#so i drew dave too ^^
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pyrobuyo · 5 months ago
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Got me a new tablet so I drew these two on it ^_^
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karkatbug · 6 months ago
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WE. LIKE. TO PARTY.
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i've never drawn something so dumb so fast in my entire life
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slavhew · 7 months ago
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you win. try again?
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a-literal-toaster-wtf · 5 months ago
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little screenshot redraw experiment thing i did in class instead of my work
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coridallasmultipass · 6 months ago
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TG: bro flew off the handle TG: theres seriously something weird going on with him TT: So you finally noticed. TG: no i mean it TG: just beat him in a strife for the first time TG: he fucking lost it TT: That would imply he ever had it to begin with. TG: if you saw what i saw TG: ugh i dont even know TG: forget it
So listen, everyone loves a Decap Dirk, that's my main excuse. I thought about what if Bro tries to get Dave to finish him off early. IDK. It was a shitpost kind of idea, but I just kept making the drawing a more finished quality, and so I had to commit to finishing it.
Bro and Dave are trans men.
Still HQ versions and image text under the cut:
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Image text: Fuckin' do it, Dave. C'mon, man. You won. Finish the job. DO IT! Haa Haa... [Image is from Dave's point-of-view. Bro's neck is pinned under Dave's sword, his sunglasses are askew and he has a wild grin and facial piercings. Bro holds Dave in place by grabbing his shirt. Bro's eyes are wide, and his left one shows a flash of billiard ball patterns before returning to normal.]
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oni-tengu · 2 years ago
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i often think about how the meteor ships have a very specific and unique thing going on, in dynamics and tone and overall vibe. i crave it
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pandeesall · 9 months ago
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Some Dave doodles I made last december that I'm proud of because I drew him w/o reference
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redgearsmovin · 3 months ago
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[ID start: Various digital sketches of Imagination Movers characters: Nina, Dave, Scott, Smitty and Rich. End ID.]
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mint-flavoredd · 2 years ago
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So I wanted to at first draw Dave and Karkat in a Helluva boss au, with Karkat being an imp and Dave being a sinner, and his body heavily reflecting Davebot
then I drew him again, but decided to just make it Davebot with personal touches, because I like Dave’s cape. 
Then Davekat, because I am but a man.
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themacaronking · 24 days ago
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Ink toner drive
Edit I meant Inktober 2024 day nineteen I ran out of tags it’s not even nineteen it’s eighteen
#inktober#I did it#I made a post to tag eoth#homestuck#GOD SAVE US#normalise drawing characters you know nothing aboyt#I can’t even I don’t know what to say I’m so ashamed am I ashamed#the baby is you is a masterpiece alright I have a big long reaction post if you homestuckees would like it#but if it’s anything else go away I’m embarrassed and I want nothing to do with this#I MADE THIS FOR ONE PERSON ALRIGHT YOU KNOW WHO YOU ARE#and no it’s not some fun inside joke sadly#I was having trouble with the prompt and SOMETHING needed to be homestuck#it’s funny because they don’t seem to be stuck at home here#shpukd I clarify I don’t hate it#it’s just clearly not something I want to be associated with but god the baby is you is something#I wanted to draw the confused(?) moaning(?) shrugging kitkat troll off in the sky with the stars the HMMMMMMMM ufo my dream#I didn’t even have a rubber guys#uh what I else I feel like I have a lot to say because I need to explain myself#im sorry im so sorry IM SORRY ITS NOT THAT I HATE HOMESTUCK I DONT THIS IS JUST#out of my comfort zone?????? like that term but funny#this is excruciatingly annoying how could I want to be an author and yet am unable to describe my embarrassment over ms paint adventures#like if I wasn’t who I’d like to be I could be into it right which is funny because I’m not my ideal self#clearlyBRO WHY AM I HAVONG AN AUTISM MADKING CRISIS OVER THIS I JUST DREW JOHN AND DAVE THERES NOT MUCH TOO IT#I’m sorry homstuckees unless this is funny to you (not the art#my random cris over having created something) I’m sorry I’m so sorry everyone GOD MY POOR MUTUALS#DONT YOU DARE LIKE THIS#EWICOMKICKS DONT YOU FREAKING DARE LIKE THIS IS NOT ART THIS IS NOT ART#this is a post#OF HOME AND STUCK#WHEREIN A ORANGE FLAVOURED MACARON FLAVOURED SPURT OF MADDNESS PLAYS IN THE BACKGROUD
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shartfinz · 2 years ago
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redraw of something I made in 2020 (the og is very bland and not worth posting)
(also vote on my ship poll :3)
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sweetvalentinescandy · 3 months ago
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oh mark the man that you are
Lazy thing i wanted to do!!! they're just silly :3
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I think dave is a pretty princess and John is awkward
I'll be yapping below
I believe that Dave texts John right after he gets his ass handed to him DAILY. It usually plays out like this where they banter and Dave never really goes through the extent of explaining what thoroughly happens to him so John lives in forever ignorant bliss. And this leads Dave to feel like there's more of disconnect because he first of all doesn't really know how to articulate his feelings and second abuse doesn't seem like abuse to the victim. So he goes about everyday unknowingly yearning to be saved by someone greater than him, which is why I put the snow white reference at the end hehe.
Snow white as a fairy tale is extremely cliche, you got the prince in shining armor showing up conveniently on a horse and saving the girl. There's always this hierarchy placed upon the story where the damsel in distress is saved by a man, that man being portrayed as a greater being.
And with John taking place as the prince in this context paints him as this greater being. And I feel like a part of Dave envies and despises John for being this way, for being "perfect" or in a way. Greater than him.
The thing is in the original snow white story she's unconscious, that's undesirable. But it adds to the desperation of wanting to be saved, shining a better looking light on a person who isn't really there for reasons you want them to be. However John is a sincere person, it's more so the lack of communication or true understanding of one another that leads to this rift, this belief that John isn't there for Dave because he loves him, but because he's his friend and it's John's duty as a friend to save him. Which also brings me to the last line where Dave never corrects himself, and how he insinuates that he'll be unconscious due to being placed in a glass coffin much like snow white was when she was poisoned. He's at this stage where he doesn't want to be saved by an outer source, a greater person than him. He wants to be saved by himself he wants to prove worthy, but then conflicting within his mind is also this idea he isn't good enough to. We all know that Dave believes he isn't a hero and explicitly states John is the hero multiple times throughout homestuck. So he stays waiting.
John however, refers to Dave as Cinderella, Cinderella gets abused and put through plenty of torture from her step sisters and is saved through marriage of some person she just met. There's still this base line of being saved by man however there's this more mutual understanding of what they're getting into, a similar yearn for one another. Though he never caught her name he was still willing to find her, the real her. Which is John in this case, he probably understands he's missing something in the big picture but can never find out what and the best he can do is hope that the other half still held on to what they once were and was willing to share.
This is a pre-sburb interaction btw they're just unknowingly foreshadowing a shit ton.
Sorry if there's like bad shitty writing in here, I'm rambling and it's like almost midnight hehe
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karkatbug · 2 years ago
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bonus bday art for @chthonicarcher
1/2
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slavhew · 6 months ago
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Stroiders + hannibal jackman
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g0dlyunsub · 5 months ago
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it takes two.
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spencer deals with a lot on the field, but nothing can prepare him for when he’s stuck inside a locker with you.
pairing :: spencer x fem bau!reader
warnings :: 18+ due to sexual themes but no smut, slight claustrophobia triggers
word count :: 2.2k
author’s note :: inspired by a scene from s9e23, i'm imagining spencer in a fitted collared shirt and tie, reader wears a skirt
accompanying song :: stuck between by dutch criminal record
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“nothing’s showing up on vicap. i’ve cross-checked records against everything you’ve mentioned, sir, but there’s literally nothing. zilch,” you hear garcia let out an exasperated groan as she ferociously taps at her keyboard. 
you watch as hotch kneads the skin between his brows with growing impatience while morgan starts to pace around the room. you’re not doing any better yourself, your stressed-out fingers threatening to tug at the strands of hair neatly holding your ponytail together. 
it’s too frustrating. the leads are clearly there, but your team is lacking the final puzzle piece to complete the profile, to confirm that it’s someone in the department that’s deliberately injecting themselves into the investigation.
“your answer is probably written down on paper. ugh, i hate when bad guys try to act all smart,” garcia fumes, and sulks as she gives an apologetic wave from her side of the screen. hotch nods, relays a thank you, and cuts the call before rounding the whole team together.
“think about it, those two are the perfect scapegoats. all of these agents have everything to lose, so why not just blame them? they’ve been in and out of cells already, and it makes perfect sense to craft a narrative that’ll point fingers at them,” morgan starts, making small gestures as he speaks with his signature cadence, topped with a honeyed rasp.
“and they’ve got all the authority to influence the public’s opinion,” jj nods in agreement.
“we need to try to get those two to talk again, but we also have to take extra precautions. jj and prentiss, go interview them one more time to see if they’ll spill any names. morgan, i need you to work with garcia to look for other possible leads. reid and l/n, go to the records room to review the files of the agents working with us. dave and i will try to hold down the fort,” hotch instructs, nodding at each of you as he rolls out the orders. 
“and try not to draw suspicion. if all else fails, say that you need to run to the bathroom,” rossi adds with a wink. it always amazes you how calm the italian agent is during such high-pressure situations, a trait you’ve grown to immensely appreciate.
“shall we?” you say as you nudge spencer, and he hums back in response. you bid a wish of good luck to emily and jj and traverse the hallway to the records room with the doctor, your heels clacking beside the cushioned steps of his slightly worn converses. 
after looking left and right to make sure no one’s around, spencer opens the door. you silence the sounds of your heels as you follow inside, and let the bolt of the lock plunge into the frame by slowly closing the door. 
“alright, you take the left, i’ll take the right,” you whisper, and spencer gives you a thumbs up. 
the two of you work silently and as fast as possible, sifting through the piles of records that lie on the tables and beside the cabinets. you feel your heart jump into a cartwheel every time a sheet of paper slips out of the manila folders, the sounds of rustling and creasing setting you on edge. 
“i found mcgregor and drew, but i don’t think it’s either of them,” spencer declares with a voice that isn’t supposed to sound loud at all, but it feels hundreds of decibels higher than the bare whisper you spoke with earlier. 
“okay, i found weaver and lee, but they don’t fit the profile either. let’s continue looking for the other two,” you call back. 
spencer walks over to you and kneels beside your left to help you with your search. once you spread the folders on the floor, you spot one of the two remaining files, and spencer soon finds the other. you’re about to turn through the sheets in the folder when the doorknob starts to shake, startling the both of you.
“shit. spence,” you blurt as spencer takes his file in one hand and grabs yours with the other, and shoves them into an open drawer. after he slides the compartment back with his careful and nimble fingers, you grab his arm and squeeze into a spare locker. you barely manage to seal the opening shut in time.
you could say that it was quick thinking that saved your and spencer’s cover, since the door jiggles and thrusts open a mere second later.
you never would’ve imagined that the day would come when you would draw air directly from spencer’s breaths, let alone enclose yourself in the same room as him. 
and yet here you are, perched on top of spencer’s knee, the scratchy fabric of his trousers resting under the hollow space of your pencil skirt and between your legs. his other leg presses against your side of the wall with an uncomfortable bend, while his chin sits an atom’s width from your forehead.
it’s a nonnegotiable consequence that comes with his tall figure, the way his clothed knee has to rub against your inner thighs under the draped fabric.
one of your hands lies awkwardly on his chest while the other is on his thigh, right above the knee that’s using you for leverage. your attention immediately shifts to your left when you see the rays of the intruder’s flashlight scope through the room. 
you stop mid-exhale when the light pours through the gaps of the locker, casting shadows on spencer’s face and your body. he looks stressed, anxiously wetting his lips with closed eyes, face turned away from you.
and he looks overwhelmed. rapid bursts of inhales and exhales fire from his body, likely due to the collar of his shirt being bound tightly around his neck with the tie. with shaking fingers, you slowly reach for his tie, waiting for approval to loosen it. 
you feel his forehead bury into the cave of your shoulder, and he whispers his desperate ask into your ear: “please.”
despite the lack of light around you, you’re able to locate the small end of his satin tie, and you tug lightly. the knot unfurls as you pull, and spencer lets out a small sigh of relief before breathing a low thank you in your ear.
as this happens, you hear the intruder surf through the piles of papers, unlocking drawers and lifting boxes left and right. hurry, hurry, hurry, you pray desperately in your head. beads of sweat start to form at your temple and threaten to fall down to your exposed neck, which happens to be situated directly in spencer’s line of sight.
“come on,” you hear the guest in the room complain, angrily flipping through papers and slamming the cabinets. you think it’s finally time for him to leave when you hear the high-pitched ring of his phone. 
but your eyes widen when instead of heading to the door, he makes strides towards the locker right across from yours, and leans his back against it before holding the phone up to his ear. holy shit.
“jensen speaking,” he says with a gruff voice, and plays with the button of his flashlight so it turns on and off spontaneously. as the light flickers, it dimly shines the space inside your locker. 
spencer turns his head to meet your eyes, a panicked expression covering his face. you’re about to mouth a small sorry for the helpless situation you’ve dragged him into, but just as you’re about to do so, spencer’s trousers slide against your legs, creating friction so unbearable that you let out a squeak. 
you freeze, looking up to see spencer’s eyes flash warningly. he instantly clasps your mouth with his hands to cover any further sound from escaping your lips, but with no form of support to maintain his position, he starts to slip, and his shirt lightly skids against the locker’s slippery walls. this is somehow even worse for you, because spencer’s knee starts to dig further up your legs and into your cotton underwear, forcing you to squeeze your eyes shut.
luckily for the both of you, jensen seems to be distracted by whatever words are being spewed from the other end of his phone call to pay any mind to your suppressed yelps. 
“i think their agents might be on to us,” he scowls, and you watch from the corner of your eye as he tosses the last of his files into a box and opens the adjacent locker to ram it inside.  
“yeah, i’ll try to stall them for as long as i can. they don’t know what they’re getting themselves into.” 
jensen curses and promptly ends the call, returning his phone into the pocket of his shirt. he finally walks to the door, sighing as he twists the knob and steps out. the two of you lie in wait for an additional three minutes before trying anything. 
“i think we’re good,” spencer huffs, finally opening the locker door with a thud as the sounds of steel clashing against steel echo throughout the air. 
“yeah,” you nod, taking a breath to collect yourself as you step out. you watch as spencer runs a hand through his hair and moves his fingers down to adjust his tie. 
he returns the stare, his adam’s apple bobbing when he eyes your wrinkled shirt and scrunched up pencil skirt – which looks more like a mini-skirt with how it sits right below your hips.
“i um, i need some air. how about you?” spencer asks at last, clearing his throat. you bite your lip when he starts to brush the dust off his thighs and knees, the moments of earlier flooding into the back of your mind like the warmth pooling between your thighs.
“yeah, i could use some fresh air too,” you respond breathily, averting your eyes and focusing instead on smoothing out your shirt and retying your loosened ponytail. when you’re done, you turn around and stagger to the door, not looking twice to see if spencer’s following you. an intense flush spreads across your cheeks, and your only viable path of escape is to the bathroom.
“you, um, missed a spot,” you hear from behind, and you follow spencer’s gaze to see that he’s referring to the back of your skirt.
“oh,” you say as embarrassment swamps you, and you hurriedly pat at the fabric. “does that look better?”
“it’s still folded there. if you want, i can- may i?” 
the question tumbles from his pretty lips and messes with your head. his hand hovers right around your waist, the same way yours lingered on his tie as you waited for his consent. and his softening eyes. his slightly smoldering gaze looks so innocent and alluring at the same time, your heart starts to feel heavy with the weight of desire. 
note to self: never wear a pencil skirt again.
“please,” you utter like a silent prayer, and mentally prepare yourself to endure the test of his fingers against your skin.
as soon as he receives your word, his hand lightly brushes against your thigh and trails down your skin. he takes the hem of your skirt and pulls down, giving several tugs before releasing the stretched garment. 
he clears his throat when you don’t move even after he’s retracted his hand.
“all good now.” 
spencer’s words drown out your thoughts and snap you back to reality. he’s already standing by the door, holding it open for you with a patient smile.
“thanks,” you say as you walk out and rub your hands together, nervous for what you’re about to say next. “spencer, um, i’m so sorry about that whole ordeal, it was really unprofessional of me to drag you in there, i wasn’t thinking when i-”
“you did the right thing,” spencer interrupts your ramble with the shake of his head, and his flawless smile pulls at your heartstrings.
“i would’ve pushed you in there if you hadn't. that door’s the only way in and out if you don’t count the windows,” he continues, slipping his hands into his pockets as he walks you to the elevator.
“oh,” you shyly murmur back, your cheeks flushing with a shade of bright pink as his words pour over you like warm water. he would’ve pushed you in there if you hadn’t?
“yeah, but how about we try a bigger locker next time?” spencer almost reads your mind as he half-mindedly jokes, causing you to drop your jaw in shock. he doesn’t acknowledge your reaction, however, because he starts to dial rossi’s number on his cell.
“by the way, the uh, new look suits you. the grey skirt and all,” spencer says with a lopsided smile before he raises a hand to excuse himself and call rossi. you’re saved the embarrassment of responding when rossi accepts the call, but your palms are already profusely sweating at his compliment.
note to self: maybe wear the pencil skirt again.
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boxbug · 1 year ago
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A Canary’s Final Flight
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My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real
Process notes under the cut! (I struggled a lot so it's a bit of a novel)
So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.
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This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.
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So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)
At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)
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And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.
I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.
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(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)
So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!
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Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!
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