#so i feel i must be social if not just to survive

[tbh-entp]

I'm starting to realize that my Ne-Fe loop turns on when I'm too social. I start going out, get a little addicted to being charming and how people respond, and then I forget myself and my Ti, and drain myself on saying the right (or hilariously wrong) things at the right moments, and I'm so aware of how people respond to me but idk how I'm responding to myself or how I even relate to what I'm saying-- only that it's clever and well timed and wow I feel terrible. I need to go home and find my Ti.

[unproduciblesmackdown]

billions also comedy gold presenting winston as a scapegoat for abuse culture fans when it's like but hey it can't be actual scapegoating if you Enjoy It or consider it Justified or experience Reassurance from Its Opportunity For A Group Cohesion Substitute For A Cohesion Based On An Inherent Equal Degree Of Belonging, The Absence Of Which Allows For, Encourages, Reinforces, & Rewards Scapegoating

it can't be Bullying if someone's Weird or you Just Don't Personally Like Them or Nobody's Actually Stopping You, Maybe At Least If They Don't See Too Much Of It, Maybe Others Are Supporting It

it can't be Abuse if you're just doing things Normally or are Following Rules or Aren't Feeling Malicious And Aren't Getting Divine Revelations Otherwise and probably it's just that a lot of abnormal people are being whiny &/or unfair &/or the Real malicious ones. kinda just like how that scapegoat is the real person ruining everything and really just forcing you to treat them like this

[29121996]

i prefer posting my thoughts on here i rlly get lost in some void n also i rlly .

[meowzfordayz]

hashira accidentally touch your chest

Author’s Note: pls and ty enjoy this tidbit of crack-fluff. 😆💖

hashira accidentally touch your chest

Hashira x Reader

Word Count: ~1,600

CW: explicit language, Fem!Reader, mild sexual content

Suggestion Fulfilled: Can we get all hashira accidently touch y/n's breast

~faqs~

Fyi, “chest” means boob. I was just worried Tumblr would block this post from tags if I included “boob” in the title lmao. 😉

Shocked 😳😖

“I apologize, [y/n]-san, it won’t happen again!”

Gyomei’s nearly in tears, he feels so terribly 😞

“These things happen!” you promptly assure him, “Besides, you technically won the bout.”

No need to mention that he always wins when training together 🥲

“I cannot accept such a tainted victory.”

“Himejima-san, though I appreciate your concern and respect, there’s truly no issue.”

Meanwhile, Gyomei’s rethinking his entire Breathing Style to ensure he never accidentally touches anyone’s boob(s) again 💀 

In cold disbelief 😐😐😐

If you don’t say anything, then he won’t say anything

Alternatively, if you do say something, then Obanai will immediately curl up into a ball and die

Spends the rest of his day recalling the fleeting warmth of your breast

He swears his hand doesn’t even get cold, so affected by the heat of your bosom

Your boob must be ✨magical✨

“Iguro-san,” you call out gently, noting his dazed stare, his dinner untouched while he sits crossed legged, “Is something on your mind?”

“No.” 😐😐😐

Well okay then ����

“About what happened earlier…”

🫨🫨🫨 <— Obanai is FREAKING OUT

“… Iguro-san, I didn’t mind.”

And then you stand up, take your dishes, and leave

WHAT THE FUCK DOES THAT EVEN MEEEAAAN?!?!?!

Good luck finding Obanai tomorrow 🫡 (the poor man’s been pleasantly overwhelmed)

He’ll avoid you for eternity now 😌 (not really, but at least until he can breathe around you again)

She giggles 🤭

Lol

“Oh my! [y/n]-san, I didn’t mean to touch you so intimately!” 😅

“No worries, it happens.”

Your face may or may not be burning up a storm, but that’s okay!

Mitsuri’s blushing too

A lot 😳

“I hope I didn’t hurt you?!”

Because like, What if I gripped too hard?! 😭

She’s well aware of her own strength

“You barely brushed me, Kanroji-san. I promise!”

Phew!

She grins, relief evident as she bumps her elbow against yours

“Don’t tell anyone, okay? I would be so embarrassed!!!”

“Kanroji-san, our secret is safe with me.”

I wish it would happen again… <— lowkey both of you thinking the same thing 🤪

As a medical personnel (among other roles), Shinobu accidentally (or even on purpose, depending on where you’re wounded) touching your boob isn’t entirely unreasonable nor unrealistic

Obviously it would be nicer if she was caressing you out of love and affection 😔

And not methodically cleansing then bandaging claw marks that just so happened to cross over your chest 😒

“You should make a full recovery,” she’s all business, “The demon avoided your nipple and didn’t puncture deep enough to affect the functionality of your breast,” fortunately, you’re too exhausted to be embarrassed by her bluntness, “It has a nice shape. I’m glad you survived.”

EXCUSE ME WHAT?!?!?! 😃🫠

Now you’re kinda embarrassed

More so preening, really 🤭

It’s like when a doctor randomly compliments the rhythm of your heart or some other characteristic from a mainly professional POV, but you’re still caught off guard because who tf compliments someone’s kidneys or bowels movements or?????

In your pain hazed delusion, you briefly contemplate somehow getting your other boob injured too… gotta make sure you’re matching in (nice) shape, y’know? 😌

Kyojuro can be discreet, albeit more so for your sake than his

“I APOLOGIZE! I DID NOT MEAN TO TOUCH YOUR BREAST!” <— how he could react 💀

“Pardon my slip, are you okay?” <— how he actually reacts, because he isn’t entirely lacking in social awareness and decorum 😆

“Oh,” you don’t mean to squeak, but it can’t be helped when the most handsome man you’ve ever known just casually grazed your boob, “I’m fine! Totally fine! Haha!” 🫨😵‍💫🫠

You’ve gotta be more convincing than that, or Kyojuro will never forgive himself 😕

He’s a lil oblivious when it comes to physical attraction

Not like, infantly so, but given this particular circumstance?

He doesn’t realize you’re flustered; he assumes you’re mortified 😖

“You sound decidedly less than fine.”

He’s softer now, worried about startling you 🥺

“I was surprised! But don’t worry! I’m not worried!”

Okaaay, but he’s worried 🥲

“Is there any way I could make amends for my indiscretion?”

Not only is he handsome, but he is such a gentleman 😭😍

“Rengoku-san, there are no amends to be made, I promise. I’m not mad, nor do I feel unhappy or unsafe. I forgive you.”

Your regaining of the ability to speak in complete sentences greatly reassures him 😮‍💨😁

“Ah. Well. I am grateful for your kindness and understanding. It will not happen again.”

…

…

Hold up 🧐

Why does she seem… she seems… disappointed? Should I have said it will happen again??

You’ve suddenly given Kyojuro something quite pleasant to ponder 🤔

After all, he isn’t entirely oblivious 😉

“Are you going to apologize?” Sanemi demands

“For what?” you screech

“For touching my hand with your boob!”

Your eyes roll, “Oh fuck off!”

“I didn’t ask to touch you,” he grunts

“I wouldn’t have given you permission anyway,” you retort 😒

Arms crossing over his bare chest, Sanemi scoffs, “Well I didn’t give mine either!”

“You’re ridiculous. It was an accident.”

You seem genuinely pissed 😬

Sanemi rethinks his approach

“You know I’m joking, right?” 😅

“Nooo,” your sarcasm cuts deep, “I thought you were flirting.” 😐

Uh 😀

Well 😃

Shit 😄

“Fuck you!” 

When in doubt, curse ‘em out 💀

You scowl, confusion lingering as your blood boils, “Fuck you!”

“I said it first.” 🙄

You stalk away, fed up with his antics

#man child #sort of #romantically inept is more like it

As tends to happen with epiphanies, yours doesn’t hit until you’re almost asleep

“WAS THAT MOTHERFUCKER FLIRTING WITH ME???!” 😳🥴😭

Best believe Shinazugawa Sanemi is about to have a Lesson 101 in flirting asap 😤😎

(assuming you’re older, like, mentor age to Muichiro)

Neither of you make a fuss about it

It’s like accidentally calling your teacher mom 😬

Or grabbing a random person’s hand in the supermarket thinking they’re your parent 🫣

Embarrassing, but not a huge deal — unless you make it one

There’re those three seconds of slow motion Uhh and What just happened and Oops 🫠

And then time speeds up to normal again, you have a quick conversation with your eyes (gosh forbid you speak and bring the unspoken into reality 💀), and it’s over

^^ Alternatively, if Muichiro initiates a conversation to clear the air, then you’re able to have a mature and concise chat that is respectfully and patiently resolved

Embarrassing/accidental encounters are part of growing up

As long as they can be navigated ~safely, there shouldn’t be any lasting harm

⚠️I also want to emphasize that I am talking solely on inarguably accidental/one time incidences⚠️

Hehehe

Giyuu’s hand is stuck 🫣

Only for like, a fleeting second

But omg 😭

He was already embarrassed, and now he’s triply embarrassed 🫠🫠🫠

“... Tomioka-san?”

You won’t lie; you aren’t especially bothered 🤭

But it is a compromising position to be caught in; Giyuu lowkey crushing you, one of his palms clearly cupping your boob 😬

#wrestling #or something #so maybe this isn’t super realistic #forgive me

You’re about to repeat his name when he finally springs to life, immediately rolling off you, standing abruptly, about to literally sprint away

And then he remembers his manners 🙃

He offers you a hand

His other hand; his boob hand is currently tucked away in his haori

He’s never washing it again

#closet perv

“Thanks,” you smile faintly, accepting his assistance as you lift yourself from the ground

You hope he can’t hear your heartbeat 💓

He definitely can 😶

But can you hear his?

“I don’t think we should train together anymore.”

Giyuu is swift and harsh with his solutions

“Why?”

Your question comes out stiffer than intended

He hesitates, unable to interpret the fear in your tone — the longing

“I always beat you,” he explains lamely, “Don’t you get tired of losing?”

You scoff cheerfully, grinning now as you squeeze his hand

Fuck, we were still holding hands?! <— Giyuu is in shambles 😳

“I could never lose!” you declare, feelings brimming in your throat, spilling onto your tongue, “Not when I’m with you.”

Then we should absolutely stop training together would be the responsible reaction

Attachments are the most dangerous game for a Hashira to play 😕

Instead, Giyuu’s rendered speechless, unable to shake his hand from yours

“Well alright then,” he mutters, stomach churning as he narrowly avoids the warmth in your gaze

In fact, you swear he squeezes back 💓

“EXCUSE ME! I HAVE A WIFE!” 😤😤😤

“You have three wives.” 🙄

Sputtering, Tengen shrieks, “I already have plenty of breasts to touch!” 

“Tengen,” you glare, not one to back down as you jab a finger into his own chest, “You touched my boob.” 😒

“AND I’M SORRY!” 😭

Much better 😌

“I don’t know what they see in you,” you scoff (you’re also lying, you can see plenty🤭), “They’re gorgeous… and you freak out when you accidentally touch a boob.” 💀

Tengen is 100% pouting now

“I don’t freak out when I touch their boobs,” he huffs

“Well aren’t they lucky.” 😐

“You could be lucky too!”

…

…

Tengen starts running 

You give chase

“DID YOU TALK TO THEM ABOUT THIS?” 

Tengen runs faster

“TENGEN!!!!!”

Tengen runs faster and faster

You give up

*insert gasping for air here*

“DO YOUR WIVES KNOW THEY’RE MARRIED TO A COWARD???!!!”

Oh well, you’ll have to visit their estate sometime this week 🙃

You’re sure to get an answer from Hina, Makio, and Suma ☺️

And you can’t wait to see more of Tengen 😏😋

Sorry, sometimes the horny just happens 🥴

[misscammiedawn]

Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

-

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

[sapphicdib]

I am sure you are all aware of the current state of the fandom. I have done my best to avoid all of the controversy, but seeing how others have voiced their concerns I would like to as well.

I, as an artist, do not feel safe in the Rain World fandom.

I have expressed this in the past, but I have been the victim of false pedophile and grooming allegations with the use of manipulated and doctored screenshots. I do not have the words to articulate just how psychologically damaging it is to have an entire fandom turn on you in an instant. To have your social life destroyed. To have hundreds or even thousands of people celebrate your downfall, simply because you annoyed them, because now they have a "reason" to. Watching this fandom gleefully parade around shaky evidence and happily participate in this type of behavior is sickening to me. It makes me worry that someday, I will annoy someone enough to have another false allegation made against me, and I will have to go through that again. There is a part of me that believes I would not survive such a thing. I am not trying to be dramatic when I say that, but people need to realize that "internet drama" can cause serious harm your mental health. I still have PTSD nightmares related to the callout post made about me from 3 years ago. This is not something you can just “get over”.

People need to remember fanartists are not paragons of grace, nor are they perfect. The fact that the internet has allowed people to dehumanize artists into "content machines" that must never slip up rather than human beings who are messy and awkward and can fuck up at times is sickening. I do not feel comfortable in a fandom that jumps at the opportunity to harass someone over a mistake, that stirs up a witchunt over what boils down to miscommunications. A fandom that treats every situation as black and white and doesn't wait for all the evidence to come out.

I believe nyuuronfly put it best in their post:

"It is not inspiring to sit around and get attention in an atmosphere where the more attention you get the more you know many of the eyes that are looking toward you are searching for a weak point to go after."

I understand revealing a lot of my trauma in this post is a potentially stupid decision, but I believe my story can help make people realize the genuine harm callout posts cause. It is not fun having to deal with constant paranoia that hundreds of people are praying on your downfall. I have considered not posting about, or simply deleting my rot au many times because of worry that someone will think it's too “dark” or “problematic” and decide I am the fandom's #1 punching bag for months.

As of now, I will not be deleting, nor will I stop posting art. But I have considered it many times, and this behavior as of late brought me the closest I've ever been to doing so. I love rain world and frankly, I don't want to feel this way about the fandom! I want this place to be positive, I want better for this game. I'm not mad, just disappointed.

TL;DR:

PLEASE for the LOVE OF GOD stop reblogging callout posts.

Fanartists are PEOPLE. They are giving you FREE art. Treat them better.

You are not immune to false screenshots, mob mentality, and black and white thinking.

Rain world is a gorgeous, creative, and deeply moving game. Please, let's work to make this community reflect that.

[bella-goths-wife]

I really enjoy your work with the Vees and Sound manipulation Reader, I’m curious about how Alastor would react to the fact the Vees having a ‘pet’ with that power?

Alastors reaction to the Vs pet

Warnings: alastor, violence, terrible foreshadowing, poor reader is uncomfortable

Alastor had actually met you before you became the Vs pet, just before his 7 year disappearance

You were a fresh soul in hell and just figuring out how to survive and use your ability to your advantage

It was quite similar to how you met vox, you were unaware of how powerful alastor was and you tried to surprise attack him with your ability so you could rob him

You used your sound manipulation to create a loud noise in his ears to try and shock him but a shadowed hand grabbed you before you could do anything more

“Afraid that won’t work on me, my dear” he said with an irritated grin as he turned to you “now, why don’t you tell me your name and what you think your doing”

His shadows had tightened around you as you hurriedly explained your situation and begged for mercy

There was something so familiar about you to alastor, your eyes almost looked identical to someone he once knew

He examined you carefully and took in your appearance as you begged and couldn’t shake the feeling of familiarity that seemed to come from looking at your eyes

“Well my dear, considering your also a fellow lover of music I’ll forgive you for your ignorance” alastor had said with a grin as his shadow let go of you and you fell to the ground “come along darling, I wish to discuss many things with you”

He bought you dinner and watched as you ate it with gusto, realising how hungry you must have been

He had you explain your ability to him in great detail with the promise of more food if you did so

He noted that it was unusually generous of him, but he just couldn’t shake his curiosity

After you explained everything to him, he simply nodded and with a click of his fingers he gave you more appropriate clothes to keep you warm

He gave you the simple advice of learning who to charm and who to steal from, promising you that he believed you had the ability to charm the entire pentagram of you used your abilities correctly

After that he disappeared and a few years later you worked for vox

Upon alastors return, you crossed his mind a few times a week as he wondered what happened to you

It wasn’t until he saw you on angel dusts cellphone and questioned him about it

He said that what alastor saw was a post on velvette’s social media, and the post featured a picture of you dressed in lavish clothes that matched velvettes

Velvette had her hand resting on your shoulder as she commanded you to pose, and alastor couldn’t help the look of disgust that crossed his face

In truth, after hearing of Charlie’s hotel he had hoped to find you and enlist your help for his own entertainment

But to see you with the Vs, who exploited your ability in all the wrong ways, he felt nothing but more disgust and resentment towards them

When he said you should charm people so you could survive, he meant people who were worth more than those tacky Vs

And the worst part of it was that he still felt some type of familiarity from you, and his intrigue wouldn’t let him just let him let it go

So don’t worry darling, alastor will find a way to speak to you somehow

He has to, he needs to figure out what connection you have to him to make you so intriguing

And to find out why only you and him shared music based abilities

[orcusnoir]

"You know what I hate?" The Champion asked to no one in particular as he watched over the slow boiling pot of stew.

"Uh... Not having enough spices?" The Captain asked from his seat at the table.

Wild gave a nod. "Not what I was going for, but yes."

"Then what do you hate, Champ?" Wars asked while glancing over to the Vet. Legend was currently trying to stack his fork and knife on top of each other to no avail.

"How do I put this?" Wild tapped his chin in thought.

"As bluntly as you can." Hyrule chimed in.

"Fair enough. Why are certain clothes locked to certain people? It's fucking cloth." Wild complained with a laugh.

At first Wars was going to chide Wild for the language, but... He just couldn't. Wild had a point here.

"FINALLY!" Wind's loud voice startled Wars a bit as the Sailor had been awfully quiet in his seat. "Tetra and I both hate that stupid shit. What do you mean I can't wear heels? I'm trying to feel tall, and Tetra hates heels, and so somebody has to wear them."

"Tell me about it." Wild started. "Zelda let me try on one of her old royal dresses, don't ask how they survived a hundred years, and somebody had issues with that."

The Captain just laughed. Damn those social rules indeed. Wild in a dress wasn't something he was expecting to hear about today, but it was something that he could picture.

And the Champion would rock that dress.

"Heh, I've been thinking those rules were stupid since I knew they existed. So, since I was nine." Time joined the conversation. "I didn't even know what the big deal was back then."

"I'd ask how, but I'm afraid the answer would be too confusing." Twilight said.

"Oh, not at all, I was raised by forest spirits and a giant tree." The Old Man nonchalantly explained. "They didn't have concepts like "male" and "female." So imagine my confusion."

A claim that he made often but never elaborated on. Everyone, besides the Captain and Wind, thought it was a lie or a ruse.

Warriors just laughed, he couldn't help it.

"Oh little Mask and his insisting that he's a tree." Wars felt everyone's eyes turn to him.

Time laughed loudly. "You made that corporals life hell."

"I did not have time for that guy's bullshit. We are in the middle of a fucking war, if the kid says he's a tree then he's a fucking tree." Wars started to lose his composure from all of his laughing.

"What do you mean by "he's a tree"?" Sky asked while scratching his head.

"Again, I was raised by forest spirits." Time explain. "You lot, besides two, think this a lie. It's not."

"Time, your life profoundly confuses me." Sky said. "So they assigned you a tree?"

Time nodded.

"Instead of anything else?"

Another nod.

"Not like a boy tree? Just a tree?"

Another nod. "Two trees, to be exact. But yes."

"Two trees?"

"Maple and oak, to be exact."

Wars just watch the conversation with a grin. Oh, poor Sky. He must be feeling the same confusion that he and the Sailor had during the war.

"I feel so understood." Rulie said with the widest smile imaginable. "I'm just a Fae." He shrugged as the others turned to face him. "Not the legend kind of Fae. I was raised by Fairies."

"Well, now you can be a Fae tree. How lovely." Time stated with a laugh.

"What kinda tree?"

"Hmmm, you and the Captain both have the same one. Pine, and you can have maple too. As a treat."

"A Fae pine and maple tree. Nice."

"Are we just gonna brush over the fact that Wars already has a tree identity?" Legend asked.

"I do too!" Wind but in. "Take a guess, it's so obvious."

"Uh...Palm tree?" Twilight asked with a raised eyebrow.

"Correct!"

"What tree am I then?" Wild asked while seasoning a few cuts of meat.

"Willow." Time and Warriors both spoke at the same time.

"Damn, that was fast."

"You had this conversation before, hadn't you?" Sky asked while keeping his gaze locked to Wars. "So tell us our trees."

"Oh, alright, I'll try to remember all the specifics. It's been a while." Time laughed while tapping his fingers on the table.

"It all reminds me of the Minish. They have leaves instead of trees, though." Four, who had been quietly observing this whole time, finally spoke up.

"Oh, the Kokiri had leaves too. That's a whole other thing."

[monimccoythings]

Feral!Logan drabbles

Oooh finally did it. Couldn't resist to write some silly Feral!Logan drabbles. Wanted to use a pic of Hugh in the first movie but this one was too perfect for what I had in mind. I love this little feral hairy man.

Reader is female.

So Reader is a mutant with light based habilities. She can absorb electricity from devices and machines and turn them into blasts of light (kinda like Starlight from the Boys)

Reader's on the run from the American government, they want to harvest her powers and use them as a way of 'defending' themselves from mutantkind. For the last year she has been running. Right now she has crossed the border and is currently in the middle of a blizzard in the Canadian Rockies.

She's tired, hungry, cold and there's no electrical current in miles, so her powers are basically rendered useless. And they keep chasing. She doesn't know how much longer she's going to last.

Reader can barely see and trips on a branch, knocking herself out.

Feral!Logan has been living in the mountains since he escaped from Weapon X, probably in the 80s. Has no memories, no social knowledge, just survival instincts.

Feral!Logan hates when strangers enter his territory and refuse to leave. Those are his hunting grounds, not theirs. He swiftly disposes of the agents and approaches the unconscious Reader.

He feels a weird tingling on his chest when he sees the pretty human female laying on the snow. His fingers slowly caress her soft features. He decides that moment he must have her.

Believing her to be a mate for him, Feral!Logan carries her back to the cave where he lives, placing her carefully on the pile of furs he has collected from his hunts.

When Reader awakes, she finds herself laying in a makeshift bed of animal fur in some random cave instead of a government jail cell. She immediately panics, not knowing where she is.

She tries to leave, but is stopped by a wild looking man covered in dirt. Taller than her and built like a fridge. He's half naked, his only clothing are two dog tags hanging from his neck and some undergarments that leave little to the imagination.

Under all that dirt there was hairy body rippling with muscles more fitting of a bodybuilder than a man who lived by himself in the mountains. Jeez, you could grate cheese on those abs. Reader can't help staring.

Feral!Logan roughly pushes her back against the furs. One single hand is enough to keep her still, which speaks volumes of the kind of strength he possesses.

The rugged man starts sniffing her everywhere, her neck, her collarbone, he kepts getting lower, grunting approvingly. When he's about to reach that part of her anatomy. She grabs his dishelved hair, trying in vain to keep him away. He looks at her, annoyed at having been denied of his prize; but, surprinsingly, obeys.

From then on, Reader's entire life becomes that cave and her mysterious savior/keeper. He provides her with shelter, warmth, water from a nearby stream and food from his hunts. Feral!Logan wants to prove himself as a worthy partner for her, catering to her needs.

Reader didn't spend most of her childhood summers in camps to eat now raw meat, no matter how little Feral!Logan seems to care about it. So she teaches him how to light a fire the old fashioned way, lamenting she can't use her powers so it'd be easier.

And he freaks out.

After a while he gets used to it, he nearly gives you a heart attack when he touched it and his burnt hand healed almost instantly. He rumbled pleasingly when you held his large hands between yours, marvelled at his healing factor.

At night, they sleep together, in the makeshift bed of animal skins. His arm engulfs her waist, pressing her smaller body towards his powerful chest. It's nearly impossible for her to move away.

Like hell he's going to let her go.

[opultea]

Abnormal Love Languages

Genshin men with weird ways of expressing their love for you - Gender Neutral Reader (No Pronouns) - SFW - Romantic - Fluff/Crack

ft. Alhaitham, Wanderer, Heizou, Tighnari, Dottore

Alhaitham

The Scribe of the Akademiya, a renowned scholar, and a totally awkward boyfriend

So what does this intelligent, well-known, socially unaware man do when he wants to show you he loves you?

Infodumping

Knows a lot and makes sure you know it too

If he fell in love with you that means he respects your intelligence and curiosity enough to find interest in your company

So whenever he's on the couch with a new book on Theoretical Quantum Mechanics, he will be reciting the facts to you as if he's doing an oral presentation

Alhatiham keeps one of those big rolly whiteboards in his house (usually used to lecture Kaveh) and you know that when he pulls it out then it is officially date night

He pours you both a glass of wine for a nice candlelit dinner, but then you ask him about his new book and suddenly it's a romantic candlelit lecture

Lucky you find his intelligence attractive ;)))

If you ever need gift ideas for him just get a pack of multicoloured whiteboard markers, he always needs new ones

Even though you might end up regretting enabling his little habit

Wanderer

Traumatised Tsundere (TM)

Has never wanted anything more than to be loved the way he observed in humans, but has always believed he could never be loved in any way. It has only been proven to him that it isn't possible

So he protects himself from rejection by teasing and swatting you away, almost trying to make you hate him so he can at least expect what reactions to get from you

He views it as safe, he knows how humans are when they are angry and hateful, he's experienced it firsthand, so he knows what will come of it

Even though he's secretly saddened by feeling like he has to hurt you

So when you respond to him bonking your head with laughter and a smile brighter than he's seen on anyone in his direct presence before, it startles him

When he pushes your face away with his hand and you retaliate by latching onto his arm he freezes (Wanderer.exe has stopped working)

Calls you stupid and insults your survival instincts

"Honestly, if a complete stranger were to push you away like this, would you still clutch their arm like a lost puppy? How absurd, you obviously couldn't survive without me protecting you, since you evidently can't tell good intentions from bad ones,"

Then you pout and tell him that of course you don't do this with other people, you do it because it's him!

He stops working again

Shoves you to the ground to avoid you seeing how red his face is

Heizou

Riddles and puzzles/tries to quiz you by making you help him solve a case

Brings you to crime scenes even though you are not a detective and definitely aren't allowed to be there just so he can test your skills

"So, what can you gather from this crime scene? This case isn't particularly difficult, so I have no doubt you'll be chasing down the perp in no time,"

Honestly your whole relationship is like an escape room

You want to get into your house but forgot your key? Well knock in morse code and maybe Heizou will let you in

You want to have a nice lunch date with your boyfriend? Well you best be prepared for an intense game of shogi while you eat

You want Heizou to pass you a pen? Well first you must answer these questions three!

But seriously, he makes it fun for you and makes sure to let you know that it’s his way of telling you how much he respects you and he values your input and intelligence

Tighnari

As an Amurta scholar and a forest watcher who has seen way too many cases of mushroom-based food poisoning, Tighnari has learnt to be prepared to dish out medical treatment

So if you cough even once, or sneeze in his presence, Tighnari will begin an impromptu check-up to ensure you're still feeling your best

You try telling him you're fine, people sneeze all the time without being sick, but he just scolds you even more for thinking you could get away without him making sure you're alright

"Don't be so proud, you idiot. What am I going to do with you if you go and get sick?"

Tighnari would hate if you fell ill under his careful watch, but if you do get sick or injure yourself, prepare for a two hour lecture and a bowl of fresh creamy mushroom stew to help you get back into tiptop shape

He's usually incredibly busy with his forest watcher duties, but will somehow almost never leave your side if he's tending to you

When you aren't sick, he makes sure you're eating well, going so far as to prepare your meals or make a nutrition table based on the vitamins he thinks you need more of

Always reminds you to drink water and take any medication you need, your health is his top priority

Dottore

Psychopath (Endearing)

Takes x-rays of you just to admire your lovely bone structure and hangs them up around your shared bedroom as if they're regular date pictures

He loves to have you sit in his lap as he caresses your body and coos at your flesh, whispering sweet nothings in his suavest voice about your organs, and telling you what a strong heart you must have because he can feel it through your shirt

Unwinding with Dottore almost always goes this way, with you getting a shower of what you're pretty sure are compliments about your internal systems and physical attributes

He once shocked you with a mini electric buzzer just to see your central nervous system go off. You were naturally quite annoyed about it but he just shrugged it off, claiming that he just loved to see your body at work, although he never did it again

His doctor brain never turns off, so be prepared to have his fingers in your mouth as he goes on about what wonderful teeth you have

It certainly makes you feel... special

You should feel special, he definitely doesn't do this with anyone else

Dottore is so enchanted by your being that he grows human organs in his lab that are exactly the size and shape of yours, saying it's so you can see for yourself just how beautiful you are

[itsmaferart]

Keep your hands off my woman!!

Leaving aside the most important part of the chapter, Yor must kiss her husband for world peace and the Twiyor nation to be happy.

I think it's a good message if we look deeper into how the stereotypical duality of women is portrayed to us, which I think is a message that can encompass anyone in general.

The most conventional romantic movies are usually about the man being - stereotypically - the strongest and the one who must protect the woman, who wins his sensitive heart and makes the hero bring out his sweetest feelings.

Becky being a little girl has in her heart the fantasy of a sweet romantic love just like the one in her novels and movies. But sometimes, people are not so conventional.

Both Anya and Yor, don't feel comfortable being pigeonholed into “girls waiting to be passively rescued”, because within themselves the love for the people around them is a drive to be strong, take action and save others.

I feel that one of Endo's best points, is her way of undertaking a concept of what femininity, or rather, “feminine energy”, represents. Feminine energy is a force that comes from feelings, it is fluctuating and unpredictable, sometimes like a gentle breeze and sometimes like a terrible hurricane.

Most of Endo's female characters are strong, independent women who do not need to be rescued. And they are very willing to put themselves in the face of danger to protect those they love. This is something we have seen, with characters like Yor, Sylvia, Martha, Fiona, and they have been able to save other men or take on subjects much larger and more muscular than them.

Even with girls like Anya who we know very well is a very brave girl and has been in the face of danger despite her age (maybe too much, our poor baby is only 4 to 5 years old, God), and has the strength to send a bully flying (and fall in love in the process) on the first day of school.

So …. if women are strong …. men are weak?

Absolutely not!

Everyone, regardless of gender, is strong. We know perfectly well that Twilight is someone capable of taking care of himself, is someone who is physically trained and has enormous intelligence. Even Yuri has survived so many dangers that we wonder how the hell he didn't die. Damian is a brave guy (when he doesn't see an insect lol).

The point is, even though women and men (or any gender in general) are strong. We all have our weaknesses, our sensitive sides.

You can do things on your own, but you don't have to do everything at once....

Clearly, although Yor is physically strong, she has problems with metal and verbal confrontations. Because her insecurities are so great that when they make her doubt herself and her own value, she tends to lose it and that is when Loid is there for her, not to take care of her because she is weak, but to remind her of her own value (because she doesn't seem to realize it herself) and to make her see that she is worthy of the understanding and love of others. In the same way that Yor reminds him that he too can be a little weak and take refuge in her.

Even if we feel weak and awkward, we can take initiative....

I think it is very important, the idea that Yor or anyone in general can have the “initiative” to seek on their own that “love” that you so desire.

Many times we feel that if we don't fit into the expected canon, or social archetype we are not worthy of love. (Feminine women who feel vulnerable and who depend on the guy to live are the ones who get love in the end). When nothing could be further from the truth….

Being weak and vulnerable is something totally natural and not exclusive to one gender or social role. We are all weak and strong at the core, and we need each other to complement each other and to be able to enjoy much more of our own love and the love we can give and receive from others.

Yor's desire to actively seek love (kissing her husband a lot) is not only a way to develop her bond with Loid, but a way to grow her self-esteem and challenge her insecurities. To stop seeing herself as a child in front of the world, but a woman who can get things because she wants them (and has her husband's consent, of course) (But, come on, we all know Loid needs kisses from Yor).

[hectorthedoggo]

I will put this in ao3 and edit when i have the means to. but. @kani-miso it's 0009 sibs i thought of you and decided to make this 🎀🎀

UPDATE I ACIDENTALLY DELETED THE TAB WITH MY EDITS AO3 is going to kill me

“Alright. Milgram's up.” The creature stayed. Es stayed frozen from where they were sitting on the couch. Oh God. What's the consequences of my verdicts?

Wait. Up? This is Trial 2?

They disregarded that. It must be a mistake.

If these verdicts even are mine, I can’t tell. I've been dreading this. I'm scared. They clutched their arms, trying to gain some warmth, some friction, for what was to happen next.

Jackalope narrowed his eyes at them. “A nervous one, aren't you now. Anyways, so since the administrators decided that you were too unstable, you'll go free. Congrats.

Oh yeah, and the verdicts didn't really have consequences, it was just a little social experiment. It doesn't matter. Good luck surviving in the real world!”

What. What the heck is he talking about? “Wha- What do you mean- Who's the admin- wah!”

They felt a pulling sensation, and suddenly, they were standing in a Walmart™ parking lot. The only other person nearby was Mikoto Kayano.

But, nobody was dead. He was in his original clothes, but. Wait, where are we? What's this big sign that says ‘Walmart’?

What is a Walmart, and where the hell did Milgram go?

They also had a little pack with them, and upon opening it, there was a little message printed out. Nothing else.

‘mikoto is your legal sibling btw. gl lmao be glad I even gave you this note ur probably my favorite warden - Jackalope (professional child neglecter)’

At least the pack looked cool looked cool…

Es was about to have a mental breakdown. Why did Milgram leave me like this? Is this what I am to them?

“Woah, what happened?” Mikoto wondered, “Hey, Es. Did you do this? Is Milgram over? Did they identify it to be a mistake?”

They started shaking. They threw me out like garbage. I…

“Es?”

They sniffled at the situation. I’m… garbage. Because, as my usual logic says, I am what Milgram deems me to be.

“I- I have no idea…” they extended the last vowel to emphasize how little idea they had.

They threw the note on the ground --- or at least tried to, it just flew away, right into Mikoto’s hands ---, and started to sob.

The tables had turned. Mikoto looked like he knew why he was here, Es didn’t (nande boku ga koko ni iruyo). It was genetic.

Meanwhile, Mikoto had gotten the note, and he read it. “Wh- huh?”

He stared over at Es. “Es, this is a mistake, right?”

“That is the least of my worries right now, pudding boy!” they snapped at him, instead channeling their sadness into aggression.

He completely disregarded their feelings, to the point where he might not have even heard them. “Right… my mom did mention that our father got remarried. Wah, Suu! You’re my little sib!”

He went up to their grieving form, and gave them a little fistbump, lifting up their unwilling arm to do so. Why did he do that? Last time we touched, John was beating the shit out of me.

A random car pulled up into the Walmart™ parking lot, and the window unrolled. 

It was a woman with brownish hair, who looked like Mikoto. “Oh, you’re the other sibling that your father was talking about. You two can just get in the back in the car, your sister’s taking shotgun. Nice to meet you!”

Why the fuck does Mikoto’s sister have a shotgun? Are they all like this?

Mikoto followed in with them, and buckled in. Es had no idea what was going on.

They could not find the seatbelt, too busy processing the upheaval of their life in the past 5 minutes.

“Yo, sib. The seatbelt’s over there.” Mikoto smiled and gave a thumbs up, like a reliable older brother. “I saw it.” I did not see it.

They touched it, and got stung by the heat. Their, wait, no, Mikoto’s sister turned back at their sound of pain, turning off her phone. “Ah, yeah. It’s summer, don’t touch it.”

They scowled, forgetting their dread in the face of the overheated car seatbelt.

The car chimed, and the keys jingled. “Alright, folks! You two seem pretty tired from wherever the heck you disappeared to. Would you wanna go home, or get some ice cream?”

The sister turned around, and smiled a little wide. “My dear siblings, do you know the answer? There is a correct one.”

Es scowled. “What the fuck is an ice cream. Why is the cream ice?”

“Are you serious?” She scrutinized their face, finding the truth, “Step on it, Ma.” She went back to her phone, probably texting her friends about this weird kid in a warden outfit that was apparently her sibling now.

Mikoto looked over at Es and shrugged, like a comical cartoon character. Like a ‘what can you do?’.

I won’t allow these insolent- wait, these aren’t prisoners. Unless the sister girl did something with that shotgun of hers. It would run in the family, I guess.

Wait, that would mean that I’m also violent. Nevermind.

The 11th cell came to mind, and they dismissed it. Wrong kinda fic, buddy. We staying fluff here.

“So, Mikoto. And, what’s your name?”

“Es. I think?”

The woman put on her strict mother voice. “... okay. Mikoto and Es. What was so important that you had to completely disappear for like a years. No note! Job gone! You could’ve died, for all I knew! Es, sweetie, I’m sure it was Mikoto’s fault. He’s such a bad influence.”

Es raised their hand to ask a question, slightly flustered from the pet name. She indicated that they could speak.

They decided to just reveal it all. “Um, Mikoto committed murder… eh, Mikoto, he has DID and was stressed from his job, hence the murder. And I was the warden of the prison that held him and 9 others.”

Mikoto lost all of his composure at all of his darkest secrets being revealed, the dramatic guy he was. “What… Es, don’t… I… that’s not… I don’t have DID? I was doing… I was doing just…”

He seemed a little overwhelmed at the prospect of having to unpack all of the luggage that Es laid out, so another guy came out. “I am not straight. Oh- sorry, hi, I’m John. I’m the guy who totally committed the murder 100% trust guys c’mon vote mikoto innocent 2024-”

I already had to deal with that yapping last interrogation. Es shut him up with their hand. He waved it away. “If you’re gonna say that shit about Mikoto, Es hasn’t been going to bed at a healthy time or eating healthy.”

They were betrayed at his reveal. “I can’t believe you.”

“We’re going to fix that, Es. You’re going to get the regular kid treatment.” The mother nodded, eyes steeling. Oh no, not the normal teen treatment!

John had some other stuff going on behind there. Maybe Mikoto’s cheesiness had rubbed off on him. “As soon as we get out of this car I’m giving you a hug.”

“Is that a threat?”

“Yes.”

Speaking of unwarranted physical contact. “Oh yeah, mo- Mikoto’s mother, um… John beat me up in Trial 1.”

“SNITCH?!”

“What’cha gonna do about it?”

“Give you another hug.” He deviously grinned, knowing that wasn’t the answer they expected or an answer they liked.

“I won’t allow it.” But, they weren’t the warden anymore. They couldn’t deflect affection as well as they used to.

The sister was unbothered by this discourse. Perhaps it hasn’t quite set in. “I guess I got two extra surprise siblings. Cool.”

-

When they got to the ice cream store after a prolonged amount of awkward silence, the moment the car doors opened, the chase was on.

Es nearly ran into oncoming traffic to escape any chance at being loved, as one does, but John grabbed them and lifted them up by their elbows, giving them a hug once they were out of the street.

“Jeez, you’re light. C’mon, we’re getting ice cream and you aren’t gonna kill yourself.”

“‘M not!” They kicked their legs to try and get the man off of them. But, they had about the strength of a 5 week old kitten compared to him, without the claws.

He plopped them down, Es seething about their lack of power they had here.

The sister turned off her phone, finally, and turned to Es. “Okay, I just wanna make sure. Were you joking earlier about not having ice cream before?”

“I’m the prison warden of Milgram, I don’t need-”

She interrupted them before they could start monologuing and crying about how Milgram didn’t exist anymore. “You’re getting Birthday Bash.”

“What- but it’s not my birthday?” It could be, for all I know, but she’s doesn’t have to know that.

“Ok, what is your birthday?” Dammit.

“Great question!” Es stared into space, tone full of sarcasm. Milgram never tells me shit.

“Mikoto or whoever the hell you are, do you know their birthday?”

“Nah.” John responded. “By the way, um, this kid was the one who named me John, because they thought it would be funny to be a know-it-all and reference some English name.”

She looked over at Es. “No offense, but you suck at naming. I think we were all thinking that.” We…

Es tried to defend their horrible naming skills. “What?! Who else was gonna name him?”

Mikoto’s mother decided to join in the conversation, but left after putting her two cents in. “Me. Or Mikoto, since he’s where John came from.”

John smirked. “See, Es! But the name has stuck, so you owe me.”

Es crossed their arms, huffing. “I don’t owe you anything. You beat me up that one time, so if anything, you owe me!”

He couldn’t exactly find a defense for that, so he took their hat off their head and held it as high as he could reach, exposing their hat hair. “Hey!”

They jumped to get it, but to no avail. They looked pathetic.

Meanwhile, Mikoto’s mother and sister had already gone in to order. Order, like what a judge says?

It’s all a law reference.

John grinned. “You're a silly little creature, Suu.”

“You're not Mikoto, stop that.” I do not like that weird ass nickname.

He put on an innocent face. “What do you mean? I'm Mikoto, and I love my company so much! Hahaha, I would never commit murder. This must be a mistake!”

Es was somewhat surprised. “That's stuff he actually said in his first trial, how did you get it so accurately?”

“I hear this guy's internal monologue.”

That’ll do it. “Ah.”

 He threw their hat into the air while they were distracted, and they stepped back in surprise. He caught it. “Nice hat.”

“Get away from-”

The rest of the family brought over ice cream, and Es was handed a mash of colors in theirs that seemed unnatural.

“Is this food?”

“Eat it.” John asserted.

They shrugged. If this is poison, at least I don't have to worry about Milgram and all that stuff.

Worst case scenario, it doesn't kill me and it tastes bad. I'm not sure what my best case scenario is. Dying? It tasting good? We’ll see.

They bit down on the food with aggression, and it tasted… amazing, other than the fact that it was cold.

“What the heck is this? In a good way?” They temporarily forgot about their slight suicidal ideation.

“Bro has never heard of the wonders of overly processed foods…” the sister commented, smirking.

Why is she calling me bro? Huh? If I question her, will she bring out the shotgun? I'm scared of her. She’s my older sister now, isn’t she…

To be honest, Kotoko was scarier. I’ll be fine.

She wasn’t addicted to her phone, though… wait, right. Kotoko kinda was.

They grinned, and momentarily forgot their troubles in the face of their action. I’m so much better than these people. This tastes good. Mmm… ice cream… I like it…

They did get a brain freeze, and brought their hand up to their forehead in pain.

They got their head patted by John, who had somehow consumed his (larger serving of) ice cream. “Do you want the rest of that?”

“Yes?” They answered.

He grabbed a spoon, and took a bite of their ice cream. “Wow, this tastes nice.”

Es disliked the younger sibling experience. “Give me my hat back. I didn’t forget about that.”

“No.” However, he made a mistake: it happened to be in grabbing range. They quickly snatched it, and grinned in pride.

But, while they were distracted with John, they forgot about their other older sibling, who took a sizable amount of their precious ice cream.

I just discovered ice cream. Will they stop stealing it?

-

They were next in a car, making sure to avoid the seatbelt this time. About ⅓ of their ice cream had been usurped, and they didn't have the strength to defend it.

But, it wasn’t that bad. These people are nice…

I… I guess this is my life now? It’s not that bad.

Finally, there were no catches to this fact.

They would have to buy new clothes, the warden outfit was scratchy.

[steddietogo]

So. This is my own take on Steddie meet cute at the Grammys (gets a little thirsty in the middle for a second so warning I guess??)

———

The buzzing in his veins feel too much to contain in Eddie’s body, his cheeks ache from grinning too hard. He grabs Jeff by the shoulders to shake him and Jeff takes it without complain, too busy floating in his own cloud nine to do anything about it. All four of them are.

They’re being carted off from one interview to another, it’s all hazy in his mind, all he can think of is that they won a fucking Grammy.

“We’re here backstage with Corroded Coffin with their first ever Grammy from the best rock performance category,” the interviewer is saying, then he turns to face the band, and shit. Eddie has to sling an arm over Gareth to keep himself upright. “So how are you guys feeling right now?”

“It feels very validating to get the recognition for all our hard work—” and everything else Jeff says barely registers. Eddie is staring, he’s distantly aware of it. But he should hardly be blamed. The man before him is dressed in a deep caramel suit, jacket cinching around a trim waist and bubble gum pink lips stretched in a smile as he diligently listens to what his band has to say.

“— and Eddie, he’s really put his heart and soul in this song in particular,” the mention of his name unceremoniously drags him back to the land of the living where his bandmates know him too well and are actively trying to sabotage him before the sexy interviewer. Gareth is innocently blinking up at Eddie with his I’ve-never-done-anything-wrong-in-my-life eyes, urging him to speak.

“Um,” Um? Seriously? “Mob Mentality is an especially significant song to me personally—” Eddie’s given this spiel a hundred times, not that any word of it is untrue, but the practiced response lets him zone out just the right amount to fully drown himself in the shade of hazel of the interviewer’s eyes, imagine them looking up at Eddie from between his thighs, full of tears— goddamnfuckstopit.

The man must notice, because there’s a gorgeous smattering of pink dusting his cheeks Eddie could swear wasn’t there before.

After, Eddie is pretty much bodily dragged away from there, legs refusing to carry him away. He twists even as he’s walking, desperate to keep the man within his sights for even just a second longer. To keep him looking at Eddie, which by some miracle, he still is. And like an idiot Eddie waves, wiggling his fingers at him.

The man raises his own hand in return, and then he’s turning away, leaving Eddie to mourn the loss of his attention. But then he hears it— Steve. The camera guy calls him Steve. Sexy interviewer’s name is Steve. That in itself would be enough to sustain Eddie’s daydreams for some time.

———

Predictably, its all over social media the very next day. Or more accurately there’s one particular clip circling the net like there’s no tomorrow.

Eddie Munson simping for hot guy at the Grammys.

The comments were the worst (best) part. Eddie hasn’t dated since coming out to the public. And the fact that most of the comments people have about him openly showing interest in another man is just nonchalance or excitement makes him feel much better about it.

Eddie’s heart skips as he sees the face from last night in the clip, looking even more gorgeous than in his dreams if it were even possible. And then there is also Eddie in those clips, practically undressing him with his eyes, right there in public. He looks like he wants to open him up and lick him like melted chocolate in a wrapper.

Eddie was so screwed.

———

Top comments:

user 80085: that man is stronger than me because I don’t think I’d survive Eddie Munson looking at me like that

CorrodedFC: Eddie Munson Rendered momentarily speechless? by an interviewer?? More likely that you think

you_call_me_munson: they need to date. Right this second or I’m stealing one of the hotties for myself

———

Part II

[bywandandsword]

So I was just told something interesting

You know how a lot of these big Victorian houses have seemingly useless railings around windows that are clearly not balconies? Come to find out these sorts of houses were built so that you could close off parts of the house from each other, like if you had guests or were hosting a party or something. But staff still needed to be able to get around so these windows would be large enough that staff could go out one window from one closed off section of the house to the other. It also gave the effect that guests rarely actually saw staff moving around doing day-to-day tasks. And apparently, a lot of these windows had hidden panels that swung out and make it look like the window wasn't there from inside the room When I heard that, I immediately thought about a lot of modern criticism of older novels books that feature wealthier protagonists, who talk about their isolation and loneliness. I've heard people discussing these protagonists say things like "How can you be lonely when you're surrounded by staff? It must be their sense of class that prevents them from seeing the staff as people who they can socialize with". That is absolutely at play, don't get me wrong. But with the windows in mind and the knowledge that one of the marks of a good staff at the time was to be as unseen as possible, I think it's completely possible that these protagonists, and the real people they represented, really DID feel that they were completely alone in their houses. Not only were all these social structures in place to keep them separate from everyone else in the house, but also these physical structures that further limited interaction. Because we no longer build houses like this and a lot of older surviving houses no longer have this feature, it's a bit of context that modern readers aren't aware of

I think it's really interesting, cause it gives a whole new context to these stories and social life in the period, and also makes me wonder about what other context that we're not aware of when looking at history or fiction from previous time periods that would re-frame our understandings of the event of those times

[drdemonprince]

Do you have any immediate thoughts about core identity and autism?

I have a great, neurodivergent friendly therapist - bottom-up, somatic, all that shit that's supposed to be good for autistic clients. But I've been stalled for the last half dozen sessions over the feeling that I have no core 'self', that I am so much a mimic of people around me that my internal self has no core qualities beyond the immediate drive to survive and avoid demands and sensations.

It comes out as "I have no inherent value" (c'mon, no one does) and "I have no inherent moral drive, I just know what causes me pain probably causes others pain, and I am aware other people are different enough from me that I have to believe them when they say something causes them pain, and I must avoid pain for myself and others"

I've been trying to express to my therapist that core identity terms are maybe better couched in vocabulary for computer programs or robots, but it's difficult to adjust therapy speak into that even with a curious and agile therapist.

I have been thinking a lot about animals lately. Animals that are not humans have no "core self." They have no thoughts of self-worth. If you truly look into the eyes of, say, a squirrel or a turtle, you will immediately recognize a great, living void. They are a collection of survival instincts, learned responses, and reactions to the present environment that have some general pattern of constancy but which are ever-evolving.

They do not exist for any "reason," they just exist. No instinct that they have is false, even one that is mimicked or new. They have no morality, only reactions that propel them and follow a sense that is senseless to us creatures with minds that are forever narrating and judging. They just exist and that existence is inseparable from their present physical reality. The same is true of each of us, our minds only complicate it.

I think it is very compelling to be much like any other animal. When I am alone, or feeding my most primal hungers (when I am famished, say, or craving a drink or cigarette), I have no worries of whether I am being authentic or valuable to society or even if I am good. I simply experience feelings and cravings. Life is lived through experiences, as a consciousness that can take things in and do things that affect reality in turn. Life is not lived via our identity or even our beliefs. The universe is horrifically indifferent to what we aspire to be, or believe is right. Entire species exist only due to mating rituals that require murder or rape, and the thriving of one species often spells the doom of others or even itself. It is disgusting and meaningless, being an animal. But in that void there is such stillness and great beauty.

I have been able to access this dark-eyed feral side of myself more lately. I have been spending more time alone, no longer even trying to mask to myself as the kind of social, giving being I had convinced myself I had to be, if my life narrative were to be that I got well. I don't care about being well. Or even being good. Those terms are playmobil level human made up stupid. When I touch that void, and dwell in it, I can see that none of it matters and none of those human judgments are real, and that the fiction of my core self does not really exist at all. And I find it very peaceful.

Lately hard core bondage really helps me get there, mentally, as do long swims and long walks late at night. Conversations with the rare few who are not afraid of almost any thought also help me get there. Most of all I just need time and fucking silence. There are pictures of me lately where I can see an animal. Not someone posing or trying to manage an impression. In those few photos I can feel some unnamable emotion that is real. It is that animal void that exists in all things, that is the breathing of life into flesh.

Therapy, I have got to say, is the stuff of small minds. I don't mean you, I mean your therapist. Therapy can only process in individual personality units, which are a fiction, and it believes that problems exist to be solved through an optimization of the self. You need to be confident. Need to know who you are.

I have often written like that, forgive me for it. But problems do not exist to be solved, they just exist, and some things do not get better, and there really isn't a better or a worse anyway, there is just a vast ecosystem responding to things. A great void of life always teeming, always changing. Great loss and growth and change, violence and birth.

And so I am not surprised to hear your therapist does not get it. The detached view you take of morality likely frightens them. But that might mean you are on a far more compelling path than what they would desire for you, which is probably self-esteem boosting exercises and tidy scripts for setting boundaries with your parents. That stuff is fine. But expecting too much from it is like asking a can opener to explain the universe.

Thanks for writing.

[tonixe]

MOTIVE...

a/n: ZOOWEMAMA, NEW CELEBRITY CRUSH UNLOCKED. Yes, I DID JUST WATCH THE NEW HUNGER GAMES, AND THIS is PROBABLY LIKE THE ONLY TIME I WILL SAY, THAT ONLY THE YOUNG CORIOLANUS SNOW IS HOT; the movie was good asf, low-key jealous of the actor who played Lucy like I would love I mean love to just be proximity 5 feet or less like he is just so hot. **

warning: mentions of violence (threats), smut, p in the v, penetration, fingering, bathroom sex, enemy lovers trope...proofread (?).

pairing: young!coriolanus snow x fem!reader

word counter: 1.8k

You were perfect, the embodiment of a perfect daughter, student, and personality. You carried yourself with grace, and made yourself known as an individual with class and intelligence.

You have an outstanding academic standing, high grades, good social points, and were popular with your peers. A person with all that must have someone to be rival with or a person trying to one-up them. In this case, it was true for you, the last name Snow, made you snarl. The name Coriolanus Snow, made you grimace even. He was always one step ahead of you, if you were two, he would be one. It made you resent him in every single way.

Today was reaping day...the anniversary of making the district pay for their uprising against capital control and authority. You were wearing a black dress with a scoop necklace and small cut diamonds sowed on your dress, making it look like the night sky, it fell to your knees. Pearls waiting on your neck with matching earrings and a dashing pair of bloody red lips to match the blood that was ready to be spilled in the arena.

The building was busy with students, excited for the games to begin. It was supposedly going to be last, but you knew it was a lie. Why would the capitol stop the games, weren't their enemies not rebelling against them enough? Vigilantly waiting for it to start, holding onto a delicate glass cup with some liquid poured into, it as you sipped from the glass. You were conversing with a few of your peers, not friends. You weren't considered them anywhere near you, there were just walking money bags that socially and economically fueled you.

"Y/N, how would you prophesize this year's hunger game will turn out ?" Festus said, you looked at him. "Well...I, presume that it going to end as fast as it started" You declared, smirking against the glass before you sipped the liquid inside your cup, "I don't expect any of thoses things to survive fast" Felix agreed with your thought, "The same" Arachne added.

You loved basking in the attention of others, made you feel like you had some power, and if people liked you. They would agree, give, gift, allow, and offer anything to you. It was shortly outlived, "Finally, the star pupil," Arachne said, their attention turning to Coriolanus, and yours flickered to him as well.

You bit your lip at the scene, glaring at her before you looked at him. "That's a snazzy shirt, what are those buttons.. tesserae?" Arachne marvels at his shirt, picking out several details, you put your hands covering your mouth to hide your smile.

"Hm..that's why they remind me of the maid's bathroom," Coriolanus remarked, looking at the button, turning his attention towards the group, "Not surprising with the people you associated yourself with, Coriolanus" You commented, taking a sip from your drink, faintly tilting your head to the side, denoting Sejanus's presence from afar.

"How malicious of you, y/n. That was the most humane thing you ever displayed to me" He said, his eyes and yours making contact with each other, making the room oddly tense up. "I'm tender-hearted but not a charity" You affirmed, the grip of your glass getting harder as you spoke to him.

Were you jealous, no, never. Why would you ever be jealous of him? Maybe it was his high intelligence, the way he carried himself, his charm on everyone he talked to? or everything that was neatly wrapped in a silky satin red bow, that was an embodiment of himself. It was funny to you, that you had this 'discreet' loathe for someone, and that person was in less than 6 feet of you, proximity 2 people away.

"Well, I heard this year there is something called the 'Plinth' prize" You turned your attention to Felix talking, "Something about Doctor Gauls' being in the building, Plinth.." Felix turned his head, "I mean just look at his spawn" I turned my attention to Sejanus from afar. "Who knew you could buy your way into the capitol?" Felix finished, "Well, money does control everything" you muttered, cocking your eyebrows.

"Well, you can't buy class, I mean...have you looked at his mother's outfit, Oh sorry, his ma's..." Festus mocked before the group snickering, "Dress a turnip in a ball gown, and it will still be begged to be mashed" Coriolanus joked, flickering his eyes away from Sejanus.

"Don't do that we all know you like him" Arachne commented, " I don't like him, Arachne. I tolerate him. He's District" Coriolanus finished, cutting her off completely, made you amused. "That's a low blow" You mockingly did a sad face at him, "The low blow is being district" Coriolanus muttered, you smirked at his actions.

"Tolerate him, just don't encourage. I heard these games how immoral these hunger games have been, putting him in the arena must—" Festus spoke he cut himself short as Sejanus walked toward the group. The whole thing was funny, snarky remarks being thrown, and your lips were graced with a smile every time.

Your ears heard the ringing of the bell signaling the start of the reaping. You got into your seat, sitting right next to Arachne.

It went delighting, well for you. You got a capable-looking tribute, she looked promising to you, and her name was Hera. Interesting to give a poor girl, a high-class name. You were in the bathroom, powering your nose, fixing up yourself. Puffing the power puff on your face, leaving your face having a matte finish. Applying your signature color on your lips.

Your ears heard the door opening, but your eyes didn't bother to look at the person who came as you were too busy with yourself.

Feeling a pair of hands on your waist, your eyes flickering to the mirror, looking at the one who was responsible, only to met with the eyes that you so daintily hate. You quickly turn yourself around, "What are you doing here?" You exclaimed, turning your attention to the blonde that came in, Coriolanus. "Do you know what bathroom you're in Coriolanus?" You crossed your arms, glaring at him.

"It didn't bother you then, why now" He walked closer to your awaiting form, "Then, I didn't resent you," You stated, feeling his hands on your bottom, lightly spinning you in a halfway motion. "Are you serious going to this in the bathroom.." Your eyes darted away from him, "What if I said, yes?" He lifted your head up narrowly so that your eyes met his "...what if we get caught?" You really did hate him, how he made you feel, how he controlled you, but it felt natural to be obedient to him, his cold stare meeting yours.

"Let's wait still we do" He leaned towards you and whispered to your ear, before taking you by surprise, taking your body and placing it on the marble of the cold bathroom counter. Making you hiss from the temperature change, his actions were rushed taking your tights off with the motion of matching colored panties, discarding them somewhere else.

His lips latching onto yours, leaning you back to the mirror, your arms holding down for support. Moans trailing down from your lips, groans from his, your hands on your cheeks, feeling his tongue exploring the caverns of your mouth. Opening your eyes slightly from the hungry kiss, catching your gaze at the growing size that was bound to be released from his constricted black pants. You withdraw from the kiss attempting to catch your breath, feeling yourself unravel in front of the blonde gentleman. "Just put 'it' in already" You whispered, hanging your arms that lack strength on his shoulders, "Not yet, my dove" Feeling his fingers dancing under your dress, his finger making contact with the sensitive parts of you, making you shutter.

"Coriolanus....be gentle, you know im sensitive" your lips pouting before feeling the intrusion, making you jump in your skin. Your languid moans being ripped out from your throat, while he pushes you further, pushing the digit further in and taking it out, thrusting in a frantic style.

Your body jolted and bounced back from the force he used. He edges you on, till your skin is covered with a layer of sweat, and everything around you makes you feel hot. You needed to get out of his dress in some way, it was another layer that denied you, the friction you needed.

His slender fingers carved a way into you, reaching into parts of you didn't know you had, your head hung low, feeling embarrassed from the vulgar things you both were doing in the bathroom, the feeling of being caught was only a chance but was never low. Your eyes hesitantly look at the door, feeling your skin pricking, distracting you. "Coryo...I'm close" you whispered, something in him erupted when you said that, that..very nickname. His fingers removed themselves from you, making you quiver, dissatisfied.

"Y/N..I want you to use that name...every time I thrust into you" He spoke, his very words made you wet, if not impossible more attracted. His hands on your upper thigh, pulling you towards him. Propping your hip at the edge of the counter, your cheeks were flushed, knowing what was next.

Next thing you knew his pant were discarded like your panties, and feeling him lining up with your slit. His hand is on your waist massaging the muscle, before he pushes his hips to yours, the intrusion feels better, moans trailing down on your lips. His hip colliding with yours. Your ears hearing him groan in pleasure, your own mind on cloud 9.

Feeling yourself getting needier for a sort of release or satisfaction.

"C-coryo, I'm close" you whimpered, your skin feeling more hot, your dress making you uncomfortable. His cock fucking into you, your body jolting at the frantic push into you. Hooking your arms around, feeling yourself almost unraveling, "Me too, my dove" Coriolanus groans out, his hips snapping back into you. Before you felt a crash of waves coming down on you, your gummy walls clamping down around his cock. Hearing his groans in your ear, as he thrust into you a few more times before pulling out of you, and spilling himself on your stomach.

Heavy breathing was all you heard, no words just your body growing tired from the minute. "You did well" his hands caressing your cheek gently. Your lips parted, as you stared into his icy-like eyes. Your chest heaves out, placing your hands on his, leaning into his embrace.

You hate it, but you can't understand why you love it at the same time...it fills you with confusing thoughts, but every time you look at the same blonde gentleman you thought you were to loathe, but your heart skips a beat.

You gave him back a small smile. Finding yourself surrendering and freezing into the snow and frost—and your heart being held with a lock and key.