#so i think it went well lol

[bluuscreen]

this has been sitting in my files for almost a month and i’ve kinda decided i’m just not finishing it so here’s a mostly-rendered knight virgil

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[b4kuch1n]

THEE audiodrama disguised as podcast

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[jamesrambles]

seeing everything about the secret lives of mormon wives is so weird to me because

1. I didn’t grow up in Utah so some of the more cultural vs. doctrinal societal norms weren’t really prevalent

2. I have very chill parents who love the religion but also know that the church institution itself is fallible and religion/practice are personal above all else

so it feels almost alien??? Like I grew up in the church, and even though I’m pagan now I still enjoy going to church with family when I’m in town and I feel up to it. I have ties there. I love a lot of the people in the ward I grew up in.

it feels like this show is talking about something I’m barely even familiar with. Idk. It’s also frustrating because I really want someone from outside of the church to take us seriously enough to do an actual deep dive into the cosmology/culture/structure and general history of the church without affirming or outright condemning all of it. There’s so much nuance in people’s relationships with church and it makes me kinda sad that we never get that.

idk I maybe need to start incorporating some Mormon characters with actual nuance into writing projects ‘cause… I’m sad sometimes lol

(also if I have to explain one more time to someone that an institution can be bad/have serious flaws without being a cult I’m going to lose it. SOME BRANCHES OF THE CHURCH FIT THE BITE MODEL. SOME DO NOT. STOP USING CULT AS A BUZZWORD. I grew up with people saying Mormonism was a cult. I also know someone who was raised in an actual cult, and trust me, the cultish-ness of lds religious practice is based on a wide variety of factors and where you live. I personally think it’s pretty rude to just tell someone you barely know that they’re in a cult with no research or sensitivity around it.)

[mothinflamesdoodles]

Crossbones The Starlight Savior and his archnemesis Koffin K

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

[cockworkangels]

max <3333

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[personishfive]

in which his life is like a video game