#so here we are and let me tell you

[hejee]

morrigan mansplaining elvhen culture while playing as lavellan hits so close to home (ily morrigan but this is not it 😭)

[backpackingspace]

Sometimes I revisit the tgcf source material and have to realize all over again that hua cheng is the sane ghost king. And it's not that he's a better person then the others, or like not insane. He just watched the other ghost kings and took notes on what not to do.

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[tropicalcontinental]

Human fear is the window to the soul or whatever ://

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[wu-does-art]

decided there wasn't enough RK charms in the world (none), so im making one and putting it out there later for anyone who might want one too!

heres the concept.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[demonslayedher]

I finished posting the unabashedly educational Sword Fic.

It includes a detailed (but hopefully beginner-friendly) explanation of all the steps of making a Nichirin blade from a sunny mountain like Mt. Youkou, a touch of swordsmith and metalworker folk lore (including demons), meta about what must make Kimetsu no Yaiba's swordsmithing methods different from real life methods, some character exploration for Haganezuka and his polishing method, vocabulary and additional resources in the chapter notes, and hopefully, an endearing, silly POV character to learn this all through.

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[just-null]

How do we feel about Beach wear Noritoshi....

Everyone thinks he'd go covered head to toe wearing those wet suits divers use, but no. Noritoshi isn't the type to want to attract attention to himself when it's not needed, so he'd try to blend in. Emphasis on try.

He's the guy wearing a covering or some shit. I think you'd have to fight him to wear a translucent one. (if you splash him with water, you'll acheive the same effect thoughahahaha) even though it's a beach, he's trying to find an appropriate way to cover up, hes just like that. yes to sunscreen ofc. I can see him in a sun hat, but it's not his.. maybe he took it from one of the girls

HIS HAIR WOULD BE UP BC ITD BE TOO HOT AND THE SUN HAT WOULD HELP HIM FROM GETTING OVERHEATED H.H....H IS FACE WOULD BE FLUSHED BC OF THE HEAT AND. AND. AND.. he's like the beach babe on the shore, soaking up the sun and reading a book or smth. if you splash him with water, i can see him trying to get you back. then boom bam, hes in the water with everyone else.

OH FUCK that's even IF he goes to the beach. it's like seeing God in the flesh, idk man I'd go blind........... hed probably come along when he realizes theres hot people at the beach. he cant have you looking at people in that state, hold on hes going. give him five minutes..!

EXTRA

[untied covering version under the cut. like his booefjehsaf are out aha.]

ahahahahahahahahaa *froths at the mouth*

mf dont even begin to look at me like that

[magpiesketchins]

sometimes you just wake up and think how the hell did I manage this?

The only way I can describe the technique I used for this sketch is Carving.

[jadewritesficshere]

Warmth

Eddie Munson x Reader

Summary: Eddie takes you home after work (1150 words)

Contents: Reader suffers from chronic pain, smoking weed, no gender descriptors for reader, reader is called Baby

Please note I am not a doctor and do not take any medical advice from me ok thanks also each person's health is different from someone elses so please be kind to each other thanks bye

You sigh as you finally lock the door for the store. You had started the day out with working your regular shift. Which had been fine, even if you had felt a little stiff. Then that coworker called in sick...again. And your boss begged you to stay late...again. You had wanted to say no, but the prospect of getting a bit extra in your paycheck, well, you couldn't pass it up.

But now your body was screaming at you. Working for twelve hours had your joints aching. Some days you could barely roll over in bed without the pain. Could barely think a coherent thought as your joints and muscles screamed at you.

And other days, the good days, you felt you could run a marathon. Not because of an absence of pain, but the pain was so little compared to what you were used to it felt like nothing. Some days started like this and ended like the bad days.

And today was ending like a bad day. Especially because that one manager, the one who seemed to not like you, was on duty. Your boss, the sweetest old man in the world, didn't care if you sat in a chair at your register. But the manager who came in for the evening shift once the boss was gone? Took it away and called you lazy, even if you were the best cashier they had.

You slowly but steadily made your way to the van that was sitting idle in the parking lot. Through the passenger window you can see Eddie smoking a joint. When you opened the door, startling Eddie, smoke furled out. You climbed in and slammed the door shut.

"You know this is just begging for someone to call Hopper right?" You groan as you turn to grab your seat belt. "Figured you'd wanna smoke and relax a bit, thought I'd get it started for you." Eddie's arm reaches across you grabbing the seat belt before you could and buckling you in. "I can do it myself," you mumble.

"Yeah, you can. But maybe I want to take care of my Baby, hm?" Eddie hands you the joint," When you said you'd be late earlier, you uh said you already weren't feeling the best. Figured I could do what I can to help. Not that you can't do it yourself, you can, but you know-" "I know. Thanks."

It still was hard to accept that this is how your life was. Even harder to accept help. The thought that people were helping out of pity made you want to scream, even if you knew some people, like Eddie, were helping because they loved you not because they pitied you.

The van roars to life as Eddie presses the gas a bit too hard, causing the entire van to lurch. Eddie winces and mutters an apology. You inhale on the joint, letting the smoke fill your lungs. You crack a window to let the smoke out, humming as you close your eyes.

By the time you make it to Eddie's, you can feel the weed in your system. Softening the edges of everything. The pain easing up slightly as you relax.

Eddie tumbles out of his side, almost face planting, as he rushes to get to your door. He throws the door open and bows, "My liege." You huff out a laugh as you graciously take his hand, gripping it tightly as you step down and out of the van. Eddie winks at you as he kisses the top of your hand, causing you to swat at him. Eddie chuckles as he drops your hand to go and open the door of the trailer.

You follow Eddie inside and to his room after kicking off your shoes. Your only thought is laying down and going to sleep. You barely shrug out of your uniform before collapsing onto his bed. Usually, Eddie would make some joke about getting naked, but tonight he forgoes that and instead dims he lights, sensing how tired you are.

Eddie's bed is old and yet somehow more comfortable then yours (probably because Eddie moves around so much in his sleep he doesn't stick to just one spot like you do, which causes your mattress to deflate and sink in one spot). You toss the nearest blanket over you, sighing in relief that you made it through the day.

You can hear Eddie enter and leave the room a few times, mumbling to himself. The sound of his rings hitting his dresser. The creaking of the drawers opening and shutting as he finds something to wear to bed. The distant beeping of a microwave going off before Eddie leaves the room again.

"Made you something," Eddie says as he reenters the room. "Not hungry," you mumble into the pillow. "Its not food- well, it is but not anymore? I mean we could eat it buuuuuttt..."

You peek an eye open to look at Eddie. In his hands is an oddly shaped lump. You can recognize the familiar pattern as the curtains in Eddie's room (and the realization there are no curtains anymore hits you). You can tell it was supposed to be a rectangle, but is more oblong like an oval.

Eddie gingerly places it against your back and- oh. It's warm.

Eddie crawls onto the bed next to you," Remember the heating pad? How it died? Well, figured might as well make my own and save us some money. Filled with rice, so if we really need to I guess we could eat it but I don't think that's uh the best idea."

"You sew?" You ask softly. Eddie grins at you," Mama taught me." Eddie readjusts the bag against you where it fell away. "Eds..." Eddie hums looking up at you," Yeah?"

"Thank you." "Anytime Baby. I'd do anything I can for you." You smirk at him," Anything?" Eddie rolls his eyes as he grins back," Weeelll-" you both chuckle. You roll back onto your side and close your eyes.

And as you lay there you think of how much Eddie loves you. How often he shows you his love. How he opens doors for you and closes them. How Eddie doesn't treat you as glass like some of your friends do, but how he still cares and makes you comfortable. How Eddie doesn't try to limit you and let's you set the pace for yourself. How Eddie took down his curtains to make you a heating pad because yours went out.

You reach back and slowly link your hand with his. Eddie hums slightly, linking your fingers, before shifting and wrapping his arm around you, drawing you closer.

You can feel the warmth from the rice. The warmth of Eddie's body. The warmth from his breath as he falls asleep. And the warmth from your heart as it yells out how in love you are.

[clowningaroundmars]

Hobie1610 pt. 3

part 3 has finally arrived!!! at a faster rate than part 2 but a bit of a wait nonetheless lol

not entirely sure how long this lil story will go on for but hope y'all are enjoying this ride regardless, whether it ends on the next part or in 3 more chapters ldfjkdhf

in this installment: thrilling action, a high stakes chase, and we get to learn more abt our beloved hobie jones! yippee!

>pt. 1 here<

>pt. 2 here<

♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧

By some miracle, Hobie did not mention the suit to Miles once they started texting semi-regularly.

Unfortunately, they also couldn't really make their lunch date (date? God, get it together, Morales. It is not a date…) as soon as Miles would have liked, due to a million different things getting in the way of them setting a solid day aside to chill together.

Just his luck, of course.

But in the hallways, Hobie actually deigned to give Miles a passing smile every now and then. They didn’t ever get to hang out like they did for those precious few moments on the first day of school, but Miles didn’t feel the crushing weight of guilt every time he saw Hobie in his same classroom anymore. What a relief!

So Miles was mostly okay with how things were going anyhow, even if the hangout ended up falling through and they both decided not to go in the end. He was able to patrol and do his homework in blissful peace for the first time in months.

… Kind of.

That look on Hobie’s handsome face as he looked down past Miles’ coat collar though…

That still ate away at an anxious part of Miles’ brain whenever he had the time to sit down and really let his worries manifest.

No time to think about that now, though. Miles was suited up again on a school night, hoping to get at least an hour’s worth of patrolling in before security at Visions noticed he was absent from his dorm room. He hoped Ganke would be able to cover for him like he always did.

It was yet another cold evening out in New York City, and Miles was steadily covering the edges of Brooklyn, heading towards Manhattan to do a quick sweep through Central Park like he did on occasion. There was always something going on in Manhattan, especially during the evening.

Miles decided it wouldn’t hurt to take a quick peek before calling it a night and heading back to Visions.

So away he went-- now fully in his Spiderman element-- vaulting and soaring over buildings, showing off every now and then by doing silly flips and tricks mid-air for the opportunistic New Yorkers looking to snap their Spiderman Sighting of the day. A little social media promo never hurt anyone, after all…

Spiderman finally swung down onto a tree branch on the western side of the park from a street lamp and was just about to lower himself down as inconspicuously as he could, before immediately feeling the tingling electricity of his Spider Senses race up and down his spine, giving him the usual headache along with it.

He crouched down quietly on a branch and watched as a familiar lanky figure streaked across the path underneath him onto the grass and beyond.

Whoever this runner was, he was fast. And hot on his trail was a gang of burly bumbling assholes cursing up a blue streak as they gave chase.

Spiderman’s eyes stayed glued to the fast runner like they were a lifeline. His senses honed in on the person and he erupted out of the leaves of the tree with one mighty leap, sailing through the air to shoot a web out and swing his way on over to the excitement.

Several joggers, people walking dogs after work, and mothers with baby carriages exclaimed and shouted as they were barreled into by the gang of men trying to keep up with their moving target. The runner didn’t seem to be giving up, though, as their long legs sent them flying over bushes and rocks and lounging people as gracefully as a ribbon in the air.

It was indeed getting dark soon again, but the darkness didn’t really affect Spiderman’s senses at all. His mask helped him fine-tune his powerful vision and anticipate the runner’s next moves.

It looked as though they were trying to make their way up towards the Great Lawn from Cedar Hill, but whether the person was planning to make a break for the now-empty Delacorte Theatre or the Metropolitan Museum Of Art… or beyond? That was the million dollar question.

Spiderman didn’t want to lose the person in case they happened to just be a petty thief, since that would be a quick and easy problem to fix. But as he silently chased down the runner alongside (and unbeknownst) to the gang, his suspicions gave way to some other... ideas.

Namely, that the runner seemed young, a bit too young for someone to be pissing off this many fully-grown gang members.

He pushed through his confusion and made a break for the theatre the second he guessed that the runner was pivoting in that direction.

The trees were getting thicker the closer they got to the Belvedere Castle and Spiderman eventually resorted himself to hoofing it, mindful of sticking to the shadows of the foliage that surrounded them on all sides.

He was super grateful now more than ever that his suit happened to be his signature sleek black and red, rather than the tacky and hyper-visible reds and blues of many of his Spider counterparts (sorry Peter!)

Once he confirmed that the suspicious target was indeed planning on hiding in the bleachers of the massive amphitheatre, he shot up a web to hoist himself into the infrastructure from the tall stadium lights. From there, he positioned himself a bit closer to the fray, hearing the loud and heavy boots of the gang following the runner, not far behind.

Then, he squinted into the dusk as he watched one of the entrances from his perch up high... and almost choked on his own saliva!

In comes none other than Hobie Motherfucking Jones, streaking down several steps like a shooting star, clutching onto… something tucked under one of his arms. He was breathless, panting loudly, and heading straight for the Belvedere Lake.

Upon hearing the heavy bootfalls get ever closer with every passing second, it seemed that Hobie got the idea to attempt a last-minute juke by throwing himself underneath the stairs that faced the lake, tucking himself as tightly as he could under the massive stage at the center.

Spiderman watched all of this happening with wide eyes, holding his own breath in. He prayed that the ugly thugs didn’t see Hobie’s sneaky last-second move, but climbed up high onto the stadium lights and prepared to swing down anyhow, just in case.

What was Hobie even doing here, out at this hour? And what the hell did he manage to steal that was so important to these men anyways? It was quite a chase they were caught up in, running nearly two entire miles all the way up to the amphitheatre just to catch him, and that was only from what he could see when he swung into action.

The group split up and pulled out flashlights, determinedly searching the bleachers and corners as best they could while the sky rapidly darkened above them.

From right below the webbed crime-fighter, Hobie poked his head out from the shadows and took a peek.

No, no, duck back down! Spiderman wanted to shout, but he couldn’t.

No one knew he had followed them and he was safe high above the action where he balanced himself on the metal bars that housed the bulbs. His muscles tensed as the bright beam of light from one guy’s flashlight swept a little too close to Hobie’s head. Damnit.

Spiderman couldn’t just sit there all day! He had a friend to save, stolen item be damned!

He rechecked his web shooters furtively and took aim.

He set his sights on another stadium light pole across from the stage, figuring that if he was quick and agile enough, he could time his swing well enough to scoop Hobie up from where he was hidden and avoid any detection. Hopefully.

Seemed like a solid enough plan though, until Hobie just. Shot out from his hiding place all of a sudden, the heels of his boots rapping loudly against the cement and echoing all around the stage as he made a beeline for the lakefront.

Shit!!!

Miles wanted to kill him. Those guys didn’t even suspect he was hiding where we was in the first place!

... Okay, plan B!

Spiderman’s brain whirred at breakneck speeds as he watched the thugs exclaim loudly and give chase yet again, this time much closer to Hobie than they ever were before.

Without thinking, he swung down from his perch and bowled over a couple of men in his haste to simply just… grab Hobie like a damsel in distress and fireman-carry him back around the gang to get a good line of web onto a nearby pole.

The men all cursed and shouted in surprise of course, flashlight beams waving around everywhere.

One of them even yelled, “what the hell was that?!” like a character in one of his dad’s favorite cheesy slasher movies.

Spiderman was too fast for them, a black blur simply whizzing by as he grabbed Hobie and hoisted the both of them up into the air with a mighty leap. Hobie yelped in surprise, grunting from the effort, and seemed to let whatever he stole slip out of his hands which then clattered loudly onto the ground below.

The thugs rejoiced then, shaking fists at Hobie and his rescuer as they flew up to the top of a tree and detached themselves so they could fall onto the stadium light opposite from Spiderman’s initial hiding spot.

Spiderman didn’t stop until he attached another web up to the lights and dangled there for a bit. Adrenaline still coursed through his veins as he shifted Hobie off of his shoulders and let him slide slowly onto his side, his friend’s wiry arms clutching him tightly.

They both watched with rapt attention at the goings-on several feet below them.

The thugs congregated around the fallen item, picking it up and turning it this way and that. It looked like a briefcase, though with the low lighting it really could’ve been anything. It was only when one of them-- the biggest and burliest of them all-- shouted out another colorful swear word that Hobie then seemed to come back to himself again.

He squeezed Spiderman’s shoulders with his arms and kicked at him. They swung a bit from the wiggling.

“Ouch!” Spiderman hissed, as quietly as he could. He was hoping the dark dusk would conceal their position now as long as they made No Noises, but even that wasn’t guaranteed.

“Go, go, go, go, man! Let’s get out of here!!” Hobie hissed right back into his ear, his face mere centimeters away from Spiderman’s mask.

Spiderman stubbornly ignored the heat radiating out from his face at that realization and jerked this way and that, looking for an easy escape from their conundrum.

Flashlight beams danced around the ground before finally swinging up to the trees and catching sight of a pair of shoes dangling in the sky.

The biggest and meanest one of the bunch pulled something out of his pocket and took aim.

Bullet! Spiderman’s senses screamed into his cerebellum.

“Goddamn,” he huffed ruefully as the shots rang out. Hobie panicked. “Bullets for us? That’s a little harsh, isn’t it?”

Hobie clung onto his hero for dear life. “Brother, if you do not get a move on from here, we are both gonna get turned into fish filets!” He shouted into Spiderman’s ear.

“Ow. Okay,” Spiderman grumbled, sticking himself to the side of the pole they dangled from and readjusting Hobie so that he clung onto his back instead.

He took a deep breath and narrowly dodged a bullet that whizzed unnervingly close to their heads. Hobie yelled again.

“Okay, okay, okay,” Spiderman began, speaking quickly. “Hold on, okay? Hold on tight. Just hold on and do not let me go for even a second!”

“On it!” Hobie shouted back, legs kicking a bit before wrapping themselves tightly around Spiderman’s torso.

They both took a breath and then Spiderman jumped, gaining some air before twin webs erupted from his web shooters-- aimed directly towards the seating area entrance.

Together, he and Hobie rocketed from their airborne position towards their escape route once the fluids connected to solid architecture. To his credit, Hobie only whimpered a little bit through the ride.

The thugs had no chance! They stumbled on tired, aching legs towards the very door the two teens had left out of, complaining and cursing some more as they searched through the steps and made their way out onto the theatre’s general admission and concessions area.

They searched and searched through the bushes and trees, going so far as to even check the sculptures near the structure.

After several tense moments of gruff shouting back-and-forth, the search eventually died down until only a couple of the men were left sweeping the area once more. The others had already given up their fruitless endeavor and called it a night.

“Fucking kids, man. What the hell,” Spiderman heard one of them grumble before kicking at the Romeo and Juliet statue angrily and following the rest of his cohorts down the path towards the Great Lawn again.

Hobie and Spiderman let out matching sighs of relief then, happy to have given the men the slip by managing to hide behind the giant 3D Delacorte Theatre sign right above the box offices. Lucky for them, most people don’t think to search behind lit-up signs, so they went completely undetected.

“… Wanna let me know what you were doing here this whole time? You could’ve gotten killed!” Spiderman breathed. He wanted his tone to be sharper, more authoritative… but he was just so glad to see his new friend still in one piece instead of riddled with more holes than a chunk of swiss cheese!

Hobie scoffed, tucking a loc behind his ear and sitting back. Thanks to the lighting of the sign and the other park lights in the area, Spiderman could see him digging around in his coat pocket and fishing out-- a USB drive?

Hobie held it up triumphantly, sleepy down-turned eyes glistening with pride.

“I got it! Suckers! Screw them by the way, I’m not the thief, if that’s what you’re wondering,”

Well. He was sneaky, alright. Spiderman had to hand that to him, at the very least.

He sat back on his heels as well and exhaled. “Fine. I believe you. What’s on that drive?”

Hobie squinted at him then, really giving him a good once-over now that the excitement had officially died down. “…Damn. You’re Spiderman,”

“Yeah, yeah. Hey, hi, nice to meet you, I’m your friendly neighborhood Sp-- ugh, seriously man, just tell me what all of that was back there or else I’m webbing you up and calling the cops.”

“Hey!” Hobie objected. “Like I said already, I’m the good guy here. I snagged this from those guys because I caught them snoopin’ around the museum over that way. I followed them and found out they were stealing this!”

Spiderman bobbed his head. “Okay? And what’s on it?”

Hobie turned the drive over a bit in his hands, admiring it. “Most likely? Security codes, schedules, maps. I’ve been uh… investigating those dudes for a while after watching them sniff around the museum for a few days now. It looks like they were just art thieves plannin' a heist, so I jumped on the opportunity to deliver justice myself.”

Hobie’s mischievous grin was met by Spiderman’s disapproving stare.

“And why didn’t you just call security and let them know? Like I said, super dangerous thing you did back there! If I wasn’t there to save you, you could’ve died, man.”

Hobie pocketed his USB drive again and rolled his eyes. “Y’know, for a vigilante hero with cool superpowers, you sure are a square.”

Spiderman sat up and placed a hand on his chest, feigning hurt. “Oof, ow. That’s mean,”

“Yeah, it is, but you know I’m right. If a kid like me walked up to some cops and tried to warn them of a possible art heist, you just know those pricks’ll laugh in my face and do literally nothing about it. I had to take matters into my own hands!” Hobie jutted his chin out defiantly.

Well. Couldn't really argue with that, especially considering PDNY’s less-than-stellar track record of taking preventative measures most times. All that they would most likely do is nod along to whatever Hobie was telling them and chuckle, shaking their heads as they walk away. Not their problem.

Spiderman rubbed his chin. “Point taken," he conceded. "So what’s your plan now?”

Hobie glanced around, as if he was checking for any eavesdroppers. “I’m gonna submit some photos to a journalist I met online before turning this in back to the museum. The journalist’ll help get those guys behind bars once a story's published and some actual adults talk to the cops. I am going to go collect my reward,”

Spiderman blinked. He had a bunch of questions swimming in his head, but the first question out of his mouth was, “what reward?”

“The reward for turning in precious security info, genius!” Hobie tapped at his forehead with a finger and grinned. “If I get to negotiate with them, I can get some money to save up and-- uh. Nevermind. Listen, are you gonna rat me out or not?”

Miles’ brow creased behind his mask. “… I don’t think I will. Sounds like you’re doing the right thing… mostly.”

Hobie cheered silently. “Yes! Okay, I take it back, Spidey. You are cool!”

Spiderman sighed. “But first, I need to know you’re gonna be safe. Like, actually, and that you’re not gonna get followed home.”

Hobie shrugged nonchalantly and pushed more locs out of his face again. “Yeah, you can walk me home if you want,”

“No, that’s not what I mean. I mean, that’s not the only thing I mean. I need you to promise me that you’re not gonna get into stupid stunts like this again. That was so dangerous and you really could’ve gotten hurt!”

Hobie exhaled as well. He stared intensely into the mask’s giant white lenses for a beat, making Spiderman shift uncomfortably.

Then, he held up his pinkie. “… Fine. I won’t do stupid shit like this again. I promise.”

Spiderman blinked a few more times and hooked his pinkie onto Hobie’s. “Uh. Okay, cool! Cool, that’s what I wanna hear, considering keeping New Yorkers safe is my job! I just wanna see you safe, that’s all. No more art heists, you gotta leave that to the professionals to handle,”

“What, professionals like you? You might’ve not even gotten to them in time before they snuck off with like millions of dollars worth of art, bro.”

“Anyone ever tell you you are just so mean? Dontcha have a little faith in me? The ‘vigilante hero with cool superpowers’?” Spiderman shot back.

They both laughed.

“Seriously, though. I do appreciate the fact that you saved my ass back there,” Hobie admitted, eyes cast downwards for a second. “I was actually gonna throw this thing into the lake and hope this drive got eaten by like… a fish or something.”

“And what about you?” Spiderman smiled despite himself.

“Well,” Hobie shrugged. “If I died, I died. I guess,”

It was Spiderman’s turn to scoff now. “You have a family, man. Don’t be ridiculous. You have friends and family that would miss you!”

Hobie’s expression turned dark, his entire face shadowing for a second before being replaced by cool detached nonchalance. A slight hint of annoyance stayed put underneath.

“… My family’s barely my family. I don’t have any friends, either. Don't worry about me.” Hobie admitted in a clipped tone. He stood up abruptly and started doing some casual stretches.

Spiderman stood up as well, knowing fully well how this song and dance was going to go.

He would never admit it out loud, but he’d seen his fair share of self-destructive citizens throwing themselves into the middle of danger in the short time he’d been doing this whole vigilante thing. He had talked many a melancholy or manic person from tossing themselves off of multiple different buildings, different bridges, stopped them from “falling” onto train tracks.

And as loath as he is to admit it, this Hobie’s particular brand of cool detachment was entirely too familiar to him as well.

A flash of his uncle Aaron’s face lit up a part of his brain that he hadn’t really allowed himself to acknowledge since that fateful day. He quickly stamped that out.

He cleared his throat and rubbed at his neck. “… Well. That sounds pretty depressing, man.”

He didn’t notice Hobie’s shoulders hitch at that phrase.

“But,” Spiderman continued, “You got people out here who care about you, even if you don’t know it. You’re still so young, you could be ending your life before you even meet, like, your favoritest person in the whole world, right? So just do me a quick favor, take care of yourself. For me. Live long enough to meet your favorite person, alright?”

Spiderman put on his best comforting expression that he could despite the mask most likely getting in the way of Hobie fully seeing it. He hoped his words were enough to convince him not to dive off the deep end, at least not anytime soon.

It seemed to work at least a little bit, because Hobie looked back at him with a much warmer-- albeit hesitant-- expression.

“Can I ask you something?” Hobie finally said after a few moments of silence.

“Uh, sure.” Spiderman replied.

“Do you know about a kid named Miles Morales at all?”

The air was sucked out of Spiderman’s lungs right then as he floundered like a fish for a minute, brain working into overdrive to make his answer sound both intelligent and convincing.

“U-uh, maaaybeee? I dunno, I meet a lot of New Yorkers everyday and I don’t get many names, yanno? S-sounds familiar, but sorr--”

“I knew it,” Hobie exhaled a laugh and surged forward to embrace Spiderman with both arms.

Spiderman stood frozen in his place, arms held in mid-air as he worked to process this.

“Uh. What--”

Spiderman felt Hobie’s chin dig into the side of his cheek a little as he turned his lips to his ear. “Your secret’s safe with me, by the way. I’m not telling anyone,”

Miles felt his whole world turn on its axis before shattering completely.

Oh no, no, no, no, no! Goddamnit!

Miles pushed Hobie off and stepped back, holding his hands up. “Oh hey, whoa, whoa, whoa. I dunno what you’re thinking or who you think I am, but--!”

Hobie sighed loudly. “Miles, I saw your suit.”

The world screeched to a halt.

Hobie picked his gaze back up off of his feet and even seemed apologetic, almost. “I, uhm. Like, back on the roof. At Visions. I wasn’t… a hundred percent sure I saw it, since it could’ve been any logo at all, but. Well, you’re a pretty bad liar too, y’know that, right?”

Miles sucked in a slightly shaky breath, gulping loudly. “Uh. W-well,”

Hobie smiled shyly. “You, uh… you’re like around the same height as Miles Morales, anyways. And you sure sound a lot like him, too.”

Damn. Damn it all.

Miles spun this way and that, placing his hands atop his head as he panicked slightly. “H-Hobie, you cannot tell anyone else about this, whatsoever. Do you understand? No one. At all. Or we’re both dead!”

Hobie held his hands up, lines creasing in his face. “Look bro, you’ve got secrets of mine too. We pinkie promised, remember? I don’t break promises.”

Miles didn’t point out that the promise was so that Hobie would stop getting himself into stupidly dangerous situations, but he accepted it anyways, albeit reluctantly.

“D-do… do you actually, like actually promise me you’ll never breathe a word about this to anyone? Ever? At all?”

Hobie held up his right hand into the air, as if taking an oath. “I, MJ, solemnly swear to never breathe a single word to anyone about your super secret identity, so help me god.”

Miles planted his fists on his hip and shook his head. “Oh my god,” he exhales on a shaky laugh.

“Don’t you believe me? What would I have to gain by selling you out? Oh,” Hobie stops suddenly, perking up. “We could even work together! I got me my sweet camera and my extensive connects, man. Think about it!”

“No, no. Hobie. Stop that, man. I’m not putting you into any danger after I just saved your skinny butt. Spiderman doesn’t do sidekicks anyways,”

Hobie looked a bit put out, but shrugged anyways. “Well, I mean… think about it sometime. We could seriously take down criminal activity around here, if you’re down! And, uh. You do have my number,”

Miles looked up and took a deep breath. “Mmnyes, I do. I do have your number. That’s… I mean you’re not wrong about that. Listen, I think it’s getting pretty late and we should both be heading back home now, though.”

The corners of Hobie’s mouth curled up mischievously. “True, true. It is a school night, after all.”

Miles couldn’t stop grinning despite the heavy anvil that threatened to burst out of his chest. “Yep, yes it is! Okay, time to get you home now. C’mon, let’s go.”

Miles moved to step into Hobie’s space and carry him on his back again so he could lower the both of them down from the lip of the theatre roof.

But before that happened, he felt Hobie place a cold but strong hand on his shoulder, stopping him.

Miles looked up inquisitively and felt his breath catch in his throat as he felt those same hands slowly slide up the smooth spandex of his suit, up his shoulders, and then they stopped at his neck, at the seam of where his suit and mask met.

The entire thing probably only took a few seconds to do, but to Miles it felt like eons passed as he felt every single muscle twitch and the pulse beating underneath Hobie’s skin while he ran those fingers up his arms.

He was standing so close to him! Oh god!

The entire ordeal was unbearably intimate, and Miles could barely stop the shudder that wracked his body suddenly.

Hobie’s soft lips were slightly parted, the lighting of the sign next to them caught in the dark brown portals that were his eyes.

“U-uhm. Sorry, this is weird...” he mumbled quietly. But his hands didn't move.

All around them, crickets started their soothing chorus.

Here they were, right behind the giant lettering of the Delacorte Theatre, intertwined in each other’s arms on a cold night-- and Miles’ core body temperature has never felt hotter before. He felt like he could melt steel, the way this night was going. He didn’t know when his hands raised to grasp onto Hobie’s arms, but they must’ve done it of their own accord because Miles then felt himself squeezing softly onto Hobie’s biceps.

Slowly, painstakingly, and carefully… Hobie made his move.

Every centimeter of the mask being pushed up was accompanied by a soft look that asked-- no, it begged-- for permission to continue. His hands seemed to move on their own eventually, as he slid the mask up over the back of Miles' head and then eased it up off of his nose.

Hobie wore a soft look of determination then, that fully came into view again once Miles felt his mask slide right up off of his eyes. Hobie’s soft hands eventually fell away, mask in one hand, no sounds in the air except for the wildlife of the park starting to wake now that the night has officially fallen.

Miles wasn’t sure why he did, but he held his breath.

After a few seconds of appraising gazes from each other, pupils meeting pupils, exchanging a million words a second with just a few looks… Hobie grinned beautifully.

“Damn. There you are,”

Miles felt a plume of heat erupt from his gut and rush up to his face. “Uh. Hm, y-yep. Here I am,” he blinked back at Hobie with his big brown eyes.

Hobie had a look of pure joy on his face before it started to melt away suddenly. “You know… I should backstab you for abandoning me out of nowhere that one time, though… I really should...”

The moment collapsed like an undone web, a delicate thing now completely destroyed as Miles leaped up in indignation.

“Hobie!”

Hobie stepped back and laughed loudly. “Re-lax! I’m not gonna actually do it. But. Y’know.”

“And if you do, I’ll leave you webbed up to that billboard near Visions,” Miles threatened, mostly light-heartedly.

“Psshh, and then get my mom’s two million lawyers on your ass? Good luck,”

“As if they could ever catch me! I’m Spiderman!”

Just as easily as they had stepped out of being just kids for a moment, they stepped right back into it, bickering like they'd been friends since forever.

Miles lowered the both of them from the sign and they headed towards the eastern side of the park, making their way over to Hunter’s Gate. They bickered and bantered back and forth the entire way there, and it was only once they made it to the outer gates of the park that Miles stopped them both.

With his mask back on and other New Yorkers now milling nearby, Miles made it a point to lower his voice as he turned to Hobie and puffed his chest out heroically.

“So, random citizen. Where are we off to today? I told you I’d take you back home safely, and that’s what I’m gonna do.”

“’Cause you promised, right?” Hobie smirked, tucking his hands into his coat pockets.

“Uhm. Yeah, yeah. I did. So, lead the way!” Spiderman made a grand ushering gesture, and Hobie chuckled good-naturedly as he stepped aside and exited Central Park.

“You gonna walk me home, Spiderman?” Hobie threw him a side-long glance.

“Yyyeah…? Why? You’d rather swing home?”

“I liked swinging, actually. Yeah,” Hobie stopped where he was on the sidewalk and nodded with an air of finality. “Yeah… let’s swing!”

Spiderman felt his heart do a few somersaults in his chest before he gestured towards his shoulders. Hobie quickly assumed the position, long lanky arms wrapping around him and leaning his body weight against Spiderman’s side.

Spiderman shot up a web to a nearby street lamp and gave his friend one more glance.

“You sure?” He asked again, really making sure that Hobie was okay with this. Not many people really liked swinging, which was understandable. Even Miles wasn't the biggest fan of it at times.

Hobie chuckled and ignored the onlookers as they slowly ambled past the two, throwing the teens questioning glances as they made their way past them.

“Yeah, I am! Let’s go,”

.

.

.

.

.

.

.

.

.

.

Miles: Do you actually actually really like on your LIFE promise that you’re not ginna tell a soul about… well…

Miles: gonna*

MJ: Yes, Miles. I PROMISE [eyeroll emoji]

Miles: I KNOW WHERE YOU LIVE

MJ: Do you actually, though? ;)

Miles: No. But I can find out… I got connects

MJ: Uh huh. I’ll tell your “connects” that if you don’t take me out on that promised lunch date, our friendly neighborhood Spiderman just might be the next trending topic on ALL social media apps again very soon……..

Miles: Oh my god. You are Evil. I can’t believe this. My next arch nemesis… damn

Miles: What a killer plot twist. The greatest foe I have yet to face happens to be none other than one of my very own classmates

Miles: It be ya own people

From his family’s Lower Manhattan penthouse, Hobie laughs out loud as he reads the text messages, ignoring all of the curious glances thrown his way by various members of his team.

From Miles’ own humble dorm room at Visions, he laughs aloud as well.

[servospawn]

i've noticed a bit of discourse over the span of me being back here about peer recognition &what that does to a person's mental on socials.

idk if it's because of my inactivity or because i've just been on tumblr for 10+ years but it really puzzles me when i see someone fretting over the amount of notes and/or social engagement their posts seem to lack. of course we as humans love peer recognition &validation but i'd hate to think that's all some people care to focus on when it comes to their blogs.

i think we all should be posting whatever we want without trying to calculate how many notes we'll receive on any one single post because that's setting yourself up for disappointment. if you're a simblr.. i'd like to assume you came here because you enjoy playing your game, creating content or using it as a creative outlet to express your form of individuality.. the notes in this case should sort of act as a bonus.

people have lost their heads.. ranting in txt posts about their content "flopping" or feeling like they don't belong here.. &it's just like.. take a deep breath.. it's okay.. you'll survive. also idk what flopping is when it comes to simblr, because.. if i get anywhere between 10-100 notes from loyal followers that have engaged with me from day 1, can recognize my OCs &are genuinely paying attention to what's going on (because they care that much).. that's a hell of a lot more rewarding to me than amassing 500-1k notes because a popular simblr randomly decided to reblog me that day.

please learn to love your game, your blogs, your cc & yourself. because what's the point of notes if you're not even genuinely happy with your game in the first place? you'll continue to have unrealistic expectations &end up in that rabbithole of forcing yourself to do tzrs, spam liking &reblogging others just to get that in return &trust me it comes off super fake &people will notice that too.

[vaguely-concerned]

if we get a scene with varric in the fade somehow (listen if just bleeding a bit in the general proximity of the ritual was enough to soul-hook rook into the fade, population: solas district for the foreseeable future, what the hell is going to happen to varric after having the whole dagger buried in his chest?? I'm scared) where he lifts his head as if he heard a voice no one else can perceive and just goes "...hawke?", it'll be over for me