the case. And I'm very happy just knowing that as a fact. There’s certain things when I'm like, people think my ego is too big or something, it couldn't be further from the truth - especially when I'm driving. Maybe sometimes I choose wrong words or something, and people somehow use that against me.

But I think there's more and more people in the world just either don't want to listen to the truth and sometimes I think when I say the truth or facts, people just don't want to agree with them, or they want to disagree and kind of prove me wrong. But I find it odd as I feel like I haven't changed. Maybe I have, in certain things. Definitely some things have changed. I definitely don't go around and joke and laugh as much as I used to, and I think people loved that and maybe don't like it as much now I don't do such a thing. But I’ve definitely noticed it, for whatever reason. 

The Race: It's stuff as a driver, not just you as a person. You mentioned the idea you’ve got a dominant car stuff but it’s also your championship credentials and stuff like that. Maybe some people just want to just stick the knife sometimes, in a way that I personally don’t understand.

LN: Neither do I, but it's why like I always say, it doesn't affect me. I see it still as if I know I said something or I've done something wrong, I accept it. I've always been honest with when I've done a good job and done a bad job. So when I know I've done something wrong, or someone tells me I've done something wrong, I'll always accept it and acknowledge that in the right way. But when I know for a fact I haven't, and people kind of make things of it or turn it into something where I have, there’s some kind of stuff I don't understand. Especially the amount of negative stuff I get nowadays, I almost want to say for no reason. 

It puzzles me a little bit. Doesn't affect me in a good way or a bad way. People can have their own opinions. And I'm all up for people having their own opinions and supporting different drivers and not supporting me – I'm very happy about that. But turning things that are not true into what they think are facts is probably stuff that I don't understand as much. And it's confused me a little bit, but I don't think it affects me in a bad way. I do think of it because I'm an overthinker, and I think of all of those things, so I'll question myself about all of it. But I wouldn't say it affects how I go out and drive the next day all of a sudden, or anything like that, which is the main thing. 

I think it's turned into being a bit of a part of… I don’t have to read any of it, you know? So I can also not have social media, but I enjoy it still. It'll still affect me on days, but it's not like it affects how I go racing or anything else, so I don't mind. I just don't like when people have the wrong opinion about me. Because I don't mind people having different opinions, but stating incorrect things is probably the thing that I don't understand, and probably the thing that gets to me the most. But it doesn't affect my day to day life at all. And I'm very happy with the people I have around me, my group.

They're the people who are being more honest with me about when I'm doing well or when I'm not, or whether I'm being a dick, and when I'm not. I prefer people to tell me that, than not to tell me that. The reason I really don't care about what people say so much is because I know the people who actually most know me best and are most truthful about everything are just the people I have around me, and I’ll listen to them more than I'll ever listen to people on the outside.

The Race: One final thing as we sort of got side-tracked there: 18 months or so ago I interviewed you in Australia which basically turned into an opportunity to justify your new contract, because the team was in a bad place and there was a lot of noise. You always stuck to your guns. How vindicated do you feel by this season, and how excited are you for next year, because both titles have got to be the aim?

LN: That's very clear. We all as a team know that next year is the year, probably the first one since I've been in Formula 1, where I can go next year ‘We are challenging for the title’.  And we can say that now already. We've never been able to do it in the past. I'm very happy that I've stuck with the team that I believed in even when a lot of people didn't. I'm very happy that I just had that belief in the team. But also just for all of that to actually come true even when it was hard to believe at times. When we could take kind of two steps forward and then step back, and then catch up and then drop back. 

There were times when I did question it for sure, on what's the best for my future and what do I want to do and those kinds of things. But for me to always return to the belief that the team around me, whether it was Andreas [Seidl] a few years ago when we took a step forward, for sure – but then Andrea [Stella], for me, has been the key to everything. And the fact we've been able to go from where we were to beating Red Bull, when not even 12 months ago they had the most dominant season...the fact that we're now beating them, we've been beating them almost since Miami-ish, and we've been on par with them since Miami, that’s an incredible achievement. 

I'm very happy that I've been part of it all. I'm happy that I stuck through the harder times when I easily could have picked an easier route out of it, could have gone to different teams and done all this other stuff. I feel like I've rewarded myself nicely for having the belief in the team, and I think the team understands that too - the journey that we've been on together - and I think they appreciate that, which probably makes me the happiest out of all of it.

[seiwas]

hihi sel!! for your blurb game... hawks + nose + slow burn

thanks for sending this prompt bitti!! 💗

hawks + nose + slow burn

contains: non-canon au, commercial model!hawks, childhood best friends to lovers, pining, hawks gets drunk, reader dates a guy at some point, kinda cliche but i am a sucker for that

keigo's nose twitches when he lies.

it's a tell you've known well all your life.

when he was 5, he used to climb up a tree to practice how to "fly". it was really just him trying to parachute down using his bedsheets, but you watched every attempt―cheered him on whether it was a success or failure.

and when his mother's voice echoed down the park, you watched as he answered, "no," when she asked if he was trying to launch himself up to the sky.

you first noticed it then, the delayed reaction a few seconds after he had just covered up the truth: his nose twitched twice, a quick crinkling of his nose bridge. you didn't think much of it until it happened the second, third, and fourth time.

at first, you'd felt betrayed, being pulled by your ankles down into the swimming pool when he promised you he wouldn't. at 10 years old, you held these things like an oath―

"i promise! won't even go near you. see?" he swims away from the ledge you remain hesitant of approaching, hands raised up in surrender as he laughs.

―compelling; believable. trustworthy. water weighs down his otherwise bird's nest hair, taming it slack against his forehead. with his eyes forming into crescents when he smiles, he looks like the very image of a good kid down the block.

you get better at spotting it as you grow up together, and soon enough, you realize, it suits keigo to be a liar. he's charming above all, drips down sweet words like honey to anyone gullible enough to believe it. they're empty promises most of the time, but a lot of people fall for it, you notice. you included.

"i’m not interested anyway," he tells you at 18, right after graduation. one of the girls in your class was brave enough to confess to him and you’re curious how he feels about it, if anything.

being keigo's longest and arguably even best friend means that you know him better than anyone else. you were there when he was ugly, puberty catching up to him slowly. you’ve witnessed him just woken up, groggy from a full night of studying, because despite the nonchalance he often displays, he does care about his grades more than he lets on.

you know when he’s happy, when he talks about his dreams; the excitement he felt when he was scouted as a commercial model for a prestigious agency. you know his heart, beneath all his playfulness, how he keeps the people he values close to his chest and cares about them more than anything.

(you remember every single time keigo has lied on your behalf, nose twitch after nose twitch—that time you spilled grape juice all over your carpet and keigo told your mother that it was all his fault; when you forgot a book for one of your classes and keigo gave you his, taking the consequence of detention in your stead.)

you know keigo well because you love all the parts of him.

so when his nose twitches after he tells you he doesn't care much for relationships, your heart breaks just a little bit. you begin to wonder if keigo has a type, and if that girl fits right into it.

.

getting over keigo while still being his best friend is a herculean, if not impossible, task.

his career skyrockets and you go to university; your schedules are always in conflict but he still happens to be everywhere you look―ads on your instagram feed, wallpapers on your classmates' phones. there are shorts of his interviews constantly recommended on your youtube homepage and the feeling is both weird and comforting watching someone you know so well be so accessible yet difficult to meet.

you could reach out, sure, but you know he's busy enough as is. you don't think it's his priority to―

"come over soon," he texts you one thursday night.

your heart hammers against your chest, fingers numbing as you nearly drop your phone. it's embarrassing how quickly you type out, "when?"

but keigo is a fast texter, somehow always beating you to your replies first.

"this sat?" he double messages.

and you're about to reply "down" when he chats again, his words leaving an ache in your chest that you can't help but feel guilty for.

"haven't seen u in ages i think i'm starting to hallucinate hearing ur voice or smth."

.

spending more weekends together makes it harder for you to get over him, sitting on his couch as you both eat takeout; earlier today, you'd stumbled upon some stupid tiktok gossiping about all the dating scandals he's been embroiled in this past year.

you stuff chow mein down your throat, swallow it in big gulps as you glance at your best friend across you; he remains lax and unbothered as his legs cross in front of him, eyes on the the movie you're currently watching. it's a slow and painful process trying to get yourself to be just as uncaring about the entire thing, but with how often keigo lies, you find it hard to distinguish whether his "playboy" image is real or just for marketing.

curiosity gets the better of you when the question slips out, awkward and clearly fabricated.

"one of my friends is asking if i can introduce you."

you avoid eye contact in fear that he'll be able to tell you're making it up. no one from university knows you're keigo's best friend; he's kept you a secret just as much as you've kept him one.

"tell them sorry, too busy to date," he shoves a handful of popcorn straight into his mouth, chewing exaggeratedly to conceal the fact that his nose is twitching. his arm is slung over the back of the couch as you nestle yourself on the other end of it.

the topic is sensitive for the both of you; keigo always shoots down any opportunity to talk about his love life and you're always conscious of the fact that you might seem too eager to want to know what the real score is between him and the girl at the bar, at the photoshoot, at the gala, at the―

"am sure uni doesn't give you much time either, right?"

he changes the subject.

.

keigo is linked to a lot of people in the industry; it's a consequence of the job, as they say. rumors are neither confirmed nor denied and you're just as clueless as the public is despite the fact that you've known him your whole life and spend your weekends eating greasy takeout on his expensive couch.

you should move on, you tell yourself.

it doesn't mean anything that the throw blanket on his bed is the one you crocheted for him when he turned 21. the picture that sits on his entryway isn't anything more than a memento of youth with his best friend. sure, he makes time for you despite his busy schedule, but that's what all good friends do.

.

so, you start seeing someone. and when you tell keigo, things change.

it only makes sense that you hang out with him less, but he changes more than the circumstances do and you don't think that's fair at all.

he's started replying to you late, which has never happened before. and he's begun cancelling plans with you at the last minute, only for you to find leaked pictures of him at some bar with a bunch of people hanging by his arms.

keigo hangs around alcohol, but he rarely ever indulges, so having him call you shit-faced drunk right after he cancelled hanging out on the same weekend is definitely something new.

you’re in rare form driving his car to pick him up, hoisting him onto the passenger seat as he passes out to sleep. it’s only when you get to his apartment that he groggily wakes.

the elevator ride has him clinging to the side railings, his groans filling the tiny space. an empty plastic bag is ready in your hand in case he needs to hurl—which he doesn’t, thankfully—but he crashes on the couch as soon as he walks in the door.

you ready a glass of water and painkillers on the coffee table in front of him before grabbing the throw blanket from his bedroom. when you return, he's tucked into himself like a baby, knees curled up and arms crossed around torso in an embrace.

it both endears you and aches; you'd hug him if you could. if only your feelings could handle being closer to him than you should be.

instead, you settle for tucking him in, draping the crochet blanket over him as he snuggles into it.

admittedly, you're still kind of pissed; he did flake on your plans after all. but when he mumbles your name in his sleep, you find all of that anger flushed down the drain immediately.

.

the first time keigo meets the guy you've been seeing, you don't expect the hostility.

your best friend is your best friend for a reason—he's the warmest, friendliest person you know. even the media portrays him that way: charming and a little too flirty for his own good.

"quit it," you tell him when your kind-of-not-yet boyfriend goes to the restroom. you're pretty sure keigo's the reason he needed to go in the first place.

keigo sips his tea, doing a complete switch-up when he smiles at you and asks, "quit what?"

you roll your eyes, "i'm pretty sure he pissed himself because of you."

he snorts, shrugging his shoulders, "not my fault."

it is completely his fault.

from the moment your not-yet-boyfriend shook keigo's hand, your best friend has done nothing but stare him down―a piercing glare like that of hawk’s hunting its prey. you'd liken his grip to talons digging into skin if you could.

"you're such an asshole," you shake your head resignedly, chuckling. the horrible thing about this is that you kind of liked seeing keigo make him squirm.

"it's my job," he lifts his cup up to cheers.

(you find out later on that this is when your kind-of-not-yet boyfriend realized it would never work out.)

.

you're not crying when you tell keigo about the kind-of-break-up. you don't even think you feel that sad about it.

"sorry things had to end that way..." keigo says beside you, legs crossed under half of the crocheted blanket on his couch.

you give him a side-eye and notice his nose twitch. you'd know that fake sad tone anywhere.

"i was starting to warm up to him, you know..."

another nose twitch. you kick his shin under the blanket, the half on top of you rustling on top of your lap, "yeah right, nose-twitcher."

"ouch, that burned," he pretends to be hurt for the theatrics and you roll your eyes, chuckling in return.

everything about this moment is everything it should not be―it's too comfortable, too familiar, too easy. your relationship with keigo is everything you want but can't have and times like this remind you especially of that fact.

he's your best friend―

"why'd he break up with you anyway?"

―and is the reason why you can't seem to make it work with anyone else.

"i don't want to get in the way," your kind-of-ex started. you looked at him, confused.

"you have feelings for him," he further explained, "and it looks like he feels the same."

your kind-of-not-yet boyfriend said he'd caught that moment at the coffee shop as soon as he got out of the restroom―you and keigo laughing as you clinked cups.

you blink away the memory, shrugging, "don't know, just said it wasn't working out or something."

keigo hums, a beat of silence passing between the two of you before he speaks up again.

"well, it's his loss."

you turn to look at him and find sincerity; you're sure he means it, just not in the way you want him to, an awkward "thanks" mumbled under your breath.

.

things with keigo go back to the way things were, but not exactly.

his schedule miraculously clears up on the weekdays too, and he begins visiting your apartment to take you out for brunch whenever he finds the time.

he also stops going to bars and a whole year passes for him without any dating scandal, except for when he attended your graduation.

you try not to feel too happy about it, but when he's asked about the nature of your relationship, he says that you're important to him. the answer is still vague, but it's infinitely better than the way he used to evade all the previous ones.

"i'm rebranding," he tells you when you mention something about how you haven't seen any gossip tiktoks about him lately.

you push down the hope that fizzes in your chest, even when the biggest change of all is the fact that you think he's gotten clingy.

"wanna stay over again?" he asks you on a tuesday night as you're having dinner, on the table this time. you've already been here for the past two days.

you eye him suspiciously, "are you scared of your apartment or something?"

"no."

"so why?" you take a sip of water.

"no reason," he copies you, bringing his cup up higher to hide his nose; it twitches before you can catch a look.

"well, i have an early day at work tomorrow," you check your phone, "so you have to give me a better reason."

you stare at each other for a while, the silence suddenly turning a touch heavy, like suspense building up to an important scene.

he blinks. you blink.

you watch him intently, see every thought that crosses behind golden irises. he juts his lips out slightly, as if contemplating what he should say next, if he even should. it's unlike any expression you've seen on his face before, and you'd say he almost looks nervous if you only had a reference of how that emotion translates on him.

then he takes a small breath, closing his eyes half a second longer than a blink before opening them again, directing his gaze at you.

"it's better when you're around."

oh.

you don't exactly know how to respond to that; you know you shouldn't read into it too much, but then he continues―

"and i miss you when you're gone."

your breath is on hold, a measly "oh," drawn from you. time feels suspended at this dinner table, your brain finding words to say.

keigo doesn't let go of his gaze and his nose has not twitched.

you try to push it further.

"i'm," you start, already stuttering, "i'm sure you'll survive a day without your best friend."

the chuckle that escapes you gives him an option to downplay this entire thing—to turn it into a joke and make it clear once and for all that you stand no chance feeling the way you do.

except, he doesn't return your laugh. his gaze softens as he holds his stare, the corners of his lips curling into a small smile.

"and if you're more to me than just my best friend?"

you search for any sign that this is some cruel trick keigo's playing on you, that he's lying to get some kind of reaction again. but there's nothing—his nose completely still as he awaits your answer.

a/n: mostly unedited, this is so long help. at some point i started envisioning gojo ngl 😭 anyway this is my first time writing hawks! i'm not so sure if i got his character right because he's complicated but!! i enjoyed writing this (clearly with how long it is 😭😭). he knows that his nose twitch is his tell (reader told him at some point), that's why he tries to hide it sometimes! also he never truly dated anyone haha man is unfortunately very non-committal 🥹 i think getting to this point with reader is a big step! he had feelings for reader early on too but i think he's very careful with it (which is also why it took him this long to do something about it!)

hope you like this bitti! 💗

[iminmywritersdungeon]

It’s midnight I need to say this first off thank you arcanegifs for the gif you are doing gods work second of all

Vi is intentionally manipulating Caitlyn here I’m sure of it and I’m going insane.

I’m basing this off the act three teaser because god vi is so angry in that she’s so mad and she has every right to be but why isn’t she that mad here? What’s holding her back in this moment?

First off: Vi is smart. Vi is a lot smarter than I think people give her credit for. She knows how to push people’s buttons, and specifically Caitlyn’s buttons. In season one vi got out of that prison and then managed to figure out exactly what made Cait tick, what made her nervous and what made her embarrassed and what would get her off vi’s back and she did all of that in a span of what, an hour? Two? Vi knows how to get to people and she knows how to get to Caitlyn especially.

Second: vi is observant. She’s reckless but she’s not an idiot, she knows she’s walking into enemy territory and she knows to keep her eyes out. Caitlyn has received ambessa’s training for a few months but vi grew up in an environment where you have to watch your back or you’re going home with lighter pockets. I have virtually no doubt in my mind that vi saw Caitlyn up there and had an idea of what she would try and do.

And that brings us to my third point: vi is incredibly empathetic. She very likely doesn’t believe that Cait has gone fully to the dark side, and she knows that this is her chance to see just where she is and how much help she can get. So she pulls out “cupcake” because she knows Caitlyn is weak to it and she knows Caitlyn is weak to her and they have the chance to do something about the warlord on their home turf.

She’s angry, of course she’s angry, but the anger can wait until vi is sure they’re fighting on the same side again.

[cordycepsfem]

I'm not preaching, which is what you seem to be doing with your appeals to emotion. I told you there are sources out there to find and they're all perfectly accessible. Khelif, like all people with DSDs, is not related to trans issues at all, so I don't really see much point in continuing with that avenue of conversation. It seems to mean a lot to you, so please by all means go find the sources that you're demanding I find for you.

If people didn't have it out for trans gals, why is the worry about getting estrogen an issue? Why is getting puberty blockers an issue?

"Trans gals." Yuck. You sound like a 45-year-old autogynephile.

Maybe there's a worry about getting estrogen because people tend to catastrophize. Or because men (and women) don't actually need to take cross-sex hormones, because it's not proven to help gender dysphoria or accompanying mental health conditions.

Maybe getting prostate cancer drugs - aka "puberty blockers" - is an issue because children should not have their puberty blocked, lest they end up with osteoporosis, emotional and mental stunting, and under-grown sex organs, an inability to ever orgasm, and further mental health issues not cured by the magical drugs shilled by gender clinics.

But that might just be me.

Gender doesn't mean ANYTHING in the purely literal sense.

Great, so why are you trans?

It's some idiotic concept someone came up with eons ago. But then why should you care how people identify within that social construct?

I see my thoughts about selfish and uncaring people taking away spaces and rights from women and girls made 0 impact on you. Unsurprising.

Gender is not something "someone came up with." It is a societal structure that has always benefited male individuals and left female individuals oppressed. Because of gender, women are thought to be weaker, dumber, less deserving of education, unable to own property or have their own money, get jobs, or even in some places, unable to be around males without wearing full-body coverings.

I don't care how people "identify," because I know that "identify" means "isn't." If you have to tell me you "identify" as a woman, okay, great. What are you identifying with? Which woman are you identifying with? Women are adult female humans, and while we're all different, the one thing we all have in common is being female. So what exactly is there to "identify" with?

You're right. Gender was (possibly, I haven't done enough research to verify) created to keep women down. That's despicable.

Yes, you're very definitely 14.

And now gender is "despicable" - great, so why are you trans? Seems weird to want to play directly into the hands of a social construct that oppresses women and was literally just described as you by "despicable."

And if you stand with us, you can help make sure that someday, gender means nothing more political or oppressive than a name, or a haircut. Or you can stand against us, and reinforce the idea that gender is the measure of someone's worth. Someone born a girl, in the truest sense, isn't any less of a person than a boy and doesn't have any less potential. So then why should someone born a boy not be able to stand with her sisters and try and make the world a better place, one voice at a time? Birth conditions isn't what makes a person. It's what comes after.

Radical feminists believe that gender is immaterial, because biological sex is how women are oppressed. Women can have any haircut or any name - being female is how "gender" oppresses. I don't believe gender has any worth. I don't believe in it.

Someone born a girl "in the truest sense" doesn't have any less potential than a boy, but around the world that girl is more likely to be aborted before she's born, left to die once she's born, have her genitals mutilated, married off to an adult male, never learn to read, die in childbirth, have to avoid males while she menstruates, face rape and domestic violence, and have her rights voted away by males. So no, it's not anyone's "gender" that determines their potential - it is oppression on the axis of sex.

Birth is literally what makes a person. I know you thought you killed it with that line, but you literally need to be born to be a person.

So Miss @cordycepsfem, please stand with your fellow sisters, cis AND trans, and help us make the world a more livable place for an woman. I believe in you.

Males aren't my sisters. You want to go all out for trans rights - have a ball. Fix everything for trans people. It's noble and you'll definitely have my support.

But it's not women's job to make the world more palatable for males of any kind. Feminism is not the "all rights matter" movement. It is for women and girls, and it will be the means by which the world is made safer for them.

"Trans women are actually women for real, not in a metaphorical sense, not in a "anyone can be anything" sense, but genuinely actually make more taxonomic sense to classify in the category of women than any other group" is a position you'll find is pretty radical even in queer spaces

[handweavers]

several instances in the last year or so where i have been forced to reckon with the fact that in some ways i am still rather naive and trusting much like a dog, in a way that is a bit humiliating. i do not expect others to have bad or selfish intentions because i do not have those intentions, and am often hoodwinked by false kindness and flattery, and unwilling to admit when someone is a worse person than i thought. if you are kind to me i assume it is because you are kind and not that you want something from me; i assume sincerity in others because i do not know how to be anything but sincere. i hold onto the idea that someone is salvageable far longer than others do, even privately, to the point where it would be embarrassing to admit it. i am sentimental past any sense or reason. people will speak terribly of me behind my back and lie about me and i will still think well of them; i try to be angry and wear the anger wrong like an ill fitting coat. someone mistreated me and i am upset by the circumstances in their life that made them believe they had to do that; i am upset they did not choose differently. my cousins who are the only siblings i will ever have pat my head and say things like oh honey and i tell them i did see it coming but i wanted very much to believe in their capacity to make better decisions, and am deeply saddened when they prove my instincts right. i know when someone is not good for me but i see who they could be if they chose to be honest with themselves. i think a lot of people are content to lie to themselves constantly and they become so used to it they don't know how to do anything else. i lie to myself too from time and time and it never lasts very long because i can't bear it. people will make themselves sick trying to find ways to believe their own lies and implode their lives in the process. i have watched my own father do it and i know the signs and symptoms. it's difficult to watch because you know things would be different if they could just face the truth but they are too afraid. when someone doesn't know who they are and they want you to be the one to tell them but that's not how anything works. but people do not react well to being told these things

[aroace-madness]

So i had a convo on divine discord (mostly with @toobytoobs) and I decided to make it into a post

Here are some pictures for context on how it because ya'll are gonna need it

Then there is some more stuff about the Leauge worrying about Billy and then there is a mention of Freddy storming into the Watchtower and berating the league for breaking Billys arm

And that's how we got here

Freddy: how DARE you, brake my baby brothers arm

Clark: wait, you're Captains older brother? Does that mean that the Wizard created you before him?

Freddy "ready to stir shit up" Freeman: huh? Oh yeah but I was sort of a failed experiment because of my bad leg

Bruce: experiment?

Freddy: yeah, now tell me how did you find out about the wizard

Diana: we got Captian drunk and he just started babbling about everything

Freddy: excuse you got him drunk? Sigh ok i'm kinda angry since he's my responsibility, it doesn't matter that i'm only a few months older than him

Barry: you're older only by a few months?

Freddy: yeah I am, is it really that surprising? I watched that giant grow up from the beggining and let me tell you he was hopeless couldn't even walk properly, even I walked better than him and my leg is bummed

Bruce: hm, really?

Freddy: yup, the first year was rather rough since I had to teach him everything because that stupid wizard decided to die before he could do anything

The JL: mild concern

Freddy: he also had the audacity to die right in front of Billy

J'onn: Billy?

Freddy: oh yeah, we didn't really have names for a long time at first, when we met some humans for the first time we decided to give ourselves a name, he chose William

The leauge is very concerned about the no name thing, what kind of parent doesn't name their children

Freddy mentions their sister and how she got kidnapped which made the leauge belive that the wizard did not care about her and just wanted a champion, hence why he made Freddy but he came out a "dud", and that's why Cap exists

Freddy completely forgot about what he did and is completely oblivious to what he caused

At some point Cap mentions the wizard in a present tense and confuses the JL

He explains that his ghost just hangs around the rock of eternity but is not helpful at all which makes the league want to punch the wizard even more

Captian says that he's just happy that he talks to him because he just ignores Freddys and Marys existance, that makes the leauge belive that he just ignored Freddys existance during the first few months of his life

At some point they start to belive that Mary wasn't ever kidnapped, just discarded to the side because the wizard believed she was defective

When the Leauge finally meets Mary they ask her about the Wizard, she has no idea who they're talking about

It leads them to believe that the wizard got rid of her before she even developed conciousenes

After they explain to her who they are talking about she finally gets it, she tells them how she doesn't really know him but Freddy seems to not like him

The leauge is seriously concerned for their friend and his siblings

Once they ask Captian if the wizard is his father (just to confirm some things) he answers no, that just because that man gave him his powers and brought meaning to his life doesn't mean that that's his father. They ask Freddy the same thing, he just looks at them with disgust, they ask Mary too, she looks at them like they're stupid

They really want to punch that wizard now because how much of a terrible father must you be that not a single one of your kids considers you their parent

This post doesn't do justice to the entire convo so to anyone who's on the divine discord I advise going to the writting channel and scrolling back a bit, there is a message connected to one of the first messages of this whole thing (and trust me there is a lot)