#so i just log in to roblox to get my daily point for that game until the valentine event starts

[ezlo-x]

also chat i got into cookie run

[paigeswiftsea]

Why Star Stable Online Has Lost it's Players (And How to Fix It) (An Analysis)

Introduction

I've been playing Star Stable Online (SSO) for a long time—around 8-9 years. My older sister introduced me to it during our shared horse phase, and for years, it was an exciting escape that we were both obsessed with. We eagerly awaited new main quests, wondering what the next big story update would bring.

But lately? The magic is gone.

Some might say it’s just nostalgia, that I’ve outgrown the game. While there may be some truth to that, I believe SSO itself has changed in ways that stripped it of its former charm. I used to fight my sister for our family computer just to get my one hour of gameplay each day. Now? I barely log in, only returning for big updates like Christmas, the Medieval Festival, and the Home Stable revamp. I still participate in the fandom and write fanfiction, meaning I engage with the lore—but the actual gameplay? It’s boring.

After reflecting on this, I realized that SSO has lost what made it special. The intrigue, mystery, and excitement have faded, leaving behind a game that feels repetitive, predictable, and uninspired.

And the worst part? It didn’t have to be this way.

The Main Questline

One of the biggest reasons why SSO has lost its mystique is the shift in the main questline.

Back in the earlier years of the game, the main story felt like a real adventure. It had danger, secrecy, and high stakes.

For example, the dark core quests, saving Justin, meeting Fripp for the first time, hell even the opening screen.

They got rid of the first opening screen for a mediocre riding island tutorial. It also contradicts the plot because Lisa and Anne are supposed to be missing at the beginning of the game, yet there they are, welcoming a random new rider to the island? It doesn't make any sense.

And again, The quests now all follow the same formula of:

“Oh no, something bad happens! Quick, MC, do all the work! We believe in you! Yay, friendship! The Dark Riders scowl and leave. Quest complete.”

There’s no real challenge, no real mystery, and barely any tension. The game has become too afraid to put the player in real danger, so everything feels safe and shallow.

Even the Dark Riders don’t feel like villains anymore. They show up, taunt you, and then leave. They don’t feel like an actual threat.

Dark Core? Completely incompetent. The same organization that once kidnapped and brainwashed Justin and had an eerie, powerful presence now feels like a joke.

The stakes are gone. The story is dragging. And at this rate, we’ll still be waiting for the final battle in 2040.

Nothing ever feels genuinely difficult or tense.

Where’s the mystery? Where’s the challenge? Why does it feel like nothing truly matters anymore?

Even the Fort Maria quests, which should have been an exciting addition, were a letdown. Instead of diving deep into the Keepers of Aideen’s past or discovering secrets and lore, we got... daily quests that never gave us any new lore, just MC doing all the work, again. The primaeval tree was interesting I admit, but it also felt like it came out of nowhere, and I still don't really remember the point of those quests. The only interesting parts of those quests to me were opening the portal, which then led to more daily quests while SSE came up with more filler.

Catering to a Younger Audience Backfired

SSO has always been a game for kids, but in the past, it never talked down to its audience. The earlier quests had a level of complexity and emotional weight that made them enjoyable for all players.

Now? It feels like SSE has sacrificed everything that made the story compelling in favor of appealing to a younger audience in the most uninspired way possible.

But here’s the thing: you can make a game appealing to kids without making it boring for older players.

Plenty of games manage to be engaging for both younger and older audiences—think of Minecraft, Pokémon, even certain Roblox games (Dress To impress?). These games balance fun and accessibility while still providing enough depth for older players to enjoy.

Meanwhile, SSO is stuck in an identity crisis. It doesn’t know if it wants to be a fun horse game, an epic fantasy adventure, or a horse shopping simulator. And instead of balancing all of these elements, it’s failing at all three.

The Economy Is Awful (And It’s Driving Players Away)

Let’s be honest: SSO’s in-game economy is a disaster.

Jorvik Shillings are practically useless because items are priced absurdly high, making it impossible for non-Star Riders to afford anything. Even Star Riders struggle because shillings are capped, meaning if you’re maxed out, you’re forced to waste shillings or spend Star Coins. This also doesn't help when you're a free player, and every single item is 9990 shillings.

Star Coins are ridiculously overpriced, and SSE knows it. Prices have gone up, but the value of what you get has gone down. New horses are more expensive than ever, tack and clothes are absurdly priced, and with weekly Star Coin allowances being so low, the game constantly pressures you into spending real money.

No one wants to feel broke in a game. We log in to escape reality, not to feel like a struggling stablehand who can’t even afford a pair of boots.

SSE seems to think they can make more money by increasing Star Coin dependency. But guess what? If the game was actually fun, people would be happy to spend money on it. Instead, more and more players are quitting because it’s just not worth investing in anymore.

SSO’s Most Successful Moments Were Events—So Why Did They Get Rid of Them?

Think about the most active times on SSO in 2024—probably Christmas, main quest updates, and the Equestrian Festival.

What do these all have in common? Limited-time events.

People log in for seasonal events because they’re fun. But instead of keeping beloved events like:

The Birthday Festival

The April Fools Car Prank (ICONIC)

The Pride/Cloud Kingdom Event

Midsummer Festival

Easter

…SSE removed them in favor of shopping/bazaar updates and the permanent Medieval Festival.

Why? Why take away the things that made the game feel alive? Seeing Jorvik change with the seasons, experiencing new limited-time adventures, and collecting fun event-exclusive items were some of the best parts of the game. Removing them just makes Jorvik feel static and lifeless.

New Owners

In 2021 I believe, The game was sold or bought out, something along those lines ( feel free to correct me if I'm wrong on that). And I found this quote from a website about an interview from Stacy Place and CEO Johan Sjöberg. (This is from 2021 so things may have changed but I doubt it.)

“Players want things to do, and the story has to be continued,” Stacy agrees. “There’s definitely a hunger for more endgame content, and we want to deliver that.” Stacy explains that there has not really been a dedicated “Quest Team” at SSO recently, and that as a result, the people who could have been working on that, would keep having other tasks assigned to them. “It’s always about juggling resources,” Stacy goes on, “between new horses, events and updating environments and character designs, it’s been difficult to get resources allocated for the creation of new quests.” But here too, the future is looking promising: “I actually have a meeting on that later today!” Stacy adds. “We need to move this forward in a healthy way.” That does not mean we should expect fewer new horse releases in the future though. “Horses are our main business. They are what keeps the game afloat – and we take them seriously!” Most recently, Star Stable has added the updated American Paint Horse and additional coat variations for six popular breeds.

This just confirms what a lot of players have already suspected—SSO has prioritized horse releases over actual gameplay content. It’s not even a secret anymore; they outright admit that they haven’t had a dedicated Quest Team for a while.

The problem isn’t just a lack of quests—it’s that the entire game feels stagnant because everything revolves around pumping out new horses. Yes, horses are the game’s main source of revenue, but without meaningful content, why should players stay?

They’re acknowledging the issue, which is something, but words don’t mean much if we don’t see real change. A meeting about quest development is great, but will it actually lead to consistent story updates? Or is it just another vague promise to keep players hopeful?

And the fact that they’re still saying, “Horses are our main business” just reinforces that new breeds will always take priority over everything else. That’s not inherently bad—but it shows that story progression, worldbuilding, and forgotten areas like Dino Valley will always come second.

At the end of the day, if the game keeps prioritizing short-term profits (horse releases) over long-term player engagement (quests, events, and actual reasons to keep playing), more players will leave.

They need to have dedicated teams for each sector of the game, not people who work on everything all at once. Quests, horses, other game updates like area updates, character updates need to be specific groups where a team focuses solely on one thing at a time.

Later in the article they rephrase this by saying,

"An addendum, because this part of the article appears to be misunderstood by many readers: That there hasn't been a dedicated quest team does not mean that nobody at SSO has been working on Quests in recent months and years. “When we say we don’t have a ‘dedicated quest team’, we mean that we haven’t always been structured to have a team that specifically works only on quests,” Stacy clarifies in a follow-up email to this article. “Instead, we have multiple teams that work on delivering the game. So the team working on quests doesn’t only work on quests, which are complex and touch many other areas of development.”

This just further highlights the core issue—SSO doesn’t have structured teams dedicated to specific aspects of the game. Instead of having a Quest Team, a Horse Team, an Environment Team, and so on, they have a general development team that has to juggle multiple responsibilities at once.

And this lack of structure shows in the game itself. Quest updates are slow and inconsistent, while new horses get released like clockwork. Environmental updates happen occasionally, but areas like Dino Valley and the old abandoned doors remain untouched. Character updates have been sporadic, with some NPCs looking modern and polished while others still look like they belong in 2015. (long necks anyone? :0)

Their explanation makes it clear: quests are not a priority. If they were, SSO would have a team dedicated solely to working on them, instead of splitting development resources across multiple tasks.

If they really want to fix the game, they need to stop treating everything like an afterthought and start forming specialized teams:

A Quest Team to work exclusively on new storylines, side quests, and meaningful updates.

A Horse Team to continue designing new breeds and variations.

An Environment Team to focus on updating neglected areas like Dino Valley and Epona that don't change the whole game, like Steve's farm, Silverglade village, and the vineyard.

An Events Team to bring back beloved seasonal content and add new, engaging activities.

Without this, we’re going to keep seeing slow, repetitive updates where new horses come first and everything else falls to the wayside. The game needs balance, not just new models.

Speaking of new models,

One of the biggest issues is that our character model doesn’t match the NPC models at all. Some NPCs still have the old, low-poly look, while our characters have a completely different art style and proportions. This makes us look like giants compared to some NPCs, and the contrast is jarring.

SSO shouldn’t have updated the player model without also updating the NPCs. It creates an unpolished experience where the game feels disjointed. If they’re going to revamp one part of the game, they need to follow through and make everything cohesive.

And while body diversity is great, the range of body types still feels limited. There’s no truly skinny option, and while it’s not the biggest issue, true inclusivity means representing everyone. If they want to keep improving, they should expand the customization options—not just body types, but also things like facial features, hairstyles, and animations to make the character feel more natural. And it doesn't help that they promised more to come with the first character update which was when? almost 2 full years ago? They are dropping the ball in multiple areas.

Marketing

SSE does not market as the actual game. It advertises fun and adventure, a silly game for kids when in reality it is nothing to that. It doesn't give that magic or mystery of the old ones. I went and found commercials from different years. There's this old one, and then this short one on youtube I found. Now, let's compare.

That short is so fuckass. like why are they making Darko into a redditor? Plus, it gives major spoilers as well so like if it reaches someone who was thinking about playing the game, it's like an automatic spoiler.

has a completely different tone. It presents the game as an immersive adventure with mystery, danger, and excitement. The stakes feel high, and it showcases the fantasy elements in a way that makes Jorvik feel like a living, magical world.

This shift in marketing reflects the identity crisis SSO is currently facing. It used to be a horse adventure game with strong storytelling, but now it’s marketed as a simple kids' game, which doesn’t align with its actual gameplay or longtime audience. This disconnect contributes to player dissatisfaction and dwindling engagement.

Let's also discuss the tik tok account. I think any tiktoker will remember the pocket Sabine series? The marketing team series they post on tiktok as well are super dumb and cringy as well. Maybe this is really nitpicky, but I think their marketing team should focus a lot more on listening to feedback. This shift misrepresents what SSO once was—an immersive adventure with high stakes and rich storytelling. And, by downplaying the fantasy elements, the marketing alienates the older audience and misleads potential new players about the actual content of the game. The lighthearted TikTok series and other marketing materials have missed the mark, making the game seem trivial when it should be portrayed as the vast, magical world it was originally intended to be.

Updates and Slow Bug fixes

Unresolved Issues Persist: Players have long expressed frustration with the slow pace at which critical bugs are fixed in Star Stable Online. Persistent issues like broken quests, NPCs not triggering dialogue correctly, or horses not responding to commands may go on for weeks—or even months—without resolution. This lack of timely fixes can disrupt the immersion and enjoyment of the game, especially for players who are heavily invested in completing quests or building their horses’ stats.

Performance Problems: Many players have reported performance issues, such as lag, crashing, or long loading times. These technical hiccups are especially detrimental to players who are trying to enjoy the game on a more serious level. Despite these long-standing issues, they are often left unresolved for too long, giving the impression that the development team is more focused on new features than maintaining the current ones.

Impact on Gameplay Experience: The slow patching of bugs and glitches not only frustrates players but can also affect gameplay. For example, if a quest-breaking bug isn’t fixed, it can prevent players from progressing in the game or earning rewards, which could dampen their motivation to keep playing. Players who have experienced the same issue repeatedly may even feel neglected, leading to a decline in player retention.

(psa this was written before the cheating ban update so idk if anything changes here i haven't been online)

Pacing of Updates:

Inconsistent Release Schedule: There is often a lack of consistency in how updates are rolled out in Star Stable Online. Some months may see frequent updates with new content, while others might see a long dry spell where the community feels stagnant. When there is no clear pacing or roadmap, players might lose interest as they wait for new features or events. This inconsistency also makes it difficult to keep players engaged, especially if they feel that updates are sporadic and lack depth.

How SSE Can Fix This

Realistically, will SSE ever see this? Probably not. And even if they did, would they listen? Unlikely. But here’s what they could do to actually make the game engaging again:

Bring back the sense of mystery. The game doesn’t need to be horror, but it does need stakes, suspense, and excitement. Let Dark Core be evil. Make the Dark Riders feel like a real threat. Give us a story where we feel like we’re actually fighting for something.

Stop dumbing down the quests. Kids aren’t stupid. Plenty of kid-friendly media has deep, engaging stories that people of all ages can enjoy. SSO can, too.

Fix the economy. The current system is frustrating, predatory, and making people quit. Lower item prices, increase Jorvik Shilling rewards, and stop making everything feel like a cash grab.

Bring back seasonal events. Festivals, pranks, special decorations—these things made Jorvik feel alive. Removing them was a mistake.

Actually update the main story regularly. One to three main quest updates per year is not enough. The story is dragging, and at this pace, we’ll still be looking for the light ceremony pages in our 90's.

Listen to player feedback. The community has been vocal about these issues for years. Maybe it’s time SSE actually pays attention.

At its core, Star Stable Online has lost its identity. What was once a game about mystery, adventure, and meaningful storytelling has been reduced to a predictable cycle of overpriced horse releases and low-effort updates. The magic of Jorvik, once thriving with high-stakes quests and immersive seasonal events, has been replaced by a shallow, directionless experience that lacks the structure and ambition it desperately needs.

Instead of expanding on the compelling lore they already built, SSE has dragged the main story to a crawl while simultaneously making the Dark Riders and Dark Core feel like minor inconveniences rather than formidable threats. The economic decisions have only worsened the situation, making player engagement feel transactional rather than rewarding. The game’s reliance on overpriced horses and recycled events, coupled with its failure to deliver meaningful gameplay improvements, alienates both new players and longtime fans.

It didn’t have to be this way. With proper development structure, dedicated teams for different aspects of the game, and a renewed focus on engaging storytelling and gameplay, SSO could reclaim its former glory. But as it stands, it feels like SSE is more interested in short-term profit than in nurturing the world they created. If they continue down this path, Star Stable Online will remain in a slow decline, remembered more for what it could have been rather than what it actually became.

I don’t hate SSO. I wouldn’t be writing this if I did. I love the world, the characters, and the potential that’s still there. But right now, the game is failing its players. It’s losing old fans, struggling to keep new ones, and if it doesn’t course-correct soon, it risks fading into irrelevance.

SSO can be an amazing game again. But only if SSE actually puts in the effort.

[hyunjinsbelovedamericano]

Playing roblox with Skz

fluff

i keep on seeing this on my fyp

this idea just seems right to me

Bangchan

He's so old 😭,he would be a bit confused on how the controls work but then get used to it,you guys would play hide and seek and when he's the seeker he would pretend he's not then start chasing you.He would start laughing uncontrollably because of how much your screaming that's when you realise he's the seeker.When your the seeker you would show no mercy on him (as you should)

Lee know

He would 100% bully children on roblox,you can not tell me otherwise.I said this in my Dating skz headcanons pt2,he would bully the other members by accident and then pretend to know nothing about it.He would call their outfits ugly and he would 100% say "I don't speak tags"when someone tries to say something mean so they look like a fool and if someone says something like,"My dad is the owner if roblox",you guys would just burst into laughter

Changbin

He would play royal high,he would have girls come up to him and ask him to roleplay as his gf or something,he would obviously say no and walk away but they would follow him everywhere and try to convince him,what can i say he has game.You guys would have matching outfits in royal high,if you say no he tells you he'll trade you something but then never ends up doing it.He would do his daily log in,daily spin on the wheel gotta get those diamonds because how else would he look snacktastic

Hyunjin

he would play speed draw games,yk those games where you have to draw something and they guess what it is,or those games where you have to draw something and vote which one is the best.He would draw something good then people would say he's hacking and report him even though it does nothing😭.he would force you to vote for him and if you don't he would isolate himself from you for a few minutes

Han

Han would have some ugly avatar and think he's slaying,you just have to go along with it so he doesn't get hurt,everyone thinks he's a troll so when someone brings it up he would get all offended and be like"No,my avatar looks swag",He would play tycoons and obbys,he would be that person who goes into your tycoon and steals your speed coil and weapons then attack you with your own weapons.But when he leaves the tycoon they would put the lazer thing on so that he dies

Felix

he would lowkey have a cute avatar,he's the one who convinced Chan to get roblox.He would play those cooking games,he's just here for the fun.He would also play adopt me and get scammed all the time,someone would be like,"Trade me your Legendary,then i'll trade you back"then he does what they say then they leave the game,he would be so confused 😭,he would start crying in your shoulder because he lost his favourite pet

Seungmin

He would download it,not play it for like 5 months but then starts playing the games,he would play total roblox drama then leave the game until he get the character he wants,not realising he could just buy it.Once he finally,gets the character he wants he causes mayhem,he would win the marshmallow by completing the obbys but if he doesn't he would just say,"I'm seungmin from skz"some people won't believe him but then he'll go on live just to prove his point

Jeongin

he would play fashion famous,play by the rules for once(do you get it?)then get so aggravated when someone who didn't even follow the rule and just wore a big skirt wins,(me too tbh it's so annoying),he would tell you to vote him 5 stars and will watch you vote him five stars because if you don't he'll start complaining.He would try do the same thing and not follow the theme and just wear a big skirt but then lose.He would get frustrated and rage quit

[mikiafina]

“VICARIOUS EMBARRASSMENT”

Message:

I do not own the characters mentioned in story below, I had this idea earlier and thought that it might be fun to imagine if it would really happen.

The reader's pronouns in this oneshot are not mentioned, but female reader is on mind while writing. Do point out my typos if you ever noticed one!

My apologies if this was too short, ‘m not really fan of writing in a long amount of time.

P.S: Read the mentioned stories made by kunichigo first before reading this.

Note:

CRITICISM ARE ALWAYS WELCOMED! IF YOU NOTICED ANY ERRORS IN MY WORK, FEEL FREE TO POINT IT OUT SO I COULD FIX IT!

——————————

I DO NOT POST IN ANY OTHER PLATFORMS EXCEPT HERE ON TUMBLR!

Trigger Warning:

Ooc, grammatical errors, misspellings, typos, possibly curse words, suggestive content (sort of), mature-ish content (is that even a word?), Informal use of language

SUGGESTIVE THEMES ARE GONNA BE MENTIONED SO BE WARNED!

Synopsis:

After reading a oneshot-series of Genshin SAGAU made by one of your adored author, you felt a sudden desire to see your babies, husbandos and waifus. As soon as you logged in, you arrived at the entrance of mondstadt as you greeted your beloved babies and husbandos.

While doing your daily commissions, the topic that your sister were talking about went from another game named ‘Roblox’ to the story that you have previously read. And without your knowledge, my oh my. Your beloved acolytes are seemed to be listening with your conversation, oh sheeshhh.

What a disaster.

Genshin Characters x Reader

Dedicated to & Inspired by:

My favourite and underrated author, Kunichigo!

“[N/n] let's play roblox, I'll let you borrow mama's phone later for you to be able to read, for now play roblox with me.” Your sister tries to persuade you, even going to the lengths of letting your borrow the phone later as a bargain just to quote o' quote, play with her.

"Hm.. Alright, but make sure to let me borrow mama's phone. Or else.." You reluctantly opened the second computer as you placed your mother's phone on the side, while waiting for the desktop to load, you engaged in a conversation with your sister on what games to play.

"We can play Evade or Shoot out if you want, we can also play the games you play, uhh.. Arsenal? Was it?" Your sister habitually tilt her head in an insure manner, you hummed in confirmation at her question.

Despite the talk that you and your sister had made, you both weren't able to play roblox because you noticed the time and remembered that you have yet to finish your commissions and quests. So after setting up your recording software and opening up your preferred browser (Opera GX y'all), you launched Genshin and waited for it to finish loading.

"Oh by the way, have you read kunichigo's latest post? It was so good and underrated, like damn." Your sister squealed in delights as she proceeds on controlling her chosen character, Zhongli.

"Ah, you mean 'Cherry Red Lips?' and 'Terrible, Terrible.' if you mean those two, I did. But on the 'Cherry Red Lips?', she said she's inexperienced with those types but she narrated it sooo good! Like the way Kaeya shamelessly raised his voice to let everyone outside their beloved creator's chamber know that he's being pleasured by her is soooo— Aghhhh! It's so juicy! Like imagine if Aether really is withering and shaking underneath us while we suck on their blood? DAMN! I'd kill to see such sight under me! And don't get me started about Kaeya, that man is a walking menace! But that's one of his hot traits! Like— like just imagineee!" You fangirled while controlling Razor, running and teleporting around mondstadt doing commisions.

"Right?! It's just ashame that the author didn't make a detailed scene about Diluc withering and panting under his beloved creator's touch! But Lisa's scene was so lit, despite being written so short. But man, Aether's really well narrated, the author made it clear that he's a babygirl." Your sister added, fangirling as much as you do. The both of you continued on squealing as you played Genshin together, having fun and making it clear that whatever is the "story" you two were talking about, is what made your day better.

Unbeknownst to the both of you, the oh so said characters are listening to your conversations. My oh my, what in teyvat did they just listen on to?

In the land of teyvat, Zhongli cannot believe what just reached his ears. Did he hear it right, are their ears working right? Did they hear it correct?

Much to Diluc's dismay, the conversation about the story that you both read did not end with just Kaeya and Aether being mentioned cause it seems like he was too, in the story. The mentioned characters can't help but feel blood rushing to their face, ears and neck due to either embarrassment or whatever human emotion you are supposed to feel in such situation, even those who weren't mentioned were flustered at the topic of their creators, despite this, they aren't sure whether to pity the others or to get jealous cause they're the topics of the beloved creators, nonetheless, they still feel the second-hand embarrassment for the others.

Meanwhile back in the Serenitea Pot, Xiao, Tighnari and Ayato looked at Diluc who's face is crimson as his hair, attempting to have the floor of the abode swallow him alive. He doesn't know whether to be thankful for kuni- or whoever the author of the story is for not writing a detailed scenario of him or he'll probably ask the Geo Archon to have the floor swallow him on the spot.

Kaeya who's sitting just right beside Diluc, laughed at his semi-miserable state, and honestly speaking, Kaeya is tad bit embarrassed but he'd be lying if he said that he denied that he's proud of how the author wrote him. Chongyun who has been silent for the whole time, almost choked on his ice cream if it weren't for Heizou and Thoma helping him unclog the small piece of popsicle on his esophagus.

Zhongli, who's being possessed by one of the creator and who's listening on the conversation from the very beginning, did not know how to react. Razor, who's beside the Geo Archon is quite confuse and worried, was the traveler, cavalry captain and librarian of knights of favonius sick or in pain? Poor boy doesn't really understand his creator and their sister is talking about, if the said people are sick then why are his beloved creator, squealing? Is there something he's missing?

Needless to say, it was an eventful day for both the vision holders and the creators. The boys are just thanking the archons that the girls aren't in presence and are having a peaceful picnic somewhere in Sumeru, or else they wouldn't be able to handle the embarrassment, much less, face nor confront them.

® mikiafina

[fictionfixations]

spoiler alert: i get SO off topic talking about other stuff. (if you cant tell i like talking. or well expressing my thoughts. anyway its 2 am i can use the excuse of impulse actions from lack of sleep)

i dont even know why im trying when obviously the next update is going to require even more storage and im going to have to drop it (its like 50 gb in actuality but it needs double to like. open it and do SHIt. i dont know this stuff man)

ahghgusihdfiufh (it was worse. ive. deleted a bunch of stuff that i dont play as much.

only games left are Star Rail (which im not dropping. ive poured so much time genuinely invested in story and characters idk what im gonna do when i run out of space to play. maybe cry.), Roblox (i genuinely dont know how much storage its taken, and I don't play it that much but LISTEn it fills a lot of game cravings that i cant play the source cause holy shit my storage.), Osu (the only game i can play without wifi.)

i wanna play the other games on mobile (i used to play star rail on mobile ngl LMFAO then realized 'hey this is fun' and moved to pc after genshin got too big. or maybe i had both at the same time i cant remember now ghreuigh) but uhm. the farthest i get in wuwa on mobile is like the opening loading screen before we see the rovers (it just stops there. even the music stops i think?? ive left it on and did other stuff but nothing happened and its either it wants me to wait super long, or theres just no hope) i did the tutorial for solo leveling arise on mobile but then trying to do literally anything else (like trying to access the menu) kicks me out of the game so then i had to move to pc. genuinely scary game first time around it shut down my pc, and even at lowest graphics kept warning me that 'for smoother gameplay you should have lower graphics' or something so fan on all the time (i have a fan pointed directly at my laptop.) and honestly. im not even that big of a fan of solo leveling why am i here (meilin fisher that is why. anyway i got her. so. shes not even an actual character outside the game??) ive literally only seen the anime and i forgot most of it😭

zzz on my phone is just black screen. it kicks me out. the farthest ive gotten is it asking if i want notifications but it still kicks me out

identity v i cant even download everything i think, i just have it to log in for pc. but uhm. i guess i cant anymore? but also i cant remember if i can still log in through other methods so uh its staying on mobile (to be fair i only got super into it cause of danganronpa collab so)

oh i found whatever it was that was taking 2 gb on desktop LMFAO

no wonder i was so confused on wtf it was

anyway. um. this is very much a shame. cause. i only get so invested in stories in games because im actually playing them. otherwise i cant guarantee im fully focused cause i get distracted so easily. um.

now about mobile storage and everything

uh. i have an iphone 6 pro. no idea if thats bad or not but uh. probably not that great. ? ? idk man idk how it compares to newer phones i want to get a new phone (at least for all the games i cant play on that phone) but then i got an iphone case cause my former one was actually cracked so... its staying (from the zzz website)

so its probably the phone in all honesty thats the issue (people were talking about who they wanted to play when starting the game and i got myself all hyped over ellen so. d'aww.)

and in the case its actually storage.. uh. tough luck. nu carnival is. a gacha game. and i got the character i wanted there, but its more convenient to go through like daily kinda stuff. ..also confession time if yk the difference uh. listen it was a hassle downloading it im not gonna delete it then have to reteach myself how tf to download it again because oh my god

twisted wonderland (aka disney tw LOL) is my OTHER fixation besides star rail. ive gone through all the story (including JP which i dont have cause i cant read it but fan translations for the win) + most event stories (i havent gone through anniversaries, new year sale 2024 JP, and like i think theres a crewel one rn..? or thats just the new card., tapis rouge, playful land, thats it). i love this game. so much.

if i told you ibis paint x used to take i think like so much more space because it still had the stuff since the VERY beginning... anyway idk what to use it for now but if i ever need to edit something...

kinemaster ^

i kinda already talked about identity v

bang dream. i LOVE rhythm games. and pretty designs. and vocaloid. and japanese songs.

in all honesty i lose interest in things so fast and drop them. then i get interested in other things, etc etc. and then i get back to a fixation on, say, rhythm games and wanting to play them a lot. then i can get bored and get interested in like. idk. life simulation(?) games like sims 4. or minecraft specifically the wynncraft server (which is like a fantasy thing..)

which is kind of why i have a bunch of stuff that i dont play often still because one day im gonna want to play it and then go back.

for laptop i just got rid of the games i wasnt interested in playing at the moment so. yeah

anyway if you cant tell i like talking about stuff. and justifying stuff (well its more like it started because i was worried to be judged. ive never been judged over what i like?? only like. once or twice?? that i can recall? but at one point i just started getting in the habit of justifying beforehand for everything after seeing the internet with their pitchforks directed at so many people so. yee.)

off topic. ive checked in on tiktok sometimes. and i just wanna say. how often is it that y'all get comments on old posts that are just variations of 'reminder' or 'remember this' ?? LISTEn the amount of comments that just say "reminder" and THATS IT (bro someone commented 'reminder' TWO times on the SAME post like DAMN. i mean they commented on someone else's comment on that post too with 'reminder' so probably trying to bother someone else but like wHY)

like. i mean. ive posted cringey shit hasnt everyone but it kinda feels like they're trying to shame people? like 'haha remember your past?'

maybe im sensitive. i mean. if this was past me i wouldve probably taken it to heart since yknow its still a work i created, but honestly now its just kinda funny

but idk if anyone else is being bothered by this (i mean. people generally go through old posts and delete ones they dont like right? i kinda dont do that so i mean. maybe yall are better off for that)

just wondering.

[cosmosogler]

it’s hard to want to write today.

i woke up kinda late, since i put my alarm on snooze for like 45 minutes. it was weird that my dream picked up where i left off when i fell back asleep. i don’t remember what it was about.

ghhh

i spent most of the morning screwin around on youtube. i didn’t call the school about my finances or look at anything physicsy. it probably would have been the best time to do that though considering how the next few days might look.

i had a pokemon battle while i was logged in wonder trading out my good eevees from yesterday. i didn’t realize that some of my team builds aren’t... there any more? like all of them only have five pokemon registered. and some of them didn’t have the items i gave them which was cool. at least the person i battled was really nice and only used five pokemon himself. i still got rocked though. no item on your tank really puts you at a disadvantage!

my chest and side felt pretty ok since i wasn’t moving around too much. i tried to eat a bagel with cream cheese again for lunch and did pretty well with it. i couldn’t finish it though. not much appetite.

at around 3 my gramma asked if i wanted to go to dinner with her and the cousins and my brother. i said sure. then i spent a while hanging out with eve and rubbing her chest and stomach. she let me rub her good hip a little bit too. i didn’t feel any obvious tumors there at least.

then at 4:30 we took off for gramma’s. we went to “italian food.” i had some ravioli and it was nice. caught up with gramma and grampa a little bit. my cousins were a little nicer than usual. maybe vacations are stressful for them too. i don’t know.

when we got home i watched the news with grampa for a little bit and we talked about dinosaurs. then i got one of gramma’s klondike bars and sat and watched m.a.s.h. with her. and i checked in on the boys playing roblox every now and then. we went home around 7. i went back to idling.

mom came home at some point. she stopped by my room. i had told her the other day that eve has been chewing on her nails on the foot of her bad leg. she said she’d mention it to uncle mike the vet and see what he had to say. apparently he says it’s really bad she’s doing that and it means she’s in a lot of pain. when i explained to mom why she might be doing that the other day, i mentioned that nerve damage in a limb will make the nails feel really weird and bad. i thought eve had already split a nail when i asked mom to bring it up with mike, but while i was petting her earlier they looked ok except for the chipped one in the front. she doesn’t let anyone touch her paws so we have a lot of trouble clipping her nails before they break.

anyway we went over a few options. what mom is going to do is set up an appointment for eve with mike and he’ll check to see if she’s in good health other than the terrible cancerous tumor that has engulfed her leg. if she is, then we can work out how/when we’re going to amputate her leg. mike seemed to think that was a valid option according to mom. if she’s not...

well. i have to make a decision either way. 

i wish i could ask her what she wanted. it feels weird making a decision for someone who can’t talk or understand. even if she is my dog.

what i need to do next is get the school to actually tell me what the payment plan for my employment is. they don’t have that information anywhere on the web site and they directed me to a dead end last time i called to ask. i don’t understand why no one from the department has returned any of my messages or calls. my friend azra told me that a lot of grad schools lack the organization they advertise on their web sites. 

when i have the money details down we can figure out if we can actually afford to hack eve’s leg off. mom was really worried about eve’s ability to recover from such a major surgery at 13. i think she was thinking about how we poured tons of resources into randi’s treatment and then she died anyway. i told her eve already lost the leg. all it’s doing now is hurting her. she said yeah.

um... i need to figure out the timeline for this though. like... i’m leaving basically permanently. at least that’s the plan. i’m leaving in two-ish weeks. if eve has the surgery, will she be able to recover without me? if eve can’t have the surgery, do we let her keep going until she literally can’t get up any more or do we kill her before i leave? 

i told mom i would think about it and she left. then i sat down by eve and cried for a while. not like the kind where you make noise. but just silent blinding tears. i pet her for a while. like maybe if i pet her enough i’ll memorize how her fur texture changes along her back. how soft her white hair is. how silky the super-short fur on her face is.

i dunno.

i shoved my face up against jake right before he got euthanized and i don’t think i’ll ever get the smell of wet dog out of my memory. he’d been enjoying one of the more gentle summer showers in the afternoon and his fur was so thick he never dried off before we noticed...

i hate writing about this. it makes me cry. i don’t think i can keep crying though because it’s making my side hurt a lot. 

i took the dogs outside for a while. doge didn’t want to come but she appreciated the cookies i gave them all anyway. 

when my brother and i got home it was the time of day when wiley likes to run along the fence and jump up to see what’s on the other side every time a car goes by. my family’s mostly given up on trying to get him to stop. that’s what the shock collar had been for... fortunately mom gave that idea up pretty quick. 

but my brother seems to think he’s got it under control. he tried to catch wiley while he was tearing across the yard. then when wiley went over to stand by the door to be let inside my brother screamed at wiley to come to him. wiley ignored him. so he screamed louder and sharper. wiley sat down instead of going over. afterward i figured out it was because wiley knew what was coming and just didn’t come when my brother called any more.

i let eve inside but my brother grabbed wiley and dragged him a few steps away from the door. then he grabbed wiley’s face and screamed? in his face?? to “stop jumping.” like that means anything to wiley. it reminded me of what dad does to diogi when she poops in the house. even though she doesn’t have a lot of control over her back half any more, nor does she like going outside without dad. 

i thought about telling my brother that dogs only understand discipline when you do it during or immediately after they do the thing you don’t want them to do, but i don’t think that would change his behavior in any way. if you discipline them after telling them to come over to you so you can scream at them, then all they do is associate responding to your call with being screamed at. so they stop listening to you even more. i mean, that’s what i would do.

after i got eve and wiley back inside during the night, well after the anger explosion, wiley wanted to play with the basketball. after he smacked his head on the table it’s under i got it out for him. we kicked that around for a while. i tried to teach him to bring the ball over when i ask him to, mostly to get him to stop bringing it into mom’s room since she doesn’t like the noise. i think we made a little progress. he understands “get the ball” and “come here” at least, but putting the two together into “bring the ball here” is a little advanced right now. i think he might be learning that bringing the ball through the doorway specifically is what gets me to pet him. so he just puts it back in mom’s room and then takes it out when he wants more pets.

good enough right now.

eve came back upstairs with me. she’s been watching me all night. in between staring at me she’s been dozing still facing me. i guess she knows something’s wrong. not hard to tell really. when someone is crying and repeatedly patting your face it’s not hard to pick up that they’re sad for some reason.

i’m... glad i started spending a little more time with her these last few days. i don’t know how to teach her to play a new game in just two weeks when no one is going to ever play it with her again. i was thinking of a scent game. it might be hard to teach the commands though since her ears are near useless.

she didn’t eat her dinner today. well, she did after being repeatedly told to go to her bowl. at least she was interested in the cookies. i try to bring a new kind for them every time i go to the grocery store. the turkey and stuffing hasn’t been a huge hit but they went wild for chicken jerky so i might get something more like that next time.

i could say i wish i had taken her on more adventures, but thinking back i took her with me when i could almost all the time. we hiked a full mountain daily for like a whole summer. she’s been to the cabin several times. i got her to jump in oak creek a couple times, she’s visited my high school and jumped in other people’s cars to try to leave. i’ve given her interesting food to try every now and then. i give her things to hold all the time, or just show her what i’m holding and laugh when she tries to take it. i just... wasn’t home a lot. i didn’t have as many opportunities as i would have liked. 

she really is the most important thing in the world to me. and we might not need more adventures but i don’t want her to die. i really don’t. i’ve never been this close with another living being in my whole life. sometimes i feel like she’s the only one who really understands me. i guess through her dog-sense or something. even though i can’t talk with her we get each other in a way i don’t really get other people or animals. and i don’t want that to end. but watching her chew through her bad leg breaks my heart and it breaks her heart. 

i know being with me makes her happy, but she won’t have me any more in a few weeks and i worry about what that will mean for her health regardless of the surgery. and being happy with someone doesn’t mean your body isn’t in agony.

i know... after she dies, i will have more relationships with more animals. even close ones. but they won’t be this relationship. i mean relationship in a general sense. like, just knowing someone and interacting with them sort of relationship. friendship would be the word but it doesn’t quite have the same dynamic as a friendship with another person. i don’t have a perfect word for it. bond, i guess.

i just love her so much and she’s going to die like a quarter of the way through my natural lifespan. that’s not fair.

it’s 12:30... i need to try to sleep. the pain’s not nearly bad enough for another painkiller. the bruising from my surgery i mean. emotions are weird. i don’t have a good thought to end this entry on. i’m just really sad.

[defiantscribe]

The Achilles Heel of my Mindset

So, this is the third blog I have yet to post, however after watching about a good hour and a half of videos, felt the compelling need to write something about what I was watching.

I've been watching a lot of videos about Overwatch lately.  I got the game not that long ago, however I haven't gotten really good with any single player (or a Main). I do sorta well with some, but others I don't and there are some that I just don't feel like playing because even though I might be good with them, if I am, then everyone will expect me to play that class and I don't like getting pigeon held into being a support class (like a medic). Suffice it to say, I'm not super great.  Reason for this?  Well, first I'm getting older.  I'm a lot older than the majority of these players. I have a full time job, kids, responsibilities and finding time to just sit and binge game is a very rare event for me.  Not really, but it plays well into my second reason.  My broke ass internet.  I try to stay on top of my finances and in doing so, one of the things I do is pay for DSL.  That's right, I said DSL.   I get my internet over a telephone line.  Not cable, no...... t-e-l-e-p-h-o-n-e.  Now, when I don't have anything else in my household using up that connection (I have a smart tv, cell phones, a laptop and a Xbox One that all connect to my wireless), I get an OK connection. But if my son is playing Overwatch on Xbox, my daughter on Roblox and my wife watching Netflix?  I'm probably looking at like a 300+ ping on any game I play.  So, what do I do?  I just don't play and usually take a nap, which screws up my sleeping schedule, hence why my dirty ass is up at 1:39 a.m. writing about video games and shitty internet. Now, by and large, it's not terrible internet, it's not.  It's never given me a slew of problems, it's pretty reliable and for the most part I can watch movies off xbox live, stream shows on Netflix and Hulu, it gets the job done.  But to be top notch while gaming?  Nah.... it's definitely something that hasn't mattered to me in some time.  And to be perfectly frank, it still doesn't.  Doesn't mean I still don't want a better ping to show some of these fools that think I'm trash that it's simply a matter of latency that separates our skill set more than anything else, but it's not something so dire that I need to re-work my finances to make happen. But, that being said, I still envy all these little shitbags out there that make a living off playing a game.  I was a wiz back in the day when it came to QWTF (QuakeWorld Team Fortress).  I used to own college kids on T1 connections in California on my dinky 36.6 modem in Montana.  I would wipe them all over the floor.  Now this was back before voice chatting was even a thing in the world of FPS gaming.  We had to type everything.  So I would type, kill, type some more and be effective as a player.   Then I fell of the face of the gaming world.  I got a girlfriend, moved across the country and had more important things in my life take up my finances than buying a new rig and keeping up with the rest of my "friends".  I honestly think that was the nail in the coffin. For one, I hate voice chat.  I really do.  I don't like talking to strangers.  It's fucking weird.  I don't know you, I don't want to talk to you through voice, even if it's easier, and I don’t want to key my mic just to say something.  I had about a 10 year span where I didn't game or have a PC that could handle gaming.  Then the announcement for TF2 came out.  The sequel to the FPS I was godlike at.  I worked it out with my wife that we could purchase a computer through her employer at the time (they were Dell partners) and they would stipend it out of her check.  I put like a $1,700 dollar rig together, making sure it met the recommend (not minimum) requirements for TF2. I got the computer, I had fast internet (at the time) and they released the game.  And you know what I found out?  I fucking suck at FPS games. I'm just not on the same level as these guys anymore.   That decade of time off did not help matters, nor did the next thing that happened.  The same year I got the rig, same year I got the game was also the same year my son was born.  I'm a dad first.  I wanted to game, so bad, but my son was priority one and that usually meant being up late, losing sleep and doing what I needed to do. I don't hold it against him and never will, but I came to slowly realize I'm just not who I was back when I was 17. And it stinks.  I want to be good again, but still.... kids, responsibilities and shit internet. The wife is thinking of working with me to maybe get good internet (at least so we can all use the internet at the same time without there being such a huge bottleneck in our internal setup), but that's still a ways off.   I have a plan starting next year if we can't make it happen sooner, but I can only tell you, I watch some of these players and I just think, "Shit, I could do that, that fool looks like he's standing still."  And I can only think that's how I must look to a lot of players because on my end, it's a frenzy.  On their end, it's like watching well timed choreography. I guess the point of all this was to simply whine because I have to go to my job in about 6 hours and I could honestly care less about going.  I would much rather put on my music, put on my noise cancelling headset, log into a game and hyperfocus for like 3 hours. No distractions from kids, work, any of that. But that's not the way the world works anymore. And it bums me out.  I play the lottery and never knew why I always have this soul burning desire to win it big, but it finally dawned on me this weekend: I don't want to be responsible anymore.  Not saying I want to drop the ball on things that need to be done, but I don't want to be in charge of all that bullshit that comes with life.  I want someone to cook shit for me, I want someone to do my laundry, I want someone to clean up my house, take my kids/wife places they need/want to go and just let me be a teenager again.  No worries, no real responsibilities, do something because I want to, not because I have to. And that's ultimately what I want.   Yeah, big house, fancy cars, blah blah blah.  Nah, if I had just that one wish, it would be to shuck responsibility for the opportunity to get some individuality back.  To be who I used to be, to try and re-spark my imagination without the nagging fear of "how are we going to pay this?" or "Will we have time to do this?" or "how much will that cost?" I want the freedom to make choices in matters that won't blow back on me and cause a great bit of heartache because we can't afford it or we will lose our way of life because of my choices.  That is why I want to win big money.  I could very easily live in my house the rest of my days, I like my house. I'd fix all the broken shit, but I'd pay it off and not owe anyone anymore so if I wanted to take a trip to a con or go to a concert overseas, I could and wouldn't have to worry about scheduling time off, finding someone to watch my kids, worry about how we'd cover the costs. That's what I want. I want options, I want choices.  I want to experience life because I only get the one and I don't want to suffer through 40 years of labor to MAYBE get to a place where I can retire and, even then, I have to money manage hard because I'm not going to get social security and the like, so my ass only has what I've saved (which is damn near jack shit). I don't want to go to Europe when I'm 65+, I'd like to go now when I can still enjoy it and remember it, cement it in my memory before the ravages of time and old age attempt to rob it from me. It's 2:00 a.m. now, still don't want to go to work. I don't hate work, I just don't want to have to obligate my life to that responsibility because I don't have the means to say "No". To all those who may be teenagers, reading this, (though I doubt there are any): Being a grownup is fun, but it sucks a fat one on a daily basis. Sure, there are things that'll make you happy, but unless you're lucky enough to be financially set enough to do all those extra things in life, you're bound to be a slave to the system much like myself.

[realityofyoutubers]

THE REALITY OF YOUTUBE STARS: IT'S NOT AS EASY AS IT SEEMS

YouTube content creation has become a well-established career field over the years, as thousands of individuals make a career out of creating YouTube videos. The respectability of their work is highly underestimated, for not only do YouTubers film their own videos, but they also adjust the lighting, writing their scripts, edit in post-production, and manage their various other social media channels, sponsorships, collaborations, and brand development.

According to YouTube Statistics, the site “has over a billion users — almost one-third of all people on the Internet — and every day, people watch hundreds of millions of hours on YouTube and generate billions of views.”

While many might lust after the YouTuber life that seems glamorous from afar:  comfortably working from home, talking to a camera instead of having to deal with a boss and colleagues, and uploading to thousands/millions of adoring fans, the reality is that a career on YouTube is an unsteady and unpredictable way to make a living, and oftentimes challenging. Moreover, it’s just as difficult to “make it” on YouTube as it is in the mainstream entertainment industry. YouTube is a glamorous subgenre of a freelancing and comes with all the same risks, despite the immense amounts of intellectual, affective, and creative labour that is inputted into it.

RISING POPULARITY OF YOUTUBE

It’s no doubt that YouTube is one of the biggest social networking sites, and its popularity is only growing. According to a Verizon survey in 2013, teenagers watch more than a third of their "television” online, which is almost triple the percentage viewed by people 35-64.

In October of 2015, video-tracking firm, Tubular Labs, stated that there were more than 17,000 YouTube channels with over 100,000 subscribers. There were nearly 1,500 YouTube channels with more than 1 million subscribers. With more than 1 billion unique monthly visitors, YouTube has reached one out of every seven people on Earth.  

YouTubers have become such an international sensation that an annual conference has created for them: VidCon, a fan-based conference held in Anaheim, California. It’s a three-day event where YouTubers interact with their fans through talks, panels, tutorials, and meet-and-greets. In 2016, 25,500 people attended Vidcon. These conventions are so successful that all YouTubers are required to get a security escort to protect them from the hundreds of teenagers mobbing the stars, as can be seen in various videos online.

So just how successful are YouTubers, according to today’s teenagers? I was shocked to find out that YouTubers’ likability exceeded that of mainstream Hollywood stars. In 2015, Variety Magazine published a survey proving amongst American teenagers, YouTube Stars are more popular than Hollywood celebrities. 1,500 teens in the 13-17 age range were polled, and were asked to compare 10 YouTubers with 10 mainstream stars that held the highest Q scores, which is an established measure of influence by advertisers. Out of these 20 people, YouTubers took the top 6 slots, ahead of Taylor Swift and Bruno Mars.

Variety Magazine

Other surveys proved that teens were 7 times as emotionally attached to Youtubers than mainstream stars. Moreover, YouTubers were seen as 17 times more engaging, and 11 times more extraordinary, than celebrities.

I wasn’t surprised to discover that teens relate more to YouTubers than mainstream celebrities, who are primped and groomed by their PR teams to portray a certain image. YouTubers, on the other hand, have the intimacy of talking to their viewers in their bedroom, seemingly only with the computer screen dividing them.

I wasn’t surprised to discover that teens relate more to YouTubers than mainstream celebrities, who are primped and groomed by their PR teams to portray a certain image. YouTubers, on the other hand, have the intimacy of talking to their viewers in their bedroom, seemingly only with the computer screen dividing them.

“Looking at survey comments and feedback, teens enjoy an intimate and authentic experience with YouTube celebrities, who aren’t subject to image strategies carefully orchestrated by PR pros. Teens also say they appreciate YouTube stars’ more candid sense of humour, lack of filter and risk-taking spirit, behaviours often curbed by Hollywood handlers,” wrote Variety in 2014.

Ironically, relatability and normalcy is what many movie stars and actresses attempt to relay in their interviews, to make them more likeable. Jennifer Lawrence’s skyrocket to popularity is not only due to her acting talents, but to her brash sense of humour and “realness” in her interviews, a quality most stars try to replicate. Unlike movie stars, however, YouTubers don’t have as thick of a facade to break through, as most of them have built their careers on talking directly to their audience.

“Their very ordinariness – their relatability – is what makes them so appealing. The ‘girl or boy next door’ who is ‘just like us’ is not an unusual trope in the entertainment world but on YouTube, it’s heightened.” wrote The Guardian.

YOUTUBE PHENOMENON IS NOTHING NEW

Though the notion of watching ordinary people live their day-to-day lives onscreen may draw confusion from technologically-inept old schmucks, participating in the YouTube culture can be seen as a form of youth rebellion, of teenagers immersing themselves in their own world. This is nothing new, considering the fact that for decades, youths across the globe have had infatuations with various bands and musician groups.

Mark Mulligan, a music industry analyst, wrote a blog post in September of 2015 to explain to music labels why teens seem to gravitate more towards YouTubers than mainstream musicians. Mulligan wrote, “For those not in the target demographic, it can sometimes be difficult to grasp exactly what the creative value is of many YouTubers. But that generational inability to grasp the essence of YouTube talent is exactly the same dynamic that music always had when it was the spearhead for youth rebellion.”

For the first time, Generation X and C has found a subculture that fully belongs to them, whether it’s watching Minecraft videos and PewdiePie screaming profanities into his webcam as he played mainstream games. My brother, a 12-year old, spends 2-4 hours each day watching endless Minecraft gaming and Roblox gaming videos on YouTube.

‘“A kid trying to explain to his mum why Stampy Does Minecraft is worth watching hours on end is simply a 21st century rerun of kids trying to convince their parents of the musical worth of Elvis, the Beatles, the Sex Pistols and so on,” wrote Mulligan. “That is the entire point of a youth culture – older generations aren’t meant to get it.”

VLOGGING FORMS INTIMATE RELATIONSHIPS

Because relatability is key to a YouTuber’s popularity and financial success, it’s imperative that they remain in touch with their audience, and the best way to do this is through vlogs, or “video logs,” which creates a huge subset of YouTube. Vlogging is a personal way of directly communicating to one’s audience, and most of the big YouTubers have a separating vlogging channel where they document their day-to-day activities, often speaking to the camera as if it were a close friend. YouTubers don’t need to go on Ellen Degeneres’s and Jimmy Fallon’s talk shows to stay in touch with their viewers; their vlogs allow their fans to see what their personalities and lives are like.

According to Urban Dictionary, a vlog is defined as, “a journalistic video documentation on the web of a person's life, thoughts, opinions, and interests. A vlog can be topical and timeless, instructional and entertaining. The main thread is trying to communicate on a personal level with your audience.”

Most well-recognized YouTubers have a side channel where they post vlogs, either intermittently or daily, such as Zoella (4.5+ million subscribers), WahlieTV (400,000+ subscribers), BubzVlogz (900,000+ subscribers) and WengieVlogs (1.2+ million subscribers). These four women first gained their YouTube recognition through their original channels that centered around makeup tutorials, and due to popular demand, they’ve been vlogging on their side channels for a curious audience that wants to be privy to their day-to-day life.

ItsJudysLife's Vlogging Family

Some of the most successful vloggers of today are families whose main source of income depends on their vlogs, which have taken the sole focus of their YouTube careers: ItsJudysLife (1.4+ million subscribers), Shaytards (4.9+ million subscribers), and the SacconeJoly’s (1.7+ million subscribers). Their videos include scenes like comical timelapses of attempting to get their several children changed, their parents cooking the kids dinner, dancing together to music, running errands in Ross, and going grocery shopping at Trader Joe’s. Each of their videos garner hundreds of thousands of views, and provide a steady income for these three families.

Vlog videos create a sense of intimacy, for it shows a literal portrayal of their day-to-day that reality TV could never replicate. “By necessity, vlogging started out as a format with a person talking into a webcam – and thus directly to the viewer – often close to the camera and filming in their bedroom. It created a sense of intimacy… but it even extends to how many of them address their audiences," wrote the Guardian.

YOUTUBERS’ ARTISTIC LIBERTY AND CREATIVITY

Zoella, top UK beauty YouTuber

Weylie, American beauty YouTuber

For the first time on a widescale level, YouTube has enabled singers, makeup artists, actors, and artists to not only share their craft with a international online audience, but also build a brand around themselves. They gain full control of their public image and the content they create, a luxury not offered to mainstream musicians and actors who are bound to agencies and long-term contracts. While YouTubers may have less resources and valuable connections than those in the traditional entertainment industry, they have great creative liberty over what they produce, and the image of themselves that they broadcast to their fans.

"The star-making machine is outside big corporations for the first time," says Jason Hirschhorn, a longtime digital media executive and CEO of news curation site Redef. "The idea of what something costs or the craft that's involved ... is totally lost on the younger generation. They look at whatever entertains them."

“Our economy is moving from an older corporate-centered system defined by large companies to a more people-driven one,” says Florida. (“Rise of the Creative Class,” p. 6) YouTubers are the classic definition of the self-made man, for they've created their entire company and career from nothing.

Creativity forms the backbone of successful YouTube careers, and those who have made it are those who have stood out from the crowd with unique content. According to Florida, the “rise of human creativity as the key factor in our economy and society. We now have an economy powered by human creativity,” states Florida. (Rise of the Creative Class, p. 4)

Creativity isn’t easy to come by, though. As the number of aspiring Youtubers increase, competition gets more fierce. Top YouTubers feel the pressure to create brand-new exciting content every week, oftentimes alone, or with only a small production team assisting them. Small YouTubers are nearly always a one-man show, and they must create videos that attract a wide audience.

“In today’s economy creativity is pervasive and ongoing: we constantly revise and enhance every product, process and activity imaginable, and fit them together in new ways,” writes Florida. “Moreover, technological and economic creativity are nurtured by and interact with artistic and cultural creativity.” (Rise of the Creative Class, p. 5)

SOCIAL STIGMA OF BEING A YOUTUBER

I interviewed YouTuber Charlotte Holly Rosaline, a YouTuber with 5,493,493 YouTube subscribers as of March of 2017. She also has 7.8 Instagram followers, and in this day and age, it’s debatable which follower count is more influential.

Charlotte Holly Rosaline lounges in her hot-pink yoga pants and a rhinestoned tank top, her fingers twirling her unicorn tie-dyed platinum blonde hair, with streaks of baby pink, lavender, and “Tiffany’s Blue,” as she proudly described it as.

I asked Rosaline about the social stigma of being a YouTuber. According to her, for a long time, YouTube wasn’t thought of as an “intellectual labour,” for It was assumed that people just babble into the camera and immediately upload it. However, what the public eye doesn’t see is the amount of meticulous planning, strategizing, and entrepreneurship that goes into it.

“It was really only in the past few years that YouTube started becoming a legit thing,” Rosaline said, while blowing a neon pink bubble with her chewing gum. “People were FINALLY like, okay, this is actual job, these Internet personalities are actually working their asses off to become recognized, and to be someone. There are girls out there who move into L.A. hoping to become a YouTuber--they literally come here to collaborate with bigger names, try to meet brands and get sponsorships. And I’ve seen so many of these girls fail, because they don’t have the subscriber count to back their aspirations. It’s quite sad, really.”

Moreover, there’s a common misconception that anyone can become successful on YouTube, without any real talent or effort. Casey Neistat has debunked this claim, saying several times in his videos that the percentage of “making it” on YouTube is just as small, if not smaller, than “making it” in the traditional entertainment industry.

“I totally agree with that statement,” says Rosaline. “People just don’t see how hard we work to put out videos multiple times a week, as well as managing all our own social media accounts. Normal movie stars and musicians, they have literal teams of people to manage their lives: personal assistants and maids and cooks, film crews with cameramen and lighting technicians, production and editing teams, PR teams with spokeswomen and social media managers. A YouTube only has herself. And that just goes to show how fucking hard we work.”

HOW YOUTUBERS EARN A LIVING

When I asked Rosaline for tips on making money from YouTube, she said:

“Definitely join Google Adsense, which places ads at the beginning of the videos. Since Google now owns YouTube, this is the only way YouTube creators can get paid--through advertisers clamoring for spots in our videos.” When I asked Charlotte how much pay YouTubers receive from each view, she remained coy.

“Um, I mean, it really varies from one month to another--the numbers really do fluctuate, due to differences in how much advertisers pay, the damn Google altheim that no one can figure out, how many of our viewers use AdBlock, since we don’t get paid for those. Also, some creators get paid more dollars per view. For the average, ‘nobody’ YouTuber though,” she said with an eye roll, “1,000 views generates just about $1.00 in revenue.”

I was floored by this statistic. One-and-a half dollars, for reaching a thousand humans? That was baffling.

“I mean, the numbers really do fluctuate,” Charlotte explained. “Because it depends on who finishes watching a 30-second ad. Only about 15% of viewers finish the ad, and each of those views generate about $0.18.”

Bustle

Rosaline broke it down for me:

1,000 views –> 150 views of people completes the ad

$.18 per view x 150 views = $27 charged to advertiser

$27 advertiser charge x 68% revenue share = $18 paid to content creator per 1,000 views

“However,” Rosaline said, leaning in and lowering her voice. ‘I’ve heard the bigger youtubers get paid double, triple, quadruple, or even up to 10 times the amount that the average user does, per view. Of course, that’s just speculation….”

When I asked Rosaline about YouTubers earn money outside of YouTube, she launched into a half-hour spiel. “There are so many multiple streams of income that YouTubers should take advantage of. The main way is to get your videos sponsored by a brand. For example, Jenn Im (clothesencounters) recently collaborated with Smashbox, and she created a makeup tutorial using only Smashbox products. It’s every YouTuber’s dream to work with big brands, which means big bucks.”

It’s no wonder that sponsorships are a win-win situation for both parties, as an attractive, young woman plugging in a makeup product is  the perfect way for brands to directly market their products to a young audience just looking to throw their money at the shiniest, newest makeup product. Additionally, it’s required by law for YouTubers to write in a disclaimer in the description box of their videos if they are being sponsored

This requires a lot of entrepreneurial skill, which can be categorized as a form of intellectual labour. If a certain YouTuber wants to work with a certain type of company, she must build her own brand in a way that appeals to the company’s audience. Also negotiating contracts and deals, starring in TV shows, etc.

“Also, in the past few years, this donation-based site called Patreon has been gaining popularity. In the olden days, artists would receive portrait and painting requests from wealthy patrons. Now, YouTubers receive donations from fans, and offer rewards in return, such as secret videos that only the fans have access to. Some YouTubers make even more money on Patreon than they do from their Google Adsense paychecks.”

It’s not difficult for these YouTubers to land contracts, due to the fact that most of the big YouTubers live in Los Angeles, the hub of the entertainment industry. Naturally, most of the major beauty brands and music labels are located there, and that’s where all the events, conferences, and networking opportunities happen. As a result, more and more professional YouTubers (and amateur aspiring YouTubers) are moving to the city to seek more opportunities.

LOCATION, LOCATION, LOCATION

Creative people have always "cluster[ed] in places that are centers of creativity and also where they like to live. From classical Athens and Rome, to the Florence of the Medici and Elizabethan London, to Greenwich Village and the San Francisco Bay Area, creativity has always gravitated to specific locations.” (“The Rise of the Creative Class, Richard Florida, p. 7)

In an oversaturated market with thousands vying for valuable sponsorships, the marketability of YouTuber is more important than ever. They work incredibly hard at their public image to prove to brands that they can help sponsor, and thus sell, their products.

FROM RAGS TO RICHES

Michelle Phan is a 29-year old entrepreneur who now has a beauty empire under her name. She started her channel in 2007, and for a few years, was the top #1 most-subscribed to makeup guru, and now has over 7 million subscribers and more than 1 billion views total. She’s often compared to the Oprah of YouTube, and was one of Forbes's “30 under 30. From Phan’s phenomenally successful YouTube career, she built a brand around her name, and the intellectual and creative labour she demonstrates through her entrepreneurship is vastly impressive.

“I thought, if [YouTube] is going to be the global television of the future, I need to build my brand here," said Phan in an interview with Forbes. "Within the first week, 40,000 people watched it and hundreds of comments came in and that's when I realized I'd found my calling."

Phan has developed her own cosmetics line under makeup giant L'Oréal, published a book with makeup tips, started an interactive online comic, created a YouTube beauty network named FAWN, and a book of beauty tips, and a Ipsy, $10-a-month subscription service that delivers makeup bags of beauty samples to 1+ million customers.

"As my YouTube following grew, I was soon earning as much from advertising revenue as from waiting tables, so I quit my job," said Phan in an interview. "My boss thought I was crazy, which just made me more determined."

SELLING OUT

A concern that plagues the YouTuber community is being labelled as a “sellout,” as that label immediately disconnects them from their audience. As a YouTuber grows more successful and earns more money, he/she must struggle to maintain the balance between being a businessman, and staying humble and relating to his/her audience. “Staying relatable when you’re earning a high six- or even seven-figure annual income is one challenge, albeit hardly unfamiliar from the traditional entertainment world. But there are other trends that could change the relationship some YouTubers have with their audiences,” stated The Guardian.

All big-named YouTubers have received criticism over sponsorships and partnering with big names. One reason that Michelle Phan lost her popularity over the years is due to the increasing number of big-name collaborations she had (Lancome, Amazon, blockbuster movies), and her own companies that she advertised in her videos, like Em Cosmetics and Ipsy. Casey Neistat was accused of being sponsored by every technology company he mentions--so he stopped mentioning them. He was also labelled a sell-out for selling his tech company, Beme, to CNN, despite the fact that it had nothing to do with YouTube. Even smaller-named YouTubers are accused of being overly greedy when partnering up with brands; on nearly every sponsored video on YouTube, you can find at least a dozen comments from viewers critiquing their business decisions.

“Many are working more with brands to sponsor their videos, for example. The risk is less that fans think they’ve sold out – many YouTubers are refreshingly upfront about their reasons for taking the cash – and more that some may end up making bad branded videos that turn their viewers off,” wrote The Guardian.

Another major YouTube Channel, the Fine Brothers, have received backlash for attempting to copyright the word “react,” as they claim they created the first ever “reaction” videos, a format where YouTubers literally film their reactions to various forms of media, including movies and even other YouTube videos. It's clear that while YouTubers are businessman, they're required to put their business priorities second to their likable, relatable, and "girl/boy-next-door" personalities. Their relationship with their viewer is more valuable than any business deal, for it's their viewers that give them their influence and financial comfort.

“Balancing our emotional commitment to our viewers, and our financial commitment to other companies, is really hard,” Rosaline confesses. “It’s hard when a big company approaches you--one who you’ve purchased products from for years, and genuinely love their things--but you have to turn them down because you’re afraid your viewers will hate you for being greedy, or money-hungry. It’s really due to a misconception; they think we earn much more than we do, and they see every single brand collaboration as an attempt to earn more money.”

Casey Neistat is one of the few YouTubers who stepped away from his financial and success to focus on his creative liberty. In a rare move on YouTube, he made the sudden decision to stop daily vlogging during the peak of his career. After a year and a half of creating daily vlogs, or “video blogs,” Neistat quit daily vlogging In November 2016 because he felt like it was no longer a creative challenge.  Despite his skyrocketing popularity and monetary success, with each video garnering 2-3 million views, he stepped out into unchartered territory in order to further challenge his artistic soul.

“That success, combined with a creative complacency, yielded something that I don’t’ like, something that I’m not proud of… But what it hasn’t been doing is challenge me. It hasn’t been the creative fistfight that I want and need every single day,” Neistat said in his video announcing his departure.

This was a major career move for Neistat, who found his success through first-person documentations of a seemingly glamorous life of him hurtling around NYC on an electric skateboard, jet skiing through the canals of Amsterdam and dangling from a helicopter to take a selfie above the Hollywood sign. However, he decided to risk his popularity in order to chase new opportunities.

Neistat is one of the few YouTubers who has remained true to his personal philosophy of continuously chasing his idea of success, which is defined by his own sense of creative self-fulfillment, not numbers or money. It is inspiring to see that Neistat is a man of his word, for he has chosen to risk a successful online career, to further challenge his creativity.

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Furthermore, we insert new Two-Player Games each and every working day so you can enjoy towards your buddies. They value that time invested in Animal Jam is interactive, social, moderated, and educational.” That very last word isn't really one that Stacey and his group use lightly. animal jam hacks Animal Jam also evokes little ones to discover and defend the all-natural globe exterior their doorways. Each and every participant in the Animal Jam entire world has their really own den which they can customize and beautify with all type of different items, (really related to club penguin.) Players can also gather a variety of different animals from the two the ocean and on land these kinds of as lions, koalas, wolves, tigers, elephants, horses, monkeys, pandas, octopus, dolphins, sharks, seals and penguins.

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