#so i know a lot of these are duplicates obviously but i also kind of wanted to show which ones showed up over and over

[mlobsters]

winchester family photos

season 1

season 2

season 5

season 8

season 10

season 11

season 12

season 14

season 15

posted here about the repurposing of the john and mary picture, including john removal

[eddiediaaz]

alie! I absolutely adore this mirrorball x buck set that you made last year! (/post/701462848238403584/) (also I can't believe it's been a year, like seriously what is time?) I was wondering how you did the shattered glass effect in the first gif? in particular how you made the black and white gifs appear distorted within the glass if that makes sense? thank you!!!

ahhh thank you so much renee! literally what is time lol, this gifset is still one of my faves that i made. the shattered glass effect is mostly just a lot of layer masks to be honest hahaha. i'm so glad i still have the psd, so here's how i did it under the cut~

(this tutorial assumes you know how to put multiple gifs in the same canvas and are familiar with layer groups and masks)

I. PREPARATION

first things first, create an empty canvas of your desired size. mine was 540x540 px.

then, you need to find a cracked glass texture. if i remember correctly i simply googled something like "broken glass png", "cracked glass png", because i wanted something already transparent.

(a texture that's something like black lines over a white background definitely works too, you'll just have to put that layer's blending mode to darken or multiply.)

here's the png i used (and a download link for best quality):

and after positioning it into my canvas.

II. CREATING MAIN SECTIONS FOR GIFS

so basically when i did is i sectioned parts of the texture for each gif that i wanted to put. following the texture's lines, i zoomed in and carefuly drew a first shape along the lines with the polygon tool. you can also put a color fill layer behind the cracked glass layer so it's easier to see, like i did.

once you have your shape selected, click on the folder icon (1), then on the layer mask icon (2). it should give you a nice masked group to put gifs in hehe

then i repeated the process until i had all of my desired shapes. i've put some color layers so it's easier to see, but here are my 6 main shapes and how my layer groups look like so far:

III. GIFFING TIME

after screencaping and making all 6 gifs required for each section, you need to put all of them in the same canvas. i simply put one smart object gif layer in each group created earlier. then, i resized and rotated each gif to fit its group (by hitting ctrl + T while selecting the gif layer), as you can see with the gif labeled 6x02 in the layers preview. for the coloring, i went simple with black and white for most of them.

once i have all six gifs sharpened, colored, and placed in each shape group, the gif looks like this. the broken glass texture does most of the work to be honest:

obviously the center gif doesn't have any kind of effect, it's just colored as usual, so i'm not gonna go over it. it's just one gif layer in a masked group.

IV. SUBSECTIONS FOR DISRTORTED EFFECT

okay so for the distorted effect it's even more layer masks! basically i created more smaller sections within each main shapes already, still following the cracked glass texture's lines with the polygon tool and put them in individual masked groups like i did in the second step. here's how i ended up dividing each main sections:

yep, each color here is a different masked group, for example the 2nd and 3rd shape sections:

for each main shape section, you want to duplicate your gif layer the same amount of times as you have subsections within that shape. so if the main shape has 5 smaller subsections, i want 5 layers of that same gif. just make sure to not change its duration or position yet, and make sure the coloring layers/group stays on top of the groups in its shape section. then, simply put one gif layer duplicate in each group. example of my layers for the second shape so far:

then just repeat this until all subsections have its own gif layer.

V. DISTORTED EFFECT

this is the best part! and it's really easy. basically you want to slightly move each subsection by a few pixels, so they're in a slightly different position than the ones next to it.

to do so, select one of the gif layers and with the arrows on your keyboard, move it left or right, and even up or down if it looks good. i do this for all duplicated gif layers, making sure it looks like they're all slightly offset. focus on the cracked glass overlay's lines while nudging the gif layers, it's easy to see how the shapes break when you move them. for example here:

this is really just all trial and error, you just need to move each subsection gif layer by a few pixels with the keyboard arrows until it looks good to you.

here's my result once i've done this for all (23!!) subsections:

VI. FINAL TOUCHES

i don't think i did much else to this before typography besides adding a bit of contrast overall and a thin drop shadow to the cracked layer texture on top of everything. if you have a transparent png this definitely helps to give a bit more dimension to the effect. so here's the final result:

i hope that was clear enough hehe :D

[x-blue-spring-x]

Omg i dreamt that a random being came to me at night when I was in bed and started fooling around with my body. I kept my eyes closed because I was scared, but he was pretty good at it so I got horny and into it.

He started fucking me slowly but deep, with a long, smooth not too thick cock, and it was goooood. I started groping his body, because duh, and it kept changing between forms- from a super buff guy to something less human and more gelatinous??

Then he switched from my pussy to my ass, and to help the transition, some kind of soft and wet protrusion was rubbing my clit a lot like a tongue would, then he stayed in his buff form to fuck me like that. Omg it was amazing. He also asked me to look at him. Since he was staying in his muscley man mood, i looked and wasn’t quite sure what i was looking at, other than a buff dusty dark purple skinned monster. Whatever counted as a mouth came down and latched to my right nipple, sending me into overwhelming pleasure that i was simultaneously trying to escape and have more of.

I only wish i was able to stay in the dream longer to come. Alas, I woke up before that could happen. In any case, i kinda like to think thats how fucking a gentle sukuna would be like, except sukuna would have a thick monster cock obviously, and probably two of them.

Oh i just remembered! I was begging the monster to change his form to have two cocks! Imagine that, a cock for each hole, sukunas tummy tongue to play with your clit and grind on, and him trying to suck your soul out of your tit.

For some reason i felt like i had to share this with you.

I am so glad you shared this with me my bby! My first JJK ask I could cry!!

Here’s some very gentle Sukuna for you ❤️

He doesn’t come to you often, the king of curses, yet most nights you find yourself waiting for him.

Not a soul knows about your strange guest. Every shared breath is trapped between you and him in a silent lovers promise. The people in your village would be frightened, and admittedly you thought it was a sign of an impending apocalypse when you first saw him, stood at the end of your sleeping pad. Impossibly tall, four arms muscle bound and ringed with the blackest ink, his red eyes had gazed at you through the velvet darkness, seeking and searching for something unknown.

He smelt of death wrapped in a smile, cinders and ashes against the heaviest amber. Intoxicating, it made your head swim, all thoughts muddied and confused like the banks of a river after heavy rains. Perhaps that was part of his strange charm, the heady drunkenness you feel in his presence, enough arrogance to drown in and a wide mouth that curls across pointed, sharp teeth.

Still, the power he holds over you, over the lands your people farm daily, is enough to encourage you to spread your thighs for him. To give the monster softness, somewhere gentle to rest for a few hours before he disappears into the mists again. You would be lying if you said it was just that through. He’s insatiable, hungry and brimming with furious need, but beyond that there’s a curious softness displayed only to you and no other. For you are chosen, special above all humans. Marked in a way that leaves no room for argument.

Dreamlike, the low moon paints everything in a blue cast, cool and dappled through the thin walls of your room. The nights are drawing in, a chill settling over the forests and mountains surrounding the small place you know as home. Your breath is steady, a little tug of the sheets to cover your shoulder. Then you hear it, the creak of the wood under his heavy feet, a scent of smoke clinging to the midnight air.

Sitting up, you’re confronted by the full breadth of him, chest rising and falling rapidly with the promise of what’s to come. He tilts his head, cat like. Those duplicate crimson eyes blinking lazily at you, dark lashes fanned under them.

Quietly you shrink from under the soft cotton, inviting him closer without needing to speak. His nose twitches as he inhales, a smile curving across his broad mouth until his sharp teeth snare his bottom lip.

“So eager. Did you miss me?” Voice a low rumble, thunder purring beneath the surface of it, Sukuna regards you. There’s something burning in his face, a hunger that he’s never able to satisfy when it comes to you, so pliant and weak in his wide palms and under the bite of his canines.

Your response is a nod, shy and timid as it’s been months since you last welcomed him into your bed. The jet coloured markings across his body seem to grow darker, framing a jawline cut like glass. He lets out a low purr, padding towards your mattress while his stare narrows, taking in the flesh ripe for him, your body the only altar that’s ever seen a being like Sukuna sink to his knees. Your mouth meets his, hot and heavy, never the gentle soft kisses you expect from a moonlit visitor. His tongue flicks against yours almost at once, so greedy, wholly devoid of propriety or valour.

Sukuna pins your body beneath his vast one, lower arms making short work of your night clothes as he dominates your lips, sucking until they tingle and bruise under him. His upper hands find purchase in your hair, tugging your face closer still roughly, winding against your scalp until you let out a whine of protest.

When your eyes flutter open he’s watching you, both pairs zeroed in on your expression, as his broad lower palms grip the meat of your hips.

“Don’t be rough.” You whisper. It’s a strange feeling, understanding that no other could ever demand a thing from him without receiving instant death in result. He’s still holding your locks tightly, forcing your throat close to his grinning mouth. Sukuna doesn’t look angry, instead he seems faintly surprised, probably because the nature of your relationship has been mainly carnal as opposed to intellectual.

“I know no other way.”

His voice is husky, strained even. So carefully you run your own fingers across shoulders bound by ridged strength. He purrs again, this time lower and far more gentle.

You jump slightly as a droplet of saliva hits your stomach, threading its way along the skin of your navel. The mouth on his torso matches his grin, the huge tongue lolling and seeking out the hot scent of your tight cunt. Wantonly you angle your hips up to meet it, allowing it purchase on your mound until the wetness trickles lower and you whimper at the feeling.

Sukuna lets out a noise of fierce approval, rearing up to slot your pussy against his torso, watching the way his tongue immediately dives into the heat of your core, the thick muscle lathing unforgiving strokes along your seams.

“Fuck!” He exhales, lowered eyes closing briefly with ecstasy, pale pink hair bleached white in the low light. “My little human whore did miss me then.”

Always darkly possessive, Sukuna’s thick fingers bite harshly into your thighs, spreading you wide as his lower mouth traces circles on your clit. Gasping, you grip his forearms, feeling the tendons bunch and release beneath his skin. Lights start to pop under your eyes, knees shaking so violently it makes him laugh. A vicious chuckle without any shred of sympathy. Without warning his upper set of hands find your throat, tugging you upwards and into the safe embrace of his lower limbs. You moan at that, wrenched away from the pulse of his broad tongue, the spit mixing with your slick is so viscous it drenches the mat beneath you.

Sukuna lets a tsk out at your moans. Clicking his teeth as you struggle to collect yourself, so close and yet so far from the sweet release you’ve craved.

“On my cocks, or not at all.” Face to face his whirling stare glimmers, lids heavy with the need to sink inside you.

He spits onto one palm, wrapping an arm around you and probing your tight, puckered hole. Massaging and rubbing until he can slip one thick finger in and then two. Vaguely you realise he’s showing kindness in his own way, lessening the intensity of having to take one of his shafts without any preparation.

You can feel them, heavy and dripping with creamy pre-spend as they rest between your legs. Sukuna draws you up closer to him, binding your arms tight to your sides and sliding his cocks between your thighs, coating himself in wetness until a rasping groan leaves the back of his throat.

“So fucking drenched.” Briefly his tattooed forehead rests against yours, like he’s struggling to master himself. Then with no warning, he’s breaching your body, cocks probing and parting your sticky flesh until you almost feel them in your throat. It’s almost too much, you’re so full of him, his scent clinging to your skin and filling your nose like incense. You push backwards against his chest, asking for patience, for some distraction from the burning stretch of him.

“Shhh.” His mouth finds the shell of your ear, warm air making you shiver as he opens you up for himself. That vast mouth on his stomach finds your clit again and you keen, sympathetically rolling your hips as you seek the right amount of pressure to bring yourself down from the ledge of overstimulation. It doesn’t take long for you to grow bolder, digging your nails into his marked back, begging for a movement on his side that will send you tipping off the precipice of perfection.

“Beg me.” His coarse, deep voice sounds far away as he starts to meet your feeble thrusts with the power of his own hips. “Beg me to let you cum.”

“Pp-lease!” You stammer without pausing to think. “Please my lord!”

Sukuna groans into your hair, lower arms still holding you tightly while his weighty palm contracts around your throat. He’s fucking you now without holding back, sinking deep until you drench his balls, the tongue beneath his mouth moving ceaselessly.

“Milk my cocks then, remind me how a human whore does it! Now!”

The command of his voice is final, your body is well trained to it. You cum hard, shattering around him as you choke out a cry, voice box pressed hard under his fingers. He doesn’t let up in his rhythm, but you feel him throbbing inside you, both cocks pulsing as you constrict. The pain of his bite to your neck only fuels the fire, and you lose count of how long he’s been buried within your cunt and ass, filling you to the brim with his potent seed.

When morning comes, he’s gone again. Only leaving the lingering smell of charcoal on your sheets.

Maybe you dreamt it, but you’re sure you felt someone pressing sweet kisses over your collarbone in the early haze of morning. When you wake you’re tucked up tightly, like he’s made sure to protect you from the cold even in his absence. A dainty, blood red flower sits on your pillow, leaves vibrant against the snow white linen.

Perhaps not such a monster after all.

He’s a big softy.

[suzukiblu]

Day five of fic NaNoWriMo; obligatory sugar daddy Tim/sugar baby Kon AU.

The Superboy problem is a problem, but it's a backburner problem. There isn't really much Tim can do about it, after all. Bruce isn't gonna accept "hey so I know secret identities and maintaining the Bat-mystique and everything but could you just like . . . take in an extremely high-profile teenage superhero with no vested interest in maintaining any kind of secret identity of his own, maybe?" as a plan. Tim needs something better. Something more functional. And also something Kon will actually go for.

And there's just no way that Tim can just walk up to a notoriously independent and proud and defensive teammate who barely considers him an acquaintance and say "do you want an apartment and monthly living expenses and maybe also an allowance, no strings attached?"

That would be weird, definitely.

Like. Very definitely.

Tim's still tempted to try it, mind. It's not like he couldn't afford it, with a little bit of abuse of his trust fund and a lot of lying to his dad. And really, would that even be an abuse? If helping his teammate live his fucking life outside of a fucking lab counts as an abuse . . .

Well, maybe he really will move up his supervillain timeline, that's all.

But it's a backburner problem, still, and Tim isn't actually thinking about it at all when his best chance to solve it pops up. What Tim is doing is suffering through a field trip to a Metropolis art museum, because the school board is full of cowards and thinks sending his grade to an outside-Gotham museum will decrease the chances of said field trip being interrupted by a museum robbery.

Obviously it will, but come on, they're from Gotham. Like they can't handle a museum robbery.

Also all the art here is pretentious. Like, in obnoxious Metropolis-type ways.

If Tim has to look at one more stylized interpretation of the sun reflecting on a skyscraper while a "subtle" caped figure flies by in the background, he will actually choke. Like literally, actually choke.

Get one original thought. Please. Someone. Anyone.

(No, the stylized interpretations of the moon reflecting on a Gothic building while a subtle caped figure looms among the gargoyles are not equally uncreative, thank you very much. At least duplicating Gotham architecture involves some actual artistry beyond "paint a few straight lines and add a lens flare".)

Tim takes some half-assed notes about the boringly generic exhibit they're here to see and then goes looking for literally anything more interesting than said exhibit. There's got to be some photography somewhere in this place, right? Or at least some loaner art that somebody outside of Metropolis put together before Superman's public debut. Or something.

He ends up in the ancient Mesopotamian exhibit mostly by trying to avoid people and, unfortunately, immediately runs straight into a magical artifact. He doesn't actually know it's magic at the time, but the assholes who are about to blow in an outside wall in pursuit of it sure do.

Tim, unfortunately oblivious to phenomenal cosmic power in clay form, thinks it looks kind of like a cute little toy goat and is just grateful it isn't another skyscraper.

Then the wall gets blown in.

"The school board deserves this," Tim mutters, closing his notebook and sticking it back in his bag because sure, why not. This might as well happen.

Ugh.

The very obvious thieves rush in through the gap in the wall. A few people scream–Tim assumes to be polite, since this is already the most unimpressive museum robbery he's seen in months–and the civilians scatter as the guards rush forward. Tim wonders why anyone's even bothering, given that this is Metropolis. What, are they worried the thieves aren't gonna validate their parking for them?

Seriously, Tim knows all the robbery statistics in this city. Even when Superman doesn't show up, the injury and fatality rates are shockingly low. It's statistically more dangerous to go for a walk in Gotham Park mid-afternoon than it is to be present for an armed robbery in Metropolis.

Which is funny, considering the people doing armed robberies in Metropolis come armed for Superman.

Look, Tim doesn't understand the statistics, he just records them.

The thieves tie up the guards first, which seems like a waste of time to Tim when time is of the essence but probably will be for the best if they get pinned down in the gallery, he supposes. Then again, that'd likely end up in a hostage situation anyway, so why worry about containing a couple of unarmed guards over saving thirty seconds when you're doing a smash and grab?

Seems inefficient to him, considering.

He keeps assessing the situation and taking mental notes as he ushers various classmates and museum-goers towards comparative safety, since a successful supervillain timeline requires appropriate research and development. And also, Metropolis-based criminals should know how to work around Superman, at least in theory, so it's best to keep an eye on what does and doesn't work for them.

Not for any specific reason, obviously.

Definitely not.

One of the thieves goes for the little clay goat, smashing its glass display case with their armored elbow, and only then do the museum alarms start screaming. Seems like a stupid design choice when an exploding wall doesn't set them off, but whatever, at least there are alarms.

Honestly, if it were him, Tim would have a silent alarm and a secondary alarm set to a specifically Superman-discernable frequency, though he's sure Superman would get sick of that quick in non-life-threatening situations, so maybe there are local regulations about that or something, who knows. He should look into that, actually. Or just play something annoying on a frequency normal human hearing can’t discern and see what happens, if nothing else.

They make sonic fences to keep dogs in and teenagers out, don't they? Same theory.

The thieves are all yelling orders to each other and arguing; no clear chain of command and a poorly-established plan, Tim notes. Most of the civilians are clear or behind cover, so if he just–

Right, Tim remembers belatedly as one of the thieves makes a grab for him. He's currently wearing civilian wear, isn't he.

That probably means he needs to let this incredibly clumsy grab work, doesn't it, he reflects resignedly. Definitely it does, actually.

Ugh.

Tim, dubiously, lets the thief grab him and debates how upset he's supposed to look about this situation. A Gothamite can't look too freaked out over a Metropolis criminal, obviously; he'd never live it down at school. Seriously, is this guy even armed, he–

Ah, never mind. Definitely armed.

And an idiot with no concept of trigger safety, judging by the way he's holding the gun he's currently jamming into Tim's temple.

Great. Just great.

What does this moron even think he's doing, anyway? The guards are all tied up, as far as he knows there's no superheroes on scene, and nobody's actually trying to stop them. If he accidentally murders a civilian right now, they're all going to be in way, way worse trouble than just stealing a little clay goat would entail.

Tim resists the urge to point that out since there is, again, a gun to his head right now and the person holding it there is in fact a moron with no concept of trigger safety. Not an ideal time to start a conversation, especially not to criticize said moron.

It's tempting, just again, not ideal.

"The fuck are you doing?!" one of the thieves yells to the one going to a really unnecessary amount of effort to drag Tim along. "You were supposed to grab a little kid for the hostage!"

"There's no little kids, Mark!" the thief holding Tim protests petulantly. "I'm doing my best here, man!"

"No names, asshole!" the apparent "Mark" yells back at him.

Tim is pretty sure these thieves are just not very good at crime in general. Or possibly just not very good at anything at all.

He starts calculating the best place to "trip" out of this guy's arms and "accidentally" elbow him in the dick–off-camera, obviously, he doesn't want to leave any footage for anyone to review later–and pretends to be a good little hostage in the meantime, if not a particularly cowed one. Again: Gothamite. He can't actually let it look like a Metropolis criminal did anything worse than mildly annoy him.

Okay, maybe like, Lex Luthor or Brainiac could get a Gothamite past "mildly annoyed", but not a half-assed handful of petty thieves with a shitty plan and an even shittier exit strategy. They would've been better off running in, grabbing what they wanted, and then just scattering; even Superman can't be everywhere at once, especially if the thieves all blended into the crowd or had a couple of getaway cars waiting or something similar. Multiple targets, it'd be easy for him to miss the right one until it was too late.

That would require actual skill and planning and genuine forethought, though, which are very clearly not things this crew has bothered with either developing in themselves or outsourcing to someone competent.

Tim is going to be so fucking embarrassed if he dies to a low-level Metropolis criminal's craptastic trigger discipline. At least the Joker got Jason. There was a plan and actual malicious intent there, and also intentional targeting of specifically him. Tim has apparently just been tagged as "person who looks easiest to hold hostage", which he guesses he could take as a good sign for his acting abilities but honestly is more likely just this guy being a fucking dumbass with less brains than a mummified limpet.

God, imagine what his classmates would put in the yearbook if he died on a Metropolis field trip, too. Actually, no, never mind, he doesn't even want to think about it. Too fucking mortifying a possibility.

The thief drags Tim closer to suitable "tripping" territory, Tim debates how hard he can elbow him and still claim it was accidental, and somebody says, "Are you fucking serious, man?"

Somebody, specifically, is Kon. He's standing in the middle of the hole in the wall in the full leather jacket and S-shield combo, hands on his hips and expression exasperated. Tim has a weird, irrational moment of thinking he actually recognizes him and wants to know how he fucked up this bad, but Kon's eyeing the thieves, not him.

"You know I'm gonna get blamed for this, right," Kon says, gesturing meaningfully at the smashed-in wall. "I always get blamed for the property damage."

"Back off or I'll shoot!" the thief holding Tim yells, jamming the barrel of his gun annoyingly hard into his temple.

"Does 'faster than a speeding bullet' mean nothing to you people?" Kon asks, tilting his head just enough to make it obvious that he's rolling his eyes exaggeratedly.

"Superman is faster than a speeding bullet," another thief snaps. "Not you, you shitty little poser."

"I mean, you could try testing me and then get attempted murder on your crime bingo cards for absolutely zero reason," Kon suggests conversationally, smirking in amusement. "Security cameras still running in here?"

Tim guesses he's saved, technically, but this definitely means he can never tell Young Justice his secret identity, because if Kon recognizes him he will never, ever let him live this down.

Also, everybody at school is going to give him so much shit for getting saved by a Super.

[theblogwithoutfear]

But didn't Frank lie to Karen and used her a literal live bait to lure out his enemies in Daredevil S2? Putting Karen in direct danger more than Matt or his lies has.

And I often see how one-sided these things are, people pointing out Matt's lies and secrets but never Karen's, the fact that she didn't reveal that she killed Wesley to Matt and Foggy to the point that the FBI and Nadeem actually pinned his death on Matt, thus the manhunt for him in S3. When Matt asked Karen if anything happened when they were in the office, she lied and said nothing about the Ben incident of them meeting Fisk's mother.

As for "Karen didn't get an explanation about Elektra"...because she walked out before Matt could even get a single full sentence in. Is Matt supposed to telepathically communicate the explanation to her? All I'm saying is, you can't get what you don't even give a chance to be given to you. Clearly during that period Matt was ready to be forthcoming since in the bathroom scene at the courtroom he did say the truth to Foggy about Elektra and the Hand. But Karen didn't even give him a chance to get a word in.

And I feel like the fact that Danny Rand being kidnapped by the Hand, Luke and Jessica not being fully aware of who their enemies are and clearly needing help, and thousands of lives being at stake are enough extenuating circumstances for Matt to forgo his promise of not being Daredevil. In that context it's really poor taste and self-oriented to be navel-gazing instead of understanding why Matt had to suit up...is he supposed to leave Jessica, Luke, and Danny to figure things out themselves and that he just sits idle just so he doesn't offend Karen? Despite the fact that he's the one who knows the most about the mission and the Hand?

Okay there's a lot to unpack here. My response to your first point is that Frank and Karen weren't dating—she was in a relationship with Matt. So there's a bigger sense of betrayal there, at least emotionally. That's why she has a bigger issue with Matt's deception than with Frank's, at least in my opinion. Also, Frank had already proven himself to be murderous and dangerous; Karen knew that ahead of time. Matt's lying was new to her.

For your second point, I'll just say that if you read my other posts about Karen, my whole argument is that she is FLAWED. That's the whole point. She makes mistakes; she does terrible hypocritical deceptive things, like all the ones you mentioned. Just like Matt Murdock does. The point is that they both lie. And they're both mad at each other about it. Because they're both human beings (also part of the reason they work so well together, imo. They're both kind of idiots at times, lol). I don't know how you can say I'm being one-sided if my whole point is that they are alike—even mirrors of each other—in their duplicity and hypocrisy.

For your third point—I mean, yeah. Karen walked out on Matt before he could explain. I think most people would after seeing something like that. Because what else is she supposed to think happened??? And to be honest, Matt didn't put in a whole lot of effort to run after her and explain. That's on him, since he was the one causing the situation. He had lots of chances, but he didn't do that because he was already invested in his life with Elektra at that point. Don't get me wrong, I ship Karen and Matt, and I truly believe that show was moving in the direction of bringing them back together (if they'd been allowed to continue on to season 4). But Matt was absolutely at fault in that Elektra situation, and was low-key emotionally cheating by that point. If he didn't have his head up his ass, he would've run after Karen and explained it to her, even if he had to chase her down at her apartment or at The Bulletin or wherever. But he didn't. It took Elektra's death to make him realize his mistake.

And finally to your last point, obviously I agree with you—Matt is making the right decision when he picks up Daredevil again and joins the Defenders. Every viewer of the show agrees with you there, because we're with Matt the whole time; we see firsthand the battles he's fighting. Karen and Foggy, though, don't get to see that. They can't truly understand it because it's just utterly unfathomable to them. For the most part, they're hearing about all this stuff secondhand (and sometimes not hearing about it at all, just having to piece together information), so they can't really conceptualize the gravity of the situation. But you know what they can conceptualize? Their fear for Matt. This problem that they've witnessed firsthand for months outweighs (in their minds) the abstract threat they're hearing about. This is because—and again, this is the whole point—they are human, and human beings are flawed and selfish and often can't see past the end of their noses. Matt was in the right when he was fighting for the city—but Karen and Foggy weren't wrong to be afraid and angry. It's scary and sad to watch their best friend constantly in danger of killing himself. It's just a terrible situation, and they're doing the best with the limited information that they have.

Listen—you don't have to like Karen Page. You're free to engage with the material and the fandom however you see fit. If you want to hate her, that is your prerogative, and you're welcome to do so. Assuming you're the same anon that asked the other questions, I think it's unlikely that you're going to change your mind about her. And that's valid! You're absolutely entitled to your opinion. And, in that same vein, I also don't think I'll change my mind about her. Every single point you've brought up is something I've already thought about—and those points don't make me dislike her. It all just informs the character. So again, you can feel however you want to feel about her, and I'll do the same.

In the end, I'm just happy to have the comics and the show and the content that comes with it. I don't think there's any reason to get up in arms over it. We're all just engaging with a great story :)

(Also, sorry for the delayed response to this. I had an unexpected death in the family and I just didn't have the headspace to respond to this for a while. Usually I try to be more timely but it's been a rough few weeks lol)

[asher-agere]

is it alright if I can ask for hcs for cg transmasc toya and little transfem honami? I think they’d be a fun duo.. a pair of calm ones in their respective groups

This request honestly stumped me for a bit. Their shipping wiki page is literally non existent (╥﹏╥), not that I was shipping them, just looking for interactions hehe. However I love a tough request! Makes me really think about the characters hehe

Transmasc Caregiver Toya + Transfem Little Honami

° ᡣ𐭩 . ° .୧ ‧₊˚⋅ ☆

✿ These two initially meet through Saki I think! Honami sees Toya and instantly is interested, she thinks there’s more to him. And Toya is just happy to be actually approached by someone! I think they’d start talking mostly out of curiosity, but over time they’d realize that they get along really well! Like Anon said they’re both quiet souls, but they both have a lot below the surface!

✿ I think Honami would tell Toya she regresses and Toya is just like “Oh… Ok” Then he immediately goes to research all about it because he has no idea what that means. Honami gets worried when he isn’t responding (ó﹏ò｡) But then he comes back and explains! It makes her so happy that he cared enough to look into it for her hehe

✿ I think regressing with someone not directly in her friend group could actually be really good for Honami! She’d feel much less pressured to be the one taking care of everyone! She’d be able to relax without feeling super responsible and just let Toya take care of her! And Toya of course would never pressure or judge her hehe, he’s just happy to help out

✿ When Honami regresses it’s very cozy! They’ll have nice music on in the background, coloring books. Yes Toya colors too! He needs to support his baby of course! They’re both very neat and good at staying in the lines! I just finished the "Draw what you love♪Rainbow Canvas" and I think Toya would be perfect for Honami to draw with! Toya would never judge her in the slightest! And he’d get really good at guessing what she’s drawing

✿ Toya will win Honami so many stuffed animals! Anytime he’s in an arcade he’ll check the claw machines and it’s just like “Oh… Honami might like this” One or two tries and he’s got it! He’ll also check prize counters! He’ll play as many games as he needs to! If he sees something and thinks of his little one he’d gonna get it! Sometimes he accidentally gets her duplicates hehe, he’d get really embarrassed but the baby doesn’t mind. She’ll give him one so they can match!

✿ Dysphoria can be yucky for the both of them of course ૮꒰◞ ˕ ◟ ྀི꒱ა. Toya is very much so a dysphoria hoodie kind of guy! He’ll get anxious holding Honami against his chest because… Chest. But Honami is a very polite baby! She’ll be content to just rest her head in his lap or hold his hand! She’d never want to pressure him!

✿ Honami’s dysphoria can look very different. Poor baby doesn’t want to be a burden, so she tries not saying anything! But every touch makes her feel gross, if a toy looks too boy-ish she wants to throw it away. Eventually it’s all just too much and the baby bursts into tears ｡°(°.◜ᯅ◝°)°｡ This alerts Toya to the problem! And he can switch up his comforting methods!

✿ He’ll pick out some cute clothes for Honami, then let her change in peace! He’ll be waiting right outside her room though of course! While she’s changing Toya will get important equipment. A pacifier that has some kind of feminine pet name on the handle (Baby Girl, Little Girl, Princess, etc.), a warm pink blanket, a get a bottle filled with some apple juice!

✿ I think that Honami would love baking when she’s feeling dysphoric because baking is generally seen as a feminine thing to do! Obviously that’s foolish and she knows that, but meeting those gender norms is very comforting (Coming from someone who got into football when I was experimenting as a trans boy). And Toya will happily help the baby bake!

✿ Pet names! My favorite part hehe. In general I think Toya would use a mixture of three things! Classic pet names “Baby” “Little One” “Sweetheart”, pet names based on Honami’s interests “Apple of my eye” “Little Drummer” “Astro-Baby”, and gender confirming pet names! “Baby Girl” “Little Girl” “Princess”

° ᡣ𐭩 . ° .୧ ‧₊˚⋅ ☆

I hope you enjoyed! I struggled a bit with this one, but doing research and really studying the characters like this helps me understand them a lot better! So I’m very happy I got this request! Thanks Anon!

[angie-long-legs]

rp blog for angel dust from hazbin hotel

18+ | indie | selective | carrd

♡ performed by phoenix ♡

drafts: 18

queue: 0

inbox: 4

Rules Under Cut

AGE RESTRICTION

This blog is 18+: absolutely no exceptions. I will not RP with minors, nor will I allow minors to follow or interact due to the adult content portrayed on here. If your blog does not clearly state that you are an adult, you will be blocked.

BASICS

My blog is mutuals only and selective. Standard RP etiquette is expected. I don't do exclusives, but I do have mains. I am a slow writer, please be patient with me! I don't do passwords, but rest assured I have read your rules if I've followed you. No limit to the number of threads between us. OC friendly. Crossover friendly but will require major plotting to build a workable verse. I follow duplicates but likely will not interact IC unless it's crack. Currently high activity. Do not involve me in drama or discourse.

FORMAT + LITERACY

Multi-para/novella is my preference, but I am open to single para. One-liners are reserved for asks and crack. I don't expect length-matching - I have a tendency to write a lot and I don't want to overwhelm my partners. However, mutual effort is necessary. Not bothered by literacy skill, however, if your language or grammar make it so I cannot understand you then I won't be able to write with you.

MUN =/= MUSE

Angel Dust is not a "nice" character, to put it simply. He might not be kind to your muse, even if your muse is kind to him. I will always ask if I feel he is about to say anything particularly hurtful or get physically violent. Angel will also portray views or hold ignorance that does not align with what the mun thinks, believes, or understands. This is a work of fiction.

CONTENT WARNING

This is Angel Dust - dark topics and are going to be a common occurrence. Please be mindful of your own wellbeing and/or triggers. Sexual violence, physical violence, abuse, trauma, sex work, substance abuse and addiction are all big parts of Angel’s story, and while I will do my best to tag things accordingly, if this is likely to trigger you, I would advise not to follow.

TRIGGERS AND TAGGING

I tag common triggers such as abuse and violence, but if you need anything more specific tagged, let me know! The only non-standard trigger I ask be tagged if we are mutuals is animal cruelty.

I would suggest not following if you do not want suggestive content on your dash - I try to tag it but it's a struggle with this particular muse. However, I will always tag and censor NSFW and explicit content.

NSFW

NSFW content will be present! However, I won’t write smut unless we’ve been writing together for a while, and usually with some OOC discussion to get a feel for my partner’s ideas, preferences, and boundaries. All NSFW content will be tagged, and anything explicit will be under a cut.

SHIPPING

My main ship for Angel is Huskerdust. However, I ship based on chemistry, so if our muses develop a connection, I’m open to exploring this. I prefer this to be discussed OOC if it starts heading in that direction. And, obviously, Angel Dust is gay - I will be writing him as such.

ANGEL AND VALENTINO

I love writing Angel and Val and their dynamic is intrinsic to my portrayal, but I don’t consider my particular interpretation to be shipping. Writing characters who have a toxic and abusive relationship while also acknowledging love, sex and trauma bonding as a realistic part of that relationship is, in my opinion, a nuanced approach to take when portraying abuse. I enjoy exploring the dark aspects of their dynamic as well as the lighter and more comedic ones - and, consequently, all the horrible grey areas these contradictions create.

Do not involve me in shipping discourse.

SOFT LIMITS

I consider my soft limits to be topics or actions that require permission/prior discussion before implementing into a RP. Please ask me before including the following in any thread of ours: sexual assault, mentions of CSA, suicide, self-harm, one muse causing massive injury to another, or one muse killing another.

HARD LIMITS

These are topics that I will not touch. I will not write: graphic descriptions of any sexual violence, sexual or romantic interactions with a character who is a minor, incest, zoo, or m/f ships (last one is muse-specific, obviously).

BLOCKING

I only block for age restriction reasons, bad conduct, or for posting content I find triggering to ensure my own wellbeing. If I no longer want to interact with you, I will unfollow or soft block. If we have written before and I decide to unfollow, I will message beforehand. If you prefer to be blocked to avoid accidental re-following, let me know. I have no issue with anyone blocking me for whatever reason, curate your online space as you please! It's just my personal preference to be restrictive with my blocking habits.

[99pacificpassions]

Cat Corners a Mouse

@absolutebl:

The Cornered Mouse Dreams of Cheese AKA Kyuso wa Chizu no Yume wo Miru (Japan 2020) - Drama llama queers so queer and so dramatic it's like Japan is trying to PROVE something: obsession, cheating, break-up, reunion, then break up again, all of it explicit. This show is just SO JAPANESE. I can't even, but you should watch it and you'll know exactly what I mean. Something like My Personal Weatherman owes it's lineage to this kind of BL. If you like Japan naked, boney, emo, and smoking (hot & ciggy) you will love this, and should watch it. It's objectively amazing, I can't stand it, but I NEED people to talk about it more.

Absolute-kun gives so much and asks for so little. Here's my personal appreciation of this terrific film, for him and others interested in top shelf BL…

Spoilers ahead, but I felt Cornered Mouse (currently on Viki) was better the second time because I could soak up the details. If you haven’t seen it, you might enjoy it more with some background beforehand. It's a bit difficult to keep up with.

The seme is Imagase Wataru (on left above), a gay man passionately in love with Otomo Kyoichi, a businessman married to a woman. Wataru (given name) is like a character out of American Noir… literally a chain-smoking private investigator.  Like a Noir protagonist, we may not like his means, but he has a code he lives by.

Kyoichi is handsome and sympathetic, but he places himself in situations where women eventually suggest a sexual liaison and his fatal character flaw is that he can’t say no to women. But the philanderer can say no to Wataru, to a point. He’s much rougher with Wataru’s feelings than he is with any of the women in the movie.

The Cornered Mouse Dreams of Cheese is based on a manga of the same name and reviewers say that it’s about 65% faithful to the original story. Another reviewer compared it to Wong Kar-wai’s In the Mood for Love, which is one of the best films ever made. I won’t claim Cornered Mouse is in Mood's league, but I would say it's close and that the main differences are Mood’s opulence and heterosexuality. Cornered Mouse is the best-crafted BL I’ve seen to date.

The film has some great writing, but prefers to show instead of tell, which requires a lot from the talented actors. Narita Ryo as Wataru is remarkable and a couple screenshots aren’t going to do his performance justice, but here he's hunched on a stool like a cat:

Here's Wataru after Kyoichi wakes up to find him looking through the text messages on Kyoichi's phone... in the same room: 

Narita Ryo transcends the AbsoluteBL bar for great acting. Elsewhere, he’s not afraid to look ugly in a scene.

Obviously, this film’s in the BL category of “gay man converts straight man”, generally considered a doomed goal within the queer experience. Somehow, Cornered Mouse’s river of details makes this seem realistic, mostly due to the straight lead’s indecisiveness and Wataru’s persistence... and his fellatio techniques.

Negative reviewers of Cornered Mouse never dispute that it's well-crafted. They tend to complain about the ending and that the characters were difficult to like. Yet, the movie is about accepting people for who they are. If you don’t believe me… well, here’s the director Yukisada Isao:

My hot take is that Cornered Mouse is less about the lead characters accepting each other for who they are and more about the audience accepting them despite Kyoichi’s duplicity and Wataru’s lack of ethics.

The audience is also asked to accept the dilemmas inherent within the “gay man converts straight man” BL subgenre. At a key moment, well along in the men’s sexual relationship, Kyoichi’s college lover has called them both separately for drinks. She makes Kyoichi choose between them, resulting in this exchange:

Kyoichi (to Wataru): “I could never choose you. No straight guy would. You get it, don’t you?”

Wataru, smirking: “Yes.”

Kyoichi then goes to bed with the ex-girlfriend, but can’t perform. He returns to Wataru and is “punished” for his hubris. 

Previously, Wataru has asked to be the top during sex, but was rebuffed. After getting drilled, Kyoichi treats his relationship with Wataru with new respect. Yes, he will break up with him and even get engaged with a woman, but he goes through the formalities of a break up, on par with a heterosexual relationship. He’s far more concerned with Wataru’s feelings, even as he’s crushing him, than he was before that key moment.

The film asks its contemporary audience to come to terms with this more traditional implication: that Kyoichi “turned gay” by taking the sub role.

The other problem for many reviewers was Cornered Mouse’s open ending. They thought it was open, anyway. I didn’t. Kyoichi breaks off his engagement to a lovely woman and vows to “prepare” for the return of his lover Wataru. Kyoichi has always been the reluctant partner. Throughout the film, Wataru pursued Kyoichi no matter his target’s resistance... stalking, blackmailing, pleading... as if he had no limits. Of course, he’ll be back for more. Besides, in the manga, it’s made clear that’s what happens.

Wataru talking earlier in the film:

[mermaidsirennikita]

ARC Review: Most Ardently: A Pride & Prejudice Remix by Gabe Cole Novoa

4.25/5. Releases 1/16/2024.

Vibes: Pride and Prejudice but make it queer (obviously), light humor around big issues, family warmth, that ol' Darcy Darcy-ness in a younger package

Oliver Bennet has a problem: aside from his sister Jane, his family doesn't know that he's not a girl. Trapped by societal norms and the persona he's forced to wear, he sneaks out as his true self and runs into the stiff, cool Darcy (who was actually a major dick to Oliver when he was dressed as a girl). The thing is--when Darcy is actually able to be himself, he's actually quite kind. Also? Very appealing. But no matter how much they connect, a future for Darcy and Oliver, as their true selves, seems impossible. Unless....

I don't usually read YA, but I was kind of fascinated by the concept of this series of remixed, diverse takes on old classics. And a retelling of P&P starring a trans boy was too good to resist. Also, this is my favorite cover I've seen in a LONG while.

Luckily, it lived up to my expectations beyond the cover. It's sweet and unique, while honoring the original story. And right now, I think that seeing a trans kid living out the happily ever after of one of the most enduring love stories of all time is something we need to see.

Quick Takes:

--To be clear, this is a true YA romance. The characters that need to be aged down are. I think it was totally necessary to appeal to the target audience, and it works. I mean, being a youth~ in 1812 isn't exactly like being a youth~ in today's world anyway. It's just like P&P in that it's chaste, but unlike P&P in that there is kissing. (Yay!)

--Like I said, the book stays true to the original story, but obviously it's not married to it. Oliver has a lot in common with Elizabeth, but he's not Elizabeth, and his relationship with Darcy is not Elizabeth's relationship with Darcy. It's more based on friendship and understanding--in a lot of ways, it's a friends to lovers story. Which I think adds a sense of queer found family to the romance, and I think that's necessary here.

--It would be very easy for Oliver's mindset to be quite dark. Understandably so, as most of his family is ignorantly (and it's true ignorance, they don't know) deadnaming him on the regular. He's forced to wear dysphoria-inducing clothing, to act as a girl. But I think Novoa understood that there did need to be a somewhat lighter touch here. The point is not to paint a tale of like... a historically accurate trans experience. It's to tell a love story.

And in that sense, I found that the way Novoa approached the Bennets reacting to Oliver's transness really refreshing and lovely. Like, the point here is not to make you feel down about Oliver's future, but to celebrate who he is (and maybe feel seen--as a cis woman, I can't speak to how effective that is).

I suspect that this lighter touch won't work for everyone; and that's valid. If I'm being honest, I don't super care about whether or not it works for cis people.

--There's a molly house scene! Darcy is in a molly house! I loved this. I found something about placing a romantic hero we often so associate with heterosexuality and the ideal for women in a super queer space... And making it this place where he feels comfortable and true... Really compelling. It was one of my favorite scenes in the book.

Also, it allowed for some real romantic connection between Oliver and Darcy. Their relationship is super sweet, and I found the twist on how that relationship would have developed if we did have an Oliver and a Darcy rather than an Elizabeth and a Darcy super smart. It would've been super easy for Novoa to just duplicate the original dynamic and go "but here's a boy". That would've done a disservice to both this work and the original, in my opinion. I appreciate him doing the work to make something super distinct that is AWARE of the differences here, as I do think some queer retellings of het stories occasionally do just execute a quick genderflip and call it a day.

And I get why they do. But at the end of the day, it does remind me of the sensibility that queer love stories need to be palatable and safe for straight audiences, to appeal them and to make them seem "just like them". However, a queer romance isn't 1 to 1 with a straight romance. There often are different dynamics at play. I so liked that we got that here.

TW: transphobia (from characters, not the narrative), general queerphobia, deadnaming, dysphoria

I was super happy with this book, and I think it will definitely appeal to a ton of teens out there. Definitely going to recommend this to my teen sibling. However, it's well-written and mature enough to hold a crossover appeal towards adults. A smart and sweet take on a classic book.

Thanks to Netgalley and Feiwel & Friends for providing me with a copy of this book. All thoughts and opinions are my own.

[practically-an-x-man]

Your OCs, at the beginning of their stories, are given a magic orb that reveals to them the darkest moment of their stories. How do they react? Do they try to change their fates?

Oooooooh I'm OBSESSED with this!! Very interesting!!

(A couple of these have... let's say secondary darkness-moments mentioned, since the main ones would've been some massive spoilers that I want to leave under wraps for now)

Rae (nearly dies in a plane crash and then helps Warren through months of recovering from being brainwashed): She'd be shocked and wouldn't fully believe it at first, and would try to recognize what might lead to that moment to see if it's something she can change. When it comes down to it, though, she wouldn't change it - that decision saved Warren's life, and she feels like the pain is worth it in the end.

Robin (undergoes a severe TBI from a botched mission): She'd definitely be more cautious, and would make her best efforts to avoid that fate without outright becoming a hermit - she'll still go out on missions, but she's not entering any room alone or taking any major risks since she wouldn't want to go through such a severe, lasting injury if she can avoid it.

Madison (is kidnapped and has her mutation enhanced against her will): Similar to Robin, she'd try to avoid it if she can but wouldn't go to extreme measures. She does learn to love her enhanced mutation in time, but the event was still incredibly traumatic for her.

Ophelia (fights her multiversal duplicate to the death, resulting in what she considers her first kill as well as permanent disability): I don't think she'd try to avoid the fight entirely, since Charybdis will track her down either way and avoiding the fight just puts Peter in danger, but she'd definitely be cautious about how the fight proceeds and some of her tactics. She knows the mechanics of knee injuries as well, so she might work on advanced falls and stunt work to build the muscle memory since she knows what's coming, anything that would give her a chance at reducing the injury when it happens.

Gia (is taken in by HYDRA and experimented on): Well, obviously she's staying far, far away from that medical study! And since that's pretty early in her story, I have to wonder what Gia would be like without her life uprooted like that...

Jasper (witnesses Kyle's death through their empathic link, then finds him after he's resurrected, both emotionally and physically damaged in the process): I think they'd end up a little cautious about getting together with Kyle after seeing how much that moment will affect them, but in the end... it's kind of inevitable. Jasper would absolutely would try to stop the event though, either by trying to steer Kyle away from the frat party in the first place or by going with him and trying to redirect the events that lead up to the crash. Anything they can do to stop all of that from happening... they'll do it, even if it looks erratic and paranoid in the moment.

Kestrel (forced to flee into the woods after their partner is struck catatonic by a revenant): At the beginning of Kestrel's story, they're stuck with the belief that anything they do is inherently temporary. There's probably very little they'd do to actually try and stop the event, because the importance of it just hasn't struck them at that point. Changelings by their nature live disconnected, impermanent lives - all things end, and whatever this revenant deal is, it's no different.

Katherine (becomes tied to a magical tablet and watches not only her friends and lover but herself be dragged under as the magic begins to fail): I think she'd also take that median route - she's not disavowing magic entirely, but she will be a lot more cautious with the magic she does use, especially when the tablet begins to die and those barrier begin to break down. It won't get rid of all the pain, but it might ease things a little.

Quinn (falls twelve stories and sustains injuries that will permanently disable her): Very similar to Jasper or Ophelia: she'll do what she can to stop it, to plan other routes and try to dissuade Billy from crossing the damaged scaffolding that leads to the fall, to recognize that Lex would walk in on their kiss and then let them fall when it comes down to it, but in the moment? If Billy falls, she's still going to reach for him, even if it ends the way the orb showed her. He'd do the same for her.

Eris (is cast out from Themyscira and treated like a monster): There's not much they CAN do, really. What gets them cast out of Themyscira isn't something they can control, especially when he's little more than a kid when it happens. In a way that's almost worse - she sees it coming thanks to the orb, but still isn't given the tools and support to rein in her sense for conflict and stop it from happening.

Nikoletta (is captured by STAR Labs and infused with shadows in an intensely traumatic series of events): She is staying far, far away. Honestly, I think as soon as she saw the lab, she's packing up and getting the hell out of Dodge before STAR Labs can get its claws on her.

Jimmy (is shot and killed by bigots while attempting to share his first kiss with his lover): I mean, he's literally just watched himself DIE, and in an incredibly brutal and callous manner. He's steering clear of the Tunnel of Love and any other romantic schemes he tries to put together - which is a real shame, honestly, since there's no way he'd know that he would become a ghost and would eventually find love in a more accepting, open time.

Vivienne (witnesses her husband, the first mate on his last voyage before becoming captain, killed by a vampire while at sea, fulfilling the prophecy that she would never marry another sea captain): Oh, it's stepping in for sure. In the main timeline, she's cautious when the events start kicking up and tries to keep an eye on the ship, but doesn't engage in time to stop the deaths from happening. But if it can see what's coming... we're getting Count Dracula versus Sea Monster right here, Vivienne will hold NOTHING back.

Spider (undergoes the brunt of the silent apocalypse and witnesses one of his closest friends killed right in front of him by a Death Angel): What the hell is he going to do about it? Honestly, I don't think he'd even believe that was his future even if he saw it in the orb. He's not a skeptic quite the same way Quinn is a skeptic, but he's not going to rewrite his entire life because some random orb showed him a picture of a bunch of alien monsters. Cool effect, and he probably shows the orb off to some of his film buddies, but he doesn't take it super seriously.

[lynxmisnomer]

hi I want to know everything about boe forever please

Ok ok more oc posting

Full disclaimer: BOE is very heavily based on the antagonist from Wings of Fire arc 3 and they share a ton of similarities down to the name. Spoilers ahead for The Poison Jungle and beyond.

BOE is an iterator/plant. Its full designation is Breath Of Evil, but that name raises a lot of red flags so it typically just goes by its acronym.

It started out as a normal iterator, and the design of it I posted isn't actually what its real puppet looks like. BOE was always a bit of a narcissist and apathetic towards others, ancients and neighbors alike, with very little interest in changing. A while after the mass ascension it got bored of iterating, as many iterators do, and decided it wanted to be top shit. Except it wasn't group senior so obviously it had to change that. It made various subtle attempts to gain power and privilege among its local group, but BOE isn't exactly a nice person, and eventually its neighbors suspected it of duplicity and ill-intent and stopped talking to it.

Eventually it came across a plant. This was The Plant. BOE observed the plant had properties that allowed it to compel small insects to carry its seeds to new places. This gave it the brilliant idea to use the plant to mind-control animals for fun. So it took the plant's genome and bioengineered it to work on larger creatures such as lizards, slowly building its potency to work on bigger and bigger organisms. It continued to evolve and refine The Plant until it eventually wondered if the plant could be used to mind-control an iterator, so that maybe it could "convince" its senior to give it privileges.

Since its neighbors ghosted it, there was only itself to experiment on with the plants. In the process of this experimentation it fucked up and accidentally let the plant take over its systems as it grew out of control. That was fine though, because it had merged with the plant and still retained its super smart iterator consciousness. Only now it had the added plant instinct to grow and spread everywhere, which combined to form the logic "If I spread everywhere I will be top shit." From there it continued to specifically tailor the plant's adaptations towards thriving in superstructure-like environments. The plant's roots dig into the iterator's systems and can control electric impulses, allowing it to manipulate functions. BOE could control and manipulate the plants itself since the plant was now a part of it. It also sped up the plant's growth rate significantly.

What followed was the takeover and subsequent murder of its neighbors, Sounds of Endless Summer, Thousand-Eyed Autumn, Winter's Plumage and their senior Springing Scents. Autumn was the one to coin the name "Breath of Evil" when the mysterious plant arrived to invade their systems, and BOE decided to adopt that name both for the plant and its own designation. BOE doesn't need to kill its hosts, as the plants can survive in a standing superstructure just as well as a collapsed one, but it decided to kill its neighbors because they were being annoying.

Once it had eliminated its old group, it turned its attention to conquering other iterators, with the eventual goal of mind controlling and/or killing all iterators in existence. Kind of an unrealistic goal, but it has a plant brain so.

The design I posted for BOE is how it appears in the mindspace, a manifestation of its consciousness that it can pull hosts into to talk to them. It cannot physically harm anyone in the mindspace, as its essentially a dream, but it loves socializing with hosts in a creepy, over-familiar way. The mindspace can appear however it pleases, though usually the setting is based on places it has seen or places in the memories of hosts. BOE cannot access a host's memories without their consent, so if a host says no to sharing memories there's not much it can do about that.

I think that covers most of it. Basically it is an evil parasite that hijacks other iterators' brains for fun using plants. It also got very fruity somehow.

[patorucho]

pixquen and partikian . i fucked that up for a second and swapped their gods whoops

no i can do them also later ahehehem. analyzing them in order:

pixquen. good lord. hypothetically what if there was another you, the same way theres another version of your friend, and this motherfucker got white ass fucking eyes and can also be your friend. wait what

pixels holds this fucker by a rope. whenever quen tries to crawl out of whatever selfmade hell this bitch makes him do, it yanks him back like an owner with a dog. he whimpers what no he doesnt.

but yea no pixels is a wonderful copycat. it copies people and what particles does to kian like a curious kitten and then proceeds to amp it to 5000. whatever quentin experiences actually is never really said aloud or shared, what i mean by this he doesnt really share?? what happens to him? if someone asks, sure, but he never really shared about it for a long time. compared to kian and particles who showed a lot of the [torture] for everyone to see (not really, but there was more evidence to kian's struggle than quen's who pixels hid very well) and thats so fucking awesome truly. nobody knows the horrors im putting you through unless they ask, but until then youre mine.

kind of gay to have a obsidian room with a fake tree, sun, and land for you to put your doppelganger in as you rest from using his body for the day (GAY?)

partikian is just toxic yuri to pixquen's toxic yaoi. with the very flamboyant and loud appearance of Guess what! your friend is now Possessed with a God! and the damages particles does to kian, and kian despite trying his best not to bother anyone about it, or yell about his problems, people know!! people can see!! from the way he looks, to the state of his house. hes Not having a good time there, and particles was happy to take all the blame with a big grin. but particles is Nicer. it lets him go enough for him to hope he's okay, it shows how hes doing and that Hey everyone on the server, See this motherfucker? Yeah he needs your help. compared to pixels who keeps it under wraps.

and the gods personalities are swapped with the way they present themselves!! particles' approach with its doppelganger? loud and clear. its personality? quiet, stoic, reserved. it doesnt announce itself unless it wants to, but as its always been? quiet as a predator. pixels' approach? silent, under the rug, subtle if you look long enough. its personality? as LOUD as you can see. it WILL make its prescence KNOWN.

and their doppelgangers? well , theyre both loud, and stupid. but to their fucking god duplicates? they yell obviously, but theyre always shut up easily. like instinct to defy and then give in. kind of... mm... gay.

[delurkr]

More Little Hope models 🤩

This post has been in my drafts for a long time lol but HariboStixx on deviantart posted a bunch of extracted LH models! I come bearing some pics and commentary but go look at the rest of them because there's quite a few.

YOUNG VINCE MY BELOVED. I love him and his corduroy coat. You can get a hint of the western style seams on the front, and now I see that's a denim jacket under the coat instead of a shirt. I LOVE. Unfortunately his pants and shoes are just the ones from his funeral outfit (which is clearly a duplicate of Anthony's funeral outfit, a true fashion faux pas) so unfortunately that doesn't say what he was "really" wearing.

Passerby seems to be wearing a suit under that coat. And btw only recently did I come across a playthrough bright enough to notice that his coat has a belt that's undone and dangling at the sides. I really want to know about him and what he was doing on that night 😂 Also his pants are a good 20 years out of date but we love him in spite of it (or maybe because of it).

About time we get a full view of Wyman lol. Lookit all those snazzy buttons 😁 (They must catch on things all the time.)

Is Taylor's watchband red in the game? I don't think so but if it is it's a nice nod to Tanya's red bracelet.

David was executed because he's been flaunting his collarbones in public. Tsk tsk, David. Cloth hose though instead of the other guys' knitted ones, fun detail.

Joseph's top layer thing looks like it was a pretty fancy garment at one point. There's a lot of (faded?) detailing down the front and around the armholes, which would have to be done by hand and that's a lot of effort for something a farmer will be bumming around in. And something was ripped out of the armholes (which shows better in the game), maybe sleeves that wore out before the rest of the garment and didn't get replaced. I don't know much about clothing in this era but anyway it's such a deliberate design choice. I love Joseph's outfit and I wish the devs would post his model so we can get closeups of the proper textures on it.

I need help. Is Abraham's outfit actually blue in the game? Obviously some of the colors aren't accurately represented here but other extracts I've seen of his model are blue. It just kind of looks brown in the game to me.

DENNIS DENNIS DENNIS

Anne with red hair again. Honestly the more I look at it in-game with enough brightness it looks like a shade of red there too. I'm slowly starting to consider that Anne's hair may be red enough to be related to the fact that they adopted a red-haired kid 🤔

Lastly, vehicles. Words cannot express. How much I LOVE the Clarke's station wagon. Just, them, in that car. (Imagine road trips.) Anyway I finally have a clear enough view of it so... yes, I tried to find a real-world make, and, just like Vince's car, I don't think it exists. The lights and grills are never comparable, but ignoring the structure the vibe works for a good chunk of the 1960s, which means I get to imagine at least some of the Clarke kids learning to drive in it 😊

[commsroom]

Essay question, sort of? Mostly just curious about your thoughts on it; Was the destruction of the alien knowledge given to Eiffel ultimately better for humanity? I think about it a lot,,

short answer? i think so, yes. probably. in terms of the process - fourteen thousand years is an incomprehensible length of time from a human perspective. even if you wanted to set a plan in motion to secure the future of humanity... how? and should anyone be the arbiter of humanity's fate? cutter and pryce certainly wanted to be. maybe the point is that, whether it would be "better" to know or not, no one should ever have the power to make that choice.

(of course, there's also the question of the dear listeners being the arbiters of humanity's fate, but they operate on a completely different level of understanding - what they represent is a force beyond human control or comprehension, a shadow cast by an impossibly Big Picture, and that can't be reasoned with from the same perspective.)

in terms of the knowledge itself... some if it is practical, like the ability to create duplicates - obviously, that could be very, very dangerous in the wrong hands, and it puts a massive target on eiffel's back. the rest of it... would people even believe him? most of it isn't really something you can prove. "astronauts return from the dead; claim to have made first contact - are we being observed?!" ... it's tabloid material. most people would just go on with their lives, i think.

... but i also think this ties into another question. in the context of wolf 359, is there a categorical difference between memory, knowledge, and information? i think i might elaborate on that in a separate post, so that this isn't way too long, but... i'm not entirely convinced that knowledge is destroyed? the information recall the dear listeners put in eiffel's mind functions, in my understanding, kind of like hera's servers - it's information he has access to, but not necessarily something he's learned, or processed through memory in the same way. and the dear listeners seemed very adamant about not allowing them to return to earth without a debriefing. i doubt that "killing" bob, a being that doesn't have a concept of death, in a form they didn't even truly inhabit, would've been enough to disrupt that. i assume they were satisfied with what the hephaestus crew was taking back, and that is... a whole other can of worms.

[breannastewart]

thoughts on New York so far these playoffs? are you worried about Stewie's game right now?

I wouldn't say I'm worried, no, she's still breanna stewart after all. but it certainly is odd and frustrating right now to watch. and you know she's frustrated with herself, too. no one is harder on her than she is, or knows better what her standard is. but she can only control what she can, and so much of it is out of her control. which leads into thoughts on the team...

the playoffs are gonna expose you in ways you could maybe get away with during the regular season, because at this point you're dealing with the better teams in the league. new york has definitely been exposed. they may have won that first round, but did they win it handily? no. so far in these first three games the opposing team has had their number, and glaringly so on the things they did well (passing, assists, defense, 3 point shooting.) new york fans love to cry HATER! if you say anything about her, but SI had that one good offensive game but she's been absolutely obliterated since, especially on the defensive end. everyone can just blow by her, and sometimes I swear she just stands there while others are scrambling and idek how you don't lose your mind watching that with a vested interest. someone needs to teach super fans it's okay to criticize or hope a fave player improves on something, it doesn't mean you hate them 💀 but different topic for a different time. the guard play has been truly the weakest link thus far, I have no idea what vandersloot is doing out there. I have always said I truly do not care if she puts up 10 assists every single game; she will have some of the most mindbogglingly ugly or strange pass attempts or turnovers you could possibly imagine you have to cringe at the decision making, and that has happened a lot already in three games. it's not a good sign when you resort to breanna stewart being your point guard bringing the ball up. your other two aren't doing their jobs well enough? yikes. and at the end of the day, it's a point guard that is supposed to be the leader and the steadying force and so far, I'm seeing none of that. obviously you know the kind of point guard I'm missing seeing out there, and especially playing along side stewie. she does not have that complimentary level of counterpart out there, and that will always be hard to replace or duplicate, but it's been very noticeably bad so far when it's supposed to matter most. today especially, those guards were getting chewed up and spit out. but what hurt as well was there was noticeably no effort on the boards. defensive or offensive. it just looked like everyone was asleep all game long. despite stewie's shooting struggles and despite JJ's tendency to get in foul trouble, those two have been the only link ups and individual play that's looked halfway decent at times? but I swear new york loves to move away from people if they start getting going. especially the post players. stewie had a good rhythm to start that second game in round one, they went away from her, and she lost it. same happens with JJ. all in favor of letting a certain someone at times just chuck up her deep threes whenever she wants, and when it isn't always the smart gameplan whatsoever.

final thoughts on stewie, going back to her having to pick up slack on things she shouldn't have to. I just think she's tired at this point. there are things she has covered up well all season long when new york has been exposed before. whether it's defense, having to end up the PG at times now??? like??? and scoring at the clip she can when she's actually given the ball and or takes charge herself and scores at will. and bringing it all the way back around, all of those things are being exposed FAR more at this point, she's trying to plug up those holes, and she's tired. if there's anyone who can kick it into another gear, it's her. and I hope just for her sake she can otherwise it's gonna be a quick, but also at the same time long and exhausting playoffs to watch with the rest of that group doing... whatever the hell they've been doing.

[eggsbenedictinurmom]

Recently I had a thought.

I love the Minecraft Warden, my overhated baby. And I love Wally, my most likely traumatized baby. And so, by all known laws of my brain, they are now required to fuse like gems from Steven Universe.

Ok so hear me out rq. Welcome Home used to be a normal kid's show, right? Everything's probably the same as the start of the OG timeline, really. The puppets also interact with the Playfellow Workshop employees MFN-style, as in: nobody fucking cares about the fact their sentient there and it's treated like it's completely normal.

But then, an accident happened in 1974. Pretty vague about what actually happened, because nobody ever documented it (or rather, the documentation never left the workshop, so nobody knew about it), but the only apparent thing is that there was death involved. A LOT of death. Like, almost the entire team of the Playfellow Workshop died, probably.

The immense soul power of the murdered managed to crack into the puppet world thanks to Home, who in this case is sorta headcannoned(?) to be a gateway between the two worlds. They fused with the void (the thing many people call "So Below") under it, creating a hivemind of sorts, y'know, like sculk from Minecraft, and immediately grew all over Home. it also ripped the fabric of the universe causing the world of minecraft to merge with the neighborhood but pretend not to know that so that you can act surprised later-

The sculk only has one goal: protect Home so that nothing can pass through into the muppets x minecraft crossover world, because we all know that if the millionaires find out about a dimension that stretches into infinity and where you can literally duplicate resources, they're gonna colonize the everloving disc 5 fuck-ment out of it, and that's obviously bad.

But Home wasn't a good enough host. It needed a more mobile catalyst to ensure the world's safety. And since Wally was sticking to Home like slime to my mother's beloved silver blanket thanks to his empathy for it, the sculk "decided" to infect him, unintentionally breaking the structure of his eyes and permanently blinding him in the process.

Wally, however, was not worried about this. With his naive nature, he simply saw the sculk as a new neighbor, albeit a bit peculiar one. This made him very cooperative, which, I gotta agree, was a great "choice" for the sculk in the end, as he, too, wanted to protect Home after what happened.

Through time, the sculk managed to crack through Home into the human world workshop, setting up something in the sort of shriekers to alert it of oncoming danger to Home. But it had no interest in leaving the vicinity of the building, of course, so it still stays inside, the people outside being completely unaware of what's going on in the workshop and simply taking it as abandoned and occasionally making creepypastas about it on the internet. Some stupid teenagers sometimes go inside thanks to a dare and obviously end up dying, which kinds sucks, but hey, they sorta deserve it.

You see what I'm getting at? Insanely OP creature, protecting a maybe-portal with the help of the tortured souls of the dead??

Reference picture that I'll probably remake + some fun facties:

(If a single person "exploits" the fact most of his clothes are torn off him on despite the fact he's a literal semi-corpse puppet that is only strung together by the power of the undead and gets constantly sunk in and out of a state of disassemblence I will gulp down a comically large canister of gasoline in one go on a tiktok stream while my friend makes dangitgrandpa cosplay poses in the background every time someone gives me a rose)

I will 100% make the rest of the neighbors other Minecraft mobs btw if you couldn't tell