#so great to see him onscreen again

[sensitivehandsomeactionman]

Jensen Ackles as Russell Shaw | Tracker 1.12

[shannonsketches]

he's so important to me

[docmerlin]

sk8 fandom complaining abt adam existing in promotional art for the new stuff is like if one piece fans got mad every time we found out the next season has luffy in it

[tobiasdrake]

Here we go. It's time to talk about my personal fave. As I said before, this is my Main. In Dragon Ball fighting games, this is the character I seek out to play whenever the roster allows. Also arguably the character who's been done the most dirty by just about every form of Dragon Ball, manga included.

The vanguard of a brand new status quo and a brand new direction for what Dragon Ball would even be, washed away by the tides of a status quo resetting to zero.

We're here to talk about the champion of Satan City who carries the spirit of Dragon Ball in her heart: Videl.

(And that is one cookie to @jcogginsa who guessed it.)

Videl was a kid with a chip on her shoulder. I mean. How could you not be? Her father was the legendary world martial arts champion who famously defeated Cell seven years ago.

Don't pay attention to that. He just tripped for a moment. Once he got his second wind, he came right back and showed Cell what for! It was due entirely to Mr. Satan and nobody else that the Earth was spared from the apocalyptic horror that is Cell.

Look, he even said so himself.

Are you gonna call that man a liar? The man who defeated Cell!? I think we can trust Satan's word over yours.

This is the shadow that Videl grew up under. Raised in what had previously been called Orange City, but was renamed Satan City in honor of the world's greatest hero.

Or "Hercule City/Herculopolis" in the versions that edit out Satan's name.

As his daughter, Videl has a perspective on Satan that neither the world nor the audience gets to see: He's a womanizing playboy who cashes in on his world-savior fame for booty.

He also forbids his teenage daughter from dating by putting up the stipulation that any boy interested in her has to be stronger than him, the world champion - A stipulation naturally designed to weed out any possible suitors through intimidation. Wanna date Videl? FISTFIGHT THE MAN WHO DEFEATED CELL.

Oh, but he doesn't teach her a goddamn thing; At least, not anymore, as she does suggest there was once a time when he was her mentor. She's forced to study martial arts entirely on her own because her dad is utterly disinterested in her development in the art.

This is an angle on Satan we never get to see onscreen. Apparently he's pretty shitty about women. You know, I can believe that.

Videl, when we meet her, is trapped in an unenviable position as a martial artist. She hates what the fame of being a legend has done to her dad and wants to knock him down a peg, but she has no foundation to develop her abilities from. The one man who's supposed to be teaching her isn't doing it, and she's been passively discouraged from pursuing more esoteric martial arts because the world champion said that stuff's all fake.

Videl makes for a fascinating foil to Gohan, because they're both children living in the shadows of legendary fathers.

Gohan is expected to be Goku's successor, but wants to live a peaceful life of academia. Meanwhile, Videl is being denied the ability to become Mr. Satan's successor, but craves the opportunity to prove herself.

Nonetheless, both of these kids are prodigies. Videl has a wealth of potential. She doesn't even realize that, despite these limitations, she surpassed her father long ago. Despite being a self-taught teenager with zero comprehension of ki cultivation, Videl hones her skills and developers her art the only way that's available to her: By punching it out with armed robbers in the region.

Backpack Town isn't even her city! She's a one-woman SWAT team for the tri-state area.

As ambitious and driven as she is, Videl is also clever. The anime extrapolates the adventures of the Great Saiyaman into a several-episode arc as Gohan deftly avoids detection by Videl over and over again, but this has the knock-on effect of depriving Videl of one of her best moments.

Because she pegs him instantly. She was already suspicious of Gohan being the mysterious "Golden Warrior", when he tried to use his Super Saiyan form to disguise himself as a superhero.

Which also showed that she was open-minded about the other people who fought Cell. Satan says they were doing a bunch of tricks, but Videl's willing to consider the possibility that there exist people who can turn blond on command.

And then Gohan did this shit.

Because he was raised in the woods by the devil and Goku. Despite trying to keep a low profile, he has absolutely no idea what the baseline for ordinary human ability is.

So. Y'know.

That's pretty fucking suspicious.

Which brings us to Gohan's second outing as Great Saiyaman, and his first meeting with Videl under his new identity. Whereupon she, uh....

Plays him like a fucking sap. It's a great moment that doesn't get its due if it takes several episodes and misadventures for her to reach this point. Videl is exceptionally skilled in the field of paying attention to that time Gohan jumped thirty feet in the air and naturally drawing conclusions from it.

And also his voice and posture and other dead giveaways. Gohan sucks at secret identities.

He's just. So obviously Gohan. There's no way anyone would be fooled by this.

But she's not only adequate at seeing things with her eyes; She's also a legitimately brilliant martial artist in her own right. Due to her upbringing, she's had zero experience with ki cultivation for obvious reasons.

And yet she's talented enough and smart enough to pick up the basics of Bukujutsu in one day.

Oh, don't mind her; That's just Videl making a mockery of Tsuru-senryu by effortlessly devouring their signature technique. This is Goku's first Kamehameha all over again.

She may have started small but Videl learns fucking fast. She has all of the drive and the ambition that Gohan lacks. She wants to be part of this world, she has a ravenous hunger for self-improvement, she's clever and observant, and she picks up concepts insanely quickly.

Videl is fucking primed to be a key player in Dragon Ball's next generation.

...

So now we need to talk about what happened to Videl.

Videl has one major fight in the entire series: Her 25th Tenkaichi Budokai bout against Spopovich.

Which she absolutely dominates. She's stronger, better, and faster than Spopovich. Even the experienced martial artists agree that she's infinity times better than him in every way.

But there's something wrong with Spopovich. He's a decent martial artist, far from the top; He'd competed in the 24th Tenkaichi Budokai and made it through the qualifiers, but was eliminated in the first round. So, y'know, he had no chance in hell against Videl; She's already surpassed Mr. Satan, who won the 24th legitimately.

Uh, by virtue of none of the Kame-senryu or their rivals attending. Mr. Satan is top dog of the same weight class as Pamput from the 22nd.

But, despite being outclassed in every category, Spopovich is also a dead man walking.

He's similar to the Androids in a sense. Spopovich has no ki signature at all, nor does he get worn down by the damage he's taking. This is Vegeta vs. 18 and Piccolo vs. 17 all over again; He isn't feeling the pain from the hits she's landing on him, and so he's able to outlast.

But Spopovich isn't an Android. He's more like a zombie?

At one point, Videl cuts loose and breaks his goddamn neck. Because he's pushing her hard enough that she realizes she needs to go harder, but his body can't take harder. He isn't a match for her. He just. Isn't going down despite not being a match for her.

He can't take this level of force. But he and his ominously vacant absence of ki can put his head right back where it was and continue the fight, no problem. That's honestly scarier than if he'd regenerated.

Also despite not even having the barebones ki signature of a normal person, Spopovich can perform Bukujutsu and fire ki attacks.

Which a fighter of his meager ability shouldn't even be capable of.

All of this adds up to an unwinnable fight for Videl and the setup to... Something. This match has been criticized pretty heavily in the fandom because it gets pretty gruesome and doesn't have a payoff.

We've seen fights go fucking bad for our heroes before. Piccolo once broke all of Goku's arms and legs as well as shooting a hole in his chest, right here in this same arena.

But it's typically building to something. When our heroes get trashed, it's the lead-up to a reversal down the road. Maybe in the same fight. Maybe in a later one. And we seem to be heading in that direction?

After Spopovich and Yamu leave the tournament, we get VIdel a Senzu and she's right as rain.

Spopovich and Yamu steal energy from Gohan and fly off to Babidi's Ship so they can awaken Majin Buu. Kaioshin recruits the various protags to make that not be a thing that happens. And then. Something switches in the narrative flow of this arc.

You can feel it happen.

As our heroes prepare to pursue Spopovich and Yamu, Videl volunteers to join in as well. She's had her eyes opened to a whole new world or possibilities and is hungry to develop her abilities.

And. Then. One chapter later. It's suddenly decided that Videl will not be a part of this storyline after all, and she basically leaves the plot forever.

WHOOPS! Never mind! Didn't want this character here after all. Go home, Videl.

While her adversary Spopovich is unceremoniously unwritten from being a thing that exists.

Babidi just. Kills him. For no reason. Even though his job isn't done yet. Babidi's like, "Oh good, you collected a fraction of the energy we need; That's fine, you can be fired. I don't need anyone to finish the job."

We're just. We're not telling that story anymore. We already threw Videl in the trash; we don't need her nemesis. We're doing a different thing.

Also, because we still have too many characters in this scene, Dabra erases Krillin and PIccolo with magic spit that never comes up again or is meaningful in any way.

You'd think this would be, like, setting up something? Like. Having witnessed it ahead of time, Gohan's able to figure out something about the way Dabra's spit works. So when he fights Dabra in a climactic battle, he can turn this around.

Like when Goku was able to counter Tenshinhan's Taiyoken/Solar Flare in the 22nd Tenkaichi Budokai, because he'd seen it before and understood how it works. That's usually what Dragon Ball does with this sort of advance notice of opponent abilities.

But. No. The most this ever comes up again is that it momentarily costs Gohan one of his gloves. It's just here to winnow down the cast because Toriyama brought too many characters to this scene.

You can feel the burnout taking hold. As janky as the Android arc was, the Buu arc's level of jank is through the roof.

And that became it for Videl. Denied any sort of payoff for her one fight and instead relegated to background character, Videl never got a chance to live up to the intriguing potential she was introduced with. She was the face of a new direction for Dragon Ball, a direction that ended up strangled in its crib as the series reverted to old ideas and old formulae - strangling her along with it.

Videl is a character I look at and can't help but wonder what could have been. What could have been if Gohan got to keep his focus, and Videl got to remain a key player in a story about him? What could have been if we got to see Videl developing her skills at the same fever-pace that she learned Bukujutsu with? What could have been if she got that rematch with Spopovich she seemed to have been promised by the narrative, and then got to stay involved throughout the Buu arc?

But I guess we'll never know.

[dynamightsfave]

bakugo katsuki—interviews

bakugo katsuki fucking hates interviews. in every shape and form. public conferences? "i did my fucking job. the building crashed down because the base sucked ass. that's not my fucking fault" one on one interviews? "why the fuck do they have so many damn questions about my methods? let them try and do what i do!" talk shows? "if you're not gonna ask me about my job, i don't know what the hell i’m doing here, my personal life is my goddamn business. also, if i wanted comedy i’d go to the fucking circus, at least the clowns wear their actual uniform instead of shitty suits"

safe to say, dynamight is every interviewer's nightmare. he's a wonderful and attentive person off camera (he’s still an asshole, but a nicer one), but when you start asking him questions and place a camera on his face, the brass defensiveness, one of the things that lingers from his stubborn teenage years, shines through. that and that mouth that curses more than a sailor in their golden years ever has. there's offers to take him of course, being in the top ten heroes ranking of not only japan, but the whole world. he's mostly partnered up in these interviews, so there's someone to lead the talking and answer for him when he doesn't want to give into "the stupidest fucking question he's had the misfortune to hear". 

red riot and shoto are the ones that are usually designated as his babysitters, but other old classmates have appeared onscreen with him as well. even deku, now a teacher, has made special features. but there's never much demand for an individual interview with pro hero dynamight, and if there ever is, bakugo usually rejects them without looking much into it.

which is why, his secretary was very confused when the mention of a last attempt at a talk show made his boss perk up rather than frown instantly. his lip didn’t instantly curl with a groan and his red irises didn’t meet the back of his skull. instead, he curiously eyed the schedule placed in front of him, and gave a curt nod in thanks when he was done. ryu developed a sense of uneasiness that took over his system. surely that was a sign of the end of the world. but he couldn’t really say anything, pinky and chargebolt recommended the interviewer and swore it would go well. maybe they were right? they needed it too, dynamight hadn't appeared on many public events lately. so there's that, now he just had to pray bakugo didn’t fuck it up.

and that brings us to right now, with dynamight taking a seat in front of you and the public’s applause dimming. the tension that fills the air lingers in the audience, and for once, bakugo and his interviewer seem to be completely at ease. ryu can’t help to think to himself that this is yet another sign that the world is about to end, and he wonders if he should call up his family to say a final goodbye. for now, maybe it’s better he focuses on what’s in front of him.

"great explosion murder god dynamight!" you smile at him, as if he was a friend you’re glad to see again, "so glad you could make it!"

you have that magnetism that makes every guest comfortable around you, familiarity being the base of your show. it’s a big part of why it became so popular, the charming host that interacts with their audience and speaks their mind in such an easy way.

katsuki smirks, chest a bit puffed and fingers drumming the armrest.

"sort of didn’t have a goddamn choice, did i?" while his response only makes the people watching tense more, you only chuckle, nodding as if you understood like nobody else.

"we’re our managers’ puppets aren’t we? either way, wonderful to have you," and goddammit, you never sound insincere, "these days it’s hard to have a minute of great explosion murder god dynamight"

"you know what they say, villains don’t rest. and if they don’t rest that just means us heroes have to work twice as hard as them" did he just answer without cursing? oh the world definitely ends today.

bakugo maintains eye contact with you while he lounges on his seat like he owns the place. he’s made hundreds of interviewers and others shrink with that attitude of his, but from the looks of it, you’re not only not one bit bothered by it, but you almost encourage it. your arms flex as you lean in towards him, agreeing with him.

"all right, since i don’t want to waste much of that precious time of yours..." eyes twinkling, you could even say teasing—dare i say flirty—, you tap a small melody onto your notebook with your pen, "let’s dive right in to the questions! promise this won’t be long. first off, i want to solve a doubt i’ve had for some time now"

he arches a brow, accepting the challenge. there’s the same amusement in his eyes that yours have, it sends chills across the room. it’s so weird to see the bakugo katsuki being not mean to someone that isn’t a little kid or a polite fan.

"i’ve said it a couple times now, and i have to admit it’s a bit of a mouthful. “great explosion murder god dynamight”. why that name? how on earth did you come up with it?"

it’s funny. you say it as if it isn’t a mouthful. quite the opposite, it rolls off your tongue like quick, flowing as if it’s escaped a million times, a prayer you know by heart. bakugo rolls his eyes, similar comments follow him practically every day everywhere he goes since he made the name up. he’s built up skin to them, not that they ever bothered him, he’s pretty proud of his hero name. some might say too proud.

"it’s a reflection of everything i am," he winces after a second, "maybe not the murder part."

"i do hear die is one of your favorite words tho"

"yeah well, it’s good to let the emotions out or whatever the hell. i try not to say it as much anymore, people say it’s rude or some shit," his hand makes a fast motion, as if to sweat it off, he really doesn’t give a damn, "anyway, the name’s like that because it had to embody how fucking awesome i am"

"ah, that makes sense," you nod along, not bothered by the curses, "a loud and bright name like your explosions. it does suit you"

at the compliment, the smirk returns to his lips, a small huff with it. he shuffles around to sit higher, now getting an idea of how this interview is going to go. katsuki finds that he doesn’t really mind it, at least the questions are off to a good start. and the host... well let’s just say he likes this one.

"i know, i picked it myself," he states, and you can’t help but laugh at how sure of himself he is. reminds you of a 6-year-old, not a single ounce of doubt in his body about how cool they are.

"would you say it was inspired by something else? maybe a hero you look up to?"

"nah, ‘t was all me," liar.

"i see. a unique name to say the least. but on the topic, is there any hero that you look up to? someone you aspire to be like. other than, i'm sure, best jeanist"

"obviously," he repeats, "but i mean; every kid and their goddamn mother has dreamt of becoming all might, he was n.1 longer than anyone. i’m sort of a basic bitch that way. when i was little i wanted to be like him, so i followed that dream until i made it real. and now i push myself to be as great as he was and more. plus ultra and all that bullshitr"

"wow. sounds like hard work," he grunts in agreement, and you purse your lips, "we all agree all might is a one of the greatest symbols we have, must have been incredible to be able to study under him. you mentioned the school’s motto. can you tell us about that? the ua days?"

katsuki smiles, his eyes drifting away to his hands. you can’t help but think he looks rather handsome, reminiscing his high school.

"in one word: it was fucking insane. he brought a lot of insight about what to expect in the actual field, and how to treat with bystanders—the little motherfuckers—, and he was always pushing us to do our best. he’s the sort of person you just know cares about what he’s doing," he explains, "our homeroom teacher, mr. aizawa was also very much like that, even though he didn’t look it. ua students are lucky when it comes to teachers. but they’re all ungrateful snotty brats"

it’s the first time bakugo katsuki has ever said something nice in public, even if it has some mean side dishes (wouldn’t be something bakugo katsuki said otherwise). at this point, it’s just you two in the room. no lights, no cameras, no audience, not even the questions you’ve jotted down in your notebook. only a conversation between two people. katsuki wonders if it’s a you effect, and he figures it must be, because he’s never as comfortable as he is talking to you. it comes so easy.

you smile, and it takes everything in you to not reach and put your hand on his arm at his words, the reminder of all the people watching in the room and through the cameras a dying reminder in the back of your mind. you like having him here, and you frankly don’t understand why other hosts dread his visits.

"sounds like a wonderful experience. i’ve talked to others from your course and they all speak of it with so much fondness, just like you. even with the hardships you had to endure," you clear your throat, voice dropping to barely a mutter. even the mic strapped to your blouse has trouble picking it up, "but i’m sure you don’t like thinking of them, i know i don’t. so, i know you’ve said all might and eraserhead are big inspirations, but do you have any other people you admire?"

you know you’re pushing your luck. your tone is far too friendly to be considered professional now and he’s not one to be heartfelt on camera. but if you could just get him to confirm what cellophane and shoto said last week... what you just know is the truth, but dynamight is a bit too proud to admit. you can see it in the way he looks away and puffs his cheeks to blow air.

"i mean, obviously, i’m incredibly grateful to best jeanist and edgeshot, they fucking saved my life," his cheeks grow the slightest bit of pink under your intense gaze. he almost chuckles as you nod entranced and edge just a tiny bit closer awaiting for the true answer. he guesses he might as well indulge, so, with a much lower tone, he continues, "and ya know, in class there were others that were pretty good too. not as incredible as i am, but close enough. if i had to pick any, maybe shitty hair and the dumbass deku. i guess"

screw the lights. your smile is blinding. it shines so much bakugo suddenly doesn’t feel like the answer was practically yanked from his throat. this is too much for his rearranged heart.

"that’s funny, they speak pretty highly of you too," you giggle. your eyes clash, and the small smile that forms on his face is instinct, he can’t control it. one, two, three.

"of course they fucking do. they better, else i’ll crush their bodies," he huffs, snapping back to his position before he was gobsmacked by you.

"all right, i’ve just got a couple more questions before we let you go," you get back on track too, despite the heat on the back of your neck, "uhm... oh yeah! well i guess you’ve answered this already, but just in case. you said red riot and deku were people you admired as heroes, i take it they are also the easiest to partner up with? i know pro hero deku is out of commission at the moment, but back when you still worked together"

dynamight actually thinks about this one. he furrows his brows, and his weight shifts on the sofa. he hums as his hand strokes his chin.

"well, it depends on the job. generally, i do like to partner up with them, we understand each other very well, as do everyone form our class. the time we spent training with each other pays off. so yeah, they’re easy to work with. but also, the half ‘n half bastard is quick to respond to what i do, and ponytail is a great strategist when it comes to infiltration or a mission that takes planning. the damn rabbit gets on my nerves a lot, but we make a good team. she should start thinking about retiring though, before she starts dragging me down"

"it’s lovely to hear the heroes of japan are so tight and coordinated. i must say, hearing you praise them is refreshing," your lip gets caught in your teeth in an attempt to stop the growing smirk, but your eyes betray you.

"oi, don’t misinterpret what i’m fucking sayin’. they’re all still pains in my ass, each worse than the last one"

"uh huh... okay, last question. if you weren’t a hero, what would you be?" that takes him aback.

"fuck you mean? i was always gonna be a damn hero. i don’t know. maybe one of those people that handle bombs in the army or some shit like that," he shrugs, but then a beat passes, "a firefighter"

"final answer?" you arch a brow. he grunts an affirmation, "o-kay! well, it’s been a pleasure to have you here, i hope we did not waste much of your time, but you’re free to go now. i appreciate that you didn’t shout"

he chuckles, following your steps as you get up and circle your table to get to him and say goodbye. the audience is clapping for you two, ryu is releasing the breath he’d been holding all throughout the interview, and the camera people are preparing to shut off. you reach him, and just like his smile before, his next actions are pure instinct. even more, they’re almost a routine.

his hand reaches for your waist, and he effortlessly pulls you closer, placing a gentle kiss on your forehead. now, in this routine, it’s not common that you tense up. usually, you wrap your arms around him and nuzzle into his chest. you look up to him, eyes wide, and it takes one millisecond for him to realize what he’s done. he curses under his breath, and you laugh.

"welp, there’s that. no more hiding this," the stunned public is so silent they hear your whispers, "see you at home?"

katsuki gives you that low laugh you love, squishes your waist, and nods.

"yeah, see you at home"

ryu dials his family to say his goodbyes as his boss steps off the stage and the audience recovers from the shock. he prays the call gets through before the world suddenly explodes.

luckily, the world doesn’t combust, and he lives to see the heart magazines with your image on their covers and headlines screaming about japan’s favorite talk show’s host and potty mouth’s newly discovered relationship.

[lych33dragoncookie]

Alright. Chapter 6. Boy do I have some choice words about this one.

Let's start small, though. With Spice being a fucking freak.

Look, I'm a Dragon Ball fan. I'm easy to please with this kind of thing. You give me a character who is really weird about fighting and I'll hoot and holler about it all day long. This isn't a generic "Villain plays with their food, this ends up being a terrible mistake later" situation; Spice could have killed her right there and then, much like Flour intended to do with Dark Cacao when his soul jam was stolen, but here? Nah. He wants to coke this woman up for a chance at a good fight with her and her in specific. Weirdo. I like him.

Smoked Cheese continues to be really really good this update, by the way. I couldn't be any more glad to have him here.

He's blunt. He knows how to strike a nerve, how to push someone's buttons; just because he's undeniably on the side of good, that doesn't mean these inherent traits of his' are gone. They're being repurposed, the same methods going towards a better end, he's still undeniably him, no one else would speak up to the queen like this, he knows what makes her tick, and he's using that to drag her off of the ground and bring her back up. I'm absolutely loving every bit of it.

This chapter also does a really good job of accentuating the sheer contrast Golden Cheese and Burning Spice have as rulers, with the former having outright raised her closest subjects, keeping them on an equal level, and providing for them with no hesitation or restraint, while the latter keeps his subjects in line through fear and nothing more.

Specially because, later on, it's shown that it's not at all empty threats...

He fucking killed her.

This is entirely unprecedented. I don't think we've ever seen anyone kill another character, NPC or not, onscreen. Elder Faerie didn't so much die from being murdered or anything, as much as he gave away his own life force and all that stuff to White Lily so she could deal with Shadow Milk This isn't that. This is a character being unceremoniously, ruthlessly killed, even if it wasn't a playable one. A cookie, no less; not any of the little animals, who despite their sapience wouldn't have had the same sort of impact, no, he instantly reduced this one cookie to nothing without any hesitation or remorse, and threatened to do the same to her grieving followers immediately after.

Golden Cheese keeps her followers by giving without any restraint, while Burning Spice keeps his followers by letting the threat of destruction loom over their heads constantly, willing to take from them the moment he gets an excuse to, or just because he feels like it.

And, speaking of him; while this update didn't give us a glimpse on how he started, that "first kingdom" that he ruled and presumably saw wither to dust, we did get to see something else.

His breaking point.

Admittedly, I feel like if one were to observe just these 2 story chapters, cutscenes alone, they'd get the wrong impression. If we look outside them, we're well aware that Burning Spice was once a benevolent figure, and that even now he avoids thinking about the first kingdom he ruled. With that context, these lines make a lot of sense.

Despite being the herald of change; time, change itself, was not kind to him. Burning Spice shows us the inherent pain of the idea of immortality. Of how futile it would feel to get attached to absolutely anything, knowing it'll all just wither away sooner or later, and you'll outlast those very things. After an innumerable amount of time, seeing entire civilizations rise and fall, over and over again, becoming more and more desensitized and numb to it all after the great pain of that first loss, it's no wonder it would all end up feeling utterly pointless. Why get attached if it'll all become nothing eventually? If by getting attached, you're just leaving yourself vulnerable to the pain of loss again? Why have any interest in this newly sprouting life if it'll all just wither away like all the ones before? Life, unfortunately, is limited. Fleeting. And while that already causes great pain to those possessing mortal life, at least they too know that it won't be forever. That we're all on the same ground, and that we can make the best of the time we have. But if all you have is time, time that nothing else around you has, then...

Eventually, without a strong will and the right philosophy, it will drive you mad. And that's exactly what happened here. Life may be fleeting, something irreplicable yet completely limited; but just as there will always be life, there will always be a way for that life to be extinguished. Life is unrepeatable and unique, but destruction? If you find pleasure in destruction, you always have something to look forward to. The feeling caused by razing everything to the ground is perfectly replicable, something that can't be taken away from you. It's immediate, final, and requires no pain or attachment. Empty and unfulfilling, yes; but painless and addictive.

There is no greater pretense. There is no long term. There is no end goal.

It's just all about getting addicted to the thrill of senseless, heart-pumping violence. If there's always something to destroy, there's always something to look forward to, after all; something no one can take away from you.

... Of course, this isn't to say any of this is correct. Obviously not. The complete improbability of a scenario where one cannot die of old age aside, this is the complete opposite of how you should approach this. You can keep reminders of said fleeting life, find attachment to things that will last just as long as you, make sure to never forget all the experiences that immortality has allowed you to form, and value what you have in the moment, making sure to let its memory and purpose live on through you. Something a certain someone else will, most likely, embody as her long, long lifespan continues.

Ok, this was all meant to be one post, but I have too many images to put here, and Tumblr really doesn't like that. So...

1/2

See you in like, another 30 minutes or so. Idk.

[doodler16]

I will forever dislike this moment from Hazbin Hotel, more specifically episode 4: Masquerade where Husk is the one forced to find Angel Dust after he ran out the hotel because of their argument and proceed to do all the heavy lifting. Like yeah, I am sure you can criticize Husk when he was arguing with Angel Dust, he probably could’ve been nicer when Angel entered into the bar (keep in mind he was forced to do an extremely long shoot). Then again even if Husk was nice I doubt the situation would change. But at the same time, Angel didn’t do himself any favors by escalating the situation by not only sexually harassing and being rude to Husk.

Once Angel Dust runs out, Charlie feeling guilty and watching this whole thing go down admits how much she messed up at the studio. Keep in mind, mainly Charlie and indirectly Vaggie are the reason why this shitshow happened to begin with. So, you would think Vaggie would rightfully criticize Charlie and potentially blame herself for not going with Charlie in the first place as it was her idea for Charlie be “aggressively kind” then afterwards force both Husk and Charlie to look for Angel Dust.

We get that none of that. Even after Charlie admits how much she messed up, Vaggie comforts and reassures Charlie then shifts 99% of the blame and responsibility towards Husk, forcing him to go look for Angel by himself when Charlie not listening to Angel Dust and butting into the shoot caused this. And, what does Charlie do when Husk does most of the work, she unseriously says that she will make 100 apology letters and make a lesson plan about boundaries.

The worst part is that it was portrayed as this cute and funny moment to the viewer when it’s the exact opposite. Charlie 100% could have benefited joining Husk. It would’ve been a great bonding moment between the three along with seeing their dynamic onscreen, Charlie could learn from Husk’s interactions with Angel that she is the problem regarding the hotel. Questioning her methods slowly and later realizing that she should be doing more to connect with the other sinners and not acting like a summer camp counselor. We also could’ve gotten a great moment between Charlie and Angel, Charlie seeing Angel as more than just a druggie and hyper sexual person. Having Charlie also reflect seriously about her status and privilege.

Ironically, Vaggie is such a bootlicker at times to Charlie and let things slide, I hope someone in the Hazbin squad calls her out of that. Angel and Charlie you can do so much with them with this episode and have many possibilities. Missed opportunity but whatever.

[edelgarfield]

daniel molloy feels like he was made for me personally but not in the usual blorbo brainrot way.

my dad had parkinson's since like 2013. it's a very long and complicated story and there's a lot i don't know because my dad deliberately kept me out of the loop when it came to his health.

but i watched him get worse and worse for a decade with no end in sight, always thinking one day far too soon i would need to learn how to care for him when i still needed him to take care of me.

but at the beginning of 2023 he got a brain implant (DBS it's a Thing for Parkinson's) and even after only a few months he felt great and he was so so excited to get to do all the things he'd had to stop because he physically couldn't do them anymore or he didn't want to be seen in public.

and then he got cancer. he died last november.

it was the most awful, cruelest, unfair twist of fate.

i watched iwtv at the beginning of this year. IMMEDIATELY in the first few minutes of daniel being onscreen I knew he had parkinson's. eric absolutely nailed the fear, & hopelessness that comes with being unable to control your own body. it was exactly like watching my dad again. it felt like a gut punch when the show confirmed it. louis offers to turn him and says "you'll be able to see your daughters get married." im ambivalent to marriage, but knowing if it ever happens my dad won't be there? why does this show have a line that feels like it's directed at ME?

you can count the number of major characters with parkinson's on your fingers & toes, so for daniel to show up NOW, in one of the most popular series in TV at the moment? i barely even WATCH media, iwtv is like the second show i've watched in the last 5 years.

the end of S2, seeing him "cured" and living again, getting to be youthful and independent. he spends the entirety of the show in a cage, under constant surveillance, the way my dad probably felt for so long, needing to have someone nearby to help him. we finally get to see daniel out in the world, free, living the life my dad nearly got before it was snatched away.

idk if it's cruel or cathartic but whenever i see daniel i think of my dad. in a small way, it's like having my dad with me for just a little bit longer.

[ghibli-collector]

Another interesting article about the new Ghibli film Boy and the Heron with great insights into Miyazaki’s relationship with Joe Hisaishi and Toshio Suzuki making films over the years. Again it has a few spoilers

What’s it like to work with Hayao Miyazaki? Go behind the scenes.

News of Hayao Miyazaki’s retirement can’t ever be trusted.

The Japanese animation master’s repeated claims that he’ll give up filmmaking are a response to the strain that creating each of his largely hand-drawn universes entails. At least that’s what Toshio Suzuki, a founder of Studio Ghibli and Miyazaki’s right-hand man for the past 40 years, believes.

"Every time he finishes a film, he’s so exhausted he can’t think about the next project,” Suzuki explains. "He’s used up his energy physically and mentally. He needs some time to clear his mind. And to have a blank canvas to come up with new ideas.”

A decade after 2013’s "The Wind Rises” was heralded as Miyazaki’s final film, the 82-year-old auteur’s newest feature, "The Boy and the Heron,” is being released in the United States after major success in Japan over the summer, where it opened without any traditional publicity.

Though the director hasn’t given any interviews about "The Boy and the Heron,” Suzuki, 75, who is also a veteran producer, and Joe Hisaishi, 72, the longtime composer on Miyazaki’s movies, describe in separate video interviews the master’s working process and how their collaborations have evolved — or not — over the years.

Suzuki is casually dressed and speaking, via an interpreter, from Japan, where he sits next to a pillow emblazoned with Totoro, the bearlike troll that serves as the studio’s logo. He says the new fantasy film is Miyazaki’s most personal yet. Set in the final days of World War II, the tale follows 11-year-old Mahito, who, after losing his mother in a fire, moves to the countryside, where a magical realm beckons him.

"At the start of this project, Miyazaki came to me and asked me, ‘This is going to be about my story, is that going to be OK?’ I just nodded,” Suzuki recalls with the matter-of-factness of someone who’s learned it would be futile to stand in the way of the director.

For a long time, he says, Miyazaki worried that if he made a movie about a young male, inspiration would inevitably be drawn from his own childhood, which he felt might not make for an interesting narrative. Growing up, Miyazaki had trouble communicating with people and expressed himself instead by drawing pictures.

"I noticed that with this film, where he portrayed himself as a protagonist, he included a lot of humorous moments in order to cover up that the boy, based on himself, is very sensitive and pessimistic,” Suzuki says. "That was interesting to see.”

If Miyazaki is the boy, Suzuki adds, then he himself is the heron, a mischievous flying entity in the story that pushes the young hero to keep going. Director Isao Takahata, Studio Ghibli’s third foundational musketeer, who died in 2018, is represented onscreen by Granduncle, a wise but weathered figure who controls the fantastical world Mahito ventures into.

Suzuki first met Miyazaki in the late 1970s, when the animator was making his first feature, "Lupin III: The Castle of Cagliostro,” an amusing caper. Back then, Suzuki was a journalist hoping to interview him.

But Miyazaki, who was working on a storyboard, had no interest in talking and ignored him. "Out of kindness, I thought it was a good thing to introduce his works to my readers, and for him to be very cranky and disrespectful, I was very angry,” Suzuki remembers.

He stuck around the studio for two more days of silence. On the third, Miyazaki asked him if he knew a term for a car overtaking another during a chase. Suzuki’s reply, a specific Japanese expression for such action, finally broke the ice and kick-started their long-term relationship.

"Miyazaki still remembers that first meeting, too,” Suzuki says. "He thought that I was a person not to be trusted. And that’s why he was very cautious about talking to me.”

Over the years, Suzuki has become increasingly indispensable for Miyazaki. "He always tells me, ‘Suzuki-san, can you remember the important things for me?’ And then he feels that he can forget about all the important things not concerning his films. I have to remember them for him,” Suzuki says.

Best friends more than mere collaborators, Miyazaki and Suzuki talk every day, even if there’s nothing urgent to discuss, and make it a rule to meet in person on Mondays and Thursdays. "What we talk about is very trivial most times, I guess he feels lonely or misses me, but it’s always him who calls me. I never call him,” Suzuki says, adding with a laugh, "Sometimes he even calls me in the middle of the night, like at 3 a.m., and the first thing he says is, ‘Were you awake?’ And obviously I was not. I’m in bed!”

In contrast, Hisaishi, the composer who first worked with Miyazaki on the 1984 feature "Nausicaa of the Valley of the Wind,” has a strictly professional relationship with him.

"We don’t see each other in private,” Hisaishi, wearing an elegant sweater, says through a translator. "We don’t eat together. We don’t drink together. We only meet to discuss things for work.” That emotional distance, he adds, is what has made their partnership over 11 films so creatively fruitful.

"People think that if you really know a person’s full character then you can have a good working relationship, but that doesn’t necessarily hold true,” Hisaishi says. "What is most important to me is to compose music. The most important thing in life to Miyazaki is to draw pictures. We are both focused on those most important things in our lives.”

On "The Boy and the Heron,” Miyazaki didn’t provide Hisaishi with any instruction. The musician watched the film only when it was nearly completed but still with no sound or dialogue. At that point Miyazaki simply said to Hisaishi, "I just leave it up to you.”

"I feel he was just thinking that he could rely on me and expected me to come up with something,” Hisaishi says. "I feel like I was very much trusted to do this.”

For all of their previous collaborations, Miyazaki would bring on Hisaishi to discuss once three out of the four or five parts of the storyboard for a new film were ready. That the process changed this time was possible only because of their shared history.

"It’s as if we’ve been Olympic athletes making a film once every four years for 40 years,” Hisaishi says. "It’s been a long time of training and performing. When I look back I’m amazed that I could write music for these very different films.”

In his contemporary classical work, Hisaishi had been working on minimalist compositions with repeating patterns, and he took that approach to the new film.

While he maintains they are just colleagues, every January for the past 15 years, Hisaishi has composed a small tune, recorded it on a piano and sent it to Miyazaki as a birthday present. This tradition has now become the seasoned musician’s lucky charm.

"After about three times I thought, ‘This has probably run its course,’” Hisaishi recalls. "I didn’t send one the following year. That whole year I wasn’t able to work very well. It was sort of a jinx that I had not sent him something, so I started sending him the music again for his birthday,” he adds with a laugh.

Both Hisaishi and Suzuki say their interactions with Miyazaki have not changed much over the decades. On the contrary, the men have become staunch creatures of habit.

Asked why his profound connection with Miyazaki has endured so long, Suzuki says: "I don’t necessarily agree, but he once told me, ‘I’ve never met someone so similar to me. You are the last person that I will meet like that.’”

BY CARLOS AGUILAR

THE NEW YORK TIMES

[sufferu]

So I’ve been working here and there on bits and pieces of a reaction fic of my own, and here’s a bit of a ficlet that kinda shows what I’m going for lol.

Reaction Fic Excerpt: A Stroll Through The Capital

____

“This is it! This is my chance!“

In the present moment, Subaru’s face turned scarlet.

Julius snorted loudly, quickly moving to cover his mouth with his hand as Subaru’s antics quickly escalated onscreen. “Sorry,” he apologized. “I just— forgot about that part of what you are like.”

“Shut up,” Subaru muttered.

Ferris was making no such effort to hide his mad cackling. “I didn’t forget!” he crowed. “Aw, this is gonnya be so much fun. I’m nyever letting nya live ANY of this down—“

“Shut uuup—“

Ferris was having fun teasing him. Many of the more naïve members of the audience were giggling right alongside him — but on the other side of the theater, Wilhelm had a darker look on his face.

Beside him, Rem was sporting a similar expression. “Wilhelm-san, is it?” she said quietly.

“That is correct,” Wilhelm said, not unkindly. “How may this old man be of service?”

“That boy…” she chewed her lip. “He got dragged into an entirely different world,” she clarified. “Without his knowledge and against his will. He was left entirely alone on the streets of a strange city where he did not know the language, with no understanding of the world around him, no means by which to defend or provide for himself, and with nobody willing to help a stranger like him out of the goodness of their hearts.”

“That…is correct.”

Rem didn’t say anything more. She didn’t need to: Wilhelm had already come to the same conclusion as her — as had most other individuals throughout the theater, if the looks on all of their faces was any indication. Even Ferris had a subtle air to his movements that hinted at his teasing being more of an attempt at a distraction from that horrifying revelation than a genuine source of amusement — though perhaps it was both.

Emilia was not one of those individuals. Neither were Beatrice or Garfiel, both of whom she was attempting to shush. “It’s reeally not nice to laugh,” she scolded. “Subaru didn’t even want us watching any of this, so be nice. And we promised not to make fun of him for anything embarrassing we see here, remember?”

“Subaru makes it difficult not to laugh, I suppose,” Betty giggled.

“N-Nah,” Garfiel sucked in a breath, his mouth twitching. “Princess’ got a point,” he agreed. “This is already — kinda private. My amazing self wouldn’t want anyone laughing at my memories either, no matter how embarrassing. Captain deserves — at least a little grace —“

Everyone watched as onscreen Subaru was gently shoved away from a demihuman-only bar, somehow tripping over his own two feet and falling over the railing and into the river of the Capital.

Garfiel burst out laughing all over again. This time Emilia gave up on trying to make him stop.

“Is this really how it was supposed to be?” The Subaru onscreen muttered to himself, sitting in an alley, absolutely drenched. “Wasn’t I summoned into a parallel world?!”

Anastasia watched with interest as Subaru rifled through his things, grumbling. “That’s the metia you used to find the White Whale, ain’t it?” she pointed out, eyes flashing greedily. “How did that work if it was from another world? Did ya have a bunch of mabeasts there, too?”

Subaru shifted nervously, embarrassment being taken over by something resembling unease. “N-Not exactly,” he admitted.

“Hmm…” Anastasia watched the caged Subaru for a moment longer before turning back to the screen.

“The truth is,” onscreen Subaru was saying, “I have no idea what to do next, and I still have no idea how or why I was summoned. I don’t remember stepping into a mirror or falling in a pond —“

“Wait, so.” Julius frowned. Oddly enough, he seemed to be relaxing at the sound of this statement. “Is this sort of occurrence normal, then? For castaways from beyond the Great Waterfall.”

“…N-No,” Subaru admitted, his face burning. “I kinda just — i-it was a popular book trope back home, so…” He hunched in further on himself. “I just assumed things were like that?”

“Oh.” Julius looked uncomfortable all over again, perhaps even moreso now than before. “I see.”

“— and if I’m to believe this is the otherworldly summoning format I’m used to, where is the beautiful girl who summoned me?”

Julius choked, hastily coughing into his fist. Everyone else had no such restraint. The room burst into laughter once again.

“I think I knyow what kinds of stories Subaru-kyun likes to read!” Ferris teased.

“Can it!” Subaru retorted, face almost as red as Reinhard’s hair.

“You know,” Julius attempted to soothe, the corners of his mouth twitching. “I do have a number of romance novels in my collection. If you would like to borrow—“

Subaru buried his face in his knees and screamed, the sound muffled.

[felassan]

Snippets. 🐺💜

Corinne Busche celebrates 5 years at BioWare! [source]

Devs Michelle Flamm and Gabe Graziani: "feels weird that 'the last game informer cover game is a game I worked on' is a thing I can say now" / "And all of the exclusive coverage we did with them is just... gone." [source, two]

Jon Renish: "It's just a coincidence but, the last cover for Game Informer is 'Dragon Age: The Veilguard', the last printed Prima strategy guide was 'Anthem'." [source]

John Epler: "christ. seeing game informer shutting down is awful. seeing them shut down literally three months after spending time with them is fucking me up. hope everyone lands on their feet. unbelievable." [source]

Jay Ingram (on GI): "Oh my gosh. It was always so exciting to see what the cover story of a month would be, and then even more so as a dev when you showcase games I've been privileged to work on. This is so sad. Thank you for everything. I wish you all the best. Truly the end of an era" [source]

Derek Wilks: "Seriously hate to see Game Informer go. They’ve been my go to for years. Always loved their magazines. They will be greatly missed. It’s a bittersweet honor to have our game as their last cover story. Wish they could have continued forever. 💔" [source]

User: "Will Briala make another appearance in the future (not necessarily in Veilguard)?" Trick Weekes: "Anyone who didn’t die onscreen could potentially show up again someday." [source]

[Here] is the link to costume builder Ladytoxie's SDCC V-log! Ladytoxie was invited to the DA:TV@SDCC Fandom party, at which they cosplayed Bellara. In the vlog, they discuss their Bellara cosplay, the process of creating it, their experience going by the BioWare booth at SDCC, and their Fandom party experience with the devs. The vlog also includes a bonus short interview with the devs from SDCC. In the vlog you can see that, along with the dragon screenshot, an alternative option for the background of the DA:TV photo booth pic was this tavern screenshot that we've seen. Ladytoxie also mentioned in the vlog that it's clear how much love and work the devs have put into the game [source]

^ The devs talked a bit about DA/the game & characters in the bonus interview. I'm not 100% sure if I heard all these details right, so apologies/correct me if I misheard, missed or misunderstood any of it (listening to the original source first-hand is of course always most advisable!!), but it sounded like: Corinne Busche feels most connected to Maevaris Tilani. Corinne Busche loves the qunari and would cosplay as Taash, as she loves the scale, armor and Rivaini gold. Her favorite companion is Emmrich. John Epler would cosplay as Lucanis, calling him so stylish and suave. It sounded like he said he wrote Bellara and a few other characters. Ashley Barlow would cosplay as Neve, saying that she has [awesome] dialogue, quick wit and is sassy. Parrish Ley would cosplay as Davrin. He said that Davrin has some awesome armor pieces, with the hands and feet being lots of interlocking pieces of metal. Parrish Ley is a big face and hands animator, so when he's animating Davrin's armor, his hands and feet get a lot of focus, so that he looks great in any pose from any angle. [source] <- Check out the vlog here!

User: "bioware, it is now the second of august." Dev Jess: "Soon 😄" [source] User: "On my knees groveling for more information on Taash" Jess: "soon :)" [source]

User: "Coming back to say Thank you so very much for Veilguard! Coming back to Thedas feels like Home!!". Derek Wilks: "It’s absolutely our pleasure. We’ve truly made something that we love, and hope you all love it too. 🧡" [source]

User on Fenris in DA2: "coolest character introduction ever". Derek Wilks: "So far 😊" [source]

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[danepopfrippery]

Ive had a chance to chill and think and id like to add forget nandermo right. Ok the last season fucked EVERYONE over.

Tbh they couldve had Colin take a dump onscreen and itd have been less a fuck u to fans.

From least offensive to worst:

Only one who came out close to decent was Colin. But they left so many stupid threads. He beat the piss out of guillermo once just cuz i guess? He still doesnt remember Laszlo being his dad, and the one friend he thought he had resents him cuz his wife wants him.

Laszlo would be second least bad. He did have a really great emotional ep with his dad issues, and he and Colin working together was sweet. But Laszlo treated monster bad after being a good dad to colin. The end. The only two consistencies is he loves his wife and he can be a right idiot when feuding.

But im pretending rosemarys baby was the real end so he and Nadja both got pregnant and had their sons. Love it.

Id place Nandor here but the Guide thing was such fucking left field and they stuck with it til the end. Otherwise him enjoying pointless work and being hurt and running away is on track.

Then Guillermo. What a wasted god damned season. Is Jordan a vampire? Who knows. What did Miguel have to say on the ride home? Who knows. Literally nothing learned or gained here.

Sean got a really weird half storyline. I believe hes that big of a drunken lout. No gains here either.

Nadja had another season of being loud and obnoxious. Playing human was fun (incl ruining the banana phone joke) but the fails were cringey. Nadja is smart and capable, they havent given her much since the nightclub. The end. Also for no reason she has a lot of buckets and pillows (but again i did like the Rosemarys baby ending).

Then the Guide….no one got fucked over harder then the Guide.

She hasnt had a purpose since the Vampiric Council in 3. They made her full time and promptly Meg’d her character (meg from family guy who is treated like shit). Ok nightclub stuff was tolerable, esp being acab.

Then she becomes a nag trying to trick Nadja and make them let her in. Shes whiny and pathetic. Instead of talking to her one friend Guillermo she sets a trap.

By open of 6 shes barely found. Until Nandor decides right here and now he wants her bad. She wisely refuses and we never get an answer why the sleep hypnosis brought that idea on. She works for Jerry off screen and leaves the credits.

Shes fine in the revenge ep and fun when she tells Nandor to fuck off. Suddenly she doesnt even count as Guillermo’s friend (office party) and the last we see of her shes whiny and suddenly magafv. Thats basically the last line i think?! For her anyway.

[lazzarella]

This has probably been said in the past however many hours since the ep dropped, but I really enjoyed the range of Dunk's acting this week! It feels like we're getting more and more from him as Style, and this week felt like the most he had to access different emotions in THK so far? (Please note I watched the ep once 11 hours ago and have slept since then, so I could be wrong lol)

The three moments that stood out to me:

Style's anger in the diner after he's made (another) scene and tells Fadel he doesn't get nailed and bailed. We've seen his frustration and annoyance at losing to Fadel before, but I was particularly struck by how Dunk manages to make his gaze both fiery and steely when they're having that stare off. I don't know if I'm describing it well, but I loved it. Also, I think that anger and frustration has always been real, too, not part of his performance, or at least not wholly his performance to win Fadel over, but even if it's the Real him, it's still guarded, I guess? And the way he used his body was great, too—like I could feel him literally vibrating with anger. And I could feel the humiliation beneath the anger!

Then, obviously, the moment before they kiss in the abandoned place (greenhouse? IDK) was the second one. That's the first time we see him completely unguarded with Fadel and it's beautiful. The look in his eyes?? Nearly took me out! I won't expand on it further because it would just be keyboard smashing, but gosh! Top tier eye acting there

And, of course, the gym scene—this one is maybe more obvious because no one could mistake what he's feeling, but it was more to contrast with both the other scenes this ep and because we haven't seen Style like this at all. It's a huge contrast to how we usually see him and Dunk nailed it. Like, it was both funny and keeping in line with the heightened tone of the show, but you (well, I) also felt genuinely nervous for/with him XD

(And all of this is played off of what Joong's doing too—I've always delighted in seeing them onscreen together but as I binged their previous two series, I haven't been able to really indulge in it like I have with THK)

There were definitely other moments too! Like, how he's different again with his dad, and of course the reveal scene with Kant, but those were just the Big Ones to me.

And, yeah, I feel like if you just took screenshots/gifs of his eyes in each scene, you'd see the different emotions so clearly? Maybe that seems obvious or silly to point out, but I'm a sucker for some good eye acting, and I'm enjoying the range of emotions Dunk has been giving so far

[mikaila-orchard]

Anduin still gets more respect and dignity than Sylvanas ever did and I'm still mad about it.

Aight, the new WoW trailer stirred up some old animosity that I have to get out lest it fester.

The problem I've had with Anduin for the past few years is something that isn't even strictly his fault, and is just symptomatic of how shitty the writing staff is. In theory, Anduin is an interesting bit of flavor for the Alliance. Someone who was raised in a very turbulent time in the Alliance's history, gone through some shit when he was too early to handle it and is plagued with self doubt because of it. All of this complimented by Velen's vision of Anduin's future going down two very different roads.

Alas, the problem is in execution. Because what we are left with in practice is a character who goes through comparatively less than other legacy characters (Thrall being raised as a slave, Jaina losing her home and loved ones regularly and Sylvanas with fucking everything) but who, by the time Shadowlands rolls around, insists that he is the one suffering the most and everyone else needs to get over themselves. And that wouldn't be so bad (hell, in Shadows Rising, it's kinda treated as a genuine character flaw) but that's not the case because WoW treats Anduin like the moral barometer of the franchise for many years now.

There are multiple examples of this throughout, but the biggest culprit is all across BFA and Shadowlands, where Anduin is made to understand the hardships that Sylvanas and the Forsaken have suffered, most of it by the Alliance's hands, and just shuts it down with "Everyone suffers, stop hiding behind your trauma and rise above it," and because BFA is framing him as the hero and Sylvanas as the villain he gets away with it. In the fucking Sylvanas book, he has the gall to say Sylvanas had a better life than him because she knew her mother and calls her selfish for committing suicide. And of course the book frames Anduin as being in the right about all of this because they decided Sylvanas holding him captive was the time they would even allow to let her reach out to someone and hope they understand her. The deck was always stacked against Sylvanas and in Anduin's favor in terms of audience sympathy.

But then, what happens in Shadowlands? He gets dominated by Zovaal, stabs the Archon (doesn't even kill her), maybe kills a bunch of unnamed npcs off screen, and fights his friends. Not a single tally to add to his body count while he was a puppet. And when he is freed from Zovaal's control, he doesn't lose his support system, he doesn't lose the respect of his loved ones or his people, and he's not put under pressure to just be okay again.

AND YET!

He still goes on this self imposed exile of his, and has been on it for over half a decade at this point, because he is just too haunted by everything he's 'seen and done'. Things that we as the audience don't really see. So in practice, the justification for all this on screen angst is so painfully weak. And yes, there's no wrong way to respond to trauma and there never will be, and Anduin's trauma responses are far from unrealistic.

But compared to Sylvanas, Anduin is giving a great deal more respect and dignity by the narrative for, comparatively, much less. Sylvanas was enslaved and forced to murder her countrymen (onscreen too, we MADE HER DO THAT in warcraft 3) and when she was finally freed, she had no support system besides her rangers and Nathanos, she was feared by her former homeland who only accepted her help out of desperation and was hated and distrusted by enemies and allies alike way before she might have done anything to deserve it. The game even leans into the idea that the Sylvanas who suffered all this trauma isn't the real Sylvanas and we just needed to restore her soul to have the pure pious ranger general back (barf). And she still has to toil away in superhell because the writers were too chickenshit to fully backpedal on the deliberate character assassination the sexual predator on staff forced upon her.

"Oh, but M'Kay! That's the writers fault, not Anduin's! You can't blame him for all that."

Maybe not but a lot of the issue here comes from the fact that so long as the people who enabled this inequity of care remains on staff (IE fucking GOLDEN) this won't stop. So what choice do I have but to loathe the byproduct of this fuckery when it's being shoved in my face like this? What other way could I possibly interpret this disparity other than as misogyny?